Resources for teachers: Bring the world to students with knowledge!

The Science of Reading shows that literacy develops best on a foundation of knowledge. In other words, the more you know, the easier and faster you learn!

The Amplify CKLA literacy curriculum intentionally builds students’ background and academic knowledge—along with comprehension strategies—that fuel their capacity to understand texts, answer questions, and grapple with ideas.

Explore resources for teachers from educators across the country who are bringing Amplify CKLA Knowledge Domains to life in their classrooms!

Children sit on a classroom rug, guided by the literacy curriculum, as a pirate character stands on a beach. Two cacti in a desert add to the scene, and two children interact at a table with resources for teachers.

Kindergarten

In kindergarten, students develop phonemic awareness with storybook characters like Zack and Ann Chang; draw a chart to identify different smells; learn about the Lenape, Wampanoag, and Lakota Sioux; and pay homage to classic nursery rhymes by jumping a candlestick.

An illustration featuring a green, one-eyed character with a hat in front of a farm scene with fields, a barn, a bird, and a pig. A red book lies open on the ground, suggesting an engaging literacy curriculum that brings stories to life.

Domain 1: Nursery Rhymes and Fables

To celebrate the end of the Nursery Rhymes and Fables unit, students participated in a Nursery Rhyme Olympics.

Credit: Kelly O’Connor, Huber Street Elementary School, NJ

BONUS VIDEO: Watch this video to see Nursery Rhyme Olympics in action!

Domain 2: The Five Senses

As a special activity for the Five Senses unit, students explored their sense of taste with a pop-up farmers market.

Credit: Debbie Braaten, Abraham Lincoln Elementary School, OH

BONUS VIDEO: Hear how Jamie Vannoy, a teacher in Wirt County, WV, plans a braille activity for this unit!

Domain 3: Stories

Kindergarteners worked in groups to construct houses using straw, sticks, and bricks to commemorate the reading of “The Three Little Pigs.”

Credit: Manal Abuhouran, Clarendon Elementary School, NJ

Domain 4: Plants

To apply their learning, students at Superior Elementary planted grass seeds at the beginning of the Plants unit, then cared for and observed the grass daily to ensure it flourished.

Credit: Emma Fynbu, Superior Elementary School, NE

Domain 5: Farms

To celebrate the Farms unit, students visited a local farm to study the equipment and farm animals!

Credit: Kirsten Tingley, Cumberland Valley School District, PA

Domain 6: Native Americans

To showcase their knowledge, students created a gallery walk that displays information about the Lakota Sioux, Wampanoag, and Lenape tribes.

Credit: Dalphne Harrison, Aldine ISD, TX

Domain 7: Kings and Queens

To mark the end of the Kings and Queens unit, this class hosted a royal tea party in the cafeteria, featuring cloaks and handmade crowns.

Credit: Chrystal Wise, Malvern School District, AR

Domain 8: Seasons and Weather

Teach your students more about seasons and weather: Invite your local meteorologist to visit, like this classroom did!

Credit: Chrystal Wise, Malvern School District, AR

Domain 9: Columbus and the Pilgrims

Students create illustrations of Columbus’s journey to present their knowledge for this unit!

Credit: Mandy Collins, Fayette County Public Schools, TN

Domain 10: Colonial Towns and Townspeople

As you wrap up this unit, take inspiration from this school: Make shop signs and tables to create your own colonial town!

Credit: Andrea Gatten, Propel Schools, PA

Domain 11: Taking Care of the Earth

We love this culminating activity! Students create awareness for a cause by creating persuasive signs, videos, and a class petition. This multimedia display shows them embracing the values of environmental stewardship.

Credit: Heather Keating, Gulliver Prep, FL

Domain 12: Presidents and American Symbols

To close the Presidents and American Symbols Domain, hold a sample election in your classroom! Create a voting booth, ballot box, ballot cards, election music, campaign posters, stickers, balloons, and confetti! Before announcing the winner, discuss the importance of voting, the voting process, what a campaign looks like, and what to look for in a great leader.

Credit: Andrea Gatten, Propel Schools, PA

Grade 1

In Grade 1, students sing about a fabulous fox, learn to tell the difference between fairy tale heroes and villains, write an opinion statement about the worst part of going to the moon, and learn ancient Egyptian techniques for mummifying an apple.

A person dressed as a pirate examines a large skull near a globe, reminiscent of resources for teachers planning an engaging activity. The background shows mountains and a body of water.

Domain 1: Fables and Stories

To celebrate the Fables and Stories domain, students participated in a “wolf in sheep’s clothing” race while teachers dressed as fable characters.

Credit: Brittany Sachs, Monon Trail Elementary School, IN

BONUS VIDEO: Hear how Brittany planned a Fable Olympics for her Grade 1 students!

Domain 2: The Human Body

To showcase their knowledge of the topic, students participated in a “hospital day.” The classroom was transformed to look like different operating rooms. Stations included blending and segmenting CVC words with Band-Aids, a Tricky Words eye exam, sentence writing, an X-ray light table, food sorting according to the food pyramid, and an operation game!

Credit: Erin Chester, Thompson Crossing Elementary School, IN

BONUS VIDEO: Erin explains how she planned the activity, and shows us snippets of the culminating activity in action.

Domain 3: Different Lands, Similar Stories

Take inspiration from this classroom and have your students create a Thumbelina floral craft to round out the unit’s celebration of folktales.

Credit: Elizabeth Sillies, Three Rivers Local School District, OH

Domain 4: Early World Civilizations

Looking for a culminating activity for this domain? Plan an ancient Egypt day filled with crafts and activities, including pyramid-making, writing in hieroglyphics, trying Egyptian food, and mask-making.

Credit: Camy Stirling, Brevard Academy, NC

BONUS VIDEO: Watch this short video about how to make pyramid-making easy in your classroom!

Domain 5: Early American Civilizations

Students can apply their learning about early American civilizations by creating their very own Moctezuma headdresses.

Credit: Emmett J. Hoops, Moriah Central School, NY

Domain 6: Astronomy

A surefire way to ignite your students’ excitement about astronomy is to create a moon phase Oreo chart!

Credit: Shelby Varchmin, Fred Wild Elementary School, FL

BONUS IDEA: Have your class send postcards to space through the Club for the Future program.

Domain 7: The History of the Earth

Students channeled their inner geologists during this unit and dug for rocks.

Credit: Ronda Scott, Dixon Public Schools, IL

Domain 8: Animals and Habitats

Students can express their creativity by drawing animals, plants, and environments on rocks, then sorting by habitats or comparing by Venn diagram.

BONUS: Check out these students’ creative and colorful dioramas that were showcased at the end of this unit!

Credit: Christine Thomas, The School District of Palm Beach County, FL

Domain 9: Fairy Tales

To wrap up the Fairy Tales unit, sharpen your students’ drama skills by having them act out their favorite stories.

Credit: Elizabeth Sillies, Three Rivers Local School District, OH

Domain 10: A New Nation: American Independence

Posters beautifully summarize the learning from a unit. Pair students up to create and present to their classmates!

Credit: Tracy Hatch Gagnon, Holy Name Parish School, MA

Domain 11: Frontier Explorers

Students can celebrate this unit by hosting a Pioneer Day and making Daniel Boone hats!

Credit: Shelby Varchmin, Fred Wild Elementary School, FL

Grade 2

In Grade 2, students thrill to the crimes of the Cat Bandit, assemble books about ancient Chinese culture, write their own Greek myths, and learn the story of the people who escaped to freedom from slavery by “follow[ing] the Drinking Gourd.”

Cartoon wizard with a white beard and star-patterned hat holding a small dragon, standing in front of a house in a desert setting. A large feather quill, perfect for drafting a literacy curriculum, is in the foreground.

Domain 1: Fairy Tales and Tall Tales

To celebrate the end of the Fairy Tales and Stories Unit, encourage students to showcase their favorite stories by crafting paper collages and clay figures.

Credit: Jessica Berg, Arlington Public Schools, VA

Domain 2: Early Asian Civilizations

Second-grade teachers worked together to create an amazing dragon at the end of their Early Asian Civilizations Unit. Each student created a scale for their grade-level dragon!

Credit: Emma Bridgeforth, Windsor Elementary School, WI

BONUS: This class at Windber Elementary, PA, celebrated this unit by hosting a Chinese New Year dragon parade.

Domain 3: The Ancient Greek Civilization

This class had a great time becoming world travelers and celebrating all the knowledge gained throughout the Ancient Greek Civilization domain. The students started their day getting their passport stamped. After entering ancient Greece, they engaged in many centers. They built the Parthenon and Athena’s throne, wrote facts about Sparta, created locks for Pandora’s box, built a harp for Apollo, and played vocabulary games. In addition to centers, the students learned that they all qualified for the Olympics, and were led by teachers on a victory walk as the entire school cheered for them!

BONUS: Take inspiration from this Louisiana educator and plan a potato Olympics day with your students!

Credit: Terri Hart, Jefferson Parish Public School District, LA

Domain 4: Greek Myths

Students wrote and shared their very own Greek myths, made props, and dressed in togas to celebrate this unit!

Credit: Chelsey Steinmetz, Cornell Elementary School, WI

Domain 5: The War of 1812

Bring a battle to life by having students create boats out of foil and other common household materials to participate in a boat race!

Credit: Jerica Falevai, Pacific Heritage Academy, UT

Domain 6: Cycles in Nature

To bring the Cycles in Nature unit to life, students learned how to make their own greenhouses and watched lima beans germinate and sprout.

Credit: Amber Taylor, Corbin Primary School, KY

Domain 7: Westward Expansion

To commemorate the end of this domain, this class had two grandparents come to the classroom to bake bread, make trail mix, and pan for gold.

BONUS: In another classroom, students made people, animals, and their very own pioneer wagons out of paper.

Credit: Jennifer Murphy, John E. Bryan Elementary School, AL

Domain 8: Insects

These students celebrated all the knowledge they gained by researching and writing about an insect, then using household items to build a model of their chosen insect!

Credit: Tamara Gore, Harrison Hill Elementary School, IN

Domain 9: The U.S. Civil War

Have your students showcase their knowledge of the U.S. Civil War by creating posters of important historical figures of the time!

Credit: Heather Griffin, Rochester School District, NH

Domain 10: The Human Body

We love this culminating activity! Students made digestive-system models out of air-dry clay and traced themselves on large paper to make a life-size model of the body systems!

Credit: Olga Cabrera, Aldine ISD, TX

Domain 11: Immigration

Students participated in an Ellis Island simulation in their classrooms at the end of the Immigration Unit, and even created their own passports!

Credit: Sandra Garcia, Austin Independent School District, TX

Domain 12: Fighting for a Cause

To wrap up this unit and showcase their knowledge, students created VIP books about important historical figures!

Credit: Meghan Scheffler, Community Unit School District 300, IL

Grade 3

In Grade 3, students write a newspaper story about the invention of the telephone, go on a digital quest with Viking explorers, reflect on the stars with astronomy lab notes, and learn the secret to writing an excellent narrative ending.

Illustration of a person in ancient Roman attire with a large bird flying over a mountainous landscape, perfect for enhancing any literacy curriculum or activity plan. This image serves as an engaging resource for teachers to illustrate historical contexts vividly.

Domain 1: Classic Tales: The Wind in the Willows

To immerse themselves in the Classic Tales domain, students hosted a party inspired by classic literary celebrations.

Credit: Laurie Valente, Secaucus Public School District, NJ

Domain 2: Animal Classification

A great way to shift perspective and get students to apply their knowledge? Transform your classroom into a vibrant “rainforest café” that showcases students’ published writing. Each student can create an informational piece about a specific vertebrate, learning how to introduce a topic, group related information, and support it with facts and details. They turn their writing, complete with text features, into restaurant-style menus! Dressed as rainforest and safari guides, students can present their work to other students and staff, answering questions about their animal and its classification.

Credit: Nicole Desmond, Riverside School District 96, IL

BONUS: To celebrate the Light and Sound unit as well as all units about animals in grades K–4, take a cue from Windber Elementary and plan an animal-themed glow show with your students!

Domain 3: Human Body

Get crafty in this unit by having students make body parts out of household supplies: a pipe cleaner becomes the spinal cord, noodles represent the vertebrae, and gummy Life Savers turn into cartilage. You can also make X-rays by tracing hands and wrists on construction paper. Students can color around the bones with a dark crayon, then use vegetable oil and a Q-tip to “paint” the bones. When held up to a light, the project resembles an X-ray!

Credit: Crystal Chwatek, Muhlenberg Elementary Center, PA

Domain 4: The Ancient Roman Civilization

Have your students put their knowledge of ancient Roman civilization to the test: Challenge them to use packing peanuts to build iconic Roman landmarks.

Credit: Melissa Vasquez, Eureka City Schools,CA

Domain 5: Light and Sound

To celebrate the Light and Sound unit, your students can make colorful suncatchers and witness the science of light and color in action.

Credit: Stephanie Schuettpelz, Marion Elementary School, WI

BONUS VIDEO: Watch how another teacher plans a black light party for this unit!

Domain 6: The Viking Age

CKLA students love Vikings! In this classroom, students made paper swords before participating in a special ceremony.

Credit: Kerri Lintl, Merrimac Community School, WI

Domain 7: Astronomy

As a culminating activity for the Astronomy unit, an Oreo moon phase exercise really motivates students to apply their knowledge.

Credit: Stephanie Schuettpelz, Marion Elementary School, WI

Domain 8: Native Americans

Flex your students’ creativity at the end of the Native Americans unit by having them gather natural materials and creating Native American shelters!

Credit: Alisa Byrd Fesmire, Roane County Schools, TN

BONUS VIDEO: Hear how a teacher in Wisconsin plans a basket-weaving activity for her students during this unit!

Domain 9: Early Explorations of North America

To help your students visualize North American exploration, they can draw maps of the studied expeditions and use yarn to show the various routes!

Credit: Maria Woytko-Morris, Manitou Springs School District, CO

Domain 10: Colonial America

Take inspiration from this classroom and set up a colonial town where students can barter goods and work as apprentices at the general store, blacksmith, tailor shop, and cobbler shop.

Credit: Heidi Graci, Sporting Hill Elementary School, PA

Domain 11: Ecology

For this unit, these students practiced their speaking and listening skills by presenting about an endangered animal to the rest of the class.

Credit: Stephanie Schuettpelz, Marion Elementary School, WI

Grade 4

In Grade 4, students take part in a dramatic invention competition judged by Thomas Edison, George Washington Carver, and Hedy Lamarr; use writing to investigate the function of a mysterious contraption; become poets; and bring their reading skills to bear on the classic novel Treasure Island.

Illustration of a woman holding architectural blueprints, standing in front of a medieval village landscape with scattered huts, fields, and a river. Two closed books titled "Resources for Teachers" float in the top right corner.

Domain 1: Personal Narratives

To celebrate the Personal Narratives domain, students created posters using information about their names.

Credit: Daphne Long, Steele Elementary School, AL

BONUS VIDEO: Hear how an educator in New York plans an engaging culminating activity for the Personal Narratives unit!

Domain 2: Empires in the Middle Ages

Flex your students’ creativity: Have them create their very own shields and write a paragraph describing them.

Credit: Elisabeth Freligh, Spring Hill Elementary School, AK

BONUS VIDEO: See how students in Minnesota participated in a stained glass art project to celebrate the Middle Ages.

Domain 3: Poetry

Empower students to apply their knowledge of this writing discipline with poetry journals.

Credit: Elizabeth Sillies, Three Rivers Local School District, OH

Domain 4: Eureka! Student Inventor

Encourage students to showcase their innovation at an Invention Showcase! Here, they pitched their ideas using the slides they created and the models they made.

Credit: Daniella Cucunato, Merchantville School District, NJ

Domain 5: Geology

Geology offers great opportunities to facilitate hands-on learning! Students can examine rocks and fossils, or bust geodes to supplement their lessons.

Credit: Spring Choate, Overton County Schools, TN

Domain 6: Contemporary Fiction

Students can take their favorite stories off the page in this unit! For example, lead students in a craft activity creating their own house inspired by The House on Mango Street.

Credit: Lara Andree, Aldine ISD, TX

Domain 7: American Revolution

Work a STEM activity into this Knowledge Domain by inviting students to recreate the Boston Tea Party with sticks and items of various weights.

Credit: Maureen Elliott, West Irondequoit CSD, NY

Domain 8: Treasure Island

To celebrate the end of the Treasure Island domain collaboratively, students can build their very own map sections and put them together.

Credit: Daphne Long, Steele Elementary, AL

Grade 5

In Grade 5, students learn about villanelles and Mayan codices, read and perform Shakespeare’s “A Midsummer Night’s Dream,” use their writing skills to teach a robot about human emotions, and solve a scientific mystery involving ancient fossils.

A woman in a pink dress stands near an ancient pyramid with a night forest and river in the background, symbolizing the timeless resources for teachers that bridge history and nature.

Domain 1: Personal Narratives

Have your students refine their personal narratives into graphic stories to celebrate the end of this unit.

Credit: Anna Barba, Arlington Traditional School, VA

BONUS VIDEO: Hear how a teacher plans name posters for her students to wrap up this domain.

Domain 2: Early American Civilizations

To celebrate this unit, have your students create codices and Mayan mythical character sculptures using clay!

Credit: Anita Trolese, TASIS Portugal

Domain 3: Poetry

Transform your classroom into a poetry café where students share their work with the rest of the class.

Credit: K.D. Meucci, Bethel Park School District, PA

Domain 4: Adventures of Don Quixote

These students are an inspiration! To celebrate they reenacted scenes from Adventures of Don Quixote by choosing a chapter, summarizing its plot, writing scripts, and acting out their chapter for their classmates. They even chose their own backdrops and props to help embody the characters.

Credit: Riley Montgomery, Hamilton Local School District, OH

Domain 5: The Renaissance

The arts and the Renaissance go hand in hand, so have your students get creative and create their own Leonardo da Vinci portraits.

Credit: Windber Elementary, PA

Domain 6: The Reformation

Immerse your students in the Reformation era by having them make stamps and write out some text as a great way to mimic the effect of the printing press!

Credit: Jessica Kingery, Jefferson City School District, MO

Domain 7: A Midsummer Night’s Dream

Turn your classroom into a theater for this unit and have your students read the play using character cards and donkey headbands.

Credit: Daphne Long, Steele Elementary, AL

Domain 8: Native Americans

A successful extension project for the ​​Native Americans unit is personal totem poles! Have your students determine their own personal totems, write paragraphs to explain totem poles and why they selected their own personal totems, and use a template to create their own totem pole.

Credit: Kristin Rea, Cicero School District 99, IL

Domain 9: Chemical Matter

A great way to bring knowledge to life in this unit? Make fossils out of clay molds!

Credit: Teresa Karney, Reese Public Schools, MI

Want to learn more about our Science of Reading literacy curriculum?

What’s included in our literacy curriculum for 6–8

Amplify ELA is a blended literacy curriculum designed specifically for grades 6–8. The heart of every lesson is the text. Our core English Language Arts curriculum enables teachers to teach skills through texts and develop their students’ muscles for building meaning through reading. With Amplify ELA, students learn to attack any complex text and make observations, grapple with interesting ideas, and find relevance for themselves.

Year at a glance

Each grade includes six core units centered on literary or informational texts, delivered in several forms of media. In addition to these main units, students will engage with targeted Grammar lessons and a dedicated Story Writing unit, plus two to three immersive learning experiences called Quests.

Dahl & Narrative

1 assessment lesson
4 sub-units | 28 lessons | 4-6 weeks

A man with a mustache looks through a microscope at a slide, with abstract yellow lines in the background.

Mysteries & Investigations

1 assessment lesson
5 sub-units | 32 lessons | 4-6 weeks

A man with a mustache looks through a microscope at a slide, with abstract yellow lines in the background.

The Chocolate Collection

1 assessment lesson
5 sub-units | 25 lessons | 4-6 weeks

The Greeks

Myth World Quest

1 assessment lesson
4 sub-units | 25 lessons | 4-6 weeks

A man with a mustache looks through a microscope at a slide, with abstract yellow lines in the background.

Summer of the Mariposas

1 assessment lesson
2 sub-units | 27 lessons | 4-6 weeks

A man with a mustache looks through a microscope at a slide, with abstract yellow lines in the background.

The Titanic Collection

1 assessment lesson
5 sub-units | 25 lessons | 4-6 weeks

A man with a mustache looks through a microscope at a slide, with abstract yellow lines in the background.

Red Scarf Girl

1 assessment lesson
4 sub-units | 31 lessons | 4-6 weeks

A man with a mustache looks through a microscope at a slide, with abstract yellow lines in the background.

Character & Conflict

1 assessment lesson
4 sub-units | 29 lessons | 4-6 weeks

A man with a mustache looks through a microscope at a slide, with abstract yellow lines in the background.

Brain Science

Perception Academy Quest

1 assessment lesson
4 sub-units | 25 lessons | 4-6 weeks

A man with a mustache looks through a microscope at a slide, with abstract yellow lines in the background.

Poetry & Poe

The “Who Killed Edgar Allen Poe” Quest

1 assessment lesson
5 sub-units | 29 lessons | 4-6 weeks

A man with a mustache looks through a microscope at a slide, with abstract yellow lines in the background.

The Frida & Diego Collection

1 assessment lesson
5 sub-units | 25 lessons | 4-6 weeks

A man with a mustache looks through a microscope at a slide, with abstract yellow lines in the background.

The Gold Rush Collection

1 assessment lesson
5 sub-units | 25 lessons | 4-6 weeks

A man with a mustache looks through a microscope at a slide, with abstract yellow lines in the background.

Perspectives & Narrative

1 assessment lesson
4 sub-units | 27 lessons | 4-6 weeks

A man with a mustache looks through a microscope at a slide, with abstract yellow lines in the background.

Liberty & Equality

1 assessment lesson
6 sub-units | 38 lessons | 4-6 weeks

A man with a mustache looks through a microscope at a slide, with abstract yellow lines in the background.

Science & Science Fiction

1 assessment lesson
3 sub-units | 29 lessons | 4-6 weeks

A man with a mustache looks through a microscope at a slide, with abstract yellow lines in the background.

Shakespeare’s Romeo & Juliet

1 assessment lesson
2 sub-units | 22 lessons | 4-6 weeks

A man with a mustache looks through a microscope at a slide, with abstract yellow lines in the background.

The Holocaust: Memory & Meeting

1 assessment lesson
6 sub-units | 21 lessons | 4-6 weeks

A man with a mustache looks through a microscope at a slide, with abstract yellow lines in the background.

The Space Race Collection

1 assessment lesson
5 sub-units | 25 lessons | 4-6 weeks

Units at a glance

Amplify ELA lessons follow a structure both grounded in regular routines and flexible enough to allow for a variety of learning experiences. Lesson structures vary from day to day, ensuring that students are always engaged.

Learn more in the Amplify ELA Grade Overview.

Unit 6A

Dahl & Narrative

Students begin with narrative writing to develop foundational Focus skills and establish key classroom routines. Teachers use this work to create targeted feedback cycles and build a vibrant community centered on diverse experiences. Students then apply observational skills to Roald Dahl’s Boy: Tales of Childhood, learning to work closely with textual evidence.

Unit 6B

Mysteries & Investigations

Students read like an investigator to embark on a multi-genre study into the mesmerizing world of scientific and investigative sleuthing. The Secret of the Yellow Death: A True Story of Medical Sleuthing by Suzanne Jurmain, and Sir Arthur Conan Doyle’s Sherlock Holmes stories take place in the late 19th century, when medical diagnostics and criminal investigations were still evolving into scientific fields.

Unit 6C

The Chocolate Collection

Students explore primary documents and research the diverse cultural roles chocolate has played over 3,700 years, from its various uses in ancient Mexico to issues with modern production. Along the way, they build information literacy skills, craft research questions, and collaborate in Socratic seminars. Students also learn how to construct an evidence-based argument and use those skills to write pieces aimed at convincing readers about chocolate preferences, school lunch policies, and recommendations for local candy stores.

Unit 6D

The Greeks

Students closely explore and analyze three stories from Greek mythology: “Prometheus,” “Odysseus,” and “Arachne.” Drawing on the routines and skills established in previous units, these lessons ask students to move from considering the state of a single person to contemplating broader questions concerning the role people play in the world and the various communities they inhabit.

Unit 6E

Summer of the Mariposas

Students read Summer of the Mariposas by Guadalupe García McCall, a contemporary Latino retelling of The Odyssey. Following five sisters on their journey into Mexico and back, students explore this reimagining of the hero’s journey as they encounter Mexican folklore and Aztec legends along the way. Students analyze character development, compare the novel to Homer’s original, research Aztec mythology, explore symbolism, and engage in collaborative discussions before writing an essay about what makes the heroes successful.

Unit 6F

The Titanic Collection

Students explore primary documents and conduct research to understand the 1912 Titanic disaster, building information literacy skills by examining artifacts such as dining menus, ship photos, telegraph transcripts, and newspaper accounts. Each student is assigned a passenger from the manifest and writes a narrative account from that person’s perspective, considering different views. Students also participate in Socratic seminars to examine the complicated issues within the Titanic story.

Unit 7A

Red Scarf Girl & Narrative

Students begin with narrative writing to develop foundational Focus skills while teachers establish targeted feedback cycles and build a classroom community centered on diverse experiences. After exploring how they describe their own experiences and emotions, students apply the same close attention to analyzing details in Ji-li Jiang’s Red Scarf Girl: A Memoir of the Cultural Revolution.

Unit 7B

Character & Conflict

Students analyze characters’ responses to conflict and examine how authors use character interactions to develop theme and perspective. They read Carson McCullers’ “Sucker” and Lorraine Hansberry’s A Raisin in the Sun, both texts that explore how families facing hardships can support and harm one another. Students observe complex character growth and discuss issues of identity, family obligations, and differing notions of success.

Unit 7C

Brain Science

Students explore narrative nonfiction and informational texts about brain science to understand what it means to be human and how their developing brains impact daily experiences. They also build awareness of their cognitive strengths and analyze the structures of informational texts and scientific arguments. Key texts include Phineas Gage, Inventing Ourselves: The Secret Life of the Teenage Brain, and Oliver Sacks’ The Man Who Mistook His Wife for a Hat.

Unit 7D

Poetry & Poe

Students learn visualization techniques to read like a movie director, beginning with poems by D.H. Lawrence, Federico García Lorca, and Emily Dickinson to form mental images. They then read three Edgar Allan Poe texts, creating storyboards and analyzing narrative elements to learn about unreliable narrators. Students also participate in the murder-mystery Quest “Who Killed Edgar Allan Poe?” and write an essay arguing whether they can trust a narrator in the unit’s texts.

Unit 7E

The Frida & Diego Collection

Students explore primary source documents and research on Mexican artists Diego Rivera and Frida Kahlo, learning how they drew inspiration from Latin American folklore, politics, and customs. Along the way, students build information literacy by generating research questions and visual analysis skills through close reading of key paintings. They also compare the artists’ descriptive writing to Shakespeare’s and analyze figurative language. The unit culminates in a research project showcasing their interpretation of Frida and Diego’s work and legacy.

Unit 7F

The Gold Rush Collection

Students explore primary documents and conduct research on the California Gold Rush, building information literacy skills and constructing research questions. They also learn about the diverse people who participated, compare fictional and historical accounts, and participate in Socratic seminars. Students write narrative accounts from specific perspectives and complete a culminating research assignment combining essay and media project elements.

Unit 8A

Perspectives & Narrative

Students learn to read like writers, paying attention to craft and writing moves that shape reader experience and developing Focus and Showing skills as they build collaborative classroom routines. Students study three narrative texts, exploring themes of belonging and identity through close reading. They also practice alternating between analytic and narrative writing, and conclude with an essay arguing whether the mothers in Amy Tan’s “Fish Cheeks” are role models. 

Unit 8B

Liberty & Equality

Students study Civil War-era writings that debate the meaning of “all men are created equal,” exploring various perspectives on American ideals. Key texts include Walt Whitman’s Leaves of Grass, Frederick Douglass’ Narrative, and Harriet Ann Jacobs’s Incidents in the Life of a Slave Girl. The unit culminates with an essay examining Douglass’s arguments and Lincoln’s Gettysburg Address to consider what America means by “all men are created equal.”

Unit 8C

Science & Science Fiction

Students read Gris Grimly’s Frankenstein, a graphic novel adaptation of Mary Shelley’s novel, exploring themes of creator responsibility, societal influence, and the risks of scientific inquiry. They trace Victor’s sympathy for his creation, rewrite scenes from the creature’s perspective, and debate whether Victor owes the creature a companion. The unit concludes with an essay determining whether the creature should be considered human.

Unit 8D

Shakespeare’s Romeo & Juliet

Students read five excerpts from Shakespeare’s Romeo and Juliet to learn key elements of Shakespearean English through close reading. They practice memorizing and reciting the famous “Prologue,” put on stage performances, translate Shakespeare’s language into contemporary terms, and study the Shakespearean sonnet form. The unit concludes with an essay arguing whether love or hate is responsible for Romeo’s death.

Unit 8E

Holocaust: Memory & Meaning

Students use close reading to explore memoirs and primary sources that address two key Holocaust questions: How do societies become participants in atrocity, and what are our responsibilities as witnesses? Students analyze multiple perspectives through texts, including Alexander Kimel’s “I Cannot Forget,” Irene Butter’s Shores Beyond Shores, 1936 Olympics propaganda, and excerpts from Maus and Night.

Unit 8F

The Space Race Collection

Students explore primary documents and conduct research on the Space Race. They build information literacy skills, construct research questions, and learn about diverse participants from Soviet cosmonauts to American heroes like Buzz Aldrin and Katherine Johnson. Each student researches an assigned cosmonaut or astronaut and writes space blog entries from their perspective. Students also complete a capstone research essay and media project.

Print & digital components

The program includes instructional guidance and student materials for a year of instruction, with lessons and activities that keep students engaged every day.

A diagram shows the Amplify ELA curriculum with examples of the digital teacher edition on a tablet, print teacher edition pages, and a teacher projection of an artwork on a screen.

Teacher materials

Teacher Edition

Available digitally and in print, the Teacher’s Edition contains all the information teachers need to facilitate classroom instruction, including detailed lesson plans, video teacher tips, presentation slides, standards alignment, Exit Tickets, real-time differentiation strategies, and robust reporting.

Student materials

Student Edition

Available digitally and in print, student materials guide middle schoolers through complex texts and writing by engaging them with high-quality narrative and informational texts—providing videos, audio supports, and a digital experience that captures their attention. They also keep all of their writing in one place with a personal Writing Journal.

A collection of Amplify ELA materials including a print student edition, a digital student edition on a laptop, a writing journal, and an Arachne literature module.

Explore more programs

Our programs are designed to support and complement one another. Learn more about our related programs.

Welcome, Amplify ELA families!

We’re excited to welcome you and your student to the Amplify ELA program for the new school year, and to provide you with exceptional learning opportunities through ELA. We’ve assembled the following resources and guides to help you support your student and enable them to have the most productive experience with our platform throughout the year.

Para la versión en español, haga clic aquí.

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What is Amplify ELA?

Amplify ELA helps students in grades 6–8 read and understand complex texts that encourage them to grapple with interesting ideas and find relevance for themselves. Amplify ELA is a blended program that includes both digital and print materials, but can also be used as a print-only version. Students using Amplify ELA read text passages closely, interpret what they find, discuss their thinking with peers, and develop their ideas in writing. The lesson structure is easy to follow, but flexible enough to allow for a variety of learning experiences and varied enough to keep students engaged. 

Features include:

  • Functionality that allows individual students to work at their own level while also being challenged appropriately.
  • Built-in tools that allow teachers to track and respond to student work.
  • The digital Amplify Library, which contains more than 700 downloadable, full-length fiction and nonfiction books.
  • The Vocab App, which uses game-like activities to help students master keywords from the program’s texts. (Students using print materials will see keywords highlighted.)
  • Independent writing assignments called Solos, available on mobile devices.
  • Interactive projects called Quests that accompany certain units to provide additional practice with analytical reading, writing, speaking, and listening skills.

Getting started

How you can support the child in your care:

  • If possible, read with your student daily; even 15 minutes of reading together each day can make a huge impact. You can read aloud sections of the text together—many middle grade students enjoy performing sections of dialogue by taking on the role of a character in a play, or adding some dramatic flair to a poem with which they are working. If your student struggles with reading aloud, you might try reading the text to them with expression, then having them read it back to you. For additional practice, there are an array of fluency activities in the program’s Flex Days. Ask your student to help you find these activities.
  • Find moments to discuss what they are reading and discovering. Examples of questions you could ask: What stood out to you from what you read today? Were any sentences or words confusing? What was most surprising? What do you think the writer was trying to communicate? Do you agree with the writer’s ideas or descriptions? What connections can you make between what you are reading and your own life, or other issues you’ve heard about?
  • Listen to your student read their written responses or have them share with a friend over the phone or video chat. 
  • Browse the Amplify Library with your student to find books they’ll enjoy and be able to read fluently and independently.
  • Review this Protecting Kids Online website by the Federal Trade Commission addressing digital safety.

Accessing texts in the Amplify Library

We encourage students to utilize the core texts from the Amplify Library while at home! Please follow these steps to download a text for offline reading:

1. Navigate to the Program & Apps menu at the top of your screen and scroll through to find the Amplify Library icon. When you select it, the Amplify Library will open in a new tab.

A digital menu displays various educational tools and resources, with "Amplify ELA" highlighted at the top and the "Library" option outlined in orange.

2. If prompted, follow the directions to set up a pin for the Amplify Library; otherwise, proceed to the next step.

A pop-up window prompts the user to create a four-character PIN of lowercase letters and/or numbers for offline reading, with Cancel and Submit buttons.

3. In the upper right corner of your screen, search for the book you would like to download. Example: The Secret of the Yellow Death: A True Story of Medical Sleuthing.

A digital library search page displays "yellow death" in the search bar with no results found for title, authors, or genre. Book covers are visible in the left sidebar.

4. Select the Download button.

A digital library interface displays the book "The Secret of the Yellow Death" by Suzanne Jurmain, showing its cover, synopsis, and options to read or download.

5.  If you lose connection while still in the Amplify Library, you can continue to access and read the downloaded book(s). If the page refreshes without internet access, or you try to login on another device without internet access, you will lose access to the downloaded book(s) until the internet connection is restored. 

To retrieve your downloaded texts: 

  1.  In the Amplify Library app, open the My Library drop-down menu in the upper left corner.
  2. Select Downloaded. 
  3. Choose the text you wish to read from all of your pre-downloaded texts.
A dropdown menu under "My Library" shows options: Recently Read, Favorites, Downloaded (highlighted), and All Books. Below, a Recently Read section displays three book covers.

Materials overview

Not every school will operate the same way, but students attending schools that have both the print and digital editions of the program will likely have the following print materials at home:

  • Student Edition: This includes all of the readings and activities necessary for instruction throughout the year. Students can read the selections both digitally and in print, annotating in either format. The lessons in the print Student Edition reflect each digital lesson, but have been modified to work effectively in print. 
  • Writing Journals: This provides space for students to respond to Writing Prompts and complete other written assignments. 

In the case that students are without access to devices or the internet, they can continue to complete key reading and writing assignments using the print Student Editions and student Writing Journals.

Teachers can also access, print, and mail student Novel Guides for up to 12 commonly taught novels. Six of these novels are available in the Amplify Library, and most should be available in a public library.

Unit overviews

Below are quick overviews of each unit your student will be working through in their grade throughout the year. Included along with each unit is a downloadable guide that provides a more in-depth look at what content is covered and how you can help your student advance their understanding of the topics.

  • Unit 6A: Dahl & Narrative  
    • Students begin with narrative writing to quickly boost their writing production, learn the foundational skill of focus, and become comfortable with key classroom habits and routines they will use all year. Students then apply their new observational focus to some lively readings from Roald Dahl’s memoir Boy and learn how to work closely with textual evidence.
  • Unit 6B: Mysteries & Investigations
    • Students read like an investigator to embark on a multi-genre study of the mesmerizing world of scientific and investigative sleuthing. At the end of the unit, students write an essay explaining which trait is most useful to problem-solving investigators.
  • Unit 6C: The Chocolate Collection
    • The Aztecs used it as currency. Robert Falcon Scott took it to the Antarctic. The Nazis made it into a bomb designed to kill Churchill. The 3,700-year-long history of chocolate is full of twists and turns, making it a rich and rewarding research topic. In this unit, students explore primary source documents and conduct independent research to better understand the strange and wonderful range of roles that chocolate has played for centuries around the world.
  • Unit 6D: The Greeks
    • Greek myths help us understand not only ancient Greek culture but also the world around us and our role in it. Drawing on the routines and skills established in previous units, these lessons ask students to move from considering the state of a single person—themselves or a character—to contemplating broader questions concerning the role people play in the world and the communities they inhabit within it.
  • Unit 6E: Summer of Mariposas
    • The borderlands between the United States and Mexico are the place of legends, both true and fictional. Summer of the Mariposas, by Guadalupe Garcia McCall, plants a retelling of the Odyssey into this setting, launching five sisters on an adventure into a world of heroes and evildoers derived from Aztec myths and Latinx legends. On the journey, the sisters reconcile the dissolution of their parent’s marriage and find new strength in their identity and connection to Aztec lineage. Students consider how McCall uses the structure of the hero’s journey to celebrate women, heritage, and a broad definition of family. Students also have the opportunity to compare these characters’ fictional journey into Mexico to a description of one boy’s true journey into the United States.
  • Unit 6F: The Titanic Collection 
    • In this research unit, students learn to tell the difference between primary, secondary, and tertiary sources; determine if a given source is reliable; and understand the ethical uses of information. Students then construct their own research questions and explore the internet for answers. They also take on the role of a passenger from the Titanic’s manifest to consider gender and class issues as they research and write narrative accounts from the point of view of their passenger.  
  • Unit 6G: Beginning Story Writing
    • In this unit, students get to practice their creative writing skills and learn the elements of storytelling and character development, as well as the importance of vivid language. Students gain a sense of ownership over their writing as they experiment with the impact of their authorial choices on sentences, language, character traits, and plot twists.
  • Grade 6: Grammar
    • In this unit, students complete self-guided grammar instruction and practice that teachers assign to them throughout the year. Sub-units are organized by key grammar topics, so teachers can assign the content that best meets their student’s needs while making sure students work with the key grammar topics for their grades.
  • Unit 7A: Red Scarf Girl & Narrative
    • In this study of a highly engaging memoir of a young woman growing up in China during the Cultural Revolution, students quickly learn the history and politics of this tumultuous period by focusing on the story of someone living through the upheaval. As students follow her journey through a world turned upside down, they will track the changes in her feelings and motivations over time.
  • Unit 7B: Character & Conflict
    • By reading the play A Raisin in the Sun and the short story “Sucker,” students explore how people facing hardships can inflict unintentional harm on the people around them. The two narratives work together to provide opportunities for students to analyze characters’ responses to conflict and the author’s development of ideas over the course of a piece of fiction.
  • Unit 7C: Brain Science
    • Could you survive an iron rod through your skull? Phineas Gage did, and his gruesome-but-true story allows students to build background information and analyze other informational texts, including the contemporary The Man Who Mistook His Wife For A Hat and the relevant Demystifying the Adolescent Brain.
  • Unit 7D: Poetry & Poe
    • Poe’s texts always offer so much to notice, decipher, talk about—and creep us out. Since things are not always what they seem, students must use close reading skills to question whether they should believe what Poe’s narrator is telling them … or not.
  • Unit 7E: The Frida & Diego Collection
    • Mexico’s most famous and provocative artists, Diego Rivera and Frida Kahlo, were an extraordinary couple who lived in extraordinary times. They were both soul mates and complete opposites. Their multifaceted lives and work offer students rich and fascinating subjects to study as they examine primary source documents and conduct independent research.
  • Unit 7F: The Gold Rush Collection
    • In this research unit, students choose from a large collection of primary and secondary sources to learn about the wide range of people who took part in the California Gold Rush. They also take on the role of someone who lived during the gold rush and write journal entries from their perspective.
  • Unit 7G: Intermediate Story Writing
    • In this unit, students get to practice their creative writing skills and learn the elements of storytelling and character development, as well as the importance of vivid language. Students gain a sense of ownership over their writing as they experiment with the impact of their authorial choices on sentences, language, character traits, and plot twists.
  • Grade 7: Grammar
    • In this unit, students complete self-guided grammar instruction and practice that teachers assign to them throughout the year. Sub-units are organized by key grammar topics, so teachers can assign the content that best meets their student’s needs while making sure students work with the key grammar topics for their grades.
  • Unit 8A: Perspectives & Narrative
    • This unit aims to teach students to read like writersThey practice paying attention to the craft of writing and to the moves a good writer makes to shape the way we see a scene or feel about a character—to stir us up, surprise us, or leave us wondering what will happen next. Students closely read examples of rich, layered narrative nonfiction, analyze the techniques each author uses to make their writing resonate, and practice applying these techniques to their own narrative writing.
  • Unit 8B: Liberty & Equality
    • In this unit, students look at the words of a range of creators—from poet Walt Whitman to abolitionist Frederick Douglass to President Abraham Lincoln—to see how their writing contributed to an extreme shift in social organization: a whole new concept of what it means for people to be considered “equal.” They also study multiple perspectives on the Civil War, including the memoir of a girl who was enslaved, a confederate girl’s diary, and a nonfiction account of the young boys who served as soldiers during the war. 
  • Unit 8C: Science & Science Fiction
    • Students read Gris Grimly’s Frankenstein, a graphic novel that adds captivating illustrations to an abridgment of the 1818 edition of Mary Shelley’s book. Paired with Shelley’s text, Grimly’s haunting—and, at times, horrific—representations of Frankenstein’s creature push students to wrestle with some of the text’s central themes: the source of humanity and the root of evil. Students then write an essay in which, after arguing both sides of the question, they determine whether or not Frankenstein’s creature should ultimately be considered human.
  • Unit 8D: Shakespeare’s Romeo & Juliet
    • Romeo and Juliet combines romance with action, offering a wide range of themes and scenes for students to read about and act out. Your middle schoolers are at the right age to identify with the lovers’ strong feelings—and also old enough to think critically about the choices Romeo and Juliet make.
  • Unit 8E: Holocaust: Memory & Meaning
    • This unit uses a range of primary source articles, images, and videos, as well as literary nonfiction and graphic nonfiction, to study what made the atrocities of the Holocaust possible. Students investigate how propaganda was generated and employed to create a political environment that ultimately corrupted a society. The Olympics are seen through the lens of an international propaganda campaign, providing cover for Nazis to begin eliminating non-Aryans from their culture. The final sub-unit examines the outcomes of Nazi doctrine and the impact on Jewish victims and survivors.
  • Unit 8F: The Space Race Collection
    • In this unit, students to put their research and close-reading skills to the test to distinguish between reliable  and unreliable sources, explore primary documents, and conduct independent research to better understand the space race that took place between two of the world’s superpowers. This dramatic story offers students a rich research topic to explore as they build information literacy skills, learn how to construct their own research questions, and explore the internet for answers.
  • Grade 8: Grammar
    • In this unit, students complete self-guided grammar instruction and practice that teachers assign to them throughout the year. Sub-units are organized by key grammar topics, so teachers can assign the content that best meets their student’s needs while making sure students work with the key grammar topics for their grades.
  • Unit 8G: Advanced Story Writing
    • In this unit, students get to practice their creative writing skills. They’ll learn the elements of storytelling and character development, and the power of vivid language to grab readers and pull them into a story.

Additional activities

Quests: 

You may notice your student working with peers on the same interactive project over several days, trying to solve a mystery or explain a historical event. That’s what happens when a teacher assigns a Quest: an in-depth week-long exploration that requires collaboration and deepens engagement with texts and topics.

Vocab App:

The Vocab App helps students master vocabulary words through game-like activities that challenge them to think through morphology, analogy, and synonyms/antonyms, and to decipher meaning through context.

Have a question about Amplify ELA?

Visit our help library to search for articles with answers to your program questions. 

For additional curriculum support, please contact your student’s teacher.

What’s included in our grades K–2 language arts curriculum

Amplify Core Knowledge Language Arts® (CKLA) is a comprehensive early literacy curriculum, grounded in the Science of Reading. The K–2 curriculum sequences deep content knowledge-building with research-based foundational skills. With Amplify CKLA, you’ll have the instruction and guidance of proven, evidence-based practices to help all of your students become strong readers, writers, and thinkers.

Choose Level

Year at a glance

The Amplify CKLA curriculum is modeled after proven research in early literacy that supports a two-strand approach to literacy instruction in the early years. With this approach, students in Grades K–2 complete one full lesson per day that builds foundational reading skills in the Skills Strand, as well as one full lesson that builds background knowledge in the Knowledge Strand. The deep content knowledge is sequenced together with research-based foundational skills in Grades K–2 so that students develop the early literacy skills necessary to help them become confident readers, as well as build the context to understand what they’re reading. 

In Grades 3–5, lessons combine skills and knowledge with increasingly complex texts, close reading, and a greater emphasis on writing. Students start to use their skills to go on their own independent reading adventures, further opening up their worlds.

Units & domains at a glance

The number of days to complete each Skills Unit and Knowledge Domain varies based on instructional purpose.

Nursery Rhymes and Fables

Well-known fables introduce students to new vocabulary, build phonological awareness, and prompt discussion of character, virtues, and behavior.

Number of Lessons: 12

The Five Senses

Students explore how they learn about the world using their five senses: sight, hearing, smell, taste, and touch.

Number of Lessons: 8

Stories

Students develop an awareness of language and recurring themes in children’s literature, including classic stories, trickster tales, and fiction from other cultures.

Number of Lessons: 10

Plants

Read-aloud texts introduce students to basic knowledge of ecology, parts of plants, how plants grow, and the interdependence of all living things.

Number of Lessons: 11

Farms

Students identify several farm animals and crops and contrast how plants make their food with how animals get their food.

Number of Lessons9

Native Americans

Students explore cultures of three Native American groups, as well as how conditions in different geographical regions influence their ways of life.

Number of Lessons: 8

Kings and Queens

Students listen to read-aloud texts, both fiction and nonfiction, about kings, queens, and royal families, which build students’ understanding of royal customs.

Number of Lessons: 8

Seasons and Weather

This is an introduction to weather and the seasons, where students learn that regions of Earth experience different characteristic weather patterns throughout the year.

Number of Lessons: 8

Columbus and the Pilgrims

A look at the first contact between Europe and the Americas and some of its results.

Number of Lessons: 9

Colonial Towns and Townspeople

Students are introduced to the early history of the United States as they explore what life was like for people in colonial times.

Number of Lessons: 10

Taking Care of the Earth

Students are introduced to the importance of environmental awareness and conservation as they become familiar with the earth’s natural resources.

Number of Lessons: 10

Presidents and American Symbols

Students learn about the legacies of five famous presidents, several national symbols, the branches of government, the role of the president, and elections.

Number of Lessons: 9

Students build phonological awareness through environmental noises, words within sentences, and sounds within words. They learn basic strokes used to form letters.

Students learn how to blend syllables together to form multisyllabic words. They orally produce two- and three-sound words by blending sounds.

Students learn eight new sounds and practice blending them into words. They learn how to write letters that represent the new sounds.

With oral language games, chaining exercises, and shared reading, students practice blending eight new sounds into words and writing the sound-letter correspondences.

Eight new sounds are introduced, including a spelling alternative for /k/. Students continue to practice previously learned sound-letter correspondences.

Students are introduced to consonant clusters, letter names, and rhyming words. Students begin to read text independently using decodable Student Readers.

Students learn about various digraphs. Students practice blending and segmenting the sounds through phonemic awareness and phonics activities, chaining exercises, and reading.

This unit introduces students to double-letter spellings for consonant sounds, as well as seven new high-frequency Tricky Words.

Students practice writing uppercase letters and learn 17 new Tricky Words. Students answer comprehension questions about stories in the Student Reader.

Students learn the basic code spelling for the five long vowel sounds. Students are administered a cumulative end-of-year assessment.

Fables and Stories

Students are introduced to fables and stories, increase vocabulary and reading comprehension skills, and become familiar with the key elements of a story.

Number of Lessons: 10

The Human Body

Students are introduced to the systems of the human body, care of the body, germs and disease, vaccines, and keys to good health.

Number of Lessons: 10

Different Lands, Similar Stories

Students encounter cultures from around the world as they explore the ways in which folktales from different lands treat similar themes or characters.

Number of Lessons: 9

Early World Civilizations

Students explore Mesopotamia and Egypt and learn about the importance of rivers, farming, writing, laws, art, and beliefs.

Number of Lessons: 16

Early American Civilizations

Students compare and contrast key features of the early civilizations of the Maya, Aztec, and Inca, and explore the development of cities.

Number of Lessons: 11

Astronomy

In this introduction to the solar system, students learn about Earth in relation to the moon, other planets, the sun, and the stars.

Number of Lessons: 9

The History of the Earth

Students learn about the geographical features of Earth’s surface, the layers of the earth, rocks and minerals, volcanoes, geysers, fossils, and dinosaurs.

Number of Lessons: 8

Animals and Habitats

Students focus on the interconnectedness of living things as they learn what a habitat is and explore specific types of habitats.

Number of Lessons: 9

Fairy Tales

Students learn about the Brothers Grimm, identify common elements of fairy tales, make interpretations, and compare and contrast different tales.

Number of Lessons: 9

A New Nation: American Independence

Students are introduced to important historical figures and events in the story of how the 13 colonies became an independent nation.

Number of Lessons: 12

Frontier Explorers

Students are introduced to exploration of the American West, its key figures, and how colonists spread westward, including their interactions with native peoples.

Number of Lessons: 11

Unit 1 provides a review of the sounds/spellings taught in the CKLA Kindergarten curriculum. Teachers administer the beginning-of-year assessment.

Students read and write words with long vowel spellings and learn new Tricky Words. The unit also includes grammar lessons on nouns.

Work continues on vowel sounds and their spellings. Grammar focus is on verbs and verb tense. Formal instruction in the writing process begins.

Students work with /r/-controlled vowel sounds. Students practice segmenting two-syllable words. Adjectives are introduced as students practice descriptive writing.

Students work with spelling alternatives for sounds. Students also learn to identify sentence types. They plan, draft, and edit opinion letters.

Students continue to work with several spelling alternatives for sounds. Students review nouns and pronouns. They plan, draft, and edit personal narratives.

Students focus on spelling alternatives for sounds. Students plan, draft, and edit an informative/explanatory text. Students are administered an end-of-year assessment.

Fairy Tales and Tall Tales

Students consider characteristic elements of fairy tales and tall tales and consider problems faced by the characters and lessons each story conveys.

Number of Lessons: 8

Early Asian Civilizations

Students are introduced to Asia, specifically India and China. In addition, students are introduced to related folktales and poetry.

Number of Lessons: 14

Ancient Greek Civilization

Students explore the civilization of ancient Greece, which lives on in many ways—in our language, government, art, architecture, the Olympics, and more.

Number of Lessons: 12

Greek Myths

Building on the Ancient Greek Civilization domain, students explore common characteristics and story elements of several well-known Greek myths and mythical characters.

Number of Lessons: 10

The War of 1812

Students are introduced to major figures and events in the War of 1812, sometimes called America’s “second war for independence.”

Number of Lessons: 8

Cycles in Nature

Students are introduced to natural cycles that make life on Earth possible, such as seasonal cycles, life cycles, and the water cycle.

Number of Lessons: 9

Westward Expansion

Students are introduced to an important period in the history of the United States—the time of westward expansion during the 1800s.

Number of Lessons: 9

Insects

Students learn about the helpful and harmful characteristics of insects, insect life cycles, and social insects such as bees and ants.

Number of Lessons: 8

The U.S. Civil War

Students learn about the controversy between the North and the South over slavery and about key historical figures during that time.

Number of Lessons: 11

Human Body: Building Blocks and Nutrition

Students learn about the human body, including body systems, good nutrition, keys to good health, and the advances in microbiology made by Anton van Leeuwenhoek.

Number of Lessons: 9

Immigration

Students explore the idea of e pluribus unum and the importance of immigration in the history of the United States.

Number of Lessons: 10

Women in early 20th-century clothing march with signs for voting rights and justice in front of a yellow bus labeled "Cleveland Ave.," making history that can inspire lessons in a K–2 language arts curriculum.
Fighting for a Cause

Students explore the connection between ideas and actions, and see how people can do extraordinary things to change the dominant ideas and actions of an entire nation.

Number of Lessons: 9

Un contorno simplificado de un gato saltando para atrapar una mariposa, sobre un fondo verde con varias ilustraciones relacionadas con gatos y palabras como "saltar" y "leche".

Sound-spellings with an emphasis on consonant sounds, one- and two-syllable words, and Tricky Words are reviewed. The beginning-of-year assessment is administered.

Ilustración de un animal verde sobre un fondo verde con varios objetos delineados como una cama, un conejo, una nube y sonidos fonéticos.

The unit focus is on various sound-spellings and words with one- and two-syllables. Students begin the writing process, writing narratives and opinions.

Fondo verde con el contorno blanco de un birrete de graduación en el centro, rodeado de varios garabatos educativos y relacionados con logros, como un trofeo, una cinta y una portería de fútbol.

Practice with spelling alternatives continues. Grammar focuses on capitalization, quotation marks, ending punctuation, and common and proper nouns. Students write personal narratives.

Ilustración de un paisaje urbano con varios símbolos que incluyen un tren subterráneo, una panadería, la Estatua de la Libertad y carteles que dicen "ahora contratando" y "ciudad/ee" sobre un fondo verde.

Students practice a range of spelling alternatives. Students practice persuasive writing as part of a friendly letter. Students learn more about nouns and verbs.

Students practice chunking sounds as they read multisyllabic words. Grammar work includes adjectives, subjects, and predicates. Writing includes rewriting a story ending.

Students review advanced phonics and grammar skills. Students are introduced to expository/report writing. Students take an end-of-year assessment.

Program components

The program includes instructional guidance and student materials for a year of instruction, with lessons and activities that keep students engaged every day.

Component

FORMAT

Knowledge Strand Teacher Guide

Knowledge Strand Teacher Guides contain Amplify CKLA’s cross-curricular read-alouds and application activities, all of which are standards-based to build mastery of content knowledge and literacy skills. There is one Teacher Guide per Knowledge Domain.

Print or digital

Knowledge classroom materials

Amplify CKLA includes oversized Flip Books and smaller Image Cards that bring each topic to life through vivid visuals.

Print or digital

Skills Strand Teacher Guide

Amplify CKLA Skills Strand Teacher Guides include comprehensive research-based instruction in phonological and phonemic awareness, phonics, print concepts, the alphabetic principle, grammar, writing mechanics, comprehension, spelling, and other critical foundational literacy skills.

Print or digital

Hands-on Skills ancillaries

Dynamic classroom materials include student Chaining Folders, Small and Large Letter Cards, Spelling Cards, Sound Cards, Big Books, Vowel and Consonant Code Flip Books, Code Charts, and more.

Print or digital

Assessment and Remediation Guide

The unit-by-unit Assessment and Remediation Guide provides thousands of pages of activities for reteaching, differentiation, and additional practice.

Print or digital

Digital experience

The Amplify CKLA digital experience delivers ready-made, customizable, slides-based lesson presentations to enhance instruction and save time. Everything needed to plan and present high-quality, engaging early literacy instruction is in one convenient place.

Digital

Component

FORMAT

Knowledge Strand Activity Books

Knowledge Strand Activity Books provide students with the opportunity to deepen world and word knowledge by responding to text in a diversity of ways.

Print

Skills Strand Student Reader

Unique decodable Student Readers provide direct practice with just-learned sound-spelling patterns, using compelling stories and characters to integrate phonics and comprehension.

Print

Skills Strand Activity book

Skills Strand Activity Books support the program’s connected approach to reading and writing, providing ample opportunities to respond to text while building core skills.

Print

Digital experience

The Amplify CKLA digital experience delivers ready-made, customizable, slides-based lesson presentations to enhance instruction and save time. Everything needed to plan and present high-quality, engaging early literacy instruction is in one convenient place.

Digital

Explore more programs

Our programs are designed to support and complement one another. Learn more about our related programs.

S1-08: The importance of risk-taking in the science classroom, a conversation with Valeria Rodriguez

AS_Podcast-S1E08-Valeria-Rodriguez_Cover

In this episode, our host Eric Cross sits down with Miami-based educator Valeria Rodriguez. Valeria shares her journey of serving in the Peace Corps, working a corporate job, and eventually finding her passion as a middle-school science teacher. Listen in as Valeria explains how sketchnoting, a form of note-taking that utilizes illustrations, encourages student choice and creativity in her classroom. Eric and Valeria also discuss the importance of risk-taking within the science classroom, and how their own mistakes can be crucial in modeling resilience for students. Lastly, Valeria shares experiences she had with several teachers who inspired her throughout her career. Explore more from Science Connections by visiting our main page.

Download Transcript

Valeria Rodriguez (00:00):

There’s so many things that drawing to me makes an essential connection to. It tells me no matter what, I can continue placing lines on my paper and creating the image I want. Some people will say they messed up the drawing. You know what? They gave it character.

Eric Cross (00:19):

Welcome to Science Connections. I’m your host, Eric Cross. My guest today is Valeria Rodriguez. Valeria is a science educator, instructional technologist, and illustrator, who is currently part of a steam team where she teaches third through fifth graders in Miami, Florida. Valeria has presented and led workshops at education conferences like NSTA, ISTI, and SXSWEdu. In this episode, we discuss how she uses real-world projects to make lessons more meaningful, and why teaching students how to sketchnote increases their conceptual understanding in science. I hope you enjoy this pun-filled conversation with Valeria Rodriguez.

New Speaker (00:58):

Now you’re in Miami and you have a biology background. We’re like kindred spirits. Like we do the same thing. I teach biology here in San Diego at a middle school called Albert Einstein Academy. So I’m in a seventh grade classroom teaching life science.

Valeria Rodriguez (01:11):

That’s so cool. That’s how I started.

Eric Cross (01:13):

Is it?

Valeria Rodriguez (01:13):

Mm-Hmm <affirmative> I started teaching middle school science for seven years, doing life science in my biology background.

Eric Cross (01:20):

How’d you get started? Like where did you kind of begin?

Valeria Rodriguez (01:22):

Well, I went to UF for undergrad as a runner, and I thought I was gonna go to the Olympics, but you know, running in college is hard. And you quickly like realize a path as a full-time athlete is really hard. And one of the days that I was having one of those, like “come Jesus moments” of what am I gonna do with my life, I walked by a sign that said life is calling. And I’m like, okay, <laugh>

Eric Cross (01:52):

You literally had a sign.

Valeria Rodriguez (01:53):

There was a sign. So I was like, I’m reading the sign. I’m following the arrows. And it was for the Peace Corps. And so I went to this meeting and everything that I’ve ever done student government, athletics school education, my backgroundmy family’s from Columbia–everything in that meeting came together and they’re like, we need all these skills. And I’m like, I have those. Those are my skills. And they’re like every Peace Corps volunteer teaches. And so I went in as an agriculture volunteer to Panama because of my major and my background in biology. And while I was in the Peace Corps doing the work, I was teaching at the local school. And I realized that the most sustainable way to create any change is through education. When I came back, I was like, well, what do you do if your first job in the world is in the Peace Corps? Like my background was, you know, managing a machete in a field and teaching second through eighth grade in one classroom, on a chalkboard, you know, in English and in Spanish, while teaching the teacher and the students. So I found that going into teaching allowed me to put some of those skills, that wide array of skills that I had collected until that moment, into practice. And it allowed me to do the arts, do the running, do the science, do the connecting with the community in one place here in the states.

Eric Cross (03:34):

I don’t know if I’m just romanticizing, but you were in Panama and you were doing this amazing teaching. I don’t know. Do you compare it to teaching now in the classroom? Is there anything that ever like makes you wish that you were kind of in that environment again? Or are you kind of, do you like the more kind of technology side of things?

Valeria Rodriguez (03:48):

I tell my students all the time that I miss it, because when I was in Panama, I was in Licencia. They looked at me like this, all knowing being. If they couldn’t come to class because the kids literally had to work, they would bring me their assignment, like run it to me and then run back to their parents. Like, “I had to turn it in, but I have to go to work.” And I’m like, oh my gosh. And like here, sometimes I feel like, you know, I have to negotiate and convince my students to want to give me their work. And maybe it’s because we take a lot of things for granted. I mean, I didn’t have running water in my community. Here, you know, we have everything. I miss how we appreciated — like, my parents would send suitcases of materials for me to hand out to my students, like color and stuff, notebooks, things like that — and the kids would like, hold that notebook, like pristine and here sometimes my students aren’t as careful with materials. And I’m like, why are you breaking the crayon box? <Laugh>

Eric Cross (04:54):

I’m thinking about that. Just even just bringing pens and crayons and how that’s valued. And then a culture that’s built around esteeming teachers, and you’re this essential member of the community — and you feel that. It’s palpable.

Valeria Rodriguez (05:08):

Yeah. And here, sometimes I ask students like, what do you wanna be when you grow up? And you get all sorts of answers, but in my community, it’s gonna sound funny, but they were like, we wanna be a teacher. Like, that means that we would know a lot of stuff and they would put their hair up in a bun, ‘cause I always have it in a bun, and they would write stuff when they were playing and they would act me out <laugh> and I’m like, do I, do I do that? <Laugh> I genuinely got a very rich experience in the time that I was there. And what I learned the most was how to try to not do as much, it’s like a lesson that I’m still trying to learn because like I’m here with the U.S. Mentality of go, go, go.

Valeria Rodriguez (05:58):

And they’re like, but we already did, you know, two things like now we stop. And I’m like, but, but why? And they’re like, you can do that tomorrow. And I’m like, but no, like we’re gonna run out of time. For me. It was a lot of struggle of like slow down. And as a teacher, I feel like I’m always like on the treadmill at a thousand speed. And sometimes I have to tell myself like slow down, be in this moment, like a parent texted me today that her daughter was walking with her dad and said, daddy, let’s talk about the layers of the soil. And I was like, I need to stop right now and acknowledge that this happened. She’s in third grade and she’s asking her dad, you know, she could ask him about anything, and she’s asking him about soil. That’s essential for everything. And we don’t even think about soil here. Like my community had tons of erosion and every year there were less and less crops being able to be produced. We’re not talking about that here. And yet, my student asked her dad here in Miami, <laugh> about soil. And that conversation happened because of our class.

Eric Cross (07:03):

And you allowed yourself to be present and experience and feel that that communication came to you.

Valeria Rodriguez (07:09):

Yeah. We put so much stuff out there and we don’t know where it lands. If it lands on dirt or soil, <laugh>

Eric Cross (07:16):

There you go. I like it. Yeah. Bringing it back. But you’re, I think you’re what you’re saying. Resonates with a lot of educators that’ll be listening to this is that there’s so much that you do. And there’s even times when we do get the feedback, there might be a letter or a card or something, but like, to your point, like we look to the next thing instead of stopping, being present and allowing yourself to absorb it. I think I need to put that up on my, like on my wall, like this, just be present. Now you came back and then you went into the classroom here and you started off teaching science.

Valeria Rodriguez (07:46):

I didn’t go straight into the classroom. I knew that I wanted to continue teaching. But I wasn’t back here in Miami. When I moved back, I moved to Austin. And I ended up getting married and there, I started teaching Spanish as a second language like corporate classes. And I was kind of like tiptoeing around, like, do you dive into education? ‘Cause The idea of a teacher here is very different than the teacher idea that I had while in the peace Corps. So he, a lot of people were like, you can do so many things. Why would you teach? And I was like insulted <laugh>. I was like, wait, what do you mean? Like even to this day, I’ve started a blog post, maybe 20 times with that statement because people all the time are like, you’re so talented. Why do you teach? And it drives me crazy because it makes me feel like they’re looking down on my choice <laugh> but I came to terms with it that it’s just like a societal thing. Cause of that quote, like those who can’t do teach. And I was like, let me let this go.

Eric Cross (09:01):

I find though that educators who come in as a second career, come in with a, a, a variety of skill sets that I, I think you can only get when you’re outside of academia. I mean, you can, you can develop them, you know, going kind of K12 education college and then into the classroom. But those soft skills, the business skills, a lot of those things you really develop. And it’s funny ‘cause your, your story almost sounds like some of the people that I know that work in big tech firms, they have this eclectic story and then now they’re, you know, working for Google or Facebook or something, but that actually was a as set to them because they are able to see the world through multiple perspectives. And I’m hearing kind of a distinguish between art of teaching and the science of teaching. Like you had the, maybe the art connecting ideas, these things, and then the science, like the quote unquote like formal teaching. Okay. That had to get built on later. Like am I hearing that right?

Valeria Rodriguez (09:55):

Yeah. The that’s what rocks I’m teaching the rock cycle right now. So I’m, I’m under a lot of heat and pressure <laugh>

Eric Cross (10:02):

We got the funds, we got the funds rolling. All right. All right. So bringing in the, so the, the art side or the science side we have, and then we just have this amazing illustrator. Now you mentioned your website and we’re gonna post it somewhere, but just so we have it here to, and you say, what is your website where all your majors and sketch notes can be found,

Valeria Rodriguez (10:21):

Www dot Valia, sketches.com.

Eric Cross (10:23):

Okay. So folks that are listening, if you wanna check out the art, there’s some awesome stuff on there, as well as Twitter and Instagram. And we’ll make sure we have it handles in the, the bio of the podcast and the notes. Your art’s amazing. I looked, I checked it. I saw inauguration. I saw astronauts. I saw all kinds of different things. How do you use that in the classroom

Valeria Rodriguez (10:45):

To draw connections? The ones? So what I do is I airplay my iPad onto the board. And sometimes as I’m talking, I’ll draw things, draw things I’m saying, or assignments I’ll sketch out different ideas, or maybe like the schedule I’ll have an icon of some sort that represents things. I use it for everything and anything, because just the way that I tell my students that science is everywhere. I, we don’t realize how programmed we are to use images to for, for information they’re in the street. Bathroom signs, we see the zoom little link, like the image, the icon of zoom. And we know that it’s a call the apps. You know, our phone doesn’t have the words for everything that we’re opening. We just have a list of images that represent information. So we’re programs for this. And all I’m doing is showing my students how we’re programmed for it because we’re so used to seeing images, to represent things that we’re taking it for granted again.

Valeria Rodriguez (12:03):

And sometimes my students will like, I’ll write something and I ask them, make your own visual vocabulary. So I give them the word of the definition for every unit, the younger ones, I give them the definition they have to plug in the word and an image, the older ones, I give them the word they have to plug in the definition and an image. But I don’t tell them what to draw because they need to create an image that will help them to remember the definition. Not me. I tell them, I wrote the list. I know the words, you’re the one that needs to think of something that’s going to help you to remember this. You need to draw a connection to this information. Like I use it and I mess up all the time. And I, I scratch things out because I feel that my students or the student that I’ve had in general are risk averse.

Valeria Rodriguez (12:57):

They don’t want to make mistakes. And drawing is one of those things that it taught me that it’s okay to make mistakes. Like people won’t buy commit to buying houses or they won’t commit to things because they’re gonna make a, I’m like, you can sell the house. You can move again. I mean, I’ve lived in a lot of cities. I’ve been married, divorce, gone out with people. It’s worked out it hasn’t you know, there’s, there’s so many things that drawing to me makes an essential connection to <affirmative> that it tells me no matter what I can continue placing lines on my paper and creating the image I want. And if a line doesn’t necessarily go in the direction, I want it to, I can continue shaping it so that the overall image is in the direction I want. And I can look past those line here and there that some people will say they messed up the drawing. You know what? They gave it character. I, I cycle and I have scars everywhere. They give me character and I keep writing. The overall image in my head is I’m a cyclist, not I’m banged up. <Laugh>

Eric Cross (14:14):

I feel like there’s so much to mind in what you just said. This was like a mini-Ted talk. And I couldn’t write fast enough because there were so many gems of the things that you said, but let me say something worse. And this is I’m gonna be surface with this because, and it’s your fault because you got me thinking in puns and you said, take it for granted. And I said, take it for granted because you’re talking about the rock cycle. So that’s what I heard way back. Anyways, you have your students creating what, but it’s low tech, which is really cool because a lot of times we think of creating content and it’s kind of high tech, but they’re creating something. And this is for us, like as biology folks, like you’re using kind of like this neuroscience that exists about students, creating an art to help them learn.

Eric Cross (14:55):

And this is something that I, I feel gets missed a lot in. When we talk about the quote unquote, the formal teacher training is the element of how creating an art can actually lead to improved learning in the classroom. It’s something you have to go to like a conference to kind of go and see or something, but it’s not as, it’s not as pervasive everywhere. And that thing about risk averse. I feel like I, you spoke to my own life. What I see ‘cause with my own seventh graders, I see the same fear or anxiety when I ask them to draw. As I do, when I ask them to give me a hypothesis about a phenomenon that I’m gonna teach and I say, it’s okay to be wrong, but I see them drift to the Chromebook and want to Google it. You know what you just said about just try it and you can always change and giving character, I feel like is just a great message for everybody to hear

Valeria Rodriguez (15:48):

Today. Students made fossil, right? ‘Cause They’re learning about rocks and we made using plaster, but then I put the green screen up and not only did they make it and they excavated them, but then we put it on the green screen. And they’re like all of a sudden at a dig site,

Eric Cross (16:04):

What I’m seeing right now for those of you who are listening is, is students who are on, is this on IMO?

Valeria Rodriguez (16:10):

This is on we video

Eric Cross (16:12):

Video and they’re holding up fossils that they made. But in the background, because there was a green screen, there’s an overlay of like a, a rock dig site. So the students legitimately look like they’re paleontologists or something somewhere.

Valeria Rodriguez (16:24):

Exactly. And so it’s, it’s not just creating lines, right? The sketching transfers to so much be because even the want, not wanting to make a mistake with their fossil. One of the kids today, when he took off the, the Plato, ‘cause we put the Plato at the base. Then we put in either a shell or some sort of artifact that they were going to fossilize. And then we put in the plaster when he took off the Plato, a piece broke off and everybody’s like, I can’t believe you broke your fossil. And I’m like, not the first. Okay. Do you know how many of these guys and girls have been out there? And all of a sudden they find a dinosaur bone and they’re walking and they fall. And this fossil that took billions of years is all of a sudden broken. I’m like this selfie, the original selfies, these animals died in commitment to their selfies.

Valeria Rodriguez (17:19):

And here you are dropping the bone. So they were all laughing, but it was to go away from the fact that, oh my God, you broke it. You made a mistake. You drew the wrong line. You asked the wrong question. Like no big deal. Keep digging, shout out to the teachers that try doing the projects that they have. They don’t feel completely comfortable with or you know, that they take risks doing. Because even though in theory, it’s like suggested and schools want that or communities want that when it comes down to it, people also expect us to do things at work. But part of our job is also taking risks. Like we did a tethered weather balloon launch the other day because we couldn’t get approval to release the weather balloon in the atmosphere since we’re near an airport. And it was too short of a time.

Valeria Rodriguez (18:14):

And I remember a parent said, oh, you’re not releasing the balloon. And I was like, well, this is a lot of work too. <Laugh> we, you know, we’re, we’re doing the tethered launch. This is a hard project. So the other day when I heard that comment, like I went back to my class and I was like, you know what? I took a risk to do this project. I could have played it safe with a handout of a weather balloon <laugh> or you know, a YouTube video. It’s it’s the, the fact that we’re continuing to push. And so I wanna like really thank the teachers that keep trying to do the hard things that aren’t like tried and tested because it’s scary. Yeah.

Eric Cross (18:57):

Yeah. There aren’t a lot of opportunities for them to have adults that they see in positions of authority or that they respect or admire model failure. And I don’t mean failure in the, like the negative pejorative sense, but like things just not working out and then seeing how you respond to it, ‘cause you’re modeling, taking a risk. But like with real stakes, it’s authentic. I had students swab the campus and we put it in auger dishes and Petri sealed it up and then let it grow room temperature, but we kept it you know, cool enough at 75 degrees. So it wouldn’t be able to survive any, anything pathogenic. And then students, you know, I took pictures of them and then showed them the results. So the students never interacted with it and some things grew and some things didn’t, it was mostly, you know, fungi and some bacteria, but I showed them like, how come mine didn’t grow? And I was like, well, you know, it could have been how we swabbed. It could have been some things don’t grow the temperature, we kept it at, but some of the experiments didn’t yield the cool results. And that was okay. But I front loaded the expectation so that if everything did go great, sweet, but managing expectation, I found really helps to mitigate the pressure.

Valeria Rodriguez (20:01):

Yeah. Well another project that we’ve participated in is growing beyond earth where we’re planting seeds that contribute to like a huge set of data for cultivars that are being considered for growth on the international space station. And my students are like, well, you know, we just have six little pots, like what is this? And I’m like, yeah, we have two little seeds in each of these pots. And we are one data set in like hundreds of data sets that they’re collecting. But we are contributing two research on the international space station. You don’t have to be the next bill gates or the next, you know, Steve jobs. Like everyone thinks they’re gonna be the next big thing. Like you can also be a seed. That’s part of a really big project and that is okay. Like everyone can’t be the next big thing

Eric Cross (20:48):

And the other. And the other thing, I think what Gladwell talks about this in outliers and there’s another book called bounce, but a lot of the people that we see is successful or famous, we don’t realize that their background and their exposure to things was one of the things that led them there, both jobs and gates had access, you know, gates had access at, at the university of Washington to like one of the first computers and then jobs at, at Hewlett Packard. The story go goes on and on, but we don’t see the lineage of some of these people and where they come from. We just see the end result. You just see LeBron James winning a championship or something. We just want the, the end result the, the glory, but not the sweat that it takes to get there. They don’t, we don’t really see that as much, which leads me to like the next thing I wanted to ask you is how do you, and I kind of saw it just now, but how do you engage your kids in the classroom?

Valeria Rodriguez (21:36):

Well, I think I’m funny. Some of them don’t do

Eric Cross (21:38):

They like the puns

Valeria Rodriguez (21:39):

<Laugh> some of them do. And some of them don’t get them. They get them later. And I see when they get it, I like to engage them by bringing in real people, real examples of things, real research when possible. Right. I can’t put them in a real dig site. So the green screen helps me do that. But one of my students yesterday, other day before was like, you have such cool friends because I’ll say, oh, one of my friends does blah, blah, blah. Or, or, oh, when we go to Kennedy space center, we’re gonna, you know, talk to one of my friends. Who’s doing research on, you know, chilies in space and they’re like, wow, your friends are so cool. And I took that moment to tell them, be mindful of the people that you collect as friends in your life, like make good choices, surround yourself with awesome people, people so that you can share ideas. Like you connect with friends who you inspire you to do more. I try to engage them by giving them examples of things that people around me are doing that connect to what we’re doing. Do

Eric Cross (22:43):

You, do you explicitly or intentionally teach soft skills or is it just something that you just kind of organically do natural or are you mindful about making sure that you’re doing that

Valeria Rodriguez (22:52):

A hundred percent? You have to be explicit about it with amplify? Actually, we, we did a poster for incorporating social, emotional skills and other soft skills into the classroom because sometimes we just like other things like writing and, and reading, you know, we silo all these things in education and the school counselor, can’t be the one to deal with everything. You know, you have to deal with things as they surface. And sometimes my kids ha are frustrated because I ask them to think I don’t have yes or no answers. I have, you know, we are gonna launch a high altitude weather balloon. We don’t know how high it’s gonna go. We don’t know what’s gonna happen. We don’t, we don’t know if we’re gonna find it when the <laugh>, when the balloon bursts and it lands in the ocean, are we gonna find it? Is the GPS tracker gonna work?

Valeria Rodriguez (23:47):

Are we gonna lose all that money? I don’t know, but we have to do all the steps and find out. But with kids, they don’t have the skills yet. And I can’t wait for the counselor to come in and talk about handle the frustration that they’re feeling over. Not knowing the correct question to ask, because by the time they go meet with her, the moments pass, I have to stop and say, Hey, like check in with, with what you’re doing. It’s okay to be frustrated. You can’t take it out on a classmate. You can’t take it out on me.

Eric Cross (24:14):

So you were, you, you were intentional about teaching these skills to your students and you had the relationship. So it makes sense that you were the one to bring it across ‘cause you see them more than anybody does. You know, we’ve, we’ve, we’ve imagined. Teaching is for a long time. It’s been okay, you’re the science content expert. You’re the English expert, but so much as teaching evolves, there are these skills or like EQ emotional intelligence that you kind of have to have kind of coming in. Because like those moments, like no having the presence of mind to stop and why a young person through identifying how they feel, why, where it came from. Those aren’t always covered in those aren’t really covered in your methods classes when you’re in college, getting your, your degree or something. Now when you’re you’re sketch noting and for teachers who are, or one, could you just maybe give like a brief explanation of sketch, noting for somebody who may not be familiar with it, like how I was sketch any different than just drawing a picture randomly or something.

Valeria Rodriguez (25:10):

Okay. So you’re creating visual summaries. You’re using text and images combined in different ways to take notes. And before you know how we had like these shorthand things that the squiggly meant an indent and something else meant something else. And we had these lists of things when they would edit our papers, that represented things. It’s kind of like that for your brain. So you’re making a list of maybe icons or small sketches that represent things for you. So as you’re taking notes, you hear things. And when people talk now and they, they say, you know, I’m on the fence about this. Like I literally see a fence. And when they’re talking, I write the note, it’s almost like a T toe with pointy tops and I put a stick figure on top of it. And so later when I look at it, I think, oh, that’s right. My friend is on the fence about that decision

Eric Cross (26:08):

For a new teacher or even a, a, a experienced teacher. That’s interested in sketch noting, where, where would you recommend? They start like the structurize? Like, do you give creative freedom? Are they doing this paper and pencil vocabulary words? Are they up? Like, what are some just kind of maybe three basic things to kind of get started for someone who was just curious about it.

Valeria Rodriguez (26:29):

So it has to be simple because if it requires a lot of energy to go in, then you’re gonna be more hesitant to do it. For example, I wouldn’t start summarizing a video because it’s moving really fast or a live presentation is really hard. So with students, I would start with here’s a paragraph, make a visual summary of it, or here’s a vocabulary list, make an image to represent each word. Then you would move into, well, you know, here’s a unit summarize the three main topics in unit. Then you can move onto like a little YouTube video. That’s like 10 minutes a Ted talk, make a visual summary of the Ted talk because they can pause it.

Eric Cross (27:11):

Mm. Okay.

Valeria Rodriguez (27:13):

The hardest thing is live presentations, ‘cause in conversations you can say, oh, can you say that again? Sketch, noting. You start seeing how people organize or don’t their thoughts when they speak. Because when you start writing things down and all the information is about one thing and then like two blue ORPS about something else. You’re like, wow, that was really unbalanced. So then when you start teaching, you tell them what you’re gonna tell them, you tell them and then you tell them what you told them. So they can check that they put the notes in the right places and you tell them what you’re gonna tell. So they can prep the pathway that they’re gonna set up their notes and I have to be explicit. And I have to say like, I’m gonna talk about the rock cycle. So if I were you, I would put, you know, these four boxes. Oh, but there’s three types of rocks. See? I’m like, yeah, but magma. So let’s put it in the cycle, you know? And, and then I’m like, if I were you, I would put an arrow from here to here because this is how, you know, after erosion and then, you know, heat and pressure. But then it connects like this. So the arrows are gonna help me to remember the directions

Eric Cross (28:13):

As we wind down. There’s there’s one question I wanna ask you there, you are bringing together this science, the, the art, the social, emotional learning, the relationships with your students outside content, like there’s so many different things that you bring in the classroom that is clearly gonna make you a memorable educator for your kids. It just, it’s just, I’m just listening to your learning environment. And it’s so rich who is one teacher that really expired you. So

Valeria Rodriguez (28:38):

There’s a few people that stand out overall. I had very encouraging teachers. I had that one teacher that didn’t like my drawing <laugh> she also stands out <laugh>

Eric Cross (28:49):

We have those too.

Valeria Rodriguez (28:49):

Yeah. So I have colleagues that stand out to me that inspire me every day to like keep trying. And then I had a teacher in high school who I actually work with her daughter now at the school that I work at. And I didn’t even know her mom would make us write almost the whole class. And it was world history. And I remember hearing her say when she was talking about the Roman empire that it fell because it reached more than it can grab. So it kept extending too far out. And I heard that, like I think about, yes, I can keep reaching for things in education and reaching for things in my classroom. But I have to come back to like, what can I hold? I don’t wanna reach further than what I can hold. And yes, I have to believe in myself. And I tell my students to believe in themselves,

Eric Cross (29:38):

I’m in this, I’m in this sketch noting mindset. Because when you said what Ms. Brown shared with you, I thought of a hand reaching out, but then things kind of slipping through it. And I another hand with like a fist right next to it. So even in our conversation here last hour, I I’m thinking in pictures now. And so I’m like, if I can do it, they can do it. Like if you know, ‘cause I am just not the person who spends a lot of time committing to draw. Because a lot of times when I was that student who tried to draw and we get frustrated and look around and now I feel like this is, I wanna try this again. I wanna share this with my students and encourage them. This is gonna be a lot of fun. I look forward to continuing to see the sketch notes that you do. And maybe I’ll, I’ll show you one of mine. Like eventually I don’t know if you can see that there that’s my stick figures. Those of you who are listening right now, I drew, I was drawing stick figures and taking notes while Blair was dropping all of this, these like gems and wisdom in here. So

Valeria Rodriguez (30:31):

Maybe we can do a challenge that once people hear this podcast, they can tag us somehow in the sketch note that they create I’m in. So we see what they a take from it. Because that’s the other thing about sketch noting, you think you’re emphasizing something and all of a sudden people are walking away with something else that resonated to them. And you’re like, wow. And here I was thinking that this was what we were talking about. And this is what really jumped out at them.

Eric Cross (30:57):

Your kids are lucky that you’re in front of them, not just because of how you teach, but how you access all of these different parts of their creativity and their thinking and apply, integrate all of these soft skills and social, emotional skills and just life skills and your experience connecting them to the outside world. They, and like you said, and how we started, you know, where you started in Panama, the students realized what you represent and what you meant to them. And I feel like your students, when they get older, they may not realize it in the time, but as they get older and reflect back, they’ll be telling stories about you. So yeah. Thanks for making time and thanks for being here.

Valeria Rodriguez (31:34):

Well thank you too, ‘cause I know you’re in the classroom and making time to do other things outside the classroom. Isn’t always easy, but it’s what keeps us going in different ways.

Eric Cross (31:49):

Thanks so much for joining me in Valer today. We wanna hear more about you. If you have any great lessons or ways to keep student engagement high, please email us@stemamplifycom.wpengine.com. That’s TM five.com. Make sure to click, subscribe wherever you listen to podcasts and join our brand new Facebook group science connections, the community for some extra content.

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What Valeria Rodriguez says about science

“I use [sketchnoting] and I mess up all the time…because I feel that my students don’t want to make mistakes, and drawing is one of those things that taught me that it’s okay to make mistakes.”

– Valeria Rodriguez

Educator, Instructional technologist, and Graphic facilitator

Meet the guest

Valeria is an educator, instructional technologist, graphic facilitator, and dreamer. She currently works as a Science teacher as part of a STEAM Team in Miami, Florida teaching third through fifth graders as a free-lance graphic facilitator. She loves to connect with passionate educators she meets around the country. Valeria has presented and led workshops at educational conferences like SXSWEdu, ISTE, NSTA, NSTA STEM Forum, SHIFTinEDU, FAST, FCIS, and SEEC. When she is not teaching or sketching, Valeria can be found adventuring with her family around the world, training for triathlons, and creating opportunities to empower kids in all kinds of communities. 

You can check Valeria’s work on her website and follow her on Twitter & Instagram.

Valeria-Rodriguez_Headshot-LP

About Science Connections

Welcome to Science Connections! Science is changing before our eyes, now more than ever. So…how do we help kids figure that out? We will bring on educators, scientists, and more to discuss the importance of high-quality science instruction. In this episode, hear from our host Eric Cross about his work engaging students as a K-8 science teacher. Listen here!