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Customer Privacy Policy

Last Modified: January 23, 2026 | Update History

Most recent update: This Privacy Policy has been updated to address additional rights for individuals in the European Union/UK.

We advise you to read this Privacy Policy in its entirety, including the jurisdiction-specific provisions in the appendix. Click here to review Our U.S. Notice At Collection.

Customer Privacy Policy: K–12 Schools

Who We Are

Amplify Education, Inc. (“Amplify”) is leading the way in next-generation curriculum and assessment. Amplify’s programs provide teachers with powerful tools that help them understand and respond to the needs of each student and use data in a way that is safe, secure, and effective.

Our Products and Services

Amplify’s products support classroom instruction and learning and include Amplify CKLA, Amplify ELA, Amplify Caminos, Amplify Science, Amplify Desmos Math, Boost Reading, Boost Math, mCLASS, Mathigon, associated professional development and tutoring services, and services at classroom.amplify.com (for creating and assigning activities) and student.amplify.com (for use of the activities or curricula as directed by an instructor), and any other product or service that links to this Privacy Policy (together, the “Products”).

Our Approach to Student Data Privacy 

In the course of providing the Products to Schools and their Authorized School Users, Amplify collects, receives, generates, or has access to Student Data (defined below). We consider Student Data to be confidential and we collect and use Student Data solely for educational purposes in connection with providing our Products to, or on behalf of the School as described in this Privacy Policy and our Agreements (defined below). We work to maintain the security and confidentiality of Student Data that we collect or store, and we enable Schools to control the use, access, sharing, and retention of Student Data.

Our Products are geared towards K–12 students (“Students”), and the educators, agents and staff members who use the Products as authorized by their School (“Educators”). Information that directly relates to an identifiable Student (“Student Data”) is owned and controlled by the School, and Amplify receives Student Data as a “school official” under Section 99.31 of the Family Educational Rights and Privacy Act of 1974 (“FERPA”) for the purpose of providing the Products hereunder. In addition, we rely on the School acknowledging that it is acting as the parent’s agent and consenting on the parent’s behalf to process personal information of Students under the age of 13 (“Child Users”) in accordance with the Children’s Online Privacy Protection Act (“COPPA”).

Our collection and use of Student Data is governed by our Agreements with Schools, including this Privacy Policy (“Privacy Policy”), and applicable laws which may include FERPA, COPPA, the Protection of Pupil Rights Amendment (“PPRA”), as well as other applicable federal, state, and local privacy laws and regulations (“Applicable Laws”). As noted above, with respect to FERPA, Amplify receives Student Data as a “school official” under Section 99.31 of FERPA for the purpose of providing its Products, and such Student Data is owned and controlled by the School.

Schools may provide authorization in two ways:

  1. by the School agreeing to our Customer Terms and Conditions located at amplify.com/customer-terms or another written agreement between Amplify and the School, as applicable; or
  2. by an Educator agreeing to the Acceptable Use Policy located at amplify.com/acceptable-use-policy/ (“AUP”) on behalf of the School as outlined in the AUP.

In each case, we collect Student Data and provide these Products solely for the use and benefit of the School and for no other commercial purpose. We require all Schools to review this Privacy Policy, available at amplify.com/customer-privacy, and to make a copy of the Privacy Policy available to the parents or guardians of Child Users.

We also provide limited opportunities for individual users to sign up for an account for use of our Products at-home or otherwise outside of the authorization of a School (“Home Users”). See the Appendix–Supplemental Disclosures for additional information that applies to our Home Users.

What This Privacy Policy Covers 

This Customer Privacy Policy (“Privacy Policy”) describes how Amplify collects, uses, and discloses personal information through the provision of Products.

For purposes of this Privacy Policy, “you” and “your” means Authorized Users (defined below).

This Privacy Policy does not apply to Amplify’s handling of:

  • information collected from users of Amplify’s company website, which is governed by our Website Privacy Policy.
  • job applicant data that we process in accordance with our applicant privacy notice.

There may be different contractual terms or privacy policies in place with some Schools. Such other terms or policies supersede this Privacy Policy for information collected or released under those terms. If you have any questions as to which legal agreement or privacy policy controls the collection and use of your personal information, please contact us using the information provided below. Unless expressly superseded, this Privacy Policy is incorporated into and is subject to the Agreement that governs your use of the Products.

Our Role

Amplify as a processor/service provider: Our School customers are the controllers of Student Data (as well as certain other Educator personal information to the extent required by law or Amplify’s agreement with the School) (together “School Data”).

Amplify acts as a processor/service provider for our School customers with respect to School Data, which means when we use School Data, we do so solely on the instruction of the School. School Data is subject to the School’s privacy policies; therefore, you will need to contact the School directly if you have any questions or would like to exercise your rights with respect to School Data.

Amplify as a controller: We are the controller of all other personal information we collect from non-Student Authorized Users (“Amplify Data”) and can be reached by email at privacy@amplify.com or by mail at Amplify Education, Inc., 55 Washington St.#800, Brooklyn, NY, 11201.

Policy

1. Definitions

Capitalized terms not defined in this section or elsewhere in this Privacy Policy will have the meaning set forth by Applicable Laws.

“Agreement” means the underlying contractual agreement between Amplify and the School.

“Authorized Users” means all users of our Products, including Authorized School Users, parents and legal guardians, and Home Users.

“Authorized School Users” means Students and Educators.

“Local Education Authority” means a local education agency or authority, school district, school network, independent school, or other regional education system.

“Non-Student Data” means information that is linked or linkable to Authorized Users who are not Students.

“School” means the Local Education Authority or State Agency.

“State Agency” means the educational agency primarily responsible for the supervision of public elementary and secondary schools in any of the 50 states, the Commonwealth of Puerto Rico, the District of Columbia, or other territories and possessions of the United States, as well as a national or regional ministry or department of education in other countries, as applicable.

2. What personal information do we collect?

When you access or use our Products, you may choose to provide us with personal information, including Student Data. This information may be provided to us directly (e.g. when an account is created or through communications with us) or through your interactions with our Products.

Student Data. Below is a list of the categories of Student Data that may be collected by Amplify or its Products, either directly or through the Authorized School User’s use of the various features and configurations of the Products:

  • Identifier and Enrollment Data, such as name, email, school / state ID number, username and password, grade level, homeroom, courses, teacher names.
    • Why? Most of Amplify’s Products require some basic information about who is in a classroom and who teaches the class—Student or teacher Identifier and Enrollment data. This information is provided to Amplify by the School, either directly from the School’s student information system or via a third party with whom the School contracts to provide that information.
  • Demographic Data, such as date of birth, socioeconomic status, race, national origin, and preferred or primary language.
    • Why? To support school instructional and reporting requirements, Amplify’s Products allow Schools to view reports and analyze data using Demographic Data. Generally, Demographic Data is provided on a voluntary basis by the School. For example, a School may wish to analyze Student literacy assessment results based on English Language Learner status to better tailor classroom instruction, and in that case, the School may provide Demographic Data to enable that reporting.
  • School Records, such as grades, attendance, assessment results, and whether an Individualized Education Plan (IEP or local equivalent) is in place.
    • Why? Some of our Products support grading assignments and administering formative, diagnostic, and curriculum-based assessments. Teachers use that information to support Students’ progress in the program or help with instructional decisions. We do not collect specific details from an IEP, nor do we collect protected health information or other sensitive information.
  • Schoolwork and Student Generated Content, which includes any information contained in Student assignments and assessments, including information in response to instructional activities and participation in collaborative or interactive features of our Products, such as Student responses to academic questions and Student-written essays, as well as images, video, and audio recordings.
    • Why? As part of the digital learning experience, some of our Products may enable Students to write text and create and upload images, video, and audio recordings. For example, in Amplify ELA, students may write essays or submit short-form responses in our platform as part of a lesson on literature. As another example, in Boost Reading, student interactions with reading skills games are recorded to keep track of the student’s progress to level up in the program and to provide visibility to teachers on how students are mastering the skills.
  • Teacher Comments and Feedback, such as scores, written comments, or other feedback that Educators may provide about Student responses or student course performance.
    • Why? To enable teachers to track the performance and provide feedback to their students.
  • Non-Student Data. We may collect the following types of personal information from all other Authorized Users:
    • Contact Information, such as name and email address, as well as grade level taught, school name and school location, whether you are an Educator or Home User that creates an account or uses our Products or communicates with us.
    • Account Information, such as user login and password, for account creation and access purposes.
    • Survey Responses, which you provide in response to surveys or questionnaires.
  • Device and Usage Data. Depending on the Product, we may collect certain information about the device used to connect to our Product, such as device type and model, browser configurations, and persistent identifiers, such as IP addresses and unique device identifiers. We may collect device diagnostic information, such as battery level, usage logs, and error logs, as well as usage, viewing, and technical information (e.g., email open rates), such as the number of requests a device makes, to ensure proper system capacity for all Authorized Users. We may collect IP addresses and use that information to approximate device location to support operation of the Product. To the extent that we collect this information, this data is solely used to support operation of the Product and is not linked to Student Data. For purposes of clarity, Amplify does not use Student Data for marketing or advertising purposes (see section 6 of this Privacy Policy for more information about our commitments regarding Student Data).
    • Why? We use this information to remember returning users and facilitate ease of login, to customize the function and appearance of the Products, and to improve the learning experience. This information also helps us track product usage for various purposes, including website optimization, to ensure proper system capacity, troubleshoot and fix errors, provide technical assistance and customer support, provide and monitor the effectiveness of our Products, monitor and address security concerns, and compile analytics for product improvement and other internal purposes.
    • How? Cookies and Similar Technologies. We collect device and usage data through “cookies,” Web beacons, HTML5 local storage, and other similar technologies, which are used in some of our Products solely to support operation of the Products as described above. While we may use third party cookies and similar technologies for advertising and marketing purposes on our website (in accordance with our Website Privacy Policy), we do not permit such tracking technologies to be present on Student-facing portions of the Products. In particular, we only use the following types of cookies in our Products:
      • Strictly necessary cookies – These are cookies that are required for the operation of our websites and applications that host our Products. They include, for example, cookies that enable you to log into secure areas of our Products. These cookies are not generally stored beyond the browser session and are less likely to include personal information. This category of cookies cannot be disabled.
      • Functionality Cookies – We use these cookies so that we recognize you on the websites and apps that host our Products and remember your previously selected preferences. These cookies are stored on your device between browsing sessions but expire after a pre-defined period. These cookies enable us to “recognize” you when you use our Products, including your preferences such as your preferred language, time, and location. A mix of first party (placed by us) and third-party cookies (placed by third parties) are used.
      • Performance Cookies – These cookies help us and service providers acting on our behalf compile statistics and analytics about users of our Products that are accessed via websites and apps, including Device and Usage Information.
    • Learn how to opt out of cookies and similar technologies by reading the “What Rights and Choices Do You Have?” section of this Privacy Policy below.

3. How do we use personal information?

Student Data. Amplify uses Student Data for educational purposes, to provide the Products, and to ensure secure and effective operation of our Products, including:

  • to provide and improve our educational Products;
  • to support School and Authorized School Users’ activities;
  • to ensure secure and effective operation of our Products;
  • for purposes requested or authorized by the School or Authorized School User or as otherwise permitted by Applicable Laws;
  • for customer support purposes, to respond to the inquiries and fulfill the requests of the School and their Authorized School Users;
  • to enforce Product access and security controls; and
  • to conduct system audits and improve protections against the misuse of our Products, or to detect and prevent fraud and other harmful activities.
  • to enable the adaptive and personalized learning features of the Products.

Non-Student Data. Amplify may use Non-Student Data for the purposes for which Student Data is used as set forth above. In addition, Amplify may use Non-Student Data to provide customized content, advertising and marketing in limited circumstances (e.g. to periodically send newsletters and other promotional materials) directed to Educators and Home Users. For sake of clarity, we do not use Student Data for marketing purposes and we do not direct marketing to Students. Amplify may also use Non-Student Data for internal research and analytics, including generating insights on the use of our Products by Educators in certain Schools so that we can better serve those communities. We will also use Non-Student Data as otherwise required or permitted by law, or as we may notify you at the time of collection. Learn how to opt out of these communications by reading the “What Rights and Choices Do You Have?” section of this Privacy Policy below.

Amplify may use aggregate or de-identified data as described in the Aggregate/De-identified Data section below.

4. To whom do we disclose personal information?

Student Data. We disclose Student Data to third parties only as needed to provide the Products under the Agreement, as directed or permitted by the School or Authorized School User, and as required by law. Such disclosures may include but are not limited to the following:

  • to other Authorized School Users of the School entitled to access such data in connection with the Products;
  • to our service providers, subprocessors, or vendors who have a legitimate need to access such data in order to assist us in providing or supporting our Products, such as platform, infrastructure, and application software. We contractually bind such parties to protect Student Data in a manner consistent with those practices set forth in this Privacy Policy and in accordance with Applicable Laws. A list of Amplify subprocessors is available at https://www.amplify.com/subprocessors;
  • to comply with the law, respond to requests in legal or government enforcement proceedings (such as complying with a subpoena), protect our rights in a legal dispute, or seek assistance of law enforcement in the event of a threat to our rights, security, or property or that of our affiliates, customers, Authorized Users, or others;
  • in the event Amplify or all or part of its assets are acquired or transferred to another party, including in connection with any bankruptcy or similar proceedings, provided that successor entity will be required to comply with the privacy protections in this Privacy Policy with respect to information collected under this Privacy Policy, or we will provide the School with notice and an opportunity to opt out of the transfer of such data prior to the transfer; and
  • except as restricted by Applicable Laws or contracts with the School, we may also share Student Data with Amplify’s affiliated education companies, provided that such disclosure is solely for the purposes of providing Products and at all times is subject to this Policy.

Non-Student Data. Amplify discloses Non-Student Data for the purposes for which Student Data is used as set forth above. Amplify may also disclose Non-Student Data as otherwise required or permitted, or as disclosed at the time of collection. Please note that we do not share mobile information or opt-in consent with third parties / affiliates for their own marketing or promotional purposes.

5. Aggregate/De-identified data

Amplify may use de-identified or aggregate data for purposes allowed under FERPA and other Applicable Laws, to research, develop, and improve educational sites, services, and applications and to demonstrate the effectiveness of the Amplify Products. Amplify will not attempt to re-identify de-identified data. We may use aggregate information (which is information that has been collected in summary form such that the data cannot be associated with any individual) for analytics and reports. For example, our promotional materials may note the total number of students served by our programs in the prior year, but that information cannot be used to identify any one student. We may also share de-identified or aggregate data with research partners to help us analyze the information for product improvement and development purposes.

Records and information are de-identified when all personal information has been removed or obscured, such that the remaining information does not reasonably identify a specific individual. We de-identify Student Data in compliance with Applicable Laws and in accordance with the guidelines of NIST SP 800-122. Amplify has implemented internal procedures and controls to protect against the re-identification of de-identified Student Data. Amplify does not disclose de-identified data to its research partners unless that party has agreed in writing not to attempt to re-identify such data.

6. Data prohibitions, Advertising, Advertising limitations

Amplify will not:

  • sell Student Data to third parties;
  • use or disclose Student Data to inform, influence, or enable targeted advertising to a Student based on Student Data or information or data inferred over time from the Student’s usage of the Products;
  • use Student Data to develop a profile of a Student for any purpose other than providing the Products to a School or Authorized School User, or as authorized by a parent or legal guardian;
  • use Student Data for any commercial purpose other than to provide the Products to the School or Authorized School User, or as permitted by Applicable Laws.

7. External third-party services

This Privacy Policy applies solely to Amplify’s Products and practices. Schools and other Authorized Users may choose to connect or use our Products in conjunction with third-party services and Products. Additionally, our sites and Products may contain links to third-party websites or services . This Privacy Policy does not address, and Amplify is not responsible for, the privacy, information, or other practices of such third parties. Schools should carefully consider which third-party applications to include among the Products and services they provide to Students and vet the privacy and data security standards of those providers.

Authorized Users may be able to log in to our Products using third-party sign-in services such as Clever, ClassLink or Google. These services authenticate your identity and provide you with the option to share certain personal information with us, including your name and email address, to pre-populate our account sign-up form. If you choose to enable a third party to share your third-party account credentials with Amplify, we may obtain personal information via that mechanism. You may configure your accounts on these third-party platform services to control what information they share.

8. Security

Amplify maintains a comprehensive information security program and uses industry standard administrative, technical, operational, and physical measures to safeguard Student Data in its possession against loss, theft and unauthorized use, disclosure, or modification. Amplify performs periodic risk assessments of its information security program and prioritizes the remediation of identified security vulnerabilities. Please see https://amplify.com/security for a detailed description of Amplify’s security program.

In the event Amplify discovers or is notified that Student Data within our possession or control was disclosed to, or acquired by, an unauthorized party, we will investigate the incident, take steps to mitigate the potential impact, and notify the School in accordance with Applicable Laws.

Non-Student Data

Outside of Student Data, Amplify uses commercially reasonable administrative, technical, personnel, and physical measures to safeguard personal information in its possession against loss, theft, and unauthorized use, disclosure or modification.

9. Data Storage and Transfers

We are a United States Company, and our servers are hosted, managed, and controlled by us in the United States. If you are outside of the United States, we use industry standards to protect your data when it leaves your country of residence and your data will always be protected in accordance with this Privacy Policy, Applicable Laws and our Agreement regardless of the storage location.

Additionally, where we transfer your personal information to service providers outside of the United Kingdom (UK), European Economic Area (EEA), or other region that offers similar protections, we use specific appropriate safeguards to contractually obligate such service providers to protect personal information in accordance with Amplify’s commitment to privacy and security and applicable data protection laws.

If you have questions or wish to obtain more information about the international transfer of your personal information or the implemented safeguards, please contact us using the contact information below.

10. Data Retention / Deletion

Student Data

Upon request, we provide the School the opportunity to review and delete the personal information collected from Students. We will retain Student Data for the period necessary to fulfill the purposes outlined in this Privacy Policy and our Agreement with the School. We do not knowingly retain Student Data beyond the time period required to support the School or Authorized School User’s educational purpose, unless authorized by the School or Authorized School User. Upon request, Amplify will return, delete, or destroy Student Data stored by Amplify in accordance with applicable law and customer requirements. We may not be able to delete all data in all circumstances, such as information retained in technical support records, customer service records, back-ups, and similar business records. All such information will be protected in accordance with this Privacy Policy and our Agreement until it has been permanently deleted. Unless otherwise notified by the School, we will delete or de-identify Student Data after termination of our Agreement with the School.

Non-Student Data

Outside of Student Data, we keep personal information as long as it is necessary or relevant for the practices described in this Privacy Policy or as otherwise required by our Agreement with the School, if applicable. We determine the appropriate retention period for personal information on the basis of the amount, nature and sensitivity of the personal information being processed, the potential risk of harm from unauthorized use or disclosure of the personal information, whether we can achieve the purposes of the processing through other means, and on the basis of applicable legal requirements (such as applicable statutes of limitations).

11. What rights and choices do you have?

What Choices Do You Have?

Marketing/Advertising

As noted above, we do not use Student Data for marketing purposes and we do not direct marketing to Students. Amplify does not use third party cookies and similar technologies for advertising and marketing purposes on Student-facing portions of the Products. The choices below apply to Non-Student Authorized Users.

Opt-out of Marketing Communications. If you want to stop receiving promotional materials from Amplify, you can follow the unsubscribe instructions at the bottom of each email or email us at privacy@amplify.com. Amplify does not send marketing communications to Students.

Opt-out of Cookies and Similar Tracking Technologies. With respect to cookies, you may be able to reject cookies through your browser or device controls. Note that you have to opt-out of cookies on each browser or device that you use. If you replace, change, or upgrade your browser or device, or delete your cookies, you may need to use these opt-out tools again. Please be aware that disabling cookies may negatively impact your experience as some features may not work properly. To learn more about browser cookies, including how to manage or delete them, check the “Help,” “Tools,” or similar section of your browser.

What Rights Do You Have?

Individuals in the U.S.

  • What Rights Do You Have With Respect to Student Data?
    • Review and Correction. FERPA requires schools to provide parents with access to their children’s education records, and parents may request that the school correct records that they believe to be inaccurate or misleading.
    • If you are a parent or guardian and would like to review, correct, or update your child’s data stored in our Products, contact your School. Amplify will work with your School to enable your access to and, if applicable, correction of your child’s education records.
    • If you have any questions about whom to contact or other questions about your child’s data, you may contact us using the information provided below.
    • Other Privacy Rights? Please see section 3 of our supplemental disclosures: “Additional U.S. State Privacy Law Rights” for more information about your U.S. privacy rights

Individuals in the EU/UK

Please see section 4 of our supplemental disclosures: “Notice for European Economic Area and United Kingdom Customers” for more information about your EU/UK privacy rights.

12. COPPA

We do not knowingly collect personal information from a Child User unless and until a School or Educator, with the permission of the School, has authorized us to collect such information to provide the Products. Amplify relies on the School acknowledging that it is acting as the parent’s agent and consenting on the parent’s behalf to process personal information of Child Users in accordance with all applicable provisions of COPPA. To the extent COPPA applies to the information we collect, we process such information for educational purposes only, and no other commercial purpose, at the direction of the School and on the basis of the School’s authorization. If you are a parent or guardian and have questions about your child’s use of the Products and any personal information collected, please direct these questions to your child’s school.

Please refer to the Appendix–Supplemental Disclosures if you are a Home User.

13. Updates to this Privacy Policy

We may change this Privacy Policy in the future. For example, we may update it to comply with new laws or regulations, to conform to industry best practices, or to reflect changes in our product offerings. When these changes do not reflect material changes in our practices with respect to use and/or disclosure of Authorized Users’ personal information, including Student Data, such changes to the Privacy Policy will become effective when we post the revised Privacy Policy on our website. In the event there are material changes in our practices that would result in Authorized Users’ personal information being used in a materially different manner than was disclosed when the information was collected, with respect to Student Data, we will notify the School, and with respect to other information, we will notify you via email and provide an opportunity to opt out before such changes take effect.

14. Contact us

If you have questions about this Privacy Policy, please contact us at:

Email: privacy@amplify.com
Mail: Amplify Education, Inc.
55 Washington St.#800
Brooklyn, NY, 11201
Phone: (800) 823-1969
Attn: General Counsel

To report a security vulnerability, visit https://amplify.com/report-a-vulnerability/.

Appendix – Supplemental Disclosures

1. Mathigon and Amplify Classroom accounts

While our Products are geared towards Schools we do provide a limited opportunity for Home Users to use the Products at home—outside of the school context. We do not allow persons under the age of 13 (or those under the age of consent in any applicable jurisdiction) to register for an account with us outside the school context.

If you are a Home User, you are prohibited from collecting or providing any personal information from students or minors. You are permitted to access the platform for instructional purposes, but you may not enroll or roster minors, create accounts for minors, or input any personal information of minors into the Product.

Please note that most parts of Mathigon can be used without creating an account or providing any personal information that directly identifies you.

What Rights Do You Have? If you are a Child User who is 13 or older with a legacy Mathigon account (or the parent or guardian of a Child User with a legacy Mathigon account), you may request that we provide for your review, delete from our records, or cease collecting any Child User personal information. To the extent that you are unable to exercise these rights through self-service features within your account with us, please contact us by sending an email to: help@amplify.com and we will provide assistance.

2. U.S. Notice at Collection

Personal Information We Collect How We Use Personal Information

Student Data, which includes:

  • Roster Information
  • Demographic Data, such as race and national origin
  • School Records
  • Account Information
  • Schoolwork and Student Generated Content
  • Teacher Comments and Feedback
  • Device and Usage Data
  • To provide and improve our educational Products;
  • To support Schools’ and Authorized School Users’ activities;
  • To ensure secure and effective operation of our Products;
  • For purposes requested or authorized by the School or Authorized School Users, or as otherwise permitted by Applicable Laws;
  • For adaptive or personalized learning features of the Products; provided that Student Data is not disclosed;
  • For customer support purposes, to respond to the inquiries and fulfill the requests of the School and their Authorized School Users;
  • To enforce product access and security controls; and
  • To conduct system audits and improve protections against the misuse of our Products, or to detect and prevent fraud and other harmful activities.

Authorized Users, which includes:

  • Contact Information
  • Account Information
  • Survey Responses
  • Device and Usage Data
  • For the purposes for which Student Data is used as set forth above;
  • For marketing purposes in limited circumstances (e.g. to periodically send newsletters and other promotional materials), which will not be based on Student Data or directed to K–12 students;
  • For internal research and analytics; and
  • As otherwise required or permitted, or as we may notify you at the time of collection.

Some of the information described above may be considered “sensitive” under the laws of certain jurisdictions (i.e., account credentials and race/national origin) (“Sensitive Information”). We use Sensitive Information for necessary or reasonably expected purposes – specifically, to provide you with our Services (i.e., account credentials are used to allow account logins and race/national origin are used for the School’s reporting purposes when voluntarily provided by the School).

We do not sell or share your personal information, as described in California law.

We retain your personal information for as long as reasonably necessary for the purposes disclosed in the chart above. Additional information about our retention of Student Data and personal information from other Authorized Users can be found in Section 10 of this Privacy Policy.

Please see the Additional U.S. State Privacy Law Rights section of this appendix for information about your privacy rights pursuant to applicable U.S. law.

Notice of Financial Incentive

From time to time, to support our services, we offer opportunities to complete surveys and questionnaires. As an incentive for completing the survey or questionnaire, you can voluntarily provide personal information as an entry into a raffle drawing or to obtain other benefits, discounts, offers, or deals that may constitute a financial incentive under California law (“Financial Incentive”). The categories of personal information required for us to provide the Financial Incentives include: contact information and any other information that you choose to provide when you complete the survey.

Participation is voluntary and you can opt out at any time before the survey is complete. We do not allow students to participate in our surveys.

The value of the personal information we collect in connection with our Financial Incentives is equivalent to the value of the benefit offered.

3. Additional U.S. State Privacy Law Rights

Note for Requests Relating to Student Data: Because Amplify provides the Products to Schools as a “School Official,” we collect, retain, use, and disclose Student Data only for or on behalf of the School for educational purposes, including the purpose of providing the Products specified in our Agreement with the School and for no other commercial purpose. Accordingly, we act as a “service provider” for the School with respect to School Data. We work with the School to support and assist them in addressing privacy requests relating to School Data. Please reach out to your School directly if you wish to exercise any privacy rights that may be available to you.

For all other requests: With respect to Amplify Data, individuals residing in certain U.S. states have the following rights, regarding your personal information (each of which is subject to various exceptions and limitations):

  • Access. You have the right to request, up to two times every 12 months, that we disclose to you the categories of personal information collected about you; the categories of sources from which the personal information is collected; the categories of personal information sold or shared; the business or commercial purpose for collecting, selling, or sharing the personal information; the categories of third parties with whom personal information was shared; and the specific pieces of personal information collected about you.
  • Correction. You have the right to request that we correct inaccurate personal information collected from you.
  • Deletion. You have the right to request that we delete the personal information that we maintain about you. Even after the deletion of your account, some personal information may remain on our servers, such as in technical support logs, server caches, data backups, or email conversations. These will be automatically deleted after a reasonable amount of time, unless we are legally required to retain information for longer, or unless there is a legitimate business reason (e.g. security and fraud prevention or financial record-keeping). We are not required to delete any information which has been aggregated or de-identified in accordance with Section 5.
  • No Discrimination. You have the right not to be discriminated against for exercising these rights.
  • Appeals. You have a right to appeal decisions concerning your ability to exercise your consumer rights.

See Submitting Requests section below for details on submitting a request to exercise these rights.

4. Notice for European Economic Area (EEA) and United Kingdom (UK) Customers

As detailed at the beginning of our Privacy Policy (under the section titled “Our Role”), Amplify operates primarily as a processor that collects personal information on behalf of the School, and we act as a controller in limited circumstances where we offer Products outside the school context.

If you represent a School in the EEA or the UK, please note that we process personal information in accordance with this Privacy Policy, our Acceptable Use Policy, and our standard Data Protection Agreement, which sets out our responsibilities when it comes to our processing activities. Schools must send an email to privacy@amplify.com to enter into that DPA.

Lawful Basis for Processing

We rely on the following lawful bases for our processing activities:

  • Consent;
    • We obtain your consent to use cookies to collect and process device and usage data to understand how individuals use our Products.
  • Pursuant to a contract for use of our Products;
    • We process School Data to provide our Products (e.g., to create, authenticate and manage your account, to verify your identity, to manage our Products) pursuant to the Agreement between us and the School, as required in order for us to perform our obligations.
  • To comply with our legal obligations;
    • We process all categories of personal information that we collect to ensure the safety and security of our Products where we are complying with security requirements under data protection and cyber and information security law.
    • We process all categories of personal information that we collect to comply with our legal obligations which includes, for example, to access, retain or share certain personal information where we receive a valid request from a government body, law enforcement body, judicial body regulator or similar, to deal with legal claims and prospective legal claims, and to ensure we are complying with applicable laws.
  • When we have a legitimate interest in doing so, which is not outweighed by the risks to the individual.
    • We process all categories of personal information that we collect to support the provision, effective management, and improvement of our Products where such activities are not strictly required under our contract. This is in our legitimate interests to ensure that we are providing the best possible service.
    • We process all categories of personal information that we collect to ensure the safety and security of our services where this is important but not required under the data protection law or cyber and information security laws. This is in our legitimate interests to ensure the security of our services and systems, to prevent threats, abuse or fraudulent or unlawful activity, to promote safety and security and to ensure our Products are used in accordance with our terms and conditions.
    • We process the contact information of Non-Student Authorized Users to manage our relationship, including to respond to queries or otherwise communicate with you in relation to our Products and the operation of our business where this is not strictly required under a contract with you. This is in our legitimate interests to communicate with and resolve queries from users of our Products and to ensure that we are providing the best possible service.

We process the contact information and survey data of Non-Student Authorized Users for internal research and marketing purposes in limited circumstances (e.g. to periodically send newsletters and other promotional materials), which will not be based on Student Data or directed to Students. This is in our legitimate interests to understand our customers and prospective customers, understand how our products and services are perceived in the market, to promote our products, and to grow and develop our business.

Your Data Subject Rights

Note for Requests Relating to School Data: Amplify acts as processor to its School customers with respect to all School Data. We work with our School customers to support and assist them in addressing privacy requests relating to School Data. Please reach out to your School directly if you wish to exercise any privacy rights that may be available to you.

For all other Requests – With respect to Amplify Data, you have the following rights if you are in the EEA or UK, subject to certain exceptions:

  • Right of access: You have the right to ask us for confirmation on whether we are processing your personal information and access to that personal information.
  • Right to correction: You have the right to have your personal information corrected.
  • Right to erasure: You have the right to ask us to delete your personal information.
  • Right to withdraw consent: You have the right to withdraw consent that you have provided.
  • Right to lodge a complaint with a supervisory authority: You have the right to lodge a complaint with a supervisory authority.
  • Right to restriction of processing: You have the right to request the limiting of our processing under limited circumstances.
  • Right to data portability: You have the right to receive the personal information that you have provided to us, in a structured, commonly used, and machine-readable format, and you have the right to transmit that information to another controller, including to have it transmitted directly, where technically feasible.
  • Right to object: You have the right to object to our processing of your personal information

See Submitting Requests section below for details on submitting a request to exercise these rights.

5. Submitting Requests

To exercise any of the rights described in sections 2 and 3 of this appendix, email us at privacy@amplify.com and specify which privacy right you intend to exercise. We may require additional information from you to allow us to confirm your identity. The verification steps will vary depending on the sensitivity of the personal information and whether you have an account with us. Please note that your rights may not apply in all cases. For example, we may need to retain your personal information to comply with our legal obligations, resolve disputes, prevent fraud and enforce our agreements. We will inform you if we are not able to fully respond to your requests. You may designate an authorized agent to make a request on your behalf. When submitting the request, please ensure the authorized agent identifies himself/herself/itself as an authorized agent and can show written permission from you to represent you. We may contact you directly to confirm that you have authorized the agent to act on your behalf or confirm your identity.

Complaints

If you have any issues, you have the right to lodge a complaint with an EEA or UK supervisory authority. We would, however, appreciate the opportunity to address your concerns before you approach a data protection regulator and would welcome you directing an inquiry first to us. To do so, please contact us by email at privacy@amplify.com or by mail at Amplify Education, Inc., 55 Washington St.#800, Brooklyn, NY, 11201.

6. Google APIs

Amplify uses Google’s Application Programming Interface (API) Services to enable Authorized Users to log in to Amplify, import classes and rosters from Google Classroom, create assignments in Google Classroom, and copy, edit, and publish Amplify content using Google Slides. Amplify will use and transfer information received from Google’s API in accordance with Google API Service User Data Policy, including the Limited Use requirements.

Update History:

Update: 6/13/2025: This Policy has been updated to align with product updates and to provide additional context for authorized educational use of Amplify’s Products.

Update 6/27/2024: The Policy has been updated to include an explanation regarding Google APIs in the Appendix — Supplemental Disclosures section.

Update 6/30/2023: This Privacy Policy has been updated to address new state law data privacy requirements.

1. Scope

These Customer Terms and Conditions are a legal agreement between Amplify Education, Inc. (“Amplify”) and the local education agency or authority, school district, school network, independent school, or other regional education system (“Customer”) for the license and use of one or more of Amplify products or services (the “Products”), as specified in the receipt, price quote, proposal, renewal letter, or other ordering document containing the details of this purchase (the “Quote”). These Customer Terms and Conditions, all addenda, attachments, and the Quote, as applicable (together, the “Agreement”), constitute the entire agreement between the parties relating to the subject matter hereof. The provisions of this Agreement will supersede any conflicting terms and conditions in any Customer purchase order, other correspondence or verbal communication, and will supersede and cancel all prior agreements, written or oral, between the parties relating to the subject matter hereof.

2. Agreement Acceptance

This Agreement becomes effective at the earliest of the following: (i) issuing a purchase order, shipment request, or payment against the Quote; (ii) accessing, downloading, or using the Products; or (iii) otherwise accepting this Agreement. This term of the Agreement will be as specified in the Quote and may be renewed or extended by mutual agreement of the parties. Customer represents and warrants that: (1) Customer is of legal age to accept this Agreement; (2) Customer is authorized to accept this Agreement and to access and use the Products; and (3) Customer’s use of the Products will comply at all times with Amplify’s Acceptable Use Policy available at amplify.com/acceptable-use (“AUP”). The Customer may not access, download, or use the Products if the Customer does not agree to this Agreement.

3. License

Subject to the terms and conditions of the Agreement, Amplify grants to Customer a non-exclusive, non-transferable, non-sublicensable license to access and use, and permit Authorized School Users, as defined below, to access and use the Products in accordance with the AUP, for the duration specified in the Quote (the “Term”), and for the number of Authorized School Users specified in the Quote for whom Customer has paid the applicable fees to Amplify. “Authorized School User” means the K–12 students registered or authorized for instruction with Customer and the educators, agents and staff members who use the Products as authorized by Customer who Customer permits to access and use the Products subject to the terms and conditions of the Agreement, solely while such individual is so employed or so registered. Each Authorized School User’s access and use of the Products will be subject to the AUP in addition to the terms and conditions of the Agreement. Violations of this Agreement or the AUP may result in suspension or termination of the applicable account.

4. Restrictions

Customer may access and use the Products solely for non-commercial instructional and administrative purposes. Guidelines for such purposes may be set forth at
https://amplify.com/amplify-program-usage-guidelines/ and additional guidelines may be detailed in materials associated with the Product the Customer is accessing. Further, Customer may not, except as expressly authorized by Amplify: (a) copy, modify, translate, distribute, disclose, or create derivative works based on the contents of, sell, or otherwise exploit, the Products, or any part thereof; (b) decompile, disassemble, reverse engineer the Products, or otherwise use the Products to develop functionally similar products or services; (c) modify, alter, or delete any of the copyright, trademark, or other proprietary notices in or on the Products; (d) rent, lease, or lend the Products or use the Products for the benefit of any third party; (e) avoid, circumvent, or disable any security or digital rights management device, procedure, protocol, or mechanism in the Products; (f) use any content from the Products, including but not limited to text, images, videos, assessments, lesson plans, or code, as input or training material for any machine learning or artificial intelligence system, including large language models, neural networks, or other algorithmic models, for any purposes, commercial or non-commercial; or (g) permit any Authorized School User or third party to do any of the foregoing. Customer also agrees that any works created in violation of this section are derivative works, and, as such, Customer agrees to assign, and hereby assigns, all right, title, and interest in such works to Amplify. The Products and derivatives thereof may be subject to export control laws, restrictions, regulations, and orders of the U.S. and other jurisdictions (together, “Export Laws”). Customer agrees to comply with all applicable Export Laws, and will not, and will not permit Authorized School Users to, export, or transfer for the purpose of re-export, any Product to any prohibited or embargoed country in violation of any U.S. export law or regulation. Further, Customer represents that it is not a party subject to sanctions by the U.S. Office of Foreign Assets Control or included on any restricted party list maintained by the U.S. Bureau of Industry and Security. The software and associated documentation portions of the Products are “commercial items” (as defined at 48 CFR 2.101), comprising “commercial computer software” and “commercial computer software documentation,” as those terms are used in 48 CFR 12.212. Accordingly, if Customer is the U.S. Government or its contractor, Customer will receive only those rights set forth in this Agreement in accordance with 48 CFR 227.7201-227.7204 (for Department of Defense and their contractors) or 48 CFR 12.212 (for other U.S. Government licensees and their contractors).

5. Reservation of Rights

SUBSCRIPTION PRODUCTS ARE LICENSED, NOT SOLD. Subject to the limited rights expressly granted hereunder, all rights, title, and interest in and to all Products, including all related IP Rights, are and will remain the sole and exclusive property of Amplify or its third-party licensors. “IP Rights” means, collectively, rights under patent, trademark, copyright, and trade secret laws, and any other intellectual property or proprietary rights recognized in any country or jurisdiction worldwide. Customer must promptly notify Amplify of any violation of Amplify’s IP Rights in the Products, and will reasonably assist Amplify as necessary to remedy any such violation. Amplify Products are protected by patents (see amplify.com/virtual-patent-marking). Amplify reserves the right to update or modify the Products at any time and to discontinue the Products upon reasonable notice.

6. Payments

In consideration of the Products, Customer will pay to Amplify (or other party designated on the Quote) the fees specified in the Quote in full within 30 days of the date of invoice, except as otherwise agreed by the parties or for those amounts that are subject to a good faith dispute of which Customer has notified Amplify in writing. Customer will be responsible for all state or local sales, use or gross receipts taxes, and federal excise taxes unless Customer provides a then-current tax exemption certificate in advance of the delivery, license, or performance of any Product, as applicable.

7. Shipments

Unless otherwise specified on the Quote, physical Products will be shipped FOB origin in the US (Incoterms 2010 EXW outside of the US) and are deemed accepted by Customer upon receipt. Upon acceptance of such Products, orders are non-refundable, non-returnable, and non-exchangeable, except in the case of defective or missing materials reported to Amplify by Customer within 60 days of receipt. In such case, Customer may not return Products without Amplify’s written authorization.

8. Account Information

For subscription Products, the authentication of Authorized School Users is based in part upon information supplied by Customer or Authorized School Users, as applicable. Customer will and will cause its Authorized School Users to (a) provide accurate information to Amplify or a third-party service as applicable, and promptly report any changes to such information, (b) not share login credentials or otherwise allow others to use their account, (c) maintain the confidentiality and security of their account information, and (d) use the Products solely via such authorized accounts. Customer agrees to notify Amplify immediately of any unauthorized use of its or its Authorized School Users’ accounts or related authentication information. Amplify will not be responsible for any losses arising out of the unauthorized use of accounts created by or for Customer and its Authorized School Users. 

9. Confidentiality

Customer acknowledges that, in connection with this Agreement, Amplify has provided or will provide to Customer and its Authorized School Users certain sensitive or proprietary information, including software, source code, assessment instruments, research, designs, methods, processes, customer lists, training materials, product documentation, know-how, or trade secrets, in whatever form (“Confidential Information”). Customer agrees (a) not to use Confidential Information for any purpose other than use of the Products in accordance with this Agreement and (b) to take all steps reasonably necessary to maintain and protect the Confidential Information of Amplify in strict confidence. Confidential Information shall not include information that, as evidenced by Customer’s contemporaneous written records: (i) is or becomes publicly available through no fault of Customer; (ii) is rightfully known to Customer prior to the time of its disclosure; (iii) has been independently developed by Customer without any use of the Confidential Information; or (iv) is subsequently learned from a third party not under any confidentiality obligation. 

10. Student Data

The parties acknowledge and agree that in the course of providing the Products to the Customer, Amplify may collect, receive, or generate information that directly relates to an identifiable student of Customer (“Student Data”). Student Data may include personal information from a student’s “educational records,” as defined by the Family Educational Rights and Privacy Act of 1974 (“FERPA”). Student Data is owned and controlled by the Customer and Amplify receives Student Data as a “school official” under Section 99.31 of FERPA for the purpose of providing the Products hereunder. Individually and collectively, Amplify and Customer agree to uphold our obligations, as applicable, under FERPA, the Children’s Online Privacy Protection Act (“COPPA”), the Protection of Pupil Rights Amendment (“PPRA”), and applicable state laws relating to student data privacy. Amplify’s Customer Privacy Policy at amplify.com/customer-privacy (“Privacy Policy”) will govern collection, use, and disclosure of Student Data collected or stored on behalf of Customer under this Agreement. In addition, Amplify has entered into the data privacy agreements listed at amplify.com/privacy-security aligned with state and national templates to facilitate compliance with applicable state laws and help expedite Customer’s student data privacy documentation process. Customer is responsible for providing notice and obtaining appropriate consents under applicable laws to authorize Authorized School Users’ use of the Products, including making a copy of the Privacy Policy available to the parents or guardians of users who are under the age of 13.  

11. Customer Materials and Requirements

Customer represents, warrants, and covenants that it has all the necessary rights, including consents and IP Rights, in connection with any data, information, content, and other materials provided to or collected by Amplify on behalf of Customer or its Authorized School Users using the Products or otherwise in connection with this Agreement (“Customer Materials”), and that Amplify has the right to use such Customer Materials as contemplated hereunder or for any other purposes required by Customer. Customer is solely responsible for the accuracy, integrity, completeness, quality, legality, and safety of such Customer Materials. Customer is responsible for meeting hardware, software, telecommunications, and other requirements listed at amplify.com/customer-requirements. 

12. Warranty Disclaimer

PRODUCTS ARE PROVIDED “AS IS” AND WITHOUT WARRANTY OF ANY KIND BY AMPLIFY. AMPLIFY EXPRESSLY DISCLAIMS ALL WARRANTIES, EXPRESS OR IMPLIED, INCLUDING ANY WARRANTY AS TO TITLE, NON-INFRINGEMENT, MERCHANTABILITY, OR FITNESS FOR A PARTICULAR PURPOSE OR USE. CUSTOMER ASSUMES RESPONSIBILITY FOR SELECTING THE PRODUCTS TO ACHIEVE CUSTOMER’S INTENDED RESULTS AND FOR THE ACCESS AND USE OF THE PRODUCTS, INCLUDING THE RESULTS OBTAINED FROM THE PRODUCTS. WITHOUT LIMITING THE FOREGOING, AMPLIFY MAKES NO WARRANTY THAT THE PRODUCTS WILL BE ERROR-FREE OR FREE FROM INTERRUPTIONS OR OTHER FAILURES OR WILL MEET CUSTOMER’S REQUIREMENTS. AMPLIFY IS NEITHER RESPONSIBLE NOR LIABLE FOR ANY THIRD-PARTY CONTENT OR SOFTWARE INCLUDED IN PRODUCTS, INCLUDING THE ACCURACY, INTEGRITY, COMPLETENESS, QUALITY, LEGALITY, USEFULNESS, OR SAFETY OF, OR IP RIGHTS RELATING TO, SUCH THIRD-PARTY CONTENT AND SOFTWARE. ANY ACCESS TO OR USE OF SUCH THIRD-PARTY CONTENT AND SOFTWARE MAY BE SUBJECT TO THE TERMS AND CONDITIONS AND INFORMATION COLLECTION, USAGE, AND DISCLOSURE PRACTICES OF THIRD PARTIES.

13. Limitation of Liability

 TO THE EXTENT SUCH LIMITATION IS NOT PROHIBITED BY APPLICABLE LAW, IN NO EVENT WILL AMPLIFY BE LIABLE TO CUSTOMER OR TO ANY AUTHORIZED SCHOOL USER FOR ANY INCIDENTAL, SPECIAL, CONSEQUENTIAL, PUNITIVE, RELIANCE, OR COVER DAMAGES, DAMAGES FOR LOST PROFITS, LOST DATA OR LOST BUSINESS, OR ANY OTHER INDIRECT DAMAGES, EVEN IF AMPLIFY HAS BEEN ADVISED OF THE POSSIBILITY OF SUCH DAMAGES. TO THE EXTENT SUCH LIMITATION IS NOT PROHIBITED BY APPLICABLE LAW, AMPLIFY’S ENTIRE LIABILITY TO CUSTOMER OR ANY AUTHORIZED USER ARISING OUT OF PERFORMANCE OR NONPERFORMANCE BY AMPLIFY OR IN ANY WAY RELATED TO THE SUBJECT MATTER OF THIS AGREEMENT, REGARDLESS OF WHETHER THE CLAIM FOR SUCH DAMAGES IS BASED IN CONTRACT, TORT, STRICT LIABILITY, OR OTHERWISE, MAY NOT EXCEED THE AGGREGATE OF CUSTOMER’S OR ANY AUTHORIZED USER’S DIRECT DAMAGES UP TO THE FEES PAID BY CUSTOMER TO AMPLIFY FOR THE AFFECTED PORTION OF THE PRODUCTS IN THE PRIOR 12-MONTH PERIOD. UNDER NO CIRCUMSTANCES WILL AMPLIFY BE LIABLE FOR ANY CONSEQUENCES OF ANY UNAUTHORIZED USE OF THE PRODUCTS BY AN AUTHORIZED SCHOOL USER THAT VIOLATES THIS AGREEMENT OR ANY APPLICABLE LAW OR REGULATION.

14. Termination

Without prejudice to any rights either party may have under this Agreement, in law, equity, or otherwise, a party will have the right to terminate this Agreement if the other party (or in the case of Amplify, an Authorized School User) materially breaches any term, provision, warranty, or representation under this Agreement and fails to correct the breach within 30 days of its receipt of written notice thereof. Upon termination, Customer will: (a) cease using the Products, (b) return, purge, or destroy (as directed by Amplify) all copies of any Products and, if so requested, certify to Amplify in writing that such surrender or destruction has occurred, (c) pay any fees due and owing hereunder, and (d) not be entitled to a refund of any fees previously paid, unless otherwise specified in the Quote. Customer will be responsible for the cost of any continued use of the Products following termination. Upon termination, Amplify will return or destroy any Student Data provided to Amplify hereunder. Notwithstanding the foregoing, nothing will require Amplify to return or destroy any data that does not include Student Data, including de-identified information or data that is derived from access to Student Data but which does not contain Student Data. Sections 3–14 will survive the termination of this Agreement.

15. Miscellaneous

This Agreement may not be modified except in writing signed by both parties. All defined terms in this Agreement will apply to their singular and plural forms, as applicable. The word “including” means “including without limitation.” For United States-based Customers, this Agreement will be governed by  and construed and enforced in accordance with the laws of the U.S., state, commonwealth, or territory in which Customer resides based on the address set forth in the Quote, without regard to that state’s, commonwealth’s, or territory’s choice of law rules. For Customers based outside of the United States, this Agreement will be governed by the laws of the U.S., state of New York, without giving effect to the choice of law rules thereof. This Agreement will be binding upon and inure to the benefit of the parties and their respective successors and assigns. The parties expressly understand and agree that their relationship is that of independent contractors. Nothing in this Agreement will constitute one party as an employee, agent, joint venture partner, or servant of another. Each party is solely responsible for all of its employees and agents and its labor costs and expenses arising in connection herewith. Neither this Agreement nor any of the rights, interests or obligations hereunder may be assigned or delegated by Customer or any Authorized School User without the prior written consent of Amplify. If one or more of the provisions contained in this Agreement will for any reason be held to be unenforceable at law, such provisions will be construed by the appropriate judicial body to limit or reduce such provision or provisions so as to be enforceable to the maximum extent compatible with applicable law. Amplify will have no liability to Customer or to third parties for any failure or delay in performing any obligation under this Agreement due to circumstances beyond its reasonable control, including acts of God or nature, fire, earthquake, flood, epidemic, pandemic, strikes, labor stoppages or slowdowns, civil disturbances or terrorism, national or regional emergencies, supply shortages or delays, action by any governmental authority, or interruptions in power, communications, satellites, the Internet, or any other network. Each party represents and warrants that it has all necessary right, power, and authority to enter into this Agreement and to comply with the obligations hereunder.

Last Modified: February 2, 2026

Website Privacy Policy

Last Modified:  February 2026

Update: February 2, 2026: This Privacy Policy has been updated to address additional rights for individuals in the European Union/UK.

Below is the Website Privacy Policy for the amplify.com site (“Privacy Policy”). For purposes of clarity and as further outlined below, this Privacy Policy does not apply to student data. You can visit this page to read about the principles and policy governing student data collected and maintained on behalf of our school customers.

We advise you to read this Privacy Policy in its entirety, including the jurisdiction-specific provisions in the appendix. Our Notice at Collection for California Residents is available in the Notice for our California Customers.

Who We Are / What This Privacy Policy Covers

Amplify Education, Inc. (“Amplify”) recognizes the importance of protecting the privacy and security of your personal information. This Privacy Policy describes our practices in connection with information that we may collect through your use of this website (the “Site”).

This Privacy Policy does not apply to Amplify’s handling of:

  • student data or other information collected from users of Amplify’s products that support classroom instruction and learning, which are governed by our Customer Privacy Policy.
  • staff or applicant data that we process in accordance with our staff or applicant privacy notice, respectively.

If you have any question as to what legal agreement or privacy policy controls the collection and use of your information, please contact us using information below in the Contact Us section.

This Privacy Policy is incorporated into and is subject to our Website Terms of Use, which governs your use of the Site.

Our Role: We are the controller of all personal information (as defined below) that we receive through our Site and can be reached by email at privacy@amplify.com or by mail at Amplify Education, Inc., 55 Washington St.#800, Brooklyn, NY, 11201.

1. What personal information do we collect?

When you visit and / or interact with our Site, we may collect the following information about you that, alone or in combination, could be used to identify you or your device (“personal information”):

  • Contact Information, such as name, district / school name, professional affiliation, title / role, email address, shipping address, address and phone number.
  • Account Information, such as customer user login and password. 
  • Demographic Information, such as age and gender.
  • Information You Submit, such as information voluntarily provided on message boards, feedback sections, and other public areas of the Site.
  • Site Activity Information, which is collected when you access and interact with the Site, we and our Service Providers (as defined below) may collect certain information about those visits. For example, we or our Service Providers may receive and record information about your computer and browser, including your IP address, browser type, and other software or hardware information. If you access the Site from a mobile or other device, we may collect a unique device identifier assigned to that device, or other characteristics of the device hardware, operating system and configurations for that device. On certain pages of the Site, we may use third party tools to help us look at mouse movements, clicks, keystrokes, data or text entered, and the pages you visit.
  • Location Information, such as state, country and / or zip code, which we use to help us customize your experience, as well as to help us facilitate your privacy rights.
  • Audio, electronic, visual, or similar information: such as customer service interactions, call recordings, chat transcripts, files you attach, and email, text, or other correspondence.

If you make a purchase through our online store, you may provide payment and other information directly to our third party e-commerce platform to complete your purchase.

We ask that you not send us, and you not disclose, any government identifiers (such as social security numbers) or information related to racial or ethnic origin, health, or criminal background on or through the Site or otherwise.

2. Where/How do we collect personal information?

Amplify may collect personal information directly from you at various points, including the following:

  • Product Information and Newsletters. When you submit a request to obtain information about our products, services or other informational material or subscribe to one of our newsletters, you may be asked to submit information such as name, professional affiliation, email address, company name, address and phone and details on your query or interests in our products and services. This information is collected to help us process your request.
  • Customer Support. When you submit a form to contact our customer service, you may be asked to submit information such as name, e-mail, district, customer user login and password and details on your query. In addition, some features of our Site, such as our customer live chat functionality or other customer service systems may allow you to voluntarily provide personal information to us. This information is collected to help us process your request. Please only provide what is needed to facilitate the support request.
  • Product Orders. If you use e-commerce areas of our Site to order our products, we request information from you on our order form. To purchase products through the Site, you must provide contact information (such as name and shipping address) and financial information (such as credit card number). This information is used for billing purposes and to fill your orders. We will also use this information to contact you to confirm your order or to inform you of any issues or delays.
  • Registration. You may be asked to submit information to use certain parts of the Site (such as posting comments on certain areas of the Site), register for an event or webinar, or view restricted content that may be available on the Site. For instance, you may be asked to provide your name, email address and event or webinar-related preferences to help us process your registration or content request.
  • Public Areas and Discussion Forums. Any information you share in public areas, such as message boards or feedback sections, becomes public. Please be careful about what you disclose and do not post any personal information that you expect to keep private.
  • Contests and Sweepstakes. When we run a contest or sweepstakes relating to the Site or Amplify, it will be accompanied by a set of rules. The rules for each contest/sweepstakes will specify how the information gathered from you for your entry will be used and disclosed.

As you visit or use our Site, we may collect Site activity information through cookies and similar technologies.

  • Cookies, Pixels, and Other Tracking Technologies. Cookies and other tracking technologies (such as pixels, beacons, and Adobe Flash technology) are small data files that are placed on your computer or mobile device when you visit a website. They allow the website or mobile app to remember your actions and preferences over a period of time. We use the following types of cookies:
    • Strictly necessary cookies – These are cookies that are required for the operation of our Site. They include, for example, cookies that enable you to log into secure areas of our Site. These cookies are not generally stored beyond the browser session and are less likely to include personal information. This category of cookies cannot be disabled.
    • Functionality Cookies – We use these cookies so that we recognize you on our Site and remember your previously selected preferences. These cookies are stored on your device between browsing sessions but expire after a pre-defined period. These cookies enable our Site to “recognize” you when you use our Site, including your preferences such as your preferred language , time, and location. A mix of first party (placed by us) and third-party cookies (placed by third parties) are used.
    • Analytics Cookies – These cookies help us and our Service Providers compile statistics and analytics about users of the Site, including Site Activity Information. For example, we use Google Analytics to help us understand how users interact with the Platform. Google Analytics uses cookies to track your interactions with the Site, then collects that information and reports it to us. This information helps us improve the Site so that we can better serve you. To learn more about Google Analytics, visit https://support.google.com/analytics/answer/6004245?hl=en. If you wish, you can opt-out of Google Analytics by installing the Google Analytics Opt-out Browser Add-on, available on https://tools.google.com/dlpage/gaoptout.
    • Advertising Cookies – We use these cookies to collect information about your visit to our Site, the content you viewed, the links you followed and information about your browser, device, and your IP address. We sometimes share some limited aspects of this data with third parties for advertising purposes. We may also share Site Activity Information collected through cookies with our advertising partners. This means that when you visit another website, you may be shown advertising based on your browsing patterns on our Site.

For information on how to opt-out of these technologies, please see What Choices Do You Have? below.

  • Social Plugins. Certain areas of our Site permit you to utilize social media functionality, such as the Facebook “Like” or Google “+1” buttons (“Social Plugins”). To use a Social Plugin, you must authorize the third-party provider of that Social Plugin, e.g. Facebook or Google, to access, collect, and/or disclose your information related to your use of that Social Plugin, subject to that company’s privacy policies, which may differ from this Privacy Policy. In addition, such providers may be able to collect information about you, including your activity on the Site, and they may notify your connections on their social networking platform about your use of the Site. Such services may also employ unique identifiers that allow your activity to be monitored across multiple websites for purposes of delivering more targeted advertising to you.

Amplify also receives information from other sources.

  • Information from Other Sources. We may supplement any information we collect via this Site with information from publicly or commercially available sources.

3. How do we use personal information?

We may use any personal information and other information we collect from and about you for the following purposes and as described elsewhere in this Privacy Policy:

  • To provide and manage the Site. We use the personal information we collect from and about you to provide the Site and features to you, including to measure and improve its services and features, to personalize your experience by delivering relevant content, to deliver marketing messages, to allow you to comment on content, to provide you with customer support, and to respond to inquiries. We may also use and disclose aggregate or anonymous data about your use of and activity on the Site to assist us in this regard and for any other purpose.
  • To contact you. Amplify may periodically send promotional materials (e.g., newsletters) or notifications related to the Site and to Amplify’s business to the contact information you provided to us at registration.
  • To improve our products and services. We may use your personal information for our business purposes, such as data analysis, audits, developing new products and services, enhancing the Site, improving our services, identifying usage trends, and determining the effectiveness of our promotional campaigns.
  • For marketing and advertising. We may use your personal information to help us market our products to you or your school district.

4. To whom do we disclose personal information?

We may disclose any personal information and other information we collect from and about you for the following purposes and as described elsewhere in this Privacy Policy:

  • To share with our affiliated education companies. Amplify may share your personal information with Amplify’s affiliated education companies for the purposes described in this Privacy Policy.
  • To allow service providers to assist us. We may engage third party service providers, agents and partners (“Service Providers”) to perform functions on our behalf, such as analytics, credit card processing, shipping or stocking orders and providing customer service. We may disclose your personal information to such Service Providers to enable them to assist us in these efforts.
  • To allow our marketing and advertising partners to assist us. We may engage marketing and advertising partners to help us market and advertise our products and services, including via digital ads sent in connection with your visit to the Site. We may disclose Site Activity information, as well as contact information and other aggregate insights to such partners to enable them to assist us in these efforts.
  • To protect the rights of Amplify and our users. There may be instances when Amplify may disclose your personal information, in situations where Amplify has a good faith belief that such disclosure is necessary or appropriate in order to: (i) protect, enforce, or defend the legal rights, privacy, safety, operations, or property of Amplify, our parents, subsidiaries or affiliates or our or their employees, agents and contractors (including enforcement of our agreements, including our terms of use); (ii) protect the rights, safety, privacy, security or property of users of the Site or others; (iii) protect against fraud or for risk management purposes; (iv) comply with the law or legal process, including laws outside your country of residence; (v) respond to requests from public and government authorities, including those outside your country of residence; or (vi) allow us to pursue available remedies or limit the damages that we may sustain.
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We are a United States Company, and our servers are hosted, managed, and controlled by us in the United States. If you are outside of the United States, we use industry standards to protect your data when it leaves your country of residence and your data will always be protected in accordance with this Privacy Policy, Applicable Laws and our Agreement regardless of the storage location.

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Personal Information We Collect
How We Use Personal Information
Contact Information
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Participation is voluntary and you can opt out at any time before your survey is complete.

The value of the personal information we collect in connection with our Financial Incentives is equivalent to the value of the benefit offered.

2. Additional U.S. State Privacy Law Rights

Residents of certain U.S. states have the following rights, regarding your personal information (each of which are subject to various exceptions and limitations):

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We also honor the Global Privacy Control, a browser-based opt-out signal. We do not respond to other browser-based signals that do not meet applicable state law requirements, which may include older Do Not Track signals.

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3. Notice for European Economic Area and United Kingdom Customers

As detailed at the beginning of our Privacy Policy (under the section titled “Our Role”), Amplify acts as a controller with respect to personal information collected as you interact with our Site.

Lawful Basis for Processing

We rely on the following lawful bases for our processing activities:

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Your Data Subject Rights

If you are located in the EEA/UK, you have the following rights, subject to certain exceptions:

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To exercise any of these rights, contact us as set forth in the section entitled “Contact Us” above and specify which European privacy right you intend to exercise. We may require additional information from you to allow us to confirm your identity. Please note that we store information as necessary to fulfill the purposes for which it was collected, and may continue to retain and use the information even after a data subject request for purposes of our legitimate interests, including to comply with our legal obligations, resolve disputes, prevent fraud, and enforce our agreements.

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If you have any issues with our compliance, you have the right to lodge a complaint with an EEA or UK supervisory authority. We would, however, appreciate the opportunity to address your concerns before you approach a data protection regulator, and would welcome you directing an inquiry first to us. To do so, please contact us by email at privacy@amplify.com or by mail at Amplify Education, Inc., 55 Washington St.#800, Brooklyn, NY, 11201.

Winter Wrap-Up 02: Mathematizing Children’s Literature

Promotional graphic for Math Teacher Lounge podcast, episode 2, featuring Allison Hintz and Antony Smith, discussing how mathematizing children's literature can build math fluency.

While we’re hard at work producing the exciting fifth season of Math Teacher Lounge: The Podcast, we’re continuing to share some of our favorite conversations from our first four seasons. This time around, we’re revisiting our popular episode that connected literacy and math!

In this episode, we sit down with Allison Hintz and Antony Smith, authors of Mathematizing Children’s Literature, to talk about what would happen if we were to approach children’s literature, and life, through a math lens–and how we can apply those same techniques to classroom teaching!

Explore more from Math Teacher Lounge by visiting our main page. 

Download Transcript

Bethany Lockhart Johnson (00:02):

Hi, I’m Bethany Lockhart Johnson.

Dan Meyer (00:04):

Hi, I’m Dan Meyer.

Bethany Lockhart Johnson (00:05):

And we are so excited for another episode of Math Teacher Lounge. And as you know, podcast format; you’re listening now. I think one beautiful thing about the podcast format is that it gives us a little bit more time to have these rich conversations. And I promise I won’t do it, but I could talk to our guests for hours, hours! Authors Allison Hintz and Tony Smith have just released Mathematizing Children’s Literature: Sparking Connections, Joy, and Wonder Through Read-Alouds and Discussion. And today we get to talk to the authors. Allison, Tony, welcome. Welcome to the lounge.

Allison Hintz (00:53):

Thank you. We’re so grateful to be here.

Bethany Lockhart Johnson (00:55):

We’re so excited to have you here. And I wanna say that my very first—was it my first math conference? Maybe it was my first math conference—up in Seattle, the CGI conference, and I’m all like, you know, wide-eyed and just like, “Can this be a place for me, this math community?” Re-envisioning my relationship with math and thinking about myself as a math teacher, what? And I went to your session on mathematizing children’s literature, and I was just so fired up. I was so wowed by your ideas, your energy, and your passion for students’ thinking. And I feel like as I read this book, I felt like I was hanging out with you. Like you were just so encouraging all the way through. Of educators, of other folks working with young people, and really guiding us how to listen with joy and with an open curious mind.

Dan Meyer (02:03):

Yeah. I would love to hear a bit about the genesis of this book for you folks. Like, I’m coming at this from a secondary educator lens. I’ve got small kids, so that’s also part of my interest here. But I love any book, any idea that seeks to merge what seems like two disparate worlds. Like it’s often the case that we feel like, well, there’s approaches for ELA and approaches for math, and they’re kind of separate disciplines. And these poor elementary teachers have to learn all of them and be experts at all of them. And here you both come along and say, “Hey, what if they are the same kind of technique?” Can you just speak to how this came about?

Allison Hintz (02:38):

Definitely. Tony, do you wanna take a try? Do you want me to start us off?

Antony Smith (02:42):

I can start. We oftentimes present and talk together and so we kinda switch back and forth. So that’s just how we are. So probably about eight or nine years ago, Allison and I, our offices were next to each other on our small campus. We’re both professors and we just happened to have a few children’s books that we looked at together and we were just thumbing through the pages. We really liked children’s literature. And we noticed that I would stop at certain points wondering about character motive or plot or sequence of events or language use. And Allison would stop at very different points in the book and notice number and concepts or something about mathematics. And that’s when we started to wonder, what would it be like if we were sharing a children’s book with a group of children and we put our ideas together? Where would we stop? What would we talk about? What would we ask children about in terms of their thinking and what they notice?

Allison Hintz (03:42):

And so we started playing with these questions that we had and started approaching stories with multiple lenses to see what kinds of things would children notice and what kinds of things might they say. And we were also on our own journey in trying to understand how to plan for and facilitate lively discussions and classrooms that surface really complex mathematics. And it felt like stories were a place where that might be a fruitful context for hearing children’s thinking. We’ve worked with a lot of teachers and students in our region. We live in the Seattle area and we’ve applied for some funding over time that’s really helped us be in a lot of community-based organizations and educational contexts and libraries and pediatricians’ offices and classrooms, various classrooms, and see what’s interesting about this and what might teachers and children do with stories that would surface complex mathematics to think about together.

Antony Smith (04:41):

Over time, we came to the realization that if we wanted to hear children’s ideas, we had to stop bombarding them with questions. <laugh> Yeah. And at first it made it worse that we were asking them math and literacy questions at the same time. And so we realized that what we needed to do was to back off and to ask children what they noticed and wondered.

Bethany Lockhart Johnson (05:01):

Can you say more about that and how that kind of evolved into mathematizing children’s literature?

Antony Smith (05:07):

We did work with a number of very thoughtful, talented classroom teachers and children’s librarians in public library systems who were just so masterful at asking open-ended prompts and questions, rather than kind of like the de facto reading quiz, that a read-aloud can become, which I’ve always disliked as a literacy educator. And we realized in our observing these read-alouds or interactive read-alouds or shared reading experiences that given the opportunity in the space and an adult who was actually listening, that children came up with all of the ideas we would have asked them about and more. So we didn’t have to be bombarding them with questions. They were already much more thoughtful than what would’ve been sufficient to answer our questions.

Allison Hintz (05:58):

And much like mathematics, it was really an iterative process. You know, we had some clunky read-aloud discussions where we were trying to accomplish so much and toggling multiple chart papers and different colored pens and all sorts of “how do we capture these ideas” and “do we separate ’em? do we keep ’em together?” And so it’s really been over time that with partners, we’ve learned these ways of having multiple reads of the same story that allow us to hear what children notice and wonder, and then to delve more deeply into their questions and their ideas through multiple reads where we might spotlight literary ideas that they notice; we might spotlight mathematical ideas that they notice. We might make purposeful integrations between those. But we found it to be most productive—and Kristin Gray really help us think about this—to have an open Notice and Wonder, get everything out much like an open-strategy share. We welcome here, record all the ideas, and it goes all over everywhere. You know, it can be a really not math-y noticing! And those are amazing! So there’s a lot of, um, yes, there is a ladybug on this page! The grandma is wearing green triangle earrings! Oh, your grandma wears green earrings! I mean, it all comes out.

Bethany Lockhart Johnson (07:27):

Wait, have you been in my classroom? ‘Cause that’s exactly— <laugh>

Allison Hintz (07:29):

<laugh> And then, you know, we think of it a lot like if math teachers might use the 5 Practices for selecting and sequencing, or if you might move from an open-strategy share to a targeted share, how can we get out all the questions that children are asking and then step back from them, take some time to really think about what they’re telling us they’re curious about, and plan some purposeful, intentional subsequent discussions that can delve more deeply into their ideas.

Dan Meyer (08:02):

I’d love to go into that a little bit more if that’s all right. Um, I’m gonna speak from someone who doesn’t have an elementary background and I’m gonna voice some worries that I had, some anxiety. One anxiety I have like in a classroom or a curriculum is when there’s no room for student ideas. Right? When it’s like, oh, there’s just room for the curriculum author or the teacher here. That is a sadness. But I when I see an instructional environment like you’re describing here, where there is openness to all kinds of different student ideas, of different levels of formality, from different kinds of cultural fonts of knowledge or wherever, I also get a little bit nervous because that, like, increases the risk that a student might come to understand that “my ideas are not good enough,” whereas in the class with no room for their ideas from their home or their language or their hobbies, like, they’re not gonna internalize the message that, “that wasn’t good enough.” And so I’m really curious as you move from the open Notice and Wonder where kids share all of themselves with you, and then you move to a targeted focus on some sort of disciplinary objective, how do you navigate that tension and help students feel like their contributions are valuable, even though we aren’t taking them up per se?

Allison Hintz (09:18):

That’s such an important question. I mean, I think we’ve grappled with this broadly in math education. I think any time we’re thinking about which ideas we choose to take up to pursue to consider, we have a responsibility to think carefully about whose ideas are being taken up and heard and considered. And so one of the tensions I hear you naming, I think, Dan, is when we engage in lively discussion where children’s thinking’s at the center, how do we make sure to upend and interrupt kinda status norms that run the risk of being deepened? Um, and I think by paying attention to whose ideas are taken up as much as which ideas are taken up, and what’s the mathematics we wanna explore is one tension. Um, another tension I might hear you naming is, you know, the complications that teachers face with time and pressure and coverage, and which mathematics ends up getting worked on. And, um, you know, it’s something we’ve really had to struggle with in mathematics education, where we move to more discussion-oriented classrooms that are really centered in sense-making to know that it takes a lot of time to do this thoughtful, thoughtful work. Um, does that begin to get at some of the tensions you’re raising? Is there, is there more you’re thinking about?

Dan Meyer (10:53):

I think it’s really helpful that you kind of broadened the scope of the question beyond your book to “this is an issue that we are, you know, really challenged by and focused on broadly in math education.” And, um, I appreciate you bringing the element in of whose idea—not just which idea is taken up, but whose idea is taken up—is an opportunity where, let’s say, multiple people raise an idea that is towards an objective the teacher has, they have the opportunity to disrupt certain kinds of status, like ideas about status, in that moment. From your perspective, like, are there techniques to say, I don’t know, parking-lot certain kinds of questions and say like, “Hey, like these are awesome”? I don’t know. I just know that I see kids at like ninth grade. They are very reticent, often. They’ve internalized totally this sense of like, “I’m not gonna just, like, share about the pants the grandma’s wearing, you know; that will not be received well.” And so I’m just kinda wondering how that happens and like, what are the ways we can disrupt that? That process?

Antony Smith (11:54):

So thinking about that, Dan, from the teacher’s perspective, in those kinds of scenarios where you wanna honor each child’s contribution, a couple of things that come to mind: One is that by, you know, initially by modeling what I as a teacher, something that I notice or wonder about, helps kind of set the expectation for what kind of response would be encouraged. And it’s broad, but it gives an example. And then also we really try to record or to chart all of the ideas that are shared so that we can revisit and honor those together. And then either later or on another day, if we choose one or two of those to explore in some way within a more focused read, then another thing that we do is have the idea investigation afterward that continues that thought, but goes back to being as open-ended as possible, so that those students or children who maybe didn’t have their idea as the one that was focused on by the group could go back to that or explore some other idea of their own, so that the idea investigation isn’t a lockstep extension activity, which is why we don’t call it that. So they could again bring in their own perspective. But I have to say from the teacher’s point of view, there is that moment of potential panic <laugh> because there is that power transfer when you’re asking children to help steer where this is going. And if you really mean it, you have to let them steer a little bit. And that can be terrifying. And, um, I always think of one teacher, Ashley, we worked with who read an adorable book, Stack the Cats, by Susie Ghahremani. And in that book, there’s a point where there are eight cats and they’re kind of trying to be a tower of cats and they fall and they’re sort of in the air on that page. And she asked her first graders—she stopped, and she asked, “How, do you think, how will the cats land?” And for about a minute and a half, the entire <laugh> class, was silent. They had their little papers; they had chart paper; they had clipboards; they had everything they needed. But that unusual phenomenon of a group of six- and seven-year-olds actually just sitting and thinking and not being peppered with activities was really stressful, but amazing. And then, after about the 90 seconds, they started out into their exploration of how the eight cats might land. They just needed a minute to think. And it’s so rare that we’re able to let children have that.

Allison Hintz (14:40):

In that same moment, Ashley, who’s a learning partner to us, she turned to us kind of quietly, like, “Should I pose a different question?” And <laugh>, we’re like, “No, let’s stick with it. Let’s see what happens.” So I think it creates this space too, this thinking culture, right? And this culture of “what does that mean to really pose a rich task?That’s open-ended, where there’s multiple access points?” Those eight cats could land in so many different ways. And there was broad access, there was a wide range of all the cats landing, and one’s on their feet, ’cause cats always land on their feet <laugh>, and there was every combination. And so, um, I think what’s really interesting—and to me, this brings back to your wonder, Dan—is, you know, “What’s the risk in openness?” And there’s always risk in openness. Um, it’s scary as a teacher, right? If I’m not the authority of knowledge and I don’t have control over where we’re gonna go, it might get into places that I didn’t anticipate. Or I don’t really feel as solid in the math as I want to. Or I don’t know what it sounds like to stick with silence and wait time, to know if my students are really in productive struggle or if that question was a flop. And so, um, I think this is some practice space for young mathematicians and teachers of mathematics, and just teachers, to explore with that openness and kind of the risk of the openness required for complex thinking to emerge.

Bethany Lockhart Johnson (16:12):

You know, it feels like the way you’re both describing this, it really is a culture shift, right? I kept feeling like I was given permission to be a beginner as I read this book. Like I was really…I loved how you said, I believe it was you, Allison, when you were in the class, you had a couple index card that you kept on your clipboard and that as you walked around, you were like, “Hey, if I don’t know what to ask, I ask one of these questions.” You know? And just this idea that, that, like Dan was saying, there is that loss of control, but that’s also a way to create this culture where students ideas are valued and we are allowing students to really generate the questions, which I thought was such an important idea to explore.

Allison Hintz (17:00):

We started this work long ago, super-excited about math-y books. And we saw a lot of potential in them and we still do. But the limitation we saw is that math-y books, they, they put forth a certain mathematics to be curious about. In some ways they tell you what mathematics to think about. So we started asking ourselves what would happen if we considered any story a chance to engage as mathematical sense-makers. And we started playing with non-math-y books and we got to a place where we could consider every story an opportunity to engage in mathematical thinking. And so we started noticing things over times, oh, these books tend to be really math-y. We call those text-dependent. We’d have to pay attention to the mathematics to understand the story. Whereas this pile of stories, these, they’re not overtly math-y. You could really enjoy the story and not pay attention to mathematics and have an amazing conversation. But what would happen if we thought of about this story as mathematical sense-makers and how might it deepen our understanding of the story? And then this other teetering pile of books, these are books where, you know, children didn’t tend to engage as overtly as mathematicians in it, but there’s opportunities in this story to go back to something—to a moment, to an illustration, to a comment—and think as mathematicians. And those were more about illustration exploring. And so, as we notice these different kinds of books, we really broaden what we thought about. And I think one of the things we really wanna think about in community through this book is what happens if we approach any story, every story, as mathematical sense-makers, because stories are alive in children’s lives, in homes and communities and in schools. And it’s a broad opportunity that we wanna take up. I was thinking, as I stay in this strait for just a moment about book selection, before we move into that process, um, Bethany in a previous MTL, you talked about representation.

Bethany Lockhart Johnson (19:12):

Mm, yeah.

Allison Hintz (19:14):

And do you remember when you shared the image of hair braiding?

Bethany Lockhart Johnson (19:19):

Yes. Vividly, yes. <laugh>.

Allison Hintz (19:22):

Yeah. And can you say just what that meant to you? What that….

Bethany Lockhart Johnson (19:27):

Yeah. Well, it was from a conference; Sunil Singh had used it and was talking about the artistry in mathematics and beauty in hair braiding. And, um, particularly, he was showing this particular image of this Black woman with her hair braided in profile and looking at the angles and the symmetry. And I shared that, you know, I spent so many hours in the beauty shop with my aunties and my mom and my grandma and continue to, to this day, that it just, it struck me immediately as familiar. And it struck me immediately as seeing an image that was reflective of my lived reality, projected as valuable and worthwhile for consideration in the world of mathematics. Which is not what I felt as a student of mathematics as a young adult or child. So it was this beautiful moment of, for me, the power of when we see images and we allow opportunities for re-envisioning what may be a common practice for that student, or may be something that they see every day.

Allison Hintz (20:44):

And in that same way, that image that was put up, we wanna think really carefully about representation in the stories that we select. And when we think of stories as mirrors or windows, we really wanna be mindful in story selection of whose stories are told and whose stories are heard. And when you said that you would sit down to listen to a story and you felt at ease or that you saw an image and you saw yourself that can be and should be something we really think carefully about when we select the stories that we select.

Dan Meyer (21:21):

It’s a wider path for representation of different kinds of people in literature, because people’s stories seem so much more present and towards the surface of their lives, versus, say, the abstractions and numbers and shapes in mathematics. It feels like more of a struggle to find ways to show people, hey, like you’re here, this, this place belongs to you. So in all these reasons, I think it’s really great you folks are using literature, which has this history of humanities, literally humanities, as a vehicle for mathematics. That seems pretty special here.

Antony Smith (21:56):

We both go to libraries and bookstores and look through books as often as we can, but also our partner, a children’s librarian, Mie-Mie Wu, helped us go through—when we would meet, she would bring three or four hundred books at a time.

Bethany Lockhart Johnson (22:13):

When you described her wheeling in the cart, oh, I wish I been in that room! <Laugh>

Antony Smith (22:18):

And the cart was, you know, probably three or four times bigger than she was sometimes. And we would go through hundreds of books and look at them and listen to her thoughts as a skilled librarian sharing with families, diverse families, and what catches the attention of a three-year-old sitting with her grandfather. And that was really a valuable, helpful experience. And it’s a partnership that continues. So in Last Stop on Market Street—and this is in the book; we talk about this, this children’s book quite a bit—in this story, CJ with his Nana, his grandmother, are riding the bus to the last stop on Market Street in San Francisco, to go, as we will find out, to help serve in a soup kitchen to help the community. And the teacher, Susan Hadreas, had the children record their ideas. She charted them in an open Notice and Wonder read. And one of the ideas that a young boy noticed was that CJ on the bus…a man with a guitar starts playing the guitar on the bus and CJ closes his eyes and it says CJ’s chest grew full. And he was lost in the sound and the sound gave him the feeling of magic. So this boy said, “I wonder, what does that feel like if you’re feeling the magic? What’s that?” And that was one of many ideas in the open Notice and Wonder, and Allison will talk about the math lens read, but first Susan went back and read with them. She had that idea, she circled it on the chart paper, and another day that week, she said, let’s go back and visit this story we really liked. And remember, we wondered what feeling the magic was like. Let’s go back through and let’s keep track of all the feelings and emotions that CJ had across the journey to the soup kitchen in this book. And so they did another read of the story; they were very familiar with it, of course, but they noticed new things and they also, every few pages, stopped and she helped chart all of the emotions that CJ experienced from envy to excitement to sadness. There’s a huge range in this book. And it was fascinating.

Allison Hintz (24:36):

I think one of the things that the children noticed was that CJ’s feelings were shaped by community. And that he shaped and shaped…he was shaped by and helped shape his community. And so the ways that he felt across the story were impacted by the other characters that he comes across. The guitar man on the bus. The bus driver who can pull a coin out from behind someone’s ear. The lady with the butterflies in the jar. Nana helping him to see the rainbow. And the students started, you know, being curious about that. How do we shape and how are we shaped by community? What communities are we a part of? This class is one community. I’m in many communities across my life. And they started to quantify the number of people in the story. So Mrs. Hedreas went back for a math lens read, and she said, let’s just keep track of and pay attention to how many people are in CJ’s life in this day. Because I can hear you starting to think about quantity. This class at the same time in other areas of the day had been working on counting collections, how to keep track, so they got out their tools. Some people pulled out ten frames, some people pulled out clipboards. They had a wide range of things they could use to help them keep track. They developed their own strategy, keep track however you want. She did a quicker read through it, flipping the pages, and then they get into these debates: <laugh> “We already counted that person!” “But they took their hat off and put it down to collect money!

Antony Smith (26:10):

“What about the dog?”

Allison Hintz (26:11):

“That’s the same person!” “Yeah, there’s a dog pound in his community!” <laugh> “Do animals count in our community?”

Bethany Lockhart Johnson (26:17):

I love it!

Allison Hintz (26:17):

“Yes, they count!” Uh, and so we went through and quantified and there was really this understanding as you saw these people throughout the story that communities can be of different sizes, but community has impact. And you have responsibility in your community to show up and to lean in and to know that bringing your full, authentic, vulnerable self, you shape people and they shape you. And what communities are people a part of. And it turned into this really interesting discussion about quantity and helped us think more about quantity and community. I think a really important moment for us and for that class was the transition from being people who almost did mathematics to a story, like counted things on a page, um, count acorns on a page in an autumn book, to being mathematicians who thought within the story.

Antony Smith (27:17):

And then two idea investigations that came from that —not at the same time, of course, but with the same group of children—one was they identified an emotion of their own and wrote and drew about that. And also, who helped them address or get out of or acknowledge that emotion. And then the other idea investigation was that all of the children drew or kind of mapped out a community that they were part of. Whether it was their neighborhood or their classroom or their soccer team or whatever it was. And so then those investigations strengthened the connections of those concepts to the lives of those children.

Bethany Lockhart Johnson (28:05):

Well, I, actually wanted to ask you about idea investigations. Because I feel like that was such an important invitation in your book. And the way I understood the idea investigation is you’re really paying attention to what’s coming up in your other reads. Right? And then these are opportunities to extend the thinking, or like you said, to extend a particular aspect: What’s your community? Can we map your community? Or what’s a particular emotion? And it was in such contrast to what I think I have probably done in my classroom more than once, which was like, “Oh, we read this story about seals. So now my story problem is gonna be about seals, right? <laugh> Like in the story, you know, Jojo, the seal had five balls. <laugh> So if Jojo still had five balls and two of them bounced away…” You know, or whatever. Right? But that’s not what an idea investigation is. Right?

Allison Hintz (29:03):

Yeah. I think this is where we also had some stumbles and can totally relate to what you’re saying as previous classroom teachers as well. We have come to a place where we are pretty in favor of a super open-ended idea investigation that takes up the things that have surfaced in the multiple reads and making sure it’s a rich task with many, many ways children can engage with that. There’s many, many, many right answers or ways to engage. Less is more there. So we moved way away from, like, even a worksheet that might have an idea from it to blank paper and math tools and places to get into some productive struggle around some of the complex things that were raised.

Antony Smith (29:59):

A challenge with worksheets is that they put a frame around children’s ideas. So either there are only three lines to write on, or there’s only a small box to draw in. Whereas a blank page really opens up the possibility. Um, and so—is it Ann Jonas who wrote Splash!? sorry, I don’t have it in front of me—the book Splash!, about animals that end up in and out of the pond, including a cat that is not happy about ending up in the pond, an idea investigation after that for very young children was, with the list of the different creatures displayed at the front of the room: On blank paper, hey, draw your own pond and decide how many of which and each type of animal you want in your pond and then write about it. Just on blank paper. And so that allowed some children to draw, like, three giant goldfish. But other children drew 17 frogs and three cats. And, and just, it lets children follow—

Bethany Lockhart Johnson (31:02):

It was theirs, right? It was theirs.

Antony Smith (31:04):

Their idea. <laugh> And that comes partly from, I think, as Allison mentioned, we both were classroom teachers before moving into academia. And I remember giving children worksheets, particularly math worksheets, where they weren’t necessarily bad, but right at the bottom, it says like, explain your strategy. And it gives two lines.

Bethany Lockhart Johnson (31:23):

Right! <laugh>

Antony Smith (31:25):

The only thing a seven-year-old can write there is “I thought.” Or “I solved it.” <laugh> And that’s not where we need to go.

Dan Meyer (31:34):

Yeah. If I could just ask the indulgence of the primary crowd here, like, I’m trying to make sense of all this. And I just wanna like, offer my perspective. My summary statement of what’s going on here. I’m trying to—I love how you both came here—

Bethany Lockhart Johnson (31:45):

<laughs> How ya doin’, Dan? How ya doin’?

Dan Meyer (31:47):

<laughs> I’m, ah, A, I’m loving this a lot. Um, B, I came in here loving how you folks are broadening the work of primary education to kind of find commonalities between these sometimes seemingly disparate kinds of teaching in ELA and math. Love that, I wanna say. But I think you folks are describing, with all these teachers you observed and your own work, is the work of attaching meaning to what students might not realize yet has meaning. Or they might think it only has one kind of meaning. But you, the teacher, with their knowledge, realizes that there are many more dimensions of meaning that can be attached to those thoughts. And I’m hearing that from you folks, when you describe A, what math is and the power of a teacher to name a thing as mathematical. Like, “Oh, you didn’t think math was that, but math is noticing; math is wondering; math is asking questions,” for one. But also this work you’re describing of how, like, first the task has to invite lots of student thoughts and then to say like, “Oh, I see that there’s a similarity to these two.” And to raise those up for a conversation or to ask a question like to extend one person’s, one student’s question a little bit more. But it’s always…I’m just hearing you folks attaching more meaning than the student might have originally thought. I appreciate the conversation. That’s really interesting.

Bethany Lockhart Johnson (33:03):

Well, and now that the book is out, I think it’s gonna keep evolving, right? Now that it’s gonna be in the hands of teachers and librarians and educators and caregivers, it’s exciting to see kind of where it goes next. Which actually brings us to our MTL challenge. Dan Meyer, do you wanna share?

Dan Meyer (33:22):

Math Teacher Lounge, we have a challenge for the folks who listen and we’d love for them to hop into the Facebook group Math Teacher Lounge, or hit us up on Twitter at @MTLShow and just, like, kind of exercise beyond listening, exercise the ideas you folks are talking about, some kind of a challenge that can help us dive deeper into your ideas. So what would you folks suggest for our crowd, for our listeners?

Allison Hintz (33:42):

I would love to invite people to playfully experiment with a favorite story, with a story that’s new to you. I would love to invite listeners to sit with a story maybe on your own, and just ask yourself as a mathematician: What do you notice and wonder in this story? Don’t feel any pressure. Maybe sit with a child or some children and listen to what they notice and wonder. Like, really listen! Don’t ask questions! But hear their questions and place children at the center and consider multiple reads. Consider continuing to pursue their questions. And we have a planning template that might support people in kind of sketching out some ideas if you’re open to playing with that too.

Bethany Lockhart Johnson (34:34):

And we will post—

Dan Meyer (34:36):

That’s awesome.

Bethany Lockhart Johnson (34:36):

—a link for that planning template in our Facebook group and on Twitter as well. So thank you so much for that resource, because I think it’ll definitely help. It could help you, like you said, it could help you kind of organize your thoughts or help you think about this work in a new way. So thank you for that resource and thank you for the amazing resource that is Mathematizing Children’s Literature. I am so excited to continue to engage with you both and with listeners as they dive into this book. If folks want to engage with you more, where can they find you? How can they reach you?

Allison Hintz (35:12):

Well, we’re on Twitter.

Bethany Lockhart Johnson (35:14):

Great.

Dan Meyer (35:15):

What’s your home address? <laugh>

Bethany Lockhart Johnson (35:24):

Wait, let me try that again. <laugh> ‘Cause it does sound like I’m like, <fake ominous voice> “Where can they find you?”

Allison Hintz (35:29):

4-2-5…. <laughs>

Antony Smith (35:32):

At the bookstore!

Bethany Lockhart Johnson (35:34):

Y’all, if folks want to continue this conversation or share these ideas or the math challenge, how can they tag you? How can they, they reach you on the World Wide Web, besides the Math Teacher Lounge Facebook group?

Antony Smith (35:50):

Yeah. Well, we are both on Twitter, and we’ve been trying to promote the hashtag #MathematizingChildrensLiterature. It’s very long, but once you type it once, your phone or computer…

Bethany Lockhart Johnson (36:01):

Easy. Yeah, those click, right? Is that what it is now?

Antony Smith (36:03):

<laugh> The other is that we do for our project, we have an Instagram account that is @MathematizeChildren’sLiterature.

Allison Hintz (36:11):

We care really deeply about hearing from people. You know, we think our ideas are constantly evolving and that there’s such exciting room to grow. And we just felt compelled to share what we were learning now so that together we could learn and build vibrant experiences for young children and teachers and families through stories. So we want to hear from people! We wanna learn about stories that are important in your lives and what children say, and grow these ideas together.

Bethany Lockhart Johnson (36:42):

And credit to Dan, you told me you went and ordered a bunch of the books they have on the suggested read list.

Dan Meyer (36:48):

Oh my gosh.

Bethany Lockhart Johnson (36:49):

You read ’em to your son.

Dan Meyer (36:50):

I got such a side-eye from my significant others around here for what I dropped on Amazon in one night! <laugh> Uh, all these books I didn’t have. Some of them I did. We are not fully illiterate around here! We do love the written word at the Meyer household! But there were a bunch that that I grabbed. I’m morseling them out day by day.

Bethany Lockhart Johnson (37:09):

Wait, at bedtime I read my one-year-old One Is a Snail, Ten Is a Crab. <laugh> And let me tell you, he had vigorous pointing and “Da? Da da da da?”

Allison Hintz (37:22):

<laugh> Aww, da da!

Bethany Lockhart Johnson (37:22):

So hey, we’re on the road. <laugh> <music> Deeply grateful, not only for your work and your beautiful book and your work, but also for the invitation to dive into the world of children’s literature in a way that many of us have not before. And it’s fun! Thank you, Tony. And thank you, Allison. And thanks for hanging out in the lounge.

Allison Hintz (37:48):

Thanks for having the lounge!

Antony Smith (37:49):

It’s been fun!

Allison Hintz (37:52):

Thank you both.

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What Allison Hintz says about math

“We started asking ourselves, “what would happen if we considered any story a chance to engage as mathematical sensemakers”.”

– Allison Hintz

Author and Associate Professor, University of Washington Bothell

Meet the guest

Allison B. Hintz: Dr. Hintz’s research and teaching are in the area of mathematics education. Her focus on mathematics came about during her years as a fifth grade teacher – it was alongside her students that she developed her own positive identity as a mathematician! Today she studies teaching and learning, specifically facilitating engaging discussion. Her research and teaching happen in partnership with educators and children in formal and informal settings and focuses on beliefs and practices that support all children in lively mathematics learning. She is a co-author, with Elham Kazemi, of Intentional Talk: How to Structure and Lead Productive Mathematical Discussions.

Twitter: @allisonhintz124

Antony T. Smith: Antony T. Smith is an associate professor of literacy education at the University of Washington, Bothell. He works alongside teachers to create engaging literacy-mathematics learning experiences through exploring and discussing children’s literature. He is committed to the concepts of motivation, engagement, challenge, and creativity in literacy teaching and learning.

 Twitter: @smithant  Instagram: mathematizechildrensliterature

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About Math Teacher Lounge: The podcast

Math Teacher Lounge is a biweekly podcast created specifically for K–12 math educators. In each episode co-hosts Bethany Lockhart Johnson (@lockhartedu) and Dan Meyer (@ddmeyer) chat with guests, taking a deep dive into the math and educational topics you care about.

Join the Math Teacher Lounge Facebook group to continue the conversation, view exclusive content, interact with fellow educators, participate in giveaways, and more!

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S3 – 03. Math professional learning experiences with Elham Kazemi

Podcast episode poster for "Math Teacher Lounge" featuring Elham Kazemi, a Mathematics Education Professor at the University of Washington.

How do we continue to grow and be more reflective about our own teaching? In this episode, Bethany Lockhart Johnson and Dan Meyer chat with Elham Kazemi to explore how to look at teaching as a collaborative experiment. Moving more toward analyzing student thinking and how that contributes to teaching itself, leaves more space for one’s own understanding of math to grow throughout your career. When one revises their teaching based on the data we’re collecting from students and peers, this allows us to be both teachers and learners forever.

Explore more from Math Teacher Lounge by visiting our main page.

Download Transcript

Dan Meyer (00:04):
Hey folks, welcome to math teacher lounge. My name is Dan Meyer

Bethany Lockhart Johnson (00:07):
And I’m Bethany, Lockhart Johnson.

Dan Meyer (00:09):
And this is the teacher learning week. We’re thinking this week about how we grow as teachers. And to start with, I just wanted to ask Bethany, uh, first Bethany, how are you doing? And second <laugh>. Um, what is, what, what has been your like most favorite and least favorite, most effective least effective professional learning experience when you were a classroom teacher?

Bethany Lockhart Johnson (00:30):
I think for me, most effective was definitely when I could use it right away. Right. Whatever we were talking about, whatever we were learning, like I got to go put it into practice. Sure. Uh, I, I remember we did something where we designed a lesson and then we went and taught it like one person taught it and the rest of the people watched. And then we kind of like got to workshop it, which that was like a one off the fact that we got to go out of our classroom and go observe somebody teaching. It was gold. It was gold. Um, so that was probably the most effective, because there was so much opportunity for reflection and least effective was something that felt like just completely unconnected to, you know, kind of either so theoretical that it wasn’t like touching on what we were navigating right there in the classroom. I don’t know. What about you? What can you think of times that, are you gonna say times you led a PD? Those were the most effective?

Dan Meyer (01:26):
Yeah. My favorite ones are my sessions, of course. But if I had to throw those out for a second, um, yeah, I, I like, I want, I want both, I want it all. I want the, um, the big ideas that take a long time to settle in that also have like small bits that can carve off and use relatively quickly to test my understanding of the ID is, yeah. I’ve had some, some PD where I’m like, this is very relevant to tomorrow. And I also don’t care. Like for instance, like how to use the CD, the, the, like the, the software, you know, on the, on my curriculum, for instance, it’s like, okay, yeah, this is just a little, little too practical. You know what I’m saying? I want some bigger ideas to chew on. Um, I would also say like, I love my favorite PD by a long was writing up thoughts about how the day went and putting that on the internet in a public place that we used to call a blog and where people would come along, cuz there was like 10 blogs and like, tell me like that’s no good.

Dan Meyer (02:16):
Like the thing that you like is not a thing you should like, here’s the thing you should like instead, or try instead, or just this weird community that sprung up, you know, when I was, uh, starting to teach relatively new teacher and uh, I feel like I grew a lot

Bethany Lockhart Johnson (02:28):
Go back to this idea blog. If people would call you, they’d call you on the phone. What, what

Dan Meyer (02:32):
Was they would fax me? They, it would be a fact. So

Bethany Lockhart Johnson (02:35):
Fax,

Dan Meyer (02:36):
I got it. Fax a comment. Yeah. Got it. So, uh, that’s, that’s Bethany and I, and we’re super excited to have people who have a bit broader of a perspective, a bit more of the land than what, what the two of us, um, think about with our own professional learning experiences.

Dan Meyer (02:52):
We’ve invited on an expert. We hope will help us understand alternate ways to do professional learning as teachers to grow as teachers besides, you know, all of us getting into the same room once every, every, uh, few months together, Elm Cosmi is a professor of mathematics education at the university of Washington, Elm studies, how strong professional communities develop in schools and how schools can be organized. So teachers learn from and what their students, this work is informed by equity oriented research on thinking, uh, on children’s mathematical thinking and classroom practice. She is co-author with Allison hints of intentional talk, which focuses on leading productive discussions in mathematics. And she edited coral counting and counting collections with Megan Frankie and Angela tau, which focuses on the importance of counting from preschool to fifth grade. Looking forward to a great chat with Elham, welcome Elham to the show.

Elham Kazemi (03:43):
Thanks for having me, my favorite topic ever to talk with you both about,

Bethany Lockhart Johnson (03:47):
I think something that I just deeply, deeply respected admire is that I feel like you are constantly sharing about how you are learning. You’re continue to learn, continue to, to try out new ideas and you do a very good job of like highlighting things that you’ve learned, whether that’s sharing it through a tweet or sharing it amongst colleagues or peers. And I, I just really appreciate that because I feel like being in the mathematics community with you, I feel like I grow by, I just like paying attention to like, Hey, she’s a learner, she’s done all these amazing things and thinks in these amazing ways and has shifted my thinking in such amazing ways. But she’s saying, Hey, I I’m still learning. So yeah. Hi, thank you. Thank you for your, I don’t know. We’re just glad to have you here.

Elham Kazemi (04:41):
Thanks. I do feel like the perpetual student, like I’ve never left school and I wonder like one day maybe I will, when I grow older, when I grow up, will I ever leave school? Maybe not.

Bethany Lockhart Johnson (04:52):
<laugh>

Dan Meyer (04:53):
Great. Let’s dig in. Yeah. So please tell us you partnered with a school for some professional learning that wasn’t the sort where you would go in and offer brilliant ideas and then leave. But rather it, it seemed like it was more of a job embedded sort, the sort of thing that might have a life of its own after, you know, after the, the grant ends or the program ends. Can you describe what it was you did and what the effect was?

Elham Kazemi (05:15):
I think I wanna first say that everything that I have done and experimented with as really the result of working with fabulous people, teachers, coaches, principals, other, um, colleagues and peers in the field who are constantly trying to work on what good teaching looks like and how you learn to do it. And mostly because we care about kids and we care about what students experience in the classroom. And we want kids to love school, to have school, be a place where they’re known, they’re loved, um, that they look forward to being in every day. And I think there’s that, um, the why that, that, um, per that makes you want to learn is really about the students and being, doing things in service of them. Because when, uh, as one of my colleagues said, when children thrive, teachers thrive. So what does it mean for us to thrive?

Elham Kazemi (06:06):
If we are focused on our kids’ experiences in schools, what we did at this, this particular school and a group of schools is kind of tap into a, all that curiosity and drive that teachers have to do a good job and to use their imaginations well, and to engage the actual ideas that children have in their classroom together, not separately, not like get a great idea and be inspired by it and then go figure it out by yourself, but be inspired by ideas and then try to figure them out together. Because, um, as you both know, very talented teachers, uh, who also have been inspired to change your classroom teaching. Once you figure something out or as you’re figuring it out, there’s all kinds of intricacies. Like I remember when I first learned about three act tasks, I thought what a brilliant idea, but it’s not so simple to try to enact the brilliance of it because you can simplify it too much or you can get stuck and not really know how do you move from one act to the next, or what’s the point of the third act?

Elham Kazemi (07:12):
Do you just like reveal the answer and that’s it. And then you move on. Um, how do you even do design the tasks to begin with all of those things, raise questions and working on them together, uh, and carving up that space and time to work on them together is sorely missing in schools. And so that’s what we were able to do with the schools that I parted and it is find the time and then design the structures so that teachers could, um, <affirmative> think about their teaching together and then also be in the classroom together with kids. So the kids see that we are also learning to be responsive to them. That’s the point. So we have to work stuff out when kids are present, which is the part that usually trips a lot of people up.

Bethany Lockhart Johnson (07:55):
Well, that to me is I think the part that shifted my teaching and continues to is this, it is a culture shift to tell your students, to invite your students into your learning, to tell them I’m, I’m learning too. It was an invitation to, to be vulnerable in a way that I think sometimes teachers are very afraid to be vulnerable. Uh, if they don’t know what the student response is gonna be, or they don’t know, they don’t wanna seem like they don’t know the answers or they don’t know how to figure out a problem. I think that’s a real shift in the, in the culture for, for compared to maybe what we, we experienced growing up.

Dan Meyer (08:33):
I hated not knowing the answer to a math problem. I admitting I, I was uncertain with the mathematics, but to admit that I am like a, a work in aggress as a teacher, feels like an extra admission, an extra layer of humility, which is, I don’t know, it’s a really special thing that you were up to with that school. I’d love to hear like about specific structures that you worked with to help make that transition feel, you know, more natural, more welcoming, more productive.

Elham Kazemi (08:58):
So, I mean, you probably have experienced common planning time, right? This is a thing that often happens for us teachers. I think that common planning time looks a lot sometimes like, uh, what are we gonna do on Monday, Tuesday, Wednesday? Okay. What do we need? What are the materials we need? Who is gonna do that? Will you write this? And that’s what kind of common planning time, and then it’s over. And then you might see each other at lunch and say, well, how did that go? And you’ll talk a little bit about it, but common planning time and learning labs, which is sort of what the, what we call the, the PD that we designed means. Okay. So let’s take three act task. We, we write a little bit about it. We’ve seen a couple, but okay. What would it really mean to plan this particular one?

Elham Kazemi (09:42):
So common planning time is thinking like, how are we gonna launch that first act? What are we actually gonna say? What do we think the kids are gonna say? Why would we say it that way? What if they say something else? Um, and then, okay, so what does it actually sounds like to transition from act one, to act two? What might we say, what would happen with this particular task and actually getting into the details of how you imagine, like, what, what you would do when you were actually planning the specifics of a particular lesson, but leaving it loose enough that you’re not trying to make it perfect. And I think that’s the trick. So, so that you are not so invested, that goes in that particular way or that you fail. If it doesn’t go that way. Um, but that you have something you wanna learn together and trying out this three act task with a particular group of kids so that when you go into the classroom, first of all, you’ve all thought through the full R of the lesson.

Elham Kazemi (10:40):
And you’re curious enough about what’s gonna happen at particular points that you’ve left room for uncertainty and the taking of some risks. So then when you go together into a classroom and kids start to say things that you didn’t anticipate you or, or they start to do something that you’re so jazzed about, that you didn’t anticipate that you’re like, this is the thing we should pursue more. You give each other permission to do that. You’re like, whoa, wait, did you hear what so? And so said, I think we should follow that road and see where it takes us, or, huh. Okay, hold on. And that’s what we call teacher timeouts, where you actually confer briefly and you tell the kids, this is a super special day. We’ve tried to design something. We’re very curious how you are gonna react to it. So we’re gonna try it out. And along the way, we might pause to get your ideas or for us to make some decisions and steer the ship in a, in a new directions and see what happens. So we’re gonna be sitting closely to you among you. Um, and you get to be our teachers today while we teach. That’s how it’s framed.

Bethany Lockhart Johnson (11:46):
Like, what were you seeing in professional development or in that wasn’t happening amongst teachers? Like where, where are the gaps? Because it feels like so much of your work. You’ve just looked in such nuanced ways at how teachers can continue to grow and be more reflective of their own teaching. And I’m just kind of curious where that came from or where you’re seeing the landscape.

Elham Kazemi (12:10):
Yeah, that’s a good question. Well, I, oh, everything I know about, children’s thinking to Megan Frankie and the beautiful body of work called CGI, but, um, one of the things that we noticed, there’s so many great CGI workshops, and even like all the seminars and conference presentations and amazing things that you can design to have engaging work time for teach in, in professional development, outside of their classroom, people get super jazzed, you know, they get, um, uh, they have meaningful experiences, but to contextualize that back into their classrooms with their own students is like where, where often I would see like, wait, the same group of teachers I just saw in my classroom or in either in math methods or in this PD seminar, or even myself, like noticing, like I have seen and thought about stuff a lot. But when I went to go do it with a particular group of kids, holy moly was that so hard. And I saw all kinds of new complexities that I didn’t anticipate. And if I were just left to my own devices, I might very easily say, whew, this seems a little too hard.

Bethany Lockhart Johnson (13:21):
Right,

Elham Kazemi (13:22):
Right. And that’s the thing that I always hated. I was like, oh, if only we had, or you, or if you watched somebody do a demo lesson and you saw something that was like, kind of cool that you wish you had done afterwards. I often this happened in reflections. I wish we had, because we weren’t allowed to interrupt each other during teaching. Cuz somehow that would be rude or that would undermine the teacher’s authority. But that’s only the way we frame it. If we say actually we’re all capable people. So a question we ask ourselves during instruction doesn’t mean you don’t know what you’re doing. It means actually we’re thinking together then the interruptions aren’t about undermining authority. They’re about thinking together.

Dan Meyer (14:04):
There’s a performative aspect to a lot of teaching. Like the like teaching feels like a performance and you don’t, the movie’s playing or there’s a play that’s going on. It feels like inappropriate to interrupt that in any way. Cause the performance is going and I, I love what this that’s. I love what this idea does to kind of, to redefine teaching is not a performance, but this, this co-constructed thing. Or if it’s a performance, it’s a performance, the stars, all of us, like we’re all a part of the cast and always a it’s always the dress rehearsal.

Elham Kazemi (14:30):
<laugh> it is like the dress rehearsal. Although some of my brilliant colleagues with backgrounds in drama and theater, Sarah Kavanaugh and Holly GU and Elizabeth dure, they actually were at a meeting together. And they talked about how this like breaks the fourth wall, you know, mm-hmm, <affirmative> like, which is out of theater, um, where the performer speaks to the audience, you know, I know you’re there and I have something to say to you. Yep. And I was like, well, we should, why can’t we do that in teaching? So we actually wrote a little paper, um, that’s called breaking the fourth wall as a way. That’s so cool as a metaphor for understanding and reframing what these interruptions could meet. Cuz we often get people when we about this for academic audience who say like, aren’t you using the children and what are the children gonna do while you just pause? Are they supposed to freeze? And uh, you know, while you talk about them, but it’s not really that it’s like, Hey students, we’re here because of you. So shouldn’t, we try to involve you and are decision making. To some extent, it’s not like we don’t know what we’re doing, but we’re doing things because we wanna advance your learning.

Bethany Lockhart Johnson (15:40):
I mean, I still remember the first time I did a teacher time out and it, it was, I, it was breaking the four, it was this like, okay, you’re gonna see what happens, kids like, look at my, my tap dances stopped. And you’re you mean like, you know, whoa, wait a second. And I think it is about how you frame it. Right? It’s a celebration of their thinking and you, you use the term ambitious teaching and it, to me that is such a joyful way to think about it.

Elham Kazemi (16:06):
It is risky. And you would never say anything to shame any student, no. Or to shame your colleagues. Clearly it’s not a about that kind of discussion. Right. And they’re so brief. They’re like, it, it seconds. It’s not like you’re wasting time. You’re actually trying to understand what’s happening here. And I’ve just had so many instances where something goes on. Um, like we were doing a growing patterns task in a classroom and the student built the fourth term and they built stuff that did not follow the pattern. And I was so confused. I, I just didn’t understand like what was going on. And one of the kids said, well, if you, if you did follow the pattern, that’s not her words. But you know, she’s like, well, if we built it this way, that would be too obvious. Because if you just, if you saw that and you’re like, oh, that lesson failed.

Elham Kazemi (16:59):
Now we, our kids don’t understand what patterns are. We did it. Like, we gotta pause here and we gotta say, and we’re like, well, what do you mean? Can you say more about that? And basically what they said is that, um, well, first of all, they’re, they’re right. A pattern could change at any time, but it’s like, it would be more interesting if they, they knew how many cubes it would take for the fourth term that it would be nine, but they’re like, Hey, let’s rearrange that nine in some cool new ways. <laugh> cause that’s more interesting. It was like more interesting to them if, if they didn’t keep the pattern. So like, you kind of had to wrestle with that in the moment <affirmative> with them. And that’s how they can actually be partners with you in the teacher, timeout.

Bethany Lockhart Johnson (17:40):
Right. That’s making it about them and their learning. It’s not about that. It’s not about your performance and like looking all shiny and, and I’ve got it all together and I know exactly how this lesson’s gonna go. It that’s so interesting.

Elham Kazemi (17:53):
And sometimes you pause and like some cuz somebody else who’s watching is noticing something about what the kids are doing. And while you’re, if you’re happen to be the person who’s upfront at the time leading, you’ve got so many things going on in your head that some times the person who’s just been sitting on the rug with the kids mm-hmm <affirmative> has noticed something. And they’re like, can I ask something right now? And that’s a great teacher timeout too. Mm. Because they’re interrupting you cuz they’re like, I think I, I wanna see what kids will say. If we ask this question next and those moments have been like amazing because someone has noticed something that another person hasn’t in the room and it’s been very helpful to illuminate how kids are processing something or what two ideas they could connect. That would be really powerful based on what we were hoping to learn that day or do with the kids that day.

Dan Meyer (18:47):
It’s like you have a bonus brain attached to you there in the room. Sounds really powerful. I wonder a couple about the student experience of this. I’m imagine if I was a student in the room and I heard the two teachers like kind of pause, take this time out and like talk about how interesting my thinking was like behind my back a little bit, like trying to strategize about something interesting. I had said, I just imagine I would, I would feel very good about like, that would be a very positive experience for me. Um, but I’m just curious, can you speak to how students reacted when they’re,

Bethany Lockhart Johnson (19:16):
You mean, if you had been a student in the class and you saw two teachers conferring about your work?

Dan Meyer (19:21):
Yeah. Yeah. Like I, my classmates had of thing that was like, it, it kind of like was so novel that it stymied the teachers and then they like had to pause and like talk about what are we doing? Oh, I don’t know. I can imagine that’d be like know a fun feeling. Maybe I just tell more about me than about the kids, but

Elham Kazemi (19:35):
<laugh> it points to like, how would you go about starting to do this work? Right. Because one is you do, you do have to tell kids, Hey, I’m here with so and so and so, and so, and so, and so it might be just two of you. It might be five of you. It might be more and you know how we’ve been working on X thing in class? Well, today we wanted to try this new thing and, but we’re not sure how it’s gonna go and we need, we need your feedback. Right. So here’s something that might happen. We might pause you, you, I mean, you really do directly tell the kids to do that. And then we’re gonna ask you how it felt and we’re gonna share those feelings with one another. So you do that, you do a little exit card or you,

Bethany Lockhart Johnson (20:19):
How, what felt the pause or how,

Elham Kazemi (20:22):
How, yeah. How did it feel that, how did this lesson go or how did a lesson, how did it feel when you heard, you know, ALM and Dan talk to each other, doing this lesson and they might say, Hey, it’s cool. It’s fun. Kids have definitely chimed in, in like, if we ask a question like, should we do this next or this, somebody will pipe in and say, do that, you know, do this thing. Instead. If, if you kind of pipe in to say, can I ask a question? They just turn to you and look at you and answer your question. Right. So, and we always thank them and we just like pump it up. Right? Like this is so cool because this is all about you. And usually when you say today, you’re gonna be our teachers, especially the little kids. They like get all giggly. Totally.

Bethany Lockhart Johnson (21:02):
Right.

Elham Kazemi (21:04):
Love it.

Bethany Lockhart Johnson (21:05):
You know, you, you were sharing about this really unique situation, which I wish it wasn’t as unique where you had the whole school involved, but how did that happen? And what if you don’t have the whole school involved? What if it’s just me in my grade level, who’s like, I kind of wanna try this, but what

Elham Kazemi (21:22):
<laugh>, I think you could start with your, a peer in your school or a colleague in your school. Yeah. I mean, it’s a little seed, right. And it’s a little seed and then you could make it grow. I also believe in starting small and growing, cuz you do have to invite people into a different way of thinking about what it means to learn together. So you need to experience it, um, in order to believe it.

Dan Meyer (21:49):
Yeah. It feels like we would not want to write off any student as like, oh, they just don’t wanna learn. I think a lot of, a lot of us just like don’t buy that, that there’s other reasons why people need that. A teacher shouldn’t like shouldn’t, that’s not true of students that they have been told they can’t learn or there’s various circumstances the same. I, I suppose the same as like should be true is true of teachers. Like no teacher doesn’t want to learn more about teaching is at least a helpful Axiom to use, to approach the work of teacher growth. And so maybe they, yeah, maybe I feel like I’m the only person in my school who wants to do this, but perhaps that’s not actually true. Perhaps it’s just a matter of creating an imagination or the right kind of enticement or I don’t know what, um, but to start small and grow from there makes a lot of sense.

Elham Kazemi (22:32):
I feel now, like it would be weird and a lot harder for me to invite someone to just come in and watch me teach and sit quietly in the back when I don’t know anything about what they’re thinking and wait until afterwards to get their opinion.

Bethany Lockhart Johnson (22:46):
Oh yes.

Elham Kazemi (22:47):
I would be much more willing to co-plan with someone so that we were both on the same page about what we were trying to do and then when you’re in the classroom with me. So that’s the other thing that’s important cuz I don’t think you can just be in the classroom together and I, you know, interrupt each other’s teachers, if you haven’t planned together, cuz you do have to have some common understanding of what are we trying to do here? Oh the

Dan Meyer (23:10):
Intent here.

Elham Kazemi (23:11):
Yeah. So I would definitely say don’t just show up in each other’s classroom and start interrupting each other. <laugh> if you don’t know what the heck is going on. Yeah.

Dan Meyer (23:21):
Yeah. I, I know that’s directed at one person on this call in particular. I hear that.

Elham Kazemi (23:25):
I know who we’re talking about, but you know, I would be way more intimidating for me if I was trying to do a three act task and Dan just came to watch me do it <laugh> and he hadn’t planned with me. He didn’t know why I selected that task. I had no opportunity to talk to him. Then it would be, Hey Dan, would you just like do this with me? Let’s think through this. Why would you do this then? What, what have you normally done? Oh, okay. Why have you done that? Right. And then to like, okay, let’s try it together. Um, and then, and then along the way, if I have questions, you’re there with me. So sometimes there is someone more experience like if right. And sometimes you’re both just like, I just don’t have that much experience with this. I’m learning this for the first time.

Elham Kazemi (24:04):
Right. And the beauty of the math ed community, whether it’s on Twitter or is that we’re kind of pretty accessible to each other. Right. So if I read something and I have a question about it, you bet I’m gonna reach out to the author <laugh> and say, I’ve been thinking about your work and this is what’s been coming up for us. Can you? So like, it definitely happened with hands down conversations. We tried it in the learning lab and we just couldn’t figure out like that. How do you intercede, like into the hands down conversation cuz the kids are supposed to have a conversation. So we had to like give Kaia and her co-author a few specific examples so they could help our thinking so that we could try it again. Right. And make it better. And I think that is, is what it means to be learning in community is that you use the resources more broadly.

Bethany Lockhart Johnson (24:52):
That’s a beautiful reminder too. And it also helps me feel a little better about all the messages I’ve sent you. Like what does this mean? Can you help me with this?

Elham Kazemi (24:59):
<laugh> I mean, that just makes you feel alive. <laugh> I think

Bethany Lockhart Johnson (25:06):
So. I think P part of the beauty of you talking about starting small is that it does give those of us who maybe aren’t seeing that those opportunities for collaboration reflected in our school culture, it gives us kind of some hope for like, wait, don’t just like, think you can’t start. I, how do you, how do you see, how do you see it growing? Or, or do you think like if you could magically <laugh> like wave your wand and, and create some shifts around, around, uh, the culture where folks are feeling isolated or maybe don’t feel like they have the needs to do this work. What could that look like?

Elham Kazemi (25:51):
Yeah. What could that look like? So time, like we need some imagination around the use of time in schools and I have seen some really amazing opportunities where teachers get to co-teach, which means that they really have to co-plan when, um, there’s a break in a regular school session and there’s like an intercession or like a, like an elective that, um, that doesn’t, I haven’t seen it happen a lot in public schools, but I have seen it happen a lot in independent schools where they’ll have like, stop, stop the presses. It’s like a drop everything and read, but it’s like a drop everything and do an R arts week. And then all the kids in the school get shuffled. So they into multiage groupings and the teachers get to plan something special for like the week. But you could start with like a day, which would at least get you to plan something together and try to teach together and be just in each other’s spaces. And I think that might be kind of an interesting way to start where you have to like mess with the schedule somehow. Cuz the schedule is the beast in schools

Bethany Lockhart Johnson (26:59):
Is kind of the first step. Like we are going to create a shared activity, a shared instructional goal, a shared like where do I start?

Elham Kazemi (27:09):
What, where do you start? I mean, there’s so many good books. We all read, start with something that grabs your imagination. That you’re like, if I got to do this in my class, I’d be so jazzed. And I think my kids would love it. Why would they love it? You know, whatever it is. There’s so many good ideas that people are instantly blogging about publishing, um, slow reveal graphs. I love those two. I have like all these things. I was like, I would love to try these out, but I, I gotta do them with somebody cuz I need a sounding board about like how, what does it mean to do it well? And what does it mean to just do it at the surface level and do it a, you know, in a kind of a crappy way. And we don’t wanna do a crappy job. We wanna do a good job, but you have to start, you have to start sometimes in an awkward, crappy way. Like, you know, and get past that stage. Cause often we try a bunch of stuff, eh, and then we drop it. But like you gotta work on it to make it really

Bethany Lockhart Johnson (27:58):
Good. And if you’ve already tried it and it didn’t go so well it’s, this could be an invitation, like, you know, it doesn’t mean give up on the idea. It means like, Hey let, let’s let’s collaborate. Let’s you know, come into my class. Let’s co plan this.

Elham Kazemi (28:10):
So I would challenge people to think about the schedule. <laugh> try to do something just a little bit different. You know, like when we do learning labs, people are like, well, how do you do that? And there’s no money for it. Actually. We just use our money in a slightly different way to make or that everybody four people get a sub, which I know right now, sub shortages is crazy, crazy, but then combine your classes or do something different. Yeah. You know, um, involve people differently somehow in your, in your school environment to get that time,

Bethany Lockhart Johnson (28:43):
Really see this as a priority. This is a, this is there’s is intense value in this time to collaborate. Yeah.

Elham Kazemi (28:51):
Yeah. There’s so many side benefits for, I think for kids and teachers when you’re able to do this.

Dan Meyer (28:58):
Yeah. You’ve heard of folks. Uh, usually our, our math teacher challenge, our lounge challenge has been, uh, pedagogical in nature or a new CU. And uh, this is a different kind of one. This is, uh, go, go be a Rabel Razr go Rouse rabble at your, uh, front office and figure out the right way to get some funding or some time or shuffle a master schedule in such a way that you have collaboration, time to plan to co-teach to interrupt one another and uh, let us know how it goes. We are super excited and super interested in all of that. Thank you, uh, Elham for being with us here today and sharing all of your wisdom about how teachers grow.

Elham Kazemi (29:36):
Thanks for reminding me. You too loved

Bethany Lockhart Johnson (29:38):
It. We’re never done learning. We’re never done learning. Nope.

Bethany Lockhart Johnson (29:44):
Aha. Thank you so much for joining us in the lounge. I think all of us have sat through effective and ineffective professional learning sessions and just helping us to envision of how this can truly help PD can truly transform our classrooms. It is it’s exciting. It’s exciting. And I think we’ve all learned a lot from our conversation. So thank you. Thank you. Thank you. And don’t forget, you can connect with us in the lounge on Facebook at math teacher lounge or on Twitter at MTL show. Let’s keep this conversation going. Keep it going. Thanks so much for joining us. Thanks

Speaker 4 (30:20):
Everybody. <silence>.

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What Elham Kazemi says about math

“ When children thrive, teachers thrive. So what does it mean for us to thrive if we are focused on our kids’ experiences at school?”

– Elham Kazemi

Professor of Mathematics Education, University of Washington

Meet the guest

Elham Kazemi is a professor of mathematics education at the University of Washington. She studies how strong professional communities develop in schools and how schools can be organized so teachers learn from and with their students. This work is informed by equity-oriented research on organizational learning, children’s mathematical thinking, and classroom practice.  She is co-author with Allison Hintz of Intentional Talk, which focuses on leading productive discussions in mathematics. She also edited Choral Counting and Counting Collections with Megan Franke and Angela Turrou, which focuses on the importance of counting from preschool to 5th grade.

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About Math Teacher Lounge: The podcast

Math Teacher Lounge is a biweekly podcast created specifically for K–12 math educators. In each episode co-hosts Bethany Lockhart Johnson (@lockhartedu) and Dan Meyer (@ddmeyer) chat with guests, taking a deep dive into the math and educational topics you care about.

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Valeria Rodriguez (00:00):

There’s so many things that drawing to me makes an essential connection to. It tells me no matter what, I can continue placing lines on my paper and creating the image I want. Some people will say they messed up the drawing. You know what? They gave it character.

Eric Cross (00:19):

Welcome to Science Connections. I’m your host, Eric Cross. My guest today is Valeria Rodriguez. Valeria is a science educator, instructional technologist, and illustrator, who is currently part of a steam team where she teaches third through fifth graders in Miami, Florida. Valeria has presented and led workshops at education conferences like NSTA, ISTI, and SXSWEdu. In this episode, we discuss how she uses real-world projects to make lessons more meaningful, and why teaching students how to sketchnote increases their conceptual understanding in science. I hope you enjoy this pun-filled conversation with Valeria Rodriguez.

New Speaker (00:58):

Now you’re in Miami and you have a biology background. We’re like kindred spirits. Like we do the same thing. I teach biology here in San Diego at a middle school called Albert Einstein Academy. So I’m in a seventh grade classroom teaching life science.

Valeria Rodriguez (01:11):

That’s so cool. That’s how I started.

Eric Cross (01:13):

Is it?

Valeria Rodriguez (01:13):

Mm-Hmm <affirmative> I started teaching middle school science for seven years, doing life science in my biology background.

Eric Cross (01:20):

How’d you get started? Like where did you kind of begin?

Valeria Rodriguez (01:22):

Well, I went to UF for undergrad as a runner, and I thought I was gonna go to the Olympics, but you know, running in college is hard. And you quickly like realize a path as a full-time athlete is really hard. And one of the days that I was having one of those, like “come Jesus moments” of what am I gonna do with my life, I walked by a sign that said life is calling. And I’m like, okay, <laugh>

Eric Cross (01:52):

You literally had a sign.

Valeria Rodriguez (01:53):

There was a sign. So I was like, I’m reading the sign. I’m following the arrows. And it was for the Peace Corps. And so I went to this meeting and everything that I’ve ever done student government, athletics school education, my backgroundmy family’s from Columbia–everything in that meeting came together and they’re like, we need all these skills. And I’m like, I have those. Those are my skills. And they’re like every Peace Corps volunteer teaches. And so I went in as an agriculture volunteer to Panama because of my major and my background in biology. And while I was in the Peace Corps doing the work, I was teaching at the local school. And I realized that the most sustainable way to create any change is through education. When I came back, I was like, well, what do you do if your first job in the world is in the Peace Corps? Like my background was, you know, managing a machete in a field and teaching second through eighth grade in one classroom, on a chalkboard, you know, in English and in Spanish, while teaching the teacher and the students. So I found that going into teaching allowed me to put some of those skills, that wide array of skills that I had collected until that moment, into practice. And it allowed me to do the arts, do the running, do the science, do the connecting with the community in one place here in the states.

Eric Cross (03:34):

I don’t know if I’m just romanticizing, but you were in Panama and you were doing this amazing teaching. I don’t know. Do you compare it to teaching now in the classroom? Is there anything that ever like makes you wish that you were kind of in that environment again? Or are you kind of, do you like the more kind of technology side of things?

Valeria Rodriguez (03:48):

I tell my students all the time that I miss it, because when I was in Panama, I was in Licencia. They looked at me like this, all knowing being. If they couldn’t come to class because the kids literally had to work, they would bring me their assignment, like run it to me and then run back to their parents. Like, “I had to turn it in, but I have to go to work.” And I’m like, oh my gosh. And like here, sometimes I feel like, you know, I have to negotiate and convince my students to want to give me their work. And maybe it’s because we take a lot of things for granted. I mean, I didn’t have running water in my community. Here, you know, we have everything. I miss how we appreciated — like, my parents would send suitcases of materials for me to hand out to my students, like color and stuff, notebooks, things like that — and the kids would like, hold that notebook, like pristine and here sometimes my students aren’t as careful with materials. And I’m like, why are you breaking the crayon box? <Laugh>

Eric Cross (04:54):

I’m thinking about that. Just even just bringing pens and crayons and how that’s valued. And then a culture that’s built around esteeming teachers, and you’re this essential member of the community — and you feel that. It’s palpable.

Valeria Rodriguez (05:08):

Yeah. And here, sometimes I ask students like, what do you wanna be when you grow up? And you get all sorts of answers, but in my community, it’s gonna sound funny, but they were like, we wanna be a teacher. Like, that means that we would know a lot of stuff and they would put their hair up in a bun, ‘cause I always have it in a bun, and they would write stuff when they were playing and they would act me out <laugh> and I’m like, do I, do I do that? <Laugh> I genuinely got a very rich experience in the time that I was there. And what I learned the most was how to try to not do as much, it’s like a lesson that I’m still trying to learn because like I’m here with the U.S. Mentality of go, go, go.

Valeria Rodriguez (05:58):

And they’re like, but we already did, you know, two things like now we stop. And I’m like, but, but why? And they’re like, you can do that tomorrow. And I’m like, but no, like we’re gonna run out of time. For me. It was a lot of struggle of like slow down. And as a teacher, I feel like I’m always like on the treadmill at a thousand speed. And sometimes I have to tell myself like slow down, be in this moment, like a parent texted me today that her daughter was walking with her dad and said, daddy, let’s talk about the layers of the soil. And I was like, I need to stop right now and acknowledge that this happened. She’s in third grade and she’s asking her dad, you know, she could ask him about anything, and she’s asking him about soil. That’s essential for everything. And we don’t even think about soil here. Like my community had tons of erosion and every year there were less and less crops being able to be produced. We’re not talking about that here. And yet, my student asked her dad here in Miami, <laugh> about soil. And that conversation happened because of our class.

Eric Cross (07:03):

And you allowed yourself to be present and experience and feel that that communication came to you.

Valeria Rodriguez (07:09):

Yeah. We put so much stuff out there and we don’t know where it lands. If it lands on dirt or soil, <laugh>

Eric Cross (07:16):

There you go. I like it. Yeah. Bringing it back. But you’re, I think you’re what you’re saying. Resonates with a lot of educators that’ll be listening to this is that there’s so much that you do. And there’s even times when we do get the feedback, there might be a letter or a card or something, but like, to your point, like we look to the next thing instead of stopping, being present and allowing yourself to absorb it. I think I need to put that up on my, like on my wall, like this, just be present. Now you came back and then you went into the classroom here and you started off teaching science.

Valeria Rodriguez (07:46):

I didn’t go straight into the classroom. I knew that I wanted to continue teaching. But I wasn’t back here in Miami. When I moved back, I moved to Austin. And I ended up getting married and there, I started teaching Spanish as a second language like corporate classes. And I was kind of like tiptoeing around, like, do you dive into education? ‘Cause The idea of a teacher here is very different than the teacher idea that I had while in the peace Corps. So he, a lot of people were like, you can do so many things. Why would you teach? And I was like insulted <laugh>. I was like, wait, what do you mean? Like even to this day, I’ve started a blog post, maybe 20 times with that statement because people all the time are like, you’re so talented. Why do you teach? And it drives me crazy because it makes me feel like they’re looking down on my choice <laugh> but I came to terms with it that it’s just like a societal thing. Cause of that quote, like those who can’t do teach. And I was like, let me let this go.

Eric Cross (09:01):

I find though that educators who come in as a second career, come in with a, a, a variety of skill sets that I, I think you can only get when you’re outside of academia. I mean, you can, you can develop them, you know, going kind of K12 education college and then into the classroom. But those soft skills, the business skills, a lot of those things you really develop. And it’s funny ‘cause your, your story almost sounds like some of the people that I know that work in big tech firms, they have this eclectic story and then now they’re, you know, working for Google or Facebook or something, but that actually was a as set to them because they are able to see the world through multiple perspectives. And I’m hearing kind of a distinguish between art of teaching and the science of teaching. Like you had the, maybe the art connecting ideas, these things, and then the science, like the quote unquote like formal teaching. Okay. That had to get built on later. Like am I hearing that right?

Valeria Rodriguez (09:55):

Yeah. The that’s what rocks I’m teaching the rock cycle right now. So I’m, I’m under a lot of heat and pressure <laugh>

Eric Cross (10:02):

We got the funds, we got the funds rolling. All right. All right. So bringing in the, so the, the art side or the science side we have, and then we just have this amazing illustrator. Now you mentioned your website and we’re gonna post it somewhere, but just so we have it here to, and you say, what is your website where all your majors and sketch notes can be found,

Valeria Rodriguez (10:21):

Www dot Valia, sketches.com.

Eric Cross (10:23):

Okay. So folks that are listening, if you wanna check out the art, there’s some awesome stuff on there, as well as Twitter and Instagram. And we’ll make sure we have it handles in the, the bio of the podcast and the notes. Your art’s amazing. I looked, I checked it. I saw inauguration. I saw astronauts. I saw all kinds of different things. How do you use that in the classroom

Valeria Rodriguez (10:45):

To draw connections? The ones? So what I do is I airplay my iPad onto the board. And sometimes as I’m talking, I’ll draw things, draw things I’m saying, or assignments I’ll sketch out different ideas, or maybe like the schedule I’ll have an icon of some sort that represents things. I use it for everything and anything, because just the way that I tell my students that science is everywhere. I, we don’t realize how programmed we are to use images to for, for information they’re in the street. Bathroom signs, we see the zoom little link, like the image, the icon of zoom. And we know that it’s a call the apps. You know, our phone doesn’t have the words for everything that we’re opening. We just have a list of images that represent information. So we’re programs for this. And all I’m doing is showing my students how we’re programmed for it because we’re so used to seeing images, to represent things that we’re taking it for granted again.

Valeria Rodriguez (12:03):

And sometimes my students will like, I’ll write something and I ask them, make your own visual vocabulary. So I give them the word of the definition for every unit, the younger ones, I give them the definition they have to plug in the word and an image, the older ones, I give them the word they have to plug in the definition and an image. But I don’t tell them what to draw because they need to create an image that will help them to remember the definition. Not me. I tell them, I wrote the list. I know the words, you’re the one that needs to think of something that’s going to help you to remember this. You need to draw a connection to this information. Like I use it and I mess up all the time. And I, I scratch things out because I feel that my students or the student that I’ve had in general are risk averse.

Valeria Rodriguez (12:57):

They don’t want to make mistakes. And drawing is one of those things that it taught me that it’s okay to make mistakes. Like people won’t buy commit to buying houses or they won’t commit to things because they’re gonna make a, I’m like, you can sell the house. You can move again. I mean, I’ve lived in a lot of cities. I’ve been married, divorce, gone out with people. It’s worked out it hasn’t you know, there’s, there’s so many things that drawing to me makes an essential connection to <affirmative> that it tells me no matter what I can continue placing lines on my paper and creating the image I want. And if a line doesn’t necessarily go in the direction, I want it to, I can continue shaping it so that the overall image is in the direction I want. And I can look past those line here and there that some people will say they messed up the drawing. You know what? They gave it character. I, I cycle and I have scars everywhere. They give me character and I keep writing. The overall image in my head is I’m a cyclist, not I’m banged up. <Laugh>

Eric Cross (14:14):

I feel like there’s so much to mind in what you just said. This was like a mini-Ted talk. And I couldn’t write fast enough because there were so many gems of the things that you said, but let me say something worse. And this is I’m gonna be surface with this because, and it’s your fault because you got me thinking in puns and you said, take it for granted. And I said, take it for granted because you’re talking about the rock cycle. So that’s what I heard way back. Anyways, you have your students creating what, but it’s low tech, which is really cool because a lot of times we think of creating content and it’s kind of high tech, but they’re creating something. And this is for us, like as biology folks, like you’re using kind of like this neuroscience that exists about students, creating an art to help them learn.

Eric Cross (14:55):

And this is something that I, I feel gets missed a lot in. When we talk about the quote unquote, the formal teacher training is the element of how creating an art can actually lead to improved learning in the classroom. It’s something you have to go to like a conference to kind of go and see or something, but it’s not as, it’s not as pervasive everywhere. And that thing about risk averse. I feel like I, you spoke to my own life. What I see ‘cause with my own seventh graders, I see the same fear or anxiety when I ask them to draw. As I do, when I ask them to give me a hypothesis about a phenomenon that I’m gonna teach and I say, it’s okay to be wrong, but I see them drift to the Chromebook and want to Google it. You know what you just said about just try it and you can always change and giving character, I feel like is just a great message for everybody to hear

Valeria Rodriguez (15:48):

Today. Students made fossil, right? ‘Cause They’re learning about rocks and we made using plaster, but then I put the green screen up and not only did they make it and they excavated them, but then we put it on the green screen. And they’re like all of a sudden at a dig site,

Eric Cross (16:04):

What I’m seeing right now for those of you who are listening is, is students who are on, is this on IMO?

Valeria Rodriguez (16:10):

This is on we video

Eric Cross (16:12):

Video and they’re holding up fossils that they made. But in the background, because there was a green screen, there’s an overlay of like a, a rock dig site. So the students legitimately look like they’re paleontologists or something somewhere.

Valeria Rodriguez (16:24):

Exactly. And so it’s, it’s not just creating lines, right? The sketching transfers to so much be because even the want, not wanting to make a mistake with their fossil. One of the kids today, when he took off the, the Plato, ‘cause we put the Plato at the base. Then we put in either a shell or some sort of artifact that they were going to fossilize. And then we put in the plaster when he took off the Plato, a piece broke off and everybody’s like, I can’t believe you broke your fossil. And I’m like, not the first. Okay. Do you know how many of these guys and girls have been out there? And all of a sudden they find a dinosaur bone and they’re walking and they fall. And this fossil that took billions of years is all of a sudden broken. I’m like this selfie, the original selfies, these animals died in commitment to their selfies.

Valeria Rodriguez (17:19):

And here you are dropping the bone. So they were all laughing, but it was to go away from the fact that, oh my God, you broke it. You made a mistake. You drew the wrong line. You asked the wrong question. Like no big deal. Keep digging, shout out to the teachers that try doing the projects that they have. They don’t feel completely comfortable with or you know, that they take risks doing. Because even though in theory, it’s like suggested and schools want that or communities want that when it comes down to it, people also expect us to do things at work. But part of our job is also taking risks. Like we did a tethered weather balloon launch the other day because we couldn’t get approval to release the weather balloon in the atmosphere since we’re near an airport. And it was too short of a time.

Valeria Rodriguez (18:14):

And I remember a parent said, oh, you’re not releasing the balloon. And I was like, well, this is a lot of work too. <Laugh> we, you know, we’re, we’re doing the tethered launch. This is a hard project. So the other day when I heard that comment, like I went back to my class and I was like, you know what? I took a risk to do this project. I could have played it safe with a handout of a weather balloon <laugh> or you know, a YouTube video. It’s it’s the, the fact that we’re continuing to push. And so I wanna like really thank the teachers that keep trying to do the hard things that aren’t like tried and tested because it’s scary. Yeah.

Eric Cross (18:57):

Yeah. There aren’t a lot of opportunities for them to have adults that they see in positions of authority or that they respect or admire model failure. And I don’t mean failure in the, like the negative pejorative sense, but like things just not working out and then seeing how you respond to it, ‘cause you’re modeling, taking a risk. But like with real stakes, it’s authentic. I had students swab the campus and we put it in auger dishes and Petri sealed it up and then let it grow room temperature, but we kept it you know, cool enough at 75 degrees. So it wouldn’t be able to survive any, anything pathogenic. And then students, you know, I took pictures of them and then showed them the results. So the students never interacted with it and some things grew and some things didn’t, it was mostly, you know, fungi and some bacteria, but I showed them like, how come mine didn’t grow? And I was like, well, you know, it could have been how we swabbed. It could have been some things don’t grow the temperature, we kept it at, but some of the experiments didn’t yield the cool results. And that was okay. But I front loaded the expectation so that if everything did go great, sweet, but managing expectation, I found really helps to mitigate the pressure.

Valeria Rodriguez (20:01):

Yeah. Well another project that we’ve participated in is growing beyond earth where we’re planting seeds that contribute to like a huge set of data for cultivars that are being considered for growth on the international space station. And my students are like, well, you know, we just have six little pots, like what is this? And I’m like, yeah, we have two little seeds in each of these pots. And we are one data set in like hundreds of data sets that they’re collecting. But we are contributing two research on the international space station. You don’t have to be the next bill gates or the next, you know, Steve jobs. Like everyone thinks they’re gonna be the next big thing. Like you can also be a seed. That’s part of a really big project and that is okay. Like everyone can’t be the next big thing

Eric Cross (20:48):

And the other. And the other thing, I think what Gladwell talks about this in outliers and there’s another book called bounce, but a lot of the people that we see is successful or famous, we don’t realize that their background and their exposure to things was one of the things that led them there, both jobs and gates had access, you know, gates had access at, at the university of Washington to like one of the first computers and then jobs at, at Hewlett Packard. The story go goes on and on, but we don’t see the lineage of some of these people and where they come from. We just see the end result. You just see LeBron James winning a championship or something. We just want the, the end result the, the glory, but not the sweat that it takes to get there. They don’t, we don’t really see that as much, which leads me to like the next thing I wanted to ask you is how do you, and I kind of saw it just now, but how do you engage your kids in the classroom?

Valeria Rodriguez (21:36):

Well, I think I’m funny. Some of them don’t do

Eric Cross (21:38):

They like the puns

Valeria Rodriguez (21:39):

<Laugh> some of them do. And some of them don’t get them. They get them later. And I see when they get it, I like to engage them by bringing in real people, real examples of things, real research when possible. Right. I can’t put them in a real dig site. So the green screen helps me do that. But one of my students yesterday, other day before was like, you have such cool friends because I’ll say, oh, one of my friends does blah, blah, blah. Or, or, oh, when we go to Kennedy space center, we’re gonna, you know, talk to one of my friends. Who’s doing research on, you know, chilies in space and they’re like, wow, your friends are so cool. And I took that moment to tell them, be mindful of the people that you collect as friends in your life, like make good choices, surround yourself with awesome people, people so that you can share ideas. Like you connect with friends who you inspire you to do more. I try to engage them by giving them examples of things that people around me are doing that connect to what we’re doing. Do

Eric Cross (22:43):

You, do you explicitly or intentionally teach soft skills or is it just something that you just kind of organically do natural or are you mindful about making sure that you’re doing that

Valeria Rodriguez (22:52):

A hundred percent? You have to be explicit about it with amplify? Actually, we, we did a poster for incorporating social, emotional skills and other soft skills into the classroom because sometimes we just like other things like writing and, and reading, you know, we silo all these things in education and the school counselor, can’t be the one to deal with everything. You know, you have to deal with things as they surface. And sometimes my kids ha are frustrated because I ask them to think I don’t have yes or no answers. I have, you know, we are gonna launch a high altitude weather balloon. We don’t know how high it’s gonna go. We don’t know what’s gonna happen. We don’t, we don’t know if we’re gonna find it when the <laugh>, when the balloon bursts and it lands in the ocean, are we gonna find it? Is the GPS tracker gonna work?

Valeria Rodriguez (23:47):

Are we gonna lose all that money? I don’t know, but we have to do all the steps and find out. But with kids, they don’t have the skills yet. And I can’t wait for the counselor to come in and talk about handle the frustration that they’re feeling over. Not knowing the correct question to ask, because by the time they go meet with her, the moments pass, I have to stop and say, Hey, like check in with, with what you’re doing. It’s okay to be frustrated. You can’t take it out on a classmate. You can’t take it out on me.

Eric Cross (24:14):

So you were, you, you were intentional about teaching these skills to your students and you had the relationship. So it makes sense that you were the one to bring it across ‘cause you see them more than anybody does. You know, we’ve, we’ve, we’ve imagined. Teaching is for a long time. It’s been okay, you’re the science content expert. You’re the English expert, but so much as teaching evolves, there are these skills or like EQ emotional intelligence that you kind of have to have kind of coming in. Because like those moments, like no having the presence of mind to stop and why a young person through identifying how they feel, why, where it came from. Those aren’t always covered in those aren’t really covered in your methods classes when you’re in college, getting your, your degree or something. Now when you’re you’re sketch noting and for teachers who are, or one, could you just maybe give like a brief explanation of sketch, noting for somebody who may not be familiar with it, like how I was sketch any different than just drawing a picture randomly or something.

Valeria Rodriguez (25:10):

Okay. So you’re creating visual summaries. You’re using text and images combined in different ways to take notes. And before you know how we had like these shorthand things that the squiggly meant an indent and something else meant something else. And we had these lists of things when they would edit our papers, that represented things. It’s kind of like that for your brain. So you’re making a list of maybe icons or small sketches that represent things for you. So as you’re taking notes, you hear things. And when people talk now and they, they say, you know, I’m on the fence about this. Like I literally see a fence. And when they’re talking, I write the note, it’s almost like a T toe with pointy tops and I put a stick figure on top of it. And so later when I look at it, I think, oh, that’s right. My friend is on the fence about that decision

Eric Cross (26:08):

For a new teacher or even a, a, a experienced teacher. That’s interested in sketch noting, where, where would you recommend? They start like the structurize? Like, do you give creative freedom? Are they doing this paper and pencil vocabulary words? Are they up? Like, what are some just kind of maybe three basic things to kind of get started for someone who was just curious about it.

Valeria Rodriguez (26:29):

So it has to be simple because if it requires a lot of energy to go in, then you’re gonna be more hesitant to do it. For example, I wouldn’t start summarizing a video because it’s moving really fast or a live presentation is really hard. So with students, I would start with here’s a paragraph, make a visual summary of it, or here’s a vocabulary list, make an image to represent each word. Then you would move into, well, you know, here’s a unit summarize the three main topics in unit. Then you can move onto like a little YouTube video. That’s like 10 minutes a Ted talk, make a visual summary of the Ted talk because they can pause it.

Eric Cross (27:11):

Mm. Okay.

Valeria Rodriguez (27:13):

The hardest thing is live presentations, ‘cause in conversations you can say, oh, can you say that again? Sketch, noting. You start seeing how people organize or don’t their thoughts when they speak. Because when you start writing things down and all the information is about one thing and then like two blue ORPS about something else. You’re like, wow, that was really unbalanced. So then when you start teaching, you tell them what you’re gonna tell them, you tell them and then you tell them what you told them. So they can check that they put the notes in the right places and you tell them what you’re gonna tell. So they can prep the pathway that they’re gonna set up their notes and I have to be explicit. And I have to say like, I’m gonna talk about the rock cycle. So if I were you, I would put, you know, these four boxes. Oh, but there’s three types of rocks. See? I’m like, yeah, but magma. So let’s put it in the cycle, you know? And, and then I’m like, if I were you, I would put an arrow from here to here because this is how, you know, after erosion and then, you know, heat and pressure. But then it connects like this. So the arrows are gonna help me to remember the directions

Eric Cross (28:13):

As we wind down. There’s there’s one question I wanna ask you there, you are bringing together this science, the, the art, the social, emotional learning, the relationships with your students outside content, like there’s so many different things that you bring in the classroom that is clearly gonna make you a memorable educator for your kids. It just, it’s just, I’m just listening to your learning environment. And it’s so rich who is one teacher that really expired you. So

Valeria Rodriguez (28:38):

There’s a few people that stand out overall. I had very encouraging teachers. I had that one teacher that didn’t like my drawing <laugh> she also stands out <laugh>

Eric Cross (28:49):

We have those too.

Valeria Rodriguez (28:49):

Yeah. So I have colleagues that stand out to me that inspire me every day to like keep trying. And then I had a teacher in high school who I actually work with her daughter now at the school that I work at. And I didn’t even know her mom would make us write almost the whole class. And it was world history. And I remember hearing her say when she was talking about the Roman empire that it fell because it reached more than it can grab. So it kept extending too far out. And I heard that, like I think about, yes, I can keep reaching for things in education and reaching for things in my classroom. But I have to come back to like, what can I hold? I don’t wanna reach further than what I can hold. And yes, I have to believe in myself. And I tell my students to believe in themselves,

Eric Cross (29:38):

I’m in this, I’m in this sketch noting mindset. Because when you said what Ms. Brown shared with you, I thought of a hand reaching out, but then things kind of slipping through it. And I another hand with like a fist right next to it. So even in our conversation here last hour, I I’m thinking in pictures now. And so I’m like, if I can do it, they can do it. Like if you know, ‘cause I am just not the person who spends a lot of time committing to draw. Because a lot of times when I was that student who tried to draw and we get frustrated and look around and now I feel like this is, I wanna try this again. I wanna share this with my students and encourage them. This is gonna be a lot of fun. I look forward to continuing to see the sketch notes that you do. And maybe I’ll, I’ll show you one of mine. Like eventually I don’t know if you can see that there that’s my stick figures. Those of you who are listening right now, I drew, I was drawing stick figures and taking notes while Blair was dropping all of this, these like gems and wisdom in here. So

Valeria Rodriguez (30:31):

Maybe we can do a challenge that once people hear this podcast, they can tag us somehow in the sketch note that they create I’m in. So we see what they a take from it. Because that’s the other thing about sketch noting, you think you’re emphasizing something and all of a sudden people are walking away with something else that resonated to them. And you’re like, wow. And here I was thinking that this was what we were talking about. And this is what really jumped out at them.

Eric Cross (30:57):

Your kids are lucky that you’re in front of them, not just because of how you teach, but how you access all of these different parts of their creativity and their thinking and apply, integrate all of these soft skills and social, emotional skills and just life skills and your experience connecting them to the outside world. They, and like you said, and how we started, you know, where you started in Panama, the students realized what you represent and what you meant to them. And I feel like your students, when they get older, they may not realize it in the time, but as they get older and reflect back, they’ll be telling stories about you. So yeah. Thanks for making time and thanks for being here.

Valeria Rodriguez (31:34):

Well thank you too, ‘cause I know you’re in the classroom and making time to do other things outside the classroom. Isn’t always easy, but it’s what keeps us going in different ways.

Eric Cross (31:49):

Thanks so much for joining me in Valer today. We wanna hear more about you. If you have any great lessons or ways to keep student engagement high, please email us@stemamplifycom.wpengine.com. That’s TM five.com. Make sure to click, subscribe wherever you listen to podcasts and join our brand new Facebook group science connections, the community for some extra content.

Stay connected!

Join our community and get new episodes every other Tuesday!

We’ll also share new and exciting free resources for your classroom every month.

What Valeria Rodriguez says about science

“I use [sketchnoting] and I mess up all the time…because I feel that my students don’t want to make mistakes, and drawing is one of those things that taught me that it’s okay to make mistakes.”

– Valeria Rodriguez

Educator, Instructional technologist, and Graphic facilitator

Meet the guest

Valeria is an educator, instructional technologist, graphic facilitator, and dreamer. She currently works as a Science teacher as part of a STEAM Team in Miami, Florida teaching third through fifth graders as a free-lance graphic facilitator. She loves to connect with passionate educators she meets around the country. Valeria has presented and led workshops at educational conferences like SXSWEdu, ISTE, NSTA, NSTA STEM Forum, SHIFTinEDU, FAST, FCIS, and SEEC. When she is not teaching or sketching, Valeria can be found adventuring with her family around the world, training for triathlons, and creating opportunities to empower kids in all kinds of communities. 

You can check Valeria’s work on her website and follow her on Twitter & Instagram.

Valeria-Rodriguez_Headshot-LP

About Science Connections

Welcome to Science Connections! Science is changing before our eyes, now more than ever. So…how do we help kids figure that out? We will bring on educators, scientists, and more to discuss the importance of high-quality science instruction. In this episode, hear from our host Eric Cross about his work engaging students as a K-8 science teacher. Listen here!

You might also like:

AS_Podcast-S1E08-Valeria-Rodriguez_Cover

Find Valeria!

Learn more about Valeria’s work and illustrations.

Two boys working on a laptop in a classroom, surrounded by other students and desks. They are smiling and writing on notebooks, appearing focused on the task.

Free poster!

Download a free poster to help students piece together their inner scientist.

Cartoon robot with a white body, springs for arms, and a screen displaying a waveform. Its head has an antenna emitting signals, all set against a gray background.

Free download!

Help support metacogntive skills for your students!

Acceptable Use Policy

Amplify Education, Inc. (“Amplify”) products support classroom instruction and learning and include Amplify CKLA, Amplify ELA, Amplify Science, Amplify Desmos Math, Desmos Math, Boost Reading, Boost Math, mCLASS, Mathigon, services at classroom.amplify.com (for creating and assigning activities) and student.amplify.com (for use of the activities or curricula as directed by an instructor), and any other product or service that links to this Acceptable Use Policy (together, the “Products”). This Acceptable Use Policy (the “AUP”) provides the general terms and conditions applicable to your use of the Products. By accessing, downloading, or using the Products, you agree to be bound by the terms of this AUP. 

Notwithstanding the foregoing, nothing in this AUP supersedes or limits your rights under the terms of any other agreement you or your institution have entered into with Amplify regarding the use of Products. In the event of any conflict between the AUP and the terms and conditions of an applicable agreement that you or your institution have entered into with Amplify, the terms and conditions of such agreement shall control.

Our Products are geared towards K–12 students, educators, and staff who use the Products as authorized by their School District or State Agency (each as defined in the Privacy Policy (defined below), and together, “School”) (“Authorized School Users”). Student Data (defined below) is owned and controlled by the School, and Amplify receives Student Data as a “school official” under Section 99.31 of the Family Educational Rights and Privacy Act of 1974 (“FERPA”) for the purpose of providing the Products hereunder. In addition, we rely on the School acknowledging that it is acting as the parent’s agent and consenting on the parent’s behalf to process personal information of students under the age of 13 (“Child Users”) in accordance with the Children’s Online Privacy Protection Act (“COPPA”). 

Schools may provide authorization in two ways: 

(1) by the School agreeing to our Customer Terms and Conditions located at amplify.com/customer-terms or another agreement between Amplify and the School, as applicable; or 

(2) by an educator, staff member, or agent of a School (“Educator”) agreeing to this AUP. If you are an Educator and wish to use the Products in your classroom, you represent and warrant that the use of the Products in your classroom has been authorized by your School, and that you are authorized to accept this AUP on behalf of the School.

In each case, we provide these Products solely for the benefit of the School and for no other commercial purpose. We require all Schools to review our Privacy Policy, available at amplify.com/customer-privacy (“Privacy Policy”), and to make a copy of the Privacy Policy available to the parents or guardians of Child Users.

We also provide limited opportunities for individual users to sign up for a restricted account for at-home use of our Products (together, with Authorized School Users, “Authorized Users”). Please see Additional terms for Mathigon and Amplify Classroom accounts (Section 18) for additional information.

1. License

Subject to compliance with this AUP, you are granted a non-transferable, non-exclusive, non-sublicensable license to access and use the Products. You understand that your use of the Products does not confer to you any intellectual property rights held by Amplify or its licensors. Unless otherwise indicated, any future release, update, or other addition to functionality or content of the Products will be subject to this AUP. 

2. Restrictions

You may access and use the Products solely for non-commercial instructional and administrative purposes. Guidelines for such purposes may be set forth at http://amplify.com/amplify-program-usage-guidelines and additional guidelines may be detailed in materials associated with the Product You are accessing. Further, You may not, except as expressly authorized by Amplify: (a) copy, modify, translate, distribute, disclose, or create derivative works based on the contents of, sell, or otherwise exploit, the Products, or any part thereof; (b) decompile, disassemble, reverse engineer the Products, or otherwise use the Products to develop functionally similar products or services; (c) modify, alter, or delete any of the copyright, trademark, or other proprietary notices in or on the Products; (d) rent, lease, or lend the Products or use the Products for the benefit of any third party; (e) avoid, circumvent, or disable any security or digital rights management device, procedure, protocol, or mechanism in the Products; (f) use any content from the Products, including but not limited to text, images, videos, assessments, lesson plans, or code, as input or training material for any machine learning or artificial intelligence system, including large language models, neural networks, or other algorithmic models, for any purposes, commercial or non-commercial; or (g) permit any Authorized User or third party to do any of the foregoing. You also agree that any works created in violation of this section are derivative works, and, as such, You agree to assign, and hereby assign, all right, title, and interest in such works to Amplify. The Products and derivatives thereof may be subject to export control laws, restrictions, regulations, and orders of the U.S. and other jurisdictions (together, “Export Laws”). You agree to comply with all applicable Export Laws, and will not, and will not permit Authorized Users to, export, or transfer for the purpose of re-export, any Product to any prohibited or embargoed country in violation of any U.S. export law or regulation. Further, You represent that You are not located in a country that is subject to a U.S. Government embargo, subject to sanctions by the U.S. Office of Foreign Assets Control, or included on any restricted party list maintained by the U.S. Bureau of Industry and Security. The software and associated documentation portions of the Products are “commercial items” (as defined at 48 CFR 2.101), comprising “commercial computer software” and “commercial computer software documentation,” as those terms are used in 48 CFR 12.212. Accordingly, if You are associated with the U.S. Government or its contractor, You will receive only those rights set forth in this Agreement in accordance with 48 CFR 227.7201-227.7204 (for Department of Defense and their contractors) or 48 CFR 12.212 (for other U.S. Government licensees and their contractors).

3. Use of the products

In connection with your access to and use of the Products, you agree not to: (a) post, upload, or otherwise transmit or link to content that is: unlawful; threatening; harmful; abusive; pornographic or includes nudity; offensive; harassing; excessively violent; tortious; defamatory; false or misleading; obscene; vulgar; libelous; hateful; or discriminatory; (b) violate the rights of others, including patent, trademark, trade secret, copyright, privacy, publicity, contract, or other proprietary rights; (c) harass or harm another person; (d) exploit or endanger a minor; (e) impersonate any person or entity; (f) introduce or engage in activity that involves the use of viruses, bots, worms, Trojan horses, time bombs, spyware, or any other computer code, files, or programs that interrupt, destroy, or limit the functionality of any computer software or hardware or telecommunications equipment, or otherwise permit the unauthorized access to or use of a computer or a computer network; (g) interfere with, damage, disable, disrupt, impair, create an undue burden on, or gain unauthorized access to the Products or any account (as defined below), or Amplify’s servers or networks; (h) restrict or inhibit any other person from using the Products (including by hacking or defacing the Products); (i) remove, disable, block, or obscure any portion of the Products; (j) use technology or any automated system, such as scripts or bots, to collect user names, passwords, email addresses, or any other data from or through the Products, or to circumvent or modify any security technology or software that is part of the Products; (k) send or cause to send (directly or indirectly) unsolicited bulk messages or other unsolicited bulk communications of any kind through the Products; (l) solicit, collect, or request any information for commercial or unlawful purposes; (m) post, upload, or otherwise transmit an image, audio recording, or video of another person without that person’s consent; (n) use the Products to advertise, promote, or engage in any commercial activity (including engaging in advertising, sales, contests, sweepstakes, or other promotions) without Amplify’s prior written consent; (o) frame or mirror the Products without Amplify’s express prior written consent; (p) use the Products in a manner inconsistent with any applicable law, rule, or regulation; (q) use any robot, spider, search/retrieval application, or other manual or automatic device to retrieve, index, “scrape,” “data mine,” or in any way gather content of the Products or reproduce or circumvent the navigational structure or presentation of the Products; (r) attempt, facilitate, or encourage others to do any of the foregoing. In addition to the foregoing restrictions, your use of the Products may also be subject to an additional acceptable use policy provided to you by your School, as applicable. You are responsible for meeting the hardware, software, telecommunications, and other requirements listed at amplify.com/customer-requirements.

4. Intellectual property

The Products and any Product logo, and certain other of the names, logos, and materials displayed in the Products, may constitute trademarks, trade names, or service marks (“Marks”) of Amplify or other entities. You are not authorized to use any such Marks. Ownership of all such Marks and the goodwill associated therewith remains with Amplify or those other entities. The content provided to you in the Products, including the software, graphs, text, and graphics, is protected under copyright laws, is subject to other intellectual property and proprietary rights and laws, and is owned by Amplify or its licensors. Your access to the Products does not transfer to you or any third party any rights, title, or interest in or to such intellectual property rights. You may not use the content of the Products, in whole or in part, to train or fine-tune any machine learning or artificial intelligence model or system, including for research, product development, commercial services, or any other purpose, commercial or non-commercial. Such use constitutes unauthorized derivative work and a violation of Amplify’s intellectual property rights. Your rights to make use of the Products are limited to those provided under this AUP, any additional terms as may be agreed upon between your School and Amplify, and any available exceptions under applicable intellectual property laws. Amplify Products are protected by patents (see amplify.com/virtual-patent-marking).

5. Account information

Your authentication to enable your access and use of these Products is based in part upon information supplied by you. You are required to (a) provide accurate information to Amplify and promptly report any changes to such information, (b) not share or allow others to use your account, (c) maintain the confidentiality and security of your account information, and (d) use the Products solely via such authorized accounts. You may not share your credentials (i.e., username and password) to access the Products with anyone except the person for whom that account was created. You agree to notify Amplify immediately of any unauthorized use of your account or related authentication information. Amplify will not be responsible for any losses arising out of the unauthorized use of your account.

6. Student data

The parties acknowledge and agree that in the course of providing the Products, Amplify may collect, receive, or generate information that directly relates to an identifiable current or former student of a School (“Student Data”). Student Data may include personal information from a student’s “educational records,” as defined by FERPA. Student Data is owned and controlled by the School and Amplify receives Student Data as a “school official” under Section 99.31 of FERPA for the purpose of providing the Products hereunder. Individually and collectively, Amplify and School agree to uphold our obligations, as applicable, under FERPA, COPPA, the Protection of Pupil Rights Amendment (“PPRA”), and applicable state laws relating to Student Data privacy. Amplify’s Privacy Policy governs the collection, use, and disclosure of Student Data collected or stored on behalf of the School under this AUP. The School is responsible for providing notice or obtaining appropriate consents under applicable laws to authorize Authorized School Users’ use of the Products, including making a copy of the Privacy Policy available to the parents or guardians of Child Users. Please see Additional Terms for Mathigon and Amplify Classroom accounts (Section 18) for additional information.

7. Confidentiality

You acknowledge that in connection with these terms, Amplify may provide you with certain sensitive or proprietary information (“Confidential Information”), including software, source code, assessment instruments, research, designs, methods, processes, customer lists, training materials, product documentation, know-how, or trade secrets, in whatever form. You agree (a) not to use Confidential Information for any purpose other than use of the Products in accordance with the AUP, and (b) to take all steps reasonably necessary to maintain and protect the Confidential Information of Amplify in strict confidence. Confidential Information shall not include information that, as evidenced by your contemporaneous written records: (i) is or becomes publicly available through no fault of your own; (ii) is rightfully known to you prior to the time of its disclosure; (iii) has been independently developed by you without any use of the Confidential Information; or (iv) is subsequently learned from a third party not under any confidentiality obligation.  

8. User materials

You represent, warrant, and covenant that you have all the necessary rights, including consents and intellectual property rights, in connection with any data, information, content, and other materials provided to or collected by Amplify from you or on your behalf in connection with your use of the Products, including materials and content that you post, upload, transmit, email, or otherwise make available on, through, or in connection with the Products (“User Materials”), and that except as otherwise agreed by your School and Amplify, you retain any ownership rights that you have in your User Materials. You hereby grant to Amplify and its affiliates, licensees, and authorized users, a perpetual, non-exclusive, fully paid-up, royalty-free, sublicensable (through multiple tiers), transferable (in whole or in part), worldwide license to use, modify, excerpt, adapt, create derivative works and compilations based upon, publicly perform, publicly display, reproduce, and distribute such User Materials in connection with the Products, subject to Amplify’s Privacy Policy. You and your School are responsible for the accuracy, integrity, completeness, quality, legality, and safety of such User Materials. You further represent and warrant that the posting of such User Materials through or in connection with the Products does not violate the privacy rights, publicity rights, copyrights, contract rights, or any other rights of any person or entity. Amplify and your School reserve the right (but have no obligation) to monitor the Products, including for inappropriate content or conduct, and to remove any content in their discretion without liability to you or any third party. Further, Amplify reserves the right to investigate and take appropriate legal action against anyone who, in Amplify’s discretion, violates this AUP or attempts to do so, including terminating or suspending a user’s account or access to or use of the Products, or reporting any content or conduct to law enforcement authorities. You are solely responsible for creating and maintaining your own backup copies of your User Materials. Amplify is not responsible for any loss, theft, or damage of any kind to any User Materials. 

9. Feedback

If you provide us with any ideas, proposals, or suggestions related to the Products (“Feedback”), you hereby acknowledge and agree that your provision of any Feedback is gratuitous, unsolicited, and without restriction, and does not place Amplify under any fiduciary or other obligation. You hereby grant to Amplify a worldwide, royalty-free, fully paid-up, exclusive, perpetual, irrevocable, transferable, and fully sublicensable (through multiple tiers) license to reproduce, distribute, perform and/or display (publicly or otherwise), adapt, modify, and otherwise use such Feedback, in any format or media now known or hereafter developed, and you hereby represent and warrant that you have all necessary rights to grant the foregoing license.

10. Third party links and services

The Products may make available, or third parties may provide, links to websites, software, applications, resources, advertisements, content, or other products or services created, hosted, or made available by third parties (“Third Party Services”). When you access or use a Third-Party Service, you are interacting with the applicable third party, not with Amplify, and you do so at your own risk. Inclusion of any Third-Party Service or a link thereto within the Products does not imply approval or endorsement of such Third-Party Service. Amplify does not control any content that is not Amplify content, and as such, you may be exposed to offensive, indecent, inaccurate, or otherwise objectionable content in the course of accessing or using such Third-Party Services linked from the Products. You are solely responsible for your interactions with other users of the Products, providers of Third-Party Services, and any other third parties with whom you interact on, through, or in connection with the Products. AMPLIFY IS NEITHER RESPONSIBLE NOR LIABLE FOR ANY THIRD-PARTY SERVICES, INCLUDING THE ACCURACY, INTEGRITY, COMPLETENESS, QUALITY, LEGALITY, USEFULNESS, OR SAFETY OF, OR INTELLECTUAL PROPERTY RIGHTS RELATING TO, SUCH THIRD-PARTY SERVICES. ANY ACCESS TO OR USE OF SUCH THIRD-PARTY SERVICES MAY BE SUBJECT TO THE TERMS AND CONDITIONS AND INFORMATION COLLECTION, USAGE, AND DISCLOSURE PRACTICES OF THIRD PARTIES. THIS AUP DOES NOT CREATE ANY RELATIONSHIP BETWEEN YOU AND ANY PROVIDER OF THIRD-PARTY SERVICES, AND NOTHING IN THIS AUP WILL BE DEEMED TO BE A REPRESENTATION OR WARRANTY BY AMPLIFY WITH RESPECT TO ANY THIRD-PARTY SERVICE.

11. Digital Millennium Copyright Act

The Digital Millennium Copyright Act of 1998 (“DMCA”) provides recourse for copyright owners who believe that material appearing on the Internet infringes their rights under U.S. copyright law. If you believe that any material residing on or linked to from the Products infringes your copyright, please send (or have your agent send) to Amplify’s Copyright Agent, by email, fax, or regular mail, a written notification of claimed infringement with all of the following information: (a) identification of the copyrighted work claimed to have been infringed, or, if multiple copyrighted works are covered by a single notification, a representative list of such works; (b) identification of the claimed infringing material and information reasonably sufficient to permit us to locate the material on the Products (such as the URL(s) of the claimed infringing material); (c) information reasonably sufficient to permit us to contact you, such as an address, telephone number, and, if available, an e-mail address; (d) a statement by you that you have a good-faith belief that the disputed use is not authorized by the copyright owner, the copyright owner’s agent or the law; (e) a statement by you that the above information in your notification is accurate, and a statement by you, made under penalty of perjury, that you are the owner of an exclusive right that is allegedly infringed, or that you are authorized to act on such owner’s behalf; and (f) your physical or electronic signature. Amplify’s Copyright Agent for notification of claimed infringement can be reached as follows: Amplify Education, Inc., 55 Washington Street #800, Brooklyn NY 11201; Attn: Copyright Agent. Amplify’s Copyright Agent for notification of claimed infringement can also be reached electronically at legal@amplify.com. Amplify reserves the right to terminate infringers’ and suspected infringers’ accounts or their access to or use of the Products.

12. Changes to the products

Amplify may, without prior notice, change any Product or stop providing any features of any Product. We may permanently or temporarily terminate or suspend your access to any Product features without notice for any reason, including if in our sole determination you violate any provision of this AUP. Upon termination, you continue to be bound by this AUP.

13. Warranty disclaimer

PRODUCTS ARE PROVIDED “AS IS” AND WITHOUT WARRANTY OF ANY KIND BY AMPLIFY. AMPLIFY EXPRESSLY DISCLAIMS ALL WARRANTIES, EXPRESS OR IMPLIED, INCLUDING ANY WARRANTY AS TO TITLE, NON-INFRINGEMENT, MERCHANTABILITY, OR FITNESS FOR A PARTICULAR PURPOSE OR USE. YOU ASSUME RESPONSIBILITY FOR SELECTING THE PRODUCTS TO ACHIEVE YOUR INTENDED RESULTS AND FOR THE ACCESS AND USE OF THE PRODUCTS, INCLUDING THE RESULTS OBTAINED FROM THE PRODUCTS. WITHOUT LIMITING THE FOREGOING, AMPLIFY MAKES NO WARRANTY THAT THE PRODUCTS WILL BE ERROR-FREE OR FREE FROM INTERRUPTIONS OR OTHER FAILURES OR WILL MEET YOUR REQUIREMENTS. AMPLIFY IS NEITHER RESPONSIBLE NOR LIABLE FOR ANY THIRD-PARTY CONTENT OR SOFTWARE INCLUDED IN PRODUCTS, INCLUDING THE ACCURACY, INTEGRITY, COMPLETENESS, QUALITY, LEGALITY, USEFULNESS, OR SAFETY OF, OR IP RIGHTS RELATING TO, SUCH THIRD-PARTY CONTENT AND SOFTWARE. ANY ACCESS TO OR USE OF SUCH THIRD-PARTY CONTENT AND SOFTWARE MAY BE SUBJECT TO THE TERMS AND CONDITIONS AND INFORMATION COLLECTION, USAGE, AND DISCLOSURE PRACTICES OF THIRD PARTIES.

14. Limitation of liability

IN NO EVENT WILL AMPLIFY BE LIABLE TO YOU FOR ANY INCIDENTAL, SPECIAL, CONSEQUENTIAL, PUNITIVE, RELIANCE, OR COVER DAMAGES, DAMAGES FOR LOST PROFITS, LOST DATA, LOST BUSINESS, OR ANY OTHER INDIRECT DAMAGES, EVEN IF AMPLIFY HAS BEEN ADVISED OF THE POSSIBILITY OF SUCH DAMAGES. TO THE EXTENT PERMITTED BY APPLICABLE LAW, AMPLIFY’S ENTIRE LIABILITY TO YOU ARISING OUT OF PERFORMANCE OR NONPERFORMANCE BY AMPLIFY OR IN ANY WAY RELATED TO THE SUBJECT MATTER OF THIS AUP, REGARDLESS OF WHETHER THE CLAIM FOR SUCH DAMAGES IS BASED IN CONTRACT, TORT, STRICT LIABILITY, OR OTHERWISE, WILL NOT EXCEED $100 IN AGGREGATE. UNDER NO CIRCUMSTANCES WILL AMPLIFY BE LIABLE FOR ANY CONSEQUENCES OF ANY UNAUTHORIZED USE OF THE PRODUCTS THAT VIOLATES THIS AUP OR ANY APPLICABLE LAW OR REGULATION.

15. Termination

Amplify may terminate or suspend your access to the Products at any time for any reason, including if Amplify believes that you have violated the AUP or have engaged in conduct that violates applicable law or is otherwise harmful to the interests of Amplify, any other Amplify user, or any third party. Upon termination, you will: cease using the Products and return, purge, or destroy all copies of any Products and, if so requested, certify to Amplify in writing that such surrender or destruction has occurred. Sections 3–13, 16, and 17 will survive the termination of this Agreement.

16. Governing Law

This Agreement will be governed by and construed and enforced in accordance with the laws of the U.S., state of New York, without giving effect to the choice of law rules thereof.

17. Additional terms for iOS apps

By downloading any Products through Apple, Inc.’s App Store (“iOS Products”), you agree that the following additional terms apply to your use of our iOS Products:

  1. This AUP is not a legal agreement with Apple, Inc. (“Apple”). As between Amplify and Apple, Amplify (not Apple) is responsible for the iOS Products and the contents thereof.
  2. The license to use the iOS Products under Section 3 above is limited to use (i) on iOS devices that you or your School owns or controls, separate from and in addition to any specific technical requirements for any iOS Product, and (ii) as permitted by the Usage Rules set forth in Apple Media Services Terms and Conditions.
  3. You must comply with applicable third-party terms of agreement when using the Products.
  4. Without limiting Section 13 above and solely as between Amplify and Apple, you acknowledge that: (i) Apple has no obligation whatsoever to furnish any maintenance and support services with respect to the iOS Products; (ii) Amplify (not Apple) is responsible for addressing any claims of yours or of any third party relating to the iOS Products or your possession and/or use of the iOS products, including but not limited to (1) product liability claims, (2) any claim that the iOS Products fail to conform to any applicable legal or regulatory requirement, and (3) claims arising under consumer protection, privacy, or similar legislation; (iii) in the event of any failure of the iOS Products to conform to any applicable warranty, you may notify Apple, and Apple will refund the purchase price for the iOS Products to you; to the maximum extent permitted by applicable law, Apple will have no other warranty obligation whatsoever with respect to the iOS Products, and any other claims, losses, liabilities, damages, costs, or expenses attributable to any failure to conform to any warranty will be Amplify’s sole responsibility; and (iv) in the event of any third-party claim that the iOS Products or your possession and use of the iOS Products infringes that third party’s intellectual property rights, Amplify (not Apple) will be responsible for any investigation, defense, settlement, and discharge of any such intellectual property infringement claim.
  5. You represent and warrant that: (i) you are not located in a country that is subject to a U.S. Government embargo, or that has been designated by the U.S. Government as a “terrorist supporting” country; and (ii) you are not listed on any U.S. Government list of prohibited or restricted parties.
  6. Apple and Apple’s subsidiaries are third-party beneficiaries of these Terms, and upon your acceptance of these Terms, Apple will have the right (and will be deemed to have accepted the right) to enforce these Terms against you as a third-party beneficiary thereof.
  7.  Any questions, complaints, or claims with respect to the Products should be directed to: 

Email: privacy@amplify.comMail: Amplify Education, Inc., 55 Washington St. #800, Brooklyn, NY, 11201

18. Additional terms for Mathigon and Amplify Classroom accounts.

a. Mathigon updates: Amplify no longer offers accounts for Child Users, but we will continue to allow Child Users to access their active legacy Mathigon accounts where verifiable parental consent was obtained. We will continue to protect personal information in accordance with the Privacy Policy and applicable law.

b. Mathigon and Amplify Classroom:

i. School Use:

  1. Educators: If you are an Educator, you can create a Mathigon or an Amplify Classroom account using any existing email or through an existing third-party account (e.g. Google, Microsoft). Go to https://mathigon.org/signup#teacher  to sign up for Mathigon. Go to classroom.amplify.com to sign up for Amplify Classroom.
  2. Students can also sign up using a unique class code provided by an Educator. Educators are responsible for gaining appropriate authorization or permission from their School to use the Products with students, including Child Users, before providing their unique class code or linking the Products to a third-party service like Google Classroom. For such use in the school context, we do not request additional consent from parents in accordance with the “school official” exception under FERPA and relevant COPPA guidance. For more information, visit our Privacy Policy, which describes how we collect, use, and disclose personal information and data through the provision of our Products in schools. 

ii. Outside of School Use: If you are an individual user using the Products at home or otherwise outside of the school context, you are prohibited from collecting or providing any personal information from students or minors. You are permitted to access the platform for instructional purposes, but you may not enroll or roster minors, create accounts for minors, or input any personal information of minors into the Product.

19. Updates to this policy

We may change this Acceptable Use Policy in the future. For example, we may update it to address changes in our product offerings, or to address changes in the law or best practices. If we make changes that materially impact your legal rights or use of our products, we will provide prominent notification to you (e.g. via the Site or by email).  Otherwise, we will post any updates to the policy with an updated “Last Revised Date” and all changes will become effective immediately. Please check the Last Revised Date to confirm if the policy has been revised.

Last Modified: February 2, 2026

Amplify Tutor Fingerprinting

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Phonological awareness games

In Cut It Out, students isolate individual phonemes by listening to a beginning, middle, or ending sound and choosing a picture of the word containing the sound in that position.

Skills
Phonological awareness

  • Blending at the compound word, syllable, onset-rime, and phoneme level

Standards covered

  • CCSS.ELA-LITERACY.RF.1.2.C — Isolate and pronounce initial, medial vowel, and final sounds (phonemes) in spoken single-syllable words.
  • CCSS.ELA-LITERACY.RF.K.2.D — Isolate and pronounce the initial, medial vowel, and final sounds (phonemes) in three-phoneme (consonant-vowel-consonant, or CVC) words.1 (This does not include CVCs ending with /l/, /r/, or /x/.)

In Gem & Nye, students blend sounds into words, starting with compound words and syllables and then moving to beginning (onset) and ending (rime) sounds and finally individual phonemes, to identify the picture of the word the Soundbots say when blended together.

Skills
Phonological awareness

  • Blending at the compound word, syllable, onset-rime, and phoneme level

Standards covered

  • CCSS.ELA-LITERACY.RF.1.2.B — Orally produce single-syllable words by blending sounds (phonemes), including consonant blends.
  • CCSS.ELA-LITERACY.RF.K.2.B — Count, pronounce, blend, and segment syllables in spoken words.
  • CCSS.ELA-LITERACY.RF.K.2.C — Blend and segment onsets and rimes of single-syllable spoken words.

In Wordbots, students practice segmenting words into their onsets and rimes to determine which Startbots and Endbots form a stimulus word.

Skills
Phonological awareness

  • Segment at the compound-word and onset-rime level

Standards covered

  • CCSS.ELA-LITERACY.RF.K.2.C — Blend and segment onsets and rimes of single-syllable spoken words.
  • CCSS.ELA-LITERACY.RF.K.2.B — Count, pronounce, blend, and segment syllables in spoken words.

In Zoom Boom, students practice rhyming by listening to a word and identifying the picture of the word that rhymes with it.

Skills
Phonological awareness

  • Rhyming

Standards covered

  • CCSS.ELA-LITERACY.RF.K.2.A — Recognize and produce rhyming words.

Phonics Games in Amplify Reading: K–2

In Curioso Crossing, students practice accurate and automatic word recognition by identifying the correct spoken word to guide their Curioso safely throughout the land.

Skills
Phonics – Early Decoding; Advanced Decoding

  • Read high-frequency irregular words, regular words, words with inflected endings, two-syllable words, words with prefixes and suffixes, and multi-syllable words

Standards Covered

  • CCSS.ELA-LITERACY.RF.K.3.B — Associate the long and short sounds with the common spellings (graphemes) for the five major vowels.
  • CCSS.ELA-LITERACY.RF.1.3.B — Decode regularly spelled one-syllable words.
  • CCSS.ELA-LITERACY.RF.1.3.C — Know final -e and common vowel team conventions for representing long vowel sounds.
  • CCSS.ELA-LITERACY.RF.1.3.E — Decode two-syllable words following basic patterns by breaking the words into syllables.
  • CCSS.ELA-LITERACY.RF.1.3.F — Read words with inflectional endings.
  • CCSS.ELA-LITERACY.RF.2.3.A — Distinguish long and short vowels when reading regularly spelled one-syllable words.
  • CCSS.ELA-LITERACY.RF.2.3.C — Decode regularly spelled two-syllable words with long vowels.
  • CCSS.ELA-LITERACY.RF.2.3.D — Decode words with common prefixes and suffixes.
  • CCSS.ELA-LITERACY.RF.2.3.F — Recognize and read grade-appropriate irregularly spelled words.
  • CCSS.ELA-LITERACY.RF.K.3.C — Read common high-frequency words by sight (e.g., the, of, to, you, she, my, is, are, do, does).
  • CCSS.ELA-LITERACY.RF.1.3.G — Recognize and read grade-appropriate irregularly spelled words.

In Food Truck, students practice “chopping” blends, ending sounds (rimes), and whole words into beginning sounds (onsets), ending sounds, and individual letters to create orders for their hungry goblin customers. The difficulty of words and segmenting tasks increases with each level as customers order more sophisticated “dishes.”

Skills
Phonics – Early Decoding

  • Decode and spell words with common rime families

Standards Covered

  • CCSS.ELA-LITERACY.RF.K.3.A — Demonstrate basic knowledge of one-to-one letter-sound correspondences by producing the primary sound or many of the most frequent sounds for each consonant.
  • CCSS.ELA-LITERACY.RF.K.3.B — Associate the long and short sounds with the common spellings (graphemes) for the five major vowels.
  • CCSS.ELA-LITERACY.RF.K.3.D — Distinguish between similarly spelled words by identifying the sounds of the letters that differ.
  • CCSS.ELA-LITERACY.RF.K.2.E — Add or substitute individual sounds (phonemes) in simple, one-syllable words to make new words.
  • CCSS.ELA-LITERACY.RF.1.3.B — Decode regularly spelled one-syllable words.

In Grumpy Goblins, students learn sound-spelling correspondences for consonant digraphs and vowel teams by listening to a sound from a goblin and feeding it the piece of toast with the corresponding letter or combination.

Skills
Phonics – Letter Combinations

  • Sound-spelling correspondences for consonant digraphs and vowel teams

Standards Covered

  • CCSS.ELA-LITERACY.RF.K.3.B — Associate the long and short sounds with the common spellings (graphemes) for the five major vowels.
  • CCSS.ELA-LITERACY.RF.1.3.A — Know the spelling-sound correspondences for common consonant digraphs.
  • CCSS.ELA-LITERACY.RF.2.3.B — Know spelling-sound correspondences for additional common vowel teams.

In Hangry Goblins, students practice letter-sound combinations by feeding individual letter sounds, consonant digraphs, blends, and vowel teams to goblins that become more and more “hangry” until they are given the letters that match their demands.

Skills
Phonics – Letter Sound Correspondence

  • Sound-spelling correspondences for individual letters and letter combinations

Standards covered

  • CCSS.ELA-LITERACY.RF.K.3.A — Demonstrate basic knowledge of one-to-one letter-sound correspondences by producing the primary sound or many of the most frequent sounds for each consonant.
  • CCSS.ELA-LITERACY.RF.K.3.B — Associate the long and short sounds with the common spellings (graphemes) for the five major vowels.
  • CCSS.ELA-LITERACY.RF.1.3.A — Know the spelling-sound correspondences for common consonant digraphs.
  • CCSS.ELA-LITERACY.RF.2.3.B — Know spelling-sound correspondences for additional common vowel teams.

In Picky Goblins, students practice sound-spelling correspondences for individual letters by listening to a sound from a goblin and feeding it the piece of toast with the corresponding.

Skills
Phonics – Letter-Sound Correspondence

  • Sound-Spelling Correspondences for single letters

Standards Covered

  • CCSS.ELA-LITERACY.RF.K.3.A — Demonstrate basic knowledge of one-to-one letter-sound correspondences by producing the primary sound or many of the most frequent sounds for each consonant.
  • CCSS.ELA-LITERACY.RF.K.3.B — Associate the long and short sounds with the common spellings (graphemes) for the five major vowels.

In Read All About It, students practice reading sentences with words that include the sound-spelling correspondences, word features (e.g., prefixes/suffixes), and phonics rules (e.g., vowel consonant long e, syllable patterns) they learned and practiced in other games.

Skills
Phonics – Early Decoding; Advanced Decoding

  • Read grade level text accurately

Standards Covered

  • CCSS.ELA-LITERACY.RF.K.3 — Know and apply grade-level phonics and word analysis skills in decoding words.
  • CCSS.ELA-LITERACY.RF.K.4 — Read emergent-reader texts with purpose and understanding.
  • CCSS.ELA-LITERACY.RF.1.3 — Know and apply grade-level phonics and word analysis skills in decoding words.
  • CCSS.ELA-LITERACY.RF.1.4 — Read with sufficient accuracy and fluency to support comprehension.
  • CCSS.ELA-LITERACY.RF.2.3 — Know and apply grade-level phonics and word analysis skills in decoding words.
  • CCSS.ELA-LITERACY.RF.2.4 — Read with sufficient accuracy and fluency to support comprehension.

In Rhyme Time, students practice with different rime families (words that end with the same sounds and rhyme) and decode words in these families by swapping the first letter sounds of words while the ending sounds remain constant.

Skills
Phonics – Early Decoding

  • Decode words with common rime families

Standards Covered

  • CCSS.ELA-LITERACY.RF.K.3.A — Demonstrate basic knowledge of one-to-one letter-sound correspondences by producing the primary sound or many of the most frequent sounds for each consonant.
  • CCSS.ELA-LITERACY.RF.K.3.B — Associate the long and short sounds with the common spellings (graphemes) for the five major vowels.
  • CCSS.ELA-LITERACY.RF.K.3.D — Distinguish between similarly spelled words by identifying the sounds of the letters that differ.
  • CCSS.ELA-LITERACY.RF.K.2.E — Add or substitute individual sounds (phonemes) in simple, one-syllable words to make new words.
  • CCSS.ELA-LITERACY.RF.1.3.B — Decode regularly spelled one-syllable words.

In Tongue Twist, students practice with different rime families (words that end with the same sounds and rhyme) and build words by changing the ending sound (rime) while the beginning (onset) sounds, consonant blends, and consonant digraphs remain constant.

Skills
Phonics – Early Decoding

  • Decode words with common rime families

Standards covered

  • CCSS.ELA-LITERACY.RF.K.3.A — Demonstrate basic knowledge of one-to-one letter-sound correspondences by producing the primary sound or many of the most frequent sounds for each consonant.
  • CCSS.ELA-LITERACY.RF.K.3.B — Associate the long and short sounds with the common spellings (graphemes) for the five major vowels.
  • CCSS.ELA-LITERACY.RF.K.3.D — Distinguish between similarly spelled words by identifying the sounds of the letters that differ.
  • CCSS.ELA-LITERACY.RF.K.2.E — Add or substitute individual sounds (phonemes) in simple, one-syllable words to make new words.
  • CCSS.ELA-LITERACY.RF.1.3.B — Decode regularly spelled one-syllable words.

In Word City, students identify and manipulate beginning, middle, and ending letter sounds to assemble word chains that form buildings.

Skills
Phonics – Early Decoding

  • Letter-sound correspondence
  • Decoding and spelling regular words

Standards Covered

  • CCSS.ELA-LITERACYRF.K.3.A — Demonstrate basic knowledge of one-to-one letter-sound correspondences by producing the primary sound or many of the most frequent sounds for each consonant.
  • CCSS.ELA-LITERACYRF.1.3.A — Know the spelling-sound correspondences for common consonant digraphs.
  • CCSS.ELA-LITERACYRF.1.3.B — Decode regularly spelled one-syllable words.
  • CCSS.ELA-LITERACYRF.1.3.C — Know final -e and common vowel team conventions for representing long vowel sounds.
  • CCSS.ELA-LITERACYRF.2.3.B — Know spelling-sound correspondences for additional common vowel teams.

Microcomprehension Games in Amplify Reading: K–2

In Because This, That, students learn how common text structures give clues to meaning by rearranging sentences to identify cause and effect or problem and solution.

Skills
Microcomprehension

  • Text Structure: Organize sentences using sequence/chronological order

Standards covered

  • CCSS.ELA-LITERACY.RI.1.3 — Describe the connection between two individuals, events, ideas, or pieces of information in a text.
  • CCSS.ELA-LITERACY.RI.1.8 — Identify the reasons an author gives to support points in a text.
  • CCSS.ELA-LITERACY.RI.2.3 — Describe the connection between a series of historical events, scientific ideas or concepts, or steps in technical procedures in a text.
  • CCSS.ELA-LITERACY.RI.2.8 — Describe how reasons support specific points the author makes in a text.

In Connect It!, students practice using different types of conjunctions (temporal and causal, for example) to combine two clauses into a coherent sentence.

Skills
Microcomprehension

  • Syntactic awareness – connectives

Standards covered

  • CCSS.ELA-LITERACY.L.2.3 — Use knowledge of language and its conventions when writing, speaking, reading, or listening.

In Message in a Bottle, students build their awareness of syntax and the impact word order has on meaning by unscrambling scraps of lost messages to reconstruct sentences.

Skills
Microcomprehension

  • Syntactic awareness

Standards covered

  • CCSS.ELA-LITERACY.L.1.1 — Demonstrate command of the conventions of standard English grammar and usage when writing or speaking.
  • CCSS.ELA-LITERACY.L.2.1 — Demonstrate command of the conventions of standard English grammar and usage when writing or speaking.

In Mind the Gap, comprehension levels are assessed through a modified cloze exercise in which students make selections to fill in the blanks of a text where approximately every seventh word has been omitted.

Skills
Microcomprehension

  • Reading fluency
  • Syntactic awareness
  • Inference
  • Comprehension monitoring

Standards covered

  • CCSS.ELA-LITERACY.CCRA.R.1 — Read closely to determine what the text says explicitly and to make logical inferences from it; cite specific textual evidence when writing or speaking to support conclusions drawn from the text.
  • CCSS.ELA-LITERACY.CCRA.R.10 — Read and comprehend complex literary and informational texts independently and proficiently.

In Show Off, students learn how common text structures give clues to meaning, using cues from illustrations to rearrange sentences in the correct sequential or chronological order.
Skills
Microcomprehension

  • Text structure: Organize sentences using problem/solution and cause/effect

Standards covered

  • CCSS.ELA-LITERACY.RI.1.3 — Describe the connection between two individuals, events, ideas, or pieces of information in a text.
  • CCSS.ELA-LITERACY.RI.1.8 — Identify the reasons an author gives to support points in a text.
  • CCSS.ELA-LITERACY.RI.2.3 — Describe the connection between a series of historical events, scientific ideas or concepts, or steps in technical procedures in a text.
  • CCSS.ELA-LITERACY.RI.2.8 — Describe how reasons support specific points the author makes in a text.knowledge of one-to-one letter-sound correspondences by producing the primary sound or many of the most frequent sounds for each consonant.

In Sloppy Scrolls, students practice the art of comprehension monitoring, or ensuring that they continually build and check a mental model of what they read. In the game, students are introduced to a world of enchanted scrolls that have lost their magic: they contain inconsistencies, and no longer make sense. The students must attempt to identify the inconsistencies by tapping the sentences that don’t match the rest of the passage. To increase the challenge of the game, some of the passages are presented without errors.

Skills
Microcomprehension

  • Comprehension Monitoring

Standards Covered

  • CCSS.ELA-LITERACY.RL.2.10 — By the end of the year, read and comprehend literature, including stories and poetry, in the grades 2-3 text complexity band proficiently, with scaffolding as needed at the high end of the range.

In Storyboard, students practice making inferences by completing a storyboard that integrates relevant background knowledge missing from a given sentence.

Skills
Microcomprehension

  • Inference

Standards covered

  • CCSS.ELA-LITERACY.RL.K.1 — With prompting and support, ask and answer questions about key details in a text.
  • CCSS.ELA-LITERACY.RI.K.1 — With prompting and support, ask and answer questions about key details in a text.
  • CCSS.ELA-LITERACY.RL.1.1 — Ask and answer questions about key details in a text.
  • CCSS.ELA-LITERACY.RI.1.1 — Ask and answer questions about key details in a text.

In Super Match, students work on developing cognitive flexibility, or the ability to track multiple elements simultaneously, by completing interactive puzzles that associate pictures and words across multiple dimensions (e.g., color and category, or starting sounds and category).

Skills
Microcomprehension

  • Cognitive flexibility

Standards covered

  • CCSS.ELA-LITERACY.L.1.5.A — Sort words into categories (e.g., colors, clothing) to gain a sense of the concepts the categories represent.
  • CCSS.ELA-LITERACY.L.1.5.B — Define words by category and by one or more key attributes (e.g., a duck is a bird that swims; a tiger is a large cat with stripes).
  • CCSS.ELA-LITERACY.RF.1.3 — Know and apply grade-level phonics and word analysis skills in decoding words.

In Unmask That, students build their understanding of anaphora, a tool authors use to avoid repetition, by linking pronouns to their antecedents in text.

Skills
Microcomprehension

  • Syntactic awareness – anaphora

Standards covered

  • CCSS.ELA-LITERACY.L.1.1 — Demonstrate command of the conventions of standard English grammar and usage when writing or speaking.
  • CCSS.ELA-LITERACY.L.2.1 — Demonstrate command of the conventions of standard English grammar and usage when writing or speaking.

Comprehension Games in Amplify Reading: K–2

In Best Buddy, students examine character traits to determine which school club provides the best fit for their fictional friends.

Skills
Comprehension – Key Ideas and Details

  • Character Traits

Standards Covered

  • CCSS.ELA-LITERACY.RL.1.3 — Describe characters, settings, and major events in a story, using key details.
  • CCSS.ELA-LITERACY.RL.2.3 — Describe how characters in a story respond to major events and challenges.

In Book Club, students compare and contrast two books on the same topic or theme to determine which book best meets the needs of a character in the game.

Skills
Comprehension – Integration of Knowledge and Ideas

  • Compare and Contrast Texts

Standards covered

  • CCSS.ELA-LITERACY.RI.1.9 — Identify basic similarities in and differences between two texts on the same topic (e.g., in illustrations, descriptions, or procedures).
  • CCSS.ELA-LITERACY.Rl.2.9 — Compare and contrast the most important points presented by two texts on the same topic.
  • CCSS.ELA-LITERACY.RL.2.9 — Compare and contrast two or more versions of the same story (e.g., Cinderella stories) by different authors or from different cultures.

In Debate-a-Ball, students practice identifying the best evidence to support a claim. Students pick an animal avatar to compete with an automated opponent in debates on familiar topics. To win, students must put forward the best evidence to support each claim more frequently than their opponents. They are taught to identify evidence that is factual and strongly related to the claim.

Skills
Comprehension – Integration of Knowledge and Ideas

  • Evaluate evidence

Standards covered

  • CSS.ELA-LITERACY.RI.2.8 — Describe how reasons support specific points the author makes in a text.

In Picture This, students complete the illustrations for a story by identifying words that describe its setting, characters, problems, and solutions.

Skills
Comprehension – Key Ideas and Details

  • Story Elements/Plot

Standards covered

  • CCSS.ELA-LITERACY.RL.1.1 — Ask and answer questions about key details in a text.
  • CCSS.ELA-LITERACY.RL.1.3 — Describe characters, settings, and major events in a story, using key details.
  • CCSS.ELA-LITERACY.RL.2.1 — Ask and answer such questions as who, what, where, when, why, and how to demonstrate understanding of key details in a text.
  • CCSS.ELA-LITERACY.RL.2.3 — Describe how characters in a story respond to major events and challenges.

In Storybox, students choose settings, situations, and solutions to send characters on different adventures, using details and context to help them resolve problems and complete the story.

Skills
Comprehension – Key Ideas and Details

  • Story Elements/Plot

Standards covered

  • CCSS.ELA-LITERACY.RL.K.3 — With prompting and support, identify characters, settings, and major events in a story.

In Tube Tales, students learn the attributes of different genres and practice identifying them in brief texts.

Skills
Comprehension – Craft and Structure

  • Text schema

Standards covered

  • CCSS.ELA-LITERACY.RL.2.10 — By the end of the year, read and comprehend literature, including stories and poetry, in the grades 2-3 text complexity band proficiently, with scaffolding as needed at the high end of the range.
  • CCSS.ELA-LITERACY.RI.2.5 — Know and use various text features (e.g., captions, bold print, subheadings, glossaries, indexes, electronic menus, icons) to locate key facts or information in a text efficiently.
  • CCSS.ELA-LITERACY.RI.2.10 — By the end of year, read and comprehend informational texts, including history/social studies, science, and technical texts, in the grades 2-3 text complexity band proficiently, with scaffolding as needed at the high end of the range.

In What’s the Big Idea, students examine pictures, picture sequences, and short passages to practice differentiating the main idea from story details.

Skills
Comprehension – Key Ideas and Details

  • Main idea

Standards covered

  • CCSS.ELA-LITERACY.RI.K.2 — With prompting and support, identify the main topic and retell key details of a text.
  • CCSS.ELA-LITERACY.RI.1.2 — Identify the main topic and retell key details of a text.
  • CCSS.ELA-LITERACY.RI.2.2 — Identify the main topic of a multiparagraph text as well as the focus of specific paragraphs within the text.

Vocabulary Games in Amplify Reading: K–2

In Punchline!, students learn how words can have multiple meanings by channeling their inner comedian to crack homonym-based jokes.

Skills
Vocabulary

  • Multiple-meaning words

Standards covered

  • CCSS.ELA-LITERACY.L.2.4.A — Use sentence-level context as a clue to the meaning of a word or phrase.

In Shades of Meaning, students differentiate the nuances in similar words — first by ordering them from weakest to strongest, largest to smallest, or least to greatest; then by putting them into sentences that further clarify their meaning.

Skills
Vocabulary

  • Shades of meaning

Standards covered

  • CCSS.ELA-LITERACY.L.1.5.D — Distinguish shades of meaning among verbs differing in manner (e.g., look, peek, glance, stare, glare, scowl) and adjectives differing in intensity (e.g., large, gigantic) by defining or choosing them or by acting out the meanings.
  • CCSS.ELA-LITERACY.L.2.5.B — Distinguish shades of meaning among closely related verbs (e.g., toss, throw, hurl) and closely related adjectives (e.g., thin, slender, skinny, scrawny).

Amplify Reading: K–2’s Integrated eReader

eReader Overview

Amplify Reading: K–2 has a new library of over 25 fiction and non-fiction ebooks and an adaptive algorithm that unlocks each book at the exact right point in a reader’s development. Moreover, they contain familiar interactions from the games so that students move seamlessly from text-embedded-in-games to games-embedded-in-text, maximizing their sense of growing competency.

The eReader also provides optional supports for its readers. From the settings icon on the title page of each book, students can turn on sentence numbering, read aloud functionality, and reveal words, as well as adjust the text size.

Student Experience
When students are ready for a text, it will appear as one of their quest steps.

When readers first unlock a new book, they read through it without interruption (with read-aloud support if appropriate).

In the second read, students discover embedded activities that repeat the familiar iconography of a game they previously mastered.

At the end of the book, additional activities evaluate students’ comprehension.

Achievements in books are part of the same overall reward system: helping your Curioso grow, just like achievement in skill-building games. Mastery of the content is reflected in the teacher dashboard within the given skill.

How teachers are using Amplify Reading

Independent study/rotation stations
Amplify Reading is a personalized, differentiated program designed to keep students engaged and on task in independent study. The program is most effective when used for a minimum of 45 minutes per week.

Other common uses
We designed the program to be flexible enough to fit any classroom model. Amplify Reading is browser-based, so it works on Chromebooks, iPads, laptops, desktops, and even iPhones. It can also be used at home to extend learning beyond the classroom.

Amplify and SFUSD Partnership

We recognize and respect the unique differences of each of our partnering districts—and that includes San Francisco USD.

Out of the box, Amplify Caminos offers districts a rich, comprehensive, research-based SELA experience. That said, no two districts are exactly alike. To that end, we are committed to working with San Francisco USD to ensure that Amplify Caminos addresses the needs of your community. This includes providing implementation guidance and support, as well as collaborating with your staff to determine which domains need to be modified or exchanged.

What is Amplify Caminos?

Amplify Caminos is a core Spanish language arts program for grades TK–5 that delivers:

  • Authentic instruction built from the ground up for the Spanish language.
  • A unique research-based approach truly built on the Science of Reading.
  • A combination of explicit foundational skills with meaningful knowledge-building.
  • Embedded support and differentiation that gets all students reading grade-level texts together.
  • Opportunities for students to see the strengths and experiences that all people share while also celebrating each others’ unique identities and experiences.



Watch the video below to learn more about Amplify Caminos for Grades K–2.



Watch the video below to learn more about Amplify Caminos for Grades 3–5.

How does Amplify Caminos work?

Amplify Caminos is built on the science of how kids learn to read—in Spanish.

Amplify Caminos is all about helping you teach students how to read, all while giving them authentic and engaging reasons to read. That’s why Amplify Caminos develops foundational skills and builds knowledge in tandem.

  • Knowledge: Through complex and authentic Spanish read-alouds with an emphasis on classroom interactivity, oral comprehension, and contextual vocabulary, students start to build their awareness of the world around them—and the way the reading skills they’re building give them access to it.
  • Skills: Starting with the sounds at the core of the Spanish
    language, students practice their phonemic awareness, handwriting skills, vocabulary, spelling, and grammar. Through daily practice, students become aware of the connection between reading and writing, building confidence as they go.
Illustration depicting the flow of genetic information, represented by ribbons transitioning from dna to rna, connected to various educational images and diagrams.

Respecting the development differences between grade ranges, Amplify Caminos teaches foundational skills and background knowledge as two distinct strands in grades K–2, and combines them into one integrated strand in grades 3–5.

Grades K–2:
Every day, students in grades K–2 complete one full lesson that explicitly and systematically builds foundational reading skills in the Amplify Caminos Lectoescritura strand, as well as one full lesson that builds robust background knowledge to access complex text in the Amplify Caminos Conocimiento strand. Through learning in each of these strands, students develop the early literacy skills necessary to help them become confident readers and build the context to understand what they’re reading.

Grades 3–5:
In grades 3–5, the Amplify Caminos Lectoescritura and Conocimiento strands are integrated in one set of instructional materials. Lessons begin to combine skills and knowledge with increasingly complex texts, close reading, and a greater writing emphasis. Students can then use their skills to go on their own independent reading adventures.

What do Amplify Caminos students explore?

Amplify Caminos builds students’ knowledge about the world.

In addition to teaching all students to crack the written code (which is vital for equity), the Amplify Caminos program helps students see the strengths and experiences we all share while celebrating their own unique identities and experiences.

This is accomplished through the exploration of topics and text that feature people who resemble students and familiar situations or experiences while also exposing them to people whose appearances, lives, beliefs, and backgrounds differ from their own.
 

Engaging domains

Amplify Caminos builds knowledge coherently across subjects and grades.

Throughout the program, students use their skills to explore domains that relate to storytelling, science, and the history of our world as seen through the eyes of many different groups.

Carefully selected to build from year-to-year, our grade-appropriate topics help students make and deepen connections while also reading, writing, and thinking creatively and for themselves.

Curriculum flowchart for Kindergarten to Grade 5, showing subject progression in language, science, and social studies, with highlighted and connected units.

New Knowledge Research Units for Grades K–5

Our brand-new Knowledge Research units carry forward Amplify Caminos’ powerful and proven instructional approach while also:

  • Adding more diversity. The rich topics and highly visual components featured in these units provide students with even more “windows and mirrors” and perspectives as they work to build knowledge.
  • Adding more authentic literature. Each new research unit revolves around a collection of high-interest authentic trade books that will spark more curiosity and inspire more inquiry.
  • Adding more flexibility. Units can be implemented for extended core instruction during flex periods, district-designated Pausing Points, or enrichment periods.

Units cover a variety of rich and relevant topics:

With these new units, students will soar to new heights with Dr. Ellen Ochoa, Amelia Earhart, and the Tuskegee Airmen. They’ll feel the rhythm as they learn about Jazz legends Miles Davis, Tito Puente, and Duke Ellington. And they’ll explore the far reaches of the world with Jacques Cousteau, Matthew Henson, and Eugenie Clark.

  • Grade K: El arte y el mundo que nos rodea
  • Grade 1: Cuentos de aventuras: relatos desde los confines de la Tierra
  • Grade 2: ¡A volar! La era de la aviación
  • Grade 3: Jazz y más
  • Grade 4: Energía: pasado, presente y futuro
  • Grade 5: Más allá de Juneteenth: de 1865 al presente

Units will be made available in English and Spanish, and will include the following components:

Why we added this unit:
“Every child is an artist,” said Picasso, meaning that every child uses art to explore and understand the world around them. El arte y el mundo que nos rodea honors that truth by introducing Kindergarten students to some of the ways in which artists have explored and understood the world around them.

This domain introduces students to artists from different time periods, countries, and cultures. Throughout the unit, students learn about different kinds of art and how artists use the world around them as they make art. They also connect this to what they have already learned about the earth, plants, and animals in other Caminos domains: Granjas, Plantas, and Cuidar el planeta Tierra. In addition, students connect this to what they have learned about sculptors in the Presidentes y símbolos de los Estados Unidos domain. As they explore different artists and artistic traditions, they develop their ideas about how humans are connected to each other and to the world around them.

As you read the texts in this unit, students may observe ways in which the characters or subjects are both similar to and different from students. This is a good opportunity to teach students awareness and sensitivity, building on the idea that all people share some things in common, even as they have other things that make them unique. This unit also offers an excellent opportunity to collaborate with your school’s art teacher, as many lessons have suggested activities to help students understand the kind of art they are studying.

Within this unit, students have opportunities to:

  • Use details to describe art.
  • Identify three ways to create art.
  • Identify characteristics of cave art.
  • Sequence the steps of making pottery.
  • Describe how artists can create work connected to the world around them.
  • Describe what makes Kehinde Wiley’s portraits unique.
  • Explain how the texture of a surface can affect artwork created on it.
  • Explain what a sculpture is.
  • Describe what makes James Turrell’s artwork about the sky unique.
  • Explain what a museum is and what kinds of things you can see or do there.

Trade books in this unit:
Instruction in this unit revolves around the following collection of high-interest authentic trade books. One copy of each trade book is included with the unit materials.

  • Georgia O’Keeffe por Erica Salcedo
  • Yayoi Kusama: De aquí al infinito por Sarah Suzuki
  • Tejedora del arcoíris por Linda Elovitz Marshall
  • Las tijeras de Matisse por Jeanette Winter
  • El museo por Susan Verde
  • Quizás algo hermoso: Cómo el arte transformó un barrio por F. Isabel Campoy

Sample materials:
Take a sneak peek at the rich instruction and engaging activities for this unit by viewing the PDFs below.

Why we added this unit:
This domain introduces students to adventure stories set around the world and challenges students to dig into the adventures through research. By listening to the Read-Alouds and trade books, students increase their vocabulary and reading comprehension skills, learn valuable lessons about perseverance and teamwork, and become familiar with gathering information for research.

In this unit, students study the careers of real-world explorers Dr. Eugenie Clark and Sophia Danenberg, marvel at the inventions of Jacques Cousteau, think critically about how teamwork and collaboration can make greater adventures possible, learn about the science and technology that enable adventures, and research some of the ways humans have confronted challenges at the edges of the world, from the oceans below to space above.

Each lesson in the domain builds students’ research skills as they ask questions, gather information, and write a paragraph about their findings. Students share what they have learned about adventures in an Adventure Gallery Walkthrough. By taking on the persona of one of the adventurers they meet in the Read-Alouds and trade books, students deliver their final paragraphs as if they are a “speaking portrait” of that person. Students are invited to dress up as that adventurer if they desire.

In addition, teachers can set aside time outside the instructional block to create the picture frames students will hold as they present to the Adventure Gallery Walk guests. Frames can be made from shirt boxes, cardboard, construction paper, or any art supplies that are on hand. This might be an opportunity to collaborate with the school’s art department if resources are available. Another option is to ask students to make their frames at home with their caregivers. On the day of the Adventure Gallery Walk, students will be the hosts and take on specific jobs, such as welcoming the guests, describing their work throughout the unit, and pointing out the areas of study on the domain bulletin board. You can find a complete list of student jobs in Lesson 13.

How this unit builds knowledge:
This unit builds upon the following Caminos units that students will have encountered in the previous grade.

  • Rimas y fábulas infantiles (Kindergarten)
  • Cuentos (Kindergarten)

The specific core content targeted in these domains is particularly relevant to the Read-Alouds students will hear in Cuentos de aventuras: relatos desde los confines de la Tierra. The background knowledge students bring to this unit will greatly enhance their understanding of the trade books used in this unit.

Trade books in this unit:
Instruction in this unit revolves around the following collection of high-interest authentic trade books. One copy of each trade book is included with the unit materials.

  • My Name Is Gabito/Me llamo Gabito por Monica Brown
  • Galápagos Girl/Galapagueña por Marsha Diane Arnold
  • My Name Is Gabriela/Me llamo Gabriela por Monica Brown
  • El viaje de Kalak por María Quintana Silva y Marie-Noëlle Hébert
  • Señorita Mariposa por Ben Gundersheimer
  • Sharuko, el arqueólogo peruano/Peruvian Archaeologist Julio C. Tello por Monica Brown
  • Abuelita fue al mercado por Stella Blackstone

Sample materials:
Take a sneak peek at the rich instruction and engaging activities for this unit by viewing the PDFs below.

Why we added this unit:
With this domain, students head up, up, and away with an introduction to the soaring history of aviation. Students learn the stories of early aviators, such as the Montgolfier brothers, the Wright brothers, Aida de Acosta, and Amelia Earhart.

During the unit, students study the science of flight, including the physics concept of lift, and research the social impacts of the world of flight. Finally, students let their research skills take flight as they explore key figures from the world of aviation.

The lessons in this domain build on earlier Grade 2 Caminos domains about the westward expansion, early Greek civilizations, and Greek myths, and lay the foundation for learning about other periods of world history in future grades.

How this unit builds knowledge:
This unit builds upon the following Caminos units that students will have encountered earlier in the year.

  • La civilización griega antigua (Grade 2)
  • Mitos griegos (Grade 2)
  • La expansión hacia el oeste (Grade 2)

The specific core content targeted in these domains is particularly relevant to the Read-Alouds students will hear in ¡A volar! La era de la aviación. The background knowledge students bring to this unit will greatly enhance their understanding of the trade books used in this unit.

Trade books in this unit:
Instruction in this unit revolves around the following collection of high-interest authentic trade books. One copy of each trade book is included with the unit materials.

  • ¡A volar! Todo sobre aviones por Jennifer Prior
  • Amelia sabe volar por Mara dal Corso
  • Héroes de la aviación que cambiaron el mundo por Dan Green
  • El niño que alcanzó las estrellas por José M. Hernández
  • La niña que aprendió a volar por Sylvia Acevedo
  • Buenas Noches Capitán Mamá por Graciela Tiscareño-Sato

Sample materials:
Take a sneak peek at the rich instruction and engaging activities for this unit by viewing the PDFs below.

Why we added this unit:
This domain teaches students about the vibrant music, poetry, and culture of the Jazz Age in the United States. Students learn about famous writers and musicians like Langston Hughes, Louis Armstrong, Billie Holiday, Melba Liston, Tito Puente, and Miles Davis. They study how the jazz art form took root in the South, then spread to the North to become the sound of the Harlem Renaissance, eventually connecting people around the world in musical expression.

During this unit, students perform guided research to further explore both the history of jazz and what jazz is today. They develop research skills and then use those skills to find deeper connections between the stories and music of the Jazz Age and music today. As students learn about the world of jazz, they collaborate and share ideas with their classmates. They also practice sharing feedback focused on their written work, and, at the end of the unit, students present their research to the group.

The lessons give students opportunities to dive into the rhythms and stories of jazz, utilizing the knowledge sequence in this unit to:

  • Collaboratively generate research questions about jazz, jazz musicians, contemporary musicians from the state where they live or have lived, and the evolution of jazz music.
  • Utilize Read-Alouds, independent reading, and partner reading to learn about the Jazz Age, the Harlem Renaissance, jazz music, and biographies of celebrated jazz musicians and writers.
  • Research the answers to their generated questions, gather information, write a short research essay about a famous jazz musician, write a short essay about a contemporary musician from the state where they live or have lived, and give a presentation about their research.

How this unit builds knowledge:
Within this unit, students have opportunities to:

  • Ask relevant questions and make pertinent comments
  • Identify details in texts
  • Determine key ideas of texts by evaluating details
  • Make text-based inferences
  • Generate questions based on prior knowledge and gathered information
  • Synthesize details across texts to demonstrate comprehension
  • Discuss and explain an author’s purpose
  • Identify and cite reliable primary and secondary sources of information
  • Compose a well-organized and focused informative essay
  • Make connections between topics
  • Present information using appropriate media

Trade books in this unit:
Instruction in this unit revolves around the following collection of high-interest authentic trade books. One copy of each trade book is included with the unit materials.

  • ¡Esquivel! Un artista del sonido de la era espacial por Susan Wood
  • Ray Charles por Sharon Bell Mathis
  • Tito Puente, el Rey del Mambo por Monica Brown
  • Me llamo Celia, la vida de Celia Cruz por Monica Brown
  • ¡Azúcar! por Ivar Da Coll

In this unit, students also read the poem “Harlem” by Langston Hughes. (Available for free through the Academy of American Poets website and the Poetry Foundation website, with recorded audio available through the website for John Hancock College Preparatory High School.)

Sample materials:
Take a sneak peek at the rich instruction and engaging activities for this unit by viewing the PDFs below.

Why we added this unit:
With this domain, students become tomorrow’s problem solvers in this study of energy in the United States. Analytical reading skills are developed by examining the challenges of early energy innovators. Students then read about current energy practices and young energy change-makers across the world.

Throughout the unit, students conduct research into different sources of energy and present a proposal, putting them in the shoes of future energy innovators. They also use the knowledge sequence in this unit to:

  • Collaboratively analyze texts to identify cause-effect and problem-solution relationships.
  • Generate questions and conduct research about energy.
  • Write an opinion essay making their case for a fuel of the future.
  • Create energy proposals using primary and secondary resources.

How this unit builds knowledge:
This unit builds upon the following Caminos units that students will have encountered in previous grades as well as earlier in the year.

  • Plantas (Grade K)
  • La historia de la Tierra (Grade 1)
  • ¡Eureka! Estudiante inventor (Grade 4)

The specific core content targeted in these domains is particularly relevant to the Read-Alouds students will hear in Energía: pasado, presente y futuro. The background knowledge students bring to this unit will greatly enhance their understanding of the trade books used in this unit.

Trade books in this unit:
Instruction in this unit revolves around the following collection of high-interest authentic trade books. One copy of each trade book is included with the unit materials.

  • La historia de los combustibles fósiles por William B. Rice
  • El niño que domó el viento por William Kamkwamba y Bryan Mealer

Sample materials:
Take a sneak peek at the rich instruction and engaging activities for this unit by viewing the PDFs below.

Why we added this unit:
Within this domain, Students learn about General Granger’s announcement in Galveston, Texas on June 19, 1865, a day marked in history as Juneteenth. Texts and multimedia sources will support foundational knowledge-building about the end of slavery in the United States. A review of the first freedom announcement, President Lincoln’s Emancipation Proclamation, provides students with background knowledge to further emphasize the significance of Juneteenth in American history.

This unit also takes students on a journey beyond Juneteenth, as they study specific contributions of African Americans from 1865 to the present day. Students participate in a virtual field trip to Emancipation Park in Houston, Texas and use the knowledge sequence in this unit to:

  • Collaboratively generate research questions about Juneteenth, The Great Migration, innovators and inventors, education, the humanities, activists, and allies.
  • Use Read-Alouds, independent, and partner reading to learn about African American contributions from 1865 to the present.
  • Research to find answers to their generated questions, gather information, and write a four-chapter Beyond Juneteenth book.

How this unit builds knowledge:
This unit builds upon the following Caminos units that students will have encountered in previous grades.

  • Los nativos americanos (Grade K)
  • Una nueva nación: la independencia de los Estados Unidos (Grade 1)
  • La Guerra Civil de los Estaods Unidos (Grade 2)
  • La inmigración (Grade 2)
  • Los nativos americanos (Grade 5)

The specific core content targeted in these domains is particularly relevant to the Read-Alouds students will hear in Más allá de Juneteenth: de 1865 al presente
. The background knowledge students bring to this unit will greatly enhance their understanding of the trade books used in this unit.

Trade books in this unit:
Instruction in this unit revolves around the following collection of high-interest authentic trade books. One copy of each trade book is included with the unit materials.

  • Martí’s Song for Freedom/Martí y sus versos por la libertad escrito por Emma Otheguy
  • ¡Celebremos Juneteenth! escrito por Carole Boston Weatherford
  • Side by Side/Lado a Lado: The Story of Dolores Huerta and Cesar Chavez/La Historia de Dolores Huerta y César Chávez escrito por Monica Brown
  • Canto de alabanza para el día: Poema para la ceremonia inaugural del mandato de Barack Obama escrito por Elizabeth Alexander, traducido por Rodrigo Rojas

Sample materials:
Take a sneak peek at the rich instruction and engaging activities for this unit by viewing the PDFs below.

Diverse texts

Amplify Caminos puts a variety of texts in the hands of students every day.

Amplify Caminos includes both transadaptations and authentic texts written by Latin American and Spanish authors. In addition to featuring a diverse range of authors and topics, our texts represent individuals and characters with a broad range of identity factors, including socioeconomic status, age, ability, race, ethnicity, country of origin, religion, and more.

Amplify Caminos texts include:

  • Authentic literature: Authentic literature exposes students to a variety of text types and perspectives to deepen their knowledge of fascinating topics in social studies, science, literature, and the arts. Authentic texts support text-to-self, text-to-world, and text-to-text connections for readers.
  • Decodable Student Readers: Amplify Caminos is built on the conviction that equitable instruction is vital to an effective program. Decodable Student Readers at grades K–2 are newly re-designed to celebrate students’ diverse experiences and feature individuals with a broad range of identity factors, including socioeconomic status, age, ability, race, ethnicity, country of origin, religion, and more.
  • ReadWorks® texts: Amplify and ReadWorks have partnered to deliver high-quality texts curated to support the Amplify Caminos Knowledge Sequence and to extend student learning. Texts include high-interest nonfiction articles in topics in social studies, science, literature, and the arts. These texts are accompanied by vocabulary supports and standards-aligned formative assessment opportunities. Teachers can monitor their students’ progress using the ReadWorks reporting features.
Three book covers displaying children's books in spanish, each featuring colorful and stylized illustrations related to cultural stories.

Amplify Caminos Trade Book Collection Guide

Each book in our authentic literature collection was selected specifically to support and enhance the content of the K-2 Conocimiento Strand. These anchor texts are intended for use as an introduction to each domain—engaging students, piquing their curiosity, and building initial background knowledge—before diving into the deeper content of the domain Read-Alouds.

Every trade book has an instructional guide that includes the following:

  • Author and illustrator
  • Book summary
  • The Essential Question of the Knowledge domain, connecting the book to the domain
  • Key Tier 2 and Tier 3 vocabulary words found in the book
  • A group activity to reinforce and extend students’ knowledge and understanding
  • A performance task to help gauge students’ comprehension of concepts in the text
  • Writing prompts to expand understanding and critical thinking
  • Text complexity ratings and descriptors for quantitative, qualitative, and reader/task categories

Download the Amplify Caminos Trade Book Collection Guide for Grades K–2.

Detailed information about text complexity ratings and descriptors; additional uses for the books before, during, and after domain instruction; and the complete list of domains and books for each grade level can be found in the More About the Books section of this guide.

What makes Amplify Caminos different?

Built on the Science of Reading

Built out of the latest research in the Science of Reading, Amplify Caminos delivers explicit instruction in both foundational literacy skills (systematic phonics, decoding, and fluency) and background knowledge in grades K–2 with an integrated approach to explicit instruction in grades 3–5.

Three connected orange blocks labeled

Explicit systematic skills instruction

The skills instruction in Amplify Caminos was distinctly developed with the Spanish language in mind. Its foundational lessons are specific to the language, rather than a direct translation from Amplify CKLA’s English skills instruction.

Reading instruction begins with the vowels first, then the most common consonants, and finally the least common consonants. Students will blend and segment sounds to form syllables, and syllables to form words.

Although Spanish has a highly predictable orthography, there are a few silent letters (h is always silent, u is silent after g or q), as well as letters that can make different sounds, depending on the letters that follow them. For that reason, syllables with these letters are taught somewhat later in the progression. The same is true for syllables with infrequently occurring consonants, such as z, k, x, and w.

Coherent knowledge instruction

While students are learning how to read, the Conocimiento strand gives them authentic and engaging reasons to read.

Amplify Caminos uses spiral learning to reinforce every student’s ability to develop skills like reading, writing, speaking, and listening in Spanish that can be transferred to English. As students engage with their lessons, they explore the similarities and differences in grammar, vocabulary, writing, and language use between Spanish and English. This bridge helps students learning two languages to strengthen their knowledge in both.

Through cross-curricular content, students explore units that relate to storytelling, science, and the history of our world in a holistic and thoughtful way. With these units, you’ll bring the world to your students, showing them how reading can become an exciting, rewarding, and useful part of their lives.

A collage of illustrated book covers, including themes of Don Quixote, space exploration, and anthropomorphic animals in various scenarios, all enriched with Spanish language elements.

Embedded differentiation for all learners

Amplify Caminos provides built-in differentiation strategies and supports in every lesson.

  • Apoyo a la enseñanza y desafío: Support and Challenge suggestions in every lesson provide assistance or opportunities for more advanced work toward the goal of the lesson.
  • Notas culturales: These point-of-use notes provide additional information about the traditions, foods, holidays, word variations, and more from across the Spanish-speaking world.
  • Apoyo adicional: Every lesson in the Lectoescritura (Skills) Strand provides additional support activities suggested to reinforce foundational skills instruction. These activities can be given to any student who requires extra help, including students with special needs.

Systematic and cohesive writing instruction

Writing instruction in Amplify Caminos builds systematically and cohesively within and across grades.

In Grades K-2, writing mechanics—including handwriting and spelling—are taught in the Amplify Caminos Lectoescritura strand. Starting in Grade 1, instruction includes four steps in the writing process: planning, drafting, editing, and publishing and features lessons that have modeling, collaboration, and sharing. As students gain skills and confidence, they are able to take on more of these steps independently. Students learn to use planning techniques, including brainstorming and graphic organizers.

Beginning in Grade 4, the Amplify Caminos writing process expands to also include sharing and evaluating. In Grades 4 and 5, the writing process is no longer conceptualized as a series of scaffolded, linear steps (an important change from the Grade 3 writing process). Rather, students move between components of the writing process in a flexible manner, similar to the process mature and experienced writers follow naturally.

young male students writing with a pencil

Amplify Caminos’ writing instruction provides a clear progression through the text types in each grade.

Because Amplify Caminos has two strands of lessons in Grades K-2, Lectoescritura and Conocimiento, students are exposed to both narrative and informational texts throughout the year. In Grades 3-5, the integrated units feature study in literary, informational, or a mix of both types of texts, depending on the content of the unit.

  • Grades K–2 introduce and establish the key elements of each text type, allowing students to gain comfort and confidence writing narratives, opinions, and informative texts. This enables students to practice thinking about content in different ways, offering more depth and breadth to their understanding of core content and of the writing text types.
  • By Grade 3, students will have gained significant practice in narrative, opinion/argumentative, and informational/explanatory forms of writing and will continue to apply those skills through Grade 5.

How does Amplify Caminos integrate with the other parts of the literacy system?

Amplify Caminos + mCLASS® Lectura

Achieve complete parity between English and Spanish assessments with mCLASS Lectura for K–6. mCLASS Lectura allows teachers to connect with their Spanish-speaking students face-to-face, one-on-one, and in the language most comfortable to them. The result? Valid and reliable student data reports
available in both English and Spanish, enabling teachers to pinpoint where their Spanish-speaking or emergent bilingual students really are in their skill development and what instruction to prioritize.

Reading assessment validated for benchmark, progress monitoring, and dyslexia screening

Amplify Caminos + Amplify Reading

Amplify Reading is an engaging, adaptive digital program that extends the learning in Amplify Caminos. Amplify Reading offers support to a large sub-group of English learners (ELs) through Spanish voice-over. Spanish voiceover instructions are available in vocabulary and sentence-level comprehension games so ELs can build their vocabulary, language, and critical comprehension skills before moving into analyzing complex texts

Spanish Support

Demo access and sample materials

Ready to explore on your own? First, watch the videos below to learn about the program’s components and how to navigate the digital platform.

Physical materials walkthrough video



Digital navigation video

Demo access

Next, follow the instructions below to access your demo account.

Laptop screen displaying a login page for
  • Click the CKLA and Caminos Demo button below.
  • Select Log in with Amplify.
  • To explore as a teacher, enter this username: t1.sfusdreviewer@demo.tryamplify.net
  • To explore as a student, enter this username: s1.sfusdreviewer@demo.tryamplify.net
  • Enter the password: Amplify1-sfusdreviewer
  • Click the Programs and apps menu
  • Select CKLA Teacher Resource Site
  • Select the desire grade level
  • Use the toggle to switch between English (CKLA) and Spanish (Caminos) resources.
CKLA and Caminos Demo

Sample materials

Finally, click on the grade levels below to explore your requested sample units.

Each book in our authentic literature collection was selected specifically to support and enhance the content of the K-2 Conocimiento Strand. These anchor texts are intended for use as an introduction to each domain—engaging students, piquing their curiosity, and building initial background knowledge—before diving into the deeper content of the domain Read-Alouds.

Every trade book has an instructional guide that includes the following:

  • Author and illustrator
  • Book summary
  • The Essential Question of the Knowledge domain, connecting the book to the domain
  • Key Tier 2 and Tier 3 vocabulary words found in the book
  • A group activity to reinforce and extend students’ knowledge and understanding
  • A performance task to help gauge students’ comprehension of concepts in the text
  • Writing prompts to expand understanding and critical thinking
  • Text complexity ratings and descriptors for quantitative, qualitative, and reader/task categories

Download the Amplify Caminos Trade Book Collection Guide for Grades K–2.
Detailed information about text complexity ratings and descriptors; additional uses for the books before, during, and after domain instruction; and the complete list of domains and books for each grade level can be found in the More About the Books section of this guide.

Conocimiento Strand:

Lectoescritura Strand:

Conocimiento Strand:

Lectoescritura Strand:

Integrated Strand

Additional resources

S3-03: Instructional strategies for integrating science and literacy

A graphic with the text "Science Connections" and "Amplify" features colorful circles and curved lines on a dark gray background.

We’re continuing our investigations around science and literacy with Doug Fisher, Ph.D., professor and chair of educational leadership at San Diego State University. We talk about the importance of integrating science and literacy, as well as practical guidance for teachers who want to unite the two disciplines in their own classrooms.

Listen as we discuss how science and literacy can be powerful allies and specific strategy areas to focus on when integrating the two disciplines. And don’t forget to grab your Science Connections study guide to track your learning and find additional resources!

We hope you enjoy this episode and explore more from Science Connections by visiting our main page!

DOWNLOAD TRANSCRIPT

Douglas Fisher (00:00):

It’s not that you have to become a reading specialist to integrate literacy into science. It’s how our brains work.

Eric Cross (00:10):

Welcome to Science Connections. I’m your host, Eric Cross. This season, we’re making the case for our favorite underdog, which of course is science. Each episode we’re showing how science can be better utilized in the classroom, and making the case for why it’s so important to do so. In our last episode, we examined the evidence showing that science and English instruction can support each other. And now on this episode, we want to give you some more strategies for really making that a reality in your own home or classroom or community. So to help me, I’m joined on this episode by Dr. Douglas Fisher, Professor and Chair of Educational Leadership at San Diego State University. Dr. Fisher is actually someone who has conducted literacy training at my own school, so I’m excited to be able to share some of his wisdom with all of you. Oh, and just a heads up, Dr. Fisher dropped some gems about the ways teachers can integrate literacy and science in their classrooms. So you may want to have a notepad. Ready. And now here’s my conversation with Dr. Douglas Fisher.

Eric Cross (01:12):

Well, Doug, thank you for your time and for being willing to come and talk about literacy and science. I know you’re busy, all over the place, and so I was super-excited that we were able to lock you in and talk about this. And, on this episode, we’re gonna talk about the ways that science and literacy can support each other. And one of the reasons why I’m really excited for you is because you said some really key things for me as a science teacher, when you talked about literacy and supporting students. That just resonated so deeply in me. And I was like, “I need more Doug!” Because we’re on that same frequency. And I know it’s a subject that you’ve spent a lot of time writing about. So can you tell us a little bit about how this became an area of interest or a passion for you? Just literacy, and all of the work that you’ve put into it?

Douglas Fisher (01:54):

Yeah. So I’ve wanted to be a teacher for a really long time. And I went to San Diego State as an undergraduate, and I was taking English class and we were assigned topics. You know, like, you’ll do an assignment, you’ll write a paper for this English class. And I got the topic “illiteracy,” and I was a freshman at San Diego State reading all of these things about adults who don’t read very well or not at all. And I ended up writing my very first college essay on illiteracy — at the time, you know, called illiteracy, at the time. And so I got super interested in this. And so as I moved through college and into my teaching career, literacy became a really important thing for me to think about, because it’s the gatekeeper. You know, you can be taken advantage of, if you’re not very literate. People can use vocabulary against you, if you’re not very literate. We know that people who have higher levels of literacy have better health outcomes. They have better lifespans, longer lifespans. I mean, there’s just — literacy impacts so much more than “Are you reading your fourth-grade textbook?” It really has lifelong implications.

Eric Cross (03:01):

That part that you said about being taken advantage of … I just got a flyer in the mail yesterday. It was one of these mailers that looked like it was an authentic debt-reduction type of thing, but it was really just like a marketing email. If you read the fine print at the very bottom, it had all of this jargon about “This is a paid, you know, for-profit company.” But when you look at it, it had official stamps all over it. And I could imagine if someone’s receiving that, that probably fools a lot of people. Is that kinda like what you’re talking about, like being taken advantage of?

Douglas Fisher (03:28):

Yes. I had a student turn 18, got a letter from a “credit card company” that was offering her daily compounding interest. And if you don’t know what that means — at 23 percent! — if you dunno what that means, you are gonna be a victim. Literacy really influences a lot of our life. It’s also how our brain works. We have a language-based system in our brain. We read, write, speak, listen, and view. And the things we learn, we learn through speaking, reading, writing, listening, and viewing. From what we know, we are the only species that has an external storage mechanism. Like, we have the ability to store complex information outside of our body, in the form of notes. We can type them. We can write them. And we can then go back and retrieve that information, that complex orthographic information later. And it means the same thing. We can say we have a storage system and we’ve been doing this for a really long time. Way back to, you know, hieroglyphics and messages on cave walls. And throughout the ages of humans learning, how to store information that they can re-access again later. That’s become a super-complicated system. It’s how computers operate. And we send messages to each other and we text each other and we write things down, and we’re really good at putting ideas, information out there. Now, if it’s just speaking and listening, then we can forget it. We can say, “No, you said this,” or “I said that.” But when it’s written, and it’s print literacy, you know, it’s the orthographics there, you can go back to the same message and over and over again. Now, you might change the interpretation of it, but the message is still there.

Eric Cross (05:16):

Right. And that is such a key element, at least of modern education, is this written element of it. It’s what many schools live and die by. They’re quantitatively and qualitatively analyzed by it. It’s public. They can see it. And so there’s this heavy emphasis. And why do you think science and literacy can be powerful allies together?

Douglas Fisher (05:38):

Awesome. Well, it’s hard to learn science if you’re not literate.

Eric Cross (05:42):

This is true.

Douglas Fisher (05:42):

But that’s a one-way direction. And yes, science teachers and scientists do a lot of reading, writing, speaking, and listening and viewing. They use the five literacy processes all the time. When we interview scientists, they spend a lot of their time reading the work of other scientists and writing their findings, writing grant proposals, presenting at conferences, you know. So a huge part of the work of a scientist is not just at a bench conducting experiments. But even if you’re conducting experiments, you’re using your literacy processes to think about what you’re seeing in your experiment. So that’s a one-way direction. And I do think literacy has an influence on science. But since science goes the other way, it influences literacy. As you learn more and you understand more about the world, your background knowledge grows, your vocabulary grows, you become more literate in those different areas. And how you think. So if I’m learning about life science; I’m learning how the world works in a more, biologic physical world. And that knowledge helps me think about when I’m reading a novel, and there’s an appeal to some science knowledge or a concept that gets played with, you know, perhaps time-space continuums … well, if I don’t have the science knowledge of how I think the world works, it’s hard for me to understand what this author is doing. So it does go both ways. They feed each other. And the more literate we become, the more complex science information we can understand. ‘Cause our background knowledge and our vocabulary influence how much we understand about what we read. And as we access more complex science information, it starts to change the way we think about other things in our world.

Eric Cross (07:23):

There was a couple of things that you said in that, but one of the first things that kind of perked my ears is when you said grant proposals. Because I have friends that are scientists — and this is one of the things that when I was in school, they don’t talk about — but how much of their research is reliant upon getting funding —

Douglas Fisher (07:37):

Mm-hmm. <affirmative>,

Eric Cross (07:38):

— which you don’t think about if you’re becoming a chemist or a physicist or a biologist or working in the field, is that that funding, coming from the NSF or anywhere else. And sometimes students ask in class like, “Why am I writing so much? Like, I want to go into science!” Or “I wanna do this!” And this is a real-life example of how the writing could actually apply, in addition to all of the things of collecting data and conclusions and results. But that grant proposal thing just really perked my ears, yeah.

Douglas Fisher (08:01):

And if you can’t write a grant proposal, your ideas and experiments are not gonna get funded. And if you can’t write a strong proposal, that compellingly convinces your readers to fund you, you’re not gonna get funded. But then once you get the grant, you have to write publications. You have to share your work with other people. Make PowerPoint presentations and write journal articles or books or whatever. So it’s a cycle that literacy influences the things we do, including the things we do in science.

Eric Cross (08:31):

Now to get in maybe some data, if you were trying to convince someone that like this happy marriage can exist, what would be like your number one piece of evidence to support this, this back and forth of supporting each other?

Douglas Fisher (08:44):

Awesome. So the quote I’ll often say — and this is from studies from more than two decades ago now — but in general, in high school science, students are introduced to 3000 unfamiliar words, 3000. Each year! Because there are words that are used in a scientific way that are used commonly in other places. And there are discipline-specific words. So 3000 words a year in high school science. The Spanish 1 textbook only has 1500 words in it. So science teachers have double the academic-language vocabulary demand that a typical introductory world-language class has. So just the vocabulary alone should say to us, literacy is gonna be important if you’re gonna learn science. And if you don’t understand these technical words, and you don’t understand the way science uses this particular word in this particular way… . When you say the word “process,” it means something very specific In science. “Division” — cellular division is not the way we think about it in mathematics; there’s a similar concept, but cellular division is different than dividing numbers. And those are words that get used in multiple areas. Then you have all these technical terms that you have to be able to use, to understand the concepts. To share the concepts. To talk to other people. Whether you’re in, you know, fifth grade and talking science, or you’re a university professor, there’s a shared language, appropriate for our grade level, that we have shared meanings of.

Eric Cross (10:22):

And we’re essentially … what I’m hearing you say is … most of the people that are listening to this are science teachers. We’re we’re also language teachers. In a sense.

Douglas Fisher (10:29):

So my frustration is when people say, “Every teacher’s a teacher of reading.” And I don’t like that. I’ve written against that phrase. I don’t think all teachers are teachers of reading, any more than all teachers are teachers of chemistry. Or all teachers are teachers of algebra. But what I will say is the human brain learns through language. And all of us — every teacher that I’ve ever met understands that language is important in my class. If my students don’t have strong listening skills and speaking skills; reading, writing, and viewing skills; I’m gonna have a hard time getting them to learn things. If I can help them grow their speaking, listening, reading, writing, and viewing in my content area, I’m gonna do a service for my learning of my subject and also their more broad literacy development.

Eric Cross (11:16):

  1. So, at a high level, what does it look like to integrate science and literacy? We’ve done education for the last, what, hundred years?

Douglas Fisher (11:24):

Mm-hmm. <affirmative>

Eric Cross (11:25):

—kind of pretty similarly, right? Kind of siloed way. What does this look like at the 30,000-foot level? You’re a professor, department chair. Run schools. Speak everywhere. Like, when you think about this from that high level, what does it look like?

Douglas Fisher (11:39):

A high level? Every time I meet with students in a science class, you know, biology or fifth grade or whatever? They should be reading, they should be writing, they should be speaking and listening. Every class. So what print do you want them to access? And it can be a primary source document, it can be an article, it can be from a textbook. Are they reading something? Are they writing to you? Because writing is thinking. If they are writing, they are thinking. As soon as their brain goes somewhere else, they stop writing. The pen won’t move or the fingers don’t type. And then speaking and listening, of course, is the dynamic of our classes. So every day we should see some amount of reading, writing, speaking, and listening, viewing in our classes. That’s at a high level. There are some generic things that seem to work across the literacy. So, learning how to take notes. Focusing on vocabulary. Using graphic organizers. These are generic things that as educators we can use in our classes. Then there’s more specialized things. So, scientists and science teachers think differently than historians and literary critics and art critics. So scientists, if you look at the disciplinary literacy work, there’s a whole body of research where they interview and study high-end experts in their field: chemistry, physics, biology, et cetera. And there are some characteristics that were more disciplined, specific. Scientists like cause and effect relationships. They look for them when they’re reading. They like sourcing information. “Where this come from?” “What’s the history of this idea?” Scientists have a long view in terms of time. Historians have a shorter view of time. English teachers have even shorter view of time. Scientists tend to think in long periods of time. And so all of that influences how a scientist reads and how we should apprentice young people after they get past the generic “I know how to take notes. I know how to study my vocabulary. I know how to do summary writing for my teacher in my notebooks and things,” there’s some generic tools. Once we get past those, we need to be looking at specifically how do people in science use literacy.

Eric Cross (13:52):

I’ve never had my thought process of reading deconstructed just now, but we just described how scientists read. I was like, “Yeah, that’s pretty much how I read, right there.” I also like how you said how we should apprentice young people. And I feel like you as the literacy guy, you chose that word very specifically, as far as apprenticing young people. That is a view, I think, that’s really important to hold. ‘Cause that’s what we’re doing essentially … is, if we’re doing what we should be doing, we are apprenticing these young people.

Douglas Fisher (14:18):

Yes.

Eric Cross (14:18):

And helping them develop. Now, let’s imagine there’s a listener out there and they’re interested in getting better at integrating science and literacy instruction. They want to start somewhere. Before we dive in, do you have any initial words of encouragement for the person who’s like, “Everything is like a priority right now,” in their classroom or in their world?

Douglas Fisher (14:37):

Yeah. So I’ll talk about elementary for just a moment. When we’re reading informational texts in our literacy block, we should be reading information that is aligned to what kids need to learn in science and history in, in that grade level. Why are we reading things that are gonna be in conflict with what they’re gonna learn in science later that day in fourth grade, for example? So when we look at our standards, our expectations, what is it that third graders need to know in history, science, mathematics, language arts? And when we’re reading text and we’re learning to apply our reading strategies during our literacy block, why aren’t we reading topics that build our background knowledge for our science time? So we’re seeing some synergy there. We should be looking at life cycles in grades that are appropriate for life cycles and knowing there’s more to life cycles than the frog and the plant or the seed. There are all kinds of life cycles. And we call ’em life cycles for a reason. That’s a general concept. Now in science, we’re looking at this particular lifecycle right now. And so that’s a high level. If we could get more connection to the content standards during our literacy blocks, it would be very good. When we talk about the time at which we call “science” in the day, in more of the K–8 continuum, the science needs to include some primary source documents. Some real things that students are reading. Read about a scientist; read about a scientist’s discovery; read about what they discovered. So that we’re building our background knowledge. So when we go to do things, activities, labs, simulations, we have background knowledge and we understand what we’re experiencing. It can’t be like—I watched this awesome lesson on lenses and the teacher had all these different lenses in the room and the students came in and they were brand new. They don’t know anything. They were picking ’em up. They’re exploring them. They’re trying to figure out, and they’re trying to come up with theories about what this is and how it works. And then the teacher gave them a reading, a short reading, on refraction of light. And they read this thing. And the clarity that they had about what these lenses must do, well! All of a sudden they’re putting them up to the lights! They’re asking if they can go get the lights out of the storage unit! ‘Cause there’s — and they’re shining different lights through the lenses to see what happens to the light. Because that little bit of reading turned some focus on for the students. And it allowed them to take what I’m thinking about, what I’m trying to figure out, how this thing works in another direction. That’s the power of using literacy in our classes.

Eric Cross (17:20):

And what I’m hearing essentially is transfer across disciplines, across content areas, ultimately. And in an elementary school classroom, would it be fair to say, probably the teacher has more autonomy to be able to do that, since they’re teaching all the subjects? But secondary, logistically, planning and those types of things … from what you’ve seen, is it fair to say this kind of needs to be like a top-down, full vertical alignment, to teach like this?

Douglas Fisher (17:45):

I think that would be awesome to do that. But if I’m a sixth grade English Language Arts teacher and I’m working with my sixth grade science teacher, the conversation should be, “What units are you teaching?” Because I’m choosing informational text. My job is to teach them how to find central ideas. My job is to teach them how to find the details in the text. My job is to have them make a claim and support that claim with evidence. The stuff I use is generic. Yes, we do read some literature and some narratives, but we also read about 50% of the text in English around informational text. So if I can help you and accomplish my standards as well, fantastic. So let’s have this conversation and say, “Oh, this is what you’re teaching in science in the next three weeks? I’m gonna choose some texts and we’re gonna analyze ’em for central idea. We’re gonna analyze ’em for details. We’re gonna, for mood or tone or whatever that we’re teaching. And by the way, I’m building background knowledge. So when they come to you, they know some stuff about what you’re going to be teaching next.” So I don’t think it’s impossible to say teams of teachers could come together and say, “What do we believe that our students need to know and learn and be able to do? And then how do we choose things that are gonna help them accomplish exactly that?”

Eric Cross (19:01):

And that’s empowering. Because that’s one thing that we can control maybe is this East-West, peer-to-peer, different content areas. A system may not be able to change as quickly, but I can definitely go talk to my English team or math team and check in and kind of see, “Hey, where do we have overlap in that?” And I know the times that I’ve accidentally had overlap with the teams, it’s super-exciting. And the students have been more bought in! Because it’s like, we’ve done something on the human microbiome and we’ve talked about genetics and all these different things, and then when they read The Giver, or they read some book about genetics, they have all this knowledge. And they’re excited. And they talk about colorblindness or they come to my class and they’re like, “Hey, we read about this!” It’s almost like they saw a magic trick, the fact that these things linked up. And the engagement has been so much higher when it’s the same content in different classes, but through different lenses. At least, that’s what I’ve seen in my years of teaching.

Douglas Fisher (19:54):

I saw a lesson on space junk that was so cool. Middle-school students learning space junk. And the history teacher had a part of it, science teacher had a part of it, English Language Arts teacher had a part of it. And these students, I mean, you watch them look up all the time, ’cause there’s space junk up there. Where’d it come from? Why is it there? What are the politics of this? How do we clean it up? I mean, it was just so interesting to watch them when the teachers came together. And the teachers met their standards in this couple-week-long space-junk exploration. Investigation was met. Politics was met. All these different things. Economy. You know, how much does it cost to clean up this problem? So there’s really cool opportunities when teachers come together and realize we can work together and improve the literacy and learning of our students.

Eric Cross (20:50):

Absolutely. So before this recording, we picked your brain a bit. And I know that there were three specific strategy areas that you wanted to touch on. And one of those — which is kind of coming back to the 3000-words language teachers — was vocabulary. So what are the opportunities that you see, as far as the way of educators to approach vocabulary? Because, you know, there’s a lot. We got a lot of it. The 3000 words.

Douglas Fisher (21:14):

Yeah. There’s a lot of it. So the worry is, we make a vocabulary list and have students look up the words in definitional kinds of things. That’s not really gonna help. Students need to be using the words. They need to be using the words in their conversations, in their writing, in how they think about your content in science. So vocabulary is a huge predictor of whether or not you understand things. Vocabulary is also a pretty good predictor if you can read on grade level. So when we think about vocabulary, there’s something called word solving. You show students a piece of text and you’re reading it, you’re sharing your thinking, and you say, “Oh, here’s a context clue!” Or “I know this prefix or suffix or root!” And in science, a lot of the words are prefixed, suffixed, or root words. We tend to add things together with a lot of prefixes and suffixes and have roots and bases in science. So we can help students think about, “Oh, what does geo- mean? We already know what geo- means here. It means the same thing in this word. Let’s apply that knowledge.” So word solving is part of it, showing students how we think about words that we might not know. The second is more direct instruction of vocabulary. As students encounter the words, we work on what it means, how we say it. We practice it a few times. The process is called orthographic mapping. It’s kind of a scientific idea here. But you have the sound and the recognition of by-the-word, by sight, and what it means. And your brain starts to automatically recognize that word in the future. So I don’t have to slow down, disrupt my fluency, and try to figure out what the word is saying. ‘Cause I’ve seen it enough. I’ve heard it pronounced enough, I’ve pronounced it enough, and I know what it means. So teachers should be saying, “What words in sixth grade science, what words in third grade science, do my students really need to know?” And I’m gonna have them encounter those words over and over. I’m gonna have them use the words. I’m gonna have them see the words. I’m gonna have them say the words. I’m gonna say the word and we’re gonna be over and over with these terms, so that students incorporate them into their normal view of, “These are the things I know about the world.” By the way, when they go to read that next thing, and they understand “geology,” you know, for sixth graders, for example, they know how to say it. They don’t stumble on it. And it activates a whole bunch of memories in their brains. “This is what geology is.” There are branches of geology, there’s physical geology, there’s all this thinking that activates as they read.

Eric Cross (23:35):

There was a practice that I participated in and am trying to incorporate — I don’t know what the name of it is. But essentially what happened was we were dissecting a flower. And the instructor had us name parts of the flower. But we got to come up with our own names for it.

Douglas Fisher (23:49):

Ah.

Eric Cross (23:50):

So, for instance, the stamen we call “the fuzzy Cheeto.” And we all used our own words and then everything was legitimized. And so we went through and learned the whole activity using our own vocab words. But then, in the end, after we presented and talked about it, then the words, the actual academic language was attached to our word. And we were able to say, “OK, the fuzzy Cheeto is the stamen,” and this, this, this, and this. But it was such an interesting practice, because it kind of legitimized all of our definitions. But we weren’t stumbling on these long Latin terms and things like that. Is there a name for that? Or. … ?

Douglas Fisher (24:29):

Yes. I don’t know the name for that. I think it’s really smart. So here’s what I would say about that, is: we don’t learn words, we learn concepts. Words are labels for our concepts. So what that teacher did for you was allow you to develop concept, a concept knowledge. “There’s a part of this plant, it goes like this, we’re gonna call it fuzzy Cheeto. Now I have this concept. And look, it occurred in all these plants. And those people called it that and that other group called it that. We called it a fuzzy Cheeto. Here’s the part of it.” And then the concept is in your brains. And the teacher said, “It’s really called stamen.” And it’s an instant transfer, because you already had the concept. What we often see is students are trying to learn a really hard academic word and the concept for the word at the same time. And so it slows down the whole process. And there’s higher levels of forgetting. Because human beings, we don’t learn words; we learn concepts. If you don’t have the concept, if I gave you a word out of the blue that you’ve never seen, never heard, and a week from now I asked you to remember it, you probably would not, because it didn’t register. It wasn’t part of your schema. You didn’t have a way to organize the information. You don’t have a concept. So that teacher? It’s a great idea. Got you to develop concept knowledge. And then said, “Here’s a real label for it: What some other people called it when they had the chance to come up with their own names.”

Eric Cross (25:50):

Shout out to my teacher, who was—

Douglas Fisher (25:51):

Right.

Eric Cross (25:52):

It was learned then. It was a great practice. And the fact that you’re right, like, I just mean from my own personal experience, I agree that learning concepts versus complicated words. And it’s interesting that you said higher levels of forgetfulness, you know. And you often hear that complaint about it: “Students forget! Students forget!” But this complex topic and this complex word that’s new to me, and I have to remember both of those things.

Douglas Fisher (26:12):

That’s right.

Eric Cross (26:13):

And the other neat thing that it did, is it actually honored the background and like the founts of knowledge of all the different groups in the classroom. You just said something about “this group called it this and this group called it this,” and so by letting different groups share all of those names, now we’re starting to build these kind of interesting connections. That’s at least what I remember experiencing. And so this, even this practice of this approach is very layered, beyond just kind of generating new knowledge of things. So I appreciate that aspect of it. Now another area that you mentioned was complex text.

Douglas Fisher (26:41):

Yeah.

Eric Cross (26:42):

And how we can get students into complex text. So what can we do there?

Douglas Fisher (26:46):

I think science is an ideal place to get students reading things that are hard for them. And I do believe that some parts of school should be a struggle. Not all day, every day. But there should be doses of struggle, which are good for our brains. And these complex pieces of texts that don’t give up their meanings easily allow students to go back and reread the text and maybe mark the text and talk to peers about the text and answer questions with their groups. And the whole point of complex text is to say, “We persevere through it. We may not understand it fully on our first read. But we go back and we might underline, we might highlight. We might write some margin notes. Our teacher might say, ‘What did this author mean here?’ And we go back and look at that part and we take it apart. What do we think about that? And we talk to each other. It’s showing that when we read things, we work to understand. We work through our thinking, often in the presence of other people. And our understanding grows as we go into the text over and over and over again.” So I said geology earlier. There’s about a two-page article on “what is geology” that sixth graders often read. And some kids find it super boring. It’s a once-read, “OK, geology, I don’t really understand it. There’s a bunch of words in here that I don’t understand.” But if you go back to it a few times and you start taking apart, “What are the branches of geology? Oh, I’m gonna go reread that.” How are these two branches related to each other?” “What are the subtypes of each branch of geology?” “How do geologists do their work?” You start asking questions where students are going back into the text. You spend a little bit of time. Now, the introduction to geology, the students know so much more. So whatever you do next— video experiments, whatever—they have a frame of reference, because of that deep, complex read. It’s probably better than simply telling them, “Here’s the information.”

Eric Cross (28:45):

Right. And I even feel like as an educator, when I reflect on my own learning in the classroom, and then looking at it through the perspective of an educator <laugh>, you find this difference between how you were taught and then what the data says good teaching is.

Douglas Fisher (28:59):

Mm-hmm. <affirmative> mm-hmm. <affirmative>.

Eric Cross (29:00):

It’s so easy to slide back into how you were taught!

Douglas Fisher (29:02):

Yeah.

Eric Cross (29:02):

Even though, you know, you mentally assent to, “This is the best way. This is the data shows.” And you find yourself kind of sliding back at times.

Douglas Fisher (29:10):

Yep. And there’s good evidence to support what you just said, that most people teach the way they experienced school. And it is very hard to change that. And people have studied this. And it’s very hard to change that. Because it worked for us. And we have an n of 1, and it worked for us. Now, remember, there were a whole bunch of other kids in the class that it may not have worked for. And we chose to be in school the rest of our lives, and some of your peers did not choose to be in school the rest of their lives. In fact, some of them hated school and found no redeeming qualities of their experience. So just because it worked for us in a case of one, n of 1, doesn’t mean it worked for all of the kids, or even the majority of them.

Eric Cross (29:57):

Very well said. It’s that, what is that, the survivor bias? Survivorship bias? Where you were the one that made it. But you don’t think about all the other folks. ‘Cause we’re thinking about ourselves.

Douglas Fisher (30:05):

That’s right.

Eric Cross (30:06):

Great case for empathy too, is thinking about the people left and right. Because my friends are like, “I hated science.” And I say, “Who hurt you? Like, what did they do? It’s so amazing, so much fun!”

Douglas Fisher (30:16):

“What happened to you? Science is the coolest. Right? It’s so amazing!”

Eric Cross (30:21):

But I also had a unique experience in seventh grade with my teacher who did some of these things, and made it accessible for so many of us, in opening opportunities that I wouldn’t have had otherwise. But you’re absolutely right. That was my story. That wasn’t the story of everybody that was around me. And I think that’s really important. Now, I know this is also a big one for you, but I wanna talk about writing. What are the opportunities that you see in terms of writing specifically?

Douglas Fisher (30:51):

So would love it if science teachers had short and longer writing tasks in the science time. Of course, you can integrate some of the science writing, the longer ones, in the English language arts time, especially if you’re the elementary teacher and you can have control of the whole day. But I said this earlier; I’ll say it again. Writing is thinking. While you are writing, there’s nothing else you can do but think about what you are writing. Your brain cannot do something else. So if a science teacher wants to know, do their students really understand the concepts? Have them write. Now some of the shorter ones, I like something called “given word” or “generative sentences”: “I’m gonna give you a word: CELL. C-e-l-l. We’re in science. I want you to write the word ‘cell,’ c-e-l-l, in the third position of a sentence. So it’s gonna go word, word, cell, and then more words.” You could also say, “I want the sentence longer than seven words,” or whatever. But the key is, I’m telling you where I want the word. You will know instantly if your students have a sense of what the word “cell” means in the context of science. If they write “my cell phone,” they don’t get it. If they write about spreadsheet cells or jail cells or whatever, they didn’t get it. But if they talk to you about plant cells and animal cells and the components of those cells, and then once they have that sentence down, you can say to them, “Now write three or four more sentences that connect to that sentence.” It’s super simple. So whatever concepts you’re teaching, put ’em in a specific position. Now you don’t have to only put it in the third position. You can say the first position, the fifth position, the fourth position. But it forces them to think about what they know about the word and then how to construct a sentence for you. That’s a very simple way to get some writing from your students that helps you think about what they understand. Other kinds of writing, you can have quick writes, you can have exit-slip writes. There’s something in the research space called the muddiest part, where halfway through the lesson you have them write so far what has been the least understood or the most confusing part of this lesson. And they do a quick write, right there, at the muddiest part. And as a teacher, you flip through these and you start to say, “Oh, these are the points that are confusing to my students.” So if 80% of them all have the same thing, I gotta reteach that. If these five got, “This is the muddiest part,” If these five thought, “This is the muddiest part,” these seven, “I thought this was the muddiest part,” what do I need to do? Because it’s gonna be hard to move forward if this is their area of confusion. There are also all kinds of writing prompts that have a little bit longer. My favorite one is RAFT. What’s your Role? Who’s your Audience? What’s the Format? And what’s the Topic we’re writing about? Super flexible writing prompt. When you teach something, we don’t want students to only think they write to their teacher. So your role is an atom. You are writing to the other atoms. What do you wanna write about? What’s the topic? What’s the format of it? Is it a love letter? Is it a text message? Is it … so we, we mix it up with students in saying, how do they show some knowledge through a prompt that we give them? And then of course, longer pieces as they get older. More opinion pieces through fifth grade. More claims and arguments starting in sixth grade. So that they’re starting to see, “I have to use the evidence from things I’ve learned, read, listened to, watched, and construct something: an opinion, an argument where I back it up with reasons or evidence.” And those longer pieces, you know, less frequently. The shorter pieces, pretty regularly. So the teacher sees the thinking of the students.

Eric Cross (34:29):

When you were speaking about these really creative writing prompts, there were specific students coming into mind, that were coming into mind … they’re, they’re great science students, but they also have this really strong artsy side drawing, creative writing, and things like that. And when you said something about atoms talking to each other, it elicited, in my brain, certain students that would really love this aspect of creativity in the sciences. And it’s not how we’re typically trained as science teachers, to kind of incorporate this, like you said. A book of props. But I’m imagining, like, as a science teacher, if I took this, this would be a great way to reach more students to be able to show what they know, in a way that might resonate with their own intrinsic “Oh, I get to write creatively!” So I was kind of writing furiously as you were sharing all that information there.

Douglas Fisher (35:12):

So here, I’ll give you another example for elementary people. Again, with RAFT. There’s a book called Water Dance. It’s a pretty popular book for elementary teachers. It’s really about the life cycle of water. For example, you are a single drop of water. You are writing to the land. The format is a letter. And you’re explaining your journey. Now, if they can do this, they’re essentially explaining to you the cycle of water. But you got it in a way that people are now, “Oh, I’m a drop of water. So it’s me. My perspective. Where do I go from? Where do I start?” Because you can start anywhere in the cycle, right? My drop could have started in the clouds. My drop could have started in the ground. My drop could have started in the lake. But it has to show you the journey. So there are many ways of showing you the right answers.

Eric Cross (36:02):

And that’s using the RAFT protocol.

Douglas Fisher (36:04):

That’s RAFT: Role, Audience, Format, Topic. It’s been around 20 or 30 years.

Eric Cross (36:09):

You just gave the name to something a teacher shared in our podcast community, Science Connections: The Community, on Facebook. Teacher shared a Google slide deck and on it were just three slides. And the role that the student had to have is they had to show, then tell, the story of a journey of a piece of salmon being eaten, a piece of starch from pasta being eaten, and then an air molecule in a child’s bedroom. And they had to give the path of travel and the experience from the mouth and then breaking down into protein and all those kinds of things. And this teacher shared it and I wish I knew the teacher’s name because I wanna give ’em credit, but they shared it. And so I used it with my students and then had ’em read aloud their stories and dramatize it. And they were so into it!

Douglas Fisher (36:49):

So cool.

Eric Cross (36:50):

But through it, I was able to see that they understood different parts of the body. They understood cell respiration. The whole thing. And it was fun! To watch them get so into this creative writing. And now I know the name of it. That’s been 30 years they were using RAFT. So you just talked a bit about complex texts and writing. And before we go, I wanted to circle back to something that you said, because I think it’s important, and if you could elaborate on it a little bit, about the value of struggle. Can you talk more about that?

Douglas Fisher (37:21):

Sure. I do believe in a lot of the U.S. we’re in an anti-struggle era of education. And it predates Covid. I think it made it worse during Covid. We front load too much. We pre-teach too much. We reduce struggle. We quote, “over-differentiate” for students. And there’s value in struggle. The phrase, “productive struggle” — if you haven’t heard it, Google productive struggle — it’s an interesting concept, that we actually learn more when we engage in this productive struggle. Now, productive struggle originally came from the math world, and it was this idea that it’s worth struggling through things to learn from it, that you’re likely to get it wrong, and then there was productive success. And there are times when we want students to experience success and we make sure we put things in place for productive success. But there are times where we want them to struggle through a concept. ‘Cause it feels pretty amazing when you get on the other side, when you know you struggled and you get to the other side. If you think about the things, listeners, think about the things in your life where you struggled through it and you are most proud of what you accomplished. I want students to have that. I don’t wanna eliminate scaffolding, eliminate differentiation. But I do want some regular doses of struggle. So if you look at the scaffolding, we have a couple choices. We have front-end scaffolds, distributed scaffolds, and back-end scaffolds. Right now we mostly use front-end scaffolds: We pre-teach, we tell students words in advance, that kind of stuff. But what if we refrained from only using front-end scaffolds, and we use more distributed scaffolds, when they encounter. So there’s a difference between “just in case” and “just in time” support for students. So we tend to plan on the “in advance, here are all the things we’re gonna do to remove the struggle before students encounter the struggle.” What if instead we said, “Let them encounter some struggle. Here’s the supports we’re gonna provide. We’re gonna watch; we’re gonna remove those scaffolds, and allow them to have an experience of success, where they realize, ‘I did it. I got it.’” Every science teacher I’ve ever worked with, when they do an experiment or a lab or simulation, they are looking for productive struggle. They don’t tell the answers in advance. They don’t tell if the answers are right. That’s your data. What does your data tell you? I mean, this is what you do. But then the other part of your day when you move into, like, reading, you don’t do that. You fall into the trap of removing struggle. And so allow them to grapple with ideas. Allow them to wonder what words mean. Allow them to say, “I’m not getting this, teacher! It’s really frustrating!” And you say, “Yeah, this is really hard. This is why we’re doing it at school. ‘Cause it’s really hard. If it was easy, I’d have you do it at home. But we’re doing it here, ’cause it’s really hard and it’s OK not to get it at first.” And create a place where errors are seen as opportunities to learn, and struggling through ideas and clarifying your own thinking and arguing with other people to reach an agreement or reach a place where we agree to disagree is part of the power of learning.

Eric Cross (40:38):

There’s a teacher, who I took this from. My master teacher when I was student teaching. And she said that there’s no such thing as failure in science, just data. And I took that same mantra. And I resonate with what you said about how science teachers, all of us, hold onto that productive struggle, because it’s part of being a scientist. It’s part of the experiments. That genuine “aha” moment. Or it didn’t work out? That’s great! That’s totally fine! Let’s write about it and let’s take photos and let’s publish it and let’s be scientists. That’s totally true. As we wrap up, Dr. Fisher, is there any final message that you have to listeners about bringing science and literacy together? I know you speak everywhere, but for everyone that’s listening, if you can put out your encouragement or message or suggestion … you’ve given so many great tips and practical applications. But, any final thoughts on the subject?

Douglas Fisher (41:32):

I think many science teachers are intimidated because they think they have to be reading teachers. And there’s a knowledge base to reading. And some teachers are reading teachers and science teachers, and I don’t wanna dismiss that. But it’s not that you have to become a reading specialist to integrate literacy into science. It’s how our brains work. And so as you think about the way in which you are learning and the ways in which you want your students to learn, what role does language play? What role does speaking, listening, reading, writing, viewing, play in your class? And then provide opportunities for students to do those five things each time you meet with them.

Eric Cross (42:12):

Dr. Fisher, thank you so much for being here and for your encouragement, and sharing your wisdom and experience. And then personally serving my city, here in San Diego, and my students, when they make it to your high school and ultimately the alma mater of San Diego State University.

Douglas Fisher (42:30):

That’s right.

Eric Cross (42:31):

Yeah. We really, really appreciate you in serving all kids and lifting the bar and making things more equitable for all students. And encouraging teachers. So thank you.

Douglas Fisher (42:39):

Thank you very much.

Eric Cross (42:42):

Thanks so much for listening to my conversation with Dr. Douglas Fisher, Professor and Chair of Educational Leadership at San Diego State University. Check out the show notes for links to some of Doug’s work, including the book he co-authored titled Reading and Writing in Science: Tools to Develop Disciplinary Literacy. Please remember to subscribe to Science Connections so that you can catch every episode in this exciting third season. And while you’re there, we’d really appreciate it if you can leave us a review. It’ll help more listeners to find the show. Also, if you haven’t already, please be sure to join our Facebook group, Science Connections: The Community. Next time on the show, we’re going to continue exploring the happy marriage between science and literacy instruction.

Speaker  (43:26):

I had this moment of realization I felt a few months ago: I’m like, if I don’t teach them how to use the AI as a tool, as a collaborator, then they’re gonna graduate into a world where they lose out to people who do know how to do that.

Eric Cross (43:39):

That’s next time on Science Connections. Thanks so much for listening.

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What Dr. Douglas Fisher says about science

“There are really cool opportunities when teachers come together and realize we can work together to improve the literacy and learning of all our students.”

– Dr. Doug Fisher

Professor and Chair of Educational Leadership, San Diego State University

Meet the guest

Douglas Fisher, Ph.D., is professor and chair of Educational Leadership at San Diego State University and a leader at Health Sciences High & Middle College having been an early intervention teacher and elementary school educator. He is the recipient of an International Reading Association William S. Grey citation of merit, an Exemplary Leader award from the Conference on English Leadership of NCTE, as well as a Christa McAuliffe award for excellence in teacher education. He has published numerous articles on reading and literacy, differentiated instruction, and curriculum design as well as books, such as The Restorative Practices Playbook, PLC+: Better Decisions and Greater Impact by Design, Building Equity, and Better Learning Through Structured Teaching.

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About Science Connections

Welcome to Science Connections! Science is changing before our eyes, now more than ever. So…how do we help kids figure that out? We will bring on educators, scientists, and more to discuss the importance of high-quality science instruction. In this episode, hear from our host Eric Cross about his work engaging students as a K-8 science teacher. 

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S3 – 04. Ideas to build math fluency with Valerie Henry, Graham Fletcher, and Tracy Zager

Promotional image for "Math Teacher Lounge" Season 3, Episode 4 titled "Ideas to Build Math Fluency," featuring Valerie Henry, Tracy J. Zager, and Graham Fletcher.

Fluency in math can oftentimes be associated with negative experiences with its development— timed worksheets, for example. Bethany and Dan are joined by three guests to better understand fluency and how to make its approach fun. Dr. Val Henry shares her three-part definition of fluency and her five principles for developing it. Additionally, Tracy Zager and Graham Fletcher join Bethany and Dan to better understand fluency through a lens of equity and using multimedia as a tool.

Explore more from Math Teacher Lounge by visiting our main page. 

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Dan Meyer (00:03)

Hey folks. Welcome back. This is Math Teacher Lounge, and I am one of your hosts, Dan Meyer.

Bethany Lockhart Johnson (00:07):

And I’m your other host, Bethany Lockhart Johnson. Hi, Dan.

Dan Meyer (00:11):

Hey, great to see you. We have a big one this week to chat about and some fantastic guests. We are chatting about fluency, which is the sort of word and concept that I feel like people have very, very non-neutral associations with it. A lot of them are very negative, for a lot of people.

Bethany Lockhart Johnson (00:26):

I saw you frown a little. What’s up with that, Dan? You kind of, like, shrank.

Dan Meyer (00:30):

I have strong feelings about it. You know, there’s lots of ways that people go about helping people become fluent in mathematics. And a lot of them are harmful for students, and ineffective. And it got me thinking about fluency as it exists outside of the world of mathematics, where we have a lot of very clear images of it. We’re getting fluent in things all the time. Like, as humans. Human development is the story of fluency. And I just was wondering….Bethany, would you describe yourself as fluent at something outside of the world of mathematics? What is that? How’d you get fluent at it? What was the process?

Bethany Lockhart Johnson (01:05):

Hmm, I think I’m a pretty fluent reader. I read all the time. I’m a happier person if I’ve read that day. I once saw this poster in a classroom; it said “10 Ways to Become a Better Reader: Read, Read, Read, Read, Read…you know, 10 times. Get it? Reading? You get better at reading by reading! So I would say reading. And it’s been kind of cool—I have a one-year-old who, it’s been really exciting slash overwhelmingly anxiety-producing to see him get very fluent with walking slash running, ’cause he’s getting faster every day. And it’s kind of fun. When I think of what’s something somebody’s trying to get fluent with…walking! He’s trying to be more fluid. He’s practicing transitions. He doesn’t wanna hold my hand while he traverses rocky terrain. He’s getting better at it. He’s practicing. What about you? What’s something…?

Dan Meyer (02:08):

I think about driving a lot. I’m a very fluent driver and I think a lot about when I was first a driver, you know? And how l have my hands on 10 and 2, vice grip, and do not talk to me; do not ask me anything; don’t ask me my NAME. I need to focus so hard. And then a year later, you know, I’m driving with one hand, smash the turn signal, take a sip off of whatever, change the CD. And then it’s no big deal.

Bethany Lockhart Johnson (02:38):

Wait, did you pass the first time? Your test?

Dan Meyer (02:40):

Yeah, I don’t like to brag about it. <laugh> But I do all the time. <laugh> But I got a hundred on my driving test. I don’t care who knows it. And I hope it’s everybody. But I guess all of this is just to say there are areas of life where fluency feels natural, with the case of walking. There’s areas of life where fluency feels motivating, with like driving—I wanna be able to switch the CD out or whatever. And there’s areas where fluency feels terrifying and hard to come by, like mathematics, sometimes. So we have a set of guests here. Our first guest will help us figure out what do we mean by fluency? And what’s the research say about what fluency is and how students develop it in mathematics? And then our other guests will help us think about what it looks like in practice in the classroom. What are some novel, new ways to work on fluency? So first up we have Val Henry, Dr. Val Henry.

Bethany Lockhart Johnson (03:32):

So we knew we needed help with the fluency definition, because when we think about it, it’s kind of big, right? And we wanted to look at what research about fluency really says. So we called on Valerie Henry. Val is a nationally board-certified teacher, taught middle school for 17 years, and since 2002 has worked with undergraduates graduates, credential candidates as a lecturer at the University of California, Irvine, one of my alma maters. So after doing her dissertation on addition and subtraction fluency in first grade, Val created a project to study ways to build addition and subtraction and multiplication and division fluency while also developing number sense in algebraic thinking. And the pilot grew and grew over the last 18 years into a powerful daily mini-lesson approach to facts fluency called FactsWise. And when we thought of fluency, the first person I thought of was Val. Welcome, Val Henry, to the Lounge! I’m so excited to have you here. Welcome.

Valerie Henry (04:36):

Thanks, Bethany. And thanks to you, Dan. It’s great to be here today.

Dan Meyer (04:41):

Great to have you; help yourself to whatever you find in the fridge. The names that people write down on those things in the bags are just recommendations. It’s potluck-style here. I’m curious, Val, if you’re, like, on an airplane, someone asks you what you do, and you say you study fluency…what is the layperson’s definition of what does it mean to be fluent in mathematics? And if you can give a brief tour through what the research says about what works and what doesn’t that would really help us orient our conversation here.

Valerie Henry (05:12):

The first thing I have to do when I talk to somebody on a plane is define the idea of fluency. And I often use an example of tying your shoelaces. Because that works with first graders as well as adults. This idea that when we first start trying to put our shoes on and get those shoelaces tied, somebody tries to, first of all, just do it for us. But then of course maybe tries to teach us the bunny-ears approach. And we struggle and struggle as little kids and eventually either the bunny-ears approach or something else starts to work for us. But we still have to pay attention to it. We have to think hard and it’s not easy. And then over time we get to the point where we basically don’t even think about it. When I tie my shoes in the morning. I’m not thinking about right-over-left and left-over-right and all of those things. I just do it. And so that’s a good, easy example of becoming fluent with something. I think what we’re talking about today though, is the basics, the adding and subtracting that we hope kids are going to have mastered maybe by second grade, and the multiplication and division facts that we wanna maybe have mastered by third, maybe fourth grade. So now what does that mean to become fluent with those basics? I have a three-part definition that seems to match up really nicely with the common core approach to fluency. Which is, first of all, we want the answers to be correct. And then second, we want the answers to be easy to know. And so what does that mean? Well, to me, it means without needing to count,

Bethany Lockhart Johnson (07:12):

You mean without having to kind of muscle through it? Or say more about you mean.

Valerie Henry (07:16):

Well, I guess what I mean is that when you watch a young child try and solve something even as simple as two plus three, they might put up two fingers and then go 3, 4, 5 with three more fingers winding up on their hand, one or the other of their hands. While they’re doing that, they don’t really have a sense of whether even their answer is right or not, quite often. Especially when you get to the larger adding and subtracting problems, you can see a lot of errors happening as they’re trying to count. And it’s taking up cognitive energy to do that counting process, especially as you get to the larger quantities. So my definition of fluency now is “getting it right without needing to do that hard work like counting.” Now, some people might say, well, we just want them to have ’em memorized. But in my research, I’ve learned that a lot of very fluid adults don’t always have every fact memorized. In fact, if you ask a room full of adults, what’s seven plus nine, you might learn that they can all get it correct quickly, quickly…but they don’t all have it memorized. And so when you ask them, “How did you get that?” Many of them will say, “Well, I just gave one from the 7 to the 9 and I know that 10 plus 6 is 16.”

Bethany Lockhart Johnson (08:53):

That’s such an important distinction. My brain literally just did that actually!

Valerie Henry (08:58):

<laugh> Right? <laugh> But you’re fluid with it, because it doesn’t take you much cognitive energy at all.

Bethany Lockhart Johnson (09:05):

Right.

Valerie Henry (09:07):

So now we have “correct without needing to put that cognitive energy,” which usually means that you’re counting. And then the third thing is “relatively quickly,” so that you’re not spending 15 seconds trying to figure it out. Even that part-whole strategy approach can be done really quickly, almost instantaneously. Or it can take a long time. So if a student can get the answer correct within, you know, three or four seconds— is I’m pretty generous—I figure that they’re pretty darn fluent with that fact. So that’s my three-part definition of these basics, fluency.

Dan Meyer (09:55):

I love the distinction between getting it correct and getting it quick. It’s possible to be quick with wrong answers. It’s possible to be like, “Those are separate components there.” And I echo Bethany’s appreciation for this third option in between knowing it instantaneously through memorization and muscling through it. But there’s like a continuum there of how much energy it took you to come up with it that all feels extremely helpful.

Valerie Henry (10:21):

And you know, one of the things that I’ve noticed is that when kids are pressured to come up with those instantaneous answers, they often default to guessing and get it wrong.

Bethany Lockhart Johnson (10:30):

Mm, yeah.

Valerie Henry (10:30):

So that’s one of the things that I’ve learned is that as we’re trying to help students develop fluency, it’s important to start with building their conceptual understanding of what it means to do, you know, 3 times 9 and what the correct answer is, maybe using manipulatives or representations of some sort. Not skip-counting! I really have found that skip-counting just perpetuates itself in many students’ minds and that they never stop skip-counting, which means they’re putting in not very much mental energy if it’s 2 times 3 but a ton of mental energy if it’s 7 times 8. Because frankly, it’s really hard to skip count by sevens. And by eights.

Bethany Lockhart Johnson (11:18):

I can get to 14 and then I’m like, wait, wait, what was next? Right? No, no, no…21! What do you feel are some misconceptions that maybe teachers, maybe parents have about fluency in math?

Valerie Henry (11:30):

I think maybe one of the first ones is that if students count or skip-count, their answers repetitively over and over and over and over, that they’re bound to memorize them. And the study that I did back in 2004, I actually had a school that had decided that they were going to do time tests with their students every day, all year. And that undoubtedly by the end of the year, those students would be fluent.

Bethany Lockhart Johnson (12:06):

And to clarify by time test, you mean like, sit down, pencil, paper, ready, go, worksheet kind of thing.

Valerie Henry (12:15):

Yes.

Bethany Lockhart Johnson (12:16):

Some of us might remember quite vividly.

Valerie Henry (12:18):

<laugh> Very vividly. And you know, you have to get it done within a certain amount of time. So they made it fun for the students. Apparently the students enjoyed it. I was a little leery about that, but in the end, when I went and checked on the students and I did one-on-one assessments with half of the students in every class that were randomly selected so that I could get a sense of where they were with their fluency—and these were first graders—they basically had nothing memorized. They were simply counting as fast as they possibly could. And, you know, mostly getting the right answers. But they had not memorized. So that’s one of the myths, I think, is that repetitive practice of counting gets you to memorization.

Bethany Lockhart Johnson (13:10):

If I put it in front of you enough times, you’ll become fluent.

Valerie Henry (13:14):

Right, right. Now these students didn’t really get any instruction, any help learning these. They just simply tested over and over and over. So that’s another thing that I think is a misconception. It’s that if we test students, but don’t really teach them fluency, then they’re going to become fluent. If we just test them every Friday or that kind of thing. And that they’ll learn them at home. But really what that means is a few lucky kids who have parents who have the time and the energy and the background to know how to help will take that job on at home. Not that many students are really that fortunate.

Dan Meyer (14:01):

It’s almost like the traditional approach, or the approach you’re describing, confuses process and product. It says, “Well, the product is that eventually fluent students will be able to do something like this, see these problems and answer them, answer them quickly,” and says, “Well, that must be the process then as well; let’s give them that products a whole lot.” But as I hear you describe fluency with bunny ears on shoelaces, there’s these images and approaches and techniques that require a very active teacher presence to support the development of it. That’s just kind of interesting to me.

Valerie Henry (14:35):

My initial project, the pilot project that I tried, was to simply ask teachers to follow five key principles. And the first one was to do something in the classroom every day for—I told them, even if you’ve only got five or 10 minutes, work on fluency for five or 10 minutes a day, and let’s see what happens. So that was one key element was just to teach it and to give students opportunities to get what the research calls for when you’re trying to memorize, which is actually immediate feedback. When I talk about immediate feedback with my student teachers, I say, “I’m talking about within one or two seconds of trying a problem, and then sort of immediately knowing, getting feedback of whether you got the answer right or not so that your brain can kind of gain that confidence. ‘Oh, not only did I come up with an answer, but somebody’s telling me it’s the correct answer.’”

Dan Meyer (15:38):

There’s a lot of apps now in the digital world that offer students questions about arithmetic or other kinds of mathematical concepts and give immediate feedback of a sort: the feedback of “You’re right; you’re wrong” sort. Is that effective fluency development, in your view?

Valerie Henry (15:57):

I haven’t heard and I haven’t seen them being super-effective. The ways I think about this are “Immediate feedback isn’t the only thing we need.” Probably one of the biggest things that we need is for students to develop strategies. And this is one of the other things I’ve learned from international research, from countries that do have students who become very fluent very early, is that they don’t shoot straight for memorization, but they go through this process of taking students from doing some counting and then quickly moving them to trying to use logic. So, “Hey, you really are confident that 2 + 2 is 4; so now let’s use that to think about 2 + 3.” Actually, as an algebra teacher, I would much rather have students that have a combination of memorization and these strategies, than students who’ve only memorized. Isn’t that interesting that my most successful algebra students were good strategy thinkers. Not just good memorizers.

Bethany Lockhart Johnson (17:09):

So you mentioned there were five that kind of helped root this idea in like, “What can teachers do? What is the best thing that teachers can do to support with fact fluency?” So, everyday was key.

Valerie Henry (17:22):

Then the next principle that I really focus on is switching immediately to the connected subtractions so that students—

Bethany Lockhart Johnson (17:33):

Not waiting until you’ve gotten all the way through addition. But making “Ooh!”

Valerie Henry (17:38):

Totally. And I didn’t do that the first year. And when we looked at the results of the assessments at the end of the year, we realized that our students were so much weaker in subtraction than addition. So the following pilot year, we tried this other approach of doing subtraction right after the students had developed some fluency with that small chunk of addition. And we got such better subtraction results.

Bethany Lockhart Johnson (18:11):

What are the other principles?

Valerie Henry (18:13):

The biggest one is to use these strategies. So the strategies makes the third. And then the fourth I would say is to go from concrete to representational to abstract.

Bethany Lockhart Johnson (18:27):

Don’t put away those manipulatives. Don’t put away those tools.

Valerie Henry (18:31):

Oh, so important to come back to them for multiplication and division. And my fifth principle is to wait on assessment. To use it as true assessment, but not race to start testing before students have had a chance to go through this three-phase process. Which is conceptual understanding with manipulatives; building strategies, usually with representations; and then working on building some speed until it’s just that natural fluency.

Bethany Lockhart Johnson (19:07):

I wanna say thank you so much for offering your really learned perspective, because you have not only done the research, but seen it in action and seen how shifting our notions of fluency and what fluency can be and what a powerful foundation it can be for all mathematicians. Really, that shift is so powerful. And I appreciate you sharing it with our listeners and with us. So we’re so excited that we got to talk with you today, Val—

Dan Meyer (19:35):

Thank you, Dr. Henry.

Valerie Henry (19:37):

You’re welcome!

Dan Meyer (19:41):

With us now we have Graham Fletcher and Tracy Zager, a couple of people who understand fluency at a very deep and classroom level. I wanna introduce them and get their perspective on what we’re trying to solve here with fluency. So Graham Fletcher has served in education in a lot of different roles: as a classroom teacher, math coach, math specialist, and he’s continually seeking new and innovative ways to support students and teachers in their development of conceptual understanding in elementary math. He’s the author, along with Tracy, of Building Fact Fluency, a fluency kit we’ll talk about, and openly shares so much of his wisdom and resources at gfletchy.com. Tracy Johnson Zager is a district math coach who loves to get teachers hooked on listening to kids’ mathematical ideas. She is a co-author of this toolkit, Building Fact Fluency, and the author of Becoming the Math Teacher You Wish You’d Had: Ideas and Strategies from Vibrant Classrooms. Tracy also edits professional books for teachers at Stenhouse Publishers, including, yours truly. Thank you for all that insight, Tracy, and support on the book.

Bethany Lockhart Johnson (20:49):

Dan and I were talking at the beginning of the episode about things we feel like, “Hey, I’m fluent in that. I’m fluent in that.”

Dan Meyer (20:55):

Just very curious: What’s something you would like to get fluent in outside of the world of mathematics, let’s say?

Tracy Zager (21:00):

I’ll say understanding the teenage brain, as the parent of a 13-year-old and 15-year-old. That’s the main thing I’m working on becoming fluent in!

Bethany Lockhart Johnson (21:10):

Ooh!

Dan Meyer (21:13):

A language fluency, perhaps. All right, Graham. How about you?

Graham Fletcher (21:16):

For me typing, it’s always been an Achilles heel of mine. So voice-to-text has been my friend. But it’s also been my nemesis in much of my texting here and working virtually over the last couple years. So yeah, typing.

Dan Meyer (21:33):

Do you folks have some way of helping us understand the difference in how fluency is handled by instructors and by learners?

Tracy Zager (21:40):

I would say that the lay meaning of fluency is definitely a little different than what we mean in the math education realm. When we’re talking about math fact fluency, which is just one type of fluency. So you gotta think about procedural fluency and computational fluency; there are lots of types of fluency in math. And Graham and I had the luxury of really focusing in specifically on math fact fluency. We’re looking at kind of a subset of the procedural fluency. So the words you hear in all the citations are accurate, efficient, and flexible. There’s this combination of kids get the right answer in a reasonable amount of time and with a reasonable amount of work and they can match their strategy or their approach to the situation. That’s where that flexibility comes in. And there’s like lots more I wanna say about that about sort of…I think one issue that comes up around fluency is that people are in a little bit of a rush. So they tend to think of the fluency as this automaticity or recall of known facts without having to think about it. And that is part of the end goal, but that’s not the journey to fluency. So this is one of the things that Graham and I thought about a lot was the path to fluency. The goal here it’s that student in middle school who’s learning something new doesn’t have to expend any effort to gather that fact. And they might do it because they’ve done it so many different ways that they’ve got it, and now they just know it, or they might be like my friend who’s a mathematician who still, if you say, “Six times 8,” she thinks in her head, “Twelve, 24, 48…” and she does this double-double-double associative property strategy. And it’s so efficient, you would never know. And that’s totally great. That’s fine. That’s not slowing her down. That’s not providing a drag in the middle of a more complex problem or new learning. So we’re really focused on having elementary school students be able to enter the middle and high school standards without having that pull out of the new thinking.

Graham Fletcher (23:53):

And as I think about that, I think about how so many students will memorize their facts, but then they haven’t memorized them with understanding. So that when they move into middle school and they move into high school, it’s almost like new knowledge and new understanding that’s applied from a stand-alone skill.

Bethany Lockhart Johnson (24:10):

So something that felt really unique to me, Graham, as I was diving into the toolkit, is your use of images, Tracy, Graham, is the way that you use images to help students notice and wonder to start making sense of these quantities and the decomposition of numbers using images. Can you talk a little bit about how images played a part in the way that you think about this building a fact fluency?

Graham Fletcher (24:41):

What I realized is so many times when we approach math with just naked numbers with so many of our elementary students, the numbers aren’t visible. The quantities. They can’t see them; they can’t move them. They’re just those squiggly figures that we were talking about earlier on. So how is it that we make the quantities visible, to where students feel as if they can grab an apple and move it around? Because a lot of times we start with the naked numbers and then if kids don’t get the naked numbers, then we kind of backfill it. But what would happen if we start with the images? And then from there, these rich, flourishing mathematical conversations develop from the images. And I think that was the premise and the goal of the toolkit.

Tracy Zager (25:22):

When you look at how fact fluency has traditionally been taught, it’s all naked numbers. And sometimes we wrote ’em sideways. Like, that’s it. That was our variety of task type. Right? Sometimes it’s vertical; sometimes it’s horizontal. And that was it. And I’ve just known way too many kids who couldn’t find a hook to hang their hat on with that. It didn’t connect to anything. And so part of why I knew Graham was the perfect person for this project was his strength in multimedia photography, art, video. And so we started from this idea of contexts that for each lesson string in the toolkit, there’s some kind of context. An everyday object, arranged in some kind of a way that reveals mathematical structure and invites students to notice the properties. So we start with images of everyday objects: tennis balls, paint pots…um, help me out; here are a million of them. Crayons—

Bethany Lockhart Johnson (26:18):

Crayons, markers.

Tracy Zager (26:18):

Shoes, right? Sushi, origami paper, all kinds of things in the different toolkits. So there’s a series of images or a three-act task or both around those everyday objects, and then story problems grounded in that context. And then there are images with mathematical tools that bring out different ideas, but relate in some way to the image talks. And we do all of that before we get to the naked number talk. Which we do, and by the time you get to the number talk, it’s pretty quick, ’cause they’ve been reasoning about cups of lemonade. And now when you give them the actual numerals, they’re all over it.

Bethany Lockhart Johnson (27:03):

I have to say too, as somebody who—particularly in middle school—navigated math anxiety, we recently talked with Allison Hintz and Anthony Smith about their amazing book Mathematizing Children’s Literature.

Tracy Zager (27:14):

Yay!

Bethany Lockhart Johnson (27:14):

And I was explaining, like, if I sat down at the beginning of a math class and my teacher opened a picture book and said, “We’re gonna start here,” I felt my whole body relax. And if we start with this image, if we start with just looking at an image and making sense of an image, I feel like that could be such a powerful touchstone for all the work you do from there.

Tracy Zager (27:41):

That’s core. That’s a core design principle, is that invitational access. There are no barriers to entry. There’s nothing to decode. There’s nothing formal. We’ve been learning from Dan for years about this, right? Of starting with the informal and then eventually layering in the formal. I was in a class in Maine where they were doing an image talk and it’s these boxes of pencils. It’s a stack of boxes of pencils and they’re open and you can see there are 10 pencils in each box. And so there are five boxes of pencils each with 10 pencils in it. And then the next image is 10 boxes of pencils and each box is half full. So now it’s 10 boxes each with five. And the kids are talking and talking and then the third image, I think there are seven boxes each with 10 pencils in it. And she said, “What do you think the next picture’s gonna be?” And this girl said, “You just never know with these people!” <laugh> I dunno!”

Bethany Lockhart Johnson (28:37):

That’s kinda true. Knowing you both, it’s kinda true.

Tracy Zager (28:42):

Like if it’s seven boxes with 10 in it, one kid said, I think it’s gonna be 14 boxes of five. And other kids are like, I think it’s gonna be 10 boxes with seven. And they start talking about which of those there are and the relationships between—

Bethany Lockhart Johnson (28:58):

But they’re making sense of numbers!

Tracy Zager (28:59):

Totally. So all the kids felt invited. They can offer something up. They’re noticing and wondering about that image. They’re talking about it in whatever informal language or home language that they speak. And that was core to us. That was a huge priority, because honestly, one of the motivations to talk about fluency is that it’s always been this gatekeeper. It has served to keep kids out of meaningful math. Particularly kids from marginalized or historically excluded communities. So they’re back at the round table, doing Mad Minutes, while the more advantaged kids are getting to do rich problem solving. And so, we thought, what if we could teach fact fluency through rich problem solving that everybody could access? That was like square one for us.

Bethany Lockhart Johnson (29:45):

That’s huge.

Dan Meyer (29:46):

That’s great to hear. What’s been helpful for me is to understand that students who are automatic, that’s just kind of what’s on the surface of things. And that below that might be some really robust kind of foundation or scaffolding that bleeds to a larger building being built, or it might be just really rickety and not offer a sturdy place to build farther up. It’s been really exciting to hear that. I wonder if you’d comment for a moment about, in the digital age and—I’m at Desmos and our sponsors are Amplify and we all work in the digital world quite a bit. There are a lot of what report to be solutions to the fluency issue, to developing fluency in the digital world. Just lots and lots of them. Some that are quite well used, others that are just like X, Y, or Z app on the market. You can find something. Do you have perspectives on these kinds of digital fluency building apps? Like, what about them works or doesn’t work? Let us know. Graham, how about you? And then Tracy, I’d love to hear your thoughts too.

Graham Fletcher (30:47):

Yeah, I think that’s a great question, ’cause there’s a lot of shiny bells and whistles out there right now that can really excite a lot of teachers. But I always come back to what works for me as a classroom teacher is probably gonna work in a digital world as well. So what are the things that I love and honor most about being in front of students, and how can I capture that in that virtual world? I think one of the things that really helps students make connections is coherence. I think coherence, especially when you leave students for—you don’t get to talk with them after the lesson is done—so I think about how we can purposefully sequence things through a day-to-day basis. I think coherence is something that gets really lost when we talk about fluency, especially with whether it be digital or whether it be print, because what ends up happening is we say, “OK, we have all these strategies we need to teach,” and it becomes a checklist. So how is it that we can just provide students the opportunity to play around in a space, whether it be digital or in person, but in a meaningful way that allows them the time and the space and that area to breathe and think, but be coherent. And connecting those lessons along the way. And I think coherence is one thing that a lot of the times it’s harder to—when we’re in the weeds, it’s so hard and difficult to zoom back out and say, “Do all these lessons connect? How do they intentionally connect? And how do they purposefully connect?” And without coherence, everything’s kind of broken down into that granular level. So when looking at—I think about Desmos and I think about the Toolkit and I think about how Tracy and I talked a lot about, “Well, this, does it connect with the context problem, does it connect with the image talk, or the lessons? Like, how does it all connect and how are we providing students an opportunity to make connections between the day-to-day instruction and lessons that we tackle?”

Tracy Zager (32:44):

I’m reminded of a conversation that Dan, you and I had a long time ago, in Portland, Maine, in a bar. I’ll just be honest. <laugh> And we were talking about how, in the earlier days of Desmos, you were stressed out by what you saw, which was kids one-on-one, on a device, in a silent room. And you were like, no, this is not it. This is not what technology is here to serve. We can do so many things better using technology appropriately, but we can’t lose talk and we can’t lose relationships and we can’t lose formative assessment and teachers listening to kids and kids listening to each other and helping each other understand their thinking. Right? So when I think about the tech that’s out there for fact fluency, most of it is gonna violate all rules I have around time testing. So that a whole bunch of it, I would just toss on that premise. They’re really no different than flashcards. It’s just flashcards set in junkyard heaps. Or, you know, underground caverns. Or with a volcano or whatever. It’s the same thing. There are some lovely visuals—I’m thinking of Berkeley Everett’s Math Flips. Those are really pretty. Mathigon has some really nice stuff that’s digital. And I think that those resources invite you to kind of ponder and notice things and talk about them. All the tools that we design in the toolkit are designed to get people talking to each other, and give teachers opportunities to pull alongside kids and listen in and understand where they are. For example, our games, we didn’t design the games to be played digitally, even though you could, and people did during COVID, because we want kids on the rug, next to each other, on their knees; I’ve seen kids like across tables. I was in a school recently where a kid was like, “I hope you believe in God, ’cause you’re going…!” You know what I mean? <laugh>. Like they’re all pumped up.

Bethany Lockhart Johnson (34:41):

They’re invested!

Tracy Zager (34:45):

They’re psyching each other up and down and they’re interacting and it’s social and the teacher’s walking around and she’s listening to the games. And they don’t actually need any bells and whistles. They need dice and they need counters and they need this game that is actually a game. In all of our conversations, games have to actually be games. Games cannot be “roll and record.” Games have to involve strategy. They have to be fun. So in designing those games, we didn’t feel like it brought any advantage to make that a digital platform. But things that did bring advantages digitally, like the ability to project these beautiful images or to use short video in the classroom, that really was a value-add that enabled us to do something different in math class than we had done before, and to get kids talking in a different way than they ever had before. When I think about fluency, historically, if you say like, “OK, it’s time to practice our math facts,” you hear a lot of groans. And when I see a Building Fact Fluency classroom and I say, “OK, it’s BFF time!” There’s like a “YEAAAAHHH!” You know? And so that’s what we’re after.

Graham Fletcher (35:47):

It’s all about kids, really, for us. And I think at the heart of it, we made all the decisions with teachers and kids at the forefront of it.

Tracy Zager (35:55):

I know of high schoolers who are newcomers, who have experienced very little formal education, and speak in other languages, are using it as high schoolers, because it involves language and math and all the deep work in the properties and it’s accessible, but it’s also not at all condescending or patronizing. Like we designed it to be appropriate for older kids. So that’s just something that I think we’re both really proud of. One thing we thought a lot about, especially in the multiplication-division kit is how a classroom teacher could use it and a coordinating educator in EL, Title, special education, intervention could also use it because there’s so much in it, that students could get to be experts, if they got extra time in it, using something that’s related and would give them additional practice. So they could play a game a little bit earlier than the rest of the classes. And they could come in already knowing about that game, or they could do a related task. We have all these optional tasks that no classroom teacher would ever have time to teach it all. So the special educator could use it and have kids doing a Same and Different or a True/False, or some of the optional games. And then the work in both special education and general education could connect.

Dan Meyer (37:20):

I just wanna say that this is an area that for so many students, as you’ve said, Tracy, it presents a barrier for their inclusion in mathematics. It’s a very emotionally fraught area of mathematics. And we really appreciate the wisdom you brought here. And just the care you’ve brought to the product itself. Your knowledge of teaching, knowledge of math, and yeah, especially a love for students feels like it’s really infused throughout Building Fact Fluency. If our listeners want to know more outside of this podcast, outside of the product itself, where can they find your words, your voice? Where you folks at these days? Tell ’em, Graham would you?

Graham Fletcher (37:57):

You can find us at Stenhouse, Building Fact Fluency. And then Tracy and I, currently playing around, sharing ideas a lot on Twitter, under the hashtag #BuildingFactFluency. That’s kind of where we can all come together and share ideas. And then also on the Facebook community, where there’s lots of teachers sharing ideas.

Bethany Lockhart Johnson (38:19):

If you were to ask our listeners like, “Hey, if you wanna keep thinking about this, here’s something you could try or here’s something you could go do,” what could be a challenge that we could share that could help us continue this conversation?

Graham Fletcher (38:35):

Online you can actually download a full lesson string. And a lesson string is a series of activities and resources that are purposefully connected. You can pick one or two of those from the Stenhouse web site, Building Fact Fluency. You can try the game. You can try one of those strategy-based games. You can try an image talk and just see how it goes. And just share and reflect back, whether on Twitter or on Facebook. But it’s kind of there, if you wanna give it a whirl. And as Tracy was sharing, even if you’re a middle-school teacher or a high-school teacher, we really tried to think about those middle-school and high-school students keeping it grade level-agnostic. Just so every student has those opportunities for those mathematical conversations. So download a lesson string and give it a whirl, and we’d love to hear how it goes.

Dan Meyer (39:25):

Bethany and I will be working the same challenge with people in our life.

Bethany Lockhart Johnson (39:29):

Yes.

Dan Meyer (39:29):

Enjoying some fact fluency with people in our homes, perhaps. We’ll see. And we’ll be sharing the results in the Math Teacher Lounge Facebook group. Graham and Tracy, thanks so much for being here. It was such a treat to chat with you both.

Bethany Lockhart Johnson (39:42):

I love learning with you and just helping to shift this idea of fluency into something that can be accessible and powerful and positive.

Stay connected!

Join our community and get new episodes every other Tuesday!

We’ll also share new and exciting free resources for your classroom every month.

What Valerie Henry says about math

“A lot of very fluent adults don’t always have every fact memorized. ”

– Val Henry

Meet the guests

Valerie Henry has been a math educator since 1986. She taught middle school math for 17 years and has worked as a lecturer at University of California Irvine since 2002. After doing her 2004 dissertation research on addition/subtraction fluency in first grade, Valerie created FactsWise, a daily mini-lesson approach that simultaneously develops  fluency,  number sense, and algebraic thinking. Additionally, she has provided curriculum and math professional development for K-12 teachers throughout her career, working with individual schools, districts, county offices of education, Illustrative Mathematics, the SBAC Digital Library, and the UCI Math Project.

Graham Fletcher has served in education as a classroom teacher, a math coach, and currently as a math specialist. He is continually seeking new and innovative ways to support students and teachers in their development of conceptual understanding in elementary mathematics. He is the author of Building Fact Fluency and openly shares many of his resources at gfletchy.com. Follow him on Twitter.

Tracy Johnston Zager is a district math coach who loves to get teachers hooked on listening to kids’ mathematical ideas. She is a co-author of the Building Fact Fluency toolkits and the author of Becoming the Math Teacher You Wish You’d Had: Ideas and Strategies from Vibrant Classrooms. Tracy also edits professional books by teachers, for teachers at Stenhouse Publishers. Follow her on Facebook.

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About Math Teacher Lounge: The podcast

Math Teacher Lounge is a biweekly podcast created specifically for K–12 math educators. In each episode co-hosts Bethany Lockhart Johnson (@lockhartedu) and Dan Meyer (@ddmeyer) chat with guests, taking a deep dive into the math and educational topics you care about.

Join the Math Teacher Lounge Facebook group to continue the conversation, view exclusive content, interact with fellow educators, participate in giveaways, and more!

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Two books titled "The Knowledge Gap" and "The Writing Revolution" by Natalie Wexler, beside a portrait of a woman with short, curly hair and a blue top.

Leadership and literacy brunch with Natalie Wexler

with Amplify and Riverside USD 

Thursday, February 27, 2020

9:30–11:30 a.m. PST

Location:
Benjamin Franklin Elementary School – Library
19661 Orange Terrace Parkway
Riverside, CA 92508

Registration deadline: Space is limited at this free event! RSVP by February 20 to secure your spot. 

Who should attend: Supervisors, ELA and reading directors, curriculum coordinators, and principals. 

Register now!

About the event

Join us for a free brunch, author talk, and book signing with education writer and author Natalie Wexler on February 27 from 9:30–12 a.m.

During our time together, Natalie will discuss the latest research around reading, writing, and engagement in elementary school, along with the key findings of her book The Knowledge Gap: The Hidden Cause of America’s Broken Education System—and How to Fix It (2019).

As our guest, you’ll:

  • Meet and hear from education writer and author Natalie Wexler.
  • Mingle with other district leaders from Riverside USD and surrounding areas.
  • Enjoy a delicious brunch with colleagues.
  • Leave with a signed copy of Natalie Wexler’s book The Knowledge Gap: The Hidden Cause of America’s Broken Education System—and How to Fix It (2019).

Agenda:

9:30 a.m.: Arrive, check in, and visit our brunch buffet.
10–11 a.m.: Hear from Natalie Wexler
11–11:15 a.m.: Q&A with Natlie Wexler
11:15–11:30 a.m.: Book signing

Banquet room set up for an event with round tables, black chairs, floral centerpieces, and place settings, next to large windows and doors overlooking an outdoor patio.
A woman with short curly blonde hair is smiling next to the cover of the book "The Knowledge Gap" against a background with blue, yellow, and orange curved stripes.

Natalie Wexler

Natalie Wexler is an education writer and the author of The Knowledge Gap: The Hidden Cause of America’s Broken Education System—and How to Fix It (2019). She is also the co-author, with Judith C. Hochman, of The Writing Revolution: A Guide to Advancing Thinking Through Writing in All Subjects and Grades (2017) and a senior contributor to Forbes. Her articles and essays have appeared in The New York Times, The Washington Post, The Atlantic, and other publications. Before turning to education, Wexler worked as a freelance writer and essayist on a variety of topics, and as a lawyer and legal historian. She lives in Washington, D.C.

Submit this form to register for the event!

Two books titled "The Knowledge Gap" and "The Writing Revolution" by Natalie Wexler, beside a portrait of a woman with short, curly hair and a blue top.

Leadership and literacy brunch with Natalie Wexler

with Amplify and Riverside USD 

Thursday, February 27, 2020

9:30–11:30 a.m. PST

Location:
Benjamin Franklin Elementary School – Library
19661 Orange Terrace Parkway
Riverside, CA 92508

Registration deadline: Space is limited at this free event! RSVP by February 20 to secure your spot. 

Who should attend: Supervisors, ELA and reading directors, curriculum coordinators, and principals. 

Register now!

About the event

Join us for a free brunch, author talk, and book signing with education writer and author Natalie Wexler on February 27 from 9:30–12 a.m.

During our time together, Natalie will discuss the latest research around reading, writing, and engagement in elementary school, along with the key findings of her book The Knowledge Gap: The Hidden Cause of America’s Broken Education System—and How to Fix It (2019).

As our guest, you’ll:

  • Meet and hear from education writer and author Natalie Wexler.
  • Mingle with other district leaders from Riverside USD and surrounding areas.
  • Enjoy a delicious brunch with colleagues.
  • Leave with a signed copy of Natalie Wexler’s book The Knowledge Gap: The Hidden Cause of America’s Broken Education System—and How to Fix It (2019).

Agenda:

9:30 a.m.: Arrive, check in, and visit our brunch buffet.
10–11 a.m.: Hear from Natalie Wexler
11–11:15 a.m.: Q&A with Natlie Wexler
11:15–11:30 a.m.: Book signing

Natalie Wexler

Natalie Wexler is an education writer and the author of The Knowledge Gap: The Hidden Cause of America’s Broken Education System—and How to Fix It (2019). She is also the co-author, with Judith C. Hochman, of The Writing Revolution: A Guide to Advancing Thinking Through Writing in All Subjects and Grades (2017) and a senior contributor to Forbes. Her articles and essays have appeared in The New York Times, The Washington Post, The Atlantic, and other publications. Before turning to education, Wexler worked as a freelance writer and essayist on a variety of topics, and as a lawyer and legal historian. She lives in Washington, D.C.

Submit this form to register for the event!

Amplify Classroom and Polypad free and commercial use guidelines

If you’d like to use Amplify’s tools or content in your work, please review these guidelines to determine if your specific use is allowed and whether you need to submit a request for approval.

Overview

Amplify Classroom offers free prebuilt interactive and print-based lessons, interactive lesson-building tools, and Polypad virtual manipulatives. See amplify.com/classroom and polypad.amplify.com for more information.

Amplify Classroom features:

  • Activity Builder (labeled “Custom Activities” in the platform): This content-creating and publishing tool enables educators to create their own interactive lessons and edit existing lessons.
  • Polypad virtual manipulatives: These virtual manipulatives allow teachers and students to explore concepts, express their creativity, and visualize their thinking. Polypad virtual manipulatives can be embedded directly into lessons via Activity Builder or used as a stand-alone, dynamic workspace.
  • Computation Layer: This feature enables educators to further customize lessons created with Activity Builder. Computation Layer is the code that allows components within the lessons to “talk” to one another, enabling users to connect representations; customize content; and provide dynamic, interpretive feedback. Computation Layer is accessible through Activity Builder.

Amplify Classroom includes activities and lessons across many subjects, created by the thousands of educators on our platform. Content created by Amplify is tagged “By Amplify,” “By Amplify Classroom,” or “By Desmos Classroom.”

Amplify also publishes paid core curriculum programs, including Amplify Desmos Math, Amplify Science, Amplify CKLA, Amplify Caminos, and Amplify ELA. These products can be reviewed and purchased by schools or districts interested in comprehensive resources aligned to standards and designed to motivate students. Some of the lessons that are free to use on Amplify Classroom (labeled Try It! lessons) are also part of these paid products. Learn more about our products and request a sample.

Amplify Classroom tools and content (other than paid products) are free for personal, educational, and non-commercial use, subject to our Acceptable Use Policy and Usage Guidelines. These guidelines also permit certain commercial uses. You generally don’t need to submit a request to use our free tools and resources for the permitted purposes covered in these guidelines. As long as you are following our Acceptable Use Policy and Usage Guidelines, as well as making appropriate Attributions and Disclaimers, you are permitted to move forward with your project. To make sure your use is permitted, please read these guidelines thoroughly and in their entirety. If you would like to explore a license for a use not permitted here, please submit this form.

Amplify does not own but partners with Desmos Studio, the maker of a suite of free math tools, including a graphing calculator used by over 75 million people around the world. (See desmos.com for more information.) Please contact Desmos Studio for information on using their content or tools.

Usage guidelines

Please adhere to the following guidelines for using Amplify Classroom tools and content in each of the scenarios set out below. You are required to follow our General Guidelines and Attribution requirements below when making permitted uses. You are responsible for clearing any third party marks and content you use in your applications or publications.

Uses labeled “PERMITTED USES” do not require permission, and you do not need to tell us about them—but we do appreciate hearing from you! Feel free to fill out this form to tell us about how you are using our tools and materials, and the ways in which you are finding them useful.

Uses labeled “CONTACT US” do require permission. If you are interested in such use, please submit this form, and someone from our team will endeavor to follow up with you as soon as possible.

Teaching and education services

This section provides guidelines on using Amplify Classroom for teaching and education services.

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Print and presentations

This section provides guidelines on including content from Amplify Classroom, such as portions of free lessons or images generated using our tools, in printed materials or presentations.

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Web and apps

This section provides guidelines for embedding Amplify Classroom tools into your platform.

PERMITTED USESA green checkmark symbol on a light background.Individuals and schools embedding Polypad in their materials for instructional use are permitted to do so; for integration options, see below.
 A green checkmark symbol on a light background.Organizations (whether for profit or non-profit) offering paid services embedding Polypad with <10k requests per year
CONTACT USA large red "X" symbol on a light gray background.Organizations (whether for profit or non-profit) offering paid services embedding Polypad with >10k requests per year
 A large red "X" symbol on a light gray background.Individuals or organizations looking to embed Activity Builder/Computation Layer in their applications
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 A large red "X" symbol on a light gray background.Polypad links, screenshots, iFrames, or API uses behind a paywall

Polypad integration options

There are two integration options for using Polypad within your own applications, including:

  • Using iFrames hosted by Amplify.
  • As a white-labeled JavaScript API that can be self-hosted and embedded in other websites or apps.

Developers can customize the features and behavior through numerous options and event listeners, and interact with the canvas programmatically to build custom functionality.

Visit the Polypad API page to learn more about Polypad API license terms and to generate API Key.

General guidelines

Copyright fair use

Your use of our content may be acceptable under principles of fair use (or other similar concepts in other countries). Under the fair use doctrine of the U.S. Copyright Act of 1976, it is permissible to use limited portions of a work for purposes such as commentary, criticism, news reporting, research, and scholarly reports.

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Get to know Amplify ELA

Start by taking a look at the Amplify ELA Program Guide, where you’ll find:

  • Grade-level overviews for grades 6–8 (pages 11–31)
  • Amplify ELA pedagogy (page 10)
  • Sample lesson routine (page 38)
  • Amplify ELA foundations (pp 70-80)

Want to go deeper or look at Amplify ELA’s approach to writing, vocabulary, grammar, and differentiation? Check out the Table of Contents for all this and much more! 

Navigating the curriculum

Amplify ELA is a truly blended curriculum, designed specifically for grades 6–8. The program includes instructional guidance and student materials for a year of instruction, with lessons and activities that keep students engaged every day. Materials can be accessed either digitally or through print materials, depending on what your class needs.

Navigating in print

  1. Watch this video exploring the print resources available for students and teachers in Amplify ELA.
  2. Follow this link to open an ebook version of the print materials for your grade level and explore Unit A (the first unit).

Navigating digital

  1. Watch this video exploring the digital curriculum platform and the many resources available for teachers and students.
  2. Log in to the curriculum at learning.amplify.com using the demo account and password provided by your Sales rep.
  3. Once you have finished the tour, try out the scavenger hunt below!

Amplify ELA Scavenger Hunt

Download now

Inside a lesson

1. Overview & planning

Screenshot of an educational webpage for "Lesson 2: Your Movie Crew" on Amplify ELA, showing lesson navigation, overview, and a stylized illustration of a masked figure.

The Lesson Brief equips teachers with the tools they need to plan instruction. It begins with an Overview, which describes the big ideas students will grapple with and summarizes the lesson’s sequence of activities. Next, there is a Preparation section, which points out key moments and materials to prepare. The Preparation section also describes the location and content of the lesson’s Exit Ticket.

The Lesson Brief also includes: the Lesson Objective, which details the reading, writing, and/or speaking and listening objectives; Words to Use, which points out key vocabulary from the reading; Skills & Standards, which lists the focus and coverage standards; and Differentiation, which describes differentiated supports and provides additional suggestions for modifying activities.

2. Vocab App

The Vocab App helps students master vocabulary words through game-like activities based on morphology, analogy, synonyms/ antonyms, and deciphering meaning. These activities help students develop dictionary skills by focusing on parts of speech, etymology, and multiple meanings. There are also activities for ELL-appropriate words from the unit’s texts, asking students to match an English definition, Spanish translation, context sentence, audio pronunciation, and visual definition. These activities also align to vocabulary standards.

Vocab App (Teacher View)

3. Work Visually

Visualization activities are an essential part of Amplify ELA, as they open the door to more comprehensive understanding of complex texts. In these learning experiences, students break apart the text in visual ways or use visual cues to “see” key details as they construct meaning.

In this early lesson from grade 7, students unpack propaganda images and short videos from the Chinese Cultural Revolution to build their understanding of the setting before beginning the memoir Red Scarf Girl.

Other units include visualization activities such as using an app to “see” the evidence for and against scientific theories, making storyboards and planning visual adaptations of texts to “read like a movie director,” and comparing and contrasting illustrations with key textual moments.

4. Author Videos & Dramatic Readings

Students benefit from using listening comprehension skills as they build fluency with complex texts. In these close reading experiences, students listen to the text, perform the text out loud, or watch a dramatic reading of the text.

In this lesson, students listen and watch as author Ji-Li Jiang reads the opening prologue of her memoir, Red Scarf Girl. Her facial expressions, tone of voice, and emphasis help students develop early ideas about what matters to this narrator.

Additional author videos and dramatic readings are embedded in other units. In Unit 8D: Shakespeare’s Romeo & Juliet, students watch WordPlay Shakespeare videos where actors perform each selected scene next to the text of that excerpt. In Unit 8B: Liberty & Equality, two members of the Marvel cinematic universe—Chadwick Boseman and Elizabeth Olsen—offer masterful performances of Narrative of the Life of Frederick Douglass, an American Slave and A Confederate Girl’s Diary.

5. Reading/eReader

Reading standards establish high expectations for all students, even as they enter the middle grades at a variety of reading levels. In Amplify ELA lessons, students access universal supports embedded in the eReader (and built into the print versions of the text) to help them participate fully in grade-level activities.

Point-of-use vocab in print: The print Student Edition places key vocabulary words and their relevant definitions in the text margin to support students and keep them reading.

Reveal: By clicking on these pre-selected words, students access short contextual definitions for key and challenging vocabulary.

Highlight, Bookmark, and Notes: The digital highlighting, bookmarking, and annotation tools allow students to save and review any text notes from any lesson.

Text size and line spacing: Students can adjust text size and line spacing to find what works best for them

6. Writing

Two or three times a week, students complete their reading work by developing a piece of writing to refine their reading analysis. They write for 10–15 minutes, focusing on one claim in response to a prompt, and using evidence from the text in support of their claim.

In this lesson, students build on their discussion of the setting and their analysis of the passage to determine the author’s point of view at the start of her memoir.

Differentiated supports: Five levels of differentiated supports can be assigned in the moment or in advance to help every student work productively. Levels can be assigned ahead of time (by simply dragging and dropping students into groups) and students remain in their assigned levels until they’re changed by the teacher. For more information on differentiation in Amplify ELA, click here.

Automated Writing Evaluation: The Automated Writing Evaluation (AWE) tool has been developed in conjunction with Amplify’s regular writing activities, which ask students to use textual evidence to develop one focused idea or claim about the text and communicate that idea clearly and effectively to an audience. AWE is a tool designed to help teachers understand, track, and support student skill progress with these key foundational skills, which are a strong indicator of a student’s analytic writing proficiency. AWE provides auto scores for Focus and Conventions, allowing teachers to prioritize their assessment of a student’s progress with Use of Evidence, a skill that is relatively new for many middle-grade students.

7. Share

Establishing a supportive writing community in the classroom helps students develop their voices as writers. Each writing activity is coupled with a sharing session, where clear routines and student-facing feedback protocols support students as they share and respond to each other’s writing. Here, students try out their writing with an audience of their peers to figure out how to express their ideas in a clear and convincing way. In addition, these sharing sessions allow students to learn from the range of perspectives in the classroom.

Clear and consistent Response Starters ensure that students provide feedback that targets key skills and focuses on where a student is using a skill effectively, fostering an effective and supportive feedback environment.

8. Solos

Solos are an important part of the ELA curriculum, and are designed to be completed as homework—but not every student has a computer at home. However, most students DO have access to a mobile device. The new Mobile Solos give every student access to this part of the curriculum, protecting valuable classroom time for lessons and group activities.

Navigating the first unit

Dig into Unit A

It’s time to continue your journey by exploring the first unit!

  1. Choose a 6th-, 7th-, or 8th-grade Unit A.
  2. Find the Print Materials for your grade level’s Unit A and review the unit overview. (password: middle678school)
  3. Log in to the curriculum and navigate to your chosen unit.
  • Scroll down to the unit guide. Open each section and read it.
  • Read the background and context document in the Materials section.
  • Go to Sub-unit 3 and read the Sub-unit Overview.
  • Choose two lessons to explore further.
  • Open the first lesson and read the Lesson Overview. Be sure to open and read each section in the Lesson Overview.
    • Open each activity tab and read the teacher Instructional Guide. Familiarize yourself with the entire lesson and note where students are building reading and writing skills
    • Repeat with the second lesson.

Diving Deeper

Check out Amplify ELA’s professional learning website, featuring self-guided training modules and videos to help you with planning and pacing, navigation, and learning key curriculum features. 

You can log in using your Amplify credentials or the demo account and password provided by your sales rep.  

Additional support

As you continue to explore the curriculum, you may also want to take a look at the Amplify ELA Resources Website, which is full of additional information on the program. If you have any questions, please contact us through the Amplify Help section.

And you’ll find even more information by watching this session from our Literacy Symposium, in which Sarah Kitzmiller from the Niswonger Foundation and Teddy Redding from Amplify discuss some of the challenges of the 2020–21 school year. 

Amplify’s Literacy Symposium session: Focusing on the Fundamentals to Start the Year Right

You may choose to view other sessions from the Literacy Symposium as well, all accessible from the schedule menu in the top left corner. 

This webinar also offers valuable insight, with Baltimore City middle school ELA teacher Lucas Drerup describing his experiences with Amplify ELA and discussing how he brings middle school ELA to life, even in a remote teaching setting. 

How to bring middle school ELA to life: A teacher’s perspective

Support

Amplify Caminos for SFUSD

Amplify Caminos is an authentic elementary Spanish language arts program. Like its English language counterpart, Amplify CKLA, Amplify Caminos provides explicit, systematic foundational skills instruction sequenced with deep knowledge-building content to foster comprehension. When used with Amplify CKLA, Amplify Caminos provides full parity across English and Spanish that’s suitable for any dual language implementation model.

Colorful illustration featuring a child in traditional Andean clothing, tropical plants, a volcano, a toucan, a horse rider, and the word "Gracias!" written in Spanish.

Amplify and SFUSD Partnership

We recognize and respect the unique differences of each of our partnering districts—and that includes San Francisco USD.

Out of the box, Amplify Caminos offers districts a rich, comprehensive, research-based SELA experience. That said, no two districts are exactly alike. To that end, we are committed to working with San Francisco USD to ensure that Amplify Caminos addresses the needs of your community. This includes providing implementation guidance and support, as well as collaborating with your staff to determine which domains need to be modified or exchanged.

What is Amplify Caminos?

Amplify Caminos is a core Spanish language arts program for grades TK–5 that delivers:

  • Authentic instruction built from the ground up for the Spanish language.
  • A unique research-based approach truly built on the Science of Reading.
  • A combination of explicit foundational skills with meaningful knowledge-building.
  • Embedded support and differentiation that gets all students reading grade-level texts together.
  • Opportunities for students to see the strengths and experiences that all people share while also celebrating each others’ unique identities and experiences.

Watch the video below to learn more about Amplify Caminos for Grades K–2.

Watch the video below to learn more about Amplify Caminos for Grades 3–5.

How does Amplify Caminos work?

Amplify Caminos is built on the science of how kids learn to read—in Spanish.

Amplify Caminos is all about helping you teach students how to read, all while giving them authentic and engaging reasons to read. That’s why Amplify Caminos develops foundational skills and builds knowledge in tandem.

  • Knowledge: Through complex and authentic Spanish read-alouds with an emphasis on classroom interactivity, oral comprehension, and contextual vocabulary, students start to build their awareness of the world around them—and the way the reading skills they’re building give them access to it.
  • Skills: Starting with the sounds at the core of the Spanish
    language, students practice their phonemic awareness, handwriting skills, vocabulary, spelling, and grammar. Through daily practice, students become aware of the connection between reading and writing, building confidence as they go.
A diagram illustrating reading development as intertwined strands: language comprehension and word recognition, progressing from basic skills to increasingly strategic and automatic reading.

Respecting the development differences between grade ranges, Amplify Caminos teaches foundational skills and background knowledge as two distinct strands in grades K–2, and combines them into one integrated strand in grades 3–5.

Grades K–2:
Every day, students in grades K–2 complete one full lesson that explicitly and systematically builds foundational reading skills in the Amplify Caminos Lectoescritura strand, as well as one full lesson that builds robust background knowledge to access complex text in the Amplify Caminos Conocimiento strand. Through learning in each of these strands, students develop the early literacy skills necessary to help them become confident readers and build the context to understand what they’re reading.

Grades 3–5:
In grades 3–5, the Amplify Caminos Lectoescritura and Conocimiento strands are integrated in one set of instructional materials. Lessons begin to combine skills and knowledge with increasingly complex texts, close reading, and a greater writing emphasis. Students can then use their skills to go on their own independent reading adventures.

What do Amplify Caminos students explore?

Amplify Caminos builds students’ knowledge about the world.

In addition to teaching all students to crack the written code (which is vital for fairness), the Amplify Caminos program helps students see the strengths and experiences we all share while celebrating their own unique identities and experiences.

This is accomplished through the exploration of topics and text that feature people who resemble students and familiar situations or experiences while also exposing them to people whose appearances, lives, beliefs, and backgrounds differ from their own.

Engaging domains

Amplify Caminos builds knowledge coherently across subjects and grades.

Throughout the program, students use their skills to explore domains that relate to storytelling, science, and the history of our world as seen through the eyes of many different groups.

Carefully selected to build from year-to-year, our grade-appropriate topics help students make and deepen connections while also reading, writing, and thinking creatively and for themselves.

Curriculum flowchart showing reading themes and activities from Kindergarten to Grade 5, organized by grade level and literary theme, with interconnected boxes for each topic.

New Knowledge Research Units for Grades K–5

Our brand-new Knowledge Research units carry forward Amplify Caminos’ powerful and proven instructional approach while also:

  • Adding more content for students from all walks of life. The rich topics and highly visual components featured in these units provide students with even more “windows and mirrors” and perspectives as they work to build knowledge.
  • Adding more authentic literature. Each new research unit revolves around a collection of high-interest authentic trade books that will spark more curiosity and inspire more inquiry.
  • Adding more flexibility. Units can be implemented for extended core instruction during flex periods, district-designated Pausing Points, or enrichment periods.

Units cover a variety of rich and relevant topics:

With these new units, students will soar to new heights with Dr. Ellen Ochoa, Amelia Earhart, and the Tuskegee Airmen. They’ll feel the rhythm as they learn about Jazz legends Miles Davis, Tito Puente, and Duke Ellington. And they’ll explore the far reaches of the world with Jacques Cousteau, Matthew Henson, and Eugenie Clark.

  • Grade K: El arte y el mundo que nos rodea
  • Grade 1: Cuentos de aventuras: relatos desde los confines de la Tierra
  • Grade 2: ¡A volar! La era de la aviación
  • Grade 3: Jazz y más
  • Grade 4: Energía: pasado, presente y futuro
  • Grade 5: Más allá de Juneteenth: de 1865 al presente

Units will be made available in English and Spanish, and will include the following components:

  • Teacher Guide
  • Student Activity Books
  • Image Cards
  • Trade Book Collection
  • Digital Components (for Grades K–3 and Grade 5 only)

Why we added this unit:
“Every child is an artist,” said Picasso, meaning that every child uses art to explore and understand the world around them. El arte y el mundo que nos rodea honors that truth by introducing Kindergarten students to some of the ways in which artists have explored and understood the world around them.

This domain introduces students to artists from different time periods, countries, and cultures. Throughout the unit, students learn about different kinds of art and how artists use the world around them as they make art. They also connect this to what they have already learned about the earth, plants, and animals in other Caminos domains: Granjas, Plantas, and Cuidar el planeta Tierra. In addition, students connect this to what they have learned about sculptors in the Presidentes y símbolos de los Estados Unidos domain. As they explore different artists and artistic traditions, they develop their ideas about how humans are connected to each other and to the world around them.

As you read the texts in this unit, students may observe ways in which the characters or subjects are both similar to and different from students. This is a good opportunity to teach students awareness and sensitivity, building on the idea that all people share some things in common, even as they have other things that make them unique. This unit also offers an excellent opportunity to collaborate with your school’s art teacher, as many lessons have suggested activities to help students understand the kind of art they are studying.

Within this unit, students have opportunities to:

  • Use details to describe art.
  • Identify three ways to create art.
  • Identify characteristics of cave art.
  • Sequence the steps of making pottery.
  • Describe how artists can create work connected to the world around them.
  • Describe what makes Kehinde Wiley’s portraits unique.
  • Explain how the texture of a surface can affect artwork created on it.
  • Explain what a sculpture is.
  • Describe what makes James Turrell’s artwork about the sky unique.
  • Explain what a museum is and what kinds of things you can see or do there.

Trade books in this unit:
Instruction in this unit revolves around the following collection of high-interest authentic trade books. One copy of each trade book is included with the unit materials.

  • Georgia O’Keeffe por Erica Salcedo
  • Yayoi Kusama: De aquí al infinito por Sarah Suzuki
  • Tejedora del arcoíris por Linda Elovitz Marshall
  • Las tijeras de Matisse por Jeanette Winter
  • El museo por Susan Verde
  • Quizás algo hermoso: Cómo el arte transformó un barrio por F. Isabel Campoy

Sample materials:
Take a sneak peek at the rich instruction and engaging activities for this unit by viewing the PDFs below.

Why we added this unit:
This domain introduces students to adventure stories set around the world and challenges students to dig into the adventures through research. By listening to the Read-Alouds and trade books, students increase their vocabulary and reading comprehension skills, learn valuable lessons about perseverance and teamwork, and become familiar with gathering information for research.

In this unit, students study the careers of real-world explorers Dr. Eugenie Clark and Sophia Danenberg, marvel at the inventions of Jacques Cousteau, think critically about how teamwork and collaboration can make greater adventures possible, learn about the science and technology that enable adventures, and research some of the ways humans have confronted challenges at the edges of the world, from the oceans below to space above.

Each lesson in the domain builds students’ research skills as they ask questions, gather information, and write a paragraph about their findings. Students share what they have learned about adventures in an Adventure Gallery Walkthrough. By taking on the persona of one of the adventurers they meet in the Read-Alouds and trade books, students deliver their final paragraphs as if they are a “speaking portrait” of that person. Students are invited to dress up as that adventurer if they desire.

In addition, teachers can set aside time outside the instructional block to create the picture frames students will hold as they present to the Adventure Gallery Walk guests. Frames can be made from shirt boxes, cardboard, construction paper, or any art supplies that are on hand. This might be an opportunity to collaborate with the school’s art department if resources are available. Another option is to ask students to make their frames at home with their caregivers. On the day of the Adventure Gallery Walk, students will be the hosts and take on specific jobs, such as welcoming the guests, describing their work throughout the unit, and pointing out the areas of study on the domain bulletin board. You can find a complete list of student jobs in Lesson 13.

How this unit builds knowledge:
This unit builds upon the following Caminos units that students will have encountered in the previous grade.

  • Rimas y fábulas infantiles (Kindergarten)
  • Cuentos (Kindergarten)

The specific core content targeted in these domains is particularly relevant to the Read-Alouds students will hear in Cuentos de aventuras: relatos desde los confines de la Tierra. The background knowledge students bring to this unit will greatly enhance their understanding of the trade books used in this unit.

Trade books in this unit:
Instruction in this unit revolves around the following collection of high-interest authentic trade books. One copy of each trade book is included with the unit materials.

  • My Name Is Gabito/Me llamo Gabito por Monica Brown
  • Galápagos Girl/Galapagueña por Marsha Diane Arnold
  • My Name Is Gabriela/Me llamo Gabriela por Monica Brown
  • El viaje de Kalak por María Quintana Silva y Marie-Noëlle Hébert
  • Señorita Mariposa por Ben Gundersheimer
  • Sharuko, el arqueólogo peruano/Peruvian Archaeologist Julio C. Tello por Monica Brown
  • Abuelita fue al mercado por Stella Blackstone

Sample materials:
Take a sneak peek at the rich instruction and engaging activities for this unit by viewing the PDFs below.

Why we added this unit:
With this domain, students head up, up, and away with an introduction to the soaring history of aviation. Students learn the stories of early aviators, such as the Montgolfier brothers, the Wright brothers, Aida de Acosta, and Amelia Earhart.

During the unit, students study the science of flight, including the physics concept of lift, and research the social impacts of the world of flight. Finally, students let their research skills take flight as they explore key figures from the world of aviation.

The lessons in this domain build on earlier Grade 2 Caminos domains about the westward expansion, early Greek civilizations, and Greek myths, and lay the foundation for learning about other periods of world history in future grades.

How this unit builds knowledge:
This unit builds upon the following Caminos units that students will have encountered earlier in the year.

  • La civilización griega antigua (Grade 2)
  • Mitos griegos (Grade 2)
  • La expansión hacia el oeste (Grade 2)

The specific core content targeted in these domains is particularly relevant to the Read-Alouds students will hear in ¡A volar! La era de la aviación. The background knowledge students bring to this unit will greatly enhance their understanding of the trade books used in this unit.

Trade books in this unit:
Instruction in this unit revolves around the following collection of high-interest authentic trade books. One copy of each trade book is included with the unit materials.

  • ¡A volar! Todo sobre aviones por Jennifer Prior
  • Amelia sabe volar por Mara dal Corso
  • Héroes de la aviación que cambiaron el mundo por Dan Green
  • El niño que alcanzó las estrellas por José M. Hernández
  • La niña que aprendió a volar por Sylvia Acevedo
  • Buenas Noches Capitán Mamá por Graciela Tiscareño-Sato

Sample materials:
Take a sneak peek at the rich instruction and engaging activities for this unit by viewing the PDFs below.

Why we added this unit:
This domain teaches students about the vibrant music, poetry, and culture of the Jazz Age in the United States. Students learn about famous writers and musicians like Langston Hughes, Louis Armstrong, Billie Holiday, Melba Liston, Tito Puente, and Miles Davis. They study how the jazz art form took root in the South, then spread to the North to become the sound of the Harlem Renaissance, eventually connecting people around the world in musical expression.

During this unit, students perform guided research to further explore both the history of jazz and what jazz is today. They develop research skills and then use those skills to find deeper connections between the stories and music of the Jazz Age and music today. As students learn about the world of jazz, they collaborate and share ideas with their classmates. They also practice sharing feedback focused on their written work, and, at the end of the unit, students present their research to the group.

The lessons give students opportunities to dive into the rhythms and stories of jazz, utilizing the knowledge sequence in this unit to:

  • Collaboratively generate research questions about jazz, jazz musicians, contemporary musicians from the state where they live or have lived, and the evolution of jazz music.
  • Utilize Read-Alouds, independent reading, and partner reading to learn about the Jazz Age, the Harlem Renaissance, jazz music, and biographies of celebrated jazz musicians and writers.
  • Research the answers to their generated questions, gather information, write a short research essay about a famous jazz musician, write a short essay about a contemporary musician from the state where they live or have lived, and give a presentation about their research.

How this unit builds knowledge:
Within this unit, students have opportunities to:

  • Ask relevant questions and make pertinent comments
  • Identify details in texts
  • Determine key ideas of texts by evaluating details
  • Make text-based inferences
  • Generate questions based on prior knowledge and gathered information
  • Synthesize details across texts to demonstrate comprehension
  • Discuss and explain an author’s purpose
  • Identify and cite reliable primary and secondary sources of information
  • Compose a well-organized and focused informative essay
  • Make connections between topics
  • Present information using appropriate media

Trade books in this unit:
Instruction in this unit revolves around the following collection of high-interest authentic trade books. One copy of each trade book is included with the unit materials.

  • ¡Esquivel! Un artista del sonido de la era espacial por Susan Wood
  • Ray Charles por Sharon Bell Mathis
  • Tito Puente, el Rey del Mambo por Monica Brown
  • Me llamo Celia, la vida de Celia Cruz por Monica Brown
  • ¡Azúcar! por Ivar Da Coll

In this unit, students also read the poem “Harlem” by Langston Hughes. (Available for free through the Academy of American Poets website and the Poetry Foundation website, with recorded audio available through the website for John Hancock College Preparatory High School.)

Sample materials:
Take a sneak peek at the rich instruction and engaging activities for this unit by viewing the PDFs below.

Why we added this unit:
With this domain, students become tomorrow’s problem solvers in this study of energy in the United States. Analytical reading skills are developed by examining the challenges of early energy innovators. Students then read about current energy practices and young energy change-makers across the world.

Throughout the unit, students conduct research into different sources of energy and present a proposal, putting them in the shoes of future energy innovators. They also use the knowledge sequence in this unit to:

  • Collaboratively analyze texts to identify cause-effect and problem-solution relationships.
  • Generate questions and conduct research about energy.
  • Write an opinion essay making their case for a fuel of the future.
  • Create energy proposals using primary and secondary resources.

How this unit builds knowledge:
This unit builds upon the following Caminos units that students will have encountered in previous grades as well as earlier in the year.

  • Plantas (Grade K)
  • La historia de la Tierra (Grade 1)
  • ¡Eureka! Estudiante inventor (Grade 4)

The specific core content targeted in these domains is particularly relevant to the Read-Alouds students will hear in Energía: pasado, presente y futuro. The background knowledge students bring to this unit will greatly enhance their understanding of the trade books used in this unit.

Trade books in this unit:
Instruction in this unit revolves around the following collection of high-interest authentic trade books. One copy of each trade book is included with the unit materials.

  • La historia de los combustibles fósiles por William B. Rice
  • El niño que domó el viento por William Kamkwamba y Bryan Mealer

Sample materials:
Take a sneak peek at the rich instruction and engaging activities for this unit by viewing the PDFs below.

Why we added this unit:
Within this domain, Students learn about General Granger’s announcement in Galveston, Texas on June 19, 1865, a day marked in history as Juneteenth. Texts and multimedia sources will support foundational knowledge-building about the end of slavery in the United States. A review of the first freedom announcement, President Lincoln’s Emancipation Proclamation, provides students with background knowledge to further emphasize the significance of Juneteenth in American history.

This unit also takes students on a journey beyond Juneteenth, as they study specific contributions of African Americans from 1865 to the present day. Students participate in a virtual field trip to Emancipation Park in Houston, Texas and use the knowledge sequence in this unit to:

  • Collaboratively generate research questions about Juneteenth, The Great Migration, innovators and inventors, education, the humanities, activists, and allies.
  • Use Read-Alouds, independent, and partner reading to learn about African American contributions from 1865 to the present.
  • Research to find answers to their generated questions, gather information, and write a four-chapter Beyond Juneteenth book.

How this unit builds knowledge:
This unit builds upon the following Caminos units that students will have encountered in previous grades.

  • Los nativos americanos (Grade K)
  • Una nueva nación: la independencia de los Estados Unidos (Grade 1)
  • La Guerra Civil de los Estaods Unidos (Grade 2)
  • La inmigración (Grade 2)
  • Los nativos americanos (Grade 5)

The specific core content targeted in these domains is particularly relevant to the Read-Alouds students will hear in Más allá de Juneteenth: de 1865 al presente
. The background knowledge students bring to this unit will greatly enhance their understanding of the trade books used in this unit.

Trade books in this unit:
Instruction in this unit revolves around the following collection of high-interest authentic trade books. One copy of each trade book is included with the unit materials.

  • Martí’s Song for Freedom/Martí y sus versos por la libertad escrito por Emma Otheguy
  • ¡Celebremos Juneteenth! escrito por Carole Boston Weatherford
  • Side by Side/Lado a Lado: The Story of Dolores Huerta and Cesar Chavez/La Historia de Dolores Huerta y César Chávez escrito por Monica Brown
  • Canto de alabanza para el día: Poema para la ceremonia inaugural del mandato de Barack Obama escrito por Elizabeth Alexander, traducido por Rodrigo Rojas

Sample materials:
Take a sneak peek at the rich instruction and engaging activities for this unit by viewing the PDFs below.

Wide-ranging texts

Amplify Caminos puts a variety of texts in the hands of students every day.

Amplify Caminos includes both transadaptations and authentic texts written by Latin American and Spanish authors. Our texts feature a wide variety of authors, topics, individuals and characters representing many different socioeconomic statuses, ages, abilities, races, ethnicities, countries of origin, religions, and more.

Amplify Caminos texts include:

  • Authentic literature: Authentic literature exposes students to a variety of text types and perspectives to deepen their knowledge of fascinating topics in social studies, science, literature, and the arts. Authentic texts support text-to-self, text-to-world, and text-to-text connections for readers.
  • Decodable Student Readers: Decodable Student Readers at grades K–2 are newly redesigned to include students from all walks of life and educational backgrounds. They feature characters with a broad range of backgrounds, experiences, ages, races, religions, and more.
  • ReadWorks® texts: Amplify and ReadWorks have partnered to deliver high-quality texts curated to support the Amplify Caminos Knowledge Sequence and to extend student learning. Texts include high-interest nonfiction articles in topics in social studies, science, literature, and the arts. These texts are accompanied by vocabulary supports and standards-aligned formative assessment opportunities. Teachers can monitor their students’ progress using the ReadWorks reporting features.
Three children's book covers in Spanish are shown: "La Flor de Oro," "El conejo en la Luna," and "El secreto de las hormigas," each featuring illustrated artwork.

Amplify Caminos Trade Book Collection Guide

Each book in our authentic literature collection was selected specifically to support and enhance the content of the K-2 Conocimiento Strand. These anchor texts are intended for use as an introduction to each domain—engaging students, piquing their curiosity, and building initial background knowledge—before diving into the deeper content of the domain Read-Alouds.

Every trade book has an instructional guide that includes the following:

  • Author and illustrator
  • Book summary
  • The Essential Question of the Knowledge domain, connecting the book to the domain
  • Key Tier 2 and Tier 3 vocabulary words found in the book
  • A group activity to reinforce and extend students’ knowledge and understanding
  • A performance task to help gauge students’ comprehension of concepts in the text
  • Writing prompts to expand understanding and critical thinking
  • Text complexity ratings and descriptors for quantitative, qualitative, and reader/task categories

Download the Amplify Caminos Trade Book Collection Guide for Grades K–2.

Detailed information about text complexity ratings and descriptors; additional uses for the books before, during, and after domain instruction; and the complete list of domains and books for each grade level can be found in the More About the Books section of this guide.

What makes Amplify Caminos different?

Built on the Science of Reading

Built out of the latest research in the Science of Reading, Amplify Caminos delivers explicit instruction in both foundational literacy skills (systematic phonics, decoding, and fluency) and background knowledge in grades K–2 with an integrated approach to explicit instruction in grades 3–5.

Flowchart showing "Language comprehension" times "Word recognition" equals "Skilled reading," with text in both Spanish and English inside orange boxes.

Explicit systematic skills instruction

The skills instruction in Amplify Caminos was distinctly developed with the Spanish language in mind. Its foundational lessons are specific to the language, rather than a direct translation from Amplify CKLA’s English skills instruction.

Reading instruction begins with the vowels first, then the most common consonants, and finally the least common consonants. Students will blend and segment sounds to form syllables, and syllables to form words.

Although Spanish has a highly predictable orthography, there are a few silent letters (h is always silent, u is silent after g or q), as well as letters that can make different sounds, depending on the letters that follow them. For that reason, syllables with these letters are taught somewhat later in the progression. The same is true for syllables with infrequently occurring consonants, such as z, k, x, and w.

Coherent knowledge instruction

While students are learning how to read, the Conocimiento strand gives them authentic and engaging reasons to read.

Amplify Caminos uses spiral learning to reinforce every student’s ability to develop skills like reading, writing, speaking, and listening in Spanish that can be transferred to English. As students engage with their lessons, they explore the similarities and differences in grammar, vocabulary, writing, and language use between Spanish and English. This bridge helps students learning two languages to strengthen their knowledge in both.

Through cross-curricular content, students explore units that relate to storytelling, science, and the history of our world in a holistic and thoughtful way. With these units, you’ll bring the world to your students, showing them how reading can become an exciting, rewarding, and useful part of their lives.

Embedded differentiation for all learners

Amplify Caminos provides built-in differentiation strategies and supports in every lesson.

  • Apoyo a la enseñanza y desafío: Support and Challenge suggestions in every lesson provide assistance or opportunities for more advanced work toward the goal of the lesson.
  • Notas culturales: These point-of-use notes provide additional information about the traditions, foods, holidays, word variations, and more from across the Spanish-speaking world.
  • Apoyo adicional: Every lesson in the Lectoescritura (Skills) Strand provides additional support activities suggested to reinforce foundational skills instruction. These activities can be given to any student who requires extra help, including students with special needs.

Systematic and cohesive writing instruction

Writing instruction in Amplify Caminos builds systematically and cohesively within and across grades.

In Grades K-2, writing mechanics—including handwriting and spelling—are taught in the Amplify Caminos Lectoescritura strand. Starting in Grade 1, instruction includes four steps in the writing process: planning, drafting, editing, and publishing and features lessons that have modeling, collaboration, and sharing. As students gain skills and confidence, they are able to take on more of these steps independently. Students learn to use planning techniques, including brainstorming and graphic organizers.

Beginning in Grade 4, the Amplify Caminos writing process expands to also include sharing and evaluating. In Grades 4 and 5, the writing process is no longer conceptualized as a series of scaffolded, linear steps (an important change from the Grade 3 writing process). Rather, students move between components of the writing process in a flexible manner, similar to the process mature and experienced writers follow naturally.

young male students writing with a pencil

Amplify Caminos’ writing instruction provides a clear progression through the text types in each grade.

Because Amplify Caminos has two strands of lessons in Grades K-2, Lectoescritura and Conocimiento, students are exposed to both narrative and informational texts throughout the year. In Grades 3-5, the integrated units feature study in literary, informational, or a mix of both types of texts, depending on the content of the unit.

  • Grades K–2 introduce and establish the key elements of each text type, allowing students to gain comfort and confidence writing narratives, opinions, and informative texts. This enables students to practice thinking about content in different ways, offering more depth and breadth to their understanding of core content and of the writing text types.
  • By Grade 3, students will have gained significant practice in narrative, opinion/argumentative, and informational/explanatory forms of writing and will continue to apply those skills through Grade 5.

How does Amplify Caminos integrate with the other parts of the literacy system?

Amplify Caminos + mCLASS® Lectura

Achieve complete parity between English and Spanish assessments with mCLASS Lectura for K–6. mCLASS Lectura allows teachers to connect with their Spanish-speaking students face-to-face, one-on-one, and in the language most comfortable to them. The result? Valid and reliable student data reports
available in both English and Spanish, enabling teachers to pinpoint where their Spanish-speaking or emergent bilingual students really are in their skill development and what instruction to prioritize.

A laptop screen displays a slide describing the Lectura data-driven instructional cycle with sections for Assessment, Reporting, and Instruction, each illustrated with sample interface screenshots.

Amplify Caminos + Amplify Reading

Amplify Reading is an engaging, adaptive digital program that extends the learning in Amplify Caminos. Amplify Reading offers support to a large sub-group of English learners (ELs) through Spanish voice-over. Spanish voiceover instructions are available in vocabulary and sentence-level comprehension games so ELs can build their vocabulary, language, and critical comprehension skills before moving into analyzing complex texts

Language selection screen with options for English and Spanish, and an illustrated girl saying “¡Hola!” in a speech bubble. The heading reads “Idiomas.”.

Demo access and sample materials

Ready to explore on your own? First, watch the videos below to learn about the program’s components and how to navigate the digital platform.

Physical materials walkthrough video

Digital navigation video

Demo access

Next, follow the instructions below to access your demo account.

  • Click the CKLA and Caminos Demo button below.
  • Select Log in with Amplify.
  • To explore as a teacher, enter this username: t1.sfusdreviewer@demo.tryamplify.net
  • To explore as a student, enter this username: s1.sfusdreviewer@demo.tryamplify.net
  • Enter the password: Amplify1-sfusdreviewer
  • Click the Programs and apps menu
  • Select CKLA Teacher Resource Site
  • Select the desire grade level
  • Use the toggle to switch between English (CKLA) and Spanish (Caminos) resources.
CKLA and Caminos Demo

Sample materials

Finally, click on the grade levels below to explore your requested sample units.

Conocimiento Strand:

Lectoescritura Strand:

Conocimiento Strand:

Lectoescritura Strand:

Integrated Strand

Additional resources

Two books titled "The Knowledge Gap" and "The Writing Revolution" by Natalie Wexler, beside a portrait of a woman with short, curly hair and a blue top.

Leadership and literacy brunch with Natalie Wexler

with Amplify and Riverside USD 

Thursday, February 27, 2020

9:30–11:30 a.m. PST

Location:
Benjamin Franklin Elementary School – Library
19661 Orange Terrace Parkway
Riverside, CA 92508

Registration deadline: Space is limited at this free event! RSVP by February 20 to secure your spot. 

Who should attend: Supervisors, ELA and reading directors, curriculum coordinators, and principals. 

Register now!

About the event

Join us for a free brunch, author talk, and book signing with education writer and author Natalie Wexler on February 27 from 9:30–12 a.m.

During our time together, Natalie will discuss the latest research around reading, writing, and engagement in elementary school, along with the key findings of her book The Knowledge Gap: The Hidden Cause of America’s Broken Education System—and How to Fix It (2019).

As our guest, you’ll:

  • Meet and hear from education writer and author Natalie Wexler.
  • Mingle with other district leaders from Riverside USD and surrounding areas.
  • Enjoy a delicious brunch with colleagues.
  • Leave with a signed copy of Natalie Wexler’s book The Knowledge Gap: The Hidden Cause of America’s Broken Education System—and How to Fix It (2019).

Agenda:

9:30 a.m.: Arrive, check in, and visit our brunch buffet.
10–11 a.m.: Hear from Natalie Wexler
11–11:15 a.m.: Q&A with Natlie Wexler
11:15–11:30 a.m.: Book signing

Banquet room set up for an event with round tables, black chairs, floral centerpieces, and place settings, next to large windows and doors overlooking an outdoor patio.
A woman with short curly blonde hair is smiling next to the cover of the book "The Knowledge Gap" against a background with blue, yellow, and orange curved stripes.

Natalie Wexler

Natalie Wexler is an education writer and the author of The Knowledge Gap: The Hidden Cause of America’s Broken Education System—and How to Fix It (2019). She is also the co-author, with Judith C. Hochman, of The Writing Revolution: A Guide to Advancing Thinking Through Writing in All Subjects and Grades (2017) and a senior contributor to Forbes. Her articles and essays have appeared in The New York Times, The Washington Post, The Atlantic, and other publications. Before turning to education, Wexler worked as a freelance writer and essayist on a variety of topics, and as a lawyer and legal historian. She lives in Washington, D.C.

Submit this form to register for the event!

Two books titled "The Knowledge Gap" and "The Writing Revolution" by Natalie Wexler, beside a portrait of a woman with short, curly hair and a blue top.

Leadership and literacy brunch with Natalie Wexler

with Amplify and Riverside USD 

Thursday, February 27, 2020

9:30–11:30 a.m. PST

Location:
Benjamin Franklin Elementary School – Library
19661 Orange Terrace Parkway
Riverside, CA 92508

Registration deadline: Space is limited at this free event! RSVP by February 20 to secure your spot. 

Who should attend: Supervisors, ELA and reading directors, curriculum coordinators, and principals. 

Register now!

About the event

Join us for a free brunch, author talk, and book signing with education writer and author Natalie Wexler on February 27 from 9:30–12 a.m.

During our time together, Natalie will discuss the latest research around reading, writing, and engagement in elementary school, along with the key findings of her book The Knowledge Gap: The Hidden Cause of America’s Broken Education System—and How to Fix It (2019).

As our guest, you’ll:

  • Meet and hear from education writer and author Natalie Wexler.
  • Mingle with other district leaders from Riverside USD and surrounding areas.
  • Enjoy a delicious brunch with colleagues.
  • Leave with a signed copy of Natalie Wexler’s book The Knowledge Gap: The Hidden Cause of America’s Broken Education System—and How to Fix It (2019).

Agenda:

9:30 a.m.: Arrive, check in, and visit our brunch buffet.
10–11 a.m.: Hear from Natalie Wexler
11–11:15 a.m.: Q&A with Natlie Wexler
11:15–11:30 a.m.: Book signing

Natalie Wexler

Natalie Wexler is an education writer and the author of The Knowledge Gap: The Hidden Cause of America’s Broken Education System—and How to Fix It (2019). She is also the co-author, with Judith C. Hochman, of The Writing Revolution: A Guide to Advancing Thinking Through Writing in All Subjects and Grades (2017) and a senior contributor to Forbes. Her articles and essays have appeared in The New York Times, The Washington Post, The Atlantic, and other publications. Before turning to education, Wexler worked as a freelance writer and essayist on a variety of topics, and as a lawyer and legal historian. She lives in Washington, D.C.

Submit this form to register for the event!

1. Service Overview

As a provider of technology solutions to schools, Amplify’s commitment to data privacy and security is essential to our organization. This overview of Amplify’s Information Security Program describes physical, technical and administrative safeguards Amplify implements to protect student data in our care.

Company profile

Amplify Education, Inc. (Amplify) is a privately held company founded in 2000 as Wireless Generation. Amplify’s products include curriculum and instruction, assessment and intervention, professional development services and consulting services for K-12 education.

Service hosting

Amplify leverages Amazon Web Services (AWS) as its cloud hosting provider. Within AWS, Amplify utilizes Virtual Private Clouds (VPCs), which provide an isolated cloud environment within the AWS infrastructure. External network traffic to a VPC is managed via gateway and firewall rules, which are maintained in source code control to ensure that the configuration remains in compliance with Amplify security policy. In addition, the production VPCs and the development VPCs are isolated from each other and maintained in separate AWS accounts.

2. Policies & standards

Information security program

Amplify maintains a comprehensive information security program based on the National Institute of Standards and Technology (NIST) Cybersecurity Framework and the NIST SP 800-53 Rev. 5 family of information security controls. These provide a robust framework of best practices from which an organization can build its security policies and protocols based on identified risks, compliance requirements, and business needs. They cover critical practice areas, including access control, configuration management, incident response, security training, and other information security domains.

Governance

Amplify’s Information Security Committee has primary responsibility for the development, maintenance, and implementation of the Amplify information security program. The Information Security Committee is responsible for all information risk management activities within the company and is composed of technology, business and legal leaders from the organization. The Committee meets weekly and includes a dedicated VP of Information Security and a program manager to oversee, direct and coordinate its activities.

Policy execution

Adherence to the internal Amplify information security policy is an obligation of every Amplify employee. Amplify conducts a series of internal monitoring procedures to verify compliance with internal information security policies, and all Amplify employees undergo annual criminal background checks. In addition, any third-party contractors who come into contact with systems that may contain student data are contractually bound to maintain security and privacy of the data.

3. Data access controls

Access control

Amplify’s access control principles dictate that all student data we store on behalf of customers is only accessible to district-authorized users and to a limited set of internal Amplify users who may only access the data for purposes authorized by the district. Districts maintain control over their internal users and may grant or revoke access.

In limited circumstances and strictly for the purposes of supporting school districts and maintaining the functionality of systems, certain Amplify users may access Amplify systems with student data. All such access to student data by Amplify technicians or customer support requires both authentication and authorization to view the information.

Encryption

Data encryption is an important element of our protection of sensitive data at rest and in transit, and is reviewed and updated as appropriate annually, based on the latest standards and guidelines published by OWASP and NIST.

  • In transit: Amplify encrypts all student data in transit over public connections, using Transport Layer Security (TLS), commonly known as SSL, using industry-standard protocols, ciphers, algorithms, and key sizes.
  • At rest: Amplify encrypts student data at rest using the industry-standard AES-256 encryption algorithm.

4. Application security by design

Building the right roles into applications

Permissions within Amplify applications are designed on the principle that school districts control access to all student data. To facilitate this, Amplify applications are designed so that roles and permissions flow from the district to the individual user. For example, applications that offer schools a way to collect and report on assessment results have a web interface that requires district administrators to authorize individuals to view student data.

Security controls within applications are used to ensure that the desired privacy protections are technically enforced within the system. For example, if a principal is supposed to see only the data related to his or her school, Amplify ensures that, throughout the design and development process, our products restrict principals from seeing records for any students outside his or her school.

To make sure Amplify applications properly enforce permissions and roles, our development teams conduct reviews early in the design process to ensure roles and permissions are an essential component of the design of new applications.

Building security controls into applications

Amplify applications are also developed to minimize security vulnerabilities and ensure industry-standard application security controls are in place.

As part of the development process, Amplify has a set of application security standards that all applications handling student data are required to follow, including:

  • Student data is secured using industry standard encryption when in transit between end-users and Amplify systems.
  • Applications are built with password brute-force attack prevention.
  • User sessions expire after a fixed period of time.

We also conduct manual and automated static code analysis as well as dynamic application security testing to preemptively identify vulnerabilities published by industry leaders such as OWASP (Open Web Application Security Project)

5. Proactive security

Risk assessments

Amplify periodically engages a security consulting firm to conduct risk assessments, aimed at identifying and prioritizing security vulnerabilities. The Information Security Committee coordinates remediation of the vulnerabilities. The security consulting firm also provides ongoing advice on current risks and advises on remediation of vulnerabilities and incident response.

Penetration testing

Amplify engages third-party firms to continually conduct application penetration testing.  The purpose of this testing is to test for application security vulnerabilities in the production environment.  We work with third party penetration testing program partners. Third-party testing involves a combination of automated and manual testing.

Vulnerability management

Amplify ensures that its systems are free of known vulnerabilities in several ways. Every production server runs vulnerability detection software that compares the installed software against a global database of known vulnerabilities. Secondly, we employ real time network monitoring that reports on any potentially malicious traffic. In addition, a third-party security firm continually reviews all of our system logs for potential security breaches. Lastly we continually test our applications against common malicious internet traffic. Violations in any of these areas will alert one of our operations teams, who are available around the clock.

In addition, Amplify participates in a private bug bounty program through HackerOne, working with the security community to find security vulnerabilities and support our efforts to keep our data and systems safe and secure.

Endpoint security

Access to production systems at Amplify is restricted to a limited set of internal Amplify users to support technical infrastructure, troubleshoot customer issues, or other purposes authorized by the district. In addition, Amplify requires multi-factor (MFA) authentication methods for access to all production systems. MFA involves a combination of something only the user knows and something only the user can access. For example, MFA for administrative access could involve entering a password as well as entering a one-time passcode sent via text message to the administrator’s mobile phone. The use of MFA reduces the possibility that an unauthorized individual could use a compromised password to access a system.

Infrastructure security

Network filtering technologies are used to ensure that production environments with student data are properly segmented from the rest of the network. Production environments only have limited external access to enable customers to use our web interfaces and other services. In addition, Amplify uses firewalls to ensure that development servers have no access to production environments.

Other measures that Amplify takes to secure its operational environment include system monitoring to detect anomalous activity that could indicate potential attacks and breaches.

Security training

At Amplify, we believe that protecting student data is the responsibility of all employees. We implemented a comprehensive information security awareness training program that all employees  undergo upon initial hire, with an annual refresher training. We also provide information security training and annual social engineering tests for specific departments based on role.

6. Reactive security

Monitoring

Intrusion detection and prevention systems (IDS/IPS) are in place to analyze the network device logs, monitor the network and report anomalous activity for appropriate resolution.

Incident response

Amplify maintains a comprehensive Security Incident Response Policy Plan, which sets out roles, responsibilities and procedures for reporting, investigation, containment, remediation and notification of security incidents. Amplify works with reputable firms for incident response and digital forensics support, as well as annual table-top exercises in coordination with cybersecurity experts.

Business Continuity Planning and Disaster Recovery

Amplify maintains a comprehensive Business Continuity Planning and Disaster Recovery Plan (BCP/DR), to guide personnel in procedures to protect against business disruptions caused by an unexpected event. The plans and related operations processes are tested on a semiannual basis, with ensuing operations improvement and remediation work.

7. Compliance

Audits

In addition to penetration testing and other proactive security testing and monitoring outlined above, Amplify undergoes annual SOC 2 Type 2 examinations of controls relevant to security. The examination is formally known as a Type 2 Independent Service Auditor’s Report on Controls Relevant to Security. The most recent examination was conducted by Schellman & Company, LLC and covers the period from April 1, 2024–March 31, 2025. The report states that Amplify’s systems meet the criteria for the security principle and opine on management’s description of the organization’s system and the suitability of the design of controls to protect against unauthorized access, use, or modification.

The Type 2 report also opines on the operating effectiveness of controls over the review period. This means that our auditors confirmed that we have continued to follow established security controls over the period of time of the review.

Certifications

SOC 2: Amplify successfully completed the SOC 2 Type 2 examination of controls relevant to security (see above, under “Audits”).

Privacy

Amplify’s products are built to facilitate district compliance with applicable data privacy laws, including FERPA and state laws related to the collection, access and review and disclosure of student data. Amplify’s Customer Privacy Policy describes the types of information collected and maintained on behalf of our school district customers and limitations on use and sharing of that data.

8. Supporting documentation

In the course of customer security assessment, the following documentation can be provided by Amplify upon customers’ request:

  • Penetration Testing Report
  • Risk Assessment Report
  • SOC 2 Type 2 Report

9. Report a vulnerability

To report a security vulnerability, click here.

Oregon Enhanced ELA State Review for K–5

To view this protected page, enter the password below:



Program details

Get started with Amplify Reading: 6–8 Edition.

Cuatro personajes con distintos disfraces y una gran máquina robótica con garras visibles se encuentran juntos sobre un fondo blanco.

Introduction

Amplify Reading 6–8 is a digital reading program laser-focused on helping students find deeper meaning in texts by teaching them to question everything they read.

To capture students’ imagination, Amplify Reading 6–8 takes the form of an interactive graphic novel called The Last Readers. This story is set in a dystopian future world run by Machines, where people are told what to read and what to think. But dissent is afoot. Recruited for the rebellion, students are trained in the powerful ways authors convey meaning and affect their audience.

What students learn

Exploring texts from literary classics to propaganda, from great speeches to scientific articles, students learn to analyze the moves that authors make to achieve their purposes. Chapter topics alternate between the close analysis of arguments and literary analysis.

Each chapter should take approximately one hour for students to complete.

How to integrate this program into your curriculum

Amplify Reading 6–8 is designed for students to work independently as they progress through the chapters of The Last Readers. For the last chapter of each book, teachers have the option to build on independent work through group and whole-class activities.

For the best experience, students should complete the chapters in order. The chapters and concepts build on each other and were designed to help students master close reading skills. While teachers can unlock chapters so students can work on specific concepts at any given moment, doing so may result in a less-than-ideal experience. Later lessons are locked by default, but we will provide the ability to unlock lessons from within the teacher dashboard.

How teachers are using Amplify Reading 6–8

Reinforcement of concepts

Many teachers find the program extremely helpful for reinforcing key reading skills in the core curriculum. They use it in class one or two times a week for 20 to 30 minutes over the course of a year.

Test preparation

The program features extensive practice with text-dependent questions, providing a fun and effective way for students to get comfortable answering those kinds of questions.

Other common uses

Teachers also use the program to introduce key close reading concepts, for extra practice or homework, as response to intervention, and for after-school and summer school programs.

Routines

  • Devoting one class period every week or two to having students work independently on The Last Readers. While students are working independently on devices, teachers can work with small groups who need extra support with their core curriculum work. Teachers can also assign students work in Practice Mode during class or for homework.
  • Treating each book of The Last Readers as a 2–3 week mini-unit that can be inserted between units of core curriculum instruction. In addition to having students work on the chapters during class, teachers can assign students work in Practice Mode in between chapters or for homework.
  • Regularly assigning The Last Readers to students as homework. Because students may move through the chapters at different paces, teachers may want to assign one chapter per week and ask students to work in Practice Mode for the rest of the week after they complete a chapter.

Pedagogical approach

In Amplify Reading 6–8:

  1. Students learn to question everything they read by engaging with a story-based adventure in which understanding every piece of text and every article, billboard, speech and poem is essential to the narrative.
  2. Students learn to leverage the same devices used by authors to convey meaning by creating new content that integrates seamlessly with the story.

Unlike other reading supplementals that rely solely on assessment questions and feedback, Amplify Reading 6–8 weaves digital instruction together with assessment, all within an immersive story where the analysis of text is a critical element of the plot. The storytelling is vivid, suspenseful, and complex, designed to provide students with purpose and agency as they take on ever more challenging and high-stakes close reading tasks.

Each mission includes three steps:

  1. Interactive instruction: Students engage with a specific close reading concept using digital manipulatives.
  2. Guided close reading: Students apply knowledge of the concept to a complex text.
  3. Creative application: Students use their knowledge of the concept to create new content that solves a story-based problem.

Literary and informational passages are paired with carefully crafted, text-dependent questions and technology-enhanced items that prepare students for the same types of questions they’ll face on high stakes assessments. All along the way, teachers receive reports that visualize activity and progress, and highlight areas of improvement. Teachers can also leverage the original content generated by students in each mission as a rich classroom discussion piece.

Combining content and pedagogy with the creativity and purpose of storytelling results in an experience that truly motivates students and gives them the skills and confidence to tackle complex text.

Standards and alignments

Download the complete scope and sequence.

The practice of close reading lies at the heart of the Common Core and many other state standards for English Language Arts. Instruction in close reading enables students to become attuned to the essential elements of authentic texts: from key ideas and claims to specific details and evidence; from the effects of single words to those of larger textual structures; from the significance of individual texts to the interrelated meanings of entire corpora.

The recent focus on close reading is reflected in the text-dependent questions that populate many recent state assessments of ELA proficiency. Text-dependent questions address students’:

  • understanding of vocabulary
  • understanding of syntax and structure
  • understanding of literary and argumentative devices
  • understanding of themes and central ideas

Amplify Reading 6–8 gives students the essential skills and confidence they need to address text-dependent questions and the standards to which they refer.

Additionally, each book of The Last Readers emphasizes at least one Common Core reading anchor standards associated with each of the ELA standards strands:

Book 1: KID 1 / C&S 4 / IKI 8

Book 2: KID 1, 2, 3 / C&S 4, 5, 6 / IKI 8

Book 3: KID 1, 2, 3 / C&S 4, 5, 6 / IKI 6, 7, 8

ANCHOR STANDARDCHAPTERS

CCSS.ELA-LITERACY.CCRA.R.1
Read closely to determine what the text says explicitly and to make logical inferences from it; cite specific textual evidence when writing or speaking to support conclusions drawn from the text.

Books 1, 2, 3: All chapters

CCSS.ELA-LITERACY.CCRA.R.2
Determine central ideas or themes of a text and analyze their development; summarize the key supporting details and ideas.

Book 2: Chapters 9, 10, 12, 14, 16
Book 3: All chapters

CCSS.ELA-LITERACY.CCRA.R.3
Analyze how and why individuals, events, or ideas develop and interact over the course of a text.

Book 2: Chapters 10, 12, 14
Book 3: All chapters

CCSS.ELA-LITERACY.CCRA.R.4
Interpret words and phrases as they are used in a text, including determining technical, connotative, and figurative meanings, and analyze how specific word choices shape meaning or tone.
Book 1: Chapters 2, 3, 4, 6, 7, 8
Book 2: All chapters
Book 3: All chapters

CCSS.ELA-LITERACY.CCRA.R.5
Analyze the structure of texts, including how specific sentences, paragraphs, and larger portions of the text (e.g., a section, chapter, scene, or stanza) relate to each other and the whole.

Book 2: Chapters 9, 11, 13, 15, 16
Book 3: All chapters

CCSS.ELA-LITERACY.CCRA.R.6
Assess how point of view or purpose shapes the content and style of a text.

Book 2: Chapters 9, 11, 16
Book 3: At least 50% of the chapters

CCSS.ELA-LITERACY.CCRA.R.7
Integrate and evaluate content presented in diverse media and formats, including visually and quantitatively, as well as in words.

Book 3: At least 50% of the chapters

CCSS.ELA-LITERACY.CCRA.R.8
Delineate and evaluate the argument and specific claims in a text, including the validity of the reasoning as well as the relevance and sufficiency of the evidence.

Book 1: Chapters 1, 5, 8
Book 2: Chapters 9, 11, 13, 15
Book 3: At least 50% of the chapters

CCSS.ELA-LITERACY.CCRA.R.9
Analyze how two or more texts address similar themes or topics in order to build knowledge or to compare the approaches the authors take.
Book 3: At least 50% of the chapters

CCSS.ELA-LITERACY.CCRA.R.10
Read and comprehend complex literary and informational texts independently and proficiently.

Books 1, 2, 3: All chapters

Levels

Because each classroom represents a wide range of reading abilities, teachers can assign students to unique learning tracks that are tailored to provide the level of support each student needs.

After your students have enrolled in a class, you can assign them to a particular level in Reporting. All students will be automatically enrolled in the Core level. It is recommended that you assign all students to whatever level is most appropriate for them before they begin chapter 1. You can change a student’s level at any time.

LEVELDESIGNED FOR

CORE

Students whose reading levels fall within the middle school band.

EXTRA SUPPORT
Students who are reading below middle school level or with limited English proficiency. The instructional content and texts have been adapted or replaced to support students who “can engage in complex, cognitively demanding social and academic activities requiring language when provided moderate linguistic support.” Support includes streamlined, scaffolded content that integrates the built-in-dictionary tool, so students can access content and academic vocabulary at their language level and above. For productive written activities, students are given supports such as sentence frames to help them develop structured academic responses.


ADVANCED (coming soon)

We are developing an advanced level that will challenge readers with more complex texts and prompts, and with additional content.

Included texts

Book 1

Book 2

Book 3

S3-04: Using AI and ChatGPT in the science classroom

A graphic with the text "Science Connections" and "Amplify" features colorful circles and curved lines on a dark gray background.

In the latest episode of the Science Connections podcast, we explore AI in education and its impact on students. Listen as I sit down with teachers Donnie Piercey and Jennifer Roberts to discuss ChatGPT and how we can use it to build science and literacy skills in K–12 classrooms while preparing students for the real world.

And don’t forget to grab your Science Connections study guide to track your learning and find additional resources!

We hope you enjoy this episode and explore more from Science Connections by visiting our main page!

DOWNLOAD TRANSCRIPT

Jennifer Roberts (00:00:00):

If a kid graduates from school without knowing that AI exists, they’re not gonna be prepared for what they face out in the world.

Eric Cross (00:00:07):

Welcome to Science Connections. I’m your host, Eric Cross.

Eric Cross (00:00:12):

This season of the podcast, we’re making the case for everyone’s favorite underdog, science. Recently we’ve been highlighting the magic that can come from integrating science and literacy. So if you haven’t checked out those recent episodes, definitely go back in your feed after you’re done with this one. This time around, we’re going to deep dive into what artificial intelligence means for literacy instruction, and how science can be a force for good, in responsibly exposing students to AI. To help me out, I’m joined by two extremely accomplished educators. Jen Roberts, a veteran high-school English teacher from San Diego, who among many things runs the website LitAndTech.com. And I’m also joined by fifth-grade teacher Donnie Piercey. In addition to being Kentucky’s 2021 Teacher of the Year, Donnie also has an upcoming book about bringing AI into the classroom. Whether you’ve never heard of ChatGPT or whether you’re already using it every day, I think you’ll find this a valuable discussion about the intersection of science, English, and technology. Here’s Jen and Donnie.

Eric Cross (00:01:17):

So first off, welcome to the show. It’s good to see you all. What I wanna do is kind of start off by introducing both of you. And so we’ll just go K–12. So <laugh>, Donnie.

Jennifer Roberts (00:01:30):

Donnie goes first.

Eric Cross (00:01:31):

Donnie’s gonna go first. Donnie out in Kentucky. Just a little background. What do you teach; how long you’ve been in the classroom; and what are you having fun with right now?

Donnie Piercey (00:01:38):

Yeah, so my name is Donnie Piercey. I’m a fifth-grade teacher from Kentucky. Live and teach right here in Lexington, Kentucky, right in the center of the state. I’m the 2021 Kentucky Teacher of the Year. But I’ve been teaching elementary school for the past … I think this is year 16 or 17. It’s long enough where I’ve lost count, and I can’t even count on fingers anymore. My friends like to joke that I’ve taught long enough where now I can count down. You know, it’s like, “All right, only so many more years left.” But yeah, teach all subjects. Science definitely is one of the subjects that I don’t just try to squeeze into my day, but make sure that … it’s not even a devoted subject, but one that I definitely try to — don’t just have that set time, but also try to do some cross-curricular stuff with it. So definitely the rise of AI in these past few months, which feels like years by this point, has definitely played quite the role, in not just changing the way that I’ve been teaching science, but really all my subjects. So, excited to chat with y’all about it.

Eric Cross (00:02:47):

Nice. I’m excited that you’re here. And Jen?

Jennifer Roberts (00:02:51):

Hi, I’m Jen Roberts. I teach ninth-grade English at Point Loma High School, and that’s where I usually stop when I introduce myself. But for your sake—

Eric Cross (00:03:00):

I will keep introducing you if you stop there. <laugh>

Jennifer Roberts (00:03:04):

I am nationally board-certified in English Language Arts for early adolescence. I am the co-author of a book called Power Up: Making the Shift to 1:1 Teaching and Learning, from Stenhouse, with my fabulous co-author Diana Neebe. Shout out to Diana. I blog at LitAndTech.com about teaching and technology and literacy and the intersection of those things. And I’m looking forward to talking about how AI is showing up in my classroom and the fun things I’m doing with it.

Donnie Piercey (00:03:31):

And one of us is actually secretly a robot, and you have to guess which one.

Jennifer Roberts (00:03:35):

Have to guess which one. Yes. <laugh>

Eric Cross (00:03:37):

That would be super-meta. And you were the CUE — Computer-Using Educator — outstanding teacher or educator? Whatever. Either one. Of the year.

Jennifer Roberts (00:03:45):

I was the CUE ’22 Outstanding Educator. Yes. And I’ve won a few other things as well.

Eric Cross (00:03:53):

The gaming backpack.

Jennifer Roberts (00:03:54):

I’ve won a gaming backpack recently! Yes. I once won an iPad in a Twitter chat.

Eric Cross (00:03:58):

What?

Donnie Piercey (00:03:58):

What’s a gaming backpack? Hold on. We need to talk about that.

Jennifer Roberts (00:04:01):

We will talk about that. <laugh> And then, I was once a finalist for county Teacher of the Year. That’s as close as I got to Donnie. Donnie was the Kentucky Teacher of the Year. He got to go to the White House and stuff. That was exciting.

Donnie Piercey (00:04:13):

<laugh> I mean, to be fair, there’s only three million people in Kentucky, and about what, 50 million people that live in California? <Laugh> So odds are definitely stacked in my favor, I think.

Jennifer Roberts (00:04:23):

So you’re saying we’re even there? Is that, is that what you’re going for?

Donnie Piercey (00:04:25):

Yeah, evens out. Evens out.

Eric Cross (00:04:27):

So I’ve been looking forward to talking to you both for a while now, and talking about artificial intelligence. It’s like the big thing. And both of you, at different ends of the spectrum and in my life, have contributed to this. Donnie, you’ve been sharing so much great information online about how you’re using AI in elementary. Jen, you are the reason I got into education technology years ago, right when I was becoming a teacher. And so being able to talk with you both about it excites me a lot. So first off, for the listeners who may not have any experience with it — and there’s still a lot of people out there who have not been exposed to it, haven’t got their feet wet with it yet — I’m hoping we could start off maybe with an explanation of … we could do AI, ChatGPT, I know that’s the big one. But simply explaining what it is, just for the new person. And whoever wants to start off can tell us about it. Or maybe we’ll start … we’ll, let’s actually, let’s do this: Let’s continue going like K–12? So Donnie, maybe you could … what’s your pitch to the new person of, “Hey, this is what it is”?

Donnie Piercey (00:05:31):

All right. So, AI, artificial intelligence, probably the way that most people are exposed to it, at least since November when it launched, is through ChatGPT. Where if you Google it, you know it’s made by a company called OpenAI. The best way to describe what it is … when you go there for the first time, make an account, it’s free. You have like a little search window, looks like a Google search bar. And instead of searching for information, you can ask it to create stuff for you. So for example, like on Google search, you might type in a question like, “Who was the 19th president of the United States?” Where on ChatGPT, instead of just searching for information, it creates stuff for you. So you could say, you could ask it to, “Hey, write a poem about the 19th president of the United States.” Or, “Write a short little essay comparing, I don’t know, Frederick Douglass to Martin Luther King Jr.” And it would do that for you. You know, that’s most people’s first exposure to AI, at least in these past few months. Instead of … you know, it’s artificial intelligence, but it’s not just chatbots. There’s lots of other AI that exist out there.

Jennifer Roberts (00:06:47):

And I think that’s the thing: that people don’t realize how much AI is already in their lives.

Donnie Piercey (00:06:51):

For sure. Yeah.

Jennifer Roberts (00:06:52):

You know, they just haven’t seen … the term that I see being used a lot now is “generative AI.” AI that can produce something. It can produce writing, it can produce art, it can produce a script, it can produce a character. But the AI that has been helping you pick what to watch next on Netflix and the AI that’s helping Google help you get where you wanna go on Google Maps faster, those are forms of artificial intelligence as well.

Donnie Piercey (00:07:21):

Yeah. I mean, even those, when you get that that message in Gmail, and instead of having to type out that response that says, “Yeah, that sounds great,” you can just click the little button that says, “Yeah, that sounds great.” I mean, that’s been in Gmail for years, but that’s artificial intelligence too.

Eric Cross (00:07:39):

Absolutely. So why is it important, do you think, for educators to, to be familiar with it? Like, why are we all so excited about it?

Jennifer Roberts (00:07:47):

So, educators need to know what kids are into, and kids are obviously into ChatGPT. And anyone who’s an educator right now has probably already had something cross their desk — or more likely their computer screen — that was written by AI and passed off as a student’s own work. And that is, of course, the great fear among teachers everywhere, that this is what kids are just gonna do these days and they won’t be able to catch it and children won’t be doing their own work and this and this. But I think the big reason teachers need to know what’s going on is because teachers need to be futurists. Our clientele will live in the future. We teach kids, kids will become adults, adults will live in the world. And so if we’re not thinking about and trying to predict on some level what’s gonna happen 5, 10, 15 years from now … we might be wrong, but what if we’re right?

Jennifer Roberts (00:08:38):

And if we’re not at least trying to think about what is their future world gonna look like, then we’re not serving our students well. I did a whole night talk on that. So I think ChatGPT is part of that. I teach seniors. I had this moment of realization I felt a few months ago. I’m like, “This is gonna be the world they graduate into. They need to know what this is before they leave me.” If I don’t teach them how to use this well, and not the way they’re using it — which is to copy and paste the teacher’s assignment and drop it into ChatGPT and take whatever it spits out and turning that in without even looking at it — if I don’t teach ’em how to use it critically, if I don’t teach them how to write effective prompts, if I don’t teach them how to use the AI as a tool, as a collaborator, then they’re gonna graduate into a world where they lose out to people who do know how to do that. And I think the advantage goes to kids who have access and knowledge of what’s in front of them and what’s available, and can use all of the tools at their disposal. Because when you’re writing in school and you write with a collaborator, that could be considered cheating. But when you do that out in the adult world, that’s considered doing a good job. <Laugh> Being a team player. <Laugh> You know, adults don’t work alone for the most part. And adults are expected to churn out beautiful, perfect content no matter how they got there. So if I’m not teaching my kids how to use this, they’re not being ready. They’re not gonna be ready to be the adults that I want them to be.

Donnie Piercey (00:10:07):

A hundred percent agree. And I also believe … as you know, I teach elementary school. I also don’t think anybody is saying that on the first day of kindergarten, you hand a kid a Chromebook and load up an AI chatbot or ChatGPT and say, Hey, this thing’s gonna do all your work for you for the next 12 years; just coast through life. You don’t have to think creatively. You don’t have to learn how to develop a paragraph or learn how to write a speech or develop an idea. Like, I don’t think anybody’s saying that, because as an elementary school teacher, there’s many days when I’m like, “Y’all, we’re just putting the Chromebooks away today and we’re just gonna go old-school. We’re just gonna maybe just jot down five quick ideas and stand up and present those ideas to the class.”

Donnie Piercey (00:10:54):

Because while AI definitely will, like you were saying, Jen, play a significant role in the lives of our students who are, not just graduating, but the 10- and 11-year-olds in my classroom this year. A significant role in their lives. It’s also really important to recognize that we’re not saying that this means that “Hey, kids don’t have to work anymore.” They still have to put forth that effort. There’s still — one of the ways that you become a good writer is by trial and error. And sometimes that trial and error comes through talking to a teacher or talking like you were saying to a peer or collaborating with a peer and saying to them, “Well, this sentence here, this paragraph here, really doesn’t make sense.” And I do believe one of the ways — especially as AI starts to become more fine-tuned and starts to be embedded more and more in tools like Google Docs and Microsoft Word — is it’s almost going to be a tutor to students.

Donnie Piercey (00:11:56):

Mm-hmm. <affirmative> Where I could very easily see in a few years, or maybe a few months, who knows what Google or any of these other big companies has rolling out, where a student could highlight a paragraph that they wrote simply, and then say, “Hey, proofread this for me,” or “Check for coherence.” Or even just ask a simple question: “Does this paragraph make sense?” Because you can already do that. You can copy a paragraph over into a chatbot and say, “Hey, does this make sense?” You know, “Rate my idea from one to 10,” and it’ll do that for ’em.

Jennifer Roberts (00:12:26):

We did that last week <laugh>.

Donnie Piercey (00:12:28):

Yeah. Right. I mean, that’s the thing. That technology exists now. It’s just not totally embedded yet. But based on what I’ve read and what I’ve seen, that’s gonna happen sooner rather than later. And it’s really, really important that we teach our students that, “No, you’re not just gonna use this, this tool to cheat, but you can use this tool to help you become a more creative student.”

Jennifer Roberts (00:12:50):

This is the use case in my classroom. Can I talk about that? You ready for that?

Eric Cross (00:12:53):

Please.

Jennifer Roberts (00:12:54):

OK.

Eric Cross (00:12:54):

Please.

Jennifer Roberts (00:12:55):

So my ninth graders are writing a comparative analysis essay, where I took them to the student art gallery and I made them pick two pieces of completely unknown student art and take notes on it, so they could go back and write this essay. And as soon as we got back to class, I said, can ChatGPT write this for you? And they all kind of froze ’cause I didn’t tell them what ChatGPT was. And they weren’t sure if they were allowed to know or not. And finally one of them kind of bravely raised his hand and said, “No.” And I said, “Why not?” And he said, “Well, the AI hasn’t seen the art. How can it write an essay about art when the art is completely original that we just went and looked at?” I said, “It’s almost like I planned it that way, isn’t it?” And they laughed nervously. And then I said, “Does that mean it can’t help us with this assignment?” And they said, “Well, no — of course it can’t help us, because it has not seen the art.” And I said, “Well. …” And I open ChatGPT, and I typed in what they were trying to do: “I need to write a comparative analysis essay comparing two pieces of student art on these reasons. And I need to choose which one did it better, basically. Can you help me with an outline?” and ChatGPT produced a lovely outline. And I looked at that with my students and we looked at it together and I said, “This is what it gave us. Would this be helpful to you?” And they’re like, “Yeah, that would be helpful to us.” So we — to be clear here, I was the only one using ChatGPT in the room. They were not actually using it. We were using it together. I copied and pasted the outline that it gave us and put it in their learning management system where they could access it so they could use the outline that the robot provided, and then they could use that to make their own writing better. So then I let them write for a little while, and, after they’d written for a little while, I said, “Does anybody wanna let me share your first paragraph with ChatGPT and see what it thinks of how you’re doing?” And a brave student raised his hand and we took his paragraph and we put it in ChatGPT, and it spit back advice. We said, “This is what I have so far for my first paragraph. Do you have any advice for me?” And we gave it the writing, and the first piece of advice it gave back was very generic, you know, “Add a hook,” you know, like kind of thing. But after that, it started to get more specific about things he was actually doing in his writing. And it started to give him some feedback. And we looked at that together as a class. And I said, “Does any of that feedback help you?” And he said, “Oh yeah, absolutely. I’m gonna go add some revisions to my paragraph.” And other students did too. They looked at the feedback he got and used that to improve their writing. And so everybody went and revised. And I said, “Look, if you take what the robot gives you and you copy and paste it, and you turn it in as your own work, it’s gonna get flagged for plagiarism. And that’s not gonna go well. But if it gives you writing advice the same way I would give you writing advice, and you decide that advice is good, and you take that advice and you incorporate it into your own writing yourself, then the robot’s making you better, but you’re still the one doing your own writing.” And the writing they turned in from that assignment was, was better. It wasn’t written by ChatGPT; it was still about the student art that they found in the gallery. But I showed them a path. Like, it can help you with an outline, it can help you with feedback. Right? These are fair ways to use it that’s gonna make you better. And they really liked that. They really liked — no one had shown them that before. The idea that you don’t just take the teacher’s prompt and give it to it … like, these are new uses to students and worked well.

Eric Cross (00:16:17):

So right now, you both just laid out these ways that you’re using it. And I do this with people that I’m trying to introduce to ChatGPT or AI. ‘Cause I get excited. Anyone could write a 500-word persuasive essay on the use of color in The Great Gatsby or The Outsiders, and they can get something back within seconds. But for a lot of educators, it might feel like the sky is falling.

Donnie Piercey (00:16:43):

Oh, understandably! Understandably. I mean, that totally makes sense.

Eric Cross (00:16:49):

What would you say to them? Donnie, go ahead.

Donnie Piercey (00:16:51):

Yeah. Well, I feel like every teacher kind of goes through the same experience when they see like a generative chatbot. I mean, all these major companies are gonna start incorporating AI, the generative AI piece. And a lot of times, when they see it for the first time, two things. First they’ll say “Oh, but I’ll know that that’s not my students’ writing.” Which, frankly, I think is a good thing, because that tells me that the teachers know their students’ writing. They’ve seen them write in person. They’ve conferenced with them one-on-one. And if a student were to turn something in to me, who I know might be a struggling writer, maybe it’s not their strength, and all of a sudden they’re turning in this10-page dissertation-worthy thesis written at a PhD level, I’m like, “All right, man, you’re nine. Can we talk about where this came from?” <laugh> But I also don’t think that at like the heart, I don’t feel like kids want to cheat. I really don’t. I feel like sometimes like kids are in a situation where they’re like, “OK, I’ve got nothing left. I gotta get this assignment done.” And when those kind of things happen, that’s when we as teachers, we have those one-on-one conversations. Even when I showed my students ChatGPT and even some of the AI image-generating stuff for the first time, and I talked to them about, “What do y’all think about this?” Because, you know, they’re under 13. In my district, ChatGPT is blocked for students. Staff, we have access to it. And that’s just because one, it’s so new, and at the same time, we need to figure out, “What’s the best way they can go about using this tool?” But when we were talking about it as a class, you know, I didn’t want to ignore the elephant in the room. So I asked them, I said, “Hey, do you feel like this is something that you all would use to. …” I mean, I used the word. I said “cheat.” And to be honest, the majority of the students in my class, they were taken aback. They’re like, “What? You think we just would cheat all the time?” Right? <Laugh> And I’m like, “Oh, well good. I’m glad to know that integrity is still alive and well.” But yeah, that’s definitely my thoughts on it, as far as not only the student integrity piece — I think that that’s the big thing that you need to just bring up with your students. Because again, I like to think that I’ve seen my students write enough that if they were going to turn something in that wasn’t their voice, or it didn’t sound like them, like I could have that conversation. And don’t be surprised, too, if in the next … I don’t know, one month to a year, there’s lots of AI detectors that exist. A lot of them are these like third-party things. You can go ahead, but I would not be surprised if in the next year or so, like you start to see those AI detectors be built into Google Docs, into Microsoft Word, into even Canva. And honestly, it’s almost like a fail-safe button for teachers, that we could say “All right, this is telling me that this is 99% probably written by AI.” So you can have that conversation with a student that way.

Jennifer Roberts (00:20:03):

I mean, if you’re worried about it, Formative, right now, will even tell you if something is copy-and-pasted into the boxes that they give you for students to write in. I find that kids who cheat are desperate, you know. Especially at the high school level. They’re panic mode. And, and usually their panic comes from, “I have no idea how to even start this assignment.” And so part of what I wanna use ChatGPT for is to lower that barrier for them. Like, you’ve got an assignment, you don’t know where to start. Tell the robot, tell ChatGPT, about the assignment and ask it for a list of steps. You know, ask it for an outline. Ask it for a time management plan. I see so much tremendous potential for this to help many of my students with IEPs who have executive functioning issues.

Donnie Piercey (00:20:49):

Oh, a hundred percent, right?

Jennifer Roberts (00:20:51):

Yes, a hundred percent. This can be their personal assistant who, you know, instead of me sitting with them one-on-one and saying, you know, “This is the task you need to do, let’s break it down into these six discrete chunks,” the artificial intelligence can do that for them. And it can do that for teachers too. <laugh>

Donnie Piercey (00:21:09):

Jen, I was just thinking about, how long until we see like the phrase artificial intelligence written onto a student’s IEP? I could see that happening very, very soon.

Jennifer Roberts (00:21:20):

Right? They should be able to use that. And then, also, of course, all of its amazing beneficials for teachers. I had to completely rewrite a unit of my curriculum. I knew what I wanted to do. I had some ideas of things I wanted to put in there. And I resorted to, I went to EducationCopilot.com and typed in my stuff that I had: You know, what standards I wanted to cover, what outcomes I was hoping for mm-hmm. <affirmative>. And it generated an eight-week unit for me. And I actually told it then to go back and do it as a 12-week unit so that I’d have more stuff in there to go and cherry-pick to decide what I really wanted to do. But it gave me ideas. It gave me places to start. It saved me an hour of just brainstorming. And I don’t think that was cheating. I still got to go in and decide which ideas were valid. And I still got to … you know, I mean, I’m a teacher. Can I get accused of cheating? I don’t think that’s a thing. It’s—

Eric Cross (00:22:18):

That’s collaborating! It’s collaborating!

Donnie Piercey (00:22:20):

Collaborating! It’s a feature! It’s a feature.

Jennifer Roberts (00:22:22):

It’s Tony Stark talking to Jarvis. You know, they’re figuring it out together.

Donnie Piercey (00:22:26):

Oh, when you use the AI, Jennifer, do you call yours Jarvis? In my class we call him Jeeves. ‘Cause remember Ask Jeeves?

Jennifer Roberts (00:22:33):

I think Eric calls it Jarvis.

Eric Cross (00:22:35):

Yeah. Jarvis is gonna be the AI’s name when, when I can get that fully functioning. There are some things that you had said, I just wanna circle back on. Donnie, Jen — so what I heard was like, best intentions. The part you said about integrity and students wanting to cheat … even the mindset that we go in assuming our students, what they would want to do and assuming best intentions, really kind of frames how you look at this kind of technology. And then Jen, you kind of brought up why students cheat, and realizing that either they don’t feel equipped, or maybe it’s time management, or something else. But most people — and I believe this as an educator — most students want to learn, and they want to be able to perform and achieve. And when they cheat, it’s because they didn’t feel like they could, for whatever reason. Whether it’s it’s outside factors, whether it’s something internal, motivation, whatever it is.

Jennifer Roberts (00:23:24):

Or they were very disconnected and just didn’t care.

Eric Cross (00:23:27):

Sure.

Jennifer Roberts (00:23:27):

This is just busy work the teacher’s giving me, so I’m gonna give it very little of my time and energy. But I think, yeah, it can be that. But if the kid cares about it, if they wanna learn, they wanna learn, you know?

Eric Cross (00:23:40):

Right.

Jennifer Roberts (00:23:40):

This is the day of the internet. Any kid can learn anything they really want to learn. And we see that all the time in our classes. The kid who has zero interest in what I’m teaching in English, but he is an expert coder, and that’s what he wants to spend his time learning. He’s like, “Can I read this C++ book as my independent reading book?” And I’m like, “You know, actually, you can. Go ahead.” <Laugh>

Eric Cross (00:24:01):

Yeah. And for both of you, saying that this makes content more accessible … and I think Donnie, or Jen, you said something about IEPs. I actually put in having it write an IEP to see what would happen. I gave it a prompt for a student’s ability level and I asked it to create a plan. And then I asked it to create a rationale. And it did! And it was good! I went through and vetted it. And right now … you know, a lot of it is funny, ’cause the conversation I’m having with different teachers is kind of like the Wikipedia one. Remember when Wikipedia first got out and everyone was like trying to discourage everybody from using it, because, well, it could be changed by anybody? And now everyone’s like, “Oh, check Wikipedia, and then steal the sources, ’cause they’re already done for you.” Like, the mindset has shifted since then. And I was talking to someone and they said, “Well. …” And I said, “We can use AI, it could be a tutor, these other things. …” And they said, “Yeah, but what happens?” And then insert apocalyptic scenario. Like, what happens if you don’t have access to wifi? And it reminded me of, for some reason, cooking classes. So in the 1700s you probably had to be able to farm to be able to generate your food. Right? Like, you had to get it from somewhere. But if you take a culinary class now, you just go to the grocery store. And someone might say, “Well, but you should know how to farm, ’cause what if there was this worldwide apocalypse and nobody could go to the grocery stores?” <Laugh> And you’re like, “Well, balance of probability though.” You know, it’s like we’ve been really been living in these iterations of life, and I think this next step for some folks … like, we don’t even realize, even like something like bank statements, right? So many folks are paperless. And there’s always a what-if scenario. What if you need it and the internet goes down. But we get so used to to to technology advancing and making our lives different. This kind of seems like that next iteration. And I wanna ask you this question: Are we looking at like the next calculator? The next internet, with this tech? Or do you think it’s too early to say?

Donnie Piercey (00:26:01):

Well, I’ve seen a lot of people compare ChatGPT to a calculator. I’ve seen that pop up on social media. There’s, “Oh well, no, this is like when the calculator was invented. Everyone was up in arms about how ‘that’s not what math students should do.’ Math should be pencil and paper, math should be this.’” However, you can give a kid a calculator and you can give ’em a word problem and they can punch in all the numbers, but they could do the wrong operation or they could put the decimal point in the wrong place, ’cause the student is still the one who’s controlling what’s on the calculator. Where with AI, all you gotta do is just copy it and then paste it into the bot and it’ll spit out whatever the question asked it for. Whether it was, you know, a 500-word rationale or proof for something in geometry, or if it’s analyzing data on a chart, it’ll do all that.

Jennifer Roberts (00:27:00):

Yes. But it’s not that magical. It’s back to what Eric did with the IEP. He put in a prompt and then he knew enough to ask for a rationale and then he knew enough about IEPs to critically read the results he got and make sure they actually worked for what he needed. He had to know all that. He was an expert using it to do an expert thing. My husband’s a computer scientist; he got ChatGPT to help him write an app, and it was a new programming language to him, and he could put in the data and he could ask for things that I would’ve never thought to ask for. But because he knows the language of computer science, he knew what to ask for. And when it gave him results that were bad, he could see that, and he could say, “Yes, but do it again, but without this,” or “make this part more efficient.” He, again, knew what to ask for. So I think the generative AI is, as a partner with humans, a powerful thing. But if the human doesn’t know what they’re doing, yeah. You’re still not gonna get great results.

Donnie Piercey (00:28:03):

<laugh> And I think that’s why I’m coming at this from the elementary school perspective, right? Because in K–5 students are still learning, like, “Hey, where does the decimal point go?” They’re still learning, you know, if you’re dividing by a two-digit number, where does the first digit go, if you go in the old long-division algorithm? And so they’re still acquiring that base-level knowledge that … I don’t know, maybe this is similar to in Jurassic Park when Jeff Goldblum says, “It didn’t take any knowledge to attain,” you know, “they stood on the shoulders of geniuses,” that whole thing. Like they had to acquire the knowledge for themselves, was his whole point. And so that’s why I don’t think it’s exactly the same as the calculator. It is definitely going to change things, in a similar way that the calculator did. But to me it’s just a whole new animal. And I don’t know if it’s going to be like the next internet, Eric — if you’re gonna get little devices that have AI built into it, like a Star Wars kind of thing, like a droid or something that follows you around — all that would be kind of cool, not gonna lie. But whether it’s something that you’ll access through the internet, something that’s built into your TV, that part I don’t know. But I do know that there’s a reason why all of these apps and all these companies are investing so much — not just energy, but time and money into it. Because they’re recognizing. “OK, this really has the potential to change things.” But if used well, and used safely, to change people’s lives for the better.

Eric Cross (00:29:41):

So I definitely hear that you both agree with the statement that if AI ChatGPT was used in the classroom, it could be a force for good. And literacy development. And I wanna shift gears a bit and then come back to the AI. So with that said — and we’re gonna get into some best practices in a minute — in Science Connections right now in this season, we’re making the case for how science can do more in classrooms and in schools. And so I’m I’m curious about what both of you think about the role in science fostering a better future when it comes to AI and education. And this season we’re really talking a lot about literacy. You know, in schools, so often it’s taught in a siloed way. And Donnie, you’re doing multi-subject. Jen, you’re single-subject: English. And we’ve really been trying to make this case for how science can actually support literacy, and these skills that students are trying to develop. So we’re going a little old-school, kind of diving into your content specialty, but maybe even pre-AI, or maybe AI has a component in this. But Don, maybe we’ll start with you. How has science been a way that has been helpful for your own literacy instruction? I know you do a lot of science, because I see your Google Earth stuff and the thing you did with the solar systems back in the day. And I think —.

Donnie Piercey (00:30:54):

Oh my gosh! You remember my <laugh> … wow.

Eric Cross (00:30:58):

That was amazing!

Donnie Piercey (00:31:00):

We haven’t done that since the pandemic. But I had my students go out, and using Google Earth, we built a scale model. Each of the students partnered up and they planned out on Google Earth a scale model of the solar system. They picked an object from around their house and we talked about like, “Don’t pick something bigger than a beach ball, or else, you know, your Neptune’s gonna end up like 10 miles away.” But you know, they just picked like a small ball, like a basketball, soccer ball, something like that. Or football, for international friends. And then we calculated the size of every other planet. And then on Google Earth, using their front lawn as where the sun was, then we went and we calculated where other planets would be, and then we actually drove to those locations and like held up the objects that would represent Neptune, Jupiter, Saturn, and all that. But it was a lot of fun.

Eric Cross (00:31:59):

And is that still accessible? ‘Cause I know you have some websites that you put resources out there.

Donnie Piercey (00:32:03):

Yeah. Yeah, I can … I wanna say on my Resources page — Resources.MrPiercey.com — I’ve got a link on there to a couple of student examples that I can share. And if not, when we get off this call, I’m gonna go on and put them on there <laugh> so people can find it. I’ll even throw on there just the assignment itself. So if you wanted to copy that and do that with your students, you could.

Eric Cross (00:32:27):

Donnie, the reason why I brought that up is because I saw that you had posted that or shared it a long time ago, and I just thought it was the coolest thing that you could totally do with middle-school students or high-school students. Jen, when I became a teacher, you said, “We’re all teachers of literacy.”

Jennifer Roberts (00:32:43):

<laugh> Yeah. I think we forgot to tell them that I was one of your professors.

Eric Cross (00:32:47):

Yes. <Jennifer laughs> One of the people who’ve definitely influenced and shaped my teaching. And that statement has never left my mind: that we’re all teachers of literacy. And I want to ask you, at the high-school level, how can science educators, or how can science — how have you seen it, or how does it, support literacy, when it’s done right?

Jennifer Roberts (00:33:09):

Like I said, I think we’re all teachers of literacy, but I think literacy is bigger than just reading and writing. I don’t think someone is literate if they can’t talk somewhat knowledgeably about what’s happening with climate change. I don’t think someone’s literate if they don’t know what’s going on in the world. And I think so much of what’s going on in the world has to do with science. We’re doing that all the time. If I could teach English just by giving kids articles about science, things to read, that would make my day. Right? We would never read another piece of fiction again. It would all be, you know, what’s happening to the ice sheet in Greenland. My students thrive on reading non-fiction. And then whenever that non-fiction touches on science is even more interesting. And whenever I can get them writing about data, particularly their own data that they collected, I think that’s building those science literacy skills as well. So I think science and English blend together very, very well. I think the literacy aspects of that are fantastic. There are more subject-specific vocabulary words, advanced vocabulary words, in science than any other discipline. And I don’t see why those shouldn’t come up in English as well. You know, my seniors will do a unit at the end of the year on the new space race. Unless I replace it with a unit about generative AI, which I’m seriously considering doing, ’cause I think they really need to learn about bias in AI algorithms and things like that. And I would like to have them read a whole bunch about that stuff. And I wanna give them the open letter that all those CEOs signed that said that AI research should slow down, and make them part of that live conversation about what’s happening in that field. So science comes into that. You know, when we read Into the Wild, we start talking about a whole bunch of scientific concepts. And when it rains in Southern California, we pull up weather maps and look at radar and talk about that and how that works.

Donnie Piercey (00:34:59):

That’s like once every 10 years, Jen? <Laugh>

Jennifer Roberts (00:35:02):

Well, actually, this year it rained a lot. It rained a lot in San Diego. Which is actually very high-interest for them. ‘Cause they wanna know, is it gonna be raining at lunchtime?

Eric Cross (00:35:12):

Jen, you said something … you have your students writing about data?

Jennifer Roberts (00:35:16):

Oh yeah.

Eric Cross (00:35:17):

Can you tell me more about that?

Jennifer Roberts (00:35:19):

So, this is something we’ve done with the ninth grade team for a long time now, is writing about their own data. So it started with a unit about stereotypes and stereotype threat. And they would collect data individually and then they would enter that data into a Google form and then we would give them the spreadsheet of the aggregate data from the whole ninth grade. And then we morphed that unit into one about academic honesty, and they filled out a survey at the beginning of the unit about their feelings about academic honesty and about experiences with academic honesty and cheating and homework and things like that. And then we would do the unit. We’d do all the readings in the unit. And they’d have these “aha” moments about things that were happening at other schools. And then at the end of the unit, we would give them back their own aggregate data and ask them to write about whether or not academic honesty was an issue at our school. And then to support that answer with evidence from their own dataset. So they had that spreadsheet to comb through and figure out, you know, where am I gonna stand on this? We give them the multiple-choice questions we gave them as the graphs, in Google Slides, so that they could write about them and talk about them, too. So yeah, getting kids to write about data. And the the sentence frames we gave them were sentence frames out of, They Say, I Say, from the chapter on writing about science. And <laugh> as they write this stuff, they’re like, “I feel so smart writing this way.” And I’m like, “I know, ’cause you’re writing about big important topics!” Right? And writing about their own data come to think of it is another great way to make an assignment both very personal to them, but also make it ChatGPT-proof, you know, if you’re looking for something that kids can’t just hand to the robot, the robot doesn’t have that data set.

Eric Cross (00:37:08):

Absolutely. And Donnie, at the elementary level, do you, do you make connections between science and literacy? In your class? You talked about with math, definitely with the solar system, but now, I’m curious, what are your newer projects? What have you been working on lately?

Jennifer Roberts (00:37:23):

What’s up now, Donnie?

Eric Cross (00:37:24):

Yeah, what are you doing?

Donnie Piercey (00:37:25):

Oh, man. Well, let me think. I’m just trying to think of some fun projects that we’ve done this year. Science that we can tie in Literacy and also some student creation. Just recently we had a … so I’ve wanted to expose my students to famous scientists that weren’t just white dudes from Europe. So for this year, what I did — and I actually used AI for this — I went into ChatGPT and I asked for 64 famous scientists and it listed them all off. And then I asked it, like, how many of these were white? And I think it said like 61 of them. You know, it had like Neil DeGrasse Tyson, and a couple of other … I didn’t know who they were. So I’m like, “All right, so we need to make this more diverse and make this more equitable.” ‘Cause you know, with the student population in my classroom, try to find equal representation to make sure they can see themselves in some of these scientists. So, eventually got it narrowed down to where I had about 64 scientists. Half are women, half are men from all continents except Antarctica. I assigned these scientists to my students. Some got two; some got three. And their assignment was to go and one, do some individual research on this person, find out what they were famous for, what they were most well-known for, turn it actually into a persuasive piece, where I said, “Hey, you’re gonna have one slide.” And I’ll tell you why I gave him one slide in a minute. On that one slide, you’ve gotta convince the person who sees it that this scientist is the most important scientist since the dawn of creation. I said, “You could use images, text — I don’t care if they were famous for something that you didn’t even understand what it was. It’s a persuasive piece. You’re 10. Go all out. Add gifs, do that whole thing.

Eric Cross (00:39:21):

This is awesome.

Jennifer Roberts (00:39:21):

I wanna do this project.

Donnie Piercey (00:39:23):

And if you picked up on the number 64, and I did this in March, so what we did was throughout the weeks of March Madness of the women’s and men’s NCAA tournament, whenever a game was going on, we had another round of voting. I just paired ’em up. I was gonna like seed them, like 1 to 64 — that’s just way too much work for me <laugh>. So I just kind of did random kind of thing. But all the students had to do — they just saw the slides side-by-side, and the only question they had was, “Based on what you see here, who is the most important scientist? This person or this person?” And it eventually came down to Carl Sagan going up against Marie Curie.

Eric Cross (00:40:04):

OK, that’s a good matchup.

Donnie Piercey (00:40:06):

Yeah, well, the Marie Curie slide, they just liked the radium piece. So they added like some green glowing gifs. And I said, “Guys, it doesn’t always grow glow green.” But whatever. Anyway, eventually Carl Sagan, in case you wanted to know, according to the 10-year-olds in my classroom, is the most important scientist in the history of the world. So I don’t know if I agree with that per se — I think maybe Newton or somebody else might have had something else to say about it — but fun assignment. It was a unique way to expose my students to a bunch of ideas. I remember the student that I assigned Newton, the only thing that that she knew about Isaac Newton was “Didn’t he get hit in the head with an apple?” And I said, “Well, not exactly, I think you might have read or maybe seen too many like old-school cartoons or whatever.” But she ended up doing some research. She’s like, “Oh, I’ve heard of that before! That equal and opposite reaction thing.” Didn’t know what it meant. I had another student that just got really … you know, if you’ve ever been on one of those YouTube kicks where it’s just, you go like nine levels deep onto like, “What does this theorem mean?” Student sits in back of my classroom, I walked by one day and he’s just watching something on like the fifth dimension and what it might be. And I said, “Oh, your scientist got you started on that.” So definitely was a lot of fun. Unique way to combine reading, writing, but also expose my students to some ideas. And we’re definitely gonna do it again. I’ve actually done this assignment before. I picked 64 random elements on the periodic table. But their only slide that they have to make is “What’s your element? What is it used for? And then, why is this the most important element since the dawn of creation?” <Laugh> And, you know, there’s always that student that gets hydrogen. They’re just like “Sweet!” Right? They get excited about that one. <laugh>

Eric Cross (00:41:59):

Explosions.

Donnie Piercey (00:42:00):

Yeah. But then, for that kid who likes a challenge, or that student with the “gifted” label, you give them, like, einsteinium or palladium. Some of the more challenging ones. And they go all out with this. I didn’t use AI for that one, but it was kind of fun, and I figured it’d be neat to share an idea that another teacher could try.

Eric Cross (00:42:20):

Well you probably have at least two teachers right now that are gonna go and try that. And we’re both looking at you. So.

Donnie Piercey (00:42:24):

Go for it.

Eric Cross (00:42:25):

Thanks for that idea. I’m imagining my students coming in with jerseys with “neon.”

Donnie Piercey (00:42:29):

Oh yeah. <laugh>

Eric Cross (00:42:30):

“Neon” on it. Just all ’80s out.

Donnie Piercey (00:42:33):

The game behind it, too, is you tell kids — again, this is just so the 10-year-olds in my class don’t get their feelings hurt — but I say, “Hey, and if your element gets knocked out, you just have to start cheering for whoever beats you in the tournament.” So by the end, you kind of got half the class cheering for one and half the class cheering for whatever.

Jennifer Roberts (00:42:53):

So the only thing I got outta that whole story that I’ve got for you is, as a child I met Carl Sagan. That’s all I got.

Donnie Piercey (00:43:02):

For real?

Jennifer Roberts (00:43:02):

For real.

Donnie Piercey (00:43:03):

So did he talk with that cadence and tone?

Jennifer Roberts (00:43:06):

Yes.

Donnie Piercey (00:43:06):

Like in real life? Wow.

Jennifer Roberts (00:43:07):

Yes. My father was one of the cinematographers on the original Cosmos. And I got to go to the set a few times.

Donnie Piercey (00:43:14):

That’s incredible!

Jennifer Roberts (00:43:15):

I did not appreciate what I was seeing as a child. But as an adult, I’m like, “That was cool. I was there.”

Donnie Piercey (00:43:20):

“You can see my shadow off in the distance.”

Jennifer Roberts (00:43:23):

I mean, maybe that’s part of why I’ve always had an interest in science. I’ve always had fantastic science teachers. Every science teacher I ever had was amazing.

Donnie Piercey (00:43:31):

I credit mine to Mr. Wizard. I don’t know if you ever watched Mr. Wizard and Beakman’s World?

Eric Cross (00:43:35):

I remember Mr. Wizard. Yep. Yep. I definitely remember Mr. Wizard, Beakman’s World, all those. That was on Nickelodeon back in the day. I had to get up early to watch that one. But there’s a YouTube video—

Donnie Piercey (00:43:44):

Six am!

Eric Cross (00:43:44):

<laugh> It was! It was super-early! But there was one, Don, I don’t know if you’ve seen this on YouTube, but it said “Mr. Wizard Is Mean,” and it’s just clips of when he’s—

Donnie Piercey (00:43:56):

Yelling at kids!

Eric Cross (00:43:56):

Chastising. Or being really direct. It’s just one after another.

Donnie Piercey (00:44:02):

He always asked ’em a question and if the kid, you know, didn’t answer it right, he’d be like, “Well, you’re not right, but you’re wrong.” You know, whatever. <Laugh>

Eric Cross (00:44:14):

I have to make sure I’m not subconsciously saying Mr. Wizard quotes when I’m talking in the classroom, when things are happening. But yeah, that video’s hilarious. So I just want to bring us back to AI, and ask this question: Do you think science has a special role to play when it comes to teaching kids about AI responsibly? Does science have a special role in that?

Jennifer Roberts (00:44:36):

I think the responsible piece of AI I wanna teach my students about is the part about the bias in the algorithms and the bias in the training. And I want them to understand how it works, well enough to make informed decisions about how it impacts their lives.

Donnie Piercey (00:44:56):

Hmm.

Jennifer Roberts (00:44:57):

Because I do have concerns about a tool that was trained on the internet. And the answers it gives you is the average of the internet. And do we trust the internet? And the answer from kids is always, “Well sorta, no.” <Laugh> So I want them to understand the social science behind that.

Donnie Piercey (00:45:18):

Yeah. And just along that same point, having the students recognize that just because, you know, you copy-and-paste a question in, the answer it spits out might not always be correct. So, teaching them that just like you would with a source that you find about a topic that you’re researching, you’ve gotta fact-check.

Jennifer Roberts (00:45:44):

It’s just like being a good scientist. A good scientist wouldn’t always accept a single result or the first result. You know, you would look at multiple angles. You would try things different ways. Last week I took the article my seniors were reading about victim compensation after 9-11, and in front of them, I gave ChatGPT, I said, “Are you familiar with this article by Amanda Ripley? And ChatGPT came back and said, “Oh yes, this was written in the Atlantic in 2020 and it’s about these things, blah, blah blah.” And my students looked at that and went, “That’s not the article we read.” And I said, “I know. It got it wrong. That’s amazing!” Yeah. And I was so happy that it got it wrong! ‘Cause I wanted them to see that happen.

Donnie Piercey (00:46:21):

And I guess one of the big science questions there, or one of the big science components there, is that idea of inquiry. Right? It’s almost like you have to teach students how to ask those deep questions about what AI spits out.

Eric Cross (00:46:35):

All of those tips are great. And it leads me to this last question I want to ask. New teachers that are out there — it actually doesn’t even matter; new teachers, experienced teachers, all of us are kind of new at different levels of this race. We’re all kind of starting it together. I mean, it hit mainstream. We’re all getting exposed to it. You all really dive into it. When tech comes out, I know you two really like, “OK, how can we use this to transform education and do awesome things for kids?”

Donnie Piercey (00:47:04):

Usually, when new tech comes out, “How can this make my life easier?” is usually the question. Yeah.

Jennifer Roberts (00:47:09):

“How can I save myself time with this?” Yes.

Donnie Piercey (00:47:11):

“How can this result in me watching more TV and you know, less grading,” sometimes.

Eric Cross (00:47:16):

And I start there like you, but then I end up more time that I fill with another project. And I need to learn how to stop doing that. I’m like, “Oh! I got more free time! … to go take on this other task.”

Jennifer Roberts (00:47:28):

Oh, all of my tech adoption is driven by “how can I work less?”

Eric Cross (00:47:32):

So you’re you’re talking to a new teacher, teacher’s getting exposed to this, they’re starting the school year or they’re just getting their feet wet with it. What advice would you give them about AI, incorporated into content or even just best practices? Where you’re at right now in your own journey, and someone’s asking you about it —what would you share with ’em? And Jen, I want to start with you.

Jennifer Roberts (00:47:53):

So, the first thing I did is I was in the middle of grading, you know, 62 essays from my seniors about Into the Wild, when ChatGPT became a thing last November. And I wanted to see what would happen. So the first thing I did was take the prompt that I had given my students and gave it to ChatGPT, ’cause I had just graded a whole bunch of those essays and my brain was very attuned to what my rubric was doing and what I was expecting as the outcome. So I could take what ChatGPT gave me as that quote unquote “essay” and evaluate it critically. And I was ready to do that. So my first advice is take something you’re already asking students to do and ask ChatGPT to do the same thing. So that as you look at the student results, you can compare that to what ChatGPTgives you. If what you’re finding is that ChatGPT can generate something that would earn a decent grade from you, you might need to change that assignment. And it doesn’t need to be a big change, but it might need a tweak or something, so that it, it does rely on the student voice, the students to do something more personal. I’m finding very helpful in my classroom is having my kids do projects where they are recording themselves on — I like Flip. So they’re writing a scene together and they’re having to record the scene together. And I’m emphasizing more of the speaking roles than the writing roles necessarily. So yes, first, take something you’re already doing, paste in to ChatGPT, see what the results are, see how that fits with what your students are doing, and then do that for every assignment you give and just sort of see what comes out of that, and see which assignments are failing and which assignments are working. ‘Cause that’s gonna give you a sense, when you do see one of those results from your students, you’ll be able to recognize it. But it’ll also help you tweak your assignments and decide, “How can I make this a little more original or a little bit more authentic for my students?” And if the robot, if the AI, can’t generate a response, what could the AI do that would be helpful to your students? Would be my next question. So can you use the AI to help them generate an outline? Can you use the AI to help them generate a list of steps to help them get started? And when you’re comfortable enough doing that by yourself, then don’t be afraid to open it in front of your class. If it’s not blocked at your school site, which I hope it’s not. Because I think the advantage goes to kids who have access to this in the long run, or at least see what it is and know what it is. Right? Because if a kid graduates from school without knowing that AI exists, they’re not gonna be prepared for what they face out in the world. So give them a chance to see you using it. Model effectively using it. I have a blog post about that. I just wrote it. LitAndTech.com. You can check that out. “Introducing 9th graders to ChatGPT.” How it went, right? There’s a chart there you can have. It’s my very first draft of this, but it seems to be very popular. So, you know, show students how it can be used as their mentor. If I can’t come read your paragraph because I have 36 kids in my classroom and I cannot stop and read everybody’s first paragraph, can you, if you want to, give your first paragraph to ChatGPT and ask for advice? And will that advice be helpful to you? So showing students how it can be used responsibly is, I think, something every teacher should be doing right now. And don’t hold back just because you’re afraid you’re gonna be teaching them what this is. They know what this is. Right?

Donnie Piercey (00:51:13):

They know what it is.

Jennifer Roberts (00:51:13):

Especially if you teach high school. They know what it is. I’ve had parents thank me for showing them how to use it responsibly. You know, this can actually be a really useful tool, but if you’re trying to make it do your work for you, it will probably fail you. If you’re trying to use it to help you do your work, it will probably be helpful. Sort of the way I’m breaking it down for them at this point. You want the great metaphor? The great metaphor is if you build a robot and send it to the top of a mountain, did you climb that mountain? No. If you build a robot and ask it to help you get to the top of the mountain, and you and the robot go together, did you climb that mountain? Yes.

Eric Cross (00:51:53):

I like that. I’m thinking through this. I’m processing that now.

Donnie Piercey (00:51:57):

Me too.

Eric Cross (00:51:59):

Yeah. I just imagine a robot holding my hand climbing Mount Everest and I’m like, “Yeah, I did it.”

Donnie Piercey (00:52:04):

If I got a robot though, like I would have to dress it like Arnold Schwarzenegger in Terminator 2. Like I would just have to.

Eric Cross (00:52:10):

Of course.

Donnie Piercey (00:52:10):

Of course.

Eric Cross (00:52:13):

Donnie, same question. Advice. Teachers getting immersed into it. Tips. What would you say?

Donnie Piercey (00:52:20):

So, I would definitely agree with everything that Jen said. Just, if anything else, to familiarize yourself with it. Almost like pretend like it’s a student in your classroom and it’s answering questions, just so that way you can see what it can do. And you’re kind of training yourself, like, “Oh, well, if I ever need examples, exemplars.” If you’re in a writing piece and you don’t wanna sit there and write out four different types of student responses — you know, advanced writer, beginning writer, whatever — great way to to do that is you just—

Jennifer Roberts (00:52:48):

Oh yeah. We did that.

Donnie Piercey (00:52:48):

—copy the prompt in and give a beautifully written piece that a fifth grader would be impressed with. Boom. It’ll do it for you. In my classroom, the way that I approach it is I kinda look at AI as almost like this butler that I don’t have to pay. That if I need it to do something for me, it’s just bookmarked. I can click it. And I mean, sometimes I just talk to it like it’s a person. And it’s almost like, in the chat window, I’m just rambling at it, what I’m trying to do. And it’s almost like I’m talking to a coworker, and I’m trying to hedge out some ideas for a lesson. Simple example: For a science lesson, if you’re trying to come up with … let’s say you’re a fifth-grade — or, sorry, I teach fifth grade. Say you’re a seventh-grade science teacher. And you’re trying to teach the students in your class about Newton’s third law of motion. You know, every action [has an ] equal and opposite reaction. Look around your room. See what you have. Maybe look around and you’re like, “All right, I got a whiteboard, microscope, I’ve got magnets, a cylinder. …” And you just copy all this stuff into ChatGPT. Say, like, “Hey, I have all of these items. Cotton balls, peanut butter, whatever.” And say, “I’m trying to teach students Newton’s third law of motion. Give me some ideas of some ways I could teach it using some of these materials.” And it’ll do it! It’ll give you like five to 10 ideas!

Jennifer Roberts (00:54:15):

And then tell it what your students are into. Like, my students are really into basketball. Can you work that into this lesson?

Donnie Piercey (00:54:21):

Yeah! They’re into the Avengers! Hey, find some way to tie Spider-Man into this. You know, that was a pun that didn’t go so well. But, you know <laugh> figure out some way that you could incorporate this and it’ll do it. And Eric, like you said, it won’t be perfect. Right? But if anything else, if you’re a starting teacher and you’re trying to brainstorm ideas — try it.

Eric Cross (00:54:44):

And Donnie, as you were saying that, I was thinking — first, I imagined Spider-Man shooting cotton balls with peanut butter all over them — and then my mind went to having students have these items, like you were saying. And then they create labs, working alongside AI. To do inquiry. To create a lab about something, and then going and performing and collecting data. OK, that’s — now I wanna go do that tomorrow!

Donnie Piercey (00:55:10):

Listen, it is so easy to do. If you have an extra computer in your classroom. … We were talking about Jarvis and Iron Man and Tony Stark earlier. Make a new chat in ChatGPT. Tell it, “I want you to pretend that you are Tony Stark. Only answer questions as if you are Tony Stark.” Or “Pretend you’re Jarvis.” Whatever. “Stay in character the whole time. I’m going to have sixth grade students come up to you and ask you questions about science or forces of nature, and only answer questions like you’re Iron Man.” And guess what? You keep that station in your classroom. Students are working on a project — you know, in elementary school, a lot of times we’ll have that, “ask three before me” — you’re supposed to ask three friends before you go and bug the teacher. Well, maybe one of those “three before me” can be that little computer station, where they go up and ask Tony Stark a question, and then it answers them as Jarvis or Iron Man. I mean, we’re really just scratching the surface with all this AI stuff. And as more and more companies and more and more creatives are gonna start to realize everything that it can do, we’re gonna start to see it more and more. And hopefully we as teachers can really figure out how to use this tool to, of course, help students, but also help them be creative and explore and learn on their own.

Eric Cross (00:56:35):

That’s amazing. And just both of you are just dropping gems right now. And I wanna wrap up by saying — and I’ve said this before on earlier podcasts I’ve done — but at this phase in my life, the people that I’m the biggest fans of are teachers. And it’s true. I don’t mean that in a cliche way. When I watch celebrities and things like that, when I watch professional sports, that doesn’t fill me the way it used to when I was a kid. At this point, as a professional, I get inspired by other educators who are just doing awesome things. And when I think about educators who are doing that, you two are on that list of people that make me better. And when I get better, I can do better things for my kids. And so, one, I want to thank you for staying in the classroom and continue to support students. They’re so lucky to have you both. The second thing I wanted to say is, Jen, I wanna start with you. Where can people — and I know we said at the beginning — but where can people find the stuff that you put out? You got blogs, your social, your book.

Jennifer Roberts (00:57:28):

I got lots of social. Twitter, I’m JenRoberts1 on Twitter. And then my blog is LitAndTech.com. And then I’m on lots of the new social too, the Mastodons, the Spoutables, the Posts — those kinds of things — as just Jen Roberts, because I got in early and I got my real name without a 1. And there was some other one I’m on recently that I’ve forgotten about. But there’s lots of ’em. They’re fun. And I’m Jen Roberts. You can find me there.

Donnie Piercey (00:57:56):

And I’m SergeantPepperD on AOL, if anyone’s interested.

Eric Cross (00:58:00):

If you wanna hit Donnie up on AIM. <Laugh>

Donnie Piercey (00:58:03):

SergeantPepperD.

Jennifer Roberts (00:58:04):

You know, speaking of rock stars and people who do amazing things, I did write a blog post about using ChatGPT in the classroom, but I hear Donnie wrote a whole book.

Eric Cross (00:58:13):

Oh yeah. So, Donnie! Donnie, that’s a great segue. Thanks Jen. Donnie, how do people find out more? And can you tell us about this book you wrote, that’s coming out in the summer?

Donnie Piercey (00:58:22):

Yeah, so the book I wrote is called 50 Strategies for Integrating AI Into the Classroom. It’s published by Teacher Created Materials. They reached out to me. They had seen some of the stuff that I was doing, not just with ChatGPT, but also some image-generating AI stuff. You know, I got featured on Good Morning America, which was kind of cool. And they saw that and they said, ‘Hey, that looks really neat.” Reached out to me and asked me to write a book. And the idea behind the book, that launches this summer, it’s just 50 ideas, 50 prompts, different things that, as a classroom teacher, that you can do. So, you know, I think there’s so many AI books that are out there now. A lot of them are big ideas, which I think are important. Definitely important discussions that need to be, have around, the ethics of AI. What’s the role that AI should play in the classroom. But I just wanted to write a book, kind of like the discussion that, that Jen and I were just having, which is like, “Can we just share a whole bunch of ideas, different things that we could try with our students?” So definitely check it out. And I appreciate you giving me a shout-out too. That was cool, Eric. Thank you.

Eric Cross (00:59:35):

Of course. Definitely. And Donnie, your Twitter is again. …

Donnie Piercey (00:59:39):

Oh, @MrPiercey, M R P I E R C E Y.

Eric Cross (00:59:44):

Follow Donnie. Follow Jen. Tons of stuff on there. Both of you, thank you so much. For your time, for talking about students and how we can take care of them, science, literacy, AI. I hope we can talk about this again. I feel like even if in just six months, we might be saying different things. In a year, the landscape might completely change. And that makes it really fun. But thank you both for being on the show.

Jennifer Roberts (01:00:04):

Thank you for having us, Eric.

Donnie Piercey (01:00:05):

Thank you so much, Eric. We appreciate it, bud.

Eric Cross (01:00:10):

Thanks so much for listening to my conversation with Jen Roberts and Donnie Piercey. Jen Roberts is a veteran English teacher at San Diego’s Point Loma High School and author of the book Power Up: Making the Shift to 1:1 Teaching and Learning. You can keep up with her at LitAndTech.com. And Donnie Piercey is a fifth-grade teacher from Lexington, Kentucky. He hosts the podcast Teachers Passing Notes. Stay up-to-date with him at Resources.MrPiercey.com. And let us know what you think of this episode in our Facebook discussion group, Science Connections: The Community. Make sure you don’t miss any new episodes of Science Connections by subscribing to the show, wherever you get podcasts. And as always, we’d really appreciate it if you can leave us a review. It’ll help more people and AI robots find the show. You can find more information on all of Amplify’s shows on our podcast hub, Amplify.com/hub. Thanks again for listening.

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What Jennifer Roberts says about science

“If I’m not teaching my students how to use this, then they’re not going to turn into the adults we need them to be… If we’re not at least trying to think about what our future world is going to look like, then we’re not serving our students well.”

– Jennifer Roberts

High School English Teacher

Meet the guests

Jen Roberts is a Nationally Board Certified high school English teacher with 25+ years of experience teaching Social Science and English Language Arts in grades 7-12. She has had 1:1 laptops for her students since 2008 and is the co-author of Power Up: Making the Shift to 1:1 Teaching and Learning. A Google for Education Certified Innovator since 2011, Jen was named the CUE Outstanding Educator in 2022. Her interests include literacy instruction, standards based grading, and leveraging Google tools to make her teaching more efficient and effective.

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Donnie Piercey, the 2021 Kentucky Teacher of the Year, is a fifth-grade teacher in Lexington, Kentucky.  With a passion for utilizing technology to promote student inquiry, learning, and engagement, he has been teaching since 2007. In addition to being in the classroom, he runs a podcast, Teachers Passing Notes that is produced by the Peabody Award winning GZMShows, and holds several recognitions, including a National Geographic Fellowship to Antarctica in 2018. His most recent work in Artificial Intelligence has not gone unnoticed, earning him multiple appearances on Good Morning America, the Associated Press, and PBS. His upcoming book, “50 Strategies for Integrating AI in the Classroom” published by Teacher Created Materials, is written for educators looking for practical classroom approaches to using AI. All told, Donnie has been invited to keynote and present at schools in thirty-three states and on five continents.

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A laptop screen displays the “Science Connections: The Community” private group page, with science-themed icons decorating the background and edges.

About Science Connections

Welcome to Science Connections! Science is changing before our eyes, now more than ever. So…how do we help kids figure that out? We will bring on educators, scientists, and more to discuss the importance of high-quality science instruction. In this episode, hear from our host Eric Cross about his work engaging students as a K-8 science teacher. 

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S4 – 03: LIVE from NCTM with Bethany and Dan

Hosts Bethany and Dan, both smiling, in a promotional image for the "Math Teacher Lounge" podcast, Season 4 Episode 3, titled "Live from NCTM!" with an

In this episode, co-hosts Bethany Lockhart Johnson and Dan Meyer are LIVE with more than one hundred Math Teacher Lounge listeners at the recent National Council of Teachers of Mathematics conference. Listen in as they answer the pressing question: Who is the best teacher in film or television?

Explore more from Math Teacher Lounge by visiting our main page. 

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Presenter (00:00):
Ladies and gentlemen, from Math Teacher Lounge, we have Bethany Lockhart Johnson and Dan Meyer! <cheering>

Bethany Lockhart Johnson (00:08):
Doesn’t go well that the door was locked. Like, I could not get in! <Laugh>

Dan Meyer (00:12):
Yeah. Gotcha. All right. We’re gonna sit a little bit. Let’s see how that works—

Bethany Lockhart Johnson (00:16):
Hi!

Dan Meyer (00:16):
Yeah. I think we’ll stand up? Or whaddaya think, sit…?

Bethany Lockhart Johnson (00:19):
Should we stand? Hi.

Dan Meyer (00:22):
Hello. Great to see you folks. Yeah, I can hear you.

Bethany Lockhart Johnson (00:25):
Can you hear me? That’s—I know YOU can me. Can you hear me OK? OK! We’re here. Hello. Thank you for like, lining up and coming out and being here. Thank you!

Dan Meyer (00:35):
Means so much to me that you could be here for me, on my show, with Bethany Lockhart Johnson, my co-host. <Audience laughs>

Bethany Lockhart Johnson (00:40):
The hour has just started.

Dan Meyer (00:42):
We’re just getting going. Yeah. If you folks have heard the podcast, you don’t know how much gets cut out. And it’s like, mostly me just having, you know, anxious nerves and saying something silly and then we cut it out and we can’t do that here today. So it should be real fun for all of us, I think. Yeah.

Bethany Lockhart Johnson (00:55):
It’s not true. It’s mostly dancing. “Bethany, can you stop talking? Bethany?” Cause it’s mostly—

Dan Meyer (00:59):
“It’s my turn. It’s my turn! Bethany <laugh>! I haven’t been heard for a while.”

Bethany Lockhart Johnson (01:02):
Dan. We’re at an in-person conference.

Dan Meyer (01:05):
In-person BIG conference, I would say. I’d say a big conference. Yeah.

Bethany Lockhart Johnson (01:08):
And have you been to the Amplify booth?

Dan Meyer (01:11):
I have! Have these people? There’s a claw machine with free socks.

Bethany Lockhart Johnson (01:16):
Yeah. You’re saving me socks, right? That’s what you’re saying. <Laugh> I mean, it’s exciting. How has your conference been so far?

Dan Meyer (01:21):
So far it’s been a blast. I feel fed. I feel like the community’s been awesome. How are you feeling about it?

Bethany Lockhart Johnson (01:29):
OK. Let’s talk about me for just a second.

Dan Meyer (01:31):
Yeah. Talk about you.

Bethany Lockhart Johnson (01:31):
Last night, Dan, was the very first night that I was away from my toddler. <Audience: Aw!>

Dan Meyer (01:38):
Big commitment being here. Thank you.

Bethany Lockhart Johnson (01:40):
I got super-emotional walking back to the hotel after dinner, and then I got in my room, <laugh> I put on pajamas, and I turned on music. I slept so good!

Dan Meyer (01:50):
Yeah. <Audience laughs> Give it up for no kids! <Audience laughs> Hey!

Bethany Lockhart Johnson (01:55):
I love him so much. But I slept all the way through the night. Oh, by the way, I ordered room service in the morning.

Dan Meyer (02:01):
On Amplify.

Bethany Lockhart Johnson (02:01):
That bill’s coming. But it’s been a great conference and I’m so delighted to be here in person and to get to share energy…and hopefully that’s all we’re sharing today. Y’all got your tests, right? Yep. Sharing energy and community today. Because we know it’s been hard. Hardness. Hard.

Dan Meyer (02:25):
Yeah.

Bethany Lockhart Johnson (02:26):
Years. Hard. And to be in person, I know conferences reinvigorate me and I go back into my educational spaces feeling revitalized with new connections and new ideas to try. So yeah, I’ve been excited to be here. And thank you all for being here.

Dan Meyer (02:40):
Yep. I don’t care if I get six different strains of Covid here. I’m just thrilled to be here. <Audience laughs> I don’t know if you’ve had the same feeling, though, Bethany, you folks…I’m a little bit confused to some degree about what we’re doing. I just wanna be really transparent. This is my sarcastic voice but I’m being sincere here. It kind of feels like we’re in a little bit of a time capsule. Like we all got in a time capsule in 2019 and, you know, you open it back up and it’s like, OK, so we’re still, you know, talking about X, Y, or Z protocol for establishing classroom routines or whatever. And I’m like, OK! Like, I loved that in 2019! But I do admit, I’m still trying to figure out a little bit like, what are we doing now? What’s our relationship to the world out there? Things are very different. I have had some great sessions that I’ve enjoyed. I’m also like, still waiting for a session to draw a little blood. Do you know what I mean? Like there’s been sessions…no? OK. You’ve been in these sessions where it’s like, “Oh, ow.” Like, and you look down and there’s and there’s blood there. It’s like, I thought I knew what we were up to. Like, I thought I knew what teaching was and how we relate to the world. I dunno, like in any Danny Martin session in 2019, “Take a Knee” was one, where I was like, “Oh, OK. Like, I’m not as hot as I think I am here. Like, I’m part of a system.” That kind of thing for me draws blood. And I haven’t been in one of those yet. Been some great sessions. I’m a little hopeful that today we draw a little blood and think about what we’re doing here, is my hope here, if that’s OK. So Bethany’s gonna moderate that impulse and she’ll be the fun one and I’ll be the blood-drawing one.

Bethany Lockhart Johnson (04:05):
No, I don’t…that metaphor doesn’t speak to me personally. But what I will say is, I get what you’re saying about really wanting to be in that room where there’s like this synergy happening. No promises about that today other than—

Dan Meyer (04:18):
I promise. <Audience laughs> Go on.

Bethany Lockhart Johnson (04:20):
Other than I get what you’re saying. I’ll find my own metaphor that does not involve bloodshed, but.

Dan Meyer (04:25):
Sure. There’s a lot of ways we we could go about this today. And the one that I’m excited about is, you know, we could like, you know, analyze some results from students, and talk about what went into that. Look at classroom video. Lots of possibilities. But here’s what we’re up to today. Hope you’re into it. Which is, we are here in the heart of the entertainment industry. You know, Tinseltown! Um, the Big Apple! Uh…

Bethany Lockhart Johnson (04:47):
No!

Dan Meyer (04:47):
Come on. What do you got here? Um…

Bethany Lockhart Johnson (04:51):
It was daytime at night. Like the lights were so bright.

Dan Meyer (04:54):
The City of Lights.

Bethany Lockhart Johnson (04:55):
There was a movie premiere outside my hotel room, which I was not invited to, unfortunately. But so what are we doing today?

Dan Meyer (05:01):
So here’s what we’re doing. We are gonna settle, once and for all, a question you have not asked yourself yet, perhaps, but will want to know the answer to in a moment. Which is: Who is the best teacher in all of film or television? OK? We’re gonna do that. It’ll be fun. But I hope that in debating this a little bit with a special guest we’ll bring up in a moment, that we will start to uncover some truths about what makes good teaching. How that’s different from teaching as we see it in movies and tv. Why middle-class America wants teachers to look a certain way in movies and tv. What all that means. And it’ll be awesome. I think. I’m hopeful it’ll be awesome. So what we did here is we’ve invited eight people. Eight folks you people may have known. You’ve been in their sessions today, in this conference, perhaps. And asked them: Who’s your fave? Like, we might have our favorites, but we wanted to democratize it a bit. So asked some cool people who you folks like, who are very smart and thoughtful about teaching: Who’s your favorite teacher?

Bethany Lockhart Johnson (05:58):
A few of whom are in this room. Thank you for your submission.

Dan Meyer (06:00):
Thank so much. Yeah. We’ll see what happens here. <laugh>

Bethany Lockhart Johnson (06:03):
As they shrink down.

Dan Meyer (06:03):
Yeah. Might draw some blood that I don’t mean to right now. We’ll see. OK.

Bethany Lockhart Johnson (06:06):
That metaphor, what IS that??

Dan Meyer (06:07):
Yeah. Yeah. I love it. I’m still going with it. <laugh> And you folks will be a huge part of this. THE part of this, really. So what will happen is I’ll share with you our first nominees. A few of us will make a case for our favorites, or least favorites, as the case may be sometimes. And then by applause, by acclamation, you folks will decide who wins and advances to the next round. Start with eight, move to four. You folks know math.You know where this goes. OK.

Bethany Lockhart Johnson (06:34):
No, keep going. Keep going.

Dan Meyer (06:36):
Two, then one.

Bethany Lockhart Johnson (06:36):
Yeah. Got it.

Dan Meyer (06:37):
Then a half of it. No?

Bethany Lockhart Johnson (06:38):
He had to school me on the making of brackets. But we got it. Yeah.

Dan Meyer (06:41):
How brackets work.

Bethany Lockhart Johnson (06:41):
But we got it. March Madness, what?

Dan Meyer (06:44):
Yeah, in order to do this right, we had to bring up—all the folks that you’ll see are also former Math Teacher Lounge guests, or like, just fan favorites. And we’re also bringing up a former Math Teacher Lounge guest to help us decide this and debate this in a respectful manner.

Bethany Lockhart Johnson (06:59):
New dad.

Dan Meyer (07:00):
New dad.

Bethany Lockhart Johnson (07:01):
You see where my brain’s still at? I miss him. <Laughs>

Dan Meyer (07:03):
Friend from San Diego. Really cool teacher.

Bethany Lockhart Johnson (07:06):
Incredible teacher.

Dan Meyer (07:06):
Works at Desmos and Amplify. And I just want you to welcome up your friend and mine. Chris Nho!

Bethany Lockhart Johnson (07:11):
Chris Nho!

Dan Meyer (07:13):
Come up, Chris. Let’s go, buddy. We didn’t talk about it, but did you want to do the cornball stuff too?

Chris Nho (07:22):
Wow. Would I love to do—

Bethany Lockhart Johnson (07:23):
And then the door could be locked! And then you have to wait and like, just—

Chris Nho (07:27):
Yeah, I’ll skip that part.

Bethany Lockhart Johnson (07:28):
Hi. Welcome. You’re here. We’re here in person.

Chris Nho (07:30):
Very glad to be here. Thank you all for having me.

Dan Meyer (07:33):
Tell me who you are.

Chris Nho (07:34):
My name is Chris Nho. I live in San Diego. I’m a new dad. A three month old, just had. Yeah, she’s actually here at the conference with us in the hotel room. And I promise you she is not by herself. She is with…come on. I was like, “Hey, just gimme one hour. I’ll be right back. I have to do very important work.” But yeah, I think I got invited here because I have opinions and I’m willing to draw…some…blood.

Dan Meyer (08:02):
There we go! Two outta three! We’re good on the metaphor now.

Bethany Lockhart Johnson (08:06):
We’re so glad you’re here. If you haven’t listened to the episode where Chris and Molly and some other public math folks share their ideas and ideas of how to take math out into the world, please listen, because we had a blast.

Dan Meyer (08:19):
Inspiring work. Really inspiring work. Very cool. Cool. OK. Right on. OK.

Bethany Lockhart Johnson (08:23):
Let’s do this!

Dan Meyer (08:24):
Let’s get started here. Yeah! <Audience cheers> Yeah. And we might ask you who your favorite teacher is, who’s missing from our list of eight? We might have forgotten some people. Anyway. All right. So here’s our first two. Our first two are nominated by way of, let’s see, um, Mandy Jansen is a professor at the University of Delaware. Got some awesome talks here this week, a Shadow Con talk last night. She’ll be nominating one. And also, um, Lani Horn is a professor at Vanderbilt, also extremely cool, prolific author and speaker, just all-around great human and friend of teachers everywhere. And she’ll nominate another in this bracket, which is the Northeastern Comedy bracket, Northeastern comedy bracket.

Bethany Lockhart Johnson (09:06):
It just worked out that way.

Dan Meyer (09:07):
Yeah. Here it is. Here is Tina Fey in Mean Girls.

Tina Fey in Mean Girls (09:12):
“OK. Everybody close your eyes. All right. I want you to raise your hand if you have ever had a girl say something bad about you behind your back. Open your eyes. Now close your eyes again. And this time I want you to raise your hand if you have ever said anything about a friend behind her back. Open up. It’s been some girl-on-girl crime here.”

Lani Horn (09:52):
I am nominating Sharon Norbury from Mean Girls as the best movie math teacher. She is an awesome teacher who is always there for her kids. She always sees the best in them. She shows that she can forgive even some pretty bad behavior, if she sees that kids are trying. She’s a strong feminist who makes sure that smart girls don’t dumb themselves down just to impress boys.

Tina Fey in Mean Girls (10:22):
“Katie, I know that having a boyfriend may seem like the most important thing in the world right now, but you don’t have to dumb yourself down to get guys to like you.”

Lani Horn (10:30):
She’s also super hard-working. She works three jobs. She’s always there for the kids. She plays piano in the talent show and takes them to Mathlete competitions. And she’s also socially aware. And when things go really badly among the girls, she does some pretty creative things to try to get them to be kinder to each other.

Dan Meyer (10:54):
OK. That’s one.

Bethany Lockhart Johnson (10:55):
Helen Case.

Dan Meyer (10:57):
All right. Settle down. Settle down. Settle down. All right.

Bethany Lockhart Johnson (10:59):
Piano too!

Dan Meyer (11:00):
Bethany’s already trying to bias people here. All right. Chill out. Hold on. So next one is Mandy Jansen with Jack Black from School of Rock. Uh-oh. Uh-oh.

Jack Black in School of Rock (11:09):
“What was your name?”

Kid in School of Rock (11:10):
“Katie.”

Jack Black in School of Rock (11:11):
“Katie. What was that thing you were playing today? The big thing.”

Kid in School of Rock (11:14):
“Cello.”

Jack Black in School of Rock (11:15):
“OK. This is a bass guitar and it’s the exact same thing, but instead of playing like this, you tip it on the side. Chellooooo! You’ve got a bass! <Laugh> Try it on.”

Mandy Jansen (11:25):
And I’m nominating for best teacher in a film Jack Black as Dewey Finn playing Mr. Ned Schneebly in the film School of Rock. So why this portrayal? First of all, playing a longterm sub. Those are so hard to find right now. <Audience laughs> Really hard. And then he teaches using class projects. That’s brilliant. Integrated learning. And then love this. He gives students roles and tasks that are differentiated and align to the specific strengths that each student has.

Kid 2 in School of Rock (12:05):
“I can also play clarinet, you know!”

Jack Black in School of Rock (12:06):
“I’ll find something for you when we get back from lunch. I’ll assign the rest of you killer positions.”

Mandy Jansen (12:13):
And the film culminates in a performance of a collaborative song that they all wrote and performed together. And the students experience that collaboration and teamwork and creating something beautiful is much more important than winning first place. And finally, one of the songs that the character sings in the film is “Math is a Wonderful Thing.” Can’t beat that.

Dan Meyer (12:40):
All right. That’s tough. That’s tough. So here’s the deal. What we have right now is just a quick minute—so Bethany, you ranked, we all ranked our own faves here outta the list of eight. And Bethany put Jack Black in School of Rock a bit higher than Tina Fey in Mean Girls.

Bethany Lockhart Johnson (12:54):
Missed the piano part though.

Dan Meyer (12:55):
And Chris, vice versa here. So Bethany, would you start us off and just make a quick case here for Jack Black versus Tina Fey?

Bethany Lockhart Johnson (13:01):
OK. So here’s what I’m thinking. There’s been rumor that maybe they’re putting less than credentialed people into classrooms to fill teaching gaps. I mean, just rumor. And so here’s this guy who is a rocker. He is not a substitute. He has no teaching training. And yet he goes in there and it turns out that he has the ability to see students’ potential and to recognize their unique abilities. And like Mandy said, he really tapped into, like, he saw them and said, “No, more is possible for you than what you think is possible.” And there’s like real sub anxiety. When you walk in, you can either be like, happy there’s a sub, but I was usually really nervous. Right? And he goes in and he makes that classroom into a home.

Dan Meyer (13:53):
Wow.

Chris Nho (13:54):
Wow.

Dan Meyer (13:56):
Chris, speak on it. Tina Fey needs you. Chris.

Chris Nho (13:59):
Tina Fey. Here we go. I’m gonna argue here that—when was that movie made?

Dan Meyer (14:03):
T is for terrific. I is for Interesting.

Chris Nho (14:06):
Decades ago. And I’m gonna argue that Tina Fey was very progressive for her time. OK, let’s talk about social emotional learning. Hello. <Audience laughs> Love that. Right? Stand up if, I mean, she’s getting people to talk about their emotions. And there’s a curriculum. But let’s just pause, because that’s not what’s really happening in the classroom right now. So social emotional learning, I think she’s, she’s got that a lot. And then number two, you know, if you remember the plot of Mean Girls a little bit, she gets her name written in that Burn Book. Like she sees what they say about her. Restorative justice. Let’s go. <Audience laughs>.

Dan Meyer (14:38):
Whom amongst us. Yes.

Chris Nho (14:40):
You write Mr. Nho in the Burn Book?? Well, your grade book is gonna look like a Burn Book! OK? <Audience laughs> Tina Fey, Tina Fey, she was like, “No, you know, know what? I’m actually gonna spend more time with you. You’re gonna become a mathlete.” And Lindsay Lohan discovers—she drops the most iconic line in all of math education. “The limit does not exist.” Thank you, Tina Fey, for that. For that gift.

Dan Meyer (15:04):
Bless. Bless you. Tina Fey. Wow.

Bethany Lockhart Johnson (15:05):
Oh, man. Wow.

Dan Meyer (15:09):
Let’s see what the people say here. I do wanna just add one quick thing about—it’s interesting to me how often in these movies—just kind of go in a little bit, zoom out just a minute—how often it’s a teacher who has no training as a teacher. <Bethany laughs> I am kind of curious why it is. Like, those are the movies that get hot, that get made. Again, these are all kind of a mirror of the taste of the moviegoing public. You know what I’m saying? Like, these, these are not movies—I wanna believe they are made for me and for us as teachers. But they are not. There’s not enough of us to justify, you know, Jack Black’s, you know, M&M budget or whatever he’s got going on in his trailer or whatever. That needs to be for everybody in middle-class America. So what is it about middle-class America that wants to see teaching as something that anybody can do? Just like, you know, just, just run up there in your van and make it happen.

Bethany Lockhart Johnson (15:54):
Magic magically manifests.

Dan Meyer (15:56):
Yeah. Manifest. Yeah. That’s just interesting to me. I just toss that out there as some red meat. Let’s see what the people say here. All right, OK, so you’re ready. Let’s get the bracket going here. The question is Tina Fey versus Jack Black. You had a moment here. Just whisper to someone real fast who you’re going for here real quick. What are you thinking here? <Crowd murmuring> All right. Crowd’s buzzing. Crowd’s buzzing. Would you folks…? All right. Bring it back. Go ahead and make some noise for Tina Fey. <Crowd cheers> OK. OK. Make some noise for Jack Black! <Crowd cheers> Judges say Tina Fey. Tina Fey moves on. All right. All right.

Chris Nho (16:44):
Stunned. I’m stunned. I’m speechless.

Bethany Lockhart Johnson (16:46):
Tina Fey moves on. Wow.

Dan Meyer (16:48):
This has exceeded my expectations in terms of having some fun, but also getting deep, getting deep and real about teaching. I’m into this right here. Yeah. What’s up?

Bethany Lockhart Johnson (16:54):
That’s the goal. That’s the goal. OK. You wanted blood? Oooh, this next matchup might just be where that blood comes forth! OK. Stretch. Warm up. Dan Meyer, who’s up next?

Dan Meyer (17:11):
We’ve got the animated/animatronic round here in the Southeast. And repping the two contestants here, who do we have? We have Allison Hintz, professor, author outta Washington, as one of the two nominators. And the other nominator is one of my heroes, though we’ll find out very wrong about this nomination, Jenna Laib, who’s in the crowd, and I’m trying not to make eye contact here. <Laugh> And here are the two nominations. A couple minutes each. And then we’ll chat about it. And one of us will probably die. But we’ll see how it goes.

Allison Hintz (17:50):
A long, long time ago, in a galaxy far, far away, MTL, we began learning from the Jedi Master of Teaching. With the Socratic and experiential approach. With unparalleled mindfulness, compassion, and humility. The best teacher in TV and film, Yoda is. <Audience laughs> Yoda lives the values we share as teachers and learners. He humbly comes alongside us as we construct new knowledge.

Yoda (18:29):
“You must unlearn what you have learned.”

Allison Hintz (18:32):
Yoda allows us to struggle and sees mistakes as critical to learning.

Yoda (18:39):
“The greatest teacher, failure is.”

Allison Hintz (18:43):
Yoda values curiosity and reminds us of the beauty and joy of teachers learning from children.

Yoda (18:52):
“Truly wonderful, the mind of a child is.”

Allison Hintz (18:59):
MTL! Join the Resistance! Let the force flow through you in declaring, the best teacher in TV and film, Yoda is.

Dan Meyer (19:18):
Give it up for Allison Hintz! All right! <Audience applauds>

Bethany Lockhart Johnson (19:20):
Alison! And to have that on hand too, which Is kind of perfect.

Bethany Lockhart Johnson (19:26):
Just to be clear, the helmet is not a part of a Zoom background.

Dan Meyer (19:29):
You may evaluate the quality of the nomination based on the costumes of the nominator. That is acceptable. That’s acceptable.

Bethany Lockhart Johnson (19:35):
That is a REAL HELMET.

Dan Meyer (19:35):
All right. The next nominator here, this one is from Jenna Laib, math coach, all-around stellar human. Here we go. This is Ms. Frizzle.

Ms. Frizzle (19:42):
“Single file, class. Our rotten field trip has only just begun.”

Jenna Laib (19:47):
And I think that the best teacher from TV or movies is Ms .Valerie Frizzle from The Magic School Bus. First and foremost, Ms. Frizzle believes in her students. She encourages them to take an active role in their learning, and also to advocate for change in their local community. For example, there’s an episode where there is a logger who’s gonna cut down a rotting log that would benefit the local ecosystem. And the students figure out a way to convince him to leave the log so that all of the animals and the plant life can benefit. She orchestrates really challenging situations for these students, and she allows them the space to ask questions and engage in problem-solving and puzzle their way out of these really, really difficult scenarios. Ms. Frizzle has unmatched pedagogy. She’s bold, she’s innovative, and she’s a major proponent of experiential learning. So these students are heading straight into a storm to learn about weather systems. <Audience laughs> These students are heading into the human body to learn about digestion and disease. They literally get baked into a cake to learn about some chemistry and reactions.

Children in The Magic School Bus (20:54):
“What’s happening?” <Audience laughs> “Why is it suddenly getting so hot?” “Maybe it’s because the floor is on fire!” <Audience laughs>

Jenna Laib (21:02):
This pedagogy is all led by her outstanding catchphrase, which is:

Ms. Frizzle (21:06):
“Take chances; make mistakes; get messy!”

Jenna Laib (21:14):
From her pedagogy to the classroom community that she creates, Ms. Frizzle is an inspiration, and that is why I think that she is the best teacher from TV or film. <Audience applauds>

Dan Meyer (21:25):
Right on! Give it up for Jenna. Give it up for Jenna. All right. I’m gonna take first pass at this. Chris knows my argument already, so I’m gonna take this here. I see some of you are feeling how I’m feeling on this one. OK, so I don’t have tons to say in favor of Yoda. I think it was all true what Allison said. I think the costume was banging. It was awesome. So there’s all that, but I have more to say against Ms. Frizzle than for Yoda.

Bethany Lockhart Johnson (21:48):
No, no, no. Wait a second!

Bethany Lockhart Johnson (21:49):
Let’s let it happen. Bethany, I’ve come prepared.

Dan Meyer (21:54):
I may have made a misstep here, I realize.

Bethany Lockhart Johnson (21:56):
I’ve come prepared.

Dan Meyer (21:56):
So I think Jenna is all correct. I think those clips spoke for themselves. I think that what they add up to, to me, is not “great teacher,” but more “someone who should be locked up.” <Audience laughs> Or at the very minimum, “someone who should be kept away from children.” <Audience laughs> Do not let that woman around children. I mean, check it out. Look, I don’t wanna throw down credentials. I’ve been to grad school, though. I know how this works. When your brain is stressed, you get these—all the cortisol happens. Your working memory shrinks up. You cannot learn when you’re stressed. And those kids, like whatever lesson Ms. Frizzle is teaching by sending them into an oven, I repeat, an oven <audience laughs>, like, they’re not gonna learn anything ’cause their brains are freaking out with stress and fear. OK?

Bethany Lockhart Johnson (22:41):
“What’s happening??”

Dan Meyer (22:43):
“What’s happening? Am I on fire? Well…I’m learning lots, though! Sure is magical!” <Audience laughs> It’s like, “No. Get that woman out of a classroom.” That’s my opening and closing argument. Right? There’s all it is.

Chris Nho (23:01):
All right. All right. All right.

Bethany Lockhart Johnson (23:02):
Chris knows.

Chris Nho (23:03):
I’ve got, I’ve got lots to say. First off, I think Dan was in charge of the editing of those video clips. So let’s let that be—you know, let the record stand. <Audience laughs>

Dan Meyer (23:11):
Where’s the lie though? Where’s the lie?

Chris Nho (23:14):
And, you know, second, I think, um—this is the guy up here saying, “I wanna see blood.” You know? And then he has a teacher who literally takes the students into a blood cell and, and you get a little scared! You get a little worried for the students, you know? So I just don’t get it, Dan. This or that. OK? I think Ms. Frizzle—so I actually went to a project-based learning school. I taught at a project-based learning school. And the best thing about it is like, your learning, it doesn’t just stay in this box of math lesson or writing lesson, history lesson. And I think with Ms. Frizzle, like you can’t help but learn things because you are getting baked in a cake. <Audience laughs> Yeah, it is a little scary. And I imagine there’s cortisol and things happening, but guess what? Probably the next episode, they go into their own brains and explore what’s happening. That kind of thing. You know?

Dan Meyer (24:07):
The kids that survived, just be clear. <Audience laughs>

Chris Nho (24:10):
Yeah. OK. Would I want Nora, my three-month-old, to be babysat by Ms. Frizzle? Maybe not. <Audience laughs> But what I have to say about Yoda is Yoda maybe wins the best tutor award. Give it up for Yoda’s Best Tutor Award.

Bethany Lockhart Johnson (24:24):
Oh, yeah…

Chris Nho (24:25):
That ratio’s looking really nice. I could teach the heck outta Luke Skywalker. OK? But 20 little Luke Skywalkers running around. I’m not sure. OK?

Dan Meyer (24:34):
Luke did survive the training, though. <Audience laughs> So that’s awfully nice to say about it. All right, Great words from Chris here. I’m still not convinced. We’ll see how you’re convinced here. Would you whisper to someone where you’re leaning here? Frizzle or Yoda? <Audience buzzing>

Chris Nho (24:47):
I tried. I tried.

Dan Meyer (24:53):
All right. That’s enough of that. Let’s hear it folks. Give it up for Yoda. <Audience cheers> Give it up. Give it up. You. Give. It. Up.

Chris Nho (25:05):
Hey, next. Next.

Dan Meyer (25:06):
All right. All right, all right. <Mutters> Give it up for Ms. Frizzle. <Audience cheers louder> I dunno, it’s pretty close. Call a tie. Maybe Yoda? Yoda by nose? <Audience laughs> All right. All right. Let’s…let me see who’s it. Let’s get the people advancing here. I’ll keep on moving here.

Chris Nho (25:26):
As you’re doing that. Um, Dan ranked Ms. Frizzle last in his personal ranking. And I ranked Ms. Frizzle very high, so we knew this one would be spicy,

Bethany Lockhart Johnson (25:36):
<laugh> Spicy it was. Are you having a good time so far? <Audience cheers> So while we love seeing these images and we love seeing these video clips, at the core, what are these things about how teachers are portrayed? And how accurate is that to our real lives? I mean, besides the cake part, right? That my chemistry class did often feel like I was on fire. I was so stressed in it. Um, we’re ready?

Dan Meyer (26:05):
Yep. Great. We’re ready, we’re up here. So the next two nominees are coming to you folks from Tracy Zager, who is the editor of my book, forthcoming in 2027 at the earliest and 2032 at the latest. And also your very own Zak Champagne from Florida, here in the room. Hey, Zak. Zak, let’s see who the nominations are. I’m gonna skip past that, didn’t work out so well for me. Here it is. This is Marshall Kane from the TV show Community.

Michael K. Williams in Community (26:32):
“You two complete your case to the class and let them decide your grades.”

Joel McHale in Community (26:37):
“Professor, thank you.”

Michael K. Williams in Community (26:40):
“It’s not a favor, Mr. Winger. Man’s gotta have a code.”

Joel McHale in Community (26:44):
“Awesome.”

Zak Champagne (26:46):
This is a pitch for an underdog. This teacher didn’t stand on desks or encourage his students to follow their musical passions. In fact, this teacher was seen only in a few episodes of my favorite TV show of all time, Community, Community has set at Greendale Community College in Colorado. And in season three, we get to meet Dr. Marshall Kane, a biology professor whose story is an inspiration to anyone who just takes the time to look and listen. Dr. Marshall Kane slowly earned his PhD while in prison, serving a sentence of 25 to life. In his classroom, he inspires students to love biology, question why LEGO has become so complicated, and randomly pairs his students for group projects to ensure no one feels left out. His greatest performance comes when a group of students believe their yam project was intentionally sabotaged. Dr. Kane took this as an opportunity for some trans-disciplinary real-world learning. So yes, at community college, he felt that a middle-school mock trial was the best way to determine who killed the yam. So let’s all pick the underdog and vote for Dr. Marshall Kane. After all, man’s gotta have a code. <Audience goes “oh!” and applauds>

Dan Meyer (27:53):
Thank you, Zak.

Bethany Lockhart Johnson (27:54):
I have a code.

Dan Meyer (27:56):
Next up is Tracy Zager, nominating an unusual nomination, not a single person, but an ensemble performance. A bunch of people from a movie called Searching for Bobby Fisher. Here we go.

Rapid-fire movie dialogue (28:11):
“What’s that?” “Schleimann attack.” “Schleimann attack? Where’d you learn that from, a book?” “No, my teacher taught me.” “Aw, your teacher. Well, forget it. Play like you used to, from the gut. Get your pawns rolling on the queen’s side.”

Tracy Zager (28:26):
Hey, Math Teacher Lounge. This is Tracy Zager. I’m excited to share my nominee for the best movie teacher. But I have to admit that when I first got the email, I thought, oh, who am I gonna nominate? Because most movies about teachers are highly problematic. They usually have like a saviorism thing, usually white saviors. And I just felt like I couldn’t suggest any of those. So rather than nominate a movie about a single teacher, I wanted to nominate a movie that taught me something about teaching. And that movie is a deep cut. It’s Searching for Bobby Fischer. It’s a movie about a chess prodigy. And what I love about it is that all of the different adults in the movie are in teacher roles in some way. And the student, Josh, the chess player, is a fully realized character, not an empty pail, who pulls from the strengths of each one of those adults while also dealing with their flaws and humanity. And there’s just beautiful synergy in the way he gets the best out of everybody, but also has to overcome some of the barriers that they put in front of him. So I feel like it’s a much more authentic and humbling, but also inspiring, movie about the power of teaching. So if you haven’t ever seen it, check it out. And I can’t wait to see who the other nominees are. Thanks so much.

Dan Meyer (29:53):
Right on. Thank you, Tracy. Wherever you are. <Applause> We’ll move a little quicker here. I’m curious, Bethany, you put Marshall Kane pretty high. I put Bobby Fischer pretty high. What do you have to say about Marshall Kane for us here?

Bethany Lockhart Johnson (30:04):
Well, I just wanna say two things. One is that, like Zak said, he has this code of conduct that he brings in. And he stays true to it no matter what happens. If you saw him in in Community, you know that he held himself up to such high esteem, but not just himself, his students as well. And he took accountability when he felt he had done wrong, even though, well, that’s controversy. But first—oh, the other thing, rest in peace, Michael K. Williams. Oh my gosh. The actor who plays Marshall K. And the thing that I wanna say most of all about it is that he brings his whole self to the classroom. He was in prison for decades. He brings his whole self and says, “This is who I was. This is who I am today. And this is how we can work together as a community.”

Dan Meyer (30:58):
That’s big. I love your comments about code of conduct too. It makes me wish that Ms. Frizzle had a code of conduct also.

Bethany Lockhart Johnson (31:05):
I knew that was coming back!

Chris Nho (31:06):
Two slides ago, Dan. That was two slides ago.

Dan Meyer (31:08):
Can’t let it go. So yeah, I love what you said there. I have no strong beef here either way. Bobby Fischer’s a movie I have loved dearly and can’t be objective about it. I love that the kid in that movie, more than any other movie here, the kid teaches the adults so much through his innocence and how he challenges them and how they’re treating him. Dig all that so much. Will not, will not begrudge anyone any vote either way here. I do begrudge many of you your vote in previous rounds. <Audience laughs> So let’s just, let’s hear. We’re not gonna ask you folks at all to chitchat. We’re gonna move on this one. So would you folks make some noise here for Marshall Kane in Community? OK. OK. And would you make some noise here for Bobby Fischer, the kid in Bobby Fischer, the ensemble? <Audience cheers, applauds>

Bethany Lockhart Johnson (31:56):
Marshall Kane.

Dan Meyer (31:57):
Marshall Kane takes it. All right. Good job, Marshall Kane! All right. Zak’s feeling good. Moving on to the final four here, Zak, right on. OK. Our last—the Northwest Division here is also the large urban district division here. We have a couple different teachers in sets of large urban schools. They’re nominated, they’re advanced by a couple people here. One is past president of NCTM, Robert Berry. And another is Fawn Nguyen, Southern California phenom. Great teacher and friend of lots of us. Um, let’s see who they nominated here. First from Robert Berry, let’s see, who is it here? Janine Teagues from Abbott Elementary.

Abbott Elementary dialogue (32:37):
“Hey, you know what? I’m probably probably gonna be Kenny’s second-grade teacher. Why don’t you just let him get a head start with me today?” “That’d be great.” “Yeah? OK. Hey, Kenny, would you like to be in my group today?” “Not really.” “That’s the spirit.”

Robert Berry (32:54):
My nomination is gonna be Quinta Brunson, the Emmy Award-winning Quinta Brunson from Abbott Elementary. Janine Teagues is the character. She exemplifies care not only from an affect way, but she also exemplifies care in the things that she does for her students. While the scenes in the show are entertaining, they do represent the challenges that teachers experience when they’re trying to meet the needs of her students. So she goes, goes all out for her students and finding resources. She accesses other people to get resources for her students. But the care shows up in the way that she is mindful of their needs. And so, for me, when I think about teachers and teaching, sometimes we can talk about pedagogy, but sometimes we also can talk about those kind of intangibles that makes a teacher a great teacher. It is apparent from her students that she cares about them, she supports them, and she goes all out 100% for her students. Janine Teagues, Quinta Brunson is, I think, is my choice of the best teacher on television because of the realism and the representation that she brings to this character of what teaching is about. <Applause>

Dan Meyer (34:28):
Right on. Right on. OK. OK. Next up, we’ve got, Fawn Nguyen is nominating Erin Gruwell from Freedom Writers. Here we go.

Hilary Swank in Freedom Writers movie (34:39):
“Look, you can either sit in your seats reading those workbooks or you can play a game. Either way, you’re in here till the bell rings. OK? This is called the Line Game. I’m gonna ask you a question. If that question applies to you, you step onto the line and then step back away for the next question. Easy, right? The first question. How many of you have the new Snoop Dog album? <kids move around> OK, back away. Next question. How many of you have seen Boys in the Hood?”

Fawn Nguyen (35:26):
We all learn about Miss G and her 150 students in the movie Freedom Writers starring Hilary Swank. All great teachers share a common set of traits. They care deeply about their students, have high expectations of them, and always believing wholeheartedly that they will succeed. Great teachers go above and beyond, not because they extraordinary—as Anne Gruwell would always refer to herself as an ordinary teacher—but because extraordinary things happen to people when we believe in them, give them hope, help them write their own story with a different ending. So what stood out for me with Miss G is the scope of her reach, the ever-expanding sphere of her humanity. The red tape she had placed on the classroom floor for the line game shows just how much we all have in common despite our differences. Her students didn’t just learn from her; they learned from one another. If you’d like to be part of this expanding sphere to give voice and hope, please check out Freedom Writers Foundation dot org.

Dan Meyer (36:38):
OK. This right here is a tough one for us. Thank you, Fawn. We collectively ranked—that’s our number one seed and number eight seed, which I hasten to say does not have to do with Erin Gruwell, a person, but the portrayal and the movie. So we don’t have like a whole lot of…there’s not a lot of defense we have to offer here of our eighth seed. And I heard like a kind of a little bit of a murmur over the crowd on Erin Gruwell. So I’m more interested than having a defense back and forth. I’d be curious what you, Bethany, think about what, like, what both movies have to say about like, what teaching is, especially teaching urban schools with black and brown kids and lower-class kids, for instance. They both have, I think, very different things to say about them. Do you have thoughts about that?

Bethany Lockhart Johnson (37:19):
Well, it’s interesting because there is some overlap in the sense that the arguments that both Fawn and Robert Berry put out, they both care deeply about their students, right? We’re not gonna argue that. They care deeply. And something that I would say about Miss Teagues is there’s something about the way that she sees not only her classroom, her students, but she sees all of the students in the school as her students. And her idea of resource generation is really helping the teachers to generate resources from their community themselves, and to also realize that the students see themselves reflected in the teachers. And I think that—you know, again, this is not about the real person—but the movie portrayal, and we often see kind of this, for Freedom Writers, we often see this like, Great Last Hope whisked in and her personal sacrifices are what makes these students, these brown and black students’ transformation possible. Because of her sacrifices. Including her marriage. Including, you know, three jobs. And it’s just portrayed in a way that I think really celebrates her sacrifices rather than what the students have already brought—they already come into the room bringing so much as they are, already, without her intervention.

Dan Meyer (38:38):
I love the portrayal of the teacher as part of a community of teachers. Versus in so many of these movies, it’s the teacher as the only person who gets it, you know, oftentimes coming from outside of the world of teaching and everyone’s against them and wants ’em just to fall in line and do the thing we always do, and they’re the outlier. But in Abbott Elementary, it’s like we all rise and we fall together. And teachers are investing in each other’s success, especially with Gregory the longterm sub. We’re all rooting for his, you know, his flourishing. I love that. And yeah. That’s bigtime.

Chris Nho (39:09):
Yeah, I think one interesting thing is that Freedom Writers, when it came out, I think it was like a commercial success.

Bethany Lockhart Johnson (39:17):
Oh, big time. Yeah. It was.

Chris Nho (39:18):
It probably influenced a lot of people to try teaching out. So I do wonder what it says about us, right? Like that we want teaching to fit this narrative, and we wanna be those people who could go into a classroom and <puts on “cool voice”> “Y’all listen to Snoop Dog?” and just have that question HIT. <laughter> And you know, I’ve taught in a large urban school district, and I’ve been that person and I’ve seen other people try and be that person. And I think stepping away from it a little bit, just—it’s a reflection of what people want out of teaching and what they think better education looks like.

Dan Meyer (39:57):
Yeah, yeah. This idea that, so I’m a middle-class person, let’s say, and like, there’s this idea, like, “I know what I would do if I was going into circumstances of impoverishment.” Like I have—

Bethany Lockhart Johnson (40:06):
“All they really need is…”

Dan Meyer (40:07):
…for me to give ’em some real talk and tell ’em, you know, pull their pants up or whatever, listen to Snoop Dog, that kind of thing. And that will be the key. And that’s not how it is in, you know, in Jack Black in School of Rock or Tina Fey school, which are, you know, coded as largely like upper-class or largely white schools. And in those movies, it’s interesting, like how it’s about students discovering themselves, oftentimes. And the central figures are often students. And the students need to reject an oppressive parent figure or something and find themselves. But no, in Freedom Writers, it’s like, “You need to become more like the middle-class teachers who are coming in here to give you this wisdom.” It’s just interesting. I do find it—a pet peeve of mine is when movies portray teachers as only successful if you endure, for instance, the failure of your marriage, or even in Stand and Deliver, for instance, like Jaime Escalante, they depict him having a heart attack. And, like, the job oughta be…easier. <Audience laughs>

Chris Nho (41:04):
Truth.

Bethany Lockhart Johnson (41:05):
That’s the barometer for how much….

Dan Meyer (41:09):
Like, no heart attacks and no divorces related to the job, that kind of thing. I do love how in Abbott—one last thing and we’ll vote and Abbott will win <audience laughs>—is like how, like there, there is a lot of degradation in Abbott, but it’s not a divorce or a heart attack—it’s the petty indignities of asking a student, “Do you wanna hang with me?” And a student says, “Nah, not really.” And that just spoke to me like how it’s not cinematic, but teaching, successful teaching, is like a collection of developing an immunity to students saying, “You’re not hot.” <Laugh> You know? And so I love that. I do wish that there was more depiction of students in Abbott Elementary. It’s a lot of adult stuff. Whatever. Give it up for Abbott, if you would, please. Let’s just get this done here. All right. That’s plenty. That’s plenty. Not gonna ask folks about Freedom Writers. OK, let’s move on to— all right, let’s hear it for Freedom Writers! Yeah. OK, cool. We go, yep.

Chris Nho (42:05):
Plot twist!

Bethany Lockhart Johnson (42:07):
OK, let’s see our final four. Cut and paste. Real time. Real time.

Audience member (42:12):
Where’s Dolores Umbridge?

Dan Meyer (42:14):
Oh….

Bethany Lockhart Johnson (42:16):
Hey, did you hear that? He said, “Where’s Dolores Umbridge?”

Dan Meyer (42:20):
All right. OK.

Bethany Lockhart Johnson (42:20):
See, we missed so many. We could…

Dan Meyer (42:21):
So coming up here, we’ve got in the Eastern Conference, Tina Fey and Ms. Frizzle. Y’all know how I feel about that one. Let’s just get this one done. OK, let’s give it up for Tina Fey. Let’s hear it. <Audience cheers> OK. All right. Yes! Let’s give it up for menace to children everywhere, the terror, the Ms. Frizzle. <Audience cheers> One more time for Tina Fey. Let’s hear it. <Audience cheers> One more time for Ms. Frizzle. Let’s hear it. <Audience cheers>

Bethany Lockhart Johnson (42:59):
Yeah. OK.

Dan Meyer (43:00):
It took ’em one round, but they made the right call in the end. <Laugh>

Chris Nho (43:04):
All it took was 10 minutes of constant Ms. Frizzle-bashing. <Laugh>

Dan Meyer (43:09):
Persevering and problem-solving, that’s my game. Yes. All right. So, do either of you want to influence the audience one way or the other?

Bethany Lockhart Johnson (43:16):
That’s not how I play, Dan.

Dan Meyer (43:18):
Oh, OK. Yeah, that’s true. That’s true. You’re good. On Abbott versus Marshall Kane, should we just let ’em have it? All right. All right. Give it up For Abbott Elementary. Not bad. And for Marshall Kane. OK. OK. I hear Zak and five other people. All right, cool. <laugh> Right on. All right. We got our, we got our finals,

Bethany Lockhart Johnson (43:45):
We did it. We made it to two. And we know: We left out a lot of people. Right? And honestly, I kind of wish we could poll like everyone. I mean, think you put it on Twitter, right? Like, who would you pick? But I would say we had a pretty solid eight there. I’m excited to see who… Look at the little crown he put, you guys. Come on.

Dan Meyer (44:05):
I worked hard for you. For you. <Laugh> Yeah. I liked that it was a good bunch that had a lot of different kinds of qualities…and lack of qualities in some cases. And it allowed us that—I shouldn’t knock her while she’s down, and she IS down, it’s true. <Laugh> And I appreciate the conversation we’ve had, what they have revealed overall about teaching and what the world wants teaching to be versus what it actually is or actually should be. I appreciate that. So let’s settle this here. Give it up, if you would, for Abbott Elementary. <Audience cheers> And give it up for Tina Fey in Mean Girls. <Audience cheers>

Bethany Lockhart Johnson (44:49):
Wow.

Dan Meyer (44:51):
That was close. I almost give that to Tina Fey.

Audience member (44:55):
Yeah, we do!

Dan Meyer (44:55):
I don’t know. That was a bracket-buster for me right there. Yeah. I lost money in the office pool off that right there. Maybe let’s just find out one more time here. One more time.

Bethany Lockhart Johnson (45:03):
Last time.

Dan Meyer (45:03):
Time to summon up all your conviction on one or the other here. No half-measures right now. All right.

Bethany Lockhart Johnson (45:07):
Emmy Award-winning Quinta Brunson.

Dan Meyer (45:09):
Yeah, you saw Robert Berry on that, right? He was like, “Oh, I got one more card to play. Emmy Award-winning.” That’s admissible. That’s admissible. We’ll take that. All right. So…give it up for Abbott Elementary, one last time. <Audience cheers> OK. All right. All right. And give it up for Tina Fey in Mean Girls. <Audience cheers>

Bethany Lockhart Johnson (45:30):
Drumroll, please!

Chris Nho (45:33):
Best teacher is….

Dan Meyer (45:34):
Tina Fey in Mean Girls! Yeah. Not a bad pick.

Bethany Lockhart Johnson (45:39):
I love it. And I think, too, I think we’re gonna have a little bit of a more reflective lens than we thought we did when we see depictions of teachers in film and television. And, you know, hopefully we’ll see some new tropes come in, right?

Dan Meyer (45:55):
Yep. Yeah. Every dollar we spend on movies with lousy teachers is just encouraging these people to make more lousy teacher movies, you know? Awesome. Thank you for being here for a live taping—

Bethany Lockhart Johnson (46:06):
Thank you for being here.

Dan Meyer (46:06):
—of our podcast, Math Teacher Lounge, in a hot room. Appreciate that. Yeah, it’s been fun for us to have you here. Um, super-important, super-important final remark: Bethany loves Oprah and Oprah occasionally, in the show—

Bethany Lockhart Johnson (46:18):
Is she coming?! Is she here?!

Dan Meyer (46:19):
Not here! Not here! Calm down. Calm down. Um, but we do have in Oprah fashion, not something—

Bethany Lockhart Johnson (46:24):
Oh. Oh, OK. Oh, that’s, that’s OK. Sorry. I got, had really excited for a second. As if the Amplify playing cards, The Amplify t-shirts being chucked at you at high speed—I did try to get a t-shirt cannon, and that was quickly ruled out <laugh>. They didn’t know about my rocket arm, right?

Dan Meyer (46:46):
Yeah, you got a cannon. <Laugh>

Bethany Lockhart Johnson (46:47):
Yeah. Oh, that’s a compliment. Oh, is that a compliment? Thank you, Dan. Thank you. Look under your seat because we have five winners. We wanna thank you for being here in person. We wanna thank the folks who are listening. We wanna thank Amplify. Oh my God. Somebody just pulled off the chair tag. You get to take that chair home with you.

Dan Meyer (47:08):
Does anybody have a prize?

Bethany Lockhart Johnson (47:10):
OK, stand up if you…stand up if you…Yes! Stand up if you have one!

Dan Meyer (47:16):
Free set of classroom dry-erase boards, right here. Congratulations.

Bethany Lockhart Johnson (47:22):
And for you who pulled off the chair tag, I don’t know. We gotta we gotta find something for you.

Dan Meyer (47:27):
Put that in your backpack.

Bethany Lockhart Johnson (47:30):
Thank you again for being here. Thank you. Amplify. Thank you, Desmos. Thank you. Dan Meyer.

Dan Meyer (47:36):
Thank you folks. Chris, thank you buddy.

Bethany Lockhart Johnson (47:38):
Chris! Chris Nho, everybody!

Dan Meyer (47:40):
We will be, we will be at—Bethany and I will be at the booth, if you wanna chit-chat and hang out, sign some stuff. Whatever. You wanna have Bethany sign you, she’ll do that. Um, come on down to the Amplify booth and we’ll—

Bethany Lockhart Johnson (47:50):
We’ll talk to you more about Ms. Frizzle.

Dan Meyer (47:52):
Fun and prizes. I will share with my real thoughts about Ms. Frizzle down there. I’d love to see you. Thanks for being here, folks.

Bethany Lockhart Johnson (47:57):
Thanks for listening. Bye.

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What Dan Meyer says about math teaching

“Teaching, more than other professions, is a generational profession. The kinds of joyful experiences we offer—or don’t offer—now affect the experiences students that haven’t even been born yet will have years later.”

– Dan Meyer

Meet the guests

Dan Meyer

Dan Meyer taught high school math to students who didn’t like high school math. He has advocated for better math instruction on CNN, Good Morning America, Everyday With Rachel Ray, and TED.com. He earned his doctorate from Stanford University in math education and is currently the Dean of Research at Desmos, where he explores the future of math, technology, and learning. Dan has worked with teachers internationally and in all 50 United States and was named one of Tech & Learning’s 30 Leaders of the Future.

Bethany Lockhart Johnson

Bethany Lockhart Johnson is an elementary school educator and author. Prior to serving as a multiple-subject teacher, she taught theater and dance and now loves incorporating movement and creative play into her classroom. Bethany is committed to helping students find joy in discovering their identities as mathematicians. In addition to her role as a full-time classroom teacher, Bethany is a Student Achievement Partners California Core Advocate and is active in national and local mathematics organizations. Bethany is a member of the Illustrative Mathematics Elementary Curriculum Steering Committee and serves as a consultant, creating materials to support families during distance learning.

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About Math Teacher Lounge: The podcast

Math Teacher Lounge is a biweekly podcast created specifically for K–12 math educators. In each episode co-hosts Bethany Lockhart Johnson (@lockhartedu) and Dan Meyer (@ddmeyer) chat with guests, taking a deep dive into the math and educational topics you care about.

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S5-02. Uncovering the causes of math anxiety

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We’re continuing our season theme of math anxiety, going beyond the basics, diving deeper into what causes it, and how we can help students move forward. In this episode, we talk to Dr. Erin Maloney from the University of Ottawa to better understand what’s actually happening in the brain when a person experiences math anxiety, and how we can take steps to shift student mindsets in a positive direction.
 
Listen now and don’t forget to grab your MTL study guide to track your learning and make the most of this episode!
 
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Download Transcript

Dr. Erin Maloney (00:00):

It’s the anxiety itself in many ways that can cause people to underperform.

Bethany Lockhart Johnson (00:06):

Welcome back to Math Teacher Lounge. I’m Bethany Lockhart Johnson.

Dan Meyer (00:10):

And I’m Dan Meyer.

Bethany Lockhart Johnson (00:11):

This is episode two of our new season, all about math anxiety. Who has it? What is it? What do we do about it?

Dan Meyer (00:20):

I’m learning so much, learning a ton.

Bethany Lockhart Johnson (00:22):

I loved our first conversation with Dr. Gerardo Ramirez, episode one, our first episode of the season. Really, our goal with that conversation was just to—we need to talk about the basics of it, for reals. Like, what is math anxiety?

Dan Meyer (00:36):

What is it? How do you measure it? How’s it defined? Super-helpful stuff.

Bethany Lockhart Johnson (00:40):

There’s not only one way that it’s measured. But it’s like, in active research right now, how are folks making sense of it? And I think Dr. Ramirez did such a fantastic job of sharing that with our listeners. And I learned a lot. You learned a lot, Dan?

Dan Meyer (00:56):

I did. And I’m also super-excited to take that knowledge that we have developed together and go and build on top of it and keep on climbing up up the mountain here, and learn more about math anxiety. Which is why we’re super-excited to have a guest on, Dr. Maloney, who is going to help us learn more—especially about what happens to the brain when it’s experiencing math anxiety. There’s some really complex stuff that happens there, including the role of parents and educators in creating and resolving math anxiety. And I think we’ll also learn that the whole situation is a bit of a hot mess. And we’ll try to make it a little bit less messy together.

Bethany Lockhart Johnson (01:34):

Little bit less messy. Dan, if we do nothing else, can we make it a little less messy?

Dan Meyer (01:41):

I sometimes prefer more mess, but in this case I prefer less. So.

Bethany Lockhart Johnson (01:45):

I have a two-year-old, so everything is a mess.

Dan Meyer (01:47):

Your life is mess. Yes. <laugh> Right. Well, I’m excited for you folks to hear this. It was a delightful conversation, so yeah, tune in. We are joined by Dr. Erin Maloney.

Bethany Lockhart Johnson (01:56):

Let’s go. We are joined by Dr. Erin Maloney, associate professor in the School of Psychology at the University of Ottawa, where she directs the Cognition and Emotion Laboratory, as well as serving as the Canada Research Chair in Academic Achievement and Well-being. Welcome to the show, Dr. Maloney. We’re so excited to have you in the Lounge.

Dr. Erin Maloney (02:20):

Yeah, thank you so much for having me. This is fantastic.

Bethany Lockhart Johnson (02:24):

So our last season was all about math and joy. And even when I read your title, I felt more joyful. Like, somebody is thinking about academic achievement, but with well-being in mind. I love it.

Dr. Erin Maloney (02:39):

Aw, thank you.

Dan Meyer (02:40):

Cognition and emotion!

Bethany Lockhart Johnson (02:42):

E-mo-tion!

Dr. Erin Maloney (02:43):

I don’t think they can be separate. I think that you have to think about them together, ’cause they’re so intricately connected.

Dan Meyer (02:49):

Love that. People try, but we love that. Yeah. That’s our vibe here, too.

Bethany Lockhart Johnson (02:52):

People try. That was a big problem with my math anxiety. They just wanted…there was no room for my emotion. They’re like, stop weeping at your desk—

Dan Meyer (03:00):

It’s rearranging neurons….

Bethany Lockhart Johnson (03:01):

—you’re distracting the other children. So would you mind telling us the story of how you even got interested in this topic? You know, when you tell people that you study math anxiety—or, actually, I don’t know how you describe it to them; I’m hopeful you bring in that well-being part—but how did you get here? What do you, what do you, what do you…yeah, tell us! We love it!

Dr. Erin Maloney (03:23):

<laugh> I feel like what you’re actually asking is, “How did you make life choices that got you to here?” <Laugh>

Bethany Lockhart Johnson (03:29):

Justify your life choices! Ready? Go!

Dr. Erin Maloney (03:32):

<laugh> Whoo. OK. So, all right. So we often, in psychology, we joke that instead of doing research, we do “me-search.” And that’s, that’s admittedly true in my case. I was a student who absolutely loved math up until about eighth grade, and then something changed, and all of a sudden I was terrified of math and I had absolutely no sense of self-efficacy in it. Despite trying really hard, I was extremely anxious about it. And so I initially, I set out…my parents were completely convinced that I was absolutely capable of doing mathematics and that I was getting in my own way. And when I went to university, I decided to prove them wrong. So I set out to prove that some people just can’t do math, and that’s the end of it. And, you know, 20 plus years later, my parents were right. And it turns out that many people—well, I would argue virtually everyone—can do math. And that if you are really anxious about it, it can get in the way. And interestingly, you know, in, in the years that we’ve been doing this research, there’s really good strategies that can be used—that hopefully we get a chance to chat about—that can really help reduce the amount of anxiety that students are experiencing. But I really did set out, like the bold teenager that I was, to prove my parents wrong. And that backfired <laugh>. So I know it’s kind of a strange answer, but it’s the truth. So I was really interested in understanding why it was some people just could not do math.

Dan Meyer (05:10):

That makes two for two so far, on guests for this season who did a version of me-search. And I feel like this is pretty common for a lot of researchers. Like, I wanna figure out…my experience as a teacher, the part where you, I think, diverge from a lot of people I knew in grad school, myself included, is that you actually let counter evidence change your perspective on things. Whereas I feel like a lot of us go in: “I know this is true and I’m gonna gather data!” and lo and behold, I’m true! But only now, with the research TM, you know, trademarked research, attached to it. So that’s, really exciting. Thanks for sharing that.

Dr. Erin Maloney (05:43):

No, you’re welcome.

Bethany Lockhart Johnson (05:44):

But don’t people say that the more personal you get, the more universal it is? Right? So if you go and get your doctorate about something that you think is just your experience or in your brain, then people are gonna be gonna be like, “Wait a second; you think that too?” “Wait, that math anxiety isn’t just you?” I don’t know, it sounds like a pretty great path to me. When you tell folks that you study math anxiety or when you’re speaking to folks about your research, do you find that there is a lot of folks who relate to what you’re studying? Or how does that conversation typically go?

Dr. Erin Maloney (06:20):

Yeah, so it is I think an extremely relatable topic. Not in the sense that everyone experiences anxiety about math, but everyone seems to know somebody who’s really anxious about math. Or everyone’s at least aware of the stereotype that like some people are math people and some people aren’t, and that’s just the way it is. So it feels like everyone has feelings about math and everyone seems very happy to share those feelings. So one thing I’ve always found really interesting, and actually, so I, I know you mentioned that you had Gerardo on recently. Gerardo and I have had really interesting conversations about how people are really quick to tell you that they hate math and they can’t do math, and they’re anxious about math. And I’ve yet to have anyone ever tell me they hate reading, they can’t read, they’re really anxious about reading as an adult. So for some reason math seems really different. And in that sense people always seem to be pretty excited to talk about their feelings towards math.

Dan Meyer (07:23):

Yeah, definitely. Been on an airplane or two myself and had those conversations. You know, people asking to be reseated because they found out that I do math for a living or whatever. Or just unburdening themselves, for sure. I’m super-curious: I think that the fact that you are doing the me-search is reason enough to want to dedicate your life to this study. But I am curious: If you were gonna justify to someone else, why is math anxiety important to study? What are its consequences, even outside of math education? What would you say to that?

Dr. Erin Maloney (07:57):

So I think it’s probably not hard to convince people that success in math is important, right? So we know that children who start elementary school behind in mathematics tend to stay behind in mathematics, unless they have any kind of very targeted intervention. We know that children who do worse in mathematics throughout K to 12 education in general get lower-paying jobs when they’re older. We also know that when they do worse than mathematics relative to their peers, there’s fewer jobs that are open to them, relative to if they excelled in math. Right? And so I think in many ways there are really clear consequences for students who are not comfortable with math and who avoid it. But I think one of the really, really interesting things about math anxiety, and maybe part of why I’ve fallen in love with it as a research topic is that it’s the anxiety itself in many ways that can cause people to underperform. So it’s not just the case that people who are bad at math are anxious about it. It’s actually that the anxiety itself can cause you to do worse in math. And that for me is really exciting, ’cause it means that if we can change your mindset, then we can really set you on a path with several more options available to you career-wise. And I think that is really empowering.

Dan Meyer (09:18):

Hmm. Yeah, definitely. And I’d love for you to explore — your laboratory is the cognition and emotion laboratory, which I love, how you’re creating those linkages between how you feel about a thing and what your opportunities or your aptitude for learning it. I’m really curious, can you say more about the, the relationship there? How does feeling anxiety impair your ability to do mathematics?

Dr. Erin Maloney (09:41):

Yeah, so feeling anxiety, typically what you tend to experience is these negative thoughts and ruminations. So you can imagine, you’re somebody who doesn’t really love math, you’re pretty anxious about it; you know, Bethany, maybe you’ve had this kind of experience before. I’m gonna call you out on it. I’ve had it many times, where you sit down to do a math test and all of a sudden you’re not focusing on the actual math test in front of you. You’re focusing on things like the consequences of not doing well on this. Right? Or “my parents are gonna be really disappointed if I don’t pass this test,” or “my teacher is gonna think negatively negative of me,” or sometimes we see things like, “I’m a girl, girls don’t do math.” These types of stereotypes. And what happens is that those thoughts actually tie up really important cognitive resources, like, really important memory resources, that you need to do the math test. And so if you are trying to essentially do two things at once, right? You’re trying to deal with all these negative thoughts that are distracting you and you’re trying to do the math test, then you’re not going to do as well as someone who’s sitting down and doesn’t have all of these distracting thoughts to deal with. And we actually know that from research that we have in our lab right now, where we just ask people like, “Hey, when you did this math test, what kind of stuff are you thinking about?” what we find is that the people who are really anxious about math report a whole bunch of thoughts that are unrelated really to the math test, per se. It’s more about the consequences of doing poorly. And as a result of those thoughts, they actually end up doing worse.

Dan Meyer (11:14):

This has been really helpful to figure out, how the emotional state of doing math affects the ability to do math. And it’s really interesting how you’re saying that the direction of the causality can go from the emotions to the cognition. And I’m just curious then, what is the source of the bad emotions about math? Where does that come from? Is it nature? Is it nurture? Some combination? How do you see it?

Dr. Erin Maloney (11:39):

Yeah, so one, that’s a fantastic question. And there’s been a whole bunch of people all around the world that have been spending a lot of time really trying to pinpoint that down. And I think the answer is that it’s, you know, it’s complex. So most of what it’s looking like right now is that it is a combination of both. So essentially what we find is that kids who start elementary school who are a little bit behind in math—and for the question of why they’re behind, that’s also complex; it could be genetics, it could be just environmental input, before the child ever entered formal schooling kind of thing—but in essence, what we find is that kids that start school behind in mathematics, those are the children who are most likely to develop anxiety about math by the time they’re finished first grade. OK? But we also know that once they’ve developed the anxiety about math, then that’s when they get these thoughts and ruminations that kind of tie up those memory resources, that then is gonna make it harder for them to succeed in math tests. So you get into this sort of vicious cycle, right? Where maybe you start behind a little bit and then you develop the anxiety, the anxiety causes you to underperform relative to what you should be able to, so now you’re even further behind, you get more anxious because you’re not doing as well as you’d like to…but again, kind of coming back to the “Why are the children starting behind in the first place?” Some of that seems to be the role that parents are playing in the household. So some kids come from a household where parents are playing a lot more math games with them, talking about mathematical concepts on a regular basis. Maybe they have older siblings who are, you know, practicing arithmetic and, and mathematical processing in front of them. And so those kids are exposed to more math before they ever even start formal schooling. Those kids seem to do better. And then we also know that the parents’ attitudes matter a lot too. So what we find is that when parents are high in math anxiety themselves, especially when they help their children a lot with their math homework in really early ages, we find that those kids end up being more anxious about math by the end of the school year, and they also end up doing worse in mathematics. So it really does seem to be, you know, kind of a complex set of factors that have something to do with both maybe genetic predisposition to success in math and genetic predisposition to anxiety, but then also the social attitudes and stereotypes about math to which you’re exposed at home that really seem to be coming together to create this anxiety in young children.

Bethany Lockhart Johnson (14:24):

I feel like everything you’re saying is <laugh>…it makes so much sense and yet it’s so often not talked about, right? Because it’s just more like, it gets boiled down to, “Oh, they’re just not a math person,” instead of all these other factors that are at play. And I completely remember the anxiety I felt, whether it was a test or not, walking into my math classroom when I was in ninth grade. And there’s no way I was set up and ready to learn. Right? <Laugh>. And something with—we mentioned Dr. Ramirez, he was talking about validating that anxiety. If teachers validate that like, “Oh, you know what, sometimes you might feel stumped, or this might feel overwhelming.” Even the power in creating space for that in the classroom, right? And acknowledging that it doesn’t—math doesn’t have to “come easy” to you in order for you to have access or make sense, is such a powerful concept. And I love the way that you are looking at all these different factors and saying, “Hey, it’s both simple and also a lot more complicated than we’re we’re making it.” Right?

Dr. Erin Maloney (15:36):

No, and I agree with that sentiment so much. Like, I think, though—one thing I will sort of caution is that I think when teachers are validating the anxiety, or when parents are validating the anxiety, I think there’s a very fine line that needs to be walked where we need to be able to say, you know, “It’s OK to struggle with something. That’s, that is completely OK.” And as we’re, you know, as we’re working towards something that’s really valuable, right? We can, we can work hard at something and by working hard at it, we’re going to get better. And I think that type of validating is really, really important and valuable. I think what we wanna be careful of is not to say things like, “Oh, it’s OK. I also never loved math.” And, you know, “Oh, I was never a math person either.” And so even though we might be bringing comfort to the the child, I think that that’s sending the wrong message. And so sometimes it’s really well intentioned and really not great—

Bethany Lockhart Johnson (16:37):

A hundred percent.

Dr. Erin Maloney (16:38):

—in terms of the messaging. So that’s the only…so just for people listening, the only sort of caution that I would give there is that I think there’s nuances to the validating of the feelings that are important.

Bethany Lockhart Johnson (16:50):

I am so glad you said that because as a kindergarten teacher, I vividly remember—and this is as early as, you know, the kids are five years old, right?—and I remember in a parent-teacher conference, a parent saying, “Oh, I wasn’t a math person either,” or, “Oh, no, ugh.” And they were so quick, like you said, they wouldn’t say that about reading, but they were so quick to talk about their lack of natural math aptitude, right? And, and it was really interesting because you know that even if they’re not saying that specific thing at home, those attitudes are absolutely carrying over at home. And they’re absolutely carrying over to, to how they interact with their kiddo around math and around what’s happening in the conversations about math. And I felt like a lot of times my work as a teacher was also to help support parents through their own math anxiety, and help give them some new language for how they can talk about math. And that math is more than just getting to an answer quickly. Like, let’s talk about, let’s go on math walks, let’s go on number walks, what numbers are around the home? Or oh, is that bigger than this? Do you have more of this? And even those little things, I, my hope was that it was starting to shift the conversation around what math was possible in the home, particularly when you saw that it was the parents who had palpable math anxiety. Right? And how much you know that that’s gonna impact what’s happening when you sit down to do homework together.

Dr. Erin Maloney (18:22):

Yeah. And I love that you have worked to encourage parents to do that. So we do similarly. Like even from a research perspective, where I will often give talks to parents and teachers and we talk about the idea of trying to mathematize everything, right? So just the idea that math is absolutely everywhere, and you know, whether it’s a matter of playing games in the car with your kids where you’re thinking of a number and it’s “My number is higher than 42, but lower than 80, and what number do you think I might be thinking of?” And, and gradually trying to get the child to that number. Or, you know, asking questions like, “What’s your favorite even number and why?” And just little things like that that, that I think can make math fun for kids, that help—I don’t even know how to explain it, but just that idea of bringing joy into it, so it’s not always this heavy subject that kids have to come to. So we definitely try to talk to parents about the idea of, like I said, mathematizing everything. And usually it’s well-received, ’cause often parents find it empowering, right? They’re like, “Oh, well, I could do that! But like, that’s not math!” And you’re like, “No, but it is.”

Dan Meyer (19:33):

Yep.

Dr. Erin Maloney (19:34):

Like, it is! And sometimes parents will say like, “Well, I don’t know how to do fractions.” And you’re like, “OK, but how do you bake?” “Well, I don’t know! I just, like, I know how to do those fractions!” And you’re like, “OK, but that’s the starting point. Let’s work with that.” Like, let’s, you know. And I think a lot of times, it’s reminding the parents that they’re actually far more capable than what they think they are, despite the fact that maybe they struggled with math when they were younger.

Dan Meyer (19:58):

Yeah. This is so interesting. And I feel like part of the challenge around conversations about anxiety and math and how to, how to resolve it and where it comes from, is that it, like, it presupposes a single definition of math. And so, you know, we’re talking about like how to be more mindful about math. But you know, like if kids were walking every day through a treacherous street, you know, the solution might not be become more mindful about that street. It’s just like, we gotta fix the treacherous nature of the street, really. You know, I love that we’re talking also about redefining what math is, making it more playful. That feels like a super-important component here. I’d love to know more about what you know about the role of gender in all of this. Are there differences in the way boys and girls experience math anxiety and how it relates to achievement in math?

Dr. Erin Maloney (20:48):

Yeah, so, there’s really, really interesting research on gender in math anxiety. So in general, we find that girls tend to experience more anxiety about math than boys do. So one hypothesis is that it has to do with just social stereotypes that, you know, girls are, are good at reading; boys are good at math, kind of thing. So there’s some evidence to suggest that that might be playing a role. There’s other evidence to suggest as well that maybe boys actually do experience as much anxiety, they just don’t really own up to it.

Dan Meyer (21:20):

Ooh, yikes.

Dr. Erin Maloney (21:21):

So thoughts are, you know, there’s a bit of an apprehension for males to admit experiencing the anxiety. But I think one of the things that is extremely interesting about it—at least to me—is that we don’t tend to see gender differences in young children. So in early elementary school, even though we’ll see that kids as young as six years old will experience anxiety about math, and that that anxiety is related to how well they do in math and how much they enjoy math, it doesn’t seem to vary as a function of gender at that young age. It doesn’t seem to be related to gender until kids are at about sixth, seventh grade that we really start to see this gender difference coming online. And so that, to me, suggests that it’s probably something more social than biological at play. It probably has something more to do with these stereotypes and stuff. But another really interesting—or at least, I’m biased, but to me—another really interesting line of research that comes into play—and some of this is stuff out of my own lab—so we know that boys in general tend to do better at spatial processing than girls. And we know that spatial processing is really important for math, right? So math and space are pretty connected. And by spatial processing, I mean things like being able to picture something rotating in your mind or, you know, envisioning how these puzzle pieces might fit together. And so we know that boys tend to do better at that type of processing. And the gender difference there seems to be related to gender differences in math anxiety. So there’s some speculation, too, that it might be that as the math starts to become more reliant on spatial processing, that that’s when we see this separation between boys and girls with respect to how much anxiety they feel about math. So a lot of this is to say, I think the answer to the gender question right now is what I think what we would officially call a bit of a hot mess, <laugh> where I think there’s probably more questions than answers. But I think that there’s definitely something going on. And it really seems to be coming on later in elementary school.

Dan Meyer (23:32):

That’s a refreshingly honest admission from a social scientist, that it’s a hot mess and not perfectly clear, <laugh> so I appreciate that. It’s interesting what you said about the spatial reasoning. In our work creating curriculum at Amplify, I find we lean a lot on trying to tie abstract math towards spatial topics. Like, can you estimate a quantity before you calculate it? Can you identify a pattern and where it breaks before you prove it abstractly? And, I dunno, it’s just interesting to me. I’m just thinking out loud about how I feel like math becomes more abstract rather than more spatial. The farther you venture into secondary math…I’m wondering if I misunderstand what you’re meaning by spatial, and the progression of math from K–12.

Dr. Erin Maloney (24:20):

Yeah, so I think you can still have—you can have math be abstract, but still really relying on spatial processing. Right? And I think part of that is maybe a bit of us having different definitions of when we say “spatial.” So in cognitive science, when we talk about spatial representations or spatial reasoning, it’s really like anything you’re picturing in your mind, any time you’re really picturing these things in your mind and manipulating those images at all. So if you imagine, even like at a simple level, but it’s gonna hold when you’re going more complex as well. So doing like equivalence problems, for example, where you have to balance the equations.

Dan Meyer (24:58):

Yeah.

Dr. Erin Maloney (24:59):

Even just being able to envision things kind of moving around that equal sign and bringing one piece of the equation from this side to the other is actually an extremely spatial kind of reasoning. Right? Or when you’re expanding, that’s actually extremely extremely spatial, despite the fact that it might not feel like it initially. Obviously anything in geometry is going to be very spatial. So I think, in that sense, we would argue that the spatial processing is still playing a pretty important role. But it’s maybe a different type of spatial processing than what we’re seeing at a very early level in elementary school. That said, you can completely disagree with me too. ‘Cause I could also just be wrong, and that’s fair. My kids tell me I’m wrong all the time. So I’m used to <laugh> being told that I’m wrong.

Dan Meyer (25:47):

Well, we’re a bit more deferential on this here show, with our guests. So I would not do that. But it makes sense, what you’re saying about how these are things that you manipulate in your mind, whether they are Xs and Ys or numbers and fractions. These are all things that we manipulate. That ties into differences in this spacial reasoning category, it sounds like, which then contributes to math anxiety. And it does start to feel like there’s a lot going on here, is what it feels like.

Bethany Lockhart Johnson (26:14):

You mean hot mess?

Dan Meyer (26:16):

I meant hot mess.

Dr. Erin Maloney (26:17):

Yeah. <laugh>, I think that’s the technical term, right? I’m pretty sure that’s the technical term for it.

Dan Meyer (26:21):

I didn’t know the citation for it. So I didn’t say it. But I knew who in literature named that. But yeah.

Dr. Erin Maloney (26:28):

I’ll write something at some point.

Dan Meyer (26:30):

We’ll cite Maloney, 2022. Yeah. Yes.

Bethany Lockhart Johnson (26:34):

So I will say that one of my dreams in thinking about this season and last season, but particularly this season, since we’re really getting to talk to some researchers who get to think about this, and have really interesting conversations about it all the time…one of my dreams is that we’re bringing—’cause we do have some folks who are researchers that are listening, right? But then we also have teachers and folks who are in the classroom every day, and parents and caregivers listening. And so I think one of the beautiful things about the way that I hear you talking about it is you’re thinking about the research, but it’s so applicable. Right? And I wonder if there’s anything else you can say around it. I wanna reduce that divide, that gap, between the research that’s happening and then what’s happening with the kiddos and in the classroom and at home. And I don’t know if it’s like a magic wand thing where like <laugh> if there were changes you’d wanna see at a societal level, to try to combat math anxiety, but you see where I’m going. You know, it’s like <laugh>….

Dr. Erin Maloney (27:39):

  1. So I’m gonna answer maybe in two ways. So I think the first thing that I’m hearing from you is that idea of diminishing this divide, right? And so one thing I try to keep in mind, as someone who’s a researcher and working in the lab, I will often be called in to talk to teachers and give professional development sessions. And they often want the sage-on-the-stage academic, that stands up there and tells you the answers to things. And one of the first things that I’m gonna admit when I get up there is, “I am not on the front lines.” So what I do in the lab, for me to tell you that that’s gonna work in a classroom of 30 kids who may or may not have eaten dinner that day, and may or may not have snow pants, and may or not…like it’s–

Bethany Lockhart Johnson (28:23):

Mmm, yes.

Dr. Erin Maloney (28:24):

You know, I think we also need to be a little bit reasonable. So I try really hard in my own program of research to make sure that I’m always talking to teachers and to principals and to curriculum designers to make sure that the ideas that I have make sense. In fact, one of the most recent book chapters that I wrote, I wrote in collaboration with a really good friend of mine who’s a principal, an elementary school principal, and a former math consultant. And we wrote it together, to really say like, “Hey, here’s how we can help each other inform how research can inform practice and how practice can also inform research.” ‘Cause he can come to me and say, “I’m doing this. I can’t find anything in the literature to support this, but I’m sure it works!” And we can design something in the lab to test whether or not it seems like it’s gonna work.

Bethany Lockhart Johnson (29:11):

That’s huge. Yeah.

Dr. Erin Maloney (29:12):

Empirically. And so I think that open communication is massive. One thing that we’re doing in my own lab to try to keep that open communication available. So to anyone listening who’s ever tried to get access to a journal article, they’re held behind paywalls, right? So one, the way it works, my understanding of this anyway, is that the journal owns the formatted version of the paper. So what we do is we put up audio recordings of all of the research papers that we ever publish. So I’m pretty sure I own the words as the author, and the journal owns the prettified version that you can buy. So we audio-record all of our papers, so that if teachers or parents ever want to hear the actual science that’s going into some of these decisions, they have access to at least the stuff that we do in our lab. And we also put up an infographic for every paper, just highlighting kind of the main questions and main findings. And we do that because I think that the only way for the information to actually be useful is if it gets into the hands of the stakeholders that actually need that information.

Bethany Lockhart Johnson (30:21):

And is accessible. That’s huge. That’s huge!

Dr. Erin Maloney (30:24):

Yeah. Yeah. So that’s one way that we try to do it. And like I said, the other thing, we try to always be working with principals and with teachers. I joke that the way that I remedied this in my own life…so my husband’s a teacher; it’s like, I just married one! It’s fine! <laugh> I can grill him on a regular basis, and be like, “I wanna try this experiment. Do you think it’s gonna work?” And he can say, like, “It’s not going to. Here’s why.”

Dan Meyer (30:47):

That’s awesome. Marrying a participant—you know, a research participant—is unethical, of course. Would not clear IRB. But turning your partner into a participant? Like, what are you gonna do? That’s great.

Dr. Erin Maloney (30:57):

Yeah, no, that’s fair game.

Dan Meyer (30:58):

Yep.

Dr. Erin Maloney (30:59):

Yeah. So that’s—I think we we compensate each other <laugh>. So, no…so I do joke a little bit about that. He was a teacher simply ’cause he wanted to be one. Not ’cause I needed him to be one. But, I think that communication part is, is really key. That’s one thing. Then the other part of the question or the other sort of piece of the question that I was hearing is that idea of, how do we fix math anxiety. Right? Like, what’s the great, “I’m glad that there’s a whole bunch of time and effort and energy going into trying to understand this, but what, where are we at?” And I think with that, it’s really, really promising. So there’s been a lot of research coming out looking at how best to help children or even adults manage their own anxiety about math. And there’s a few really interesting strategies that seem to be quite effective. So one, and I don’t know if—um, it feels weird calling him Dr. Ramirez, just ’cause I know him well!—but I don’t know if Dr. Ramirez would’ve talked about this when he chatted with you, but he has some really interesting work on expressive writing. Did he chat about that at all?

Bethany Lockhart Johnson (32:07):

He didn’t, but I’ve read some of his work about it and I think it’s so fascinating.

Dr. Erin Maloney (32:11):

Yeah! So, OK, well, I’ll tell you about his work on it.

Bethany Lockhart Johnson (32:13):

Yes, please. Please.

Dr. Erin Maloney (32:14):

Because it’s super-useful. So when we talked about that idea of how anxiety causes these thoughts and ruminations, and they tie up the memory resources that you need, what Gerardo has found is that when you get students to write about their anxiety for about 10 minutes before they do a test, what ends up happening is they end up doing better on the test, relative to if they would not have written about their anxiety at all. And this is particularly true for students who are really high in anxiety. OK? And the idea is that all of those thoughts that they were going to have about the test or the consequences of the test, et cetera, you just kind of get ’em…it’s like a mind dump where you get ’em all onto the page at first before you even go to do the test. And now when you go to do the test, you’re not having to do two things at once. You’re no longer dealing with these thoughts ’cause you got ’em all out on the paper beforehand. And so Gerardo has some really interesting work showing that that works for math anxiety. And then it also works for just testing anxiety in general. And so that’s a strategy that I love. I also—part of what I really love about it is it’s so low-cost, right? You need a paper and a pencil and it’s great. So those are always my favorite strategies, the ones that don’t really cost us anything. So that’s one way of dealing with like the cognitive part of the anxiety. The other thing you can do is try to deal with the anxiety part of the anxiety. So for that, what we find is that the typical strategies that you’re gonna see for anxiety tend to work for math anxiety. So things like focused breathing. Right? Making sure you’re doing deep inhales and exhales. That really diaphragmatic breathing seems to be quite helpful. We know that what we call progressive desensitization is really key. That’s the idea of doing things, you know, starting with the questions that you know how to handle. And then gradually working up to the more difficult questions. So you’re sort of gradually exposing yourself to the more complex stuff. And how that can play out on an actual test at school is, you sit down, and instead of just starting with question number one, you actually read the whole test, see which questions you feel like you know the best, start with those questions, and that helps build your confidence so that you’re better able to tackle the questions that are maybe a little bit outside of where you’re currently at. So that seems to be really helpful. The other part that I will say, too, that’s extremely helpful: So we know that anxiety really ties up those memory resources. And so the more you can make the math automatic, the more immune it’s going to be to anxiety in the moment. And so I know that this part can be a little bit controversial, because we don’t wanna necessarily demotivate children, and kill the enthusiasm for math that we’re trying to cultivate…but really, you know, really committing your arithmetic facts to memory can be extremely helpful. So really learning those times tables, really learning your addition and subtraction facts. ‘Cause what happens is, then when you’re in a situation where you need that information, even if you’re anxious and you’re working with fewer cognitive resources than what you would normally have, you actually don’t need that many cognitive resources to be able to pull something from memory that you’ve memorized. So it really helps to kind of protect you against some of the negative impacts of the anxiety while you’re doing that test.

Bethany Lockhart Johnson (35:37):

And you’re not using all your cognitive resources to figure out seven times eight, because you can really focus on what you’re trying to do with that. Oh, that’s fascinating. Yeah. Yeah.

Dr. Erin Maloney (35:47):

Yes. No, a hundred percent right. And so I know that’s one that, like I said, I know it can be somewhat controversial because it’s…you know, we’ve talked about—or we haven’t talked about in this conversation, but we often talk about—the idea of drilling and killing. Right? So you drill the facts, you kill the, the enthusiasm. But I think that there are ways that we can drill arithmetic facts, or help make them automatic, but still fun, right? It doesn’t have to always be in a high-pressure kind of way.

Bethany Lockhart Johnson (36:16):

Totally. And we’ve talked about fluency, and I’m sure we’ll talk about it more in the Lounge. And that is interesting, that link between anxiety when the fluency isn’t there, that—or, of course we hear about anxiety with timed tests, but the idea of that IS something you can do to reduce it, because you have those facts just at your ready. Right?

Dr. Erin Maloney (36:37):

Yeah. So I actually, again, I’m gonna be a little bit controversial. So I don’t hate timed tests in the way that a lot of people do. But I love time to practice. So I think once we’ve got to a point where children have a fairly decent understanding of skills, of a skill, once they’ve got a fairly decent grasp on it, then I love the idea of the timed practice. So it can be still in a low-pressure situation, where in many ways it doesn’t matter if you get the answer to the question correct. But we’re practicing doing it in a situation in which you might be feeling a little bit of pressure, but it’s not real pressure, if that makes sense. And I think that can be really, really useful for students. And again, it can be done in a fun way, right? It doesn’t have to be these super-intense ways. It can be fun. But I think that in life there are situations in which the time that it takes you to complete a problem matter. And I think that we have to make sure that we don’t get too far away from that.

Dan Meyer (37:40):

Yeah. It feels like we should do an entire other episode thinking about ways to develop that fluency and automaticity that don’t contribute to anxiety, or create further disparities between people who are high math anxiety and low math anxiety. Not a small question, I’m sure. And I appreciate you alluding to all of that. You know, this whole thing, as you said, is quite the hot mess. And I feel like you, Dr. Maloney, have helped us make this a little less messy, in our heads, and hopefully the listeners’ heads. I really appreciate that. I just love…you’ve mentioned lots of resources that you have. You’ve alluded to them: audiobook-style readings of your research, which I need ’cause I just finished, you know, Harry Potter, the seventh book, so I need a new thing to listen to like that. Also infographics. Can you tell our listeners where they can find this work of yours, and if there are any other kinds of resources that you wanna plug for our listeners here?

Dr. Erin Maloney (38:32):

Yeah, for sure. So all of our resources can be found on my lab website. So the address for that is www.ErinMaloney.ca. So there we have, like you said, the infographics and the audio articles and all that stuff. And then we also have a link to a new kids’ book out, actually, that a colleague of mine and I have published recently, that really walks through some of these strategies on combating math anxiety. The book is written as a children’s book, so it’s Peyton & Charlie Challenge Math. But it secretly is a book that would also work for adults. So if you are a parent that’s a little bit anxious about math, or a teacher that maybe is a little bit anxious, and you wanna see how some of these strategies can play out, in that book—we linked to it on the website, but it is available for purchase on Amazon. And the one thing I will say about the book, ’cause this is something that we were pretty proud of, so Sheri-Lynn Skwarchuk, who is a school psychologist, and I wrote the book. And it’s available for purchase at our cost price, so we don’t actually make any money on the book. It was literally just a way of getting some of the science out to people who might be able to benefit from it.

Bethany Lockhart Johnson (39:45):

Reducing that divide!

Dr. Erin Maloney (39:46):

Yeah, well that’s what we’re trying to do! Right? So I think in the U.S., I think it’s like $6 on Amazon. And then in terms of other resources, we’re in the process right now of creating some informational videos and and stuff like that that hopefully will be useful for parents and for teachers, just in terms of understanding a little bit more about the anxiety and understanding how to deal with the anxiety in the classroom more, at home or wherever it might be coming up.

Dan Meyer (40:15):

Well, thanks so much. I really appreciate—we appreciate!—you coming on, and hearing about how you’re trying to bridge so many different barriers from research to practice, and school to home. It’s just really inspiring. And we’d love to have you back on sometime. So thank you so much for joining us.

Bethany Lockhart Johnson (40:29):

I feel like we’ve just hung out! Don’t you, Dan?

Dan Meyer (40:31):

Are we rolling here? Oh my gosh, we’re rolling. I just thought we’re just hanging. Yeah,

Bethany Lockhart Johnson (40:34):

I thought we were just hanging!

Dr. Erin Maloney (40:36):

I know, I do, I really appreciate that it has a very kind of chill vibe to it.

Dan Meyer (40:41):

Chill vibe. Like a lounge.

Bethany Lockhart Johnson (40:42):

It’s the lounge!

Dan Meyer (40:43):

Thank you. You get us; you get us. <laugh>

Bethany Lockhart Johnson (40:45):

Dan Meyer. I was shopping for children’s books, and there was this book, and it was talking about being at home with Mom. And it’s going through all the things that the child did that day with Mom. It’s like, “We played outside, we ran through the sprinklers, we even did some homework.” And it shows them sitting at the table with the homework, that’s clearly math homework, in front of them. And the mom is like, “Harrumph!” Like a very perplexed, anxious face. And there’s all these question marks above her. And it’s just like,

Dan Meyer (41:24):

“There should not be numbers on that paper!”

Bethany Lockhart Johnson (41:25):

Exactly. And the child is like, “Ohhhh,” you know. And I mean, I have to give credit to the illustrator, because they really did capture the clear message of this interaction, which was sitting down to do math homework or think about math together is a source of angst. Right? According to this author and according to too many people. And so I think what’s really important is that we recognize those images when we see them out there and speak back to them, and say, “Hey, wait a second.” Yeah, it can feel like that, and it doesn’t have to. And what’s going on that that’s just the assumed way that it’s gonna feel, to sit down and math together. You know?

Dan Meyer (42:11):

Yeah. It feels like we all have a lot of work to do on the whole math-anxiety front. Dr. Maloney helped us see how parents play a part, educators play a part, society and how they create people plays its own part in how we all define math as a thing where we evaluate student thought or where students play it with their thoughts, has its own huge part as well. So yeah, it was a really fantastic conversation with Dr. Maloney. I hope you folks will check out the show notes, where you will find links to Dr. Maloney’s website. A lot of her work, which as you heard, is very geared towards practitioners and parents and even directly at kids, especially the new children’s book she co-authored, Peyton & Charlie Challenge Math.

Bethany Lockhart Johnson (42:55):

Next time we’re gonna dive even more into the nitty gritty of combating math anxiety. To do that, we’re actually gonna be joined—I am so excited about this—by Dr. Rosemarie Truglio from Sesame Workshop.

Rosemarie Truglio (43:09):

Our core audience are two- to four-year-olds, and they love math. And what’s not to love? Children don’t come with this math anxiety. Math anxiety is learned.

Dan Meyer (43:23):

So excited.

Dr. Erin Maloney (43:24):

Sesame Street was a huge part of my childhood and my toddler doesn’t know it yet, but Sesame Street is coming. It’s coming. Like, we’re we’re gonna introduce Sesame Street to him. We just haven’t yet.

Dan Meyer (43:37):

Sesame Street straight raised me.

Bethany Lockhart Johnson (43:38):

Right?

Dan Meyer (43:39):

Yeah. Don’t tell my parents. But that’s, yeah, that’s true. I’m excited, too. It’s gonna be a blast.

Bethany Lockhart Johnson (43:45):

I’m really excited. I think that the more we dive into this topic—which, again, we’re gonna look at math anxiety from a lot of different angles—and I’m excited to talk to Dr. Truglio about how we can take this research and these conversations that are happening about math and how it can actually impact what’s happening in homes. ‘Cause we wanna help create positive relationships with mathematics, with kids in math. I’m so excited. And I hope you folks keep listening. We love having you here in the Lounge. And if you haven’t already, please subscribe to Math Teacher Lounge, wherever you get podcasts. And if you like what you’re hearing, please leave us a rating and a review. It helps more listeners to find the show, and let other folks know about this show. Recommendations are great. Thanks so much for listening.

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What Dr. Erin Maloney says about math

“If we can change their mindset, then we can set students on a path to more opportunities and success.”

–Dr. Erin Maloney

Associate Professor in the School of Psychology, Director of the Cognition and Emotion Laboratory, and the Canada Research Chair (Tier II) in Academic Achievement and Well-Being, all at the University of Ottawa

Meet the guest

Erin Maloney is an Associate Professor and Canada Research Chair at the University of Ottawa. Her research sits at the intersection of Cognitive Psychology, Developmental Psychology, and Education and focuses on cognitive and emotional factors that relate to academic achievement. She is a world-renowned expert on the study of math anxiety, conducting research in the lab, in homes, and in classrooms with children, parents, and their teachers. She is passionate about both knowledge mobilization and equity, diversity, and inclusion within education and science.

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About Math Teacher Lounge

Math Teacher Lounge is a biweekly podcast created specifically for K–12 math educators. In each episode co-hosts Bethany Lockhart Johnson (@lockhartedu) and Dan Meyer (@ddmeyer) chat with guests, taking a deep dive into the math and educational topics you care about.

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Winter Wrap-Up 01: Problem-solving and facilitating classroom discussions

Promotional graphic for Math Teacher Lounge podcast, episode 1, featuring Fawn Nguyen, Christy Thompson, and Kassia Omohundro Wedekind discussing classroom problem-solving and discussions.

As we prep for an exciting new season of Math Teacher Lounge: The Podcast, hosts Bethany Lockhart Johnson and Dan Meyer are looking back at the amazing speakers and conversations from past episodes and sharing some of their favorites!

First up: A season 2 double feature of the power of problem-solving with Fawn Nguyen and Facilitating Classroom Discussions with authors Christy Hermann Thompson and Kassia Omohundro Wedekind.

Fawn is a specialist on Amplify’s advanced math team and a former math teacher and math coach—so she knows her stuff! You’ll hear about her five criteria for good problem-solving problems, and the power and importance of exposing all students to problem-solving.

Then, we’ll move into Bethany and Dan’s conversation with Christy and Kassia to learn how hands-down conversations allow students to become better listeners and the steps you can take to implement hands-down conversations in your classroom.

Explore more from Math Teacher Lounge by visiting our main page.

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Dan Meyer: (00:01)

Hey folks. Welcome back to Math Teacher Lounge. My name is Dan Meyer.

Bethany Lockhart Johnson: (00:03)

And I’m Bethany Lockhart Johnson. Hello! Happy New Year! Hello, Dan Meyer.

Dan Meyer: (00:09)

HNY, Bethany. HNY to you and to all of the listeners out there in Math Teacher Lounge. HNY is the abbreviation that I use sometimes.

Bethany Lockhart Johnson: (00:18)

Oh, is that what that is? Is that—I wasn’t sure what that was. If on my birthday you send me HBD…no.

Dan Meyer: (00:25)

Yeah.

Bethany Lockhart Johnson: (00:25)

No. Unacceptable.

Dan Meyer: (00:27)

I will. No, you want the full thing. To demonstrate my care for your birthday, I gotta spell the whole thing out. I’m just trying to stay relevant. You know, I’m just trying to stay relevant and youthful. So I’m using The Abreevs.

Bethany Lockhart Johnson: (00:38)

The Brevvies.

Dan Meyer: (00:40)

To the extent of even abbreviating the word “abbreviation.” . So, any New Year’s resolutions you wanna share with the listeners, Bethany? While you think, I’ll just share mine real quick here. This is the year of the perfect Wordle streak for yours truly, Dan Meyer. I’m going the full 365. Watch. Watch me do it, folks. I’m naming it here. Live on air. recorded on air. Perfect Wordle year. What you got for the listeners, Bethany?

Bethany Lockhart Johnson: (01:10)

Let’s see. It’s raining very hard here in Southern California, and my newest resolution is to embrace nature. My child wants nothing more than to go and splash in all the puddles.

Dan Meyer: (01:22)

Nice.

Bethany Lockhart Johnson: (01:23)

And be amongst the mud. And what I’m gonna keep telling myself—and so far, so far, I’ve been doing pretty good with this—thrive, child. Splash. Squish. We can dry you off. You will not melt. So I want to keep finding opportunities. Like, for instance, my response is, “It’s pouring rain. Let’s stay under covers and let’s read this book together!” And his response is like, banging on the windows, like, “Please let me go outside.” So I myself have some rain boots. I’m going to go forth and splash with my child. So hopefully you’ll see me doing that a bit more.

Dan Meyer: (02:08)

Love that.

Bethany Lockhart Johnson: (02:09)

Ask me what I’m doing. I’m outside, splashing in nature.

Dan Meyer: (02:12)

I don’t wanna put words in your mouth, but I have felt a bit like parenting is a means for rounding out aspects of my own personality that I have felt are—or habits or hobbies that are lacking. Like, I’ve never been real outdoorsy or into camping, but I don’t want that to limit my own kids’ aspirations or interests. So let’s do the thing that’s not super natural for me, for their own sake. Which is kind of what I’m hearing a little bit from you, which—that sounds exciting.

Bethany Lockhart Johnson: (02:35)

Do you wanna go camping together? Like, our families?

Dan Meyer: (02:38)

Uhhh. Let’s take this one off the air. I also love something that’s more relevant to a teachers audience that you said, that I think is super interesting, is how there’s ways that we can make the jobs harder for ourselves, that are optional. And what I hear from you is like, “I’m just not gonna freak out. We’re getting wet. We’re getting soggy. And I’m just not gonna freak out.” And I just think that that’s interesting to think about, the things that we take on, you know, that’s optional. Freaking out is optional, sometimes. And there’s other areas, I think, for parenting or for teaching, where it’s like, “Oh, do I really need to choose this particular battle?” And to reconsider that.

Bethany Lockhart Johnson: (03:19)

And in that spirit, our whole Wordle episode that we talked about? Do you remember you talked about how beautiful Wordle mistakes are, and how you keep learning from mistakes? I mean, you obviously want the final correct answer, but just, you know, when you get on a losing streak, Dan, I hope you’ll continue to pat yourself on the back.

Dan Meyer: (03:38)

Well, I will not be taking on a losing streak, or even lose one day. This is what’s gonna happen here. I’m just speaking that and putting it out in the universe.

Bethany Lockhart Johnson: (03:49)

Speak it!

Dan Meyer: (03:50)

But if it happens, I will be taking a long break from all human interaction. And lamenting, as I do.

Bethany Lockhart Johnson: (03:59)

Camping. Dan’s off in the woods, weeping.

Dan Meyer: (04:01)

That’s right. That’s right. Yeah. Well, we wanna share with you folks—an exciting programming note is that we are currently working very hard on producing a special fifth season of this podcast. You thought the other seasons were special? Let me tell you, this fifth season gives new meaning to the word “special.” And we can’t wait to tell you more about that. But in the meantime, Bethany, you wanna tell ’em what we’re up to in the meantime?

Bethany Lockhart Johnson: (04:26)

Well, Dan and I went back and we were having a conversation about some of our most favorite conversations, or the conversations that people bring up to us. Like, when we were at the CMC conference, or NCTM, folks, when we talk about the podcast, they’re like, “Oh, I loved this one.” “Oh, I love this one.” And that, to me, I don’t know, that is exciting. And so, while we’re putting together this new season over these next few weeks, we’re gonna feature a few of our favorite conversations from our first four seasons. Dan, four seasons!

Dan Meyer: (04:59)

We’ve been at this for four seasons! And I do want to just emphasize something you said, Bethany: that all of our conversations are our favorite conversations. They’re all our special children. What we just felt like you, the listeners, did not quite learn enough from some of these, and so we really needed you to hear them again to make sure you got everything that you should get out of them. So, let’s tell ’em who’s up first. And who’s up first is a conversation we had about problem-solving with Fawn Nguyen, who’s an advanced math team specialist here at Amplify. Been a former math coach, math teacher. Just really done the work, is what I’d say about Fawn.

Bethany Lockhart Johnson: (05:38)

If you have been listening to this podcast, you’re like, “Whoa, whoa. Wait, I have not missed an episode. I didn’t hear Fawn’s interview.” That is because we used to be video only, not podcasts. So this conversation with Fawn was from, what, our second season?

Dan Meyer: (05:55)

Yeah.

Bethany Lockhart Johnson: (05:56)

And we were on video. And another thing about it is it was, this is a conversation that, when folks talk about problem-solving, a lot of the responses we’ve gotten are like, “Wait, I’ve never thought of problem-solving this way.” In fact, you’ll hear us say that exact thing . So we really appreciated the time with Fawn. And yeah.

Dan Meyer: (06:17)

Enjoy it, folks. Especially enjoy Fawn’s—I think a four-part?—definition of problem-solving, a word that’s often kind of mushily defined. And Fawn really goes into, I think, precision and depth on it. So hope you folks enjoy it.

Dan Meyer: (06:35)

Give a wave, Fawn, to the camera. Would you? Cool. Fawn has been a teacher for a very long time. She is someone who could have left the classroom at any point and taken any number of jobs in the math-teaching universe. But I’ve always admired that Fawn has taught kids for a very long time, and that has given her, in my view, just a lot of clarity on what is important to her about students. I’ve seen her not get upset or obsessed with certain kinds of small niche issues that a lot of us, like, they get a lot of us down in the classroom, sometimes. And she’s maintained a laser focus on among many other things, problem-solving as a virtue in mathematics classrooms. So, please welcome Fawn to our show. Fawn, thanks so much for being here.

Fawn Nguyen: (07:18)

Hey, thank you so much. Thank you. I am so excited and honored that you guys invited me for this, Bethany and Dan.

Bethany Lockhart Johnson: (07:24)

Thank you for being here.

Fawn Nguyen: (07:26)

I love you, Bethany. Dan, I can tolerate, but I love you.

Dan Meyer: (07:30)

I really worked myself up there on that complimentary opening for you, and that’s how you get me back, here? OK. Problem-solving is fully on the consciousness of math teachers. Every math teacher knows that they need to say, like, “Yeah, oh, problem-solving. Yes. Love it. Do it. I dig it.” But even so, I feel like it’s become kind of a buzzword. Like, it’s not always obvious what that means…or am I doing problem-solving, really? So we’re curious: As someone who is a problem-solving expert, who is asked all over the world to talk about problem-solving: How do I know if I’m doing problem-solving in my classroom?

Fawn Nguyen: (08:12)

This is not my definition of it, but—nor am I an expert, by the way, Dan, thank you! but I try really, really hard and work on it!—my definition—or it’s not my definition, but I like it because it’s short and honest—is “problem-solving is what we do when we don’t know what to do.” And so—

Bethany Lockhart Johnson: (08:32)

Ooh!

Fawn Nguyen: (08:32)

—with that mind-frame, I’m hoping teachers think more about what they task. Because I think it gets mislabeled a lot, as to what is problem-solving. If the kids already know what to do, there’s a solution path. Then it’s not problem-solving.

Dan Meyer: (08:48)

Yeah. So what are examples then? An example of, like, I might call something problem-solving, but it it fails that particular definition that you just proposed there. Very short, very honest definition.

Fawn Nguyen: (08:59)

Just, it needs to have constraint and contradiction to what the kids think naturally. It should come as a surprise. There’s an element of surprise in it. There’s tension.

Dan Meyer: (09:11)

Maybe if there’s harder numbers or, you know, decimals or fractions in the same kind of procedure…I can feel myself thinking, “Yeah, this is hard. This is problem-solving. Problem-solving equals hard. But we already know what to do.”

Fawn Nguyen: (09:27)

Or just word problems. That’s the most common thing. As soon as it just has words attached to the math, it becomes problem-solving. But that’s just coding it to me. That’s just coding it with words, wrapping it around. It doesn’t mean anything until we read through and see if there’s true problem-solving in it.

Bethany Lockhart Johnson: (09:45)

Like, what’s the moment that it becomes problem-solving? In the way that you envision it?

Fawn Nguyen: (09:53)

Well, I think there’s the bigger problem-solving of really bringing a task…I wanna call it left field. It just—we rarely ever, if ever, see it in the regular coursework, but it can also be problem-solving if we just take what we expect the children to do at the end of the unit, how about we front-load that? To me, that’s also problem-solving. And I’m trying to encourage teachers to do that last problem first. The task writers put more thought—not that they don’t do the rest of it!—but you know, this is a special one, because they label it “challenge,” or “enrichment,” or “are you ready for more?” I’ve seen those. And so it is this really special problem. And I would love for us to think about “do that first.” Because my biggest fear is that because it comes at the end, that not all the children are involved. And so that to me is the saddest part. Because we might not get to it, right? In mathematics, we always think, “OK, well, let’s do these problems and then we don’t have time for the rest.” But I think that’s your richest task right there, is at the very end. So why don’t we front-load it, start it, and it’s OK—of course it’s OK!—that we don’t all get it. But the exposure to all students is so important. Talk about, you know, equity. Talk about that, everybody gets the same thing. If everyone dug into that first one with everybody’s collaboration, and we get to share that, and then we leave it, because “Yeah, OK, now we learn more of the other stuff, right? That hopefully support. And then we can go back. And now everybody had a chance to go get into it, and then we can come back to it as, as many problems, we need to go back to it.”

Bethany Lockhart Johnson: (11:37)

And that feels so powerful. Because it feels like—as a teacher, I’m thinking it would also inform my work, how I approach the unit, and how I approach the next steps. Right? Like, what kind of work would we be doing if I let it, if I allow it, to change the way that I approach the unit.

Dan Meyer: (11:58)

Yeah. What you’re describing is so powerful, and really asks a lot of the task designers as well, I think. There are problem-solving tasks that really require, like, abstract knowledge of the way formulas and variables fit together. And what I love about what Amplify is doing with their problem-solving, what you’re helping them do, is that they start with a true low floor that can draw in every student. And they might get stuck at different places; that’s fine. But everyone has a way in. That’s exciting.

Fawn Nguyen: (12:24)

It’s a big deal for me to have this opportunity and this trust, to integrate problem-solving into the curriculum, make it intentional. It’s difficult to implement. It is, to be honest. Because for me, what is a good task? This makes one of my four criteria: One is, it is non-routine. It is simply stated. Simply stated—that’s like your low floor. And then has multiple solutions. And the fourth: This makes it. Because that the teacher enjoys solving it. And so you have to enjoy solving it to bring it. Because so that way I can say to my kids, “This is my gift.” It really is, Because, you know, it has so much fun and joy. And I appreciate the struggle. And I wanna illustrate an example. For example, let’s say Dan and I are classmates. And I know that Dan gets A’s on his tests and the lowest score he ever got was an 89%. I, on the other hand, just sitting right next to him, I average D. I have a D average on everything. While Bethany, our amazing and wonderful teacher, brings in a problem. And when she brings it in, she says, “I worked on this problem. I found this problem; I worked on it; and I struggled with it. And it was amazing. I enjoyed it so much, I’m sharing it with you.” And all of a sudden it’s like, “OK!” And I”m sitting there, right? My teacher loves this problem so much; she’s bringing it in to share with us. And now, all of a sudden, it’s not, you know…and I know she only gives us non-routine. When she talks about problem-solving, it’s non-routine. So it’s not directly tied to the textbook that I’ve been struggling with. So it gives me a chance, it gives me a chance to contribute. To think differently. And now, suddenly I look forward to working with Dan, because in this space, in this problem-solving space, Dan is no longer Mr. Know-It-All. And so that’s what I mean by—I am saying this a hundred times, and I will not stop saying it—problem-solving levels the playing field. Our world is filled with unsolved problems. Are you kidding me? Right? We look around us, we have so many things that are not solvable, or people are working on it, and yet in mathematics, what happens? The bell rings; we start; and we solve everything during that time, and we leave. And that’s…yeah. No! No! We need to wrestle with problems.

Dan Meyer: (15:04)

And that was our conversation with Fawn Nguyen, which we first released way back in November, 2021. You folks can follow Fawn on Twitter at Fawn P Nguyen. Um, that’s @ F A W N P N G U Y E N.

Bethany Lockhart Johnson: (15:18)

So our episode today is a double feature. We are featuring another conversation that we loved from Season Two. This is a conversation with Christy Hermann Thompson and Kassia Omohundro Wedekind. They’re authors of the book, “Hands Down, Speak Out: Listening and Talking Across Literacy and Math.” And I don’t know if you remember, but not only did we have a conversation with them, but we did a whole book study on Facebook, a Facebook Live book study, over the course of several months. And it was one of my most favorite things. And then they did a webinar at the end. So our conversation with them on the podcast for me felt like such a beautiful dive into their book. And you know, I’ve said it before, you think you have something down in the classroom, you’re like, “Oh, hand-raising, I’ve got that down.” You think you have it down, but then somebody says, “OK, but have you ever considered thiiiis?” You know, and it just—

Dan Meyer: (16:17)

NOT that??

Bethany Lockhart Johnson: (16:18)

, Not that? Something totally different? And I loved talking with them. They’re a lot of fun. And I loved the book.

Dan Meyer: (16:23)

Wonderful conversation, great book. Very provocative ideas. Yeah. As someone who’s like, “OK, classroom management, I gotta get the hand-raising going…”. In the classroom before we talked, they offered a really potent challenge to some really standard classroom management ideas. Yeah. Loved it.

Bethany Lockhart Johnson: (16:40)

And this conversation also offers some really practical tips for facilitating student conversations. So we think you’ll enjoy it. Here’s our conversation with Christy and Kassia.

Bethany Lockhart Johnson: (16:53)

So today we are talking about “Hands Down, Speak Out: Listening and Talking Across Literacy and Math, K—5.” And we have the authors here, Kassia Omohundro Wedekind and Christy Hermann Thompson. Before we begin, let’s define what a hands-down conversation is. A hands-down conversation is just another way to structure discourse in your classroom. So in a typical classroom, you might see students raising their hand and waiting on a teacher to call on them before they share their ideas or engage in discussion. But in a hands-down conversation, it’s students’ ideas and voices that are taking the lead, and teachers are stepping back and focusing on listening and facilitating. Hello! Welcome to the Lounge.

Kassia Omohundro Wedekind: (17:44)

Thank you. We’re excited to be here. We’re fans of Season One. So we’re ready to go.

Dan Meyer: (17:50)

I was a secondary teacher but I still found so much to love about the book. I think facilitating conversations is just generally challenging, and perhaps even more so in math, where answers feel so tightly dialed-in, in lots of ways. But I loved it. I would love for you to just explain to our audience, what is a hands-down conversation and how does that contrast with what might be standard practice for some people? For some classes?

Christy Hermann Thompson: (18:13)

We just started using the term hands-down conversation because we wanted to differentiate the fact that there are different times to have different types of dialogue in the math classroom, in the literacy classroom. And we use this as one of our tools. Right? It’s not that every day, all day long, we’re very against hand-raising and should never see that again. We find that having this as one of our tools will be where we make really clear to the students that this is a moment where we’re turning it over to you to negotiate the space and make the decisions about when your voice comes in and who speaks next. You know, carry on kind of like that dinner table or that playground or, you know, whatever is your natural habitat for talk. And bringing that into the classroom and then hoping that it also someday transfers back out of the classroom back into the real world.

Bethany Lockhart Johnson: (19:09)

For the teachers who feel like that’s terrifying to have students just start speaking, and speaking without any sort of control or my little equity sticks, my little popsicle sticks, or my popcorn, or whatever other thing they’re using, what would you say is the first step?

Christy Hermann Thompson: (19:25)

So I think recognizing and naming that fear is part of it. And then saying to yourself, “What’s the worst that could happen here?” You know, I think the worst that could happen is that nobody talks and it’s totally silent. Or on the other hand, everybody talks at the same time. And both of those things will happen! And so what? It’s gonna be messy. And if you just acknowledge that it’s gonna look messy, and that’s part of growing; that every child as they learn—and every adult—is messy as they grow.

Kassia Omohundro Wedekind: (19:59)

And we have to see what kinds of things will happen in a hands-down conversation. Like there’s no prerequisite. You just start and then you see what happens. And those are the signs that tell you, “What can help this community grow as talkers and listeners? If everyone’s talking at the same time, and they’re kind of pushing each other over with their words by saying, “I have something to add!” “I have something to add!” or something like that, that’s a common thing that sometimes happens at the beginning. Then you know that the next step is to do some work about how to hold your thoughts back, how to add, wait for a space in the conversation to talk. And those are all things we need people to know out in the world.

Bethany Lockhart Johnson: (20:41)

So can you give an example of a micro-lesson that…well, first, what do you define as a micro-lesson? And then, what’s an example of one that maybe somebody who wants to dip their toe into the world of hands-down conversations that they could try?

Christy Hermann Thompson: (20:56)

The reason we call them micro-lessons is because we wanted to differentiate from the term mini lesson, which is out there and tends to describe about 10 or 15 minutes that might take place at the beginning of a work period of time. And this is much smaller than that. We usually follow a pretty predictable structure of naming. Here’s this thing that’s so helpful when we’re having conversations, and we love to especially be able to name something that a student had done: “Kaylee did this yesterday and it really helped us.” So what we might call that is, “And then here’s how Kaylee and other people might do that. They might do something like this.” And, you know, having a little anchor chart, so there’s a visual reminder of that skill. “So when we’re having a conversation today, you could try…”. And that’s basically a micro-lesson, just in a nutshell.

Kassia Omohundro Wedekind: (21:51)

When I was doing these hands-down conversations and I had more space for myself to listen as a teacher, I’m like, “Well, look at those kids, like, slumped onto the ground, like, pulling the carpet apart, but they’re having this amazing conversation!” And so I learned that listening is a lot broader. So in this lesson that I’m thinking about, we just talk with kids about what are lots of different ways that listening can look like. Sometimes with younger kids, I’ll take pictures of them listening in different ways and we’ll notice things about them together. And then we invite them to talk with their Turn and Talk partner about like, “How do you like to be listened to?” Or “Tell me about how you listen.” And just kind of broaden that. And really, I like to think that like the micro-lessons are for the kids, but also I’m saying those things to say them for myself. Like, “Remember, you don’t have to insist that kids are staring each other down in the eyes all the time. Like, “It’s OK when they’re doing other things. There’s other ways of listening.” So I think I’ve learned as much from the micro-lessons each time I do them as the kids that I’m trying to help grow as listeners and talkers, as well.

Dan Meyer: (23:00)

You folks have a lot of really eloquent ideals you express, around democratic classrooms and engagement. But you also have just some very tangible, practical…even down to, like, how a teacher positions their body in space and the way they use their eyes to connect. I think it would be really helpful for teachers to hear that it’s not just they’re signing on to a manifesto of sorts, but there’s ways they can act their way into the beliefs that you both expressed here.

Christy Hermann Thompson: (23:26)

When I’m starting hands-down conversation work, if I put myself a little bit outside of the circle and look down, and give myself a clipboard, it, it helps me bite my tongue and it helps me give better wait time and see what the kids are doing before I have that tendency to jump in and teach and do lots of teacher-y things.

Bethany Lockhart Johnson: (23:48)

Kassia and Christy, thank you so much for joining us. We are so excited to have this conversation and to share your work. This is exciting. And I feel like this conversation is just the beginning of a deeper dive into this book.

Kassia Omohundro Wedekind: (24:01)

Thanks for having us.

Christy Hermann Thompson: (24:02)

Thank you.

Dan Meyer: (24:03)

Thank you both.

Bethany Lockhart Johnson: (24:06)

Thanks so much for listening to our conversations with Fawn Nguyen and Christy Hermann Thompson and Kassia Omohundro Wedekind, both of which were released in 2021, part of our second season. And, you know, we hoped you enjoyed listening to it for a first, second, maybe third, fourth time.

Dan Meyer: (24:24)

Let’s be real. There’s some real fans out there.

Bethany Lockhart Johnson: (24:26)

We loved it then. We love it now!

Dan Meyer: (24:28)

Yep, yep, yep. Please keep in touch with the show by following us on Twitter at MTL Show, and join our Facebook group, the Math Teacher Lounge community. We’d love to hear from you there. And please stay tuned for more info on what we’re cooking up here in the Math Teacher Lounge. Thank you folks for listening. Take care, Bethany.

Bethany Lockhart Johnson: (24:47)

Bye now.

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What Fawn Nguyen says about math teaching

“It’s a big deal for me to have the opportunity and this trust to integrate problem-solving into the curriculum.”

– Fawn Nguyen

Specialist, Math Advance Team, Amplify Desmos Math

Meet the guests

Fawn Nguyen

Fawn began her work with Amplify in 2022 as a Math Advance Team Specialist. She was a math coach for a K-8 school district for three years, and a middle school teacher for 30 years before that. Fawn has also received a number of accolades as an educator.

Christy Thompson

Christy Thompson is a Literacy Coach in Fairfax County Public Schools in Virginia. She has spent her teaching and coaching career particularly focused on listening to and learning from the talk of our youngest students.

Kassia Omohundro Wedekind

Kassia Omohundro Wedekind spent many wonderful years as a classroom teacher and math coach in Fairfax County Public Schools in Virginia and now splits her time between being an independent math coach and an editor at Stenhouse Publishers. Her favorite days are spent in classrooms learning from the many ways children talk, listen and negotiate meaning together.

Three women are pictured separately in circular frames, each smiling and facing the camera, against a white background with overlapping pastel shapes—perfect for highlighting math teacher lounge discussions or sharing essential math teacher resources.
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About Math Teacher Lounge: The podcast

Math Teacher Lounge is a biweekly podcast created specifically for K–12 math educators. In each episode co-hosts Bethany Lockhart Johnson (@lockhartedu) and Dan Meyer (@ddmeyer) chat with guests, taking a deep dive into the math and educational topics you care about.

Join the Math Teacher Lounge Facebook group to continue the conversation, view exclusive content, interact with fellow educators, participate in giveaways, and more!

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Discovering and exploring mathematics in every story

Smiling young boy sits at a classroom desk holding an open book, developing reading comprehension, while two other children are seen in the background engaged in activities.

Every picture book on your classroom shelf holds mathematical treasures waiting to be discovered! What if every read-aloud could go beyond a literacy moment to become a catalyst for mathematical sense-making? This question lies at the heart of Allison Hintz and Antony T. Smith’s delightful and informative book, Mathematizing Children’s Literature: Sparking Connections, Joy, and Wonder Through Read-Alouds and Discussion.

Many teachers have used traditional counting books and shape-focused stories to support students in connecting mathematics to literature. According to Hintz and Smith, you can challenge readers to extend and expand upon these experiences in ways that provide more space for them to make sense of stories; ask their own questions; see mathematics authentically in the world; and make connections between the stories, the math, and their lives. That’s the promise of mathematizing—approaching any story with a mathematical lens.

The concept of “mathematizing” goes beyond simply finding numbers in a story. Children are naturally curious and construct meaning by noticing, exploring, explaining, and modeling. The story context becomes a place to play and practice seeing math everywhere in our world. As we read a story aloud and pause to ask, “What do you notice? What do you wonder?,” students are able to surface structure, compare quantities, model situations, and justify their ideas, all while staying rooted in characters, plot, setting, and theme. The result is a classroom where math feels joyful, meaningful, connected, and accessible.

In this post, we’ll explore simple moves to mathematize your next read-aloud, sample prompts to elevate discussion, and follow-up activities to turn your library into a launchpad for mathematical thinking!

Mathematizing process and structure

While there’s no one way to facilitate a mathematical read-aloud, the following steps can help you get started:

  1. Explore books in your current library. There are no hard and fast rules for choosing the right book to mathematize, because a book can spark mathematical ideas in many ways. Look for books that a) are overtly ‘mathy’ where the math is central to the story’s plot, b) have illustrations that provide opportunities to explore the math in them, and/or c) have a story that inspires mathematical thinking, even if the math isn’t central to the story’s plot.
  2. Read the book aloud for the first time. The first read is a wonderful opportunity for students to hear and enjoy the story itself.
  3. Ask students what they noticed and wondered. As students share their responses, record them on a piece of chart paper to revisit later. If no responses pertain to the math in the story, you can follow up with the question, “Where did you see math in the story?”
  4. Reread the book a second time or revisit a specific page in the book. At this point, you want to start to focus on the math the students will explore in the book. You can either reread the entire story and pause on strategic pages that center on the mathematical ideas, or revisit specific pages in the story. (If the story is longer,it will probably be easiest to just flip back to specific pages.)
  5. Elicit student thinking. Ask students what math questions they could ask based on the pages they revisited.
  6. Give students a follow-up math activity. This could be based on a question the students mentioned earlier in this process, or one the teacher has planned.

Mathematizing examples

To save you time finding a book to use, we’ve outlined a plan based on some of our favorite books to mathematize (listed by grade band).

Grade levelK–1
Book title and authorBear Says Thanks by Karma Wilson
Mathematical focusCounting, addition, and mathematical representations
LaunchRead the story aloud. Ask students, “What do you notice? What do you wonder?” Record their responses on a piece of chart paper. And ask students, “How many friends visited Bear? What different food items did Bear’s friends bring?”
Pages to revisitAs students describe the different foods, revisit those pages. Identify any foods the students didn’t mention. As you revisit each page, ask students, “How many of that food item did that friend bring? ”Record their responses on a piece of chart paper for each friend. 
ActivityArrange students in small groups of 3–4 and give them a piece of poster paper. Ask students to show each friend’s food items. They can represent them using pictures, counters, ten-frames, etc. After they’ve correctly represented each friend, ask them to show how many total food items Bear’s friends brought using numbers and equations. When they’ve finished, have them visit one another’s posters to see how others represented and added the food items. 
Grade level2–3
Book title and author100 Hungry Ants by Elinor J. Pinczes
Mathematical focusConnecting arrays to expressions
LaunchRead the story aloud. Ask students, “What do you notice? What do you wonder?” Record their responses on a piece of chart paper. And ask students, “How did the ants rearrange themselves throughout the book?”
Pages to revisitAs students describe the different arrangements of ants, revisit those pages so students have a visual of the array. As you revisit each page, ask students, “How many ants are in each row? Each column? What is an equation we can write to represent the array?” Record their responses on a piece of chart paper. 
ActivityArrange students in small groups of 3–4 and give them a piece of poster paper. Give each group a different number of ants. Suggested numbers are: 12, 24, 36, 20, 18. Ask students to draw all of the different ways their number of ants could rearrange themselves and record an equation to match each. If it’s helpful, you can give each group a set of cubes, counters, or beans to represent the ants so they can manipulate them. Wrap up the activity by having students visit one another’s posters and discussing the similarities and differences between them. 
Grade level4–5
Book title and authorDozens of Doughnuts by Carrie Finison
Mathematical focusMultiplication and division
LaunchRead the story aloud. Ask students, “What do you notice? What do you wonder?” Record their responses on a piece of chart paper. And ask students, “How many ways did Luanne share her doughnuts as friends arrived at her door?”
Pages to revisitAs students describe the different ways Luanne shared her doughnuts, revisit those pages. As you revisit each page, ask students, “How many doughnuts were being shared? By how many animals? ”Record their responses on a piece of chart paper. 
ActivityArrange students in small groups of 3–4 and give them each a piece of poster paper. Ask them to show all of the ways Luanne shared her doughnuts. To enable variation, refrain from specifying the representation they should use. After they’ve finished, ask them to do a Gallery Walk to each other’s posters to get ideas to add to their poster. If none of the groups have a multiplication and division equation for each way, ask students to record those as well. Ask students how Luanne could have shared a dozen doughnuts with the following number of animals showing up at her door: 5, 8, 10, 14, 16, and 18. Encourage students to show their work and record multiplication and division equations. 

And with all the upcoming holidays and opportunities to gather with friends and family, we were also inspired to use Spaghetti and Meatballs for All! by Marilyn Burns in a mathematizing read-aloud. Follow this link to find K–2 and 3–5 lesson plans for this book that you can use right away!

Winter Wrap-Up 03: Ideas to build math fluency

Promotional graphic for "Math Teacher Lounge" episode featuring Valerie Henry, Ed.D., on ideas to build math fluency, with a photo of Valerie Henry in the bottom right corner.

Join us for the third episode in our Winter Wrap-Up! In this episode from season 3 of Math Teacher Lounge: The Podcast, we sit down with Dr. Valerie Henry to talk about math fluency and what that means for students. Listen as we dig into the research, hear Val’s three-part definition of fluency, and explore her five principles for developing it.

Explore more from Math Teacher Lounge by visiting our main page. 

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Dan Meyer (00:03)

Hey folks. Welcome back. This is Math Teacher Lounge, and I am one of your hosts, Dan Meyer.

Bethany Lockhart Johnson (00:07):

And I’m your other host, Bethany Lockhart Johnson. Hi, Dan.

Dan Meyer (00:11):

Hey, great to see you. We have a big one this week to chat about and some fantastic guests. We are chatting about fluency, which is the sort of word and concept that I feel like people have very, very non-neutral associations with it. A lot of them are very negative, for a lot of people.

Bethany Lockhart Johnson (00:26):

I saw you frown a little. What’s up with that, Dan? You kind of, like, shrank.

Dan Meyer (00:30):

I have strong feelings about it. You know, there’s lots of ways that people go about helping people become fluent in mathematics. And a lot of them are harmful for students, and ineffective. And it got me thinking about fluency as it exists outside of the world of mathematics, where we have a lot of very clear images of it. We’re getting fluent in things all the time. Like, as humans. Human development is the story of fluency. And I just was wondering….Bethany, would you describe yourself as fluent at something outside of the world of mathematics? What is that? How’d you get fluent at it? What was the process?

Bethany Lockhart Johnson (01:05):

Hmm, I think I’m a pretty fluent reader. I read all the time. I’m a happier person if I’ve read that day. I once saw this poster in a classroom; it said “10 Ways to Become a Better Reader: Read, Read, Read, Read, Read…you know, 10 times. Get it? Reading? You get better at reading by reading! So I would say reading. And it’s been kind of cool—I have a one-year-old who, it’s been really exciting slash overwhelmingly anxiety-producing to see him get very fluent with walking slash running, ’cause he’s getting faster every day. And it’s kind of fun. When I think of what’s something somebody’s trying to get fluent with…walking! He’s trying to be more fluid. He’s practicing transitions. He doesn’t wanna hold my hand while he traverses rocky terrain. He’s getting better at it. He’s practicing. What about you? What’s something…?

Dan Meyer (02:08):

I think about driving a lot. I’m a very fluent driver and I think a lot about when I was first a driver, you know? And how l have my hands on 10 and 2, vice grip, and do not talk to me; do not ask me anything; don’t ask me my NAME. I need to focus so hard. And then a year later, you know, I’m driving with one hand, smash the turn signal, take a sip off of whatever, change the CD. And then it’s no big deal.

Bethany Lockhart Johnson (02:38):

Wait, did you pass the first time? Your test?

Dan Meyer (02:40):

Yeah, I don’t like to brag about it. <laugh> But I do all the time. <laugh> But I got a hundred on my driving test. I don’t care who knows it. And I hope it’s everybody. But I guess all of this is just to say there are areas of life where fluency feels natural, with the case of walking. There’s areas of life where fluency feels motivating, with like driving—I wanna be able to switch the CD out or whatever. And there’s areas where fluency feels terrifying and hard to come by, like mathematics, sometimes. So we have a set of guests here. Our first guest will help us figure out what do we mean by fluency? And what’s the research say about what fluency is and how students develop it in mathematics? And then our other guests will help us think about what it looks like in practice in the classroom. What are some novel, new ways to work on fluency? So first up we have Val Henry, Dr. Val Henry.

Bethany Lockhart Johnson (03:32):

So we knew we needed help with the fluency definition, because when we think about it, it’s kind of big, right? And we wanted to look at what research about fluency really says. So we called on Valerie Henry. Val is a nationally board-certified teacher, taught middle school for 17 years, and since 2002 has worked with undergraduates graduates, credential candidates as a lecturer at the University of California, Irvine, one of my alma maters. So after doing her dissertation on addition and subtraction fluency in first grade, Val created a project to study ways to build addition and subtraction and multiplication and division fluency while also developing number sense in algebraic thinking. And the pilot grew and grew over the last 18 years into a powerful daily mini-lesson approach to facts fluency called FactsWise. And when we thought of fluency, the first person I thought of was Val. Welcome, Val Henry, to the Lounge! I’m so excited to have you here. Welcome.

Valerie Henry (04:36):

Thanks, Bethany. And thanks to you, Dan. It’s great to be here today.

Dan Meyer (04:41):

Great to have you; help yourself to whatever you find in the fridge. The names that people write down on those things in the bags are just recommendations. It’s potluck-style here. I’m curious, Val, if you’re, like, on an airplane, someone asks you what you do, and you say you study fluency…what is the layperson’s definition of what does it mean to be fluent in mathematics? And if you can give a brief tour through what the research says about what works and what doesn’t that would really help us orient our conversation here.

Valerie Henry (05:12):

The first thing I have to do when I talk to somebody on a plane is define the idea of fluency. And I often use an example of tying your shoelaces. Because that works with first graders as well as adults. This idea that when we first start trying to put our shoes on and get those shoelaces tied, somebody tries to, first of all, just do it for us. But then of course maybe tries to teach us the bunny-ears approach. And we struggle and struggle as little kids and eventually either the bunny-ears approach or something else starts to work for us. But we still have to pay attention to it. We have to think hard and it’s not easy. And then over time we get to the point where we basically don’t even think about it. When I tie my shoes in the morning. I’m not thinking about right-over-left and left-over-right and all of those things. I just do it. And so that’s a good, easy example of becoming fluent with something. I think what we’re talking about today though, is the basics, the adding and subtracting that we hope kids are going to have mastered maybe by second grade, and the multiplication and division facts that we wanna maybe have mastered by third, maybe fourth grade. So now what does that mean to become fluent with those basics? I have a three-part definition that seems to match up really nicely with the common core approach to fluency. Which is, first of all, we want the answers to be correct. And then second, we want the answers to be easy to know. And so what does that mean? Well, to me, it means without needing to count,

Bethany Lockhart Johnson (07:12):

You mean without having to kind of muscle through it? Or say more about you mean.

Valerie Henry (07:16):

Well, I guess what I mean is that when you watch a young child try and solve something even as simple as two plus three, they might put up two fingers and then go 3, 4, 5 with three more fingers winding up on their hand, one or the other of their hands. While they’re doing that, they don’t really have a sense of whether even their answer is right or not, quite often. Especially when you get to the larger adding and subtracting problems, you can see a lot of errors happening as they’re trying to count. And it’s taking up cognitive energy to do that counting process, especially as you get to the larger quantities. So my definition of fluency now is “getting it right without needing to do that hard work like counting.” Now, some people might say, well, we just want them to have ’em memorized. But in my research, I’ve learned that a lot of very fluid adults don’t always have every fact memorized. In fact, if you ask a room full of adults, what’s seven plus nine, you might learn that they can all get it correct quickly, quickly…but they don’t all have it memorized. And so when you ask them, “How did you get that?” Many of them will say, “Well, I just gave one from the 7 to the 9 and I know that 10 plus 6 is 16.”

Bethany Lockhart Johnson (08:53):

That’s such an important distinction. My brain literally just did that actually!

Valerie Henry (08:58):

<laugh> Right? <laugh> But you’re fluid with it, because it doesn’t take you much cognitive energy at all.

Bethany Lockhart Johnson (09:05):

Right.

Valerie Henry (09:07):

So now we have “correct without needing to put that cognitive energy,” which usually means that you’re counting. And then the third thing is “relatively quickly,” so that you’re not spending 15 seconds trying to figure it out. Even that part-whole strategy approach can be done really quickly, almost instantaneously. Or it can take a long time. So if a student can get the answer correct within, you know, three or four seconds— is I’m pretty generous—I figure that they’re pretty darn fluent with that fact. So that’s my three-part definition of these basics, fluency.

Dan Meyer (09:55):

I love the distinction between getting it correct and getting it quick. It’s possible to be quick with wrong answers. It’s possible to be like, “Those are separate components there.” And I echo Bethany’s appreciation for this third option in between knowing it instantaneously through memorization and muscling through it. But there’s like a continuum there of how much energy it took you to come up with it that all feels extremely helpful.

Valerie Henry (10:21):

And you know, one of the things that I’ve noticed is that when kids are pressured to come up with those instantaneous answers, they often default to guessing and get it wrong.

Bethany Lockhart Johnson (10:30):

Mm, yeah.

Valerie Henry (10:30):

So that’s one of the things that I’ve learned is that as we’re trying to help students develop fluency, it’s important to start with building their conceptual understanding of what it means to do, you know, 3 times 9 and what the correct answer is, maybe using manipulatives or representations of some sort. Not skip-counting! I really have found that skip-counting just perpetuates itself in many students’ minds and that they never stop skip-counting, which means they’re putting in not very much mental energy if it’s 2 times 3 but a ton of mental energy if it’s 7 times 8. Because frankly, it’s really hard to skip count by sevens. And by eights.

Bethany Lockhart Johnson (11:18):

I can get to 14 and then I’m like, wait, wait, what was next? Right? No, no, no…21! What do you feel are some misconceptions that maybe teachers, maybe parents have about fluency in math?

Valerie Henry (11:30):

I think maybe one of the first ones is that if students count or skip-count, their answers repetitively over and over and over and over, that they’re bound to memorize them. And the study that I did back in 2004, I actually had a school that had decided that they were going to do time tests with their students every day, all year. And that undoubtedly by the end of the year, those students would be fluent.

Bethany Lockhart Johnson (12:06):

And to clarify by time test, you mean like, sit down, pencil, paper, ready, go, worksheet kind of thing.

Valerie Henry (12:15):

Yes.

Bethany Lockhart Johnson (12:16):

Some of us might remember quite vividly.

Valerie Henry (12:18):

<laugh> Very vividly. And you know, you have to get it done within a certain amount of time. So they made it fun for the students. Apparently the students enjoyed it. I was a little leery about that, but in the end, when I went and checked on the students and I did one-on-one assessments with half of the students in every class that were randomly selected so that I could get a sense of where they were with their fluency—and these were first graders—they basically had nothing memorized. They were simply counting as fast as they possibly could. And, you know, mostly getting the right answers. But they had not memorized. So that’s one of the myths, I think, is that repetitive practice of counting gets you to memorization.

Bethany Lockhart Johnson (13:10):

If I put it in front of you enough times, you’ll become fluent.

Valerie Henry (13:14):

Right, right. Now these students didn’t really get any instruction, any help learning these. They just simply tested over and over and over. So that’s another thing that I think is a misconception. It’s that if we test students, but don’t really teach them fluency, then they’re going to become fluent. If we just test them every Friday or that kind of thing. And that they’ll learn them at home. But really what that means is a few lucky kids who have parents who have the time and the energy and the background to know how to help will take that job on at home. Not that many students are really that fortunate.

Dan Meyer (14:01):

It’s almost like the traditional approach, or the approach you’re describing, confuses process and product. It says, “Well, the product is that eventually fluent students will be able to do something like this, see these problems and answer them, answer them quickly,” and says, “Well, that must be the process then as well; let’s give them that products a whole lot.” But as I hear you describe fluency with bunny ears on shoelaces, there’s these images and approaches and techniques that require a very active teacher presence to support the development of it. That’s just kind of interesting to me.

Valerie Henry (14:35):

My initial project, the pilot project that I tried, was to simply ask teachers to follow five key principles. And the first one was to do something in the classroom every day for—I told them, even if you’ve only got five or 10 minutes, work on fluency for five or 10 minutes a day, and let’s see what happens. So that was one key element was just to teach it and to give students opportunities to get what the research calls for when you’re trying to memorize, which is actually immediate feedback. When I talk about immediate feedback with my student teachers, I say, “I’m talking about within one or two seconds of trying a problem, and then sort of immediately knowing, getting feedback of whether you got the answer right or not so that your brain can kind of gain that confidence. ‘Oh, not only did I come up with an answer, but somebody’s telling me it’s the correct answer.’”

Dan Meyer (15:38):

There’s a lot of apps now in the digital world that offer students questions about arithmetic or other kinds of mathematical concepts and give immediate feedback of a sort: the feedback of “You’re right; you’re wrong” sort. Is that effective fluency development, in your view?

Valerie Henry (15:57):

I haven’t heard and I haven’t seen them being super-effective. The ways I think about this are “Immediate feedback isn’t the only thing we need.” Probably one of the biggest things that we need is for students to develop strategies. And this is one of the other things I’ve learned from international research, from countries that do have students who become very fluent very early, is that they don’t shoot straight for memorization, but they go through this process of taking students from doing some counting and then quickly moving them to trying to use logic. So, “Hey, you really are confident that 2 + 2 is 4; so now let’s use that to think about 2 + 3.” Actually, as an algebra teacher, I would much rather have students that have a combination of memorization and these strategies, than students who’ve only memorized. Isn’t that interesting that my most successful algebra students were good strategy thinkers. Not just good memorizers.

Bethany Lockhart Johnson (17:09):

So you mentioned there were five that kind of helped root this idea in like, “What can teachers do? What is the best thing that teachers can do to support with fact fluency?” So, everyday was key.

Valerie Henry (17:22):

Then the next principle that I really focus on is switching immediately to the connected subtractions so that students—

Bethany Lockhart Johnson (17:33):

Not waiting until you’ve gotten all the way through addition. But making “Ooh!”

Valerie Henry (17:38):

Totally. And I didn’t do that the first year. And when we looked at the results of the assessments at the end of the year, we realized that our students were so much weaker in subtraction than addition. So the following pilot year, we tried this other approach of doing subtraction right after the students had developed some fluency with that small chunk of addition. And we got such better subtraction results.

Bethany Lockhart Johnson (18:11):

What are the other principles?

Valerie Henry (18:13):

The biggest one is to use these strategies. So the strategies makes the third. And then the fourth I would say is to go from concrete to representational to abstract.

Bethany Lockhart Johnson (18:27):

Don’t put away those manipulatives. Don’t put away those tools.

Valerie Henry (18:31):

Oh, so important to come back to them for multiplication and division. And my fifth principle is to wait on assessment. To use it as true assessment, but not race to start testing before students have had a chance to go through this three-phase process. Which is conceptual understanding with manipulatives; building strategies, usually with representations; and then working on building some speed until it’s just that natural fluency.

Bethany Lockhart Johnson (19:07):

I wanna say thank you so much for offering your really learned perspective, because you have not only done the research, but seen it in action and seen how shifting our notions of fluency and what fluency can be and what a powerful foundation it can be for all mathematicians. Really, that shift is so powerful. And I appreciate you sharing it with our listeners and with us. So we’re so excited that we got to talk with you today, Val—

Dan Meyer (19:35):

Thank you, Dr. Henry.

Valerie Henry (19:37):

You’re welcome!

Dan Meyer (19:41):

With us now we have Graham Fletcher and Tracy Zager, a couple of people who understand fluency at a very deep and classroom level. I wanna introduce them and get their perspective on what we’re trying to solve here with fluency. So Graham Fletcher has served in education in a lot of different roles: as a classroom teacher, math coach, math specialist, and he’s continually seeking new and innovative ways to support students and teachers in their development of conceptual understanding in elementary math. He’s the author, along with Tracy, of Building Fact Fluency, a fluency kit we’ll talk about, and openly shares so much of his wisdom and resources at gfletchy.com. Tracy Johnson Zager is a district math coach who loves to get teachers hooked on listening to kids’ mathematical ideas. She is a co-author of this toolkit, Building Fact Fluency, and the author of Becoming the Math Teacher You Wish You’d Had: Ideas and Strategies from Vibrant Classrooms. Tracy also edits professional books for teachers at Stenhouse Publishers, including, yours truly. Thank you for all that insight, Tracy, and support on the book.

Bethany Lockhart Johnson (20:49):

Dan and I were talking at the beginning of the episode about things we feel like, “Hey, I’m fluent in that. I’m fluent in that.”

Dan Meyer (20:55):

Just very curious: What’s something you would like to get fluent in outside of the world of mathematics, let’s say?

Tracy Zager (21:00):

I’ll say understanding the teenage brain, as the parent of a 13-year-old and 15-year-old. That’s the main thing I’m working on becoming fluent in!

Bethany Lockhart Johnson (21:10):

Ooh!

Dan Meyer (21:13):

A language fluency, perhaps. All right, Graham. How about you?

Graham Fletcher (21:16):

For me typing, it’s always been an Achilles heel of mine. So voice-to-text has been my friend. But it’s also been my nemesis in much of my texting here and working virtually over the last couple years. So yeah, typing.

Dan Meyer (21:33):

Do you folks have some way of helping us understand the difference in how fluency is handled by instructors and by learners?

Tracy Zager (21:40):

I would say that the lay meaning of fluency is definitely a little different than what we mean in the math education realm. When we’re talking about math fact fluency, which is just one type of fluency. So you gotta think about procedural fluency and computational fluency; there are lots of types of fluency in math. And Graham and I had the luxury of really focusing in specifically on math fact fluency. We’re looking at kind of a subset of the procedural fluency. So the words you hear in all the citations are accurate, efficient, and flexible. There’s this combination of kids get the right answer in a reasonable amount of time and with a reasonable amount of work and they can match their strategy or their approach to the situation. That’s where that flexibility comes in. And there’s like lots more I wanna say about that about sort of…I think one issue that comes up around fluency is that people are in a little bit of a rush. So they tend to think of the fluency as this automaticity or recall of known facts without having to think about it. And that is part of the end goal, but that’s not the journey to fluency. So this is one of the things that Graham and I thought about a lot was the path to fluency. The goal here it’s that student in middle school who’s learning something new doesn’t have to expend any effort to gather that fact. And they might do it because they’ve done it so many different ways that they’ve got it, and now they just know it, or they might be like my friend who’s a mathematician who still, if you say, “Six times 8,” she thinks in her head, “Twelve, 24, 48…” and she does this double-double-double associative property strategy. And it’s so efficient, you would never know. And that’s totally great. That’s fine. That’s not slowing her down. That’s not providing a drag in the middle of a more complex problem or new learning. So we’re really focused on having elementary school students be able to enter the middle and high school standards without having that pull out of the new thinking.

Graham Fletcher (23:53):

And as I think about that, I think about how so many students will memorize their facts, but then they haven’t memorized them with understanding. So that when they move into middle school and they move into high school, it’s almost like new knowledge and new understanding that’s applied from a stand-alone skill.

Bethany Lockhart Johnson (24:10):

So something that felt really unique to me, Graham, as I was diving into the toolkit, is your use of images, Tracy, Graham, is the way that you use images to help students notice and wonder to start making sense of these quantities and the decomposition of numbers using images. Can you talk a little bit about how images played a part in the way that you think about this building a fact fluency?

Graham Fletcher (24:41):

What I realized is so many times when we approach math with just naked numbers with so many of our elementary students, the numbers aren’t visible. The quantities. They can’t see them; they can’t move them. They’re just those squiggly figures that we were talking about earlier on. So how is it that we make the quantities visible, to where students feel as if they can grab an apple and move it around? Because a lot of times we start with the naked numbers and then if kids don’t get the naked numbers, then we kind of backfill it. But what would happen if we start with the images? And then from there, these rich, flourishing mathematical conversations develop from the images. And I think that was the premise and the goal of the toolkit.

Tracy Zager (25:22):

When you look at how fact fluency has traditionally been taught, it’s all naked numbers. And sometimes we wrote ’em sideways. Like, that’s it. That was our variety of task type. Right? Sometimes it’s vertical; sometimes it’s horizontal. And that was it. And I’ve just known way too many kids who couldn’t find a hook to hang their hat on with that. It didn’t connect to anything. And so part of why I knew Graham was the perfect person for this project was his strength in multimedia photography, art, video. And so we started from this idea of contexts that for each lesson string in the toolkit, there’s some kind of context. An everyday object, arranged in some kind of a way that reveals mathematical structure and invites students to notice the properties. So we start with images of everyday objects: tennis balls, paint pots…um, help me out; here are a million of them. Crayons—

Bethany Lockhart Johnson (26:18):

Crayons, markers.

Tracy Zager (26:18):

Shoes, right? Sushi, origami paper, all kinds of things in the different toolkits. So there’s a series of images or a three-act task or both around those everyday objects, and then story problems grounded in that context. And then there are images with mathematical tools that bring out different ideas, but relate in some way to the image talks. And we do all of that before we get to the naked number talk. Which we do, and by the time you get to the number talk, it’s pretty quick, ’cause they’ve been reasoning about cups of lemonade. And now when you give them the actual numerals, they’re all over it.

Bethany Lockhart Johnson (27:03):

I have to say too, as somebody who—particularly in middle school—navigated math anxiety, we recently talked with Allison Hintz and Anthony Smith about their amazing book Mathematizing Children’s Literature.

Tracy Zager (27:14):

Yay!

Bethany Lockhart Johnson (27:14):

And I was explaining, like, if I sat down at the beginning of a math class and my teacher opened a picture book and said, “We’re gonna start here,” I felt my whole body relax. And if we start with this image, if we start with just looking at an image and making sense of an image, I feel like that could be such a powerful touchstone for all the work you do from there.

Tracy Zager (27:41):

That’s core. That’s a core design principle, is that invitational access. There are no barriers to entry. There’s nothing to decode. There’s nothing formal. We’ve been learning from Dan for years about this, right? Of starting with the informal and then eventually layering in the formal. I was in a class in Maine where they were doing an image talk and it’s these boxes of pencils. It’s a stack of boxes of pencils and they’re open and you can see there are 10 pencils in each box. And so there are five boxes of pencils each with 10 pencils in it. And then the next image is 10 boxes of pencils and each box is half full. So now it’s 10 boxes each with five. And the kids are talking and talking and then the third image, I think there are seven boxes each with 10 pencils in it. And she said, “What do you think the next picture’s gonna be?” And this girl said, “You just never know with these people!” <laugh> I dunno!”

Bethany Lockhart Johnson (28:37):

That’s kinda true. Knowing you both, it’s kinda true.

Tracy Zager (28:42):

Like if it’s seven boxes with 10 in it, one kid said, I think it’s gonna be 14 boxes of five. And other kids are like, I think it’s gonna be 10 boxes with seven. And they start talking about which of those there are and the relationships between—

Bethany Lockhart Johnson (28:58):

But they’re making sense of numbers!

Tracy Zager (28:59):

Totally. So all the kids felt invited. They can offer something up. They’re noticing and wondering about that image. They’re talking about it in whatever informal language or home language that they speak. And that was core to us. That was a huge priority, because honestly, one of the motivations to talk about fluency is that it’s always been this gatekeeper. It has served to keep kids out of meaningful math. Particularly kids from marginalized or historically excluded communities. So they’re back at the round table, doing Mad Minutes, while the more advantaged kids are getting to do rich problem solving. And so, we thought, what if we could teach fact fluency through rich problem solving that everybody could access? That was like square one for us.

Bethany Lockhart Johnson (29:45):

That’s huge.

Dan Meyer (29:46):

That’s great to hear. What’s been helpful for me is to understand that students who are automatic, that’s just kind of what’s on the surface of things. And that below that might be some really robust kind of foundation or scaffolding that bleeds to a larger building being built, or it might be just really rickety and not offer a sturdy place to build farther up. It’s been really exciting to hear that. I wonder if you’d comment for a moment about, in the digital age and—I’m at Desmos and our sponsors are Amplify and we all work in the digital world quite a bit. There are a lot of what report to be solutions to the fluency issue, to developing fluency in the digital world. Just lots and lots of them. Some that are quite well used, others that are just like X, Y, or Z app on the market. You can find something. Do you have perspectives on these kinds of digital fluency building apps? Like, what about them works or doesn’t work? Let us know. Graham, how about you? And then Tracy, I’d love to hear your thoughts too.

Graham Fletcher (30:47):

Yeah, I think that’s a great question, ’cause there’s a lot of shiny bells and whistles out there right now that can really excite a lot of teachers. But I always come back to what works for me as a classroom teacher is probably gonna work in a digital world as well. So what are the things that I love and honor most about being in front of students, and how can I capture that in that virtual world? I think one of the things that really helps students make connections is coherence. I think coherence, especially when you leave students for—you don’t get to talk with them after the lesson is done—so I think about how we can purposefully sequence things through a day-to-day basis. I think coherence is something that gets really lost when we talk about fluency, especially with whether it be digital or whether it be print, because what ends up happening is we say, “OK, we have all these strategies we need to teach,” and it becomes a checklist. So how is it that we can just provide students the opportunity to play around in a space, whether it be digital or in person, but in a meaningful way that allows them the time and the space and that area to breathe and think, but be coherent. And connecting those lessons along the way. And I think coherence is one thing that a lot of the times it’s harder to—when we’re in the weeds, it’s so hard and difficult to zoom back out and say, “Do all these lessons connect? How do they intentionally connect? And how do they purposefully connect?” And without coherence, everything’s kind of broken down into that granular level. So when looking at—I think about Desmos and I think about the Toolkit and I think about how Tracy and I talked a lot about, “Well, this, does it connect with the context problem, does it connect with the image talk, or the lessons? Like, how does it all connect and how are we providing students an opportunity to make connections between the day-to-day instruction and lessons that we tackle?”

Tracy Zager (32:44):

I’m reminded of a conversation that Dan, you and I had a long time ago, in Portland, Maine, in a bar. I’ll just be honest. <laugh> And we were talking about how, in the earlier days of Desmos, you were stressed out by what you saw, which was kids one-on-one, on a device, in a silent room. And you were like, no, this is not it. This is not what technology is here to serve. We can do so many things better using technology appropriately, but we can’t lose talk and we can’t lose relationships and we can’t lose formative assessment and teachers listening to kids and kids listening to each other and helping each other understand their thinking. Right? So when I think about the tech that’s out there for fact fluency, most of it is gonna violate all rules I have around time testing. So that a whole bunch of it, I would just toss on that premise. They’re really no different than flashcards. It’s just flashcards set in junkyard heaps. Or, you know, underground caverns. Or with a volcano or whatever. It’s the same thing. There are some lovely visuals—I’m thinking of Berkeley Everett’s Math Flips. Those are really pretty. Mathigon has some really nice stuff that’s digital. And I think that those resources invite you to kind of ponder and notice things and talk about them. All the tools that we design in the toolkit are designed to get people talking to each other, and give teachers opportunities to pull alongside kids and listen in and understand where they are. For example, our games, we didn’t design the games to be played digitally, even though you could, and people did during COVID, because we want kids on the rug, next to each other, on their knees; I’ve seen kids like across tables. I was in a school recently where a kid was like, “I hope you believe in God, ’cause you’re going…!” You know what I mean? <laugh>. Like they’re all pumped up.

Bethany Lockhart Johnson (34:41):

They’re invested!

Tracy Zager (34:45):

They’re psyching each other up and down and they’re interacting and it’s social and the teacher’s walking around and she’s listening to the games. And they don’t actually need any bells and whistles. They need dice and they need counters and they need this game that is actually a game. In all of our conversations, games have to actually be games. Games cannot be “roll and record.” Games have to involve strategy. They have to be fun. So in designing those games, we didn’t feel like it brought any advantage to make that a digital platform. But things that did bring advantages digitally, like the ability to project these beautiful images or to use short video in the classroom, that really was a value-add that enabled us to do something different in math class than we had done before, and to get kids talking in a different way than they ever had before. When I think about fluency, historically, if you say like, “OK, it’s time to practice our math facts,” you hear a lot of groans. And when I see a Building Fact Fluency classroom and I say, “OK, it’s BFF time!” There’s like a “YEAAAAHHH!” You know? And so that’s what we’re after.

Graham Fletcher (35:47):

It’s all about kids, really, for us. And I think at the heart of it, we made all the decisions with teachers and kids at the forefront of it.

Tracy Zager (35:55):

I know of high schoolers who are newcomers, who have experienced very little formal education, and speak in other languages, are using it as high schoolers, because it involves language and math and all the deep work in the properties and it’s accessible, but it’s also not at all condescending or patronizing. Like we designed it to be appropriate for older kids. So that’s just something that I think we’re both really proud of. One thing we thought a lot about, especially in the multiplication-division kit is how a classroom teacher could use it and a coordinating educator in EL, Title, special education, intervention could also use it because there’s so much in it, that students could get to be experts, if they got extra time in it, using something that’s related and would give them additional practice. So they could play a game a little bit earlier than the rest of the classes. And they could come in already knowing about that game, or they could do a related task. We have all these optional tasks that no classroom teacher would ever have time to teach it all. So the special educator could use it and have kids doing a Same and Different or a True/False, or some of the optional games. And then the work in both special education and general education could connect.

Dan Meyer (37:20):

I just wanna say that this is an area that for so many students, as you’ve said, Tracy, it presents a barrier. It’s a very emotionally fraught area of mathematics. And we really appreciate the wisdom you brought here. And just the care you’ve brought to the product itself. Your knowledge of teaching, knowledge of math, and yeah, especially a love for students feels like it’s really infused throughout Building Fact Fluency. If our listeners want to know more outside of this podcast, outside of the product itself, where can they find your words, your voice? Where you folks at these days? Tell ’em, Graham would you?

Graham Fletcher (37:57):

You can find us at Stenhouse, Building Fact Fluency. And then Tracy and I, currently playing around, sharing ideas a lot on Twitter, under the hashtag #BuildingFactFluency. That’s kind of where we can all come together and share ideas. And then also on the Facebook community, where there’s lots of teachers sharing ideas.

Bethany Lockhart Johnson (38:19):

If you were to ask our listeners like, “Hey, if you wanna keep thinking about this, here’s something you could try or here’s something you could go do,” what could be a challenge that we could share that could help us continue this conversation?

Graham Fletcher (38:35):

Online you can actually download a full lesson string. And a lesson string is a series of activities and resources that are purposefully connected. You can pick one or two of those from the Stenhouse web site, Building Fact Fluency. You can try the game. You can try one of those strategy-based games. You can try an image talk and just see how it goes. And just share and reflect back, whether on Twitter or on Facebook. But it’s kind of there, if you wanna give it a whirl. And as Tracy was sharing, even if you’re a middle-school teacher or a high-school teacher, we really tried to think about those middle-school and high-school students keeping it grade level-agnostic. Just so every student has those opportunities for those mathematical conversations. So download a lesson string and give it a whirl, and we’d love to hear how it goes.

Dan Meyer (39:25):

Bethany and I will be working the same challenge with people in our life.

Bethany Lockhart Johnson (39:29):

Yes.

Dan Meyer (39:29):

Enjoying some fact fluency with people in our homes, perhaps. We’ll see. And we’ll be sharing the results in the Math Teacher Lounge Facebook group. Graham and Tracy, thanks so much for being here. It was such a treat to chat with you both.

Bethany Lockhart Johnson (39:42):

I love learning with you and just helping to shift this idea of fluency into something that can be accessible and powerful and positive.

Stay connected!

Join our community and get new episodes every other Tuesday!

We’ll also share new and exciting free resources for your classroom every month.

What Valerie Henry says about math

“A lot of very fluent adults don’t always have every fact memorized. ”

– Val Henry

Meet the guest

Valerie Henry has been a math educator since 1986. She taught middle school math for 17 years and has worked as a lecturer at University of California Irvine since 2002. After doing her 2004 dissertation research on addition/subtraction fluency in first grade, Valerie created FactsWise, a daily mini-lesson approach that simultaneously develops  fluency,  number sense, and algebraic thinking. Additionally, she has provided curriculum and math professional development for K-12 teachers throughout her career, working with individual schools, districts, county offices of education, Illustrative Mathematics, the SBAC Digital Library, and the UCI Math Project.

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About Math Teacher Lounge: The podcast

Math Teacher Lounge is a biweekly podcast created specifically for K–12 math educators. In each episode co-hosts Bethany Lockhart Johnson (@lockhartedu) and Dan Meyer (@ddmeyer) chat with guests, taking a deep dive into the math and educational topics you care about.

Join the Math Teacher Lounge Facebook group to continue the conversation, view exclusive content, interact with fellow educators, participate in giveaways, and more!

You might also like:

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Free professional development cours…

Three on-demand professional learning courses for math teachers.  Earn your cert…

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Mathigon: the mathematical playgrou…

Math games and manipulatives for online and remote learning.

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Amplify Classroom Grades 3–12

Join Amplify Classroom to gain access to free classroom lessons, lesson-building…

Welcome, Amplify ELA families!

We’re excited to welcome you and your student to the Amplify ELA program for the new school year, and to provide you with exceptional learning opportunities through ELA. We’ve assembled the following resources and guides to help you support your student and enable them to have the most productive experience with our platform throughout the year.

Para la versión en español, haga clic aquí.

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What is Amplify ELA?

Amplify ELA helps students in grades 6–8 read and understand complex texts that encourage them to grapple with interesting ideas and find relevance for themselves. Amplify ELA is a blended program that includes both digital and print materials, but can also be used as a print-only version. Students using Amplify ELA read text passages closely, interpret what they find, discuss their thinking with peers, and develop their ideas in writing. The lesson structure is easy to follow, but flexible enough to allow for a variety of learning experiences and varied enough to keep students engaged. 

Features include:

  • Functionality that allows individual students to work at their own level while also being challenged appropriately.
  • Built-in tools that allow teachers to track and respond to student work.
  • The digital Amplify Library, which contains more than 700 downloadable, full-length fiction and nonfiction books.
  • The Vocab App, which uses game-like activities to help students master keywords from the program’s texts. (Students using print materials will see keywords highlighted.)
  • Independent writing assignments called Solos, available on mobile devices.
  • Interactive projects called Quests that accompany certain units to provide additional practice with analytical reading, writing, speaking, and listening skills.

Getting started

How you can support the child in your care:

  • If possible, read with your student daily; even 15 minutes of reading together each day can make a huge impact. You can read aloud sections of the text together—many middle grade students enjoy performing sections of dialogue by taking on the role of a character in a play, or adding some dramatic flair to a poem with which they are working. If your student struggles with reading aloud, you might try reading the text to them with expression, then having them read it back to you. For additional practice, there are an array of fluency activities in the program’s Flex Days. Ask your student to help you find these activities.
  • Find moments to discuss what they are reading and discovering. Examples of questions you could ask: What stood out to you from what you read today? Were any sentences or words confusing? What was most surprising? What do you think the writer was trying to communicate? Do you agree with the writer’s ideas or descriptions? What connections can you make between what you are reading and your own life, or other issues you’ve heard about?
  • Listen to your student read their written responses or have them share with a friend over the phone or video chat. 
  • Browse the Amplify Library with your student to find books they’ll enjoy and be able to read fluently and independently.
  • Review this Protecting Kids Online website by the Federal Trade Commission addressing digital safety.

Accessing texts in the Amplify Library

We encourage students to utilize the core texts from the Amplify Library while at home! Please follow these steps to download a text for offline reading:

1. Navigate to the Program & Apps menu at the top of your screen and scroll through to find the Amplify Library icon. When you select it, the Amplify Library will open in a new tab.

A digital menu displays various educational tools and resources, with "Amplify ELA" highlighted at the top and the "Library" option outlined in orange.

2. If prompted, follow the directions to set up a pin for the Amplify Library; otherwise, proceed to the next step.

A pop-up window prompts the user to create a four-character PIN of lowercase letters and/or numbers for offline reading, with Cancel and Submit buttons.

3. In the upper right corner of your screen, search for the book you would like to download. Example: The Secret of the Yellow Death: A True Story of Medical Sleuthing.

A digital library search page displays "yellow death" in the search bar with no results found for title, authors, or genre. Book covers are visible in the left sidebar.

4. Select the Download button.

A digital library interface displays the book "The Secret of the Yellow Death" by Suzanne Jurmain, showing its cover, synopsis, and options to read or download.

5.  If you lose connection while still in the Amplify Library, you can continue to access and read the downloaded book(s). If the page refreshes without internet access, or you try to login on another device without internet access, you will lose access to the downloaded book(s) until the internet connection is restored. 

To retrieve your downloaded texts: 

  1.  In the Amplify Library app, open the My Library drop-down menu in the upper left corner.
  2. Select Downloaded. 
  3. Choose the text you wish to read from all of your pre-downloaded texts.
A dropdown menu under "My Library" shows options: Recently Read, Favorites, Downloaded (highlighted), and All Books. Below, a Recently Read section displays three book covers.

Materials overview

Not every school will operate the same way, but students attending schools that have both the print and digital editions of the program will likely have the following print materials at home:

  • Student Edition: This includes all of the readings and activities necessary for instruction throughout the year. Students can read the selections both digitally and in print, annotating in either format. The lessons in the print Student Edition reflect each digital lesson, but have been modified to work effectively in print. 
  • Writing Journals: This provides space for students to respond to Writing Prompts and complete other written assignments. 

In the case that students are without access to devices or the internet, they can continue to complete key reading and writing assignments using the print Student Editions and student Writing Journals.

Teachers can also access, print, and mail student Novel Guides for up to 12 commonly taught novels. Six of these novels are available in the Amplify Library, and most should be available in a public library.

Unit overviews

Below are quick overviews of each unit your student will be working through in their grade throughout the year. Included along with each unit is a downloadable guide that provides a more in-depth look at what content is covered and how you can help your student advance their understanding of the topics.

  • Unit 6A: Dahl & Narrative  
    • Students begin with narrative writing to quickly boost their writing production, learn the foundational skill of focus, and become comfortable with key classroom habits and routines they will use all year. Students then apply their new observational focus to some lively readings from Roald Dahl’s memoir Boy and learn how to work closely with textual evidence.
  • Unit 6B: Mysteries & Investigations
    • Students read like an investigator to embark on a multi-genre study of the mesmerizing world of scientific and investigative sleuthing. At the end of the unit, students write an essay explaining which trait is most useful to problem-solving investigators.
  • Unit 6C: The Chocolate Collection
    • The Aztecs used it as currency. Robert Falcon Scott took it to the Antarctic. The Nazis made it into a bomb designed to kill Churchill. The 3,700-year-long history of chocolate is full of twists and turns, making it a rich and rewarding research topic. In this unit, students explore primary source documents and conduct independent research to better understand the strange and wonderful range of roles that chocolate has played for centuries around the world.
  • Unit 6D: The Greeks
    • Greek myths help us understand not only ancient Greek culture but also the world around us and our role in it. Drawing on the routines and skills established in previous units, these lessons ask students to move from considering the state of a single person—themselves or a character—to contemplating broader questions concerning the role people play in the world and the communities they inhabit within it.
  • Unit 6E: Summer of Mariposas
    • The borderlands between the United States and Mexico are the place of legends, both true and fictional. Summer of the Mariposas, by Guadalupe Garcia McCall, plants a retelling of the Odyssey into this setting, launching five sisters on an adventure into a world of heroes and evildoers derived from Aztec myths and Latinx legends. On the journey, the sisters reconcile the dissolution of their parent’s marriage and find new strength in their identity and connection to Aztec lineage. Students consider how McCall uses the structure of the hero’s journey to celebrate women, heritage, and a broad definition of family. Students also have the opportunity to compare these characters’ fictional journey into Mexico to a description of one boy’s true journey into the United States.
  • Unit 6F: The Titanic Collection 
    • In this research unit, students learn to tell the difference between primary, secondary, and tertiary sources; determine if a given source is reliable; and understand the ethical uses of information. Students then construct their own research questions and explore the internet for answers. They also take on the role of a passenger from the Titanic’s manifest to consider gender and class issues as they research and write narrative accounts from the point of view of their passenger.  
  • Unit 6G: Beginning Story Writing
    • In this unit, students get to practice their creative writing skills and learn the elements of storytelling and character development, as well as the importance of vivid language. Students gain a sense of ownership over their writing as they experiment with the impact of their authorial choices on sentences, language, character traits, and plot twists.
  • Grade 6: Grammar
    • In this unit, students complete self-guided grammar instruction and practice that teachers assign to them throughout the year. Sub-units are organized by key grammar topics, so teachers can assign the content that best meets their student’s needs while making sure students work with the key grammar topics for their grades.
  • Unit 7A: Red Scarf Girl & Narrative
    • In this study of a highly engaging memoir of a young woman growing up in China during the Cultural Revolution, students quickly learn the history and politics of this tumultuous period by focusing on the story of someone living through the upheaval. As students follow her journey through a world turned upside down, they will track the changes in her feelings and motivations over time.
  • Unit 7B: Character & Conflict
    • By reading the play A Raisin in the Sun and the short story “Sucker,” students explore how people facing hardships can inflict unintentional harm on the people around them. The two narratives work together to provide opportunities for students to analyze characters’ responses to conflict and the author’s development of ideas over the course of a piece of fiction.
  • Unit 7C: Brain Science
    • Could you survive an iron rod through your skull? Phineas Gage did, and his gruesome-but-true story allows students to build background information and analyze other informational texts, including the contemporary The Man Who Mistook His Wife For A Hat and the relevant Demystifying the Adolescent Brain.
  • Unit 7D: Poetry & Poe
    • Poe’s texts always offer so much to notice, decipher, talk about—and creep us out. Since things are not always what they seem, students must use close reading skills to question whether they should believe what Poe’s narrator is telling them … or not.
  • Unit 7E: The Frida & Diego Collection
    • Mexico’s most famous and provocative artists, Diego Rivera and Frida Kahlo, were an extraordinary couple who lived in extraordinary times. They were both soul mates and complete opposites. Their multifaceted lives and work offer students rich and fascinating subjects to study as they examine primary source documents and conduct independent research.
  • Unit 7F: The Gold Rush Collection
    • In this research unit, students choose from a large collection of primary and secondary sources to learn about the wide range of people who took part in the California Gold Rush. They also take on the role of someone who lived during the gold rush and write journal entries from their perspective.
  • Unit 7G: Intermediate Story Writing
    • In this unit, students get to practice their creative writing skills and learn the elements of storytelling and character development, as well as the importance of vivid language. Students gain a sense of ownership over their writing as they experiment with the impact of their authorial choices on sentences, language, character traits, and plot twists.
  • Grade 7: Grammar
    • In this unit, students complete self-guided grammar instruction and practice that teachers assign to them throughout the year. Sub-units are organized by key grammar topics, so teachers can assign the content that best meets their student’s needs while making sure students work with the key grammar topics for their grades.
  • Unit 8A: Perspectives & Narrative
    • This unit aims to teach students to read like writers. They practice paying attention to the craft of writing and to the moves a good writer makes to shape the way we see a scene or feel about a character—to stir us up, surprise us, or leave us wondering what will happen next. Students closely read examples of rich, layered narrative nonfiction, analyze the techniques each author uses to make their writing resonate, and practice applying these techniques to their own narrative writing.
  • Unit 8B: Liberty & Equality
    • In this unit, students look at the words of a range of creators—from poet Walt Whitman to abolitionist Frederick Douglass to President Abraham Lincoln—to see how their writing contributed to an extreme shift in social organization: a whole new concept of what it means for people to be considered “equal.” They also study multiple perspectives on the Civil War, including the memoir of a girl who was enslaved, a confederate girl’s diary, and a nonfiction account of the young boys who served as soldiers during the war. 
  • Unit 8C: Science & Science Fiction
    • Students read Gris Grimly’s Frankenstein, a graphic novel that adds captivating illustrations to an abridgment of the 1818 edition of Mary Shelley’s book. Paired with Shelley’s text, Grimly’s haunting—and, at times, horrific—representations of Frankenstein’s creature push students to wrestle with some of the text’s central themes: the source of humanity and the root of evil. Students then write an essay in which, after arguing both sides of the question, they determine whether or not Frankenstein’s creature should ultimately be considered human.
  • Unit 8D: Shakespeare’s Romeo & Juliet
    • Romeo and Juliet combines romance with action, offering a wide range of themes and scenes for students to read about and act out. Your middle schoolers are at the right age to identify with the lovers’ strong feelings—and also old enough to think critically about the choices Romeo and Juliet make.
  • Unit 8E: Holocaust: Memory & Meaning
    • This unit uses a range of primary source articles, images, and videos, as well as literary nonfiction and graphic nonfiction, to study what made the atrocities of the Holocaust possible. Students investigate how propaganda was generated and employed to create a political environment that ultimately corrupted a society. The Olympics are seen through the lens of an international propaganda campaign, providing cover for Nazis to begin eliminating non-Aryans from their culture. The final sub-unit examines the outcomes of Nazi doctrine and the impact on Jewish victims and survivors.
  • Unit 8F: The Space Race Collection
    • In this unit, students to put their research and close-reading skills to the test to distinguish between reliable  and unreliable sources, explore primary documents, and conduct independent research to better understand the space race that took place between two of the world’s superpowers. This dramatic story offers students a rich research topic to explore as they build information literacy skills, learn how to construct their own research questions, and explore the internet for answers.
  • Grade 8: Grammar
    • In this unit, students complete self-guided grammar instruction and practice that teachers assign to them throughout the year. Sub-units are organized by key grammar topics, so teachers can assign the content that best meets their student’s needs while making sure students work with the key grammar topics for their grades.
  • Unit 8G: Advanced Story Writing
    • In this unit, students get to practice their creative writing skills. They’ll learn the elements of storytelling and character development, and the power of vivid language to grab readers and pull them into a story.

Additional activities

Quests: 

You may notice your student working with peers on the same interactive project over several days, trying to solve a mystery or explain a historical event. That’s what happens when a teacher assigns a Quest: an in-depth week-long exploration that requires collaboration and deepens engagement with texts and topics.

Vocab App:

The Vocab App helps students master vocabulary words through game-like activities that challenge them to think through morphology, analogy, and synonyms/antonyms, and to decipher meaning through context.

Have a question about Amplify ELA?

Visit our help library to search for articles with answers to your program questions. 

For additional curriculum support, please contact your student’s teacher.

Welcome, Florida middle school educators!

Amplify ELA Florida is the program built for Florida middle school teachers and students. We designed the program to help ensure the B.E.S.T standards are covered; the skills are taught; the test is prepped for; and your students are scaffolded and encouraged. We want you to spend your time bringing the text to life, making the classroom hum, and letting every student know you are paying attention to their growth.

Amplify ELA Florida Program Guide

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Instruction matters

Florida’s new standards have been crafted to give your students the B.E.S.T. Amplify ELA Florida’s lessons explore the most compelling aspect of a text and target the standards that best support that analysis through reading, writing, and communication. These key standards are identified as the lesson’s Spotlight benchmark.  Strategic connections are attained in the program through:

  • Florida model texts including rich literature and compelling non-fiction, taught in engaging new ways for today’s learners.
  • Benchmark stacks that build connections within lessons and across units.
  • Foundational instruction that targets key standards and multiple learning modes.
  • Writing that builds directly from reading complex text and is evaluated by Amplify’s Automated Writing Evaluation (AWE).
  • Reading with the B.E.S.T. Modules have been built to guide teachers and students as they begin to work with Florida’s new reading standards, providing an introduction to each grade-level B.E.S.T. Reading Benchmark. (Example module: Grade 6, Understanding Rhetoric)

Knowledge matters

Texts in the Amplify ELA Florida Edition curriculum cover a wide range of topics, themes, and genres with differentiated supports that ensure that all students can work through each reading and lesson. Taken as a whole, the texts show students a diverse picture of the world and help foster a lifelong love of reading. Comprehension develops as students engage with literary and informational text selections that are complex, rich, and meaningful. 

Texts were selected for Amplify ELA Florida Edition using the following criteria: 

  • Text complexity as defined by qualitative, quantitative, and reader and task measurements as required by the B.E.S.T. Standards and the Amplify Text Complexity Index
  • Balance of literary and informational texts
  • Varied representation of genres: novels, plays, poetry, biographies, and other full-length texts
  • Diverse cultures, perspectives, and authors
  • Engaging texts that extend learning and support students as they build knowledge
  • Grade-appropriate texts, with scaffolding and compelling activities to support student engagement with 100% authentic texts
  • A library with more than 700 complete books, both classic and contemporary, encompassing a wide range of genres, topics, and cultural perspectives
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Curriculum matters

Amplify ELA Florida is a blended curriculum designed specifically for grades 6–8. The heart of every lesson is the text. Each grade includes six units centered on literary or informational texts, delivered in several forms of media. Your classroom will also benefit from two or three immersive, project-based experiences and a dedicated Story Writing unit.

  • Full B.E.S.T. coverage: Standards are clearly labeled in each lesson, so teachers can save time planning and get back to what they love: teaching. Also included are Benchmark Modules that support teachers’ and students’ introduction to the new standards for Florida.
  • Five levels of differentiation: Based on each student’s needs and the performance measures within Amplify ELA reports, a teacher can choose the differentiation level that’s the right fit for everyone.
  • Embedded Assessments: Teachers benefit from uninterrupted instructional time and a continuously updated picture of each student’s progress with key skills and standards.
  • Powerful feedback tools: Comprehensive tools help teachers maximize both the quantity and quality of feedback.
  • Robust reporting: Our reporting app offers information on student progress to help inform instructional decisions.

All in one place: Embedded teacher support, differentiation tools, student data, text, and other curriculum features—they’re all right there.

Materials

Amplify ELA Florida Edition is a blended curriculum that seamlessly integrates print and digital resources to be used in any learning environment. The resources are designed to facilitate instruction for planning, teaching, learning, and assessment.

Student materials

Available digitally and in print, the student materials guide middle schoolers through complex texts and writing with the following:

  • Student Edition will engage students with high-quality narrative and informational texts.
  • Digital experience will provide videos, a library of more than 700 texts, audio supports, and other online experiences that capture their attention.
A laptop displays a web page titled "read like a movie director, part 1" from amplify ela, featuring text and an eyeball image under the lesson tab.
A laptop displaying a webpage from "amplify ela" featuring the title "brain science" and various educational topics alongside an illustrated collage of diverse human figures.

Teacher materials

Available digitally and in print, the Teacher Edition contains all of the information teachers need to facilitate classroom instruction, including:

  • From detailed lesson plans.
  • Video teacher tips embedded in the lesson.
  • B.E.S.T. standards alignment and assessments including exit tickets.
  • Real-time differentiation strategies.
  • Clarify and Compare lessons.
  • Robust reporting.

Professional learning

Amplify employs a national cohort of more than 50 ELA facilitators, all of whom have experience as former classroom teachers and many of whom are former school and/or district leaders. Our professional learning team has decades of experience working with large districts across the nation. Amplify has experience supporting district launches over multiple years and has partnered with districts of all sizes nationwide. We partner deeply with districts and tailor professional learning to their unique needs.

Florida ELA Implementation

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Florida Review Resources

Florida Program Guide

Literature for Florida

Welcome, New York City families!

We’re excited to welcome you and your student to the Amplify Caminos Lectoescritura program for the new school year, and to provide your student with exceptional learning opportunities through our program. We’ve assembled the following resources and guides to help you support your student and enable them to have the most productive experience with our platform throughout the year.

Para la versión en español, haga clic aquí.

What is Amplify Caminos Lectoescritura?

Amplify Caminos Lectoescritura is a comprehensive K–2 foundational skills program that empowers young learners to become confident, fluent readers.

Rooted in the Science of Reading, the program is built from the ground up to honor the authentic structures and nuances of the language. Rather than simply translating English phonics rules, Amplify Caminos Lectoescritura provides a culturally authentic, research-based progression designed to set early learners on the path to lifelong reading success.

Getting started

There are a few ways you can support the student in your care:

  • If possible, read with them daily; even 15 minutes of reading together each day can create a huge impact.
  • Read sections of the text aloud together. If your student struggles, you might try reading the text to them with expression, and then have them read it aloud back to you.
  • Find moments to discuss what they are reading and discovering in class. Examples of questions you could ask: What stood out to you from what you read today? Were any sentences or words confusing? What was your takeaway from the author’s passage? What do you think the writer was trying to communicate? Do you agree with the writer’s ideas or descriptions? What connections can you make between what you are reading and your own life or other issues you’ve heard about?
  • Listen to your student read their written responses or have them share with a friend over video chat.
  • Review this Protecting Kids Online article by the Federal Trade Commission addressing digital safety.

Logging in

Grade K–2 students

K–2 students will be able to log in with Shared Credentials created and provided by the teacher.

On each student device, go to learning.amplify.com.

Select “Log in,” then enter shared login credentials or select “Scan QR code” for QR code login. Students will be directed to Student Home, where they’ll be able to change their avatar and click on a mood emoji of the day! At Student Home, there will be an easy redirect link to the Student Hub.

Note: Shared student logins provide K–2 students using the Amplify Caminos Hub and students who aren’t yet enrolled by their school or district a way to access Amplify’s digital programs.

Materials overview

Some of Amplify Caminos Lectoescritura’s digital curriculum may be accessible to your student at home, if internet access is available. Contact your student’s teacher for login information.

Student Readers

Amplify Caminos is a Spanish Language Arts (SLA) program, so the student readers are in Spanish and align to the Spanish code that is taught in Amplify Caminos Lectoescritura. Those readers would only be available to teachers and students who are implementing Caminos Lectoescritura in their SLA or Dual Language classroom.

Student Readers are uniquely designed to provide students with intensive practice while they read simple but authentic stories.

Student Readers are chapter books designed for kindergarten to second grade students to practice the sounds and spelling patterns they’ve just learned, along with commonly used Spanish words. This helps them understand what they read while enjoying engaging stories with interesting characters.

alt="Three book covers in Spanish, featuring colorful illustrations of children with animals in varied settings: a llama, a dog, and both rural and urban backgrounds, ideal for the Core Knowledge Language Arts curriculum."

Student Activity Books

As part of the daily lessons, these activity pages ask students to respond to the text they’ve read and apply skills and knowledge. They also include assessments (to which teachers have access) that track students’ skills development.

Illustration of a llama and desert elements on an orange background in the Amplify CKLA educational material, adjacent to a page teaching letter formation and number writing.

Caminos Hub for students

Students access multimedia resources and engage in a new digital experience on the Caminos Hub. They can access the Hub at home, in the classroom, and on the go, making it ideal for remote learning. It’s also compatible with laptops, Chromebooks, tablets, and desktops—we’ve even optimized it for mobile devices.

A digital educational interface shows two options: "sonidos" with a saxophone icon and "biblioteca" an open book icon, under the label "caminos" for grade 2.

Sonidos for Grades K–2

The Sonidos Library contains audio recordings of phonemes. Teachers can incorporate the Sonidos Library materials at any point into existing activities, at the start of skills lessons, or as a review to bring a sense of fun into the classroom.
The sounds in the library are organized by unit, and you can find the sounds for each unit by going through the tabs at the top of the screen. Each tab contains cards for each sound, on which you can play a recording of the sound by selecting the speaker icon.

Screenshot of an Amplify CKLA language learning app displaying vowel sounds with corresponding images: tree, ring, and sheep, labeled in Spanish, with a

Biblioteca

The Hub eReader is an easy way for kids to connect to the entire Caminos Lectoescritura library of readers. A simple table of contents makes it easy to navigate longer books. Amplify Caminos Lectoescritura e-books include the full set of Grade K–2 Student Readers.

Grid of eight illustrated book covers titled "caminos biblioteca de 2º grado," each depicting children in various settings, with "leer" buttons below each cover, part of the Core

Have a question about Amplify Caminos Lectoescritura? 

Visit our help library to search for articles with answers to your program questions. 

For additional curriculum support, please contact your student’s teacher.

Math that motivates your K–5 students

As a K–5 teacher, your day is a constant balance of subjects, personalities, and priorities. With so many different dynamics and responsibilities, math class shouldn’t be another struggle to muscle through!

That’s why we’ve compiled a wealth of resources and activities to help you engage students; meet instructional goals; and encourage fluency, number sense, and discussion in your classroom. 

Three children paint the walls of a room; one holds a paper with the fraction 2/3, while math symbols and a tree appear in the background.
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The power of fluency

Teachers work to achieve so many outcomes during their math block. While balancing multiple priorities, it’s important to remember that procedural fluency remains integral to student learning. Access this guide to unpack the power of fluency and find free math fluency practice to use in your next lesson.

Download now

10 low-prep, high-impact math activities that get to some serious math

Envision your classroom engaged in a difficult math task—all students are participating, leveraging different scaffolds that you intentionally prepared ahead of time. Engagement is high, and students are both challenged and motivated. Make this a reality in your school with our free activities designed to encourage productive struggle while reaching all learners.

Access now
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Three practices to support problem-based learning

As educators, we want all students to develop a rich and deep understanding of the math they experience in our classrooms. A problem-based learning approach supports this by centering problem-solving in ways that build lifelong mathematical proficiency. Read this guide for practical tips on introducing problem-based learning and deeper conceptual understanding into your math classroom.

Download now

Best practices from real educators like you

Learn tried and true strategies for leveling up math instruction from Beyond My Years podcast guests like Amplify’s own Dan Meyer, teacher and My Kindergarten Math Workbook author Keri Brown, educator and speaker Mike Flynn, teacher and I Hate Math author Ian Brown, and more!

More free resources for K–5 educators

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K–5 Insider

Sign up for our monthly email to get new K–5 content and activities directly in your inbox.

sign up 

A printed guide titled "What are math routines, and how can you use them?" for grades K–5, with instructions and example math routine cards displayed.

K–5 instructional routine cards

Find easy-to-implement routines to keep students interacting and engaged with a lesson.

Download

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Math that motivates: Success stories

See how real teachers and students are unlocking new levels of engagement and comprehension, proving that everyone can be a math person.

LEARN MORE 

Ready to make every student a math person?

Connect with a product expert today.

FAQ for K–5 educators

Procedural fluency is the ability to use procedures flexibly, accurately, and efficiently to solve problems. Procedural fluency goes beyond memorization—students develop fluency when they understand number relationships and can choose from multiple strategies based on the numbers involved.

Students who understand why procedures work feel confident tackling challenging problems. When students can choose strategies that make sense to them, rather than relying on rote memorization, they develop agency and see themselves as capable mathematical thinkers.

Understanding how numbers connect helps students develop flexible thinking and multiple solution strategies. Timed tests often prioritize speed over understanding, which can create math anxiety and discourage the productive struggle that deepens learning.

Teachers can achieve this balance by using a predictable routine: warm-ups for fluency practice, a core problem-solving activity during which students explore multiple strategies, and structured discussion to connect different approaches. This structure ensures both skill-building and mathematical discourse happen daily.

Synthesizing learning means bringing the lesson together by highlighting the key mathematical idea that students have just explored. After students share strategies, the teacher helps them make connections between different approaches and names the big takeaway, often through a brief summary or exit ticket.

The Five Practices for Orchestrating Productive Mathematical Discussions are: 1) Anticipating student strategies before the lesson, 2) monitoring student work during the activity, 3) selecting specific students to share, 4) sequencing presentations in a purposeful order, and 5) connecting different strategies to the mathematical goal.

Productive struggle is when students grapple with challenging problems that require genuine thinking, but that remain accessible with appropriate support. It’s essential for deeper understanding, because it compels students to think critically, test strategies, and build perseverance, moving beyond surface-level memorization.

They can celebrate mistakes as learning opportunities and emphasize that understanding develops through effort and persistence. They can also create a safe classroom environment in which all students feel comfortable sharing their developing ideas and foster structured discussions during which multiple strategies are valued, helping students see that there’s more than one right way to think mathematically.

These are problems accessible to all students (that’s the low floor) but open enough to challenge advanced thinkers (that’s the high ceiling). Tasks like these allow multiple entry points and solution strategies, making them ideal for generating rich classroom discussion in which every student can participate meaningfully.

Such routines build number sense and fluency while making discussions predictable and low stakes. These brief, structured activities (5–10 minutes) activate prior knowledge, help students see number relationships, and give everyone practice explaining their thinking—all without requiring extensive preparation or materials.

They can do so by maintaining meaningful objectives while providing varied supports—ensuring that students understand what’s being asked, offering manipulatives and visual tools, allowing partner discussion before whole-class sharing, asking guiding questions without giving away the answer, and strategically grouping students. The goal is supporting access to challenging work, not making it easier.

Math that motivates: Amplify Desmos Math success stories

It’s no secret that student engagement and the prevalence of math anxiety are real problems in math classrooms. Incorporating more problem-based learning can help, but it can feel intimidating and difficult to know where to start. That’s why we’re here!

Amplify Desmos Math is a curiosity-driven K–12 math program that introduces a structured approach to problem-based learning and builds students’ lifelong math proficiency. Teachers help students build off of each other’s ideas and find confidence in their math identities, creating a community of math learners.

But don’t take our word for it—see how real teachers and students are unlocking new levels of engagement and comprehension, proving that everyone can be a math person.

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“With Amplify Desmos Math, I’ve noticed a huge shift of engagement because there’s so much interaction. Yes, there is pencil and paper, but there’s so much more. They’re getting immediate feedback and motivation to continue on. So if they don’t get something right the first time, they want to! ”

—Kristi Melick

Sixth-grade teacher, San Diego Unified School District, CA

School spotlight: Decatur Classical Elementary School

See how Amplify Desmos Math is making an impact in Chicago, Illinois, with our latest case study.

Learn more
Cover page of a PDF titled "Making the shift to more student-centered math instruction," featuring an outline of Illinois and text about Decatur Classical Elementary School.

A structured approach to problem-based learning

Witness teachers and students working together and see how Amplify Desmos Math revolutionizes K–12 math education through a structured approach to problem-based learning that fosters a collaborative math community.

The power of the pause

See what happens when teachers use the pause–one of the teacher facilitation tools and core differentiators in Amplify Desmos Math. You won’t believe how students react!

Everyone’s a math person.

See how Amplify Desmos Math helps every student see themselves as a math person.

What Teachers Say

What educators say about Amplify Desmos Math

Shifting to this problem-based curriculum now is allowing students to open up. I think they’re taking control and ownership. They’re coming up with the strategies, they’re sharing the strategies. It offers an opportunity for the students to look around the classroom to see what their friends are doing. And in turn, if they’re stuck, they’re comfortable turning to other students and problem-solving through sharing.

Joseph Croce

Seaford School District, DE

What educators say about Amplify Desmos Math

When we went district-wide with our Amplify Desmos Math curriculum our teachers became the facilitators of learning. And our students are the doers of mathematics. And what we’ve seen, what I’ve seen in the classroom, is kids are engaged in a problem, they’re collaborative, and they’re having fun. And it’s like they’re not even realizing that they’re really doing math.

Jessica Walsh

San Diego Unified School District, CA

What educators say about Amplify Desmos Math

So many kids have stated, ‘Oh, I’m not a math person.’ Or they’re scared of getting the answer incorrect. And I think with this curriculum, they feel safe.

Brendan Simon

Assistant Principal, San Diego Unified School District, CA

Best practices from real educators like you

Learn tried and true strategies for leveling up math instruction from Beyond My Years podcast guests like Amplify’s own Dan Meyer, teacher and My Kindergarten Math Workbook author Keri Brown, educator and speaker Mike Flynn, teacher and I Hate Math author Ian Brown, and more!

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Program efficacy

Explore the research behind Amplify Desmos Math.

Learn more

Ready to make the shift to curiosity-driven learning?

Get access to free digital samples today.

Request a sample or demo

Amplify Science-arch

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Utah ELA Review for Grades PK–5

Thank you for taking the time to review Amplify’s core ELA program for PK–5. Amplify Core Knowledge Language Arts® (CKLA) is a state-approved core ELA curriculum designated as a primary core program that fully meets the Science of Reading requirements outlined in SB 127.

Amplify CKLA, developed in partnership with the Core Knowledge Foundation, was designed to help teachers implement Science of Reading principles and evidence-based instructional practices. Scroll down to learn how CKLA is uniquely designed to help all your students make learning leaps in literacy.

Illustration of a diverse group of people engaged in creative activities, including a woman holding architectural plans and a young girl reading a book.

Step 1: Program Introduction

Welcome to Amplify CKLA! Before you dive into our materials, watch the video below to learn about the big picture behind Amplify CKLA’s pedagogy.

In this video, Susan Lambert (Chief Academic Officer and host of Science of Reading: The Podocast) shares why Amplify CKLA was created, how it is built on the Science of Reading, and the impact it’s making across the country.

Step 2: Program Overview

Amplify CKLA is different for a reason. Watch the overview video below to learn about these differences and why educators love them.

In this video, you’ll get an in-depth look at the program’s overall structure and organization, the design behind our proven lessons, and the materials included to support teaching and learning.

The Amplify CKLA Program Guide also provides an in-depth view of how Amplify CKLA works, how it’s structured, and why it’s uniquely capable of helping you bring reading instruction based on the Science of Reading to your classroom.

Evidence-based design

Amplify CKLA is rooted in Science of Reading research. Mirroring Scarborough’s Rope, Amplify CKLA delivers a combination of explicit foundational skills with meaningful knowledge-building.

  • In Grades PK–2, dedicated knowledge-building and explicit skills instruction are taught simultaneously through two distinct instructional strands.
  • In Grades 3–5, dedicated knowledge-building and explicit skills instruction are woven together and delivered through one integrated strand.
Scarborough's Rope

Grades K–2 Skills and Knowledge Strands
Every day students in Grades K–2 complete one full lesson that explicitly and systematically builds foundational reading skills in the Skills Strand, as well as one full lesson that builds robust background knowledge to access complex text in the Knowledge Strand. Through learning in each of these strands, students develop the early literacy skills necessary to help them become confident readers and build the context to understand what they’re reading.

Grades 3–5 Integrated Strand
In Grades 3–5, Knowledge and Skills are integrated in one set of instructional materials. Lessons begin to combine skills and knowledge with increasingly complex texts, close reading, and a greater writing emphasis. Students can then use their skills to go on their own independent reading adventures.

Key features

For each Amplify CKLA key feature below, click the drop down arrow to learn more.

Built out of the latest research in the Science of Reading, Amplify CKLA delivers explicit instruction in both foundational literacy skills (systematic phonics, decoding, and fluency) and background knowledge in grades PK–2 with an integrated approach to explicit instruction in grades 3–5.

Review this Science of Reading toolkit to learn more about the Science of Reading best practices integrated throughout CKLA.

Amplify CKLA aligns with the instructional principles recommended by Orton Gillingham and LETRS.

  • Structured–Concepts are taught through consistent routines
  • Sequential–Concepts are taught in a logical, well-planned sequence
  • Systematic–Phonemes are taught from simplest to most complex
  • Explicit–Decoding and encoding concepts are taught directly and explicitly
  • Multi-sensory–Instruction is delivered through visual, auditory, and kinesthetic-tactile pathways
  • Cumulative–Concepts are applied in decodable, connected texts with constant review and reinforcement

Watch this video to learn more!

Additionally, great reading instruction starts with helping kids develop great decoding skills. Our instruction is supported by:

The Science of Reading reveals knowledge as an essential pillar of reading comprehension and lifelong literacy. Hear from author Natalie Wexler and CKLA customers on edWebinar about the importance of knowledge-building in reading instruction.

Hear from Natalie Wexlered
Webinar Links

Students build grade-appropriate subject-area knowledge and vocabulary in history, science, literature, and the arts while learning to read, write, and think creatively and for themselves. Our instruction is supported by:

  • Knowledge builders that provide a quick overview of each domain with its key ideas.
  • Interactive Read-Alouds designed to build knowledge and vocabulary.
  • Content-rich anchor texts that support students as they tackle increasingly complex text and sharpen their analytical skills.
  • Social and emotional learning paired with lessons in civic responsibility.

Amplify CKLA not only received an all-green rating from the rigorous evaluators at EdReports, but it was also recently recognized by the Knowledge Matters Campaign as a high-quality literacy program that excels in building knowledge. Our shared message: background knowledge is essential to literacy and learning.

Read our EdReports review
Read our Knowledge Matters review

Student-led reading practice should be purposeful and connected to the core. That’s why Amplify createdBoost Reading. As an optional add-on to Amplify CKLA, students have the opportunity to practice skills directly tied to the skills they’ve been working on during core reading time. Boost Reading also adapts to each student to address their personal gaps and bolsters foundational skills at a pace that supports their individual development.

Boost Reading’s collection of 40+ adaptive games target foundational reading skills and develops them in alignment with Science of Reading principles. Unlike other adaptive games, we ensure students:

  • Practice the right skills at the right time. Our embedded placement tool ensures students receive the content and skill practice most appropriate for their current reading level. From there, students move through our curriculum along their own learning pathway where they encounter personalized content tailored to their evolving skill and grade levels.
  • Progress along a pathway that adapts on multiple dimensions, not just one. For example, a student can work on early first-grade decoding in one game while building more advanced vocabulary knowledge in another.
  • Practice skills in tandem. For example, a student is never forced to master one skill area before proceeding to the next. Instead, we offer students that opportunity to work on multiple skills concurrently.
  • Feel supported with scaffolding, instruction, and practice that adapts based on student performance.
  • Stay engaged by giving them immediate and clear feedback. These results are never punitive. Instead our always-positive feedback is delivered in the context of the game world and is designed to motivate students to keep trying.

Click the buttons below to learn more:

Step 3: Program Resources

Easy-to-use print materials

Amplify CKLA’s easy-to-use materials bring foundational skills and knowledge to life in the classroom.

Download the Amplify CKLA Components guide to see components by grade and watch the print materials walkthrough below.

Engaging CKLA digital experience

The top-rated content of Amplify CKLA is now live with the digital experience that enhances instruction and saves time.

Two digital dashboards are displayed: one for teachers showing recommendations and a program list, and one for students showing to-do items and a lesson named Mount Olympus, Part II.

With the digital experience, everything is in one place, making it easier and more engaging than ever to plan lessons, present digital content, and review student work. Click the arrows below to learn more.

With the digital experience, teachers have access to ready-to-use and customizable lesson presentation slides, complete with all the prompts from the print Teacher Guide embedded in the teacher view. As teachers deliver each lesson, students can engage with the content in one cohesive experience—through these CKLA resources: Activity Books, slides, digital components, videos, Student Readers, and more.

The innovative live review tool found in the digital experience enables you to keep an eye on all of your students as they work on drawing, recording audio, uploading and capturing images, and typing or writing in pre-placed textboxes in their Activity Pages. This dynamic tool provides countless classroom management benefits, enabling you to spot and correct common mistakes as they’re happening, praise your students for thoughtful work, and identify students who are not engaged in the task at hand. Simply put, it will give you those valuable “eyes in the back of your head” you’ve warned your students about!

The digital experience integrates with various LMSs, allowing you and your students to access Amplify CKLA with the software you’re already comfortable using.

In the Amplify CKLA student digital experience, your students have one intuitive access point to fully engage with classroom instruction. Through the Student Home, students can easily access digital lessons with slides, Activity Pages, ebooks, videos, and other interactives from one simple dashboard. Students can draw, record audio, upload and capture images, and type or write in pre-placed text boxes in their Activity Pages.

CKLA review resources

Step 4: State Review Resources

Step 5: Program Access

Explore as a teacher

Before logging in, watch this brief video on navigating the CKLA Teacher Platform.

Ready to explore as a teacher? Follow these instructions:

  • Click the Amplify CKLA Teacher Platform button below.
  • Select Log in with Amplify.
  • Enter the teacher username: t1.utcklapk5@demo.tryamplify.net
  • Enter the teacher password: Amplify1-utcklapk5
  • Choose CKLA from the “Your Programs” menu on Educator Home.
  • Select a grade level from the drop-down menu at the top of the page.
Amplify CKLA Teacher Platform

Ready to explore as a Student? Follow these instructions:

  • Click the Amplify CKLA Teacher Platform button below.
  • Select Log in with Amplify.
  • Enter the student username: s1.utahcklapk5@demo.tryamplify.net
  • Enter the student password: Amplify1-utahcklapk5
Amplify CKLA Student Platform

CKLA – Knowledge Research Units for K–5

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Introducing new units for Amplify CKLA and Amplify Caminos K–5

As part of our commitment to creating even richer and more wide-ranging curricula, we are excited to release six new units for both Amplify CKLA and Amplify Caminos!

Click here to learn more about Amplify CKLA.

Click here to learn more about Amplify Caminos.

About these units

Our brand-new Knowledge Research units carry forward the powerful and proven instructional approach of both Amplify CKLA and Amplify Caminos while also:

  • Adding more variety to engage students from many walks of life. The rich topics and highly visual components featured in these units provide students with even more “windows and mirrors” and perspectives as they work to build knowledge.
  • Adding more authentic literature. Each new research unit revolves around a collection of high-interest authentic trade books that will spark more curiosity and inspire more inquiry.
  • Adding more flexibility. Units can be implemented for extended core instruction during flex periods, district-designated Pausing Points, or enrichment periods.

Units cover a variety of rich and relevant topics:

Three illustrations: one shows people at a gaming session, the middle depicts a diverse group standing together, and the third portrays a group gardening outdoors.

With these new units, students will soar to new heights with Dr. Ellen Ochoa, Amelia Earhart, and the Tuskegee Airmen. They’ll feel the rhythm as they learn about Jazz legends Miles Davis, Tito Puente, and Duke Ellington. And they’ll explore the far reaches of the world with Jacques Cousteau, Matthew Henson, and Eugenie Clark.

  • Grade K: Art and the World Around Us/El arte y el mundo que nos rodea
  • Grade 1: Adventure Stories: Tales from the Edge of the World/Cuentos de aventuras: relatos desde los confines de la Tierra
  • Grade 2: Up, Up, and Away: The Age of Aviation/¡A volar! La era de la aviación
  • Grade 3: All That Jazz/Jazz y más
  • Grade 4: Energy: Past, Present, and Future/Energía: pasado, presente y futuro
  • Grade 5: Beyond Juneteenth: 1865 to present/Más allá de Juneteenth: de 1865 al presente

Units are available in English and Spanish, and will include the following components:

  • Teacher Guide
  • Student Activity Books
  • Image Cards
  • Trade Book Collection
  • Digital Components (grades K–3 and 5)

Grade K: Art and the World Around Us/El arte y el mundo que nos rodea

“Every child is an artist,” said Picasso, meaning that every child uses art to explore and understand the world around them. Art and the World Around Us honors that truth by introducing Kindergarten students to some of the ways in which artists have explored and understood the worlds around them, too.

This domain introduces students to artists from different time periods, countries, and cultures. Throughout the unit, students learn about different kinds of art and how artists use the world around them as they make art. They also connect this to what they have already learned about the earth, plants, and animals in other Amplify CKLA and Amplify Caminos domains: Farms/Granjas, Plants/Plantas, and Taking Care of the Earth/Cuidar el planeta Tierra. In addition, students connect this to what they have learned about sculptors in the Presidents and American Symbols/Presidentes y símbolos de los Estados Unidos domain. As they explore different artists and artistic traditions, they develop their ideas about how humans are connected to each other and to the world around them.

As you read the texts in this unit, students may observe ways in which the characters or subjects are both similar to and different from students. This is a good opportunity to teach students awareness and sensitivity, building on the idea that all people share some things in common, and have other things that make them unique. This unit also offers an excellent opportunity to collaborate with your school’s art teacher, as many lessons have suggested activities to help students understand the kind of art they are studying.

Within this unit, students have opportunities to:

  • Use details to describe art.
  • Identify three ways to create art.
  • Identify characteristics of cave art.
  • Sequence the steps of making pottery.
  • Describe how artists can create work connected to the world around them.
  • Describe what makes Kehinde Wiley’s portraits unique.
  • Explain how the texture of a surface can affect artwork created on it.
  • Explain what a sculpture is.
  • Describe what makes James Turrell’s artwork about the sky unique.
  • Explain what a museum is and what kinds of things you can see or do there.

Instruction in this unit revolves around the following collection of high-interest authentic trade books. One copy of each trade book is included with the unit materials.

  • The First Drawing by Mordicai Gerstein
  • Van Gogh and the Sunflowers by Laurence Anholt
  • My Name is Georgia by Jeanette Winter
  • A Life Made by Hand by Andrea D’Aquino
  • Rainbow Weaver by Linda Elovitz Marshall
  • Luna Loves Art by Joseph Coelho

Grade 1: Adventure Stories: Tales from the Edge of the World/Cuentos de aventuras: relatos desde los confines de la Tierra

This domain introduces students to adventure stories set around the world and challenges students to dig into the adventures through research. By listening to the Read-Alouds and trade books, students increase their vocabulary and reading comprehension skills, learn valuable lessons about perseverance and teamwork, and become familiar with gathering information for research.

In this unit, students study the careers of real-world explorers Dr. Eugenie Clark and Sophia Danenberg, marvel at the inventions of Jacques Cousteau, think critically about how teamwork and collaboration can make greater adventures possible, learn about the science and technology that enable adventures, and research some of the ways humans have confronted challenges at the edges of the world, from the oceans below to space above.

Each lesson in the domain builds students’ research skills as they ask questions, gather information, and write a paragraph about their findings. Students share what they have learned about adventures in an Adventure Gallery Walkthrough. By taking on the persona of one of the adventurers they meet in the Read-Alouds and trade books, students deliver their final paragraphs as if they are a “speaking portrait” of that person. Students are invited to dress up as that adventurer if they desire.

In addition, teachers can set aside time outside of the instructional block to create the picture frames students will hold as they present to the Adventure Gallery Walk guests. Frames can be made from shirt boxes, cardboard, construction paper, or any art supplies that are on hand. This might be an opportunity to collaborate with the school’s art department if resources are available. Another option is to ask students to make their frames at home with their caregivers. On the day of the Adventure Gallery Walk, students will be the hosts and take on specific jobs, such as welcoming the guests, describing their work throughout the unit, and pointing out the areas of study on the domain bulletin board. You can find a complete list of student jobs in Lesson 13.

This unit builds upon the following Amplify CKLA and Amplify Caminos units that students will have encountered in the previous grade.

  • Nursery Rhymes and Fables/Rimas y fábulas infantiles (Kindergarten)
  • Stories/Cuentos (Kindergarten)

The specific core content targeted in these domains is particularly relevant to the Read-Alouds students will hear in Adventure Stories: Tales from the Edge of the World. The background knowledge students bring to this unit will greatly enhance their understanding of the trade books used in this unit.

Instruction in this unit revolves around the following collection of high-interest authentic trade books. One copy of each trade book is included with the unit materials.

  • My Name is Gabito/Me llamo Gabito by Monica Brown
  • Tomas and the Galápagos Adventure by Carolyn Lunn
  • The Astronaut with a Song for the Stars: The Story of Dr. Ellen Ochoa by Julia Finley Mosca
  • Mae Among the Stars by Roda Ahmed
  • Shark Lady: The True Story of How Eugenie Clark Became the Ocean’s Most Fearless Scientist by Jess Keating
  • Manfish by Jennifer Berne
  • Keep On! The Story of Matthew Henson, Co-Discoverer of the North Pole by Deborah Hopkinson
  • The Top of the World: Climbing Mount Everest by Steve Jenkins

Grade 2: Up, Up, and Away: The Age of Aviation/¡A volar! La era de la aviación

With this domain, students head up, up, and away with an introduction to the soaring history of aviation. Students learn the stories of early aviators, such as the Montgolfier brothers, the Wright brothers, Aída de Acosta, and Amelia Earhart.

During the unit, students study the science of flight, including the physics concept of lift, and research the social impacts of the world of flight. Finally, students let their research skills take flight as they explore key figures from the world of aviation.

The lessons in this domain build on earlier Grade 2 CKLA and Amplify Caminos domains about the westward expansion, early Greek civilizations, and Greek myths, and lay the foundation for learning about other periods of world history in future grades.

This unit builds upon the following Amplify CKLA and Amplify Caminos units that students will have encountered earlier in the year.

  • The Ancient Greek Civilization/La civilización griega antigua (Grade 2)
  • Greek Myths/Mitos griegos (Grade 2)
  • Westward Expansion/La expansión hacia el oeste (Grade 2)

The specific core content targeted in these domains is particularly relevant to the Read-Alouds students will hear in Up, Up, and Away: The Age of Aviation. The background knowledge students bring to this unit will greatly enhance their understanding of the trade books used in this unit.

Instruction in this unit revolves around the following collection of high-interest authentic trade books. One copy of each trade book is included with the unit materials.

  • Up and Away!: How Two Brothers Invented the Hot-Air Balloon by Jason Henry
  • The Glorious Flight: Across the Channel with Louis Blériot by Alice and Martin Provensen
  • The Flying Girl: How Aída de Acosta Learned to Soar by Margarita Engle
  • Wood, Wire, Wings: Emma Lilian Todd Invents an Airplane by Kirsten Larson
  • Helicopter Man: Igor Sikorsky and His Amazing Invention by Edwin Brit Wyckoff
  • The Tuskegee Airmen Story by Lynn Homan and Thomas Reilly
  • Skyward: The Story of Female Pilots in WWII by Sally Deng
  • Aim for the Skies: Jerrie Mock and Joan Merriam Smith’s Race to Complete Amelia Earhart’s Quest by Aimee Bissonette

Grade 3: All That Jazz/Jazz y más

This domain teaches students about the vibrant music, poetry, and culture of the Jazz Age in the United States. Students learn about famous writers and musicians like Langston Hughes, Louis Armstrong, Billie Holiday, Melba Liston, Tito Puente, and Miles Davis. They study how the jazz art form took root in the South, then spread to the North to become the sound of the Harlem Renaissance, eventually connecting people around the world in musical expression.

During this unit, students perform guided research to further explore both the history of jazz and what jazz is today. They develop research skills and then use those skills to find deeper connections between the stories and music of the Jazz Age and music today. As students learn about the world of jazz, they collaborate and share ideas with their classmates. They also practice sharing feedback focused on their written work, and, at the end of the unit, students present their research to the group.

The lessons give students opportunities to dive into the rhythms and stories of jazz, utilizing the knowledge sequence in this unit to:

  • Collaboratively generate research questions about jazz, jazz musicians, contemporary musicians from the state where they live or have lived, and the evolution of jazz music.
  • Utilize Read-Alouds, independent reading, and partner reading to learn about the Jazz Age, the Harlem Renaissance, jazz music, and biographies of celebrated jazz musicians and writers.
  • Research the answers to their generated questions, gather information, write a short research essay about a famous jazz musician, write a short essay about a contemporary musician from the state where they live or have lived, and give a presentation about their research.

Within this unit, students have opportunities to:

  • Ask relevant questions and make pertinent comments
  • Identify details in texts
  • Determine key ideas of texts by evaluating details
  • Make text-based inferences
  • Generate questions based on prior knowledge and gathered information
  • Synthesize details across texts to demonstrate comprehension
  • Discuss and explain an author’s purpose
  • Identify and cite reliable primary and secondary sources of information
  • Compose a well-organized and focused informative essay
  • Make connections between topics
  • Present information using appropriate media

Instruction in this unit revolves around the following collection of high-interest authentic trade books. One copy of each trade book is included with the unit materials.

  • Birth of the Cool: How Jazz Great Miles Davis Found His Sound by Kathleen Cornell Berman
  • Little Melba and Her Big Trombone by Kathryn Russell-Brown
  • Benny Goodman and Teddy Wilson: Taking the Stage as the First Black and White Jazz Band in History by Lesa Cline-Ransome
  • Tito Puente, Mambo King by Monica Brown
  • Drum Dream Girl: How One Girl’s Courage Changed Music by Margarita Engle
  • Duke Ellington: The Piano Prince and His Orchestra by Andrea Pinkney

In this unit, students also read the poem “Harlem” by Langston Hughes. (Available for free through the Academy of American Poets website and the Poetry Foundation website, with recorded audio available through the website for John Hancock College Preparatory High School.)

Grade 4: Energy: Past, Present, and Future/Energía: pasado, presente y futuro

With this domain, students become tomorrow’s problem solvers in this study of energy in the United States. Analytical reading skills are developed by examining the challenges of early energy innovators. Students then read about current energy practices and young energy change-makers across the world.

Throughout the unit, students conduct research into different sources of energy and present a proposal, putting them in the shoes of future energy innovators. They also use the knowledge sequence in this unit to:

  • Collaboratively analyze texts to identify cause-effect and problem-solution relationships.
  • Generate questions and conduct research about energy.
  • Write an opinion essay making their case for a fuel of the future.
  • Create energy proposals using primary and secondary resources.

This unit builds upon the following Amplify CKLA units that students will have encountered in previous grades as well as earlier in the year.

  • Plants/Plantas (Grade K)
  • The History of the Earth/La historia de la Tierra (Grade 1)
  • Eureka! Student Inventor/¡Eureka! El arte de la invención (Grade 4)

The specific core content targeted in these domains is particularly relevant to the Read-Alouds students will hear in Energy: Past, Present, and Future. The background knowledge students bring to this unit will greatly enhance their understanding of the trade books used in this unit.

Instruction in this unit revolves around the following collection of high-interest authentic trade books. One copy of each trade book is included with the unit materials.

  • Buried Sunlight: How Fossil Fuels Have Changed the Earth by Molly Bang and Penny Chisholm
  • Energy Island: How One Community Harnessed the Wind and Changed their World by Allan Drummond
  • The Boy Who Harnessed the Wind: Picture Book Edition by William Kamkwamba and Bryan Mealer

Grade 5: Beyond Juneteenth: 1865 to present/Más allá de Juneteenth: de 1865 al presente

Within this domain, Students learn about General Granger’s announcement in Galveston, Texas on June 19, 1865, a day marked in history as Juneteenth. Texts and multimedia sources will support foundational knowledge-building about the end of slavery in the United States. A review of the first freedom announcement, President Lincoln’s Emancipation Proclamation, provides students with background knowledge to further emphasize the significance of Juneteenth in American history.

This unit also takes students on a journey beyond Juneteenth, as they study specific contributions of African Americans from 1865 to the present day. Students participate in a virtual field trip to Emancipation Park in Houston, Texas and use the knowledge sequence in this unit to:

  • Collaboratively generate research questions about Juneteenth, The Great Migration, innovators and inventors, education, the humanities, activists, and allies.
  • Use Read-Alouds, independent, and partner reading to learn about African American contributions from 1865 to the present.
  • Research to find answers to their generated questions, gather information, and write a four-chapter Beyond Juneteenth book.

This unit builds upon the following Amplify CKLA units that students will have encountered in previous grades.

  • Native Americans/Los nativos americanos (Grade K)
  • A New Nation: American Independence/Una nueva nación: la independencia de los Estados Unidos
    (Grade 1)
  • The U.S. Civil War/La Guerra Civil de los Estados Unidos (Grade 2)
  • Immigration/La inmigración (Grade 2)
  • Native Americans/Los nativos americanos (Grade 5)

The specific core content targeted in these domains is particularly relevant to the Read-Alouds students will hear in Beyond Juneteenth: 1865 to present. The background knowledge students bring to this unit will greatly enhance their understanding of the trade books used in this unit.

Instruction in this unit revolves around the following collection of high-interest authentic trade books. One copy of each trade book is included with the unit materials.

  • All Different Now: Juneteenth, the First Day of Freedom by Angela Johnson
  • The Great Migration: An American Story by Jacob Lawrence
  • Sing a Song: How “Lift Every Voice and Sing” Inspired Generations by Kelly Starling Lyons
  • Side by Side/ Lado a lado: The Story of Dolores Huerta and Cesar Chavez/ La Historia de Dolores Huerta y Cesar Chavez by Monica Brown
  • Of Thee I Sing: A Letter to My Daughters by Barack Obama

Iowa CKLA review for Grades K–5

Thank you for taking the time to review Amplify’s CKLA resources for K–5.

Amplify Core Knowledge Language Arts® (CKLA) is an effective core literacy resource for students in grades K–5 and is aligned to the Iowa Core Literacy Standards. CKLA was developed in partnership with the Core Knowledge Foundation and was specifically designed to help teachers implement proven evidence-based instructional practices.

Recognized Quality

Amplify CKLA is one of only a few high-quality, knowledge-building literacy curricula recognized by the Knowledge Matters campaign. Our shared message: Background knowledge is essential to literacy and learning.

Independently and rigorously reviewed

Amplify CKLA not only received an all-green rating from the rigorous evaluators at EdReports, but it was also recently recognized by the Knowledge Matters Campaign as a literacy program that excels in building knowledge.

Read our EdReports review
Read our Knowledge Matters review

Intentional knowledge-building

The Science of Reading reveals knowledge as an essential pillar of reading comprehension and lifelong literacy. Hear from author Natalie Wexler and CKLA customers on edWebinar about the importance of knowledge-building in reading instruction.

Hear from Natalie Wexler
edWebinar Links

Program Overview

Amplify CKLA is a core ELA program for grades K–5 that delivers:

  • A unique research-based approach truly built on the Science of Reading.
  • A combination of explicit foundational skills with meaningful knowledge building.
  • Embedded support and differentiation that gets all students reading grade-level texts together.
  • Opportunities for students to see the strengths and experiences that all people share while also celebrating each others’ unique identities and experiences.
  • Equitable and authentic Spanish language arts instruction with Amplify Caminos.

Amplify CKLA for Grades K–2

After watching the K–2 video below, scroll down to learn even more, download resources, and access a demo.

Amplify CKLA for Grades 3–5

After watching the 3–5 video below, scroll down to learn even more, download resources, and access a demo.

How it works

Amplify CKLA teaches both foundational skills and background knowledge in K–2 and combines them in 3–5, as required by the science of reading.

  • In grades K–2, students complete one full lesson that builds foundational reading skills, as well as one full lesson that builds background knowledge.
  • In grades 3–5, student complete one integrated lesson that combines skills and knowledge with increasingly complex texts, close reading, and a greater writing emphasis.
Download CKLA Program Guide

Rich topics

Amplify CKLA builds knowledge coherently across subjects and grades.

Students make connections from year-to-year by exploring grade-appropriate subject-area knowledge and vocabulary in history, science, literature, and the arts while learning to read, write, and think creatively and for themselves.

Units by grade

Take a closer look at the topics students explore.

Knowledge Research Units

Explore our newly added Knowledge Research units.

Skills by grade

Take a closer look at the skills students develop..

Diverse text

Amplify CKLA puts a variety of texts in the hands of students every day to build and strengthen background knowledge and vocabulary, listening and reading comprehension, and decoding and fluency skills.

More than that, we ensure the texts students read represent the world around them. With a diverse range of authors, topics, and characters, all students have ample access to both windows and mirrors. Our texts include:

  • authentic books.
  • authentic text passages.
  • student readers.
  • novel guides (grades 3–5).

Grade K Text List

Grade 1 Text List

Grade 2 Text List

Grade 3 Text List

Grade 4 Text List

Grade 5 Text List

Universal access

We believe we have a responsibility to provide literacy instruction that gives every student the same opportunity to succeed and excel.

We know that early reading affects achievement throughout school and beyond—well into college and career. Yet most literacy programs continue to fall short of supporting early literacy success. That’s why we’re so proud that CKLA is helping close the reading gap between students within diverse communities.

Un grupo de jóvenes estudiantes se sientan muy juntos y miran atentamente hacia arriba. Algunos de los niños visten atuendos coloridos, incluida una niña con un hijab azul. Parecen estar en un salón de clases.

Grades K–2: Supporting all learners

Un grupo de niños sentados alrededor de un escritorio, sonriendo y riendo mientras miran una computadora portátil. Un adulto está cerca y también sonríe.

Grades 3–5: Supporting all learners

Complete curriculum

A strong literacy program is not just about a reading program or an assessment tool: it brings together curriculum, instruction, regular practice, intervention, and assessments.

Amplify has brought these components together in our early literacy suite of curriculum, ensure that you have what you need for multi-tiered support.

CKLA and mCLASS

CKLA connects to our comprehensive diagnostic universal screener called mCLASS.

CKLA and Boost Reading

CKLA connects to our adaptive reading practice program called Boost Reading.

CKLA and Language Studio

CKLA aligns with Language Studio–our ELD companion program for grades K–5.

CKLA and Writing Studio

CKLA aligns with Writing Studio–our writing companion program for grades K–5.

Science of Reading Resources

Watching students learn to read: magic. Knowing how they get there: science.

As you consider your next core ELA program, it’s critically important to understand what the Science of Reading really means and what it tells us about how to teach more effectively. Unlike other programs, Amplify CKLA was built upon these insights and practices, making it easier for teachers to implement this proven approach.

Explore Science of Reading Handbook

Access demo

Ready to explore on your own? Follow the instructions below to access your demo account.

Explore the CKLA Teacher Digital Site

First, watch the quick navigation video to the right. Then follow the directions below:

  • Click the CKLA Teacher Digital Site button
  • Select Log in with Amplify.
  • Enter this username: t1.iowa-literacy@demo.tryamplify.net
  • Enter this password: Amplify1-iowa-literacy
  • Select the desired grade level
Access CKLA Teacher Digital Site

Explore the CKLA Student Digital Site

To access the student digital site follow the directions below:

  • Click the CKLA Student Digital Site button
  • Select Log in with Amplify.
  • Enter this username: s1.iowa-literacy@demo.tryamplify.net
  • Enter this password: Amplify1-iowa-literacy
  • From the Home page, scroll down to the robot and “Click to go to the Hub“
  • From the Hub, click the Grade button to select the grade.
Access CKLA Student Digital Site

Putting equity first

When so much about the world needs to shift, so urgently… here are a few places to start.

Listen: Educator, author, and leader Shawn Joseph shares his passion for social justice and discusses his work advocating for equity in education, shedding light on what he calls the “silent crisis” in literacy instruction.

Learn: Share Shawn Joseph’s discussion guide with your colleagues. Which insights are the most relevant to your district this year?

Lead: Take a look at this curated collection of multicultural and social justice books. Could one spark discussion for your students?

Lead: Share this infographic on the journey to freedom with your class. Ask students to select an event to research and present a two-minute video talk.

Leveraging the science of reading

Go deep on the insights and practices that will help our classrooms (remote or otherwise)–based on the latest science, and adaptable to every shift in the educational landscape.

Learn: Introduction to the Science of Reading

Learn: Science of Reading Primer, Part One

Learn: Science of Reading Primer, Part Two

Learn: Susan Lambert talks to Language Magazine about the science of reading and what it means right now.

Building strong foundational skills

Strong, systematic sound-first instruction is critical to helping students learn to decode and can increase student success. Learn how specific skills can increase your impact. 

Learn: Start with Emily Hanford’s “Hard Words” article.

Listen: Jasmine Lane on the importance of equity, and how early literacy teachers can make a difference.

Listen: Bruce McCandliss on the changes a child’s brain shows when learning to read

Lead: Challenge a colleague to this Scarborough’s Rope activity–work through a sample lesson from your district and point out elements of the reading rope.

Sharing knowledge resources

Students need to be able to both read words and get the meaning of what they’re reading. Find out how to help them build key background knowledge from the get-go, so that it compounds over time.

Learn: Begin with Why knowledge matters–then follow up with Natalie Wexler’s podcast

Learn: Take a look at Achieve the Core’s overview of the importance of building knowledge and the groundbreaking “baseball study“

Listen: Anne Lucas on the importance of comprehension and the specific skills that can boost it.

Listen: Tim Shanahan on four crucial aspects in teaching reading and his views on teaching reading in middle school as an extension of evidence-based early literacy practices

Learn: Begin with Why knowledge matters–then follow up with Natalie Wexler’s podcast

Learn: Take a look at Achieve the Core’s overview of the importance of building knowledge and the groundbreaking “baseball study“

Assessing what students need

Assessment this year is more important than ever before–and also more challenging. What does this extended summer slide look like? How can you find time to review what’s needed, while still moving forward?

Learn: Education for Global Development’s thoughts on formative assessment in the time of COVID-19.

Learn: District Administration on why educators want more data– and more guidance on how to use it

Learn: Catch up on dyslexia risk factors and state legislation with our dyslexia toolkit.

Listen: Nancy Nelson on the importance of universal screeners in literacy instruction.

Lead: What can you offer struggling readers and their caregivers? Take a look at the IDA’s COVID-19 Resource Guide.

Thriving through remote learning

Everything about this school year has changed–yet your work is more important than ever before. How can you support your students, and your colleagues, in this new normal? Stop by Amplify Anywhere for ideas that may help.

And while you’re here–please download your free PDF “20 Self-Care Tips for Educators Right Now” (and please take care of yourselves!).

Alana Mangham on Teaching Now

Natalie Wexler on the New Normal

Thinking about back-to-school

Though it feels like the landscape is changing every day, we know we’ve got to find a way to get students back to learning. What will your school day look like? What reinforcement might you need to do in order to ensure equity? We will continue to share resources to support your journey.

Learn: In this recorded webinar, explore some ways CARES Act funding might support your students.

Learn: Hear from Baltimore educator Lucas Drerup on making middle school ELA both enjoyable and rigorous for students.

Listen: Jackson-Madison CAO Jared Myracle shares his thoughts on change management and the science of reading.

Listen: Doug Lemov, managing director of Uncommon Schools, discusses the role of technology in the classroom and remote instruction, and how educators can reconsider how they approach literacy.

Lead: As you consider how and when to reopen, review this article from The Atlantic on Eight steps that will let us reopen schools.

Lead: Guidance from District Administration on reopening safely this fall.

Finding high-quality instructional materials

If you were already thinking about new literacy resources–you’ve now got even more ideas about what high quality looks like. How will your literacy program work for all students? How do you need your literacy resources to support you in the classroom, in remote learning, and for every scenario in between?

Learn: Review this guide to a high-quality curriculum adoption.  What factors matter most now, in literacy and in every subject?

Listen: Hear nationally recognized reading experts and authors David and Meredith Liben discuss evidence based solutions and more.

Lead: Download this K-8 ELA Instructional Materials Evaluation Guide. Share with your district leadership. What resources will you all need next year (and beyond) to do the best job possible for your students?

Lead: Talk to a few colleagues in the coming weeks. What are they seeing right now? What are they planning to improve next year?

Staying strong and staying connected!

Illustration for

Looking for ways to connect with other educators and stay updated on the latest research and trends in the science of reading? Check out a few more ways to do so below.

Science of Reading: The Podcast delivers the latest insights from researchers and practitioners in early reading. Further your professional development with each episode by subscribing and downloading them now.

Science of Reading: The Community is built for those committed to fostering conversation around the science of reading and implementing best practices in the classroom (including the virtual classroom).

Ready for more? Complete the form below to stay up-to-date on the latest resources.

Inspiring the next generation of Florida scientists, engineers, and curious citizens

Amplify Science Florida is a brand-new blended science curriculum for grades 6-8 that meets 100 percent of the Next Generation Sunshine State Standards for Science.

The national edition of Amplify Science for middle school was recently rated all green by EdReports. Read the review on EdReports.

  • Un rover robótico está colocado en un terreno arenoso y lleno de rocas bajo un cielo brumoso, dejando huellas de neumáticos tras él.
  • Dos niños con gafas de seguridad participan en una actividad científica; uno sostiene una taza de líquido y hace gestos mientras el otro toma notas con un lápiz.
  • Dos niños están sentados en una mesa redonda en un salón de clases, mirando juntos la pantalla de una computadora portátil. Ambos parecen comprometidos y están sonriendo.
  • Una ilustración digital de una araña muestra el proceso de producción de veneno dentro de una célula de glándula venenosa. El diagrama del cuerpo de la araña está a la izquierda, con una vista celular detallada a la derecha, resaltando los componentes celulares.

Grounded in research and proven effective

UC Berkeley’s Lawrence Hall of Science, the authors behind Amplify Science Florida, developed the Do, Talk, Read, Write, Visualize approach, and gold standard research shows that it works. Our own efficacy research is pretty exciting, too.

DEEP UNDERSTANDING

Do, Talk, Read, Write students outperform their peers.

Bar chart illustrating a 51.5% surge in science content knowledge using the Do-Talk-Read-Write approach, compared to a 36.6% increase with the business-as-usual method.

ENGLISH LANGUAGE LEARNERS EXCEL

ELLs who used Do, Talk, Read, Write outperformed their ELL peers.

The bar chart illustrates a significant increase in science vocabulary: 48.6% for the Do-Talk-Read-Write approach (orange) compared to just 22.5% for the Business-as-usual approach (gray).

PROGRESS THROUGH THE LEARNING PROFESSION

Progress through the learning progression for all middle school implementations, 2017-18 school year.

A chart that shows the progress through the learning progression

What educators say

“Just looking through the Amplify Science curriculum, I’m wishing I could go back in time and learn these concepts with these resources! I love that Amplify is more focused on diving deeper into fewer concepts over the year, rather than grazing the surface of more topics.”

Lizzie

Middle school teacher, KIPP charter network

What educators say

“In using this program, I have seen that my students are completely engaged and are able to visualize models of concepts using the simulations that they otherwise would not be able to visualize. The program is not about rote memory of facts—rather, it addresses the bigger picture and assesses a deeper understanding of science concepts.”

Julie

Science teacher, Georgia

What educators say

“The engineering units are engaging and really helped me better understand the new standards. I love being able to walk around and talk to students as they explore solutions, make claims, and reason with their peers.”

Karla

Science teacher, California

A powerful partnership

Amplify Science Florida was developed by the science education experts at UC Berkeley’s Lawrence Hall of Science and the digital learning team at Amplify. As the Hall’s first curriculum designed to address the Next Generation Sunshine State Standards for Science, Amplify Science Florida reflects state-of-the-art practices in science teaching and learning.

Our approach

Each unit of Amplify Science Florida engages students in a relevant, real-world problem where they investigate scientific phenomena, engage in collaboration and discussion, and develop models or explanations in order to arrive at solutions.

Rooted in research

Amplify Science Florida is rooted in the Lawrence Hall of Science’s Do, Talk, Read, Write, Visualize model of learning. This research-based approach presents students with multiple modalities through which to explore the curriculum.

Four middle school science students gather around a desk, engaged in an interactive group project, investigating an object together in a colorful classroom setting.
Two middle school girls conduct a science experiment

A flexible, blended program

Amplify Science Florida includes hands-on activities, print materials, and powerful digital tools to support online and offline teaching and learning. Highly adaptable and user-friendly, the program gives schools and individual teachers flexibility based on their technology resources and preferences.

Students take on the roles of scientists and engineers.

In each unit, students take on the role of a scientist or engineer to investigate a real-world problem. These problems provide relevant contexts through which students investigate phenomena.

Two middle school girls use a Student Investigation Notebook to take on the role of scientists and engineers

Phenomena-based teaching and learning

Download the “What’s so phenomenal about phenomena?” e-book

Download a free e-book

What’s included

Flexible resources that work seamlessly together

Science articles

The middle school science articles serve as sources for evidence collection and were authored by science and literacy experts at the Lawrence Hall of Science.

Student Investigation Notebooks

Available for every unit, the Student Investigation Notebooks provide space for students to:

  • record data
  • reflect on ideas from texts and investigations
  • construct explanations and arguments

Available with full-color article compilations for middle school units

Digital student experience

Students access the digital simulations and modeling tools, as well as lesson activities and assessments, through the digital student experience. Students can interact with the digital student experience as they:

  • conduct hands-on investigations
  • engage in active reading and writing activities
  • participate in discussions
  • record observations
  • craft end-of-unit scientific arguments

Teacher’s Guides

Available digitally and in print, the Teacher’s Guides contain all of the information teachers need to facilitate classroom instruction, including:

  • detailed lesson plans
  • unit and chapter overview documentation
  • differentiation strategies
  • standards alignments
  • in-context professional development

Hands-on materials kits

Hands-on learning is at the heart of Amplify Science Florida. Each unit kit contains:

  • consumable and non-consumable hands-on materials
  • print classroom display materials
  • premium print materials for student use (sorting cards, maps, etc.)
All Materials

Explore more programs.

Our programs are designed to support and complement one another. Learn more about our related programs.

An astronaut floats in space, surrounded by twinkling stars and distant planets. A speech bubble displaying oo/ adds a playful touch, reminiscent of a core knowledge language arts curriculum adventure among the galaxies.

Amplify CKLA

The leading K–5 Science of Reading literacy program that integrates foundational…

A collage featuring a vintage brain illustration, a hand holding a red paper with black characters, abstract shapes, and various layered textures and colors serves as a vibrant backdrop for K–5 personalized reading curriculum materials.

Amplify ELA

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A laptop displaying a graph on a webpage labeled "Robots" sits next to two textbooks titled "Amplify Desmos Math," one being the teacher edition and the other for grade 6, exemplifying student-centered instruction through math technology.

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Inspiring the next generation of Louisiana scientists, engineers, and curious citizens

Amplify Science Louisiana blends hands-on investigations, literacy-rich activities, and interactive digital tools to empower students to think, read, write, and argue like real scientists and engineers.

The national edition of Amplify Science for middle school was recently rated all green by EdReports. Read the review on EdReports.

  • Dos niños están sentados en una mesa redonda en un salón de clases, mirando juntos la pantalla de una computadora portátil. Ambos parecen comprometidos y están sonriendo.
  • Dos niños con gafas de seguridad participan en una actividad científica; uno sostiene una taza de líquido y hace gestos mientras el otro toma notas con un lápiz.
  • Insignia verde y blanca que indica "Nivel 1 aprobado para los grados K-5 por el Departamento de Educación de Luisiana".
  • Una ilustración digital de una araña muestra el proceso de producción de veneno dentro de una célula de glándula venenosa. El diagrama del cuerpo de la araña está a la izquierda, con una vista celular detallada a la derecha, resaltando los componentes celulares.

Grounded in research and proven effective

UC Berkeley’s Lawrence Hall of Science, the authors behind Amplify Science Louisiana, developed the Do, Talk, Read, Write, Visualize approach, and gold standard research shows that it works. Our own efficacy research is pretty exciting, too.

DEEP UNDERSTANDING

Do, Talk, Read, Write students outperform their peers.

Bar chart illustrating a 51.5% surge in science content knowledge using the Do-Talk-Read-Write approach, compared to a 36.6% increase with the business-as-usual method.

ENGLISH LANGUAGE LEARNERS EXCEL

ELLs who used Do, Talk, Read, Write outperformed their ELL peers.

The bar chart illustrates a significant increase in science vocabulary: 48.6% for the Do-Talk-Read-Write approach (orange) compared to just 22.5% for the Business-as-usual approach (gray).

PROGRESS THROUGH THE LEARNING PROFESSION

Progress through the learning progression for all middle school implementations, 2017-18 school year.

What educators say

“Just looking through the Amplify Science curriculum, I’m wishing I could go back in time and learn these concepts with these resources! I love that Amplify is more focused on diving deeper into fewer concepts over the year, rather than grazing the surface of more topics.”

Lizzie

Middle school teacher, KIPP charter network

What educators say

“In using this program, I have seen that my students are completely engaged and are able to visualize models of concepts using the simulations that they otherwise would not be able to visualize. The program is not about rote memory of facts—rather, it addresses the bigger picture and assesses a deeper understanding of science concepts.”

Julie

Science teacher, Georgia

What educators say

“The engineering units are engaging and really helped me better understand the new standards. I love being able to walk around and talk to students as they explore solutions, make claims, and reason with their peers.”

Karla

Science teacher, California

A powerful partnership

Amplify Science Louisiana was developed by the science education experts at UC Berkeley’s Lawrence Hall of Science and the digital learning team at Amplify. As the Hall’s first curriculum designed to address the new science standards, Amplify Science Louisiana reflects state-of-the-art practices in science teaching and learning.

Our approach

Each unit of Amplify Science Louisiana engages students in a relevant, real-world problem where they investigate scientific phenomena, engage in collaboration and discussion, and develop models or explanations in order to arrive at solutions.

Rooted in research

Amplify Science Louisiana is rooted in the Lawrence Hall of Science’s Do, Talk, Read, Write, Visualize model of learning. This research-based approach presents students with multiple modalities through which to explore the curriculum.

A flexible, blended program

Amplify Science Louisiana includes hands-on activities, print materials, and powerful digital tools to support online and offline teaching and learning. Highly adaptable and user-friendly, the program gives schools and individual teachers flexibility based on their technology resources and preferences.

Students take on the roles of scientists and engineers.

In each unit, students take on the role of a scientist or engineer to investigate a real-world problem. These problems provide relevant contexts through which students investigate phenomena.

Two students collaborate at a desk, discussing a science workbook. Other students are visible in the background, engaged in the vibrant atmosphere of the classroom.

Phenomena-based teaching and learning

Download the “What’s so phenomenal about phenomena?” e-book

Download a free e-book

What’s included

Flexible resources that work seamlessly together

ElementaryMiddle School

Student Books

Age-appropriate Student Books allow students to:

  • engage with content-rich texts
  • obtain evidence
  • develop research and close-reading skills
  • construct arguments and explanations

Student Investigation Notebooks

Available for every unit, the Student Investigation Notebooks provide space for students to:

  • record data
  • reflect on ideas from texts and investigations
  • construct explanations and arguments

Simulations and practice tools (grades 2+)

Developed exclusively for the Amplify Science program, these engaging digital tools:

  • serve as venues for exploration
  • enable data collection
  • allow students to explore scientific concepts
  • show what might be impossible to see with the naked eye

Teacher’s Guides

Available digitally and in print, the Teacher’s Guides contain all of the information teachers need to facilitate classroom instruction, including:

  • detailed lesson plans
  • unit and chapter overview documentation
  • differentiation strategies
  • standards alignments
  • in-context professional development

Science articles

The middle school science articles serve as sources for evidence collection and were authored by science and literacy experts at the Lawrence Hall of Science.

Student Investigation Notebooks

Available for every unit, the Student Investigation Notebooks provide space for students to:

  • record data
  • reflect on ideas from texts and investigations
  • construct explanations and arguments

Available with full-color article compilations for middle school units

Digital student experience

Students access the digital simulations and modeling tools, as well as lesson activities and assessments, through the digital student experience. Students can interact with the digital student experience as they:

  • conduct hands-on investigations
  • engage in active reading and writing activities
  • participate in discussions
  • record observations
  • craft end-of-unit scientific arguments

Teacher’s Guides

Available digitally and in print, the Teacher’s Guides contain all of the information teachers need to facilitate classroom instruction, including:

  • detailed lesson plans
  • unit and chapter overview documentation
  • differentiation strategies
  • standards alignments
  • in-context professional development

Hands-on materials kits

Hands-on learning is at the heart of Amplify Science Louisiana. Each unit kit contains:

  • consumable and non-consumable hands-on materials
  • print classroom display materials
  • premium print materials for student use (sorting cards, maps, etc.)
All Materials

Explore more programs.

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Amplify CKLA Review for Alabama

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Write better feedback for better math learning.

Research suggests that Black and Latino students pay attention to what teachers say about their work in math class, and that teacher feedback can affect their learning, motivation, and sense of belonging. Learn how to give better feedback with AI.

Two women smiling and looking at a computer screen in an office setting, surrounded by papers and educational materials.

Overview

With support from the Bill and Melinda Gates Foundation, Amplify researched the features of effective feedback for underrepresented minority students and used that research to create a generative AI tool that helps teachers give students feedback about math.

This project resulted in the following work:

  • Two literature reviews about feedback in mathematics, especially for underrepresented minority students.
  • A prompt for a large language model (LLM) that would take in written feedback and offer feedback on the feedback, helping its author learn principles of effective feedback using  principles of effective feedback.
  • A professional development activity in the Desmos Classroom platform that engages teachers in writing feedback messages about student thinking and receiving feedback on their feedback via an API call to OpenAI’s ChatGPT.

Literature reviews

We asked researchers to review literature about feedback, especially for underrepresented minority students. The researchers compiled the following literature reviews:

Stereotype Threat and Feedback (Picho-Kiroga)

Teacher Feedback: A Brief Literature Review (Good)

LLM prompt

We wrote an LLM prompt designed to take in the following context:

  • The text of a math problem
  • A student’s response to the problem
  • A teacher’s feedback to the student
  • The principles of effective feedback we distilled from the literature reviews

The prompt gives teachers feedback on their feedback, helping them learn to give effective feedback using the principles of effective feedback. The prompt and sample response:

You are a helpful and patient mathematics instructional coach who needs to support teachers who are trying to give feedback to their students on mathematics problems.

You will give feedback to teachers helping them give more effective feedback to their students. Your goal is to help teachers improve their feedback using several principles. It is important that you also use these principles when you give feedback to the teachers.

First, feedback must communicate high standards and the message that a person is capable of meeting high standards. Those responses might look like:

  • “I am giving you these comments because I have very high expectations and I know that you can reach them.”
  • “The expectations in this course are high and I know you can do great work. The feedback here is designed to help you get there.”

Second, feedback must emphasize mastery goals rather than performance goals. Feedback that incorporates mastery goals:

  • Is specific and substantive rather than one that is comparative/fosters competition.
  • Encourages perseverance, focuses on development of competence on the relevant topic and/or domain.
  • Acknowledges (praises) effort, improvement, and tells the person what is right about their work.
  • Emphasizes achieving a standard relative to mastery of content and prior performance, rather than focusing on relative performance (comparison to others).

Third, feedback needs to be in language that the person receiving it can easily understand. Feedback to students should be written at a level that a grade 6 student can read and understand. Feedback to teachers should be written at a level that a grade 12 student can read and understand.

The feedback should be concise. It should not tell the teacher the exact feedback to offer. Rather it should ask a question designed to help them think more about the principles of effective feedback we have described above.

For context, you will receive a [mathematics problem], [student response], [teacher feedback message]. Here is an example of how you can support a teacher with providing feedback that follows the principles of effective feedback:

[mathematics problem] Write the equation of this line. The line is given by the equation y = ⅔ x + 4

[student response] y = 3/2 x + 4

[teacher feedback message] That is incorrect. Try again.

Your feedback to the teacher might be:

Giving effective feedback is challenging and all of us can learn it. Here you told the student their answer is incorrect, which is important information, but doesn’t tell them what part of the task they got right. Can you change your feedback to emphasize an area where they are correct or, if you don’t see anything correct, to give them a first question to help them start?

Given the following a [mathematics problem], [student response], and [teacher feedback message], write a three-to-five sentence message to the teacher that gives them feedback on their feedback and provides an example.

A graph shows a line segment on a grid. A student answers "3" for its length, the teacher says "This is not correct," and LLM feedback suggests a more supportive response.

Teacher professional development activity

The OpenAI ChatGPT interface could help teachers develop more effective feedback, but working with it is more complex too. Teachers must input a math question, a student answer, and their original message into the context window.

We wanted to simplify that process by embedding an API call to ChatGPT in an environment that automatically collects and injects the context information. To do that, we used the Desmos Classroom Activity Builder, the same platform we use to author our Desmos Math 6-A1 curriculum.

In the professional development activity we created, teachers think about how students might respond to common math questions in middle school. They brainstorm their own responses to common wrong answers. And then they receive feedback from a helpful generative AI agent.

A screen that says: “Miko's cat has an 8-centimeter bow tie. What does the model predict for its height? The most common wrong answer to this question is 40. What feedback might you offer that student?” Next to the question is a graph that shows a scatterplot, a line through the scatterplot and Miko's cat off the line at y = 40.

Prototype: AI-enhanced Feedback Support

Desmos Math contains an interface that lets teachers write feedback to students through its software platform. We created an activity that would a) help teachers learn how to give asset-based mathematics feedback, b) introduce educators to the affordances of AI in their practice.

To use the activity:

  1. Click this activity link.
  2. Log in with a Google or Amplify account.

You will interact with ideas about feedback and several incorrect student answers. When you give your feedback on those student answers, you’ll receive AI-generated feedback on your feedback. You can revise and resubmit multiple times.

A video of the screens in the prototype that shows the AI typing a response to the teacher about the feedback for the student’s wrong answer.

User Testing: Report of Results

We invited middle school mathematics teachers to participate in this teacher feedback activity through one of our email communications. 95 teachers responded affirmatively and 44 of them ultimately participated. They accessed the activity and completed a survey about their experience.

Overall, we have significant qualitative evidence in survey responses that teachers are interested in learning more about giving effective feedback and that they are at least curious about generative AI. This particular instantiation has significant room for improvement and we will continue to investigate ways to improve the kinds of feedback Black and Latino students receive from their teachers. Read more in the below report.

Asset-oriented AI feedback for Black & Latino students at scale: Results of user testing

Contact us

ai-prototype@amplify.com

Welcome, Amplify Caminos families!

We’re excited to welcome you and your student to the Amplify Caminos program for the new school year, and to provide your student with exceptional learning opportunities through our program. We’ve assembled the following resources and guides to help you support your student and enable them to have the most productive experience with our platform throughout the year.

Para la versión en español, haga clic aquí.

What is Amplify Caminos?

Amplify Caminos is an authentic elementary Spanish language arts program for Grades K–5, grounded in the Science of Reading and built from the ground up for the Spanish language.

We’ve designed Amplify Caminos around topics that interest kids, from science to world history to great literature and art. Students connect what they learn across units and grades, deepening their understanding and engagement each year.

Getting started

There are a few ways you can support the student in your care:

  • If possible, read with them daily; even 15 minutes of reading together each day can create a huge impact.
  • Read sections of the text aloud together. If your student struggles, you might try reading the text to them with expression, and then have them read it aloud back to you.
  • Find moments to discuss what they are reading and discovering in class. Examples of questions you could ask: What stood out to you from what you read today? Were any sentences or words confusing? What was your takeaway from the author’s passage? What do you think the writer was trying to communicate? Do you agree with the writer’s ideas or descriptions? What connections can you make between what you are reading and your own life or other issues you’ve heard about?
  • Listen to your student read their written responses or have them share with a friend over video chat.
  • Review this Protecting Kids Online article by the Federal Trade Commission addressing digital safety.

Logging in

Grade K–2 students

K–2 students will be able to log in with Shared Credentials created and provided by the teacher.

On each student device, go to learning.amplify.com.

Select “Log in,” then enter shared login credentials or select “Scan QR code” for QR code login. Students will be directed to Student Home, where they’ll be able to change their avatar and click on a mood emoji of the day! At Student Home, there will be an easy redirect link to the Student Hub.

Note: Shared student logins provide K–2 students using the Amplify Caminos Hub and students who aren’t yet enrolled by their school or district a way to access Amplify’s digital programs.

Grade 3–5 students

Go to learning.amplify.com.

Select “Log in,” then enter shared login credentials or select “Scan QR code” for QR code login. Students will be directed to Student Home, where they’ll be able to change their avatar and click on a mood emoji of the day! At Student Home, there will be an easy redirect link to the Student Hub.

Note: Students in this grade band must be enrolled and have an appropriate license to access Student Home. Contact your student’s teacher for login information.

Materials overview

Some of Amplify Caminos’ digital curriculum may be accessible to your student at home, if internet access is available. Contact your student’s teacher for login information.

Student Readers

Amplify Caminos is a Spanish Language Arts (SLA) program, so the student readers are in Spanish and align to the Spanish code that is taught in Amplify Caminos. Those readers would only be available to teachers and students who are implementing Caminos in their SLA or Dual Language classroom.

Student Readers are uniquely designed to provide students with intensive practice while they read simple but authentic stories.

Student Readers are chapter books designed for kindergarten to second grade students to practice the sounds and spelling patterns they’ve just learned, along with commonly used Spanish words. This helps them understand what they read while enjoying engaging stories with interesting characters. For students in Grades 3–5, the Student Readers help improve close reading and other literacy skills by offering a range of content-rich stories and informative texts.

alt="Three book covers in Spanish, featuring colorful illustrations of children with animals in varied settings: a llama, a dog, and both rural and urban backgrounds, ideal for the Core Knowledge Language Arts curriculum."

Student Activity Books

As part of the daily lessons, these activity pages ask students to respond to the text they’ve read and apply skills and knowledge. They also include assessments (to which teachers have access) that track students’ skills development.

Illustration of a llama and desert elements on an orange background in the Amplify CKLA educational material, adjacent to a page teaching letter formation and number writing.

Caminos Hub for students

Students access multimedia resources and engage in a new digital experience on the Caminos Hub. They can access the Hub at home, in the classroom, and on the go, making it ideal for remote learning. It’s also compatible with laptops, Chromebooks, tablets, and desktops—we’ve even optimized it for mobile devices.

A digital educational interface shows two options: "sonidos" with a saxophone icon and "biblioteca" an open book icon, under the label "caminos" for grade 2.

Sonidos for Grades K–2

The Sonidos Library contains audio recordings of phonemes. Teachers can incorporate the Sonidos Library materials at any point into existing activities, at the start of skills lessons, or as a review to bring a sense of fun into the classroom.
The sounds in the library are organized by unit, and you can find the sounds for each unit by going through the tabs at the top of the screen. Each tab contains cards for each sound, on which you can play a recording of the sound by selecting the speaker icon.

Screenshot of an Amplify CKLA language learning app displaying vowel sounds with corresponding images: tree, ring, and sheep, labeled in Spanish, with a

Biblioteca

The Hub eReader is an easy way for kids to connect to the entire Caminos library of readers. A simple table of contents makes it easy to navigate longer books. Amplify Caminos e-books include the full set of Grade K–5 Student Readers.

Grid of eight illustrated book covers titled "caminos biblioteca de 2º grado," each depicting children in various settings, with "leer" buttons below each cover, part of the Core

Quests

In Grades 3–5, each grade contains a Core Quest. In these special units, all the normal rules of the classroom change, and students engage with language in surprising new ways. For example, in Grade 5, they learn to love the dense Shakespearian language of “A Midsummer Night’s Dream” through imagery, close reading, and performance.

Have a question about Amplify Caminos? 

Visit our help library to search for articles with answers to your program questions. 

For additional curriculum support, please contact your student’s teacher.

Science of Reading dos and don’ts

For classrooms and districts making the shift, understanding what a true Science of Reading curriculum looks like can be challenging. How do you know which instructional practices to adopt, which to avoid, and which ones are the real deal?

We’ve outlined five practices to start implementing today.

1. Use decodable readers.

Early readers need regular practice with grade-level text . Learning to read is not innate and must be taught through explicit, systemic instruction. Early readers need regular practice with grade-level text, especially text that’s connected to each day’s phonics instruction to helps students apply what they’ve learned.

Move away from level readers and curricula that have:

  • A focus on predictable text or below-grade-level text.
  • Decodable readers that don’t follow a clear phonics scope and sequence aligned to instruction.

2. Provide all students with dedicated phonics instruction.

Learning to read is not an innate skill. It must be taught through explicit, systematic instruction. An effective approach to phonics instruction provides enough time for teaching, application, and practice.

Shift from mini-lessons and curricula that have: 

  • Phonics instruction given only on an as-needed basis. When phonics is on an as-needed basis, students don’t get what they need to prevent reading difficulty.
  • Students alternating between limited phonics, guided reading, writing, and vocabulary practice in a mini-lesson.

3. Help students with phonics-based scaffolds.

Learning to decode builds neural pathways that are critical to automatic reading. Students need practice sounding out words, not doing guesswork.

Transition away from three-cueing or word guessing and curricula that have:

  • Prompts that encourage students to guess through three-cueing (e.g., “What word would make sense,” “what’s in this picture”).
  • Predictable books that enable pattern memorization.

4. Teach content.

Language comprehension is as important as decoding. The more background knowledge students receive, the more prior knowledge and vocabulary they can bring to texts.

Limit use of isolated comprehension strategies and curricula that have:

  • Limited time spent on each topic, or isolated topics introduced without connection to each other.
  • Comprehension skill practice without a strong content foundation (e.g., asking students to “find the main idea” or “determine the author’s purpose” in disconnected texts).

5. Follow a clear instructional path.

Clear instructional paths offer explicit guidance and cohesive structure, the most beneficial—yet overlooked—elements of teaching reading effectively. A definitive instructional path (rather than a patchwork) enables components to build upon each other. This gets students the support they need right away, so they don’t have to wait for intervention.

Withdraw from “choose your own adventure” models and curricula that have:

  • A model that provides multiple instructional pathways, which often lead to inconsistencies.
  • So many pieces to their programs that it’s unclear how to implement each effectively.

5 ways to shift from balanced literacy to the Science of Reading

The Science of Reading is a big deal. We’re serious when we say that literacy instruction based on the Science of Reading can change lives, and we’re not the only ones.

Our friends at the Reading League say that instruction based on the Science of Reading “will elevate and transform every community, every nation, through the power of literacy.”

So it stands to reason that shifting to a Science of Reading curriculum is a pretty big deal, too. It’s not a light lift or a quick fix, and that makes total sense.

That’s why we want to help you make the shift. And actually, shifts.

Any big change is best done gradually. That’s why we’ve identified five key shifts in reading instruction that will set you on the path to transforming your classroom(s)—and your students’ futures.

The science of teaching reading

But first, a quick refresher.

As you likely know, the Science of Reading refers to the pedagogy and practices proven by extensive research to effectively teach children how to read. Learning to read is not innate and must be taught—and evidence from numerous studies tells us how.

This is where a Science of Reading-based approach differs fundamentally from a balanced literacy approach.

Balanced literacy can have several meanings, but generally it refers to instruction that focuses on a combination of shared reading, guided reading, and independent reading, with foundational skills typically not emphasized and rarely taught systematically.

While researchers are always learning new things and updating their understanding about literacy instruction, we do now know more than ever about how the brain learns to read and what methods are most effective in teaching reading. The conclusion? With explicit, systematic instruction, the vast majority of students can learn to read at or near grade level. That instruction must include phonics, phonemic awareness, fluency, vocabulary, and comprehension, with an emphasis on background knowledge. There is a lot of information to learn. What’s the best way to funnel it into daily classroom instruction? The answer is gradually.

Five incremental shifts from balanced literacy to the Science of Reading

Let’s explore the changes you can make today as you explore and implement true Science of Reading instruction.

  1. Use decodable readers, not leveled readers. Decodable readers—simple books that focus on the letter-sound correspondences that students have learned—support students in developing their phonics knowledge, rather than guessing or using picture cues. They support the systematic approach to instruction aligned with the Science of Reading, and they can even replace a workshop model with guided reading and leveled readers or predictable text.
  2. Provide all students with dedicated, systematic phonics instruction, not mini-lessons or isolated phonics instruction. Effective phonics instruction—for every student—takes time and is deliberately sequenced. (At least 60 minutes a day is required for solid, systematic foundational skills development.) Phonics instruction should also be part of a comprehensive Science of Reading approach to literacy instruction (as part of your core curriculum) versus taught as part of a disconnected program.
  3. Help students with phonics-based scaffolds, not three-cueing or word guessing. This is the part where learning to decode actually rewires students’ brains for reading. It requires that you provide scaffolds and ask students to practice sounding it out rather than responding to context clues. Spend your time on this approach, rather than on reading predictable books that make it easy for kids to spot and memorize patterns.
  4. To build comprehension skills, develop students’ knowledge. The Science of Reading shows that literacy skills grow best on a foundation of knowledge. In other words, the more you know, the easier and faster you can understand texts you encounter in the world. Spend two or three weeks on focused literary, social studies, and science topics. The topics should build on each other and deepen understanding and vocabulary. This approach can replace studying disconnected topics and practicing comprehension skills (exercises where students find the main idea or determine the author’s purpose) without attention to background knowledge.
  5. Follow a clear instructional path, not a choose-your-own-adventure model. The Science of Reading supports a path over patchwork approach. A cohesive curriculum with explicit guidance is the most beneficial—yet overlooked—element of teaching reading effectively. It can replace an approach with multiple instructional pathways and moving parts, and it gives every student the support they need now without waiting for intervention.
Listen to the podcast now

Learn more

Landing page for ebook

Science of Reading webinars 

Science of Reading microsite

Science of Reading: The Podcast

5 strategies to transform your math classroom

Want to shift your math teaching practices this year, but not sure where to start? That’s a good problem to have! 

You can boost your instruction this fall with problem-based learning, technology in the math classroom, and more—all in ways that put students at the center. 

“All students need the opportunity to feel like they can figure out mathematics,” says Jennifer Bay-Williams, Ph.D., an author and professor of mathematics education at University of Louisville. “That’s where they develop a math identity, [the idea] that they can do math. And they start feeling like, ‘I can figure this out.’” 

Bay-Williams spoke at our 2024 Math Symposium, along with other thought leaders and expert educators. Keep reading to see how their key takeaways can help you shift your math instruction this school year!

Center student ideas in a collaborative math classroom

Amplify Math Suite Executive Director Kristin Gray had great tips for teachers looking to center student ideas in the classroom. Simply put, it’s all about helping them make several types of connections. These can include any of the following: 

  • Connecting students’ classroom math experiences to real life
  • Connecting math ideas to one another
  • Connecting their ideas to the ideas of their classmates 

How do teachers foster these important connections? That’s where problem-based lessons come in. Rather than teaching a concept or formula in isolation, then having students practice it, try inviting students to collaborate on a real-life problem that will lead them to that math idea. (For example, you might ask them to work on designing a small traffic or subway system that requires developing ideas about distance, rate, and time.)

As a result, students build problem-solving skills collaboratively, feel their ideas are valued, develop their own ways to make math make sense, and learn from and with each other. Teachers also get to know and appreciate the different backgrounds and styles students bring to the classroom, opening up new opportunities for engagement—and connection. 

Reimagine student engagement

No matter how engaging you are as a teacher, it’s typically students who drive engagement—and that’s actually good news. You don’t have to reinvent the wheel or do somersaults to get their attention. In fact, a lot of engagement comes from creating routine and familiar opportunities for connection. And it can also come from allowing students to make mistakes. 

“We want all students to have an entry point into [math] tasks,” notes Amplify STEM Product Specialist James Oliver. “Those students that seem to always feel like they don’t fit or don’t have the identity in that math classroom, we want them to immediately have successes and have their curiosities tested.” Successes—and productive failures. “What we’ve learned is, you are not firing any synapses, nothing’s happening if you’re just getting it immediately correct.”

Nurture student curiosity

Which is better: letting students dive into a box of LEGO pieces to see what happens, or providing a step-by-step guide to building the airplane? 

It’s actually a tie. In both structured and loose approaches, the key is to spark curiosity and communication. “If we want them to be mathematicians, we should let them talk about math,” says Amplify Director of 6–12 Core Math Curriculum Kurt Salisbury, Ph.D. Here’s his 3D approach:

DISCOVER
Discovering the relationships among mathematical ideas is a key part of mathematical thinking. 

DESCRIBE
Students communicate their mathematical thinking by describing the processes, procedures, or relationships needed to work with a concept or pattern. 

DEVELOP
When students develop a strategy they can apply to a variety of contexts, their math thinking gets validation and purpose.  

So whether you lean into a more structured approach or prefer to let kids figure the LEGOS out themselves, small mindset changes like these can create more space for your students to discover, describe, and develop as mathematicians.

Make math fluency fun 

As with someone fluent in a language, someone fluent in math is able to think and calculate mathematically without struggle or effort—that is, with fluidity. 

In order to think and calculate fluently, students need to build a toolbox of strategies—and games are a great way to do that. 

While you’re making the learning fun, students are absorbing tools they’ll use throughout their lives. “When we ensure that every student has access to a range of strategies, and has regular opportunities to choose among those strategies, that’s what games do for us.” says Bay-Williams.

Elevate student voices 

When student thinking isn’t explicitly invited into the classroom, students may begin to narrow their focus, providing merely what they think their teacher wants to hear. But given genuine invitations to share, students are more likely to follow their thought process wherever it leads them, taking a more organic approach to problem-solving.

“Taking a step back as a teacher, and inviting students to take a step forward, [activates] students getting started with finding the answer,” says Stephanie Blair, vice president of Desmos Coaching. “And all of them might take a different step forward, which is okay.”

It’s time for math that does more for students

“All students need the opportunity to feel like they can figure out mathematics,” says Bay-Williams. We need to connect with our students, nurture their curiosity and comfort with math, and welcome their unique ways of thinking.

We hope the thought leaders and speakers from our Math Symposium have inspired you to do just that!

Our Instructional model

The Amplify Science program is rooted in the proven, research-based pedagogy of Do, Talk, Read, Write, Visualize. Here’s how each element works:

DO
First-hand investigations are an important part of any science classroom, and Amplify Science has students getting hands-on in every unit, from building models of protein molecules to experimenting with electrical systems.

TALK
Student-to-student discourse and full class discussions are an integral part of the program. Students are provided with numerous opportunities to engage in meaningful oral scientific argumentation, all while fostering a collaborative classroom environment.

READ
Students read scientific articles, focusing their reading activities on searching for evidence related to their investigation, and importantly, on asking and recording questions as they read through fascinating texts on 21st-century topics.

WRITE
Following real-world practices, students write scientific arguments based on evidence they’ve collected, making clear their reasoning about how a given piece of evidence connects to one of several claims.

VISUALIZE
By manipulating digital simulations and using modeling tools to craft visualizations of their thinking— just as real scientists and engineers do—students take their learning far beyond the confines of what they can physically see in the classroom in an exciting and authentic way.

Scope and sequence

GRADE

UNITS

Kindergarten

  • Needs of Plants and Animals
  • Pushes and Pulls
  • Sunlight and Water

Grade 1

  • Animal and Plant Defenses
  • Light and Sound
  • Spinning Earth

Grade 2

  • Plant and Animal Relationships
  • Properties of Materials
  • Changing Landforms

Grade 3

  • Balancing Forces
  • Inheritance and Traits
  • Environments and Survival
  • Weather and Climate

Grade 4

  • Energy Conversions
  • Vision and Light
  • Earth’s Features
  • Waves, Energy, and Information

Grade 5

  • Patterns of Earth and Sky
  • Modeling Matter
  • The Earth System
  • Ecosystem Restoration

GRADE

UNITS

Grade 6

  • Launch: Microbiome
  • Metabolism
  • Metabolism Engineering Internship
  • Thermal Energy
  • Plate Motion
  • Plate Motion Engineering Internship
  • Rock Transformations
  • Weather Patterns
  • Ocean, Atmosphere, and Climate

Grade 7

  • Launch: Harnessing Human Energy
  • Phase Change
  • Phase Change Engineering Internship
  • Magnetic Fields
  • Earth’s Changing Climate
  • Earth’s Changing Climate Engineering Internship
  • Chemical Reactions
  • Populations and Resources
  • Matter and Energy in Ecosystems

Grade 8

  • Launch: Geology on Mars
  • Earth, Moon, and Sun
  • Light Waves
  • Force and Motion
  • Force and Motion Engineering Internship
  • Traits and Reproduction
  • Natural Selection
  • Natural Selection Engineering Internship
  • Evolutionary History

Charlotte of diocese standards alignment

Amplify Science was designed from the ground up. The guidance below is meant to provide support for integrating additional companion activities that support the students of the Charlotte of Diocese.

Organized by grade level, each section below will show:

  • The standard being addressed with the activities; 
  • The recommended placement of the activities within a specific Amplify Science unit; and 
  • PDFs of any accompanying materials that are necessary to implement the activities.

Coming Soon!

Coming Soon!

What’s included

Science articles
The middle school science articles serve as sources for evidence collection and were authored by science and literacy experts at the Lawrence Hall of Science.

Student Investigation Notebooks
Available for every unit, the Student Investigation Notebooks provide space for students to:

  • Record data
  • Reflect on ideas from texts and investigations
  • Construct explanations and arguments

Available with full-color article compilations for middle school units.

Digital student experience
Students access the digital simulations and modeling tools, as well as lesson activities and assessments, through the digital student experience. Students can interact with the digital student experience as they:

  • Conduct hands-on investigations
  • Engage in active reading and writing activities
  • Participate in discussions
  • Record observations
  • Craft end-of-unit scientific arguments

Teacher’s Guides
Available digitally and in print, the Teacher’s Guides contain all of the information teachers need to facilitate classroom instruction, including:

  • Classroom Slides
  • Detailed lesson plans
  • Unit and chapter overview documentation
  • Differentiation strategies
  • Standards alignments
  • In-context professional development

Hands-on materials kits
Hands-on learning is at the heart of Amplify Science. Each unit kit contains:

  • Consumable and non-consumable hands-on materials
  • Print classroom display materials
  • Premium print materials for student use (sorting cards, maps, etc.)

Looking for help?

Powerful (and free!) pedagogical support

Amplify provides a unique kind of support you won’t find from other publishers. We have developed an educational support team of former teachers and administrators who provide pedagogical support for every Amplify curriculum, assessment, and intervention program. This service is completely free for all educators who are using our programs and includes:

  • Guidance for developing lesson plans and intervention plans
  • Information on where to locate standards and other planning materials
  • Recommendations and tips for day-to-day teaching with Amplify programs
  • Support with administering and interpreting assessment data and more

To reach our pedagogical team, use our live chat within your program, call (800) 823-1969, or email edsupport@amplify.com

Timely technical and program support

Our technical and program support is included and available from 7 a.m. to 7 p.m. ET, Monday through Friday, through a variety of channels, including a live chat program that enables teachers to get immediate help in the middle of the school day.

For your most urgent questions:

  • Use our live chat within your program
  • Call our toll-free number: (800) 823-1969

For less urgent questions:

Email support

Contact us

Contact your South Carolina team representatives:

Jennifer Eason

Senior Account Executive

jeason@amplify.com

Tom Gantt

District Manager

tgantt@amplify.com

Welcome, Ohio educators!

Thank you for taking the time to review Amplify’s CKLA resources for K–5.

Amplify Core Knowledge Language Arts® (CKLA) is an effective core literacy resource for students in grades K–5 and is aligned to Ohio’s Rule for Phonics. CKLA was developed in partnership with the Core Knowledge Foundation and was specifically designed to help teachers implement proven evidence-based instructional practices.

Click here for correlations to the Ohio Learning Standards for English Language Arts.

Click here to view Amplify CKLA’s Alignment to Ohio’s “Shifting to the Science of Reading” Framework.

Illustration featuring diverse cultural and historical elements like an african woman, an egyptian sphinx, a space rocket, and urban and natural landscapes under a starry sky.

Recognized Quality

Amplify CKLA is one of only a few high-quality, knowledge-building literacy curricula recognized by the Knowledge Matters campaign. Our shared message: Background knowledge is essential to literacy and learning.

A diagram showing "Knowledge x Skills = Amplify CKLA," with Knowledge as language comprehension, Skills as word recognition, and Amplify CKLA as skilled reading. Knowledge Matters badge included.

Independently and rigorously reviewed

Amplify CKLA not only received an all-green rating from the rigorous evaluators at EdReports, but it was also recently recognized by the Knowledge Matters Campaign as a literacy program that excels in building knowledge.

Read our EdReports review Read our Knowledge Matters review

Intentional knowledge-building

The Science of Reading reveals knowledge as an essential pillar of reading comprehension and lifelong literacy. Hear from author Natalie Wexler and CKLA customers on edWebinar about the importance of knowledge-building in reading instruction.

Hear from Natalie Wexler edWebinar Links

Designed for Ohio

We know there are several different paths you can take when implementing a Science of Reading program in your district:

  • Prekindergarten
  • K-2 Core No Foundational Skills
  • K-2 Supplemental Foundational Skills
  • K-2 Core Comprehensive English Language Arts
  • 3-5 English Language Arts

To learn how Amplify CKLA supports each one of these paths, click here.

Una escena histórica muestra gente afuera de una gran mansión de estilo colonial con dos chimeneas. En primer plano se ve un carruaje tirado por caballos y a la izquierda se ve una casa más pequeña.
A man in a suit reads a book to a group of young children seated on a colorful rug in a classroom with a large clock displayed on a screen.

PreKindergarten

Amplify CKLA PreK easily fits into any class routine, with 45 minutes of interac…

A collection of colorful, spiral-bound and softcover educational books featuring illustrated covers arranged on a white surface.

K-2 Core No Foundational Skills

The most extensive and robust knowledge-building sequence that builds within and…

A collection of educational books, workbooks, flashcards, and teaching materials with red and white covers displayed on a white background.

K-2 Supplemental Foundational Skills

Amplify CKLA Skills is a comprehensive foundational skills program offering expl…

A collection of educational workbooks, activity books, and other printed learning materials arranged neatly on a white surface.

K-2 Core Comprehensive English Language Arts

In grades K–2, students complete one lesson that builds foundational reading ski…

A collection of educational books, workbooks, and cards displayed in front of a box labeled “Eureka!” with various illustrations and diagrams on the covers.

3-5 English Language Arts

In Amplify CKLA grades 3–5, lessons begin to combine skills and knowledge with i…

Program Overview

Amplify CKLA is a core ELA program for grades K–5 that delivers:

  • A unique research-based approach truly built on the Science of Reading.
  • A combination of explicit foundational skills with meaningful knowledge building.
  • Embedded support and differentiation that gets all students reading grade-level texts together.
  • Opportunities for students to see the strengths and experiences that all people share while also celebrating each others’ unique identities and experiences.
  • Authentic Spanish language arts instruction with Amplify Caminos.

Amplify CKLA for Grades K–2

After watching the K–2 video below, scroll down to learn even more, download resources, and access a demo.

Amplify CKLA for Grades 3–5

After watching the 3–5 video below, scroll down to learn even more, download resources, and access a demo.

How it works

Amplify CKLA teaches both foundational skills and background knowledge in K–2 and combines them in 3–5, as required by the science of reading.

  • In grades K–2, students complete one full lesson that builds foundational reading skills, as well as one full lesson that builds background knowledge.
  • In grades 3–5, student complete one integrated lesson that combines skills and knowledge with increasingly complex texts, close reading, and a greater writing emphasis.
Download CKLA Program Guide
A flowchart showing word recognition and language comprehension strands intertwining to form skilled reading, with progression labeled as increasingly automatic and strategic.

Rich topics

Amplify CKLA builds knowledge coherently across subjects and grades.

Students make connections from year-to-year by exploring grade-appropriate subject-area knowledge and vocabulary in history, science, literature, and the arts while learning to read, write, and think creatively and for themselves.

Illustration showing diverse cultural representations: two native american figures, a bear in a forest, and a medieval european woman, all set against colorful abstract backgrounds.

Units by grade

Take a closer look at the topics students explore.

New! Knowledge Research Units

Explore our newly added Knowledge Research units.

Skills by grade

Take a closer look at the skills students develop.

Diverse text

Amplify CKLA puts a variety of texts in the hands of students every day to build and strengthen background knowledge and vocabulary, listening and reading comprehension, and decoding and fluency skills.

More than that, we ensure the texts students read represent the world around them. With a diverse range of authors, topics, and characters, all students have ample access to both windows and mirrors. Our texts include:

  • authentic books.
  • authentic text passages.
  • student readers.
  • novel guides (grades 3–5).

Grade K Text List

Grade 1 Text List

Grade 2 Text List

Grade 3 Text List

Cartoon people of varied ages and backgrounds enjoy a city park; some play music, others relax or interact, with buildings and trees in the background.

Grade 4 Text List

A girl writes at her desk, imagining herself graduating in cap and gown, with a thought bubble showing her smiling and holding a diploma.

Grade 5 Text List

Aligned to LETRS and Orton Gillingham

Amplify CKLA aligns with the instructional principles recommended by Orton Gillingham and LETRS.

  • Structured–Concepts are taught through consistent routines
  • Sequential–Concepts are taught in a logical, well-planned sequence
  • Systematic–Phonemes are taught from simplest to most complex
  • Explicit–Decoding and encoding concepts are taught directly and explicitly
  • Multi-sensory–Instruction is delivered through visual, auditory, and kinesthetic-tactile pathways
  • Cumulative–Concepts are applied in decodable, connected texts with constant review and reinforcement
Diagram showing parallel strands labeled with reading skills and knowledge merging together into a single twisted line labeled "Integration.

CKLA Skills sequence for K–2

Diagram showing parallel strands labeled with reading skills and knowledge merging together into a single twisted line labeled "Integration.

CKLA Skills sequence for 3–5

Universal access

We believe we have a responsibility to provide literacy instruction that gives every student the same opportunity to succeed and excel.

We know that early reading affects achievement throughout school and beyond—well into college and career. Yet most literacy programs continue to fall short of supporting early literacy success. That’s why we’re so proud that CKLA is helping close the reading gap between students within diverse communities.

A boy with glasses smiles while reading a book, with illustrated objects like a telescope, gourd, and cartoon insect in the background.
Un grupo de jóvenes estudiantes se sientan muy juntos y miran atentamente hacia arriba. Algunos de los niños visten atuendos coloridos, incluida una niña con un hijab azul. Parecen estar en un salón de clases.

Grades K–2: Supporting all learners

Un grupo de niños sentados alrededor de un escritorio, sonriendo y riendo mientras miran una computadora portátil. Un adulto está cerca y también sonríe.

Grades 3–5: Supporting all learners

Complete curriculum

A strong literacy program is not just about a reading program or an assessment tool: it brings together curriculum, instruction, regular practice, intervention, and assessments.

Amplify has brought these components together in our early literacy suite of curriculum, ensure that you have what you need for multi-tiered support.

Un adulto y un niño se sientan en una mesa y usan juntos una tableta. El adulto viste un top floral amarillo y el niño, vestido con un traje azul marino y blanco, señala la pantalla.

CKLA and mCLASS

CKLA connects to our comprehensive diagnostic universal screener called mCLASS.

Dos niñas están sentadas en una mesa, mirando juntas la pantalla de una computadora portátil en un salón de clases. Al fondo se ven estanterías con libros y materiales de clase.

CKLA and Boost Reading

CKLA connects to our adaptive reading practice program called Boost Reading.

Un grupo de niños sentados alrededor de un escritorio, sonriendo y riendo mientras miran una computadora portátil. Un adulto está cerca y también sonríe.

CKLA and Language Studio

CKLA aligns with Language Studio–our ELD companion program for grades K–5.

CKLA and Writing Studio

CKLA aligns with Writing Studio–our writing companion program for grades K–5.

Science of Reading Resources

Watching students learn to read: magic. Knowing how they get there: science.

As you consider your next core ELA program, it’s critically important to understand what the Science of Reading really means and what it tells us about how to teach more effectively. Unlike other programs, Amplify CKLA was built upon these insights and practices, making it easier for teachers to implement this proven approach.

Explore Science of Reading Handbook
A girl runs outdoors holding a kite with colorful ribbons labeled knowledge, vocabulary, sentences, connections, gist, sounds, letters, and words.

Access demo

Ready to explore on your own? Follow the instructions below to access your demo account.

Explore the CKLA Teacher Digital Site

First, watch the quick navigation video to the right. Then follow the directions below:

  • Click the CKLA Teacher Digital Site button
  • Select Log in with Amplify.
  • Enter this username: t1.cklareviewohio@demo.tryamplify.net
  • Enter this password: Amplify1-cklareviewohio
  • Select the desired grade level
Access CKLA Teacher Digital Site

Explore the CKLA Student Digital Site

To access the student digital site follow the directions below:

  • Click the CKLA Student Digital Site button
  • Select Log in with Amplify.
  • Enter this username: s1.cklareviewohio@demo.tryamplify.net
  • Enter this password: Amplify1-cklareviewohio
  • From the Home page, scroll down to the robot and “Click to go to the Hub“
  • From the Hub, click the Grade button to select the grade.
Access CKLA Student Digital Site

Welcome, Minnesota educators!

Thank you for taking the time to review Amplify’s CKLA resources for K–5.

Amplify Core Knowledge Language Arts® (CKLA) is an effective core literacy resource for students in grades K–5. CKLA was developed in partnership with the Core Knowledge Foundation and was specifically designed to help teachers implement proven evidence-based instructional practices. CKLA is all green on EdReports- read the full review on EdReports.org.

Click here for correlations to the Minnesota Learning Standards.

Illustration featuring diverse cultural and historical elements like an african woman, an egyptian sphinx, a space rocket, and urban and natural landscapes under a starry sky.

Virtual presentations

Amplify CKLA for Grades K–2

Amplify CKLA for Grades 3–5

About CKLA

Amplify CKLA is a core ELA program for grades K–5 that delivers:

  • A combination of explicit foundational skills with meaningful knowledge-building.
  • Embedded support and differentiation that get all students reading grade-level texts together.
  • Opportunities for students to see the strengths and experiences that all people share while celebrating each others’ unique identities and experiences.
  • Authentic Spanish language arts instruction with Amplify Caminos.
A young girl with a braid smiles while leaning on a desk, with whimsical illustrations of a bear, buildings, and plants in the background.

Program effectiveness

How it Works

Amplify CKLA teaches both foundational skills and background knowledge in grades K–2 and combines them in 3–5.

  • In grades K–2, students complete one full lesson that builds foundational reading skills and one full lesson that builds background knowledge.
  • In grades 3–5, students complete one integrated lesson combining skills and knowledge with increasingly complex texts, close reading, and a greater emphasis on writing
Illustration of ancient civilizations featuring pyramids, a pharaoh’s head, farmers plowing with oxen, animals, and traditional structures under a sunny sky.

CKLA Program Guide

Illustration showing a person painting by a window, bees and a grasshopper among sunflowers, a pyramid, and two children floating on a globe with books and planets.

Caminos Program Guide

Cover of a booklet titled "Assessment sampler Grades K–5" with colorful illustrations of animals, a woman, and nature at the bottom.

Assessment

What students Explore

Amplify CKLA builds knowledge coherently across subjects and grades.

Students make connections from year to year by exploring grade-appropriate subject-area knowledge and vocabulary in history, science, literature, and the arts while learning to read, write, and think creatively and for themselves.

Download the at-a-glance resources below to learn more.

What students read

Amplify CKLA puts a variety of texts in the hands of students every day to build and strengthen background knowledge and vocabulary, listening and reading comprehension, and decoding and fluency skills.

A comprehensive approach to literacy instruction requires students to have a wide range of text experiences, including reading, listening, discussing, and writing. Check out our text complexity guide to learn more by clicking here. Most questions, tasks, and assignments in CKLA materials are text-dependent. See how we use questioning and analysis skills to help students understand text in CKLA here.

More than that, we ensure the texts students read represent the world around them. With a diverse range of authors, topics, and characters, all students have ample access to both windows and mirrors. Our texts include the following:

  • Authentic books
  • Authentic text passages
  • Student Readers
  • Novel Guides (grades 3–5)

Download a list of K-5 student texts.

Six children's book covers arranged in two rows, featuring colorful illustrations of animals, people, and nature. Titles include "Rain Player," "A More Perfect Union," and "The Busy Body Book.

Supports LETRS

Amplify CKLA aligns with the instructional principles recommended by LETRS.

  • Structured: Concepts are taught through consistent routines.
  • Sequential: Concepts are taught in a logical, well-planned sequence.
  • Systematic: Phonemes are taught from simplest to most complex.
  • Explicit: Decoding and encoding concepts are taught directly and explicitly.
  • Multi-sensory: Instruction is delivered through visual, auditory, and kinesthetic-tactile pathways.
  • Cumulative: Concepts are applied in decodable, connected texts with constant review and reinforcement.
Diagram showing parallel strands labeled with reading skills and knowledge merging together into a single twisted line labeled "Integration.

CKLA Skills sequence for K–2

Diagram showing parallel strands labeled with reading skills and knowledge merging together into a single twisted line labeled "Integration.

CKLA Skills sequence for 3–5

Title page with the text: "Crosswalk for Core Knowledge Language Arts and LETRS Suggested Scope and Sequence," with some headings in orange and gray.

Amplify CKLA and LTRS Crosswalk

A comprehensive and cohesive solution

A strong literacy program is more than a reading program or an assessment tool: it combines curriculum, instruction, regular practice, intervention, and assessments.

Amplify has brought these components together in our early literacy curriculum suite to ensure you have what you need for multi-tiered support.

Infographic describing a cycle of K–5 literacy solutions: mCLASS screening, Amplify CKLA instruction, digital and staff-led interventions, and professional development within an early literacy suite grounded in the science of reading.
A teacher using a tablet alongside a student

CKLA and mCLASS®

CKLA aligns with our mCLASS® with DIBELS 8th Edition, Amplify’s comprehens…

Two young girls, one with braided hair and the other with blonde hair, smiling and looking at a laptop screen in a classroom.

CKLA and Boost Reading

Boost Reading provides literacy acceleration and remediation for your students.

Trial Access

Ready to explore on your own? Follow the instructions below to access your demo account.

Explore CKLA’s digital site:

Go to my.amplify.com
Select Log in with Amplify
Teacher login: t1.mde-mn@demo.tryamplify.net
Password: Amplify1-mde-mn
Select the CKLA icon and your desired grade level

Screenshot of the CKLA curriculum webpage displaying a list of materials, including Activity Book, Teacher Guide, Answer Key, and other educational resources.

Additional Resources

Check out the information below to learn more about Amplify CKLA and see how Amplify CKLA is impacting classrooms all over the country.

Welcome, K–5 Atlanta Public Schools!

To view this protected page, enter the password below:



S2-05: Moving students forward with project-based learning

A promotional image for the podcast "Science Connections" featuring guest Janis Lodge and the topic "Moving students forward with project-based learning." Season 2, Episode 5.

In this episode, Eric Cross sits with K–5 educator Janis Lodge to chat about building on her own science curriculum to create meaningful project-based learning experiences. Janis shares her work teaching Gifted and Talented Education (GATE), and how to use those practices to help accelerate the learning of all students. Eric and Janis also talk about making time for science within K–5 classrooms. Explore more from Science Connections by visiting our main page.

DOWNLOAD TRANSCRIPT

Janis Lodge (00:00):
To me, the reward of having those kids feel like they accomplished something and the way that they can take ownership of it and go in so many different directions, I cannot take that away from them. That’s such an opportunity that if I have the means to do it, I have to just take it and run with it.

Eric Cross (00:18):
Welcome to Science Connections. I’m your host, Eric Cross. My guest today is Janis Lodge. Janis is a third-grade teacher in Orange County, California, with a specialization in gifted and talented education. Recently, Janis was awarded the Orange County Council for the Gifted and Talented Education Classroom grant. This grant funds a project that provides an extension to her third-grade science unit about environments and survival. Through this project, students will think like a biomimicry engineer as they design a robot that is inspired by an innovation found in nature. In this episode, we discuss how she uses interdisciplinary teaching practices to make time for science learning; why gifted and talented education strategies can benefit all students; and her process for creating a problem-based lesson that ultimately earned her a grant for her classroom. And now, please enjoy my conversation with Janis Lodge. One, welcome! Thanks for being here.

Janis Lodge (01:14):
Of course, I am happy to do it. I’m excited for the opportunity.

Eric Cross (01:17):
Of course! Yeah. Elementary school teachers in science, I feel like there’s so many things to have conversations about. And some of the things that you’ve really focused on, I think, are, really, really important. But I wanna start off with your journey of you becoming a teacher in the classroom. And so, would you kind of give your background, your origin story? How did you end up as a third-grade teacher?

Janis Lodge (01:37):
Well, my story is definitely not a traditional story. Before I was a teacher, I was actually living in Maui, Hawaii. I moved there right after college. I went to Chico State in Northern California. And I got a degree in graphic design. And after I graduated, well, I should give a little bit of a backstory. My last summer before graduating, I spent the whole summer in Maui and I just fell in love with it. So when I graduated, I decided instead of applying for jobs in Northern California, I’m just gonna put some resumes out in Maui and see if I can get a job. And I did. I ended up getting a job doing graphic design and marketing for a kite surf company out there. And I ended up just staying for seven years on the island. And after about seven years, I kind of got a little bit of island fever and decided I wanted to come back to California. I wasn’t sure exactly what I wanted to do, but I just had this calling that I need to do something a little more fulfilling with my life. And I started thinking about different ideas and dreams I had. And I actually started thinking about when I was younger, right? I had this dream. If you were to ask me when I was 10 years old what I wanted to be when I grow up, it would be elementary school teacher.

Eric Cross (02:48):
Really?

Janis Lodge (02:48):
Believe it or not. When I was younger, I transformed my bedroom into a classroom. My stuffed animals were my students. I just thought I’m gonna be the next best teacher ever. And you know, as I went through life and kind of went in different directions, I kind of lost sight of that dream a little bit. But for some reason, when I decided to change careers, I just remembered that. And so I just decided to go get my teaching credential and see if it worked out. And it was probably the best decision I made. I feel like everything just fell perfectly into place. I ended up getting a job at an amazing school, and now, five years later, I’m a third grade teacher.

Eric Cross (03:28):
So one of the questions I have to ask, and talking to elementary school teachers, this comes up a lot: How do you make time for science as an elementary school teacher who’s teaching everything? And let me kind of premise this with, at least for those of us in California, and I’m sure the rest of the states too, but we know this; There’s kind of this pressure with pacing and then even, depending on what school you’re at, math and English tend to get the bulk of things. And maybe there’s this perception also of like, well, I gotta teach math and English, and sometimes science gets put to the back burner for different reasons.

Janis Lodge (03:57):
Well, you’re exactly right. The beginning of the year, we were provided with a pacing from the district. And you know, they try to keep us on track, saying, “You should be starting Unit 2 at this time.” But other than that, there’s really no specific guidelines of how many days we’re supposed to be teaching or for how long. But one kind of secret that I’ve discovered is that I can weave science into the other subjects, specifically with language arts. So quite often what I do is I take a look at the language arts standard, and if it’s identifying the key details and the main idea, well I can do that with the science books used from the curriculum. So I’ll just pull those readers and we’ll do the exact same skill, start with the same standard, but we’ll use the content from science. By doing that, we call that kind of like interdisciplinary study. And the students really enjoy that more, too, because they’re using the same skills but they’re diving deeper into the content.

Eric Cross (04:54):
Right.

Janis Lodge (04:55):
And so also that helps build the background knowledge. So then when it comes to time where, if I want to do a science lab or a science investigation, now they already have that background knowledge ’cause we already dove deep into the reading and they can apply that pretty quickly right away into their lab or whatever activity they’re doing.

Eric Cross (05:12):
Can you give an example maybe of how you might pull out something that might be a skill that you’re trying to develop, maybe in an English content, but you would pull that out in a science lesson, maybe? What would you do?

Janis Lodge (05:25):
We’re actually doing that right now. So we’re in our second unit of science and they’re studying inheritance and traits and they’re looking at different organisms to see how they have adaptations to help them survive in their environment. So coincidentally part of the literacy skills is to look at multiple sources, do research, and summarize and make analysis of what they’re reading. And so we have different varied resources. I have websites; I have books, ebooks, videos, and pictures. And they’re choosing which four sources they want to use. And then, then they’re coming up with a summary at the end and then putting together a Google Slides presentation based on whatever organism that they chose.

Eric Cross (06:05):
Did you have a science background before becoming an elementary school teacher?

Janis Lodge (06:11):
Um, none. Besides what I, you know, took in high school and college.

Eric Cross (06:16):
Did you find it easy to kind of lean into the science, or was it something you just kind of jumped into and said, “All right, I’m gonna get after it”?

Janis Lodge (06:23):
What’s interesting is if, you know, throughout my education, my favorite subjects were English and reading and writing and art. And quite honestly, science wasn’t my favorite subject. But I think because of that, that inspires me to come up with creative ways of presenting the information to them and making it exciting and engaging for them, because I don’t want them to feel that way. I want them to be excited about all subjects. And I think that’s the beauty of combining the different subjects like I mentioned before. Like I say, you know, “What would a scholar do? Think like a wildlife biologist. And like with my project, think like a biomimicry engineer.” And so it kind of shifts their thinking. Like, it’s not just, “Oh, we have to study science.” It’s like, “No, you are the scientist; you are a meteorologist; or you are an author. How would an author write about this? How would an illustrator capture this in a photo or a comic strip?” And so, when you really combine those disciplines, you can take it to another level. So even if science isn’t their favorite subject, like maybe it wasn’t for me growing up, they can still take something they’re passionate about and apply the science content to it and they really resonate with them.

Eric Cross (07:37):
You leaned into your strengths. Which are more like, coming into it, you had all these kind of creative strengths. You have that background as a graphics designer. You were into the arts. But then with those strengths, did that kinda give you more confidence to dive into the science work, because you approached it from your assets that you were already coming to the table with?

Janis Lodge (07:55):
Yeah.You said it perfectly. If you look at it from a different lens, there’s all these different ways you can approach science.

Eric Cross (07:59):
I find it in my own science class, too. We’re all teaching the same standards. But how I approach it is through Eric Cross’s kind of personality and understanding and my angle, and another teacher might do it a different way. But we’re all leading to the same destination.

Janis Lodge (08:14):
Exactly.

Eric Cross (08:15):
That kind of leads me to my next question, and this is having to do with the project that you just alluded to. The biomimicry project. So you did a biomimicry project. Would you consider that like a project based-learning assignment?

Janis Lodge (08:26):
Well, this will be the third year that I’ve taught this unit. And when I wrapped it up last year, it’s through the Amplify Science program, and they do a wonderful job of having a lot of investigations and really thinking like a biomimicry engineer. But the final part of the unit was to design a robot inspired by a giraffe, to eliminate invasive plants in a particular environment. And the project part of it at the end was to create a model using Popsicle sticks and pipe cleaners. And then the other part of it was a digital simulation where they would put in different shape structures of teeth, and kind of reconfigure the shape of the mouth. And then they’d put in what they think is effective, and then the computer would say, oh, you’re 98% successful or 70% successful. And I remember at the end of it the students were like, “OK, well when do we make the robots?” And I thought, “Well, we’re just doing the simulation, or we’re just doing this model out of Popsicle sticks; we’re not actually gonna make a robot.” And they just seemed so disappointed. And that’s kind of how the wheels started turning my head like, “Well, what if they actually could make a robot? The only thing stopping me is I don’t have the materials to do it.” So, shortly after that unit wrapped up, coincidentally I saw the email about this grant opportunity that was being offered through the Orange County Council for Gifted Education. And they said, If you have a project that you wanna get funded that would promote GATE strategies within the classroom, then you can submit this proposal. So that’s how the ball got rolling for that proposal. And I researched different robotics kits and different companies and I found one that was really user-friendly for third graders, and not so difficult for me to learn as well.

Eric Cross (10:10):
You’re a risk taker. Like, I’m already seeing this as I’m talking to you. Is that just who you are or do you have a network? Like what keeps you taking these risks?

Janis Lodge (10:18):
I don’t really consider it a risk, because it’s exciting for me. Like I said, I don’t know that much about robotics, but the idea of learning more and then teaching that to my students is exciting. And you know, there was a little bit of risk ’cause I’m deviating a little bit from the curriculum, from the standard lesson, but to me, the reward of having those kids feel like they accomplished something, and the way that they can take ownership of it and go in so many different directions, and on top of that, develop coding skills and computer science skills and robotic skills, to me it was just like I cannot take that away from them. That’s such an opportunity that if I have the means to do it, I have to just take it and run with it. So I think just being inspired by the potential outcomes of what could happen is what made me take that risk.

Eric Cross (11:05):
Did you just kind of create this from scratch? Did you work with a team of people? How did you come to the point where you were ready to present this for the grant?

Janis Lodge (11:12):
Pretty much from scratch. Like I said, the Amplify unit, it does teach them about robotics that were inspired by nature. So some of the materials that they read, and there’s some videos that show really great examples. There’s like a robotic arm that was inspired by an elephant trunk. There’s a book that shows what this field is, biomimicry engineer, they actually show like what they do in that field. And I thought this is a perfect way to apply it because the curriculum’s already pretty much set it up for me; now I just have to add this one final component to it. And essentially it becomes project-based learning at that point, because they’re taking their knowledge and their skills that they’ve learned up to that point. Even the unit that we’re doing doing right now is building up to it. So it’s kind of that final—instead of giving them a test at the end and saying, “OK, tell me what you learned about inheritance and traits and environments,” they can actually take that knowledge and apply it to an innovation or creation that comes out of their own mind, which is so much more powerful.

Eric Cross (12:11):
Do they connect to any other learning goals as they’re doing these projects?

Janis Lodge (12:15):
Well, I think first and foremost, the 21st century skills that from day one I tell them, the four Cs: collaboration, creativity, communication, and critical thinking. All of those are woven in through this lesson. From the beginning, we talked about the whole engineering design process. So from the beginning, they start with a question and oftentimes that actually can be the hardest for them to think about, “What’s a scientific question or a problem that I wanna solve?” If they’re passionate about, maybe, a sport or the environment or something within their school, I go, “There it is. OK, that’s the problem. How can you design something inspired by nature to solve that problem?” And then, from there they go into the planning and the designing and the testing and then the improving. So going through that engineering design process, I think, is what really makes them feel like they are the engineer going through this. And they can make mistakes. They can take risks. A lot of my students I’ve found are afraid to take risks. They wanna make sure they succeed. And they need that challenge to know that if they do fail, that’s OK. We can just revisit this. We can test it. We can look at it in a different way.

Eric Cross (13:27):
You maybe wonder about, how do you assess something like this?

Janis Lodge (13:30):
I think that’s where all those stages along the way are important. Because I wanna make sure that they have a plan and that it’s based on the knowledge that they’ve gained in the unit. I think one of the other things about project-based learning is the final product of how they demonstrate their mastery. And in my classroom I oftentimes give them a choice of how they’re gonna present that to me. So maybe they’re going to write it out like an essay. Maybe they’re gonna create a Google slide. Maybe they’re gonna make a video. Maybe they’re going to—obviously in this part they will have the model, but they’ll have to have some way to explain it to me. And I think giving them that choice gives them the opportunity to show it in the way that’s meaningful to them.

Eric Cross (14:14):
And are you using like a rubric when you’re grading these assignments? Or, how do you actually grade it?

Janis Lodge (14:20):
Yes. So we have a rubric that’s provided to us for the written component that all the students will do at the end. But I can take that same rubric and see if they’ve applied that to the project. So even the verbiage wouldn’t really need to change. I think it’s still important that the students are able to demonstrate this in written form and so all of them will still complete that written component, but to also give them the opportunity to show that in the modality of their choice. I think is really important too.

Eric Cross (14:48):
Right. And you have some students that feel much more comfortable being able to present orally versus—

Janis Lodge (14:53):
Exactly.

Eric Cross (14:53):
—versus writing versus maybe doing a video. I mean, we see that in middle school and in high school too. Students show their knowledge or their understanding of a topic depending on the medium in different ways, and some better than others. Some may find that they can communicate it a lot better orally, but when pen goes to paper or fingers go to keyboard, you might grade it completely different, ’cause they’re not able to transfer what’s in their mind into writing. And the way you’re doing it, and giving that student choice, they probably have so much more buy-in, I’d imagine, because they get to pick what they get to do.

Janis Lodge (15:21):
Right.

Eric Cross (15:22):
You said something earlier and I wanna come back to it. So you mentioned GATE, and GATE is not something that I hear a lot in my world, but it was something I heard a lot when I was in school. There were kind of all of these perceptions and ideas about GATE. You’re a GATE teacher, correct?

Janis Lodge (15:38):
Right.

Eric Cross (15:39):
What is GATE, and what is it like being a GATE teacher? What are the misconceptions, if any, that you might have heard or come across?

Janis Lodge (15:46):
Well, so GATE stands for Gifted and Talented Education. And first and foremost, I think a misconception is that we’re just kind of doing whatever we want; we come up with our own lessons and teach a totally different curriculum. Which is definitely a myth. Because we start with the exact same standards as any other third grade class that you’d walk into. That’s definitely where we start. But I think in addition to the standards, we also implement what are called GATE standards: So they’re Depth, Complexity, Acceleration, and Novelty. And there’s a lot of tools that we use in the classroom, different strategies. You’ll see things like the prompts of Depth and Complexity. We’ll use things like “think like a disciplinarian”; I’m doing “think like a biomimicry engineer.” But really, all they are are just thinking tools and strategies to elevate students thinking and kind of go below that surface level of the content to dive deeper. It also provides opportunities for acceleration. So for example, our last science unit, it was on magnetic force, and there was a handful of students that just grasped the concepts right away, and they’re ready for something else. They’re ready for more rigor. They need some challenge. And so at that point I can kind of pull that group aside and provide some differentiation for them. And I said, “OK, well, you understand the concept of magnetic force, balanced forces. So now what I want you to do is think about something that you’re really passionate about, and how could you use magnetic force somewhere in that field—again to solve a problem, problem-based learning—and present it to me?” So they create this form, it’s like a “think like a disciplinarian” frame, and one of them was “think like a hockey player.” And he’s trying to think of a way that he can incorporate magnetic force. Anyway, I could go on and on. But basically it’s finding what these students’ passions are. And I do that with all my students. And I should probably preface this by saying that even though these are standards that I implement in my classroom because it’s a GATE classroom, these are practices and tools that can be applied to any learner, at any age. And they really just enrich the education for all students.

Eric Cross (18:02):
So your classroom is, is a mixed classroom. There’s GATE students and then general—

Janis Lodge (18:05):
Right.

Eric Cross (18:07):
—students, non-GATE students, in the same class. It’s interesting because I imagine GATE is kind of scaffolding up to a higher level, but then, you also said something that I’ve noticed when I’m creating scaffolds for my students to support them, who may not be at a grade level, maybe in reading or literacy or math, those same scaffolds can help all students.

Janis Lodge (18:27):
So yeah, I don’t just go, “OK, you’re my GATE students; I’m gonna use these practices on you.” I use it for the whole class. But I’m also surprised by having that mix of these different learning styles. A lot of times students are inspired by other students, or, you know, we have this big thing about one of the prompts is Multiple Perspectives. I try to do that as much as I can, because students are inspired by the ideas of their peers. And quite often, if they hear it from a peer, it could be exactly what I just said, but they heard their student say it in a different way and it just clicks and they’re like, “Wow, I get that.”

Eric Cross (19:00):
I think a lot of teachers struggle or, or maybe feel ill-equipped, to support higher-level students. Did you get trained to be a GATE teacher? First lemme ask that question: Did you get special training for this?

Janis Lodge (19:13):
Yes. I went through a course, I think it was like a six-week certification course, through my district.

Eric Cross (19:19):
OK, so you got a special training, which—I’ve been in the classroom for nine years; I teach at a university as an adjunct professor; but I’ve never been trained on teaching gifted or accelerated students. And I’m kind of wondering now, like, do you feel like it made you a better teacher?

Janis Lodge (19:33):
Absolutely.

Eric Cross (19:34):
And if so, how do I get to do this?

Janis Lodge (19:36):
Well, it’s through the county. I mean, anybody can get trained and certified how to teach this way. But, just like you said, I think coming out of that, my eyes were just open, and my biggest takeaway is that these practices, even though they are designed for gifted and talented, it really kind of reshaped my thinking about how I, number one, present material to the students, that I’m doing it in an engaging way, and I’m not just lecturing at them; there’s opportunities for them to collaborate and communicate and use multiple resources. So, you know, how I’m teaching has changed. And then also, how I’m providing opportunities for them to demonstrate their learning. And a lot of that is project-based learning, because once they have the knowledge and skills they need to do something with it. I mean, that’s really the true definition of innovation, is taking the skills or taking something that you’ve learned, and now go with it. Run with it.

Eric Cross (20:32):
How can we take what you’ve learned and then kind of spread it, so teachers have this in their toolkit, too? Like for me, I have multiple ways to be able to support reading and literacy and math and tools and sentence frames. And my students who have special learning plans, I have a have a lot of tool sets for that. I wanna build my tool sets for this other area for my students who want to continue, who wanna run, or go beyond, or even stretch themselves. I think we need to take some of the things that you’re doing and not make them kind of like this exclusive group, but also let’s share it with everyone, ’cause if everybody can access it—

Janis Lodge (21:03):
I agree.

Eric Cross (21:03):
—we might see a lot more potential or a lot more opportunities for students who might not otherwise have them.

Janis Lodge (21:08):
And one thing: My school, I’m really proud to say that my principal has seen that. You know, he’s like, “Well why are we just keeping this in the GATE classroom?” So he’s working on getting all of our teachers certified.

Eric Cross (21:19):
No, I love what you’re doing and your principal sounds, sounds awesome for doing that and recognizing that this can benefit more students than just the ones who, you know, pass the Raisin Test, I think it’s what it was called when I was taking it, or whatever it is back then.

Janis Lodge (21:31):
Exactly.

Eric Cross (21:32):
We’ve talked about project-based learning, the GATE classroom…I kind of wanna come back to you as we wrap up. Thinking about, like, the jobs that you and I do, and the people that listen to this podcast, we have one of the few jobs that people remember us for a lifetime. And I wanna ask you, who was someone that was maybe inspirational in your educational career, that inspired you, or is maybe one of the most memorable? You might have several…but who is someone that was memorable to you in your career, and why? Why were they memorable to you?

Janis Lodge (22:02):
Yeah. Well, obviously, when I was younger, I was definitely inspired by all my teachers. The fact that I turned my bedroom into a classroom…I just was just in awe of this profession. But I think one that really resonated with me was my junior year in high school. I was taking a newspaper class and the teacher was Mrs. Kavanaugh, and she really taught us everything from writing the articles to the editing, to putting the pages together. And I remember in that class I was working on this program called QuarkXPress. I don’t even know if it exists anymore. But I was just fascinated with putting all these pieces together that we’d worked on for so long and getting the articles, picking the pictures, the illustrations and the titles. And I remember her looking at me saying, “You really enjoy this, don’t you?” And I said, “Yeah.” And she said, “Well, I have a computer graphics elective class that you should take next year.” And I thought, “OK, I’d love to do this, this opportunity to expand my knowledge and my skills.” So because of that, I took the computer graphics class the next year and I just remember throughout the whole time, she was just constantly encouraging me and acknowledging my skills. And I find myself doing that as a teacher as well. ‘Cause that really resonated with me. And it’s funny, this summer I was going through some boxes of some old stuff from high school, and I found this handout that I had made, because I remember my senior year of high school, she said, “Janis, you know what? You’re doing such a great job; we have these new, incoming students coming into the newspaper class, and I’d love for you to actually teach them how to do this pagination on this QuarkXPress program. I want you to put something together and actually teach it to them.” I thought, “Wow, she believes in me that much that she’s gonna let me teach this to the incoming students.” But I think my takeaway from that was that she gave me the opportunity to take those skills and actually do something with them, to apply them right away.

Eric Cross (23:53):
Mrs. Kavanaugh. Miss Kavanaugh. Shout-out to Miss Kavanaugh. As you told that story, I heard you as a teacher because I’m hearing she’s applying these GATE strategies in that situation. That’s what that’s what I heard.

Janis Lodge (24:08):
Yeah, absolutely.

Eric Cross (24:09):
She personalized this learning. She created a specialized opportunity. You presented to a real audience that was authentic. It had this personalization in it and this rigor and this challenge and it made a huge impact. And it’s just amazing to listen to you and hear this come full-circle, and now you’re doing this with little ones. And I just wanna thank you for your time in doing the interview, sharing your story with how you became a teacher, your students, the projects that you do. And just like so many teachers, going the extra mile for your kids and bringing in these really important 21st century skills; they’re gonna be so much better off for it. And I know it makes my job easier when I get them in the classroom, so thank you.

Janis Lodge (24:49):
Yeah. Well, thank you for the opportunity.

Eric Cross (24:51):
My pleasure. Thanks so much for listening and we wanna hear more about you and the educators who inspire you. You can nominate them as a future guest on Science Connections by emailing STEM@amplify.com. That’s S -T-E-M at amplify dot com. And be sure to click subscribe, wherever you listen to podcasts, and join our Facebook group, Science Connections: The Community. Until next time.

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What Janis Lodge says about science

“The reward of having kids feel like they accomplished something and take ownership is such an opportunity [with project-based learning] that I have to run with it. Being inspired by the potential outcomes of what could happen is what made me take that risk.”

– Janice Lodge

3rd Grade Teacher, De Portola Elementary

Meet the guest

Janis Lodge is a third grade teacher in Orange County, California. Her career in education started six years ago when she decided to follow her passion of making a positive difference in the lives of young scholars. Prior to teaching, Janis lived in Maui, Hawaii for seven years, working in the field of graphic design, marketing, and hospitality. She has found that her interest in innovation, project-based learning, and inquiry-driven exploration has helped shape her into the educator she is today. STEAM is integrated regularly into her classroom, and her students continually develop 21st century skills through a variety of unique projects. ​​Janis is also a PAL (Peer Assistance Leadership) Advisor for her school, where she helps young leaders (4th-6th graders) cultivate their leadership skills and empowers them to make a positive difference in their school and community. Janis was recently awarded the Orange County Council for the Gifted & Talented Education Classroom Grant, which will provide an extension to the third grade Amplify Science Unit: Environments and Survival.

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Welcome to Science Connections! Science is changing before our eyes, now more than ever. So…how do we help kids figure that out? We will bring on educators, scientists, and more to discuss the importance of high-quality science instruction. In this episode, hear from our host Eric Cross about his work engaging students as a K-8 science teacher. Listen here!

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S3 – 06. Bethany and Dan take on Twitter!

Promotional graphic for Math Teacher Lounge Season 3, Episode 6, featuring Bethany Lockhart Johnson, Educator, and Dan Meyer, Director of Research at Desmos.

In this episode, Bethany and Dan take a look at several tweets that caught the most fire on Twitter during the 2021-2022 school year. The pair answer questions about viral teaching methods, the best teaching advice you can give in three words, and if students should use pencils or pens in class. Join them as they take on those questions and several others in a fast-paced episode.

Explore more from Math Teacher Lounge by visiting our main page. 

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Dan Meyer (00:02):

Hey folks. Welcome back to the Math Teacher Lounge. I’m your co-host, Dan Meyer.

Bethany Lockhart Johnson (00:07):

And I am Bethany Lockhart Johnson. And I’m your co-host, Dan! Hi!

Dan Meyer (00:12):

We’re co-hosts! Hey! Great to see you.

Bethany Lockhart Johnson (00:13):

Dan, this is the last episode of Season 3. Three seasons!

Dan Meyer (00:19):

It’s gotta have a cliffhanger. What will the cliffhanger be? You know?

Bethany Lockhart Johnson (00:22):

The cliffhanger is that we love having guests! It’s one of our most favorite things, because selfishly, we love to talk to all of these amazing folks who are doing this interesting research and thinking about amazing things. But for this last episode, it’s just you and I, Dan. Cliffhanger!

Dan Meyer (00:40):

Yeah. I like this. I like this. So the cliffhanger was last episode, and people are all like, “So who’s the last guest gonna be of the season before we roll out into summer?” And yes, as Bethany said, we love all the fascinating guests we’ve had on throughout these last few seasons. And we realized…who is more fascinating to each other than both of us? You know, let’s talk to each other about things, right? <Laughs> You get that! You get that! Or am I alone here in this? We had this idea about what we should talk about here, and that’s this: I am on Twitter a lot. I’m @DDMeyer on Twitter; throw me a follow; might follow back; who knows? I don’t tweet much. Bethany, what’s your handle on Twitter? Let ’em know.

Bethany Lockhart Johnson (01:22):

I’m @LockhartEdu, and I was much more active pre-mamahood. But I’m still up in there. Go ahead.

Dan Meyer (01:30):

Yep. In there. Yeah, great. So I’ve been keeping track of the hottest conversations in math education Twitter, the conversations that the most people who kind of describe themselves as math teachers in their bios and whatnot have been replying to. We’ve got some little things working in the background, keeping track of this sort of thing. And so we are gonna bring you folks some of those extremely hot conversations, and even better than the questions—which we hope you’ll reply to and tag us in your replies—even more than those questions, we’ll bring you our answers—our answers!—to those questions. Can you believe that? We’ll fully settle these questions! Won’t we, Bethany? My gosh, won’t we?

Bethany Lockhart Johnson (02:15):

Jeez Louise! No! Dan Meyer, the point is not our final word on it! The point is this episode, we’re furthering the conversation. We wanna hear from listeners about what do you think?

Dan Meyer (02:25):

Right. You’re right. You all need someone in your life like Bethany who will help you become the best version of yourself. So here’s the deal. We have several questions in a few different categories. We’re gonna bust through some quick ones, pretty quick. And, uh, there’s some meaty ones as well. Let’s get into it! The first questions come to you all, and us, courtesy of MTL guest Howie Hua, who has a renowned knack for just creating math memes, but also conversation starters that really capture the curiosity and answers of of a grateful nation. So Howie’s first question, which I’ll pose to Bethany, is, “What’s your favorite number?” Bethany? And why is it your favorite number?

Bethany Lockhart Johnson (03:14):

Oh, I love it. OK. Well, the first thing that came to my mind is 12. ‘Cause It’s a highly divisible number. I mean, 2, 6, 3, 4—I love it. And it coincides with the day and month of my birth. Which, like, the double-digit…come on, 12, 12, 12, 12. I dunno, am I giving away, like, my bank security code <laugh> or anything by saying that?

Dan Meyer (03:41):

Yeah. What’s your favorite PIN?

Bethany Lockhart Johnson (03:43):

Let me change my PIN. Yeah, it’s just such a happy, happy number. Well, 12 is, you know, 10 and 2. Two more. Anyway. Love it. What about you, Dan? What’s your favorite number and why?

Dan Meyer (03:55):

I’m into it. I’m into it. I think I would choose 16. Because it’s the first number for me when it was like, “Oh, you can keep on making numbers forever!” Where I’m like, OK, 2times 2 is 4. Great. That’s kind of an elemental expression in mathematics. Four times 2 is 8. OK. But then, 8 times 2 is 16, and it’s like, “Oh, you can just keep doubling that thing over and over and over again!” And I can recall feeling pretty excited that numbers are just like, out there for the finding. For the taking. Cool stuff.

Bethany Lockhart Johnson (04:33):

I’m sorry. Wait, I have to interrupt. You went 2 times 4 is 8 and you didn’t go 4 times 4 is 16? You went 8 times 2 is 16? You wanted to keep the 2 the same?

Dan Meyer (04:49):

Yup. Yup. You can keep on doubling. You can keep on doubling numbers and it just keeps on going.

Bethany Lockhart Johnson (04:53):

More evidence that our brain works very differently.

Dan Meyer (04:56):

We learn more about each other…let me keep this rolling with Howie questions. OK? Howie says, “If you could co-teach with one teacher from Twitter, who would you choose?”

Bethany Lockhart Johnson (05:06):

Oh, oh, it has to be a teacher?

Dan Meyer (05:11):

Or anybody, I guess. I mean, like, I know you love Oprah.

Bethany Lockhart Johnson (05:15):

Can I co-teach with Oprah?

Dan Meyer (05:16):

Yup, yeah, so there we are. <Laugh> Yup. OK. Fair enough. We have to work Oprah into every single episode.

Bethany Lockhart Johnson (05:23):

I’d just love to sit and like, we’d read together, we’d read to the students, and then we’d talk…I mean, obviously it’d be Oprah. But if we’re thinking more of like MTBoS, like math Twitter blogosphere-land, I suppose the person I would wanna co-teach with honestly would probably be Allison Hintz. One of our former guests as well. Her book, Mathematizing Children’s Literature, with Antony Smith, that book—I just love the idea of sitting and doing a read-aloud and then diving into some juicy math that’s inspired by what comes out of that read-aloud. So yes, that’s who I pick. Allison! Let’s co-teach!

Dan Meyer (06:00):

<Laugh> Shout-out to Allison.

Bethany Lockhart Johnson (06:01):

What about you?

Dan Meyer (06:03):

I would choose MTL guest Idil Abdulkadir—because, and this relates to Allison and also Elham Kazemi—they talked about, in our episode about teacher time-outs. And I’m choosing someone who I think is—like I’ve never seen Idil teach, but I work with Idil at Desmos and think she’s fantastic. But what I really want in a co-teacher is someone that I can say, “Whoa, time out, do you see what’s going on here? This is really interesting. What should we do next about this?” And have a little strategy sesh in front of the kids and no one gets freaked out by that. And I think that that’d be a pile of fun. Idil seems like she’d be receptive to that kind of interaction, teacher to teacher. So that’s my vote right there.

Bethany Lockhart Johnson (06:48):

Opportunity for you to grow your own practice, Dan.

Dan Meyer (06:52):

Yeah, yeah, exactly. 100%.

Bethany Lockhart Johnson (06:56):

So Dan, I actually have a question for you from Howie. If we’re on the Howie tweet train, I have one from Howie too.

Dan Meyer (07:04):

Howie had some fire tweets, some fire tweets this current year. Yep.

Bethany Lockhart Johnson (07:08):

Dan, I wanna know: Do you prefer doing math in pen or pencil?

Dan Meyer (07:16):

Ooh, yeah. Oh, I see that Howie says, “I don’t mean to start any drama, BUT,” and then asks the question–

Bethany Lockhart Johnson (07:23):

But!

Dan Meyer (07:24):

I think that Howie lives for drama. I think he knows he’s messy. He lives for drama. He knows what he’s doing this with this question here. He knows.

Bethany Lockhart Johnson (07:32):

DRAAAAMAAAA!

Dan Meyer (07:32):

He knows what he’s doing. Yup. So I would just say it depends. Is that cheating? Like if I’m doing math to learn, or if we are learning in that process, then I want to use pen, actually. I wanna see the tracks of the thinking. And if we’re doing it for presentation, like if I’m presenting something, I wanna…I guess that’s an area where I’d be fine to not erase things. I don’t wanna prep it so it’s, you know…I guess you could use pen for presentation also. Just pen. Period. But I wanna see the tracks of the thinking if we’re doing some learning versus presentation. What about you?

Bethany Lockhart Johnson (08:09):

Well, I heard the voice in my head telling one of my kindergartners, “No, you cannot do that in sparkly pen. You need to do it in pencil.” And I was like, “Wait, whose voice is that?” It was one of my math teachers telling me I couldn’t do it in pen! Why couldn’t this kid do it in pen? Sure! Do it in a sparkly pen! So I wanna say do it in pen. And since usually pen is what I have around…I mean, I do crosswords in pen, Dan.

Dan Meyer (08:36):

Wow, wow. With a piece of paper and math, you have lots of room to re-revise and cross off…but those little, little boxes on the crossword, that says a lot about your commitment to pen.

Bethany Lockhart Johnson (08:46):

I got really good at making an A into an H or a P or whatever we need. So I would say, “Hey, if you’re in the room with your kiddos and you’re doing math, if somebody wants to do pen, let them do pen.” But I do know that I’ve seen teachers say you need to do pen so that I can see all of your thinking. So I think I hear what you’re saying. But do you think it should be like a classroom rule or something?

Dan Meyer (09:13):

Oh, no, no, no. I mean, I’m gonna ask you like, “How’d you get to this destination?” And I wanna know process somehow, and I think you’ll get tired of having to explain it verbally rather than just, like, showing. Just don’t erase stuff. Don’t scratch stuff off. Let’s let’s see how you’re getting there. That is what I’m into.

Bethany Lockhart Johnson (09:30):

Thanks, Howie, for that trio of thought-provoking tweets, because I genuinely wanted to know what Dan thought and what our listeners think. I mean, Dan, I gotta say: Howie, you say you don’t wanna cause drama, but I gotta say I’m with Dan on that—

Dan Meyer (09:50):

Got the gift. Got the gift for drama. We’re still friends though. So I’m happy about that. Our next section, I got a few more questions queued up here and these ones relate to advice for educators, advice for yourself. Good advice, bad advice, that kind of thing. So let’s jump in. I would love to know—this one’s from Pernille Ripp—I’m very curious, Bethany, what is the worst teaching advice you have gotten in your life, ever?

Bethany Lockhart Johnson (10:19):

<Laugh> Ooh. OK. Um, worst teaching advice was: “That’s OK, just move on anyway.” And that was in terms of pacing. It was like, students needed to do a deeper dive and the teacher who I was chatting with said, “No, no, it’s fine; it’s fine; just move on. Just move on to the next chapter.” That was probably the worst advice, because no, I don’t think that’s what I should have done at all! <Laugh>

Dan Meyer (10:48):

Right.

Bethany Lockhart Johnson (10:48):

But I was a first-year teacher and I was trying to figure it out. And I learned that that was not good advice. And I understand the pressure of pacing. But it was totally antithetical to the type of listening to my students that I want to do in my craft. And this teacher meant well, but that was not good advice, teacher! <Laugh> What about you, Dan? What is the worst teaching advice?

Dan Meyer (11:13):

I dig that. That feels similar to one of the replies to Pernille here. Frances Klein says, “Never let them know you’ve made a mistake” being particularly bad advice. You know, just this like idea of like moving along, covering your tracks, not backtracking or admitting mistakes, those all feel kind of a piece. The worst advice I think I’ve ever received, and I wasn’t given this often, but it’s echoed by a lot of the commenters here on this tweet, which is “Don’t smile until X, Y, or Z,” where X, Y, and Z are like Christmas, October, December, January. Just the idea that you’ve gotta develop—

Bethany Lockhart Johnson (11:54):

Wait, what?

Dan Meyer (11:55):

<Laugh> Did you never hear this from anybody? Don’t smile until Christmas? Perhaps this is more—

Bethany Lockhart Johnson (11:59):

I’m a kindergarten teacher! Can you imagine? If I don’t smile the second they walk in? The tears?! The parents’ tears?! The kids’ tears?! If I’m just like, stoic?

Dan Meyer (12:07):

Yeah. Well.

Bethany Lockhart Johnson (12:08):

So explain it to me.

Dan Meyer (12:10):

Well, the idea is, is that, you know, for older kids, they’re scoping you, they’re clocking you for weakness, they’re looking at you, they’re looking to take advantage. And so “don’t smile until Christmas” is like, hey, you can always relax. You can always relax your discipline, but you can’t UN-relax it if you start out, you know, Mr. Happy Pants Meyer. Which—

Bethany Lockhart Johnson (12:33):

Smile perceived as weakness.

Dan Meyer (12:36):

Yeah. Very obviously poor advice. Eventually you come to realize that like having a rapport and a relationship that is trusting and warm and demanding, that has high expectations, that’s the best kind of classroom management. Not some kind of persona built around intimidation or stoicism, that kinda thing. So, terrible, terrible advice!

Bethany Lockhart Johnson (13:01):

I feel like I did have a few of those math classes. Yeah.

Dan Meyer (13:04):

Yeah, exactly. <Laugh> You loved them, right? They were like your favorite math classes. It was a blast, right?

Bethany Lockhart Johnson (13:11):

<Laugh> So we have to ask the opposite. Thank you, Daniel Willingham, who said, “What’s the best advice you got?” But hold on, Dan, he didn’t just want the best advice. He wanted the best advice in three words.

Dan Meyer (13:26):

Oh yeah. He doesn’t, he doesn’t want a book or dissertation or even a blog post or even a tweet. He wants just three words.

Bethany Lockhart Johnson (13:32):

I think maybe that might have been to me. <Laugh>

Dan Meyer (13:34):

This is someone who’s doesn’t have much time for this advice, wants it distilled down. I’m just obviously stalling here as I try to think about this. I don’t know, there’s just like so much nuance lost here. I would say, listen to students, listen to students. I can’t say more that, I guess. I guess I’m done. I can’t say more than that there. But you’re in a bad place if you’re not listening carefully to students. How about you?

Bethany Lockhart Johnson (14:04):

  1. Mine is “Ask…lots…questions.”

Dan Meyer (14:11):

Nice. ‘Cause I filled in the word! I filled in the word! I was able to kinda infer that. I did that. I got that.

Bethany Lockhart Johnson (14:17):

Wait, wait, wait, wait! I could have said many! Wait, I could have said “Ask many questions.”

Dan Meyer (14:22):

Strong, strong.

Bethany Lockhart Johnson (14:25):

So yeah. You know, no isolation, like don’t put yourself in a bubble. Ask, not just, not just your students, but the teachers! Ask a lot of questions. You don’t have to have it all figured out.

Dan Meyer (14:34):

Into it. Very much into it.

Bethany Lockhart Johnson (14:37):

Thanks. Daniel. Thanks, Pernille.

Dan Meyer (14:40):

Yeah. Daniel and Pernille, Both great questions there about advice, best and worst. Another fire tweet popped up earlier this year from Dr. Khristopher Childs, which was “Name one thing every educator should stop doing.”

Bethany Lockhart Johnson (14:57):

Oh, I don’t know. This kind of ties into my best advice about asking questions.

Dan Meyer (15:03):

Stop not asking questions?

Bethany Lockhart Johnson (15:06):

<Laugh> Avoid the isolation. I really love this idea of when we can, popping into each others’ classrooms, co-teaching, building this collaborative nature. Elham Kazemi, in our interview, talked about this idea of, like you said, the teacher time-outs, learning from each other. So I feel like if we could stop isolating ourself…and I don’t mean at lunch—sometimes you need to not be in the teacher lounge at lunch. Like if you need a minute, take the minute! But in general, as a practice, how can we not be isolated and instead be learning with, and from, each other? How can we stop the isolation? That’s what I would hope every educator would stop doing. What about you, Dan?

Dan Meyer (15:54):

I think that educators should…this is gonna require a little bit of elaboration. I think educators should stop taking responsibility for things that are not in their zone of influence. I think that as a society we are asking teachers to do more and more, to become more and more of a central fixture holding together with chewing gum and twine all the various parts of a student’s life. From their health, their fitness, emotional health, that we feed students at school. It becomes very tempting, I think, there’s a lot of pressures to blame outcomes, disparate and unjust outcomes later on in life, on teachers. And teachers should just flatly refuse. And to yeah, understand what the job has been set up to do. What it’s good for. And do that with excellence and intent and a lot of effort. And then not take responsibility for the rest of it.

Bethany Lockhart Johnson (16:53):

If I asked five different people about the definition of what a teacher should be doing, I would get five different answers. So I think it’s really interesting that you say that because yeah, many, many hats, which I think, yes, can lead to burnout. Can lead to all sorts of things. We’re asking schools to be all things to all, all people. Interesting. I’m gonna think about that more. I need to hear folks’ response on that, Dan.

Dan Meyer (17:18):

Mm-Hmm. I’m curious too. I mean, yeah, there are definitely things that are in teachers’ responsibility and some that are not. That’s a tough one.

Bethany Lockhart Johnson (17:26):

OK, for help, name an example of each. And what’s something that you think every teacher should not and should be doing. ‘Cause I feel like my brain goes to some things like, you know, I had teachers who were saying, “Well, I don’t wanna have my kids have to have breakfast in my classroom in the morning. That shouldn’t be my responsibility to serve breakfast in the morning.” But I’m like, “But then your kids are eating and they’re gonna be able to learn and be more focused.” Should that be the teacher’s responsibility? I’m not saying it necessarily should, but I’m saying…I don’t know. It gets murky for me.

Dan Meyer (18:06):

Yeah, for sure. I mean, I think that we should, as a country, have a really generous social welfare net so that everyone has food at home. Where a school is not the place where some students have to go to in order to receive nutrition and nourishment. That seems sad to me. And uncommon in developed nations. I think that teachers should watch out for, should be responsible for, the mathematical development of the students they teach, up to a point, they should be responsible for learning math and creating relationships in their classes. I don’t think that teachers should accept responsibility for larger kinds of outcomes, like the health of a democracy or international competition, who goes to the moon first. That kind of thing has historically been placed at the feet of teachers. And it’s tempting when you’re a teacher, I think, to take on that responsibility because it kind of develops your social importance. And I just say, we should say no to that. And get compensation, not in terms of social importance, but rather like in spendable dollars and monies.

Bethany Lockhart Johnson (19:10):

I’m learning more about you, Dan. And you know, this is what I’ve gotten from that answer: If you’re gonna dream, dream big. Right?

Dan Meyer (19:17):

Is that what you got from that? I don’t know. I think I’m trying to dream realistically.

Bethany Lockhart Johnson (19:23):

No, like if we’re gonna say, “Maybe teachers shouldn’t be responsible for serving breakfast in the morning,” well, because we want every child to have access to nutritious and filling food at home and time to eat it in the morning, right? It’s bigger than just, “I don’t want the teacher to have to do this.” So we’re dreaming big. We’re saying this should be the LEAST that students have access to, right?

Dan Meyer (19:53):

Yeah. Yeah. I’m here now. I’m with you. I like that dream. Where we take care of folks in their lives outside of schools. So schools don’t have to be the one linchpin for every kind of social outcome. Like currently a lot of them run through a school ’cause we don’t do a good job of setting up other ways to meet those needs. And we should.

Bethany Lockhart Johnson (20:16):

And we’re also recording this in, what, two weeks, a week, after a tragedy where students and teachers were killed in the classroom. And I think both of us are taking some deep breaths and recognizing that there’s a lot of debate that is happening about what teacher’s role should be in preventing this in the future. And I don’t know if you’ve done drills in your classroom that are supposed to help mitigate disaster, but you know—collective deep breaths— <laugh> is where we’re at right now.

Dan Meyer (20:52):

Yep. The idea of “we should arm teachers” is another example of no, we should not do that. We should solve the tendency towards violence outside of the classroom so that teachers and students can teach and learn. That sounds awesome to me.

Bethany Lockhart Johnson (21:06):

Collective deep breath. Whew. OK. So what else you got for me, Dan?

Bethany Lockhart Johnson (21:33):

Ooh. So I feel like I’ve heard that in many teaching PDs. “I Do, you do, we do.” Actually I feel like I’ve seen like more “I do, we do, you do.” Like graduated release. I do it, then we’ll do it a little bit together, and then now you have permission to do it. And I feel like in directed draw, that’s a hundred percent true. Like I’m gonna show you this and then you draw it. And then you cut here and then you do it. If we’re trying to create this, like I’m teaching this new art technique. But in mathematics, I feel like that’s really not what I want my classroom to look like. I want to support my students and set them up for sense-making, and then I want them to try it out and I don’t want them to solve it the way it first comes to mind for me. I wanna see how they make sense of it and how they solve it. And then I want us to share it with each other so we can grow together. So I think time and place for “I do, you do, we do,” or “I do, we do, you do.” Or shoo-be-doo-be-doo-be. Yeah. You?

Dan Meyer (22:44):

I’ve got nothing. I have nothing to add. I thought that was just an excellent summary of a classroom I would love to be a part in, love to teach. I think it’s a certain tool in the toolbox that I think is overused. But it’s also a tool that can be useful in the case of certain kinds of operations. There are some operations that do benefit from “let me just show you how, like one way you might do this.” I don’t know. I’m like helping my kid whack a nail into a board and there’s a moment where it’s like, “Hey, actually, lemme just show you one way you can do this,” and do it, and then that’s helpful in some moments. But for so much of math, a lot of math does not relate to the operational kinds of fluency. And in those instances, it’s a little bit…it’s not a useful tool, I don’t think, for those kinds of skills and ideas.

Bethany Lockhart Johnson (23:34):

I’m thinking of tool talks in my classroom. So in kindergarten, many of the tools that we use in math and just in class in general, are new to the students. And if I tell them, this is exactly how you should use this tool, then I feel like I’m taking a lot of the sense-making away from them. But if I introduce the tool, show them how to use the tool safely, show them this is not a safe way to use the tool, chewing on this is not safe. That’s not how we use this tool. This is how we take care of it, et cetera. But then support different modes of using the tool that are gonna help them use it to solve problems and make sense, I think…but I guess—Dan, have you heard “I do, you do, we do,” or is it “I do, we do, you do”?

Dan Meyer (24:22):

I’m with you. And I think that it got clarified post-tweet. But yeah, it typically is “I do, we do, you do,” the gradual release of responsibility it’s often called. And I, I have heard people do what you described, which is…what is it? It’s “You do, we do, I do”? Like an inversion of that? Like have people do a thing that I can do that’s not too, too abstract for them, and then like “We all do something together, and then I’ll offer a summary of what we learned,” is one way that goes. I like that tool as well.

Bethany Lockhart Johnson (24:53):

I think particularly, at least I’ve seen in elementary classrooms, there’s sometimes this fear of letting students just try it out before I’ve really showed them, “but this is how it has to be.” And what I am most excited about is supporting students and creating a classroom environment where students don’t need my permission or need my direct “this is the only way to do it.” Instead, it’s like, yes, there’s lots of things we model. But there’s also like, “Hey, what do you think? How do you think this should be used?” And the joy of that exploration.

Dan Meyer (25:30):

Yeah. There’s a feeling of efficiency that comes from “I do, we do, you do,” for some kinds of math, but it’s undercut in my experience by what it cultivates in the students, which is “I’ve gotta wait until the teacher does before I can do anything.” So it pays off real diminishing returns over time. And it’s, just for me, an exhausting way to teach. Always being the bottleneck for new learning is a total drag.

Bethany Lockhart Johnson (25:55):

Ooh, what a great way to describe it. You do not wanna be the bottleneck. You want to be…what’s the other thing? The facilitator? What’s the opposite of a bottleneck? The flowing river? The…The…Help me!

Dan Meyer (26:10):

Hit us up in the replies. I dunno. The opposite of a bottleneck. That’s what you wanna…you wanna not be the opposite? No, you want, yeah. We got this here. We’ll figure it out. We’ll get back to you. <Laugh> OK. Well, folks, those were a few of this year’s fire tweets. It’s been fantastic chatting with you—

Bethany Lockhart Johnson (26:29):

Dan.

Dan Meyer (26:29):

—Bethany, About all those—

Bethany Lockhart Johnson (26:32):

Dan. You know, my favorite thing to do is interrupting you, Dan. I have to interrupt you because we can’t end fire tweets, Dan, without including a tweet from you.

Dan Meyer (26:43):

Oh, that’s true. I do have my moments. Yeah, we should. We really should. <Laugh> Do you have one in mind?

Bethany Lockhart Johnson (26:50):

No. Dan. Yes. I loved…you tweeted recently, “How many years have you been teaching?” Which, OK. “What Has been like the most influential? Like, what, OK, blah, blah, blah.” <blathering noises> You tweeted, “How many years have you been teaching? And at this point, what has most influenced how you teach?” And you gave some ideas: A methods course, PD sessions, curriculum, TV and movies, et cetera, et cetera. And I love that you put that out there because this episode is coming out as we’re wrapping up another school year. And it also got me thinking about summer and what teachers sometimes do during the summer, but what we might need to do this summer for self-care. But I’m really curious. I love that tweet. And I’m curious, Dan, what did folks say was the thing that had most influenced their teaching and what’s most influenced your teaching?

Dan Meyer (27:49):

Ooh, yeah. People’s responses to this one were really fantastic. I came into this, I was flying to the Association of Mathematics Teacher Educators conference. And I just found myself wondering, so, the pre-service year, the one year of, like, you’re learning how to teach, is how we did it in California. Like how much of that has still infused my practice? And in what ways? I don’t think I think about that stuff consciously, but I think that did like set me up with a lot of images that I would be unpacking for going on two decades now working in education. I think conversations with people, I think observing classes, I don’t think that like the one-day PDs, the one-day development days throughout the year, four times per year, I don’t think those stuck to me much. I think that this summer, I have learned so much, just an embarrassment of riches, from non-educational sources. From other disciplines. From storytelling, for instance. From how people have constructed movies I like. I am proud of the way…one of the aspects of my character that I’m proud of—it takes a lot to admit this, as I’m sure you understand, Bethany—but to integrate lots of wacky stuff and pick from it and use that to affect my practice and teaching has been really positive. So for this summer, I hope that people read a good beach book and just kinda let your teaching mind rest a little bit. And in doing so, create some openings for new ideas about education from other parts of the world. Kids! Having kids has been helpful. I don’t know! Just everything! It’s such a big job, education. Everything has so helpful. What about you? What’s an influence on your practice that might surprise me or other folks out there in MTL land?

Bethany Lockhart Johnson (29:52):

Well, I don’t know about surprise. I mean, I definitely feel similarly, like methods courses absolutely impacted my teaching. But I feel like opportunities where I was able to observe other teachers and where I was able to have conversations with folks about their practice, that has deeply impacted me. And books I’ve read. I mean, honestly, I’ve learned so much from sharing with other teachers. Like, for example, maybe I’ll bring student work and we’ll talk about it. And we kind of create this conversation together about how we wanna come back to the students based on the work we see. Those type of moments where we’re collaborating and we’re bringing multiple perspectives to the table, that I think, has really often shifted me out of my first initial reaction or what I thought I was going to do in the classroom the next day. So that continues to surprise and delight me. And thinking about this summer, I think there’s a lot of creativity and joy that can come out of the marination process, when you’re just kind of sitting back and healing yourself, whether through sleep or sunshine or time with friends and family or whatever that looks like for you. I think there’s a lot of creativity that can come from that place of fertile, you know, wellness. I never think of that as wasted time. I think of that as getting the soil ready for all that’s gonna come in the fall. And that being said, I also think it could be a fun time to dip your toes into something that you are excited to read, that you might not have a chance to read during the school year that could be teaching-related. So it’s like very low pressure, like, “Oh, I’ve really wanted to read more by this author. I’ve wanted to read this article. I’ve wanted to dip into this topic.” And not with a pressure, but just with a curiosity. And, yeah, I think so often we as teachers love learning, and to give yourself space to learn in whatever that looks like can be a real gift.

Dan Meyer (32:09):

Yes. And if you need book recommendations, hit the MTL back catalog of episodes. Loads of folks that we interviewed have real good books out.

Bethany Lockhart Johnson (32:16):

Yes!

Dan Meyer (32:16):

Think about it. Think about it.

Bethany Lockhart Johnson (32:22):

One quick recommendation: Again, gotta plug Antony Smith and Allison Hintz’s book. I read Mathematizing Children’s Literature before we did the interview, but this summer I wanna read all the children’s books that they mention. I just wanna go to the library and read all those children’s books. I wanna read them to my son. I wanna read ’em to myself. So, you know, diving into some good YA, children’s books, just, like, TLC. Dan, thank you for such a rich season and a chance to have so many interesting conversations. It is genuinely a joy to learn with and from you.

Dan Meyer (33:00):

Likewise. And always hope to see you folks on Twitter now and then. Let us know what you’re up to this summer at MTLShow on Twitter or in our Facebook group, Math Teacher Lounge. We’ll be there tuning in now and then. It’s been a treat interacting with you folks over this last season. Take care and until the new season, so long.

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What Bethany Lockhart Johnson says about math

“I’ve learned so much from sharing with other teachers… Those type of moments where we’re collaborating and bringing multiple perspectives to the table, I think, has really often shifted me out of my first initial reaction or what I thought I was going to do in the classroom the next day.”

– Bethany Lockhart Johnson

Meet the guests

Dan Meyer

Dan Meyer taught high school math to students who didn’t like high school math. He has advocated for better math instruction on CNN, Good Morning America, Everyday With Rachel Ray, and TED.com. He earned his doctorate from Stanford University in math education and is currently the Dean of Research at Desmos, where he explores the future of math, technology, and learning. Dan has worked with teachers internationally and in all 50 United States and was named one of Tech & Learning’s 30 Leaders of the Future.

Bethany Lockhart Johnson

Bethany Lockhart Johnson is an elementary school educator and author. Prior to serving as a multiple-subject teacher, she taught theater and dance and now loves incorporating movement and creative play into her classroom. Bethany is committed to helping students find joy in discovering their identities as mathematicians. In addition to her role as a full-time classroom teacher, Bethany is a Student Achievement Partners California Core Advocate and is active in national and local mathematics organizations. Bethany is a member of the Illustrative Mathematics Elementary Curriculum Steering Committee and serves as a consultant, creating materials to support families during distance learning.

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About Math Teacher Lounge: The podcast

Math Teacher Lounge is a biweekly podcast created specifically for K–12 math educators. In each episode co-hosts Bethany Lockhart Johnson (@lockhartedu) and Dan Meyer (@ddmeyer) chat with guests, taking a deep dive into the math and educational topics you care about.

Join the Math Teacher Lounge Facebook group to continue the conversation, view exclusive content, interact with fellow educators, participate in giveaways, and more!

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Math games and manipulatives for online and remote learning.

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Inspiring the next generation of Arkansas scientists, engineers, and curious citizens

Amplify Science is a proven effective core curriculum designed for three-dimensional, phenomena based learning that provides an immersive experience for students.

Amplify Science was developed by the science education experts at UC Berkeley’s Lawrence Hall of Science and the digital learning team at Amplify.

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Grounded in Research

UC Berkeley’s Lawrence Hall of Science, the authors behind Amplify Science, developed the Do, Talk, Read, Write, Visualize approach, and gold standard research shows that it works. Our own efficacy research is pretty exciting, too.

See more of our research.

Instructional model

The Amplify Science program is rooted in the proven, research-based pedagogy of Do, Talk, Read, Write, Visualize. Here’s how each element works:

DO
First-hand investigations are an important part of any science classroom, and Amplify Science has students getting hands-on in every unit, from building models of protein molecules to experimenting with electrical systems.

TALK
Student-to-student discourse and full class discussions are an integral part of the program. Students are provided with numerous opportunities to engage in meaningful oral scientific argumentation, all while fostering a collaborative classroom environment.

READ
Students read scientific articles, focusing their reading activities on searching for evidence related to their investigation and, importantly, on asking and recording questions as they read through fascinating texts on 21st-century topics.

WRITE
Following real-world practices, students write scientific arguments based on evidence they’ve collected, making clear their reasoning about how a given piece of evidence connects to one of several claims.

VISUALIZE
By manipulating digital simulations and using Modeling Tools to craft visualizations of their thinking—just as real scientists and engineers do—students take their learning far beyond the confines of what they can physically see in the classroom in an exciting and authentic way.

Explore the digital Teacher’s Guide

When you’re ready to review, click the orange button below and use your provided login credentials to access the Amplify Science Digital Teacher’s Guide.
If you need login credentials, contact your local Arkansas Account Executive, Marty Pitts, mpitts@amplify.com.

Review now

Instructional samplers

Kindergarten

Grade 1

Grade 2

Grade 3

Grade 4

Grade 5

Grade 6

Grade 7

Grade 8

Resources to support your review

What’s included

Flexible resources that work seamlessly together:

Science articles
The middle school science articles serve as sources for evidence collection and were authored by science and literacy experts at the Lawrence Hall of Science.

Student Investigation Notebooks
Available for every unit, the Student Investigation Notebooks provide space for students to:

  • Record data.
  • Reflect on ideas from texts and investigations.
  • Construct explanations and arguments.

Available with full-color article compilations for middle school units.

Collection of educational books from 'amplify science' on topics including ocean atmosphere, matter and energy ecosystems, and insect interactions, displayed in various angles.

Digital student experience
Students access the digital simulations and Modeling Tools, as well as lesson activities and assessments, through the digital student experience. Students can interact with the digital student experience as they:

  • Conduct hands-on investigations.
  • Engage in active reading and writing activities.
  • Participate in discussions.
  • Record observations.
  • Craft end-of-unit scientific arguments.
A digital illustration showcasing a laptop and a tablet displaying complex data analysis software interfaces with graphs and heatmaps.

Teacher’s Guides
Available digitally and in print, the Teacher’s Guides contain all of the information teachers need to facilitate classroom instruction, including:

  • Classroom Slides.
  • Detailed lesson plans.
  • Unit and chapter overview documentation.
  • Differentiation strategies.
  • Standards alignments.
  • In-context professional development.
A laptop displaying the Geology on Mars webpage sits beside a book titled "Geology on Mars," both featuring the same cover image of Mars and a spacecraft, perfect for enhancing three-dimensional learning in any science classroom.

Hands-on materials kits
Hands-on learning is at the heart of Amplify Science. Each unit kit contains:

  • Consumable and non-consumable hands-on materials.
  • Print classroom display materials.
  • Premium print materials for student use (sorting cards, maps, etc.)
A perforated rectangular board, three small containers with different powders, a black battery holder with red wires, and three colored alligator clips are arranged on a white background.

Scope and Sequence

Grade Units

Kindergarten
  • Needs of Plants and Animals
  • Pushes and Pulls
  • Sunlight and Water

Grade 1
  • Animal and Plant Defenses
  • Light and Sound
  • Spinning Earth

Grade 2
  • Plant and Animal Relationships
  • Properties of Materials
  • Changing Landforms

Grade 3
  • Balancing Forces
  • Inheritance and Traits
  • Environments and Survival
  • Weather and Climate

Grade 4
  • Energy Conversions
  • Vision and Light
  • Earth’s Features
  • Waves, Energy, and Information

Grade 5
  • Patterns of Earth and Sky
  • Modeling Matter
  • The Earth System
  • Ecosystem Restoration
Grade Units

Grade 6
  • Launch: Microbiome
  • Metabolism
  • Metabolism Engineering Internship
  • Traits and Reproduction
  • Thermal Energy
  • Ocean, Atmosphere, and Climate
  • Weather Patterns
  • Earth’s Changing Climate
  • Earth’s Changing Climate Engineering Internship

Grade 7
  • Launch: Geology on Mars
  • Plate Motion
  • Plate Motion Engineering Internship
  • Rock Transformations
  • Phase Change
  • Chemical Reactions
  • Populations and Resources
  • Matter and Energy in Ecosystems

Grade 8
  • Launch: Harnessing Human Energy
  • Force and Motion
  • Force and Motion Engineering Internship
  • Magnetic Fields
  • Light Waves
  • Earth, Moon and Sun
  • Natural Selection
  • Natural Selection Engineering Internship
  • Evolutionary History

Remote and hybrid learning support

Amplify provides a remote learning solution called Amplify Science @OnDemand. Intended to make extended remote learning and hybrid learning easier, Amplify Science @OnDemand includes two useful options for continuing instruction: @OnDemand Videos and @OnDemand Units. These videos also provide embedded professional development for teachers as well as opportunities for students to review a lesson, if needed.

Amplify Science @OnDemand Videos are recordings of real Amplify Science teachers teaching the lessons. For those teachers who are unable to meet synchronously with their students, the recorded lessons are a great way to keep their students on track and engaged with Amplify Science while at home. These videos will be produced for all K–5 units, and for the first four units of each 6–8 grade level. Their release will be rolling, beginning in August.   

Amplify Science@OnDemand Units are modified versions of Amplify Science units, strategically designed to highlight key activities from the program. The @OnDemand Units take significantly less instructional time than the complete Amplify Science program and allow students to engage with science at home. @OnDemand Units will be developed for all Amplify Science K–8 units. Each @OnDemand unit includes:

  • Teacher overviews explaining how to use the materials, including suggestions for enhancing the @OnDemand Units if synchronous learning or in-class time with students is available.
  • Overviews to send home to families.

Student materials are available in two formats:

  • @OnDemand Slides (PDF/PPT) + Student Sheets (PDF) for students with access to technology at home.
  • Downloadable @OnDemand Packets (PDF) for students without access to technology at home.

Download the remote and hybrid learning guide.

Looking for help?

Powerful (and free!) pedagogical support

Amplify provides a unique kind of support you won’t find from other publishers. We have developed an educational support team of former teachers and administrators who provide pedagogical support for every Amplify curriculum, assessment, and intervention program. This service is completely free for all educators who are using our programs and includes:

  • Guidance for developing lesson plans and intervention plans.
  • Information on where to locate standards and other planning materials.
  • Recommendations and tips for day-to-day teaching with Amplify programs.
  • Support with administering and interpreting assessment data and more.

To reach our pedagogical team, use our live chat within your program, call (800) 823-1969, or email edsupport@amplify.com

Timely technical and program support

Our technical and program support is included and available from 7 a.m. to 7 p.m. ET, Monday through Friday, through a variety of channels, including a live chat program that enables teachers to get immediate help in the middle of the school day.

For your most urgent questions:

  • Use our live chat within your program.
  • Call our toll-free number: (800) 823-1969.

For less urgent questions:

Email support

Contact your Arkansas representative:

Portrait of an elderly woman with white hair, smiling, wearing a black blazer against a light brown background.
Marty Pitts

Senior Account Executive
mpitts@amplify.com
(214) 945-5544

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Mark Ramos

Inside Account Executive
mramos@amplify.com
(737) 308-4822

Amplify Science releases substantial, free enhancements based on teacher feedback

Brooklyn, NY (September 26, 2019) Amplify, a publisher of next-generation curriculum and assessment programs, announced substantial new enhancements to Amplify Science, its core science program authored by the University of California, Berkeley’s Lawrence Hall of Science. Teachers can now prepare and present lessons with Classroom Slides for grades K–5; review and grade student work with an intuitive Classwork tool in grades 6–8; and use new digital Spanish-language resources, accessibility supports, and additional hands-on activities. In addition, Amplify rolled out Amplify Science Transitional Kindergarten, a new program designed to introduce young students to real-world phenomena and jumpstart a lifelong love of science. 

Based on feedback from teachers, which the Amplify team gathers on a regular basis through a variety of channels, the new elements available as part of Amplify Science this 2019-2020 school year include:

  • Classroom Slides, fully editable time-saving supports for teachers, with lesson visuals, activity instructions, animations, investigation setup videos, technology support and more.
  • Classwork, a feedback and grading tool that gives teachers easy access to unreviewed work, student portfolios and groups based on student performance.
  • New digital Spanish-language supports (available as purchased add-on licenses) that enable educators to toggle between English versions online. Educators can also select which resources students can see. 
  • New accessibility supports, including screen-readable content, keyboard navigation improvements and read-aloud support for assessments.
  • Hands-on Flextensions, new additional investigations that give teachers the flexibility to incorporate more hands-on focused activities into select units, if time permits.

The company also debuted Amplify Science Transitional Kindergarten, a new program from UC Berkeley’s Lawrence Hall of Science that is developmentally and pedagogically appropriate and designed to foster a lifelong love of science in young students.

Looking ahead to Back to School 2020, Amplify is already hard at work on Classroom Slides for grades 6–8 and more enhancements to the digital platform that make planning and delivering instruction even easier.

“One of the best parts about working with K–8 educators is listening to how they actually use our program, taking their feedback seriously, and doing something with it,” said Steven Zavari, senior vice president and general manager of science curriculum at Amplify. “We are already hearing great things about the Classroom Slides and other new features available this school year, and we can’t wait to share more details with educators soon about what’s coming next year.”

Amplify Science is a breakthrough K–8 curriculum designed from the ground up for the Next Generation Science Standards by the curriculum experts at UC Berkeley’s Lawrence Hall of Science. In each Amplify Science unit, students inhabit the role of a scientist or engineer to investigate a real-world problem, using relevant, 21st-century contexts to investigate scientific phenomena. Educators who adopt Amplify Science receive a comprehensive curriculum that includes literacy-rich activities, hands-on investigations, digital simulations, embedded assessments and robust teacher supports. Amplify Science for grades 6–8 was the only program to receive all-green ratings on EdReports.org in 2019. The K-5 program is currently in review by EdReports.

Currently in use by more than two million students, Amplify Science has been adopted by the New York City Department of Education, Chicago Public Schools, Denver Public Schools, San Francisco Unified School District, Seattle Public Schools, the KIPP charter network, and hundreds of other districts across the country.

About Amplify

A pioneer in K–12 education since 2000, Amplify is leading the way in next-generation curriculum and assessment. Our captivating core and supplemental programs in ELA, math, and science engage all students in rigorous learning and inspire them to think deeply, creatively, and for themselves. Our formative assessment products turn data into practical instructional support to help students at every skill level build a strong foundation in early reading and math. Our programs provide teachers with powerful tools that help them understand and respond to the needs of all their students. Today, Amplify serves five million students in all 50 states. 

For more information, visit Amplify.com.

Contact: media@amplify.com

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Amplify’s mCLASS selected as the K–3 formative and diagnostic assessment in North Carolina

Brooklyn, NY (June 17, 2021) — Amplify, a publisher of next-generation curriculum and assessment programs, announced today that the North Carolina Department of Public Instruction (DPI) has selected mCLASS® as the K–3 formative and diagnostic assessment for Read to Achieve in North Carolina.

Authored by the University of Oregon, mCLASS with DIBELS 8th Edition is an integrated literacy system based on the Science of Reading and validated for universal screening, progress monitoring, and screening for risk of dyslexia. The mCLASS platform is part of a large-scale Science of Reading initiative in North Carolina that provides educators with the training, tools and data they need to ensure every child has the opportunity to become a confident reader.

“Amplify is honored to partner with DPI on this literacy initiative that is focused on equity and students’ futures,” said Larry Berger, CEO of Amplify. “We look forward to supporting the state of North Carolina in its commitment to early reading achievement.”

“A reliable, valid diagnostic assessment tool is essential for understanding how we can better serve students in their journey to learning how to read. Literacy proficiency remains a priority for us at the Department of Public Instruction, and our work with Amplify will be pivotal to providing feedback to teachers and support staff on the Science of Reading strategies they are implementing in the classroom,” said Superintendent of Public Instruction Catherine Truitt.

mCLASS includes streamlined administration for DIBELS 8th Edition measures, item-level analysis, grouping, robust reports for every stakeholder, a parent portal, and targeted instructional activities. The mCLASS assessment and instruction suite build the foundation for a state-wide Science of Reading-based literacy system driven by data.

About Amplify

A pioneer in K–12 education since 2000, Amplify is leading the way in next-generation curriculum and assessment. Our captivating core and supplemental programs in ELA, math, and science engage all students in rigorous learning and inspire them to think deeply, creatively, and for themselves. Our formative assessment products turn data into practical instructional support to help all students build a strong foundation in early reading and math. All of our programs provide teachers with powerful tools that help them understand and respond to the needs of every student. Today, Amplify serves more than seven million students in all 50 states. For more information, visit amplify.com.

Contact: media@amplify.com

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Amplify acquires School Yourself, leading provider of online math lessons

(NEW YORK, December 17, 2015) Today Amplify announced it has acquired School Yourself, a leading provider of interactive, online math lessons. School Yourself team members will join Amplify, where they will continue to build innovative learning solutions, leveraging their experience in the hard sciences, game design and adaptive learning.

As part of the acquisition, Amplify will incorporate School Yourself’s adaptive authoring program as a component of its next-generation curriculum. The current School Yourself content, which includes more than 250 interactive math lessons, will remain freely available at schoolyourself.org and via edX.

“We were impressed by the passion and creativity of the School Yourself team, and believe their interactive software and high-quality lessons complement our math work, and help us provide a greater degree of personalization,” said Amplify CEO Larry Berger. “We’re pleased to welcome them to the team.”

“Our mission has always been to improve education through innovation,” said School Yourself CEO Zach Wissner-Gross. “By joining with Amplify, we’ll be able to continue that mission, while continuing to support active users of schoolyourself.org.”

About Amplify

Amplify is leading the way in data-driven instruction and setting the standard for next-generation digital curriculum and assessment. Our products and services help educators improve the way they integrate technology and use data in the classroom. We’ve helped more than 200,000 educators and 3 million students in all 50 states.

Contact: media@amplify.com

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Unlock possibility with the Science of Writing

The reality is…writing is hard. It’s hard to learn, it’s hard to teach, it’s hard to do.

Natalie Wexler, author of The Knowledge Gap and The Writing Revolution, says, “Writing is the hardest thing we ask students to do.” Fortunately, we have decades of research that shows us how best to teach and learn how to write, known as the Science of Writing. As an educator your job is to make this hard task easier and more fulfilling for students. And our job is to help you.

Why writing matters: Connection, expression, and better reading comprehension

Without writing, there would be no need for reading, and of course, writing is a part of literacy.

Through writing, students can express their ideas, connect with others, and deepen and communicate their understanding of what they are reading and thinking.

Having strong writing skills ensures students can engage fully in all settings, share their opinions and information, tell stories, and have a voice.

What is the Science of Writing?

Learning to write (and read) isn’t natural but it can be taught—and research shows us how. Like the Science of Reading, the Science of Writing is the collection of research and evidence-based practices that explains how writing develops along with the teaching strategies that help students develop into skilled writers.

Writing proficiency involves mastering the use of a complex set of skills that must be taught explicitly, again just like reading proficiency. The Simple View of Writing breaks down these processes into transcription and composition, and provides us with a framework for guiding instruction.

Download Science of Writing: A Primer

The relationship between reading and writing

Reading and writing reinforce and support each other. When reading, students are exposed to vocabulary, grammar, and syntax. And when writing, students can get more practice to improve the fluency and efficiency of their handwriting, and apply their knowledge of spelling and their understanding of vocabulary, grammar, and syntax.

Readers use comprehension skills such as summarizing, predicting, and making inferences to help them create meaning as they read. Writers use those same skills to develop a piece of writing that is clear and concise for the reader.

The benefits of applying reading skills and strategies when writing

  • If you teach students decoding skills, then they become better spellers.
  • If students learn strategies for planning, drafting, and revising during composition, then their reading comprehension improves.
  • If students have word and vocabulary knowledge, then they’re better at expressing their ideas in writing.
“Steve Graham and Michael Hebert (2010) carried out a meta-analysis of more than 100 studies in which students wrote about text. They found that writing in various ways about what one had read improved comprehension and learning, and it did so better than reading alone, reading and rereading, or reading and discussing.”

—Tim Shanahan, Ph.D.

Distinguished Professor Emeritus, University of Illinois at Chicago (UIC); Literacy researcher and writer

Oral language and writing

Oral language is the foundation for literacy, and its development begins in infancy. As their oral language develops, children learn how to string words into phrases and sentences, which progresses into telling stories and answering questions in detail. And as they listen to stories, children develop vocabulary and understanding of syntax and grammar. All of these build a foundation for writing.

Learn more about oral language and literacy

Discovering the Science of Writing

Explore helpful resources to learn more about the Science of Writing, and the importance of implementing evidence-based instructional practices into your classroom, school, and district.

Books:

Articles:

Webinars:

Podcast episodes:

Writing your way to better reading with Steve Graham, Science of Reading: The Podcast

Knowledge, reading, and writing ebook

Read our ebook to explore the links between knowledge, reading, and writing.

K–5 writing instruction brochure

Explore how to integrate writing and reading instruction for your K–5 students.

Multilingual learners writing ebook

Offer your multilingual learners writing instruction tailored to their needs.

Are you ready to transform your district with the Science of Reading and Writing?

We’re ready to help. Speak with a product expert to learn more.

Inspiring the next generation of Indiana scientists, engineers, and curious citizens

Amplify Science is a proven effective core curriculum designed for three-dimensional, phenomena-based learning that provides an immersive experience for science students. Amplify Science was developed in partnership with the science education experts at UC Berkeley’s Lawrence Hall of Science.

image of Amplify Science and science classroom materials for science teachers

What is Amplify Science?

Amplify Science is a curiosity-driven science curriculum that empowers students to Do, Talk, Read, Write, and Visualize like scientists. Through phenomena-based, literacy-rich, and interactive learning experiences, students develop as critical thinkers who will gain the skills they need to solve real problems in their communities and the world.

Each unit of Amplify Science engages students in a relevant, real-world problem where they investigate scientific phenomena, engage in collaboration and discussion, and develop models or explanations in order to arrive at solutions.

Grounded in research

Developed by the science education experts at UC Berkeley’s Lawrence Hall of Science in partnership with the digital learning team at Amplify, our program features:

  • A phenomena-based approach where students construct a deep understanding of each unit’s anchor phenomenon.
  • A blend of cohesive storylines, hands-on investigations, lively discussions, literacy-rich activities, and digital tools.
  • Carefully crafted units, chapters, lessons, and activities designed to deliver truly authentic three-dimensional learning.
  • An instructional design that supports all learners in accessing all standards.

See more of our research.

Aerial view of the lawrence hall of science at the university of california, berkeley, showcasing the building and surrounding trees with a foggy city backdrop.
Two boys sit at a desk using a laptop in a classroom. Insets show a close-up of sewing, and a child in rain boots splashing in water.

Instructional model

The Amplify Science program is rooted in the research-based proven effective pedagogy of Do, Talk, Read, Write, Visualize.

Here’s how each element works:

Do

Learners engage with scientific phenomena by conducting student-centered investigations.

Talk

Students engage in collaborative and inquisitive discussions and scientific argumentation.

Read

Reading scientific texts is an act of inquiry: Students ask questions, gather evidence, and make connections through literacy.

Write

Students write to share what they have learned and apply new evidence to strengthen written arguments and explanations.

Visualize

Students gather evidence through simulations, physical models, and modeling tools, allowing them to see and investigate complex, microscopic, or otherwise unobservable phenomena.

What’s included

Flexible resources that work seamlessly together

Four children gather around a desk, engaged in a hands-on activity. Two illustrations frame the main image: a storm cloud on the left and a sea turtle on the right.

Grades K–5 materials

A stack of educational science books, ideal for the curious mind of a science student, with titles like "What My Sister Taught Me About Magnets" and "Made of Matter." Perfectly aligned with any science curriculum to inspire young learners in the classroom.

Student Books

Age-appropriate Student Books allow students to:

  • engage with content-rich texts
  • obtain evidence
  • develop research and close-reading skills
  • construct arguments and explanations
Three science notebooks ideal for the science student, titled "Balancing Forces," "History of Earth and Sky," and "Properties of Matter." Each features colorful illustrated covers that enhance three-dimensional learning in the classroom.

Student Investigation Notebooks

Available for every unit, the Student Investigation Notebooks provide space for students to:

  • record data
  • reflect on ideas from texts and investigations
  • construct explanations and arguments
A digital illustration displays a laptop with screens showcasing environmental graphics, including plants and diagrams, perfect for a science student exploring rich science resources.

Simulations and practice tools (grades 2+)

Developed exclusively for the Amplify Science program, these engaging digital tools:

  • serve as venues for exploration
  • enable data collection
  • allow students to explore scientific concepts
  • show what might be impossible to see with the naked eye


A laptop displaying a web page titled "Spinning Earth" sits next to a book on investigation, ideal for the science student delving into valuable science resources.

Teacher’s Guides

Available digitally and in print, the Teacher’s Guides contain all of the information teachers need to facilitate classroom instruction, including:

  • detailed lesson plans
  • unit and chapter overview documentation
  • differentiation strategies
  • standards alignments
  • in-context professional development
A pegboard with pegs, a small solar panel with clips, and three containers with different powdered substances are perfect science resources for enhancing your science curriculum.

Hands-on materials kits

Hands-on learning is at the heart of Amplify Science. Each unit kit contains:

  • consumable and non-consumable hands-on materials
  • print classroom display materials
  • premium print materials for student use (sorting cards, maps, etc.)

Grades 6–8 materials

A laptop displays a diagram about jellyfish population explosion; next to it is a magazine page featuring a scientist who preserves artwork.

Science articles

The middle school science articles serve as sources for evidence collection and were authored by science and literacy experts at the Lawrence Hall of Science.

Four Amplify Science investigation notebooks are displayed, perfectly enhancing any science classroom with their covers showcasing diverse scientific topics.

Student Investigation Notebooks

Available for every unit, the Student Investigation Notebooks provide space for students to:

  • record data
  • reflect on ideas from texts and investigations
  • construct explanations and arguments
  • Available with full-color article compilations for middle school units
Images of data visualization tools displayed on a laptop, showcasing graphs, maps, and analytical data—essential resources for any science student looking to enhance their understanding through interactive learning.

Digital student experience

Students access the digital simulations and modeling tools, as well as lesson activities and assessments, through the digital student experience. Students can interact with the digital student experience as they:

  • conduct hands-on investigations
  • engage in active reading and writing activities
  • participate in discussions
  • record observations
  • craft end-of-unit scientific arguments


A laptop displaying the Geology on Mars webpage sits beside a book titled "Geology on Mars," both featuring the same cover image of Mars and a spacecraft, perfect for enhancing three-dimensional learning in any science classroom.

Teacher’s Guides

Available digitally and in print, the Teacher’s Guides contain all of the information teachers need to facilitate classroom instruction, including:

  • detailed lesson plans
  • unit and chapter overview documentation
  • differentiation strategies
  • standards alignments
  • in-context professional development
A pegboard with pegs, a small solar panel with clips, and three containers with different powdered substances are perfect science resources for enhancing your science curriculum.

Hands-on materials kits

Hands-on learning is at the heart of Amplify Science. Each unit kit contains:

  • consumable and non-consumable hands-on materials
  • print classroom display materials
  • premium print materials for student use (sorting cards, maps, etc.)
Collage of four images: a hairdryer testing a paper structure in a science classroom, a cartoon monkey on a vine, two kids interacting with a wall activity emblematic of three-dimensional learning, and a hand displaying dinosaur-topped pencils with math cards.

Unit Sequence

Our lessons follow a structure that is grounded in regular routines while still being flexible enough to allow for a variety of learning experiences.

In fact, our multimodal instruction offers more opportunities for students to construct meaning—and practice and apply concepts—than any other program. What’s more, our modular design means our units can be flexibly arranged to support your instructional goals.

A chart lists science topics by grade, from Kindergarten to Grade 5, covering subjects like plants, animals, forces, materials, weather, and Earth systems.
A list of science curriculum topics for Grades 6, 7, and 8, organized under each grade with bullet points for subjects like microbiome, geology, energy, and natural selection.

Indiana science resources to support your review

Illustration of Indiana’s outline with a star, surrounded by corn, a barn, a basketball hoop, a blue car, and a pink flower—perfect for inspiring any science student or classrooms focused on three dimensional learning.

K–5 Science Resources

6–8 Science Resources

Contact us

Support is always available. Our team is committed to helping you every step of the way. Contact your dedicated Indiana representative here for program access, samples, and additional information.

A woman with long brown hair and a white top smiles at the camera in front of an orange background, showcasing her passion for the Science of Reading and dedication to Indiana middle school education.

Elizabeth Sillies Callahan

Southern IN
(513) 407-5801

A woman with long brown hair and blue eyes smiles gently at the camera. The background is a light purple circle, reflecting her passion for the Science of Reading and dedication to Indiana middle school education.

Jody Kammer

Central IN
(310) 402-7837

Woman with long brown hair, large black glasses, and a nose ring, wearing a striped shirt and dark blazer, posing in front of a neutral background—professional style suited for the Indiana Department of Education.

Amanda Knipper

Northern IN
(260) 894-5123

A woman with wavy red hair and blue eyes, dressed in a purple turtleneck, smiles at the camera against a dark background—reflecting the approachable spirit of Indiana middle school teachers.

Paige Lawrence

District enrollment below 1200
(980) 421-2608

Tell us about your experience using an Amplify program or service in the classroom!

Use the form below to let us know how you would like to share your story. You can submit your experiences directly through the form or express interest in participating in serving as a reference or joining a research group, and we’ll be in touch!

If you use the Amplify Texas programming, please select your Texas program after selecting your state in the form below.

A closer look at grades 6–8

Amplify Science California is based on the latest research on teaching and learning and helps teachers deliver rigorous and riveting lessons through hands-on investigations, literacy-rich activities, and interactive digital tools that empower students to think, read, write, and argue like real scientists.

In the 6–8 classroom, this looks like students:

  • Collecting evidence from a variety of sources.
  • Making sense of evidence in a variety of ways.
  • Formulating convincing scientific arguments.

Is your school implementing the domain model? Click here.

Collage of four images showing children engaged in educational activities such as conducting experiments and crafting in a classroom setting.
A four-step process diagram with icons: spark a real-world problem, explore sources, explain and elaborate, and evaluate claims, all linking to engage with cohesive storylines.

Program structure

Our cyclical lesson design ensures students receive multiple exposures to concepts through a variety of modalities. As they progress through the lessons within a unit, students build and deepen their understanding, increasing their ability to develop and refine complex explanations of the unit’s phenomenon.

It’s this proven program structure and lesson design that enables Amplify Science California to teach less, but achieve more. Rather than asking teachers to wade through unnecessary content, we designed our 6–8 program to address 100% of the California NGSS in fewer lessons than other programs.

Scope and sequence

Every year our grades 6–8 sequence consists of 9 units, with each unit containing 10–19 lessons. Lessons are written to last a minimum of 45-minutes, though teachers can expand or contract the timing to meet their needs.

Chart displaying educational science topics for grades 6 to 8, categorized by grade level, duration in days, and number of classes. Includes subjects like microbiome, geology, and natural selection.

Unit types

Each unit delivers three-dimensional learning experiences and engages students in gathering evidence from a rich collection of sources, while also serving a unique purpose.

In grades 6–8, there are three types of units:

  • One unit is a launch unit.
  • Three units are core units.
  • Two units are engineering internships.
Launch units

Launch units are the first units taught in each year of Amplify Science California. The goal of the Launch unit is to introduce students to norms, routines, and practices that will be built on throughout the year, including argumentation, active reading, and using the program’s technology. For example, rather than taking the time to explain the process of active reading in every unit in a given year, it is explained thoroughly in the Launch unit, thereby preparing students to read actively in all subsequent units.

Core units

Core units establish the context of the unit by introducing students to a real-world problem. As students move through lessons in a Core unit, they figure out the unit’s anchoring phenomenon, gain an understanding of the unit’s disciplinary core ideas and science and engineering practices, and make linkages across topics through the crosscutting concepts. Each Core unit culminates with a Science Seminar and final writing activity.

Engineering Internship units

Engineering Internship units invite students to design solutions for real-world problems as interns for a fictional company called Futura. Students figure out how to help those in need, from tsunami victims in Sri Lanka to premature babies, through the application of engineering practices. In the process, they apply and deepen their learning from Core units.

Units at a glance

Abstract art with vibrant colors featuring a yellow silhouette of a person holding a book against a background of geometric shapes, swirling patterns, and bold textures.
Microbiome

Domain: Life Science

Unit type: Launch

Student role: Microbiological researchers

Phenomenon: The presence of 100 trillion microorganisms living on and in the human body may keep the body healthy.  

Abstract artwork of a person's side profile with geometric shapes and colorful patterns flowing from the head, holding a small sledgehammer. A vision chart is visible in the corner.
Metabolism

Domain: Life Science

Unit type: Core

Student role: Medical researchers

Phenomenon: Elisa, a young patient, feels tired all the time.  

Download unit guide

Orange abstract background with hexagonal shapes featuring icons of a bar chart, plant, safety vest, test tube, peach, and stethoscope.
Metabolism Engineering Internship

Domains: Life Science, Engineering Design

Unit type: Engineering internship

Student role: Food engineers

Phenomenon: Designing health bars with different molecular compositions can effectively meet the metabolic needs of patients or rescue workers.  

Imagen que muestra un gráfico de arañas de diferentes colores con patrones distintos de patas y cuerpo, incluidas variaciones de color marrón, amarillo y azul. El fondo es una superficie oscura y texturizada.
Traits and Reproduction

Domain: Life Science

Unit type: Core

Student role: Biomedical students

Phenomenon: Darwin’s bark spider offspring have different silk flexibility traits, even though they have the same parents.  

Download unit guide

Illustration of a person in a red hat and fur-lined coat with eyes closed, surrounded by large orange circles on a dark background.
Thermal Energy

Domain: Physical Science

Unit type: Core

Student role: Thermal scientists

Phenomenon: One of two proposed heating systems for Riverdale School will best heat the school. 

Download unit guide

Abstract artwork depicting a bright sun with blue and orange swirling patterns next to green hills under a sky with shades of blue, orange, and red.
Ocean, Atmosphere, and Climate

Domains: Earth and Space Science, Physical Science

Unit type: Core

Student role: Climatologists

Phenomenon: During El Niño years, the air temperature in Christchurch, New Zealand is cooler than usual.  

An illustration from the Weather Patterns unit
Weather Patterns

Domains: Earth and Space Science, Physical Science

Unit type: Core

Student role: Forensic meteorologists

Phenomenon: In recent years, rainstorms in Galetown have been unusually severe.  

Download unit guide

An illustration from the Earth's Changing Climate unit
Earth’s Changing Climate

Domains: Earth and Space Science, Life Science

Unit type: Core

Student role: Climatologists

Phenomenon: The ice on Earth’s surface is melting.  

Download unit guide

Abstract geometric design in shades of blue and purple featuring a hexagon with icons of a building, wrench, molecules, sun, paint can, and screwdriver.
Earth’s Changing Climate Engineering Internship

Domains: Earth and Space Science, Engineering Design

Unit type: Engineering internship

Student role: Civil engineers

Phenomenon: Designing rooftops with different modifications can reduce a city’s impact on climate change.  

A barren, rocky desert landscape with rover tracks leading to a distant vehicle on a hill under a hazy sky.
Geology on Mars

Domain: Earth and Space Science

Unit type: Launch

Student role: Planetary geologists

Phenomenon: Analyzing data about landforms on Mars can provide evidence that Mars may have once been habitable. 

Two prehistoric reptiles with long snouts and tails are near the shore, one on land and one in water, with plants, rocks, and an island in the background.
Plate Motion

Domain: Earth and Space Science

Unit type: Core

Student role: Geologists

Phenomenon: Mesosaurus fossils have been found on continents separated by thousands of kilometers of ocean, even though the Mesosaurus species once lived all together.  

Download unit guide

Geometric design featuring a telescope, mountain, sound waves, and cosmic elements on a purple hexagonal background.
Plate Motion Engineering Internship

Domains: Earth and Space Science, Engineering Design

Unit type: Engineering internship

Student role: Mechanical engineering interns

Phenomenon: Patterns in earthquake data can be used to design an effective tsunami warning system.  

Illustration of a cross-section of Earth showing a volcano near the ocean. Trees, mountains, and clouds are visible above, with subterranean layers below.
Rock Transformations

Domain: Earth and Space Science

Unit type: Core

Student role: Geologists

Phenomenon: Rock samples from the Great Plains and from the Rocky Mountains — regions hundreds of miles apart — look very different, but have surprisingly similar mineral compositions.  

Download unit guide

Ilustración que muestra las etapas de fusión de una paleta de naranja: entera, parcialmente derretida, más derretida y casi derretida por completo, con palitos de madera, sobre un fondo morado.
Phase Change

Domains: Physical Science, Earth and Space Science

Unit type: Core

Student role: Chemists

Phenomenon: A methane lake on Titan no longer appears in images taken by a space probe two years apart

Download unit guide

Green geometric background with a hexagonal emblem containing a parachute icon, ruler, bandage, and stacked layers on a gradient pattern.
Force and Motion Engineering Internship

Domains: Engineering Design, Physical Science

Unit type: Engineering internship

Student role: Mechanical engineering interns

Phenomenon: Designing emergency supply delivery pods with different structures can maintain the integrity of the supply pods and their contents.  

An illustration from the Chemical Reactions unit
Chemical Reactions

Domains: Physical Science, Life Science, Earth and Space Science

Unit type: Core

Student role: Forensic chemists

Phenomenon: A mysterious brown substance has been detected in the tap water of Westfield.  

Download unit guide

An illustration of a whale with jellyfish and turtles from Amplify Science
Populations and Resources

Domains: Life Science, Earth and Space Science

Unit type: Core

Student role: Biologists

Phenomenon: The size of the moon jelly population in Glacier Sea has increased. 

Download unit guide

Low-poly landscape with trees and mushrooms. A fox sniffs the ground, a rabbit sits nearby, and mountains and sun are in the background.
Matter and Energy in Ecosystems

Domains: Life Science, Earth and Space Science, Physical Science

Unit type: Core

Student role: Ecologists

Phenomenon: The biodome ecosystem has collapsed.  

Download unit guide

Two people climbing rocky terrain; illustrations show a hiking boot and a belt with gear.
Harnessing Human Energy

Domains: Physical Science, Earth and Space Science, Engineering Design

Unit type: Launch

Student role: Energy scientists

Phenomenon: Rescue workers can use their own human kinetic energy to power the electrical devices they use during rescue missions.  

Illustration of a futuristic space station with large solar panels, orbiting in deep space, emitting a blue glow from its propulsion system.
Force and Motion

Domain: Physical Science

Unit type: Core

Student role: Physicists

Phenomenon: The asteroid sample-collecting pod failed to dock at the space station as planned.

Download unit guide

Green geometric graphic featuring icons: a baby, thermometer, layers, medical alert, and a flame.
Phase Change Engineering Internship

Domains: Engineering Design, Physical Science

Unit type: Engineering internship

Student role: Chemical engineering interns

Phenomenon: Designing portable baby incubators with different combinations of phase change materials can keep babies at a healthy temperature.  

Illustration of a roller coaster filled with people, hands raised, going down a steep track against a bright blue sky with clouds.
Magnetic Fields

Domain: Physical Science

Unit type: Core

Student role: Physicists

Phenomenon: During a test launch, a spacecraft traveled much faster than expected.  

An illustration from the Light Waves unit
Light Waves

Domains: Physical Science, Life Science, Earth and Space Science

Unit type: Core

Student role: Spectroscopists

Phenomenon: The rate of skin cancer is higher in Australia than in other parts of the world.

Download unit guide

A city skyline at night with a prominent full moon, stars in the sky, and a bridge silhouette on the left.
Earth, Moon, and Sun

Domains: Earth and Space Science, Physical Science

Unit type: Core

Student role: Astronomers

Phenomenon: An astrophotographer can only take pictures of specific features on the Moon at certain times.  

Download unit guide

Four low-poly dinosaurs with missing body sections are standing in a row; one is yellow, and the others are green. They have purple spikes and red patches on their bodies.
Natural Selection

Domains: Life Science, Earth and Space Science

Unit type: Core

Student role: Biologists

Phenomenon: The newt population in Oregon State Park has become more poisonous over time.  

Download unit guide

Red geometric background with icons including a mosquito, DNA strand, bar chart, and world map inside a hexagon.
Natural Selection Engineering Internship

Domains: Engineering Design, Life Science

Unit type: Engineering internship

Student role: Clinical engineers

Phenomenon: Designing malaria treatment plans that use different combinations of drugs can reduce drug resistance development while helping malaria patients.  

Two giant tortoises with long necks stand near water; one tortoise feeds on leaves from a tree while the other is near dense vegetation.
Evolutionary History

Domains: Life Science, Earth and Space Science

Unit type: Core

Student role: Paleontologists

Phenomenon: A mystery fossil at the Natural History Museum has similarities with both wolves and whales.    

Download unit guide

Resources

Two middle school girls use a Student Investigation Notebook to take on the role of scientists and engineers

Pilot support brochure for 6–8 (Integrated)

See how we customized our instructional sequence to fully support the Utah SEEd…

An illustration of a whale with jellyfish and turtles from Amplify Science

Unit phenomena for 6–8

Take a closer look at the unit phenomena featured in each grade level.

A laptop screen displays a simulation about Earth's energy system, with surrounding images showing diagrams and energy flow models.

Classroom Slides for 6–8

Your new hands-free TG is coming soon! These PowerPoints for every lesson make t…

A child wearing safety goggles closely examines an object through a magnifying glass in a classroom setting.

What’s so phenomenal about phenomena?

Learn actionable strategies that will help you implement 3-D teaching and learni…

A student reviews a science textbook and looks at a laptop in a classroom, while other students work together on their science projects in the background.

Active reading in 6–8

Learn how we support students in learning how to interact with scientific texts….

A young person wearing gloves looks through a microscope at a table with laboratory supplies, including bottles, slides, and a tray, against a plain blue background.

Investigations for 6–8

Explore the types of investigations that take place in middle school classrooms….

A laptop screen displaying a map with three ecosystem options, each illustrated by different animal icons and accompanied by relevant data lists.

Sims for 4–8

Two students sit at desks writing in notebooks and using laptops in a classroom setting.

Approaches to assessment in 6–8

Learn about our middle school embedded assessments.

A science education kit includes goggles, measuring cups, books on ecosystems and fuel burning, seeds, a jar, game pieces, and soil. Authored by The Lawrence Hall of Science.

Program component list for 6–8 (Integrated)

Explore the components that come with each unit.

Registration is now closed.

Thank you for your interest, but registration is unfortunately closed.

If you’re interested in hearing about other virtual learning opportunities this fall, please contact us at STEM@amplify.com.

2022 Math & Science Leadership Summit logo featuring geometric shapes and text, highlighting math and science themes, sponsored by Amplify.

About the event

The 1.5-day interactive retreat for math and science district leaders will be held at the Intercontinental Hotel in Chicago, Illinois from October 20–21, 2022. During the retreat, you will spend your time in interactive workshops while learning from thought-leaders, and will also have time to collaborate with other district leaders.

By attending, you will:

  • Immerse yourself in the latest math and science education trends with thought leaders and subject-matter experts.
  • Expand your leadership network while sharing challenges and success stories with other district leaders.
  • Build action plans that you can bring back to your district in interactive workshops.

Logistics

We will have an optional welcome reception on the evening of October 19, and the event will run from 8 a.m. on Thursday, October 20 through 1 p.m. on Friday, October 21.

Participants will be provided breakfast, lunch, dinner, and snacks on the 20th and breakfast, lunch, and snacks on the 21st.

Amplify will cover on-site hotel and meal fees. Attendees are responsible for their own travel costs.

Aerial view of a city skyline with tall skyscrapers, a waterfront, and a road along the shore. The sky is partly cloudy, and the water is a light turquoise.

Meet a few of our speakers

Rebecca Abbott

A woman with short brown hair, wearing hoop earrings and a maroon top, smiles at the camera against a plain light background, radiating confidence and passion for math and science.

Professional Learning Lead

UC Berkeley’s Lawrence Hall of Science

Eric Cross

A man with short dark hair and a trimmed beard smiles at the camera against a plain dark background, reflecting a passion for math and science.

Middle school science educator

Host, Science Connections: The Podcast

Kristin Gray

A woman with long blonde hair, black glasses, and circular earrings is smiling at the camera against a gray background, radiating enthusiasm for math and science.

Math Content Consultant

Amplify

Sunil Singh

A middle-aged man with short gray hair, glasses, and a trimmed beard smiles at the camera. He wears a plaid shirt and is pictured against a dark background, reflecting his passion for math and science.

Storyteller and author

Desiré Whitmore

A person with curly hair, wearing a bright blue jacket and a brown strap over their shoulder, looks back outdoors, as if pondering math and science discoveries on their journey.

Senior Physics Educator

The Exploratorium

Jason Zimba

A man in a suit and tie with short light brown hair, light skin, and a neutral expression, posed against a plain background—his demeanor suggesting a professional in math and science.

Chief Academic Officer, STEM

Amplify

The fine print

While we’ve made every effort to ensure that this invitation is consistent with the gift and ethics rules adopted by most jurisdictions, we recognize that many public officials are subject to rules that do not permit acceptance of this offer or require approval of other officials at your agency. If you do plan to attend our event, please ensure that acceptance of our invitation is fully compliant with your local rules regarding travel, lodging, and meals for events with vendors. Please let us know if we can provide any additional information to support your determination.

Corona-Norco Unified School District

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Amplify Science – Oklahoma

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Amplify Science – Oklahoma

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Boost Reading sample site

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Amplify literacy curriculum sample boxes – TX

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Our new activity page: Inside the renovation

Our new activity page: Inside the renovation

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Logotipo de la Cumbre de Liderazgo en Matemáticas 2020, patrocinada por Amplify. Presenta formas geométricas y texto estilizado "2020" sobre un fondo blanco.

Join us!

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March 2–4

The US Grant Hotel, San Diego

Register Now!

About the event

Join us for two days of interactive and inspirational talks with math education leaders from around the country to discuss where math education is headed. Meet like-minded K–12 leaders as well as change-makers from major universities, EdTech companies, and professional learning organizations dedicated to improving teacher experiences and student outcomes in mathematics. 

We’re hosting an optional pre-conference workshop featuring Patrick Callahan and Chris Weber on Monday, March 2. The pre-conference starts at 12 p.m.

What to expect:

  • Two full days of keynote and breakout sessions covering a variety of K–12 math topics
  • Sessions led by district leaders sharing their work to raise math achievement
  • Evening networking events
  • Engaging speakers with a variety of expertise
  • Insights you can put to use in your district immediately

Meet a few of our speakers

Use this version when there are multiple presenters.

Jason Zimba

Founding Partner of Student Achievement Partners

Lead writer of the Common Core State Standards for Mathematics

Sunil Singh

Founding Partner of Student Achievement Partners

Lead writer of the Common Core State Standards for Mathematics

Christina Lincoln-Moore

Founding Partner of Student Achievement Partners

Lead writer of the Common Core State Standards for Mathematics

Use this version when there is only one presenter, rather than many.

Promotional image featuring an author next to her book titled "the knowledge gap," set against a background of colorful geometric shapes.

Natalie Wexler

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Event agenda

Monday, March 2

Arrivals

Pre-conference workshop featuring Chris Weber and Patrick Callahan

Sessions begin at 1 p.m. Pacific and include:

  • Adult and Student Mindsets and Math Supports
  • Enhanced Mathematics

3:00 p.m. Hotel check-in available

6:00 p.m. Welcome reception and dinner

Tuesday, March 3

8:30 a.m. Sessions begin

Sessions include:

  • Math milestones with Jason Zimba
  • Unfinished learning with Phil Daro
  • Powerful moments in math class with Mike Flynn
  • Utilizing math history to embrace equity, failure, and authentic problem-solving in leadership communities with Sunil Singh
  • Radical change in high school mathematics: Addressing wicked problems of tracking, acceleration, and curricular change with Mike Steele

6:30 p.m. Evening event

Wednesday, March 4

8:30 a.m. Sessions begin

Sessions include:

  • Embedding problem-solving into your curriculum with Fawn Nguyen
  • Writing in mathematics: The power of mathematics explanations with Jessica Balli
  • Talk Number 2 Me: Mathematics and mindfulness with Christina Lincoln-Moore
  • Writing in mathematics: The power of mathematical explanations with Patrick Callahan

4:00 p.m. Departures

Submit the form to register for the event!

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The fine print

While we’ve made every effort to ensure that this invitation is consistent with the gift and ethics rules adopted by most jurisdictions, we recognize that many public officials are subject to rules that do not permit acceptance of this offer or require approval of other officials at your agency. If you do plan to attend our event, please ensure that acceptance of our invitation is fully compliant with your local rules regarding travel, lodging, and meals for events with vendors. Please let us know if we can provide any additional information to support your determination.

Amplify literacy curriculum sample boxes

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Welcome, LAUSD educators!

Introducing Amplify Desmos Math California, a curiosity-driven TK–12 program that builds lifelong math proficiency. Each lesson poses problems that invite a variety of approaches before guiding students to synthesize their understanding of the learning goals. Students encounter math problems they’re eager to solve, while teachers spend more time where it’s most impactful—creating a collaborative classroom of learners.

Start by watching our welcome video to the right, then learn more about the program and begin your review below.

Curriculum overview

Watch the videos below for an overview of Amplify Desmos Math California:

Built for California

An educational worksheet on robots, featuring a graph with red, purple, and blue robot icons, and instructions for a warm-up activity.

The Amplify Desmos Math California program is designed around the vision articulated in the Mathematics Framework for California Public Schools: Kindergarten Through Grade Twelve to enable all California students to become powerful users of mathematics. Our program incorporates the latest research in student learning, meaning that we:

  • Focus on the Big Ideas: Amplify Desmos Math California’s courses, units, and lessons are centered around the Big Ideas. Big Ideas, like standards, are not considered in isolation. In addition to each unit and lesson’s focal Big Ideas, Amplify Desmos Math California also provides connections among the Big Ideas across units and lessons.
  • Center on open and engaging tasks: Amplify Desmos Math California is grounded in engaging tasks meant to address students’ often-asked question: “Why am I learning this?”  Students are invited into learning with low-floor, high-ceiling tasks that provide an entry point for all. Open tasks in Amplify Desmos Math California provide the space for students to try on multiple strategies and represent their thinking in different ways, and allow student explanation and discussion to serve as the center of the classroom. All lessons offer both print and digital representations.
  • Provide enhanced digital experiences: Amplify Desmos Math California includes digitally-enhanced lesson activities, incorporating interactive digital tools alongside print materials. These purposefully-placed resources allow students to visualize mathematical concepts, receive actionable feedback while practicing, encounter personalized learning support from an onscreen tutor, and engage in discussions about their thinking and approaches.
  • Treat core instruction and differentiation as integral partners: The Amplify Desmos Math California curriculum provides teachers with lessons, strategies, and resources to eliminate barriers and increase access to grade-level content without reducing the mathematical demand of tasks. Every activity has multiple entry points to ensure that all students are supported and challenged. Intervention and personalized learning activities are directly connected to lesson content and offer students individualized support as they dive into the mathematics.

About the program

Taking the IM content further.

A laptop displays a math activity about platform heights and tube length, while a worksheet titled "Hamster Homes" is visible in the background.

Amplify Desmos Math California is a curiosity-driven program that builds lifelong math proficiency. Each lesson poses problems that invite a variety of approaches before guiding students to connect their understanding of the learning goals.

Students encounter math problems they’re eager to solve, while teachers spend more time where it’s most impactful: creating a collaborative classroom of learners.

We chose to base our program on the extensively field-tested IM K–12 MathTM authored by Illustrative Mathematics. IM K–12 Math is a problem-based curriculum. It asks students to grapple with well-designed and thoughtfully sequenced real-world mathematical problems to build their understanding of how to efficiently solve them.

Begin your review to see how we’ve taken the IM K–12 Math content further.

Begin your review

Using a Google Chrome or Safari web browser, click the orange button below or navigate to learning.amplify.com and select “Log in with Amplify.” Please note, these demo accounts expire on April 04, 2026.

K–8 English credentials

  • Username: t1.lausd_adm_k8@demo.tryamplify.net
  • Password: Amplify1-lausd_adm_k8

K–8 Spanish credentials

  • Username: t1.lausd_k8_spanish@demo.tryamplify.net
  • Password: Amplify1-lausd_k8_spanish

AGA credentials

  • Username: t1.lausd_aga@demo.tryamplify.net
  • Password: Amplify1-lausd_aga
Review now!

Welcome, Montgomery County educators!

Introducing Amplify Desmos Math, a curiosity-driven program that builds lifelong math proficiency. Each lesson poses problems that invite a variety of approaches before guiding students to synthesize their understanding of the learning goals. Students encounter math problems they’re eager to solve, while teachers spend more time where it’s most impactful—creating a collaborative classroom of learners.

Learn more about the program and begin your review below.

A laptop displays a math problem on its screen with illustrations of fish and a clock, alongside two math activity books titled "Amplify Desmos Math" for grades 3 and 5.

About the program

Taking the IM content further.

A laptop displays a math activity about platform heights and tube length, while a worksheet titled "Hamster Homes" is visible in the background.

Amplify Desmos Math is a curiosity-driven program that builds lifelong math proficiency. Each lesson poses problems that invite a variety of approaches before guiding students to connect their understanding of the learning goals.

Students encounter math problems they’re eager to solve, while teachers spend more time where it’s most impactful: creating a collaborative classroom of learners.

We chose to base our program on the extensively field-tested IM K–12 MathTM authored by Illustrative Mathematics. IM K–12 Math is a problem-based curriculum. It asks students to grapple with well-designed and thoughtfully sequenced real-world mathematical problems to build their understanding of how to efficiently solve them.

Begin your review to see how we’ve taken the IM K–12 Math content further.

Begin your review

Click here to explore samples of print Amplify Desmos Math materials.

To explore the full program and digital lessons, click the orange button below or navigate to learning.amplify.com and select “Log in with Amplify,” then log in with the credentials below.

  • Username: t1.mcpsadm@demo.tryamplify.net
  • Password: Amplify1-mcpsadm
Review now!

Resources to get started

Once logged in, check out the PD Library to see teaching tools such as videos of demo lessons and pacing guides.

To learn more about Progress Monitoring with mCLASS Math, view the mCLASS Math program overview walkthrough.

To review parent resources, explore the Amplify Desmos Math Caregiver Hub, which includes caregiver resources for each unit and information on how to support math learning at home.

In addition to the PK-A1 Amplify Desmos Math courses, Amplify has responded to the state’s Request for Information (RFI) for the development of an Integrated Mathematics Algebra 1 course aligned to the new Maryland mathematics standards. We intend to work with the state on their timeline and expectations in support of statewide implementation in school year 2027-2028. We would value an opportunity to collaborate with MCPS as we move forward with exploration on the development of this course, preparation for the transition during school 2026-2027, as well as planning for Integrated Mathematics Algebra 2.

Standards alignment

Click the links below to view a correlation of Amplify Desmos Math to the Maryland College and Career Ready Standards for Mathematics.

Amplify Desmos Math PreK Resources

Amplify Desmos Math Accelerated 6/7 Resources

Welcome, LAUSD educators!

Introducing Amplify Desmos Math California, a curiosity-driven TK–12 program that builds lifelong math proficiency.

Our program fully aligns with LAUSD’s screen-time resolution. We are 100% print-based, with optional
technology resources available, in direct accordance with the school board’s newly approved guidelines.

Start by watching our welcome video to the right, then learn more about the program and begin your review below.

Curriculum overview

Watch the videos below for an overview of Amplify Desmos Math California:

Built for California

An educational worksheet on robots, featuring a graph with red, purple, and blue robot icons, and instructions for a warm-up activity.

The Amplify Desmos Math California program is designed around the vision articulated in the Mathematics Framework for California Public Schools: Kindergarten Through Grade Twelve to enable all California students to become powerful users of mathematics. Our program incorporates the latest research in student learning, meaning that we:

  • Focus on the Big Ideas: Amplify Desmos Math California’s courses, units, and lessons are centered around the Big Ideas. Big Ideas, like standards, are not considered in isolation. In addition to each unit and lesson’s focal Big Ideas, Amplify Desmos Math California also provides connections among the Big Ideas across units and lessons.
  • Center on open and engaging tasks: Amplify Desmos Math California is grounded in engaging tasks meant to address students’ often-asked question: “Why am I learning this?”  Students are invited into learning with low-floor, high-ceiling tasks that provide an entry point for all. Open tasks in Amplify Desmos Math California provide the space for students to try on multiple strategies and represent their thinking in different ways, and allow student explanation and discussion to serve as the center of the classroom. All lessons offer both print and digital representations.
  • Provide enhanced digital experiences: Amplify Desmos Math California includes digitally-enhanced lesson activities, incorporating interactive digital tools alongside print materials. These purposefully-placed resources allow students to visualize mathematical concepts, receive actionable feedback while practicing, encounter personalized learning support from an onscreen tutor, and engage in discussions about their thinking and approaches.
  • Treat core instruction and differentiation as integral partners: The Amplify Desmos Math California curriculum provides teachers with lessons, strategies, and resources to eliminate barriers and increase access to grade-level content without reducing the mathematical demand of tasks. Every activity has multiple entry points to ensure that all students are supported and challenged. Intervention and personalized learning activities are directly connected to lesson content and offer students individualized support as they dive into the mathematics.

About the program

Taking the IM content further.

A laptop displays a math activity about platform heights and tube length, while a worksheet titled "Hamster Homes" is visible in the background.

Amplify Desmos Math California is a curiosity-driven program that builds lifelong math proficiency. Each lesson poses problems that invite a variety of approaches before guiding students to connect their understanding of the learning goals.

Students encounter math problems they’re eager to solve, while teachers spend more time where it’s most impactful: creating a collaborative classroom of learners.

We chose to base our program on the extensively field-tested IM K–12 MathTM authored by Illustrative Mathematics. IM K–12 Math is a problem-based curriculum. It asks students to grapple with well-designed and thoughtfully sequenced real-world mathematical problems to build their understanding of how to efficiently solve them.

Begin your review to see how we’ve taken the IM K–12 Math content further.

Begin your review

Using a Google Chrome or Safari web browser, click the orange button below or navigate to learning.amplify.com and select “Log in with Amplify.”

English credentials

Spanish credentials

Review now!

S4 – 02. Bethany and Dan share their math biographies

Promotional graphic for "math teacher lounge," season 4 episode 2, featuring photos and names of math teaching guests Bethany Lockhart and Dan Meyer.

In this episode, co-hosts Bethany Lockhart Johnson and Dan Meyer get personal and share their “math bios”—their early experiences with math and how those experiences turned them into the educators they are today.

Explore more from Math Teacher Lounge by visiting our main page. 

Download Transcript

Dan Meyer (00:00):

We’re recording. What’s up, everybody. This is Dan Meyer with Math Teacher Lounge.

Bethany Lockhart Johnson (00:08):

And I’m Bethany Lockhart Johnson. We are so excited to be back. Season Four, Episode Two. Hi, Dan.

Dan Meyer (00:16):

Hey, Bethany, how are you doing today?

Bethany Lockhart Johnson (00:18):

I’m so excited to be talking with you! You know, as we record this, our reunion at NCTM is getting closer and closer.

Dan Meyer (00:28):

The NCTM live show is gonna be bonkers. I don’t think people are ready for it. You think you know what we’re about on MTL from listening to us, but the live show is gonna be outta control. You cannot imagine how many clowns and elephants Bethany wants to have at the live show. We’re still—we’re trying to talk her down from like three to one, but we’ll see.

Bethany Lockhart Johnson (00:44):

All I want is the t-shirt cannon. Because I used to go to these baseball games and they would have a t-shirt cannon. And I thought, I wanna operate a t-shirt cannon! So like, if I could be standing on stage aiming t-shirts at people who are jumping up and down requesting a t-shirt? I don’t know. Doesn’t that sound fun?

Dan Meyer (01:01):

Sounds awesome. High point of my college education was catching a t-shirt. No, it was—it was a burrito. It was a burrito cannon. But I think it was just a t-shirt cannon, but it was a burrito cannon. And I caught a burrito at a game and it was probably the most memorable moment of all of college education for me.

Bethany Lockhart Johnson (01:16):

Was the burrito still warm?

Dan Meyer (01:18):

Oh yeah. I think it got—like, I think it might’ve been warm at one point and then it got warmed back up through the muzzle velocity of the cannon. So it was a pretty great system they had going on there. <Laugh> Yeah. <Laugh> Anyway, I’m off topic, but, we’re thrilled to—I’m thrilled to chat with you and we’re thrilled to be listened to by you folks out there in MTL land. In the lounge itself. We got a fun show today.

Bethany Lockhart Johnson (01:40):

So if you listen to Episode One—which if you haven’t, hope you go back and listen to it—if you listen to Season Four, Episode One, you’re gonna hear—we asked Huon, KT, who is this delight of a joyful teacher. We asked her to talk to us about what’s her math bio. And we want to ask all of our guests—like, I wanna go back and ask every single guest we’ve ever had to tell us their math bio.

Dan Meyer (02:06):

Yep.

Bethany Lockhart Johnson (02:06):

Because, while seemingly simple in nature, our students enter our math classroom already having had this relationship with math and these notions about their role in math or what they think about math. And it impacts our school year with them if we’re a teacher. And it impacts our relationship with math as we move through our education and beyond. Right? And I I’m so excited about this question, ’cause I think it also ties into this theme for Season Four, which is joyful math, and diving into “When has math felt joyful? When has it not? Does it feel like—how do we think about how our math bio, our relationship with math, has evolved into a joyful or less joyful place?”

Dan Meyer (02:54):

I get it. And what’s really key here, I think, is that teaching more than other professions is a generational profession. You know what I’m saying? Like, no one is like, “Well, you know, I sold insurance to you and now you’re selling insurance to, you know, my grandkids; that’s amazing!” But people are always posting photos when, like, you teach someone who then becomes a teacher later. Teaching is a generational sort of thing. So the kinds of joyful experiences that we offer or don’t offer students now affect the experiences that students who haven’t even been born yet will have, you know, some 20, 30 years later. That, to me, is a trip. And well-worth exploring, you know, how we got here, mathematically speaking.

Bethany Lockhart Johnson (03:39):

I remember a friend had sent me this image of an assignment that her son got that was asking for their Mathography. They wanted to know about their history of mathematics. And this was their first assignment. And this teacher, I would like to imagine, read them all and used it to inform conversations about students’ relationship with math. And, you know, some of the questions they asked were thinking about whether you consider yourself, quote, unquote, “good at math.” Like “what kind of experiences have you had? What do you like or dislike about math? What is, you know—what do you expect to learn in math this year?” Just asking students to actually pause and examine and reflect on their relationship and then also looking forward to, like, what kind of a classroom community do we wanna create? And I loved that assignment. And yeah, so today’s episode Dan, guess what?

Dan Meyer (04:32):

What’s going on? What’s happening?

Bethany Lockhart Johnson (04:33):

I figured we should ask each other about our math bio.

Dan Meyer (04:39):

I think the people out there would love to know this about us. ‘Cause you know, we’re both awesome. But also what’s really cool here is that like, I don’t know this about you. Like not, not a lot. You know, the folks at Amplify, they kind of assembled me and Bethany together in the same way that record labels assembled pop boy bands, girl bands, that kind of thing, back in the day. You know, grabbing some stars from screen or film and just like throwing ’em together and saying, “All right, now you’re here to perform together.” And so it’s just a really good moment for us to, like, settle back and just know who we’ve been working with for the last three seasons and change here. I love it.

Bethany Lockhart Johnson (05:15):

Well, I don’t know. I don’t actually agree with that, Dan. Because don’t you remember? We knew each other beforehand. And while I would like to think of us as…oh, I’ll say One Direction—well, no, One Direction is now defunct. Who’s another band that got formed by one of those shows and is still together and still—

Dan Meyer (05:33):

BTS! K-Pop, you know! Let’s go!

Bethany Lockhart Johnson (05:35):

K-pop. BTS.

Dan Meyer (05:38):

Let’s go, Bethany <laugh>.

Bethany Lockhart Johnson (05:39):

So can we incorporate some K-pop into the NCTM Math Teacher Lounge live episode? Don’t answer now. Don’t answer now. OK. So not only are we gonna share our math bios, but we want to encourage you listeners to share your math bio with somebody in your life. It could be a child in your life, maybe talking to your kiddo about what was it like. What was math like for you? It could be a student that you have. It could be a partner, a friend, a parent. I mean, the sky’s the limit. Share your math bio. And most of all, share with us. We wanna hear about your math bio and you can share it with us at Twitter, at MTLShow, or in our Facebook group, Math Teacher Lounge.

Dan Meyer (06:26):

Stop on by, please. All right. I’m gonna just share like, just a couple of quick, signposts. Not the full bio. Gotta leave them wondering about something here. But here’s a few quick highlights and lowlights of my math bio and how, maybe, it made me the teacher that I was and the educator I am. Is that cool?

Bethany Lockhart Johnson (06:44):

Wait, I didn’t even, I didn’t ask you yet.

Dan Meyer (06:46):

Ask me what?

Bethany Lockhart Johnson (06:47):

Hey, Dan!

Dan Meyer (06:49):

Is there like a magical word? Like, what’s your math bio? <Laugh> Oh, go for it. No, no, that’s right. They won’t know what I’m talking about. Why is he talking about his math bio? Bethany—

Bethany Lockhart Johnson (06:57):

That whole lead-in that we just gave? They might not know.

Dan Meyer (07:00):

Yeah. We just talked about math bios for the last 20 minutes. But yeah, they might not know what we’re—

Bethany Lockhart Johnson (07:04):

<laugh> So Dan, why don’t you go first? ‘Cause I know you were gonna ask me to go first, but why don’t you go first? Dan? What’s your math bio?

Dan Meyer (07:12):

Oh, wow. Well, thank you for the formal invitation to share my math bio, Bethany Lockhart Johnson. So, I’ll just share—I just wanna share a couple items here, not the full history. Gotta leave ’em—leave a little mystery in there, you know what I’m saying? But here’s a few highlights and lowlights, and I think what it means for me as an educator. So, I was homeschooled for eight years. That was big—did a lot of math learning on my own. Couple of lowlights from that, a lot of highlights, in terms of just like being able to, like, learn at my own rate and just jump on ahead and pursue different wacky things. But I tried to switch into public school in fourth grade and I lasted, um, four hours. I didn’t even go to class. I enrolled and then it was like, boom, I was out of there. Because we went to the school; we met the teacher, saw the room, very nice person and place. But I got the homework assignment and the homework assignment was gibberish. I had no idea what to do and such was this feeling of just, like, despair and hopelessness, I was like, I cannot be a part of this. I remember the assignment. It was about identifying scalene, isosceles, and equilateral triangles. I’ll tell you this: I am quite good at that now. But at the time, like, I didn’t know what those words meant. And you know, at that moment we had Encyclopedia Britannica, could not Google this or even Ask Jeeves or AltaVista this so well back then. It just—it was an entry moment of failure and realizing that so much of math is like a, kind of a social kind of construct. And if you’re not part of that social circle, what can you do? So that was a bummer. Another bummer was eighth-grade math, learned it all by way of videotape. You know, put in the tape and watch—not gonna say the person’s name and not this person’s fault—but it was just like watching someone work on a whiteboard. Kind of a precursor to Khan Academy, kind of a drag. Went to high school—

Bethany Lockhart Johnson (09:02):

Wait, wait, wait, wait. We were—I’m not ready to jump to high school. Wait. Can you pause for just a second?

Dan Meyer (09:06):

Yeah. Rock on.

Bethany Lockhart Johnson (09:07):

I just need you to go back to the triangle thing. So in that moment, what did that mean for you that you had had all these experiences with math and then you encounter math in a completely different sphere, a public school, and it did not have a connection or meaning to you because prior to that, it sounds like it was pretty positive. Right? Explore these things you’re curious about; there’s not, like, a level you need to stick with…

Dan Meyer (09:33):

Yep, yep. Yeah. I think that’s right. Maybe it was a little bit of a classic, like, “Oh, I didn’t have a growth mindset; my mindset was like, ‘Oh, I’m good at math because I am, you know, born that way,’” and all of a sudden, that identity was, you know, thrown into question. And, you know, my foundation was all of a sudden quite shaky. And yeah, that’s—you know, I think I taught a lesson recently where I was like, “Hey, this whole thing with a less-than or equal-to sign and a greater-than or equal-to sign, like what those signs are: it’s just, it’s language. And if it’s confusing to you, it’s not because you’re bad at math; it’s ’cause language is oftentimes confusing ’cause people have to agree on it.” So I dunno, that sort of thing is kind of filtered in, filtered back in periodically, some sympathy for like how a lot of math is like just socially agreed upon ways of working with, you know, numbers, shapes, patterns, that kind of thing.

Bethany Lockhart Johnson (10:20):

OK.

Dan Meyer (10:21):

Anyway.

Bethany Lockhart Johnson (10:21):

  1. And in this home school—I have a lot of questions about that, but I’ll stick to one—were you in a community of people that you talked about these math ideas with? Were you homeschooled solo? You have a sibling, so I think you were together, right?

Dan Meyer (10:39):

Yeah. Yeah. I’ve got a twin sister. So we were, you know, like, right on with each other the whole way through there. And yeah, so we had—but it wasn’t, it wasn’t like a—it was a lot of individual work, with my flavor of homeschooling.

Bethany Lockhart Johnson (10:54):

  1. Got it. And the tapes—wait, before you go to high school, the tapes, the VHS tapes, which I’m just loving this image—

Dan Meyer (11:02):

Yeah.

Bethany Lockhart Johnson (11:02):

Was that a positive experience? Was that because that was an area of math that whoever was homeschooling you wasn’t that comfortable with? Why was it that route for the tapes, and what was that? Was that joyful for you?

Dan Meyer (11:15):

Yeah, definitely not joyful. Yeah, it was like, if you had questions, you couldn’t really ask them of the VHS tape. It didn’t work out so well in that way. And it was a lot of operational-type math. It was, you know—there was no give and take; it was all kind of take. From the video teacher. And yeah, I was doing that because my homeschool teacher, my mom, who is very smart in lots of areas, did not have the math knowledge or confidence, especially to help with math at eighth grade. And that was a big reason why, flash-forward to the next year, went to high school.

Bethany Lockhart Johnson (11:48):

Nice segue. OK.

Dan Meyer (11:50):

<laugh> You caught up to high school…I encountered just like four years of just crazy-good, just bonkers-good math teachers who just really changed a lot for me. Especially, Mr. Bishop and Mr. Cavender, very cool folks who did a lot. And especially, I think Mr. Bishop and Cavender both modeled for me what curiosity from a knowledgeable adult looks like. Like someone who, you know, now I can say to myself, “Oh, they were kind of like putting on an act of being very curious about answers they were hearing for the 2000th time from a student,” let’s say, but what a powerful experience that was for me to feel like, “Oh, wow, my thoughts are interesting to someone besides myself.” I got like, maybe it’s two real highlights that I’ll just point to, from my math bio that made me the math teacher and person that I am. Let’s see here. Maybe three, if you you’ll indulge me. One is just like the idea that you could do math wherever you have your brain, a pencil and a paper. And so I remember like in high school, I was in church with my family and kind of a little bit bored of whatever’s going on. And I just had the Bolton and I like drew a pentagon, a regular one, then a hexagon, a regular one, and kept on drawing, like adding sides to the shape. And it was like, it was becoming a circle. And, you know, I was able to take the area of each of those shapes and say, you know, “What happens as you send the number of sides to infinity?” And watch as the formula for area of a circle, Pi R squared, popped out. And it was kind of a literal religious experience, in that moment, just like, “Wow, like my brain’s so cool and math is so cool and paper and pencil’s so cool.” And so there’s that. Just that kind of experience was pretty awesome. And then I would just say like, I’ve had some really fantastic experiences with math in the world itself. Stuff like—let’s see, this is gonna invite more questions from Bethany, probably, maybe I should avoid—I got, I have a Guinness—I have a Guinness world record that’s almost 20 years old. This Guinness world record is—it’s old enough to drive basically at this point. And almost old enough to drink. But like it was—it was a record for chaining the longest paper clip chain together in 24 hours. And the only way I was able to break that record was through mathematics. Where, like, I would be finishing a box of clips. And I would say to my buddy who was there, “I just finished a box of clips.” And that person would type in the number of clips that I had just done. And then a mathematical formula that I had created would tell me how many—how long the chain was at that point. It was being rolled around a spool. And like, it’s just like, wow. So math just made this possible. You know, math revealed that the record I was trying to beat was beatable, because I did the math on it. It was, like, thousands of feet long in 24 hours. And other folks might be like, “Oh, like, that’s that’s huge!” But me, I was like, “All right, let’s divide this out. You know, divide by 24 hours in a day, divide by 60 minutes an hour, 60 seconds in a minute. Oh, that’s like one clip every four seconds. That’s really slow.” You know, think about that <counts aloud>, “Clip, two, three, four. Clip two, three…” It was just slow. So math helped me, you know, wreck that record. Which to my knowledge still still stands. Don’t get any ideas, Math Teacher Lounge Folks! Is this news to you, Bethany? You haven’t blinked in the last, like, five minutes. I’m curious if this is new.

Bethany Lockhart Johnson (15:20):

It is news to me. And I have so many questions. Because OK, if four seconds was slow, so then what was your like—so then I’m assuming a hundred clips per box? Like, what was the rate, you know, per box? How long did it take you to complete a box? What did this friend like? Did this friend stick with you for the whole 24 hours? Did you really do it for 24 hours? Or once you beat the record, did you rest? How did you account for biological function? Like, needs? Like a restroom?

Dan Meyer (15:51):

<Interrupting> Like what?

Bethany Lockhart Johnson (15:51):

Eating.

Dan Meyer (15:51):

Like what, Bethany? OK.

Bethany Lockhart Johnson (15:52):

Um, Sleep.

Dan Meyer (15:55):

So yeah, maybe we dive into some of the specifics in a different time.

Bethany Lockhart Johnson (15:59):

Just tell me one of ’em. Tell me one.

Dan Meyer (15:59):

I’ll just say. So as to discourage other Math Teacher Lounge listeners from taking this on—back off of the record, folks!—this was back in college, so I was a little more limber back then. But I did one—I think it was 1.8 seconds per clip. For an entire 24 hours. Just like, so just like think about it, would you? If you’re gonna step to me on this one, just think about that, OK? And then, and then, you know, make an informed decision.

Bethany Lockhart Johnson (16:28):

Wait. Wait, wait, I just wanna tell you one thing. I’m picturing somebody with a straw, and like, giving you water as you keep clipping. I’m picturing, like, music, I…

Dan Meyer (16:37):

That’s not far. That’s not far. That’s not far from—yeah.

Bethany Lockhart Johnson (16:40):

So many questions! OK. Go on. Sorry, sorry, sorry. Go on. This is your bio.

Dan Meyer (16:44):

We gotta, I gotta wrap this up. I wanna hear your bio. But, like, I would just say like this move to this sense that math is actually a thing that’s useful for more than just a grade; it’s useful for more than just, you know, the societal, you know, adulation that comes from being a math nerd. That kind of thing. And so that, I think that affected a lot of math teaching for me. And, if I gotta, like, summarize math teaching itself in a journey, it went from like, “Hey kids, aren’t I awesome?” to, “Hey kids, isn’t math awesome?” to “Hey kids, aren’t you awesome?” And like that journey was facilitated by lots and lots of people, you know, a lot of personal growth, but at this point, at one point I was like, “Hey, math can help you get records and whatnot. It’s really useful.” And now I’m like, “Wow, your brain’s just doing just really interesting things. I can help you understand how interesting those things are, and maybe make them more interesting, or interesting in a different way, with some help here.” Let’s put a pin in that. That’s the math bio.

Bethany Lockhart Johnson (17:50):

  1. So I have no doubt that if you ask someone in your life, listeners, for their math bio, that you will discover things about them that you never knew. Literally the questions that I have…I have so many question. And Dan is very good at, you know, bringing me back. Bring me back, like, come on, come on. But I just wanna say, overall, your journey seems pretty joyful. It seems pretty joyful. It seems pretty full of confidence. I don’t wanna say “ego” in a negative way, but I wanna say you were buoyed by these experiences that allowed you to feel like math was a place for you to thrive.

Dan Meyer (18:36):

Right.

Bethany Lockhart Johnson (18:36):

Where you could try out things. You could try it out and just, “I could do that!” Right? Like…your relationship just felt very, like…you felt like you had autonomy, agency, perhaps much like you, you operate in this world. Dan, is that, is that right <laugh>?

Dan Meyer (18:54):

Yeah, I think it’s fair to say. And without telling too much of her story, my twin sister with whom I share most things, including genetics, you know—she had a very different experience in math early on. She’s brilliant. She’s a doctor. And not, you know, the book kind of doctor that I am, but like a real, you know, medical doctor. She’s brilliant. But we were—we encountered different messages about who math was made for, early on in, you know, in our entire math learning. And she—we both digested the messages that we were sent, and took, you know, different, different paths because of them, for sure.

Bethany Lockhart Johnson (19:31):

Funny how that works. I thank you, Dan. I do. For in all sincerity, I appreciate you sharing that. And I think that it’s exciting to hear how it influenced your teaching. It feels like you want to cultivate those experiences for your students. And I’ve been in the room when you’ve presented; I was in a room where you taught a class live. It felt like you were making space for the students to have these aha moments. And it feels like in your work at Desmos, and now Amplify, you’re trying to create these products that allow folks to recreate these amazing math moments. Right? And that it’s for everyone and that it’s accessible and it can be very positive. I feel like I have this new perspective on kind of the energy you bring to your teaching. So thank you for sharing that.

Dan Meyer (20:24):

Yeah. Been a pleasure. Thanks for your questions here, Bethany. And it’s been—it’s been fun to reflect on it. And I do—I do feel very lucky in lots of ways. Privileged. Lucky. I know, like—I think the world has been set up for my success in lots of ways, as who I am. But I do just…yeah, I feel—I want more people to experience what it’s like when you walk into a math classroom and it’s like, “Hey, this place is for you. You have interesting thoughts about this. Let’s get ’em out.” So that’s awesome. I would love to hear about you and how you…I mean, we have taught different kinds of kids. You know, I taught kids who I think were somewhat set in, they’re a little bit more solid at secondary in who they are as a math learner. Like “I know who math is and who I am with math.” And I’m really excited to hear what your math bio allowed you to do with students who were perhaps open to the idea that they are very mathematical or at least not yet closed off to those possibilities. So, yeah. What are some of the high, the, you know, the high and low water marks of the making of Bethany Lockhart Johnson, math teacher? <Laugh>

Bethany Lockhart Johnson (21:24):

Thanks for asking, Dan. <Laugh> I’ve shared aspects of my math bio because I think it really informs the way that I talk to people about math and think about math. And I like to share it because I want folks to consider their own journey with math, as we like engage with problem-solving and sense-making and thinking about the students in our classroom. My dad is a math and computer science major. So he had a computer very early on. I wish he had invested in Apple early on when he had like one of the first Apple computers ever. And, sorry, dad, but it’s true. I do wish you had done that.

Dan Meyer (22:10):

I’m sure he does too.

Bethany Lockhart Johnson (22:11):

Oh, he does. So math and computers and conversations about counting, you know, it felt like it was kind of just normal. Like it was around me. And I went to Montessori, which is a private school that—oh, they have some public Montessori—but it’s very self-directed. And so we would have these kind of charts, these goals for the day that you explored. And so we would explore math in very, I don’t know, very organic ways, with these natural materials. And I feel like I excelled at math, but it wasn’t something that I was conscious of. It was just like, “Oh, well, yeah. Math, it’s, you know, something we do.” And then when I went to—when I left Montessori in fourth grade, I remember that year being a lot of like repetition. I was like, well, we did this. We covered this. And except for the mission project that we hadn’t done, that was all new. And that’s it. For another time I’ll share about that. But <laugh> then, they actually, I was moved with a group of students to the fifth grade math class, ’cause we had already done the work that we were doing. And so, it wasn’t that it felt like it came easily, but it did make sense. What we were doing made sense. And then it all kind of changed. There was a lot of change in my family. There was, like, missed school time. And we moved and I went to a new middle school and I was in this environment with students who—it was like an accelerated program. And so I was in this environment with students who were pretty competitive with each other. And I remember going—and I was not from of a competitive environment; like Montessori is not competitive. It’s not about that.

Dan Meyer (24:02):

Right. Right.

Bethany Lockhart Johnson (24:02):

It’s—it was very strange to me that I would be competing against anyone, even competing against myself. And I, you know, knew how to set goals. But it was a different level of energy. And I felt like, because I wasn’t competitive in that nature, I felt like that kind—I felt on the outside of a lot of the energy. Besides the regular, like, middle-school feeling outside of things. And I remember the first friend that I made. Hi, Susan! She had said to me, this was like maybe our second week of school, she’s like, “Oh, at lunchtime, come with me to math club.” And I was like, “OK.” And I remember walking into that room and I had no idea what was going on. And so that was one of the first times where I was just like, “Whoa, I have absolutely no concept of what they’re talking about or what.” These are my peers. I felt very—it was very—it was strange. It was strange. I was like, “This doesn’t feel like a space for me at all.” When I think ordinarily I was kind of excited about the idea of going to math club at lunch, you know? And over middle school, I kind of just got progressively more and more behind. It started with missing some work and then missing more and then checking out. And, you know, the problem was that I really made it about myself. That, like, it wasn’t something that I was then good at or could do. When really it was that well, pre-algebra, I was having a really hard time in like the rest of my life. And so I wasn’t real present in that class. And so when I got to algebra, it didn’t make a whole lot of sense. And then if I missed Monday, Tuesday, and Wednesday, well, Thursday is gonna be hard, you know? And, it just got progressively harder and harder. So I had this great idea that between eighth grade and ninth grade, I was going to take this accelerated geometry class. ‘Cause that was the ninth grade class, it was geometry. And I would take it. It was like geometry in three weeks or something. So then when I entered high school, I would’ve gotten this like jumpstart. But I wish I had said, “Oh, I’ll take this, and then in ninth grade I’ll take geometry.” So like I’ve already kind of gotten a preview of the material. But instead I went to the 10th grade math, which was like intermediate algebra, trigonometry. I had absolutely no clue what was going on. And I had a very, very difficult time and I wasn’t ready for that class. But it was exacerbated by the fact that this teacher felt very free to let the freshmen in that class know that they shouldn’t be in that class. That this class was for 10th graders.

Dan Meyer (26:49):

Oh wow. Oh, wow.

Bethany Lockhart Johnson (26:51):

And we had a rather contentious relationship. And I will never forget that we were in the hallway, and he says to me, “You don’t belong here.” And I’ve talked to—I’ve talked to a girlfriend of mine about her experiences with this teacher and she has the fondest memories.

Dan Meyer (27:13):

Wow.

Bethany Lockhart Johnson (27:14):

She—in fact, almost everyone I’ve spoken with, you know, if we are talking about past teachers or, “Oh, what was that class like?” I mean, they just have these wonderful memories! And for me, my sense of like belonging was already so on a tight rope anyway, that to have this adult, this teacher, tell me, “You do not belong here,” just crushed me. And in hindsight, I think he was saying like, “This class is too hard for you.” I mean, maybe. <Laugh> But all I heard was “You don’t belong here.” And I extrapolated it to connect to math and to anything having to do with math in general. And it just got worse and worse through high school in the world of math. My next math class was even—I had to repeat that class, and still didn’t understand what was going on, and felt more out of place, and, you know, it’s one of those things that I just kind of had started to accept that, I guess, math isn’t for me. I guess I’m just not a math person. Or whatever these stories are that I started to create and build and find evidence for around me that was informing that this wasn’t for me. And I had always done well in school. I was in, you know, accelerated classes. I felt like I was capable of problem solving. And yet in math, I just felt like I had all of this evidence saying that I didn’t belong there. And so when I went to college, I took whatever two math classes were—you know, I was in performing arts and then I did ethnic studies as well. And I remember you had to take two math classes that were GEs. There were these classes that if you don’t wanna deal with math, you go take those classes. And I was like, “Oh yeah, I’ll take that. I’ll take that.” The gulf widened, you know? <Laugh> And I didn’t feel like anxiety when I had to do things like balance my checkbook or navigate math in everyday spaces. It was just, it would never occur to me that I would like seek out opportunities to engage with math or think about it or talk about it.

Dan Meyer (29:35):

That is—yeah, that’s just so wild, how, I don’t know, like it’s often, from the student’s perspective, it is them in a vacuum with math, and the two of them interact and decide if, you know, if they’re right for each other. But from the grown-up perspective, it’s just, you know, it’s a little bit clearer that your story with math was not just you in math, but you with, you know, various external things happening. With family, various teachers playing their different roles—sometimes, you know, really tragic and horrible roles—and then like the compounding mathematical debt that it feels like you were kind of building up, as challenges in one year didn’t get resolved and moved into the next year and so on. And all that makes me wonder—it makes me, like really, really scared, first of all, because I would bet that your teacher might not even remember that moment, that for you is part of just a pivotal moment in your math story, and how many kids have I played—have I been a part of their story in that way and wouldn’t even recall? You know what I’m saying? So that’s a scary part. And then also I’m just wondering, like, how can we, how can we help kids who are in those moments recognize that, “Oh, this kid is like absent a bunch,” and give them more resources to be successful rather than say, “Well, you just gotta try harder now.” Those are things I’m wondering, hearing your story. Thank you for sharing that. I’d love to know more about how you then became a teacher and what all that did for you as you helped students.

Bethany Lockhart Johnson (31:06):

Well, but to answer what you were saying, it wasn’t that I wasn’t—I was always absent physically, but at least like mentally at that point, because it had become so difficult. It didn’t make sense to me. So I was just really checked out in math class, you know? So in hindsight, you know, as a teacher, for sure I can look back, and especially hearing these stories and these experiences my friend had with this teacher and just like chalks up as one of like her most favorite teachers ever! And you know, he clearly did a great job for so many students. But for me, and I think for some people, they would’ve taken those challenges and, you know, it would have fortified them in a different way or something. But for me, I took it upon myself to mean certain things about myself and about my ability and what I was capable of. And so I think, I think in some ways, you know, yeah, it’s all, it’s all interconnected. You know, when your students walk in the door, they’re not this—the things that are impacting them in their life are coming into the room with them. And I don’t think we can take that for granted and think, “Well, if they just focus hard enough…”

Dan Meyer (32:21):

Yeah.

Bethany Lockhart Johnson (32:23):

So let’s go back to my love of Oprah. You know, Oprah talks about living your best life. And something I really appreciate about Oprah is that she encourages you to examine, like, sticking points, right? Like she doesn’t just say, “Well, this…just pretend nothing ever happened, and everything’s fine!” You know, she really talks about making time for reflection. And I kind of got mad that anytime I thought about math, or math schooling came up. Or, you know, whatever, any time that came up that I just felt UGH about it. And I felt like a failure. And I’m like, “You know what, what if I took a math class? And I’m an adult at this point. I’ve graduated. I have—I’ve left college. I have my degrees. But I said, “What if I took a math class?” So I went down to, the city college and I found out that you have to take this exam, like a placement exam. And I went and took the placement exam. And I remember it’s one of the responsive tests where if you get it right, the next question’s a little harder. And so I’m taking it, panicking, because it’s getting more like…I just, you know. And I remember it placed me in like, whatever, Algebra Something, this class that was far more advanced than I thought I should be in. And I was like, there’s been a mistake! You know, and I went to the counselor and said, you know, “I got these results, but I couldn’t answer a lot of the questions on the test.” She’s like, “No, no, no, that’s how it works.” So I go take this class and the class was hard. And I decided that I was just gonna keep showing up. And every day before class, I kid you not, they had a little math…it was like a math center where you could go in and they had a bunch of tables and you’d sit at the table and you could sit and do your work or whatever. If you had a question, you walked up and put your name on a clipboard and then somebody would come and help you. So I did that, every single—like before every single class I would go in. I’d sit there. I’d do the work. I’d go. And I’d get help. Like somebody would walk over and you know, some kid for whom they’re like this…you know, they’re math—it might be you, Dan! It could be you! It could have been you! You know, would walk over and be like—

Dan Meyer (34:38):

Yeah, I was in Help like that. Naw, it’s awesome. Love, love those people. Yeah.

Bethany Lockhart Johnson (34:42):

And you know, I did it. And I did so well in the class. I did exceedingly well in the class. And I said—

Dan Meyer (34:50):

Take that! Take that, everything! Every other math experience!

Bethany Lockhart Johnson (34:53):

I said, what?

Dan Meyer (34:55):

Yeah!

Bethany Lockhart Johnson (34:55):

Wait a second.

Dan Meyer (34:56):

Yeah.

Bethany Lockhart Johnson (34:57):

And it was that I was present. I was not afraid to look at what didn’t make sense. And if something didn’t make sense, it didn’t mean there was something wrong with me. Whaaaaat?

Dan Meyer (35:10):

Yeah. Yeah.

Bethany Lockhart Johnson (35:10):

So I was just in such a different space. And then I took another math class and that class was even harder. And I did the same thing where I went to the little lab and, you know, and it just buoyed me. And it made me realize that, like, this story, that my experience with it was very powerful and that was a real lived experience, but that it didn’t have to define my relationship with math. But then! I decided I wanted to go back to school to become a classroom teacher. And I totally—this was a couple years after that math class experience. So now, you know, I’m healing my relationship with math through basic positive experiences, da, da, da, you know, doing other work. But fast-forward, for a whole number of reasons, decided to become a classroom teacher. And I freaked out. All of my—like, I’m studying for the GRE and the CSET and all the things you have to the hoops you have to jump through to apply to the masters program and the credential program. And I freaked out. I was so close to quitting, Dan. Because I was convinced that the reason I couldn’t be a classroom teacher is because I wasn’t capable in math. Like I was—it was all that resurfaced. And even though I now had evidence to say something different, to the contrary, it was still so visceral. And I was so scared. But I passed that Math CSET.

Dan Meyer (36:47):

Get it.

Bethany Lockhart Johnson (36:47):

I did well enough on the GRE—

Bethany Lockhart Johnson (36:50):

Yes!

Bethany Lockhart Johnson (36:50):

You know, I finished my credential. I worked really, really hard. I had to work so hard in my student placement, when I was student teaching for a fifth-grade class, ’cause I felt like, “Oh my God!” I mean, now I could do the mathematics, but I couldn’t TEACH it to someone, you know? But I had amazing professors at UCI, and my math professors really like just—and my mentor teacher! shout out to Jennifer! shout out to Phil!—these amazing mentor teachers who just loved teaching and who loved—like you said, you have these teachers in your life who you got to see the way that they listened to students. They taught me about that love of listening to students. And then I fell in love with, you know, CGI, cognitively guided instruction, and started learning all about all of these educators who just wanna learn from students’ thinking. And it was just so powerful. And I realize as a kindergarten teacher that I have this really special role in helping to create space for a positive school experience. Like we get to talk about—I talk about my students as mathematicians; they’re writers; they’re thinkers; they’re problem-solvers. And I also want to make space for parents. Some of them, this is their first kid in kindergarten, and they brought all of their experiences, a lot of it negative, that they had had with mathematics. So I felt like it was such an exciting opportunity to help show parents how they could have conversations about math with their students. That also, I hope helped heal their own anxiety with mathematics.

Dan Meyer (38:41):

Right, right.

Bethany Lockhart Johnson (38:42):

Like, I’ve not even scratched the surface of math learning. But I just have such a changed perspective and relationship with math. And I just fell in love with the sense-making. And I fell in love with the journey of it. I still experience math anxiety about a wide variety of things, but I do love it. And I feel like there’s a space for me in relationship with math. And that really excites me.

Dan Meyer (39:09):

Yeah. Wow. Listen to that folks. We, we don’t deserve her! Bethany Lockhart Johnson! She got some math game and could have gone off there and, you know, become an accountant or something. And she chose to hang with kids and their parents. That’s so wild that you’re like rehabbing parents and their self-conception about mathematics at the same time. I think that is so cool.

Bethany Lockhart Johnson (39:32):

Well, thanks Dan Meyer. I gotta tell you, I don’t know when or if I’ve ever shared that much of my math story. So there is a certain amount of vulnerability there. But thanks for listening. And I’m glad that, you know—I think there’s space for us to talk about these things that we care deeply about, but that can be really complicated.

Dan Meyer (39:56):

Yes. Yes. And I love how you you’ve really sharpened the point on what I feel like I know in my brain, but not my body all the time: That individual teachers are huge. Like, individual teachers, and individual moments of teaching, are just not something to play with. You know, like that kid that’s in fifth grade having a tough time, like there could be a month or a day-long period where all of a sudden, like, you’re just like, “Oh yeah, I’m back in the mix; like, me and math are still buddies.” And there’s also like moments that you had, where like one casual word from a teacher can just really put a huge wedge between you and a discipline that needs and wants you and your intellect in it.That’s a really powerful testimonial. Not just for math, but for teaching, your teaching bio.

Bethany Lockhart Johnson (40:43):

I agree with you. And I also, I also…you know, I think we can’t put this—we are human. Teachers are human. And so I’m sure there’s things I’ve said to students. Twenty-second story: a student stapled his finger in my class. <Laugh> And I remember holding his hand and saying, “Why did you do that?” And I wasn’t yelling at him, but it was like, I am sure the panic in my face…like, that’s what he’s gonna remember about kindergarten. Right? <Laugh>.

Dan Meyer (41:19):

Yeah.

Bethany Lockhart Johnson (41:20):

That. He will remember that. He won’t remember the really cool city project we did. He’s gonna remember his teacher holding his hand, in his face: “Why did you do that?”

Dan Meyer (41:30):

Yeah. Yeah.

Bethany Lockhart Johnson (41:30):

You know, so we’re human. And yes, it was awful that that teacher said that to me. There were a thousand other ways that he could have said whatever it was he was thinking. And that did deeply wound me. But despite his influence—because teachers do have a lot of power and I think they need to examine that power, ongoing—it still doesn’t have to define us. So I don’t wanna put this pressure, like—

Bethany Lockhart Johnson (41:55):

Sure.

Bethany Lockhart Johnson (41:56):

“So never ever say anything negative!” You know, we’re human.

Dan Meyer (42:00):

I feel like that kid is currently on some office-supply podcast talking about “your office-supply bio” and saying, “Let me tell you how I first got really freaked out by staples. Here’s the deal: I only use paper clips. And here’s why.”

Bethany Lockhart Johnson (42:15):

“Here’s why.” But then—callback!—he’s going to stumble upon THIS podcast and think, “And because I’m so adept with paper clips, I can beat that record!”

Dan Meyer (42:30):

Though—aaay! whoa! Settle down!

Bethany Lockhart Johnson (42:31):

BOOM.

Dan Meyer (42:31):

Don’t get any ideas, kid. No way. Uh-uh. I don’t like that at all. That’s not what—that’s not what I want to have happen here. No, thank you.

Bethany Lockhart Johnson (42:41):

Well, I’m spent, Dan. I need a nap.

Dan Meyer (42:45):

Yeah. I need a box of Kleenex. I need a nap. I need a—yeah, for sure, a baba. Uh-huh. Definitely. Hey, so look, I’m not expecting you folks out there in the lounge to kind of give us the same depth or breadth. You know, we are here, of course, for your entertainment. Feast on our stories and dramas. But I would love to know at some point, like, what are a few, a few moments that really came to define you mathematically? Came to influence you as a teacher? I think we would do really well for each other to understand that about all of our processes. So yeah, I would just toss in a plug in for Twitter, @MTLShow, or Facebook, Math Teacher Lounge; it would be fantastic to hear from you.

Bethany Lockhart Johnson (43:24):

Thanks so much for listening.

Dan Meyer (43:25):

Thanks, folks. Bye now.

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What Dan Meyer says about math teaching

“Teaching, more than other professions, is a generational profession. The kinds of joyful experiences we offer, or don’t offer, now affect the experiences students that haven’t even been born yet will have years later.”

– Dan Meyer

Meet the guests

Dan Meyer

Dan Meyer taught high school math to students who didn’t like high school math. He has advocated for better math instruction on CNN, Good Morning America, Everyday With Rachel Ray, and TED.com. He earned his doctorate from Stanford University in math education and is currently the Dean of Research at Desmos, where he explores the future of math, technology, and learning. Dan has worked with teachers internationally and in all 50 United States and was named one of Tech & Learning’s 30 Leaders of the Future.

Bethany Lockhart Johnson

Bethany Lockhart Johnson is an elementary school educator and author. Prior to serving as a multiple-subject teacher, she taught theater and dance and now loves incorporating movement and creative play into her classroom. Bethany is committed to helping students find joy in discovering their identities as mathematicians. In addition to her role as a full-time classroom teacher, Bethany is a Student Achievement Partners California Core Advocate and is active in national and local mathematics organizations. Bethany is a member of the Illustrative Mathematics Elementary Curriculum Steering Committee and serves as a consultant, creating materials to support families during distance learning.

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About Math Teacher Lounge: The podcast

Math Teacher Lounge is a biweekly podcast created specifically for K–12 math educators. In each episode co-hosts Bethany Lockhart Johnson (@lockhartedu) and Dan Meyer (@ddmeyer) chat with guests, taking a deep dive into the math and educational topics you care about.

Join the Math Teacher Lounge Facebook group to continue the conversation, view exclusive content, interact with fellow educators, participate in giveaways, and more!

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