CKLA – Knowledge Research Units for K–5
Introducing new units for Amplify CKLA and Amplify Caminos K–5
As part of our commitment to creating even richer and more wide-ranging curricula, we are excited to release six new units for both Amplify CKLA and Amplify Caminos!

About these units
Our brand-new Knowledge Research units carry forward the powerful and proven instructional approach of both Amplify CKLA and Amplify Caminos while also:
- Adding more variety to engage students from many walks of life. The rich topics and highly visual components featured in these units provide students with even more “windows and mirrors” and perspectives as they work to build knowledge.
- Adding more authentic literature. Each new research unit revolves around a collection of high-interest authentic trade books that will spark more curiosity and inspire more inquiry.
- Adding more flexibility. Units can be implemented for extended core instruction during flex periods, district-designated Pausing Points, or enrichment periods.
Units cover a variety of rich and relevant topics:

With these new units, students will soar to new heights with Dr. Ellen Ochoa, Amelia Earhart, and the Tuskegee Airmen. They’ll feel the rhythm as they learn about Jazz legends Miles Davis, Tito Puente, and Duke Ellington. And they’ll explore the far reaches of the world with Jacques Cousteau, Matthew Henson, and Eugenie Clark.
- Grade K: Art and the World Around Us/El arte y el mundo que nos rodea
- Grade 1: Adventure Stories: Tales from the Edge of the World/Cuentos de aventuras: relatos desde los confines de la Tierra
- Grade 2: Up, Up, and Away: The Age of Aviation/¡A volar! La era de la aviación
- Grade 3: All That Jazz/Jazz y más
- Grade 4: Energy: Past, Present, and Future/Energía: pasado, presente y futuro
- Grade 5: Beyond Juneteenth: 1865 to present/Más allá de Juneteenth: de 1865 al presente
Units are available in English and Spanish, and will include the following components:
- Teacher Guide
- Student Activity Books
- Image Cards
- Trade Book Collection
- Digital Components (grades K–3 and 5)
Grade K: Art and the World Around Us/El arte y el mundo que nos rodea
“Every child is an artist,” said Picasso, meaning that every child uses art to explore and understand the world around them. Art and the World Around Us honors that truth by introducing Kindergarten students to some of the ways in which artists have explored and understood the worlds around them, too.
This domain introduces students to artists from different time periods, countries, and cultures. Throughout the unit, students learn about different kinds of art and how artists use the world around them as they make art. They also connect this to what they have already learned about the earth, plants, and animals in other Amplify CKLA and Amplify Caminos domains: Farms/Granjas, Plants/Plantas, and Taking Care of the Earth/Cuidar el planeta Tierra. In addition, students connect this to what they have learned about sculptors in the Presidents and American Symbols/Presidentes y símbolos de los Estados Unidos domain. As they explore different artists and artistic traditions, they develop their ideas about how humans are connected to each other and to the world around them.
As you read the texts in this unit, students may observe ways in which the characters or subjects are both similar to and different from students. This is a good opportunity to teach students awareness and sensitivity, building on the idea that all people share some things in common, and have other things that make them unique. This unit also offers an excellent opportunity to collaborate with your school’s art teacher, as many lessons have suggested activities to help students understand the kind of art they are studying.
Within this unit, students have opportunities to:
- Use details to describe art.
- Identify three ways to create art.
- Identify characteristics of cave art.
- Sequence the steps of making pottery.
- Describe how artists can create work connected to the world around them.
- Describe what makes Kehinde Wiley’s portraits unique.
- Explain how the texture of a surface can affect artwork created on it.
- Explain what a sculpture is.
- Describe what makes James Turrell’s artwork about the sky unique.
- Explain what a museum is and what kinds of things you can see or do there.
Instruction in this unit revolves around the following collection of high-interest authentic trade books. One copy of each trade book is included with the unit materials.
- The First Drawing by Mordicai Gerstein
- Van Gogh and the Sunflowers by Laurence Anholt
- My Name is Georgia by Jeanette Winter
- A Life Made by Hand by Andrea D’Aquino
- Rainbow Weaver by Linda Elovitz Marshall
- Luna Loves Art by Joseph Coelho
Grade 1: Adventure Stories: Tales from the Edge of the World/Cuentos de aventuras: relatos desde los confines de la Tierra
This domain introduces students to adventure stories set around the world and challenges students to dig into the adventures through research. By listening to the Read-Alouds and trade books, students increase their vocabulary and reading comprehension skills, learn valuable lessons about perseverance and teamwork, and become familiar with gathering information for research.
In this unit, students study the careers of real-world explorers Dr. Eugenie Clark and Sophia Danenberg, marvel at the inventions of Jacques Cousteau, think critically about how teamwork and collaboration can make greater adventures possible, learn about the science and technology that enable adventures, and research some of the ways humans have confronted challenges at the edges of the world, from the oceans below to space above.
Each lesson in the domain builds students’ research skills as they ask questions, gather information, and write a paragraph about their findings. Students share what they have learned about adventures in an Adventure Gallery Walkthrough. By taking on the persona of one of the adventurers they meet in the Read-Alouds and trade books, students deliver their final paragraphs as if they are a “speaking portrait” of that person. Students are invited to dress up as that adventurer if they desire.
In addition, teachers can set aside time outside of the instructional block to create the picture frames students will hold as they present to the Adventure Gallery Walk guests. Frames can be made from shirt boxes, cardboard, construction paper, or any art supplies that are on hand. This might be an opportunity to collaborate with the school’s art department if resources are available. Another option is to ask students to make their frames at home with their caregivers. On the day of the Adventure Gallery Walk, students will be the hosts and take on specific jobs, such as welcoming the guests, describing their work throughout the unit, and pointing out the areas of study on the domain bulletin board. You can find a complete list of student jobs in Lesson 13.
This unit builds upon the following Amplify CKLA and Amplify Caminos units that students will have encountered in the previous grade.
- Nursery Rhymes and Fables/Rimas y fábulas infantiles (Kindergarten)
- Stories/Cuentos (Kindergarten)
The specific core content targeted in these domains is particularly relevant to the Read-Alouds students will hear in Adventure Stories: Tales from the Edge of the World. The background knowledge students bring to this unit will greatly enhance their understanding of the trade books used in this unit.
Instruction in this unit revolves around the following collection of high-interest authentic trade books. One copy of each trade book is included with the unit materials.
- My Name is Gabito/Me llamo Gabito by Monica Brown
- Tomas and the Galápagos Adventure by Carolyn Lunn
- The Astronaut with a Song for the Stars: The Story of Dr. Ellen Ochoa by Julia Finley Mosca
- Mae Among the Stars by Roda Ahmed
- Shark Lady: The True Story of How Eugenie Clark Became the Ocean’s Most Fearless Scientist by Jess Keating
- Manfish by Jennifer Berne
- Keep On! The Story of Matthew Henson, Co-Discoverer of the North Pole by Deborah Hopkinson
- The Top of the World: Climbing Mount Everest by Steve Jenkins
Grade 2: Up, Up, and Away: The Age of Aviation/¡A volar! La era de la aviación
With this domain, students head up, up, and away with an introduction to the soaring history of aviation. Students learn the stories of early aviators, such as the Montgolfier brothers, the Wright brothers, Aída de Acosta, and Amelia Earhart.
During the unit, students study the science of flight, including the physics concept of lift, and research the social impacts of the world of flight. Finally, students let their research skills take flight as they explore key figures from the world of aviation.
The lessons in this domain build on earlier Grade 2 CKLA and Amplify Caminos domains about the westward expansion, early Greek civilizations, and Greek myths, and lay the foundation for learning about other periods of world history in future grades.
This unit builds upon the following Amplify CKLA and Amplify Caminos units that students will have encountered earlier in the year.
- The Ancient Greek Civilization/La civilización griega antigua (Grade 2)
- Greek Myths/Mitos griegos (Grade 2)
- Westward Expansion/La expansión hacia el oeste (Grade 2)
The specific core content targeted in these domains is particularly relevant to the Read-Alouds students will hear in Up, Up, and Away: The Age of Aviation. The background knowledge students bring to this unit will greatly enhance their understanding of the trade books used in this unit.
Instruction in this unit revolves around the following collection of high-interest authentic trade books. One copy of each trade book is included with the unit materials.
- Up and Away!: How Two Brothers Invented the Hot-Air Balloon by Jason Henry
- The Glorious Flight: Across the Channel with Louis Blériot by Alice and Martin Provensen
- The Flying Girl: How Aída de Acosta Learned to Soar by Margarita Engle
- Wood, Wire, Wings: Emma Lilian Todd Invents an Airplane by Kirsten Larson
- Helicopter Man: Igor Sikorsky and His Amazing Invention by Edwin Brit Wyckoff
- The Tuskegee Airmen Story by Lynn Homan and Thomas Reilly
- Skyward: The Story of Female Pilots in WWII by Sally Deng
- Aim for the Skies: Jerrie Mock and Joan Merriam Smith’s Race to Complete Amelia Earhart’s Quest by Aimee Bissonette
Grade 3: All That Jazz/Jazz y más
This domain teaches students about the vibrant music, poetry, and culture of the Jazz Age in the United States. Students learn about famous writers and musicians like Langston Hughes, Louis Armstrong, Billie Holiday, Melba Liston, Tito Puente, and Miles Davis. They study how the jazz art form took root in the South, then spread to the North to become the sound of the Harlem Renaissance, eventually connecting people around the world in musical expression.
During this unit, students perform guided research to further explore both the history of jazz and what jazz is today. They develop research skills and then use those skills to find deeper connections between the stories and music of the Jazz Age and music today. As students learn about the world of jazz, they collaborate and share ideas with their classmates. They also practice sharing feedback focused on their written work, and, at the end of the unit, students present their research to the group.
The lessons give students opportunities to dive into the rhythms and stories of jazz, utilizing the knowledge sequence in this unit to:
- Collaboratively generate research questions about jazz, jazz musicians, contemporary musicians from the state where they live or have lived, and the evolution of jazz music.
- Utilize Read-Alouds, independent reading, and partner reading to learn about the Jazz Age, the Harlem Renaissance, jazz music, and biographies of celebrated jazz musicians and writers.
- Research the answers to their generated questions, gather information, write a short research essay about a famous jazz musician, write a short essay about a contemporary musician from the state where they live or have lived, and give a presentation about their research.
Within this unit, students have opportunities to:
- Ask relevant questions and make pertinent comments
- Identify details in texts
- Determine key ideas of texts by evaluating details
- Make text-based inferences
- Generate questions based on prior knowledge and gathered information
- Synthesize details across texts to demonstrate comprehension
- Discuss and explain an author’s purpose
- Identify and cite reliable primary and secondary sources of information
- Compose a well-organized and focused informative essay
- Make connections between topics
- Present information using appropriate media
Instruction in this unit revolves around the following collection of high-interest authentic trade books. One copy of each trade book is included with the unit materials.
- Birth of the Cool: How Jazz Great Miles Davis Found His Sound by Kathleen Cornell Berman
- Little Melba and Her Big Trombone by Kathryn Russell-Brown
- Benny Goodman and Teddy Wilson: Taking the Stage as the First Black and White Jazz Band in History by Lesa Cline-Ransome
- Tito Puente, Mambo King by Monica Brown
- Drum Dream Girl: How One Girl’s Courage Changed Music by Margarita Engle
- Duke Ellington: The Piano Prince and His Orchestra by Andrea Pinkney
In this unit, students also read the poem “Harlem” by Langston Hughes. (Available for free through the Academy of American Poets website and the Poetry Foundation website, with recorded audio available through the website for John Hancock College Preparatory High School.)
Grade 4: Energy: Past, Present, and Future/Energía: pasado, presente y futuro
With this domain, students become tomorrow’s problem solvers in this study of energy in the United States. Analytical reading skills are developed by examining the challenges of early energy innovators. Students then read about current energy practices and young energy change-makers across the world.
Throughout the unit, students conduct research into different sources of energy and present a proposal, putting them in the shoes of future energy innovators. They also use the knowledge sequence in this unit to:
- Collaboratively analyze texts to identify cause-effect and problem-solution relationships.
- Generate questions and conduct research about energy.
- Write an opinion essay making their case for a fuel of the future.
- Create energy proposals using primary and secondary resources.
This unit builds upon the following Amplify CKLA units that students will have encountered in previous grades as well as earlier in the year.
- Plants/Plantas (Grade K)
- The History of the Earth/La historia de la Tierra (Grade 1)
- Eureka! Student Inventor/¡Eureka! El arte de la invención (Grade 4)
The specific core content targeted in these domains is particularly relevant to the Read-Alouds students will hear in Energy: Past, Present, and Future. The background knowledge students bring to this unit will greatly enhance their understanding of the trade books used in this unit.
Instruction in this unit revolves around the following collection of high-interest authentic trade books. One copy of each trade book is included with the unit materials.
- Buried Sunlight: How Fossil Fuels Have Changed the Earth by Molly Bang and Penny Chisholm
- Energy Island: How One Community Harnessed the Wind and Changed their World by Allan Drummond
- The Boy Who Harnessed the Wind: Picture Book Edition by William Kamkwamba and Bryan Mealer
Grade 5: Beyond Juneteenth: 1865 to present/Más allá de Juneteenth: de 1865 al presente
Within this domain, Students learn about General Granger’s announcement in Galveston, Texas on June 19, 1865, a day marked in history as Juneteenth. Texts and multimedia sources will support foundational knowledge-building about the end of slavery in the United States. A review of the first freedom announcement, President Lincoln’s Emancipation Proclamation, provides students with background knowledge to further emphasize the significance of Juneteenth in American history.
This unit also takes students on a journey beyond Juneteenth, as they study specific contributions of African Americans from 1865 to the present day. Students participate in a virtual field trip to Emancipation Park in Houston, Texas and use the knowledge sequence in this unit to:
- Collaboratively generate research questions about Juneteenth, The Great Migration, innovators and inventors, education, the humanities, activists, and allies.
- Use Read-Alouds, independent, and partner reading to learn about African American contributions from 1865 to the present.
- Research to find answers to their generated questions, gather information, and write a four-chapter Beyond Juneteenth book.
This unit builds upon the following Amplify CKLA units that students will have encountered in previous grades.
- Native Americans/Los nativos americanos (Grade K)
- A New Nation: American Independence/Una nueva nación: la independencia de los Estados Unidos
(Grade 1) - The U.S. Civil War/La Guerra Civil de los Estados Unidos (Grade 2)
- Immigration/La inmigración (Grade 2)
- Native Americans/Los nativos americanos (Grade 5)
The specific core content targeted in these domains is particularly relevant to the Read-Alouds students will hear in Beyond Juneteenth: 1865 to present. The background knowledge students bring to this unit will greatly enhance their understanding of the trade books used in this unit.
Instruction in this unit revolves around the following collection of high-interest authentic trade books. One copy of each trade book is included with the unit materials.
- All Different Now: Juneteenth, the First Day of Freedom by Angela Johnson
- The Great Migration: An American Story by Jacob Lawrence
- Sing a Song: How “Lift Every Voice and Sing” Inspired Generations by Kelly Starling Lyons
- Side by Side/ Lado a lado: The Story of Dolores Huerta and Cesar Chavez/ La Historia de Dolores Huerta y Cesar Chavez by Monica Brown
- Of Thee I Sing: A Letter to My Daughters by Barack Obama
Amplify CKLA Review for Alabama
Amplify and SFUSD Partnership
We recognize and respect the unique differences of each of our partnering districts—and that includes San Francisco USD.
Out of the box, Amplify Caminos offers districts a rich, comprehensive, research-based SELA experience. That said, no two districts are exactly alike. To that end, we are committed to working with San Francisco USD to ensure that Amplify Caminos addresses the needs of your community. This includes providing implementation guidance and support, as well as collaborating with your staff to determine which domains need to be modified or exchanged.
What is Amplify Caminos?
Amplify Caminos is a core Spanish language arts program for grades TK–5 that delivers:
- Authentic instruction built from the ground up for the Spanish language.
- A unique research-based approach truly built on the Science of Reading.
- A combination of explicit foundational skills with meaningful knowledge-building.
- Embedded support and differentiation that gets all students reading grade-level texts together.
- Opportunities for students to see the strengths and experiences that all people share while also celebrating each others’ unique identities and experiences.
Watch the video below to learn more about Amplify Caminos for Grades K–2.
Watch the video below to learn more about Amplify Caminos for Grades 3–5.
How does Amplify Caminos work?
Amplify Caminos is built on the science of how kids learn to read—in Spanish.
Amplify Caminos is all about helping you teach students how to read, all while giving them authentic and engaging reasons to read. That’s why Amplify Caminos develops foundational skills and builds knowledge in tandem.
- Knowledge: Through complex and authentic Spanish read-alouds with an emphasis on classroom interactivity, oral comprehension, and contextual vocabulary, students start to build their awareness of the world around them—and the way the reading skills they’re building give them access to it.
- Skills: Starting with the sounds at the core of the Spanish
language, students practice their phonemic awareness, handwriting skills, vocabulary, spelling, and grammar. Through daily practice, students become aware of the connection between reading and writing, building confidence as they go.

Respecting the development differences between grade ranges, Amplify Caminos teaches foundational skills and background knowledge as two distinct strands in grades K–2, and combines them into one integrated strand in grades 3–5.
Grades K–2:
Every day, students in grades K–2 complete one full lesson that explicitly and systematically builds foundational reading skills in the Amplify Caminos Lectoescritura strand, as well as one full lesson that builds robust background knowledge to access complex text in the Amplify Caminos Conocimiento strand. Through learning in each of these strands, students develop the early literacy skills necessary to help them become confident readers and build the context to understand what they’re reading.
Grades 3–5:
In grades 3–5, the Amplify Caminos Lectoescritura and Conocimiento strands are integrated in one set of instructional materials. Lessons begin to combine skills and knowledge with increasingly complex texts, close reading, and a greater writing emphasis. Students can then use their skills to go on their own independent reading adventures.
What do Amplify Caminos students explore?
Amplify Caminos builds students’ knowledge about the world.
In addition to teaching all students to crack the written code (which is vital for equity), the Amplify Caminos program helps students see the strengths and experiences we all share while celebrating their own unique identities and experiences.
This is accomplished through the exploration of topics and text that feature people who resemble students and familiar situations or experiences while also exposing them to people whose appearances, lives, beliefs, and backgrounds differ from their own.
Engaging domains
Amplify Caminos builds knowledge coherently across subjects and grades.
Throughout the program, students use their skills to explore domains that relate to storytelling, science, and the history of our world as seen through the eyes of many different groups.
Carefully selected to build from year-to-year, our grade-appropriate topics help students make and deepen connections while also reading, writing, and thinking creatively and for themselves.

New Knowledge Research Units for Grades K–5
Our brand-new Knowledge Research units carry forward Amplify Caminos’ powerful and proven instructional approach while also:
- Adding more diversity. The rich topics and highly visual components featured in these units provide students with even more “windows and mirrors” and perspectives as they work to build knowledge.
- Adding more authentic literature. Each new research unit revolves around a collection of high-interest authentic trade books that will spark more curiosity and inspire more inquiry.
- Adding more flexibility. Units can be implemented for extended core instruction during flex periods, district-designated Pausing Points, or enrichment periods.
Units cover a variety of rich and relevant topics:
With these new units, students will soar to new heights with Dr. Ellen Ochoa, Amelia Earhart, and the Tuskegee Airmen. They’ll feel the rhythm as they learn about Jazz legends Miles Davis, Tito Puente, and Duke Ellington. And they’ll explore the far reaches of the world with Jacques Cousteau, Matthew Henson, and Eugenie Clark.
- Grade K: El arte y el mundo que nos rodea
- Grade 1: Cuentos de aventuras: relatos desde los confines de la Tierra
- Grade 2: ¡A volar! La era de la aviación
- Grade 3: Jazz y más
- Grade 4: Energía: pasado, presente y futuro
- Grade 5: Más allá de Juneteenth: de 1865 al presente
Units will be made available in English and Spanish, and will include the following components:
Why we added this unit:
“Every child is an artist,” said Picasso, meaning that every child uses art to explore and understand the world around them. El arte y el mundo que nos rodea honors that truth by introducing Kindergarten students to some of the ways in which artists have explored and understood the world around them.
This domain introduces students to artists from different time periods, countries, and cultures. Throughout the unit, students learn about different kinds of art and how artists use the world around them as they make art. They also connect this to what they have already learned about the earth, plants, and animals in other Caminos domains: Granjas, Plantas, and Cuidar el planeta Tierra. In addition, students connect this to what they have learned about sculptors in the Presidentes y símbolos de los Estados Unidos domain. As they explore different artists and artistic traditions, they develop their ideas about how humans are connected to each other and to the world around them.
As you read the texts in this unit, students may observe ways in which the characters or subjects are both similar to and different from students. This is a good opportunity to teach students awareness and sensitivity, building on the idea that all people share some things in common, even as they have other things that make them unique. This unit also offers an excellent opportunity to collaborate with your school’s art teacher, as many lessons have suggested activities to help students understand the kind of art they are studying.
Within this unit, students have opportunities to:
- Use details to describe art.
- Identify three ways to create art.
- Identify characteristics of cave art.
- Sequence the steps of making pottery.
- Describe how artists can create work connected to the world around them.
- Describe what makes Kehinde Wiley’s portraits unique.
- Explain how the texture of a surface can affect artwork created on it.
- Explain what a sculpture is.
- Describe what makes James Turrell’s artwork about the sky unique.
- Explain what a museum is and what kinds of things you can see or do there.
Trade books in this unit:
Instruction in this unit revolves around the following collection of high-interest authentic trade books. One copy of each trade book is included with the unit materials.
- Georgia O’Keeffe por Erica Salcedo
- Yayoi Kusama: De aquí al infinito por Sarah Suzuki
- Tejedora del arcoíris por Linda Elovitz Marshall
- Las tijeras de Matisse por Jeanette Winter
- El museo por Susan Verde
- Quizás algo hermoso: Cómo el arte transformó un barrio por F. Isabel Campoy
Sample materials:
Take a sneak peek at the rich instruction and engaging activities for this unit by viewing the PDFs below.
Why we added this unit:
This domain introduces students to adventure stories set around the world and challenges students to dig into the adventures through research. By listening to the Read-Alouds and trade books, students increase their vocabulary and reading comprehension skills, learn valuable lessons about perseverance and teamwork, and become familiar with gathering information for research.
In this unit, students study the careers of real-world explorers Dr. Eugenie Clark and Sophia Danenberg, marvel at the inventions of Jacques Cousteau, think critically about how teamwork and collaboration can make greater adventures possible, learn about the science and technology that enable adventures, and research some of the ways humans have confronted challenges at the edges of the world, from the oceans below to space above.
Each lesson in the domain builds students’ research skills as they ask questions, gather information, and write a paragraph about their findings. Students share what they have learned about adventures in an Adventure Gallery Walkthrough. By taking on the persona of one of the adventurers they meet in the Read-Alouds and trade books, students deliver their final paragraphs as if they are a “speaking portrait” of that person. Students are invited to dress up as that adventurer if they desire.
In addition, teachers can set aside time outside the instructional block to create the picture frames students will hold as they present to the Adventure Gallery Walk guests. Frames can be made from shirt boxes, cardboard, construction paper, or any art supplies that are on hand. This might be an opportunity to collaborate with the school’s art department if resources are available. Another option is to ask students to make their frames at home with their caregivers. On the day of the Adventure Gallery Walk, students will be the hosts and take on specific jobs, such as welcoming the guests, describing their work throughout the unit, and pointing out the areas of study on the domain bulletin board. You can find a complete list of student jobs in Lesson 13.
How this unit builds knowledge:
This unit builds upon the following Caminos units that students will have encountered in the previous grade.
- Rimas y fábulas infantiles (Kindergarten)
- Cuentos (Kindergarten)
The specific core content targeted in these domains is particularly relevant to the Read-Alouds students will hear in Cuentos de aventuras: relatos desde los confines de la Tierra. The background knowledge students bring to this unit will greatly enhance their understanding of the trade books used in this unit.
Trade books in this unit:
Instruction in this unit revolves around the following collection of high-interest authentic trade books. One copy of each trade book is included with the unit materials.
- My Name Is Gabito/Me llamo Gabito por Monica Brown
- Galápagos Girl/Galapagueña por Marsha Diane Arnold
- My Name Is Gabriela/Me llamo Gabriela por Monica Brown
- El viaje de Kalak por María Quintana Silva y Marie-Noëlle Hébert
- Señorita Mariposa por Ben Gundersheimer
- Sharuko, el arqueólogo peruano/Peruvian Archaeologist Julio C. Tello por Monica Brown
- Abuelita fue al mercado por Stella Blackstone
Sample materials:
Take a sneak peek at the rich instruction and engaging activities for this unit by viewing the PDFs below.
- Guía del maestro: Cuentos de aventuras: relatos desde los confines de la Tierra
- Cuaderno de actividades: Cuentos de aventuras: relatos desde los confines de la Tierra
- Tarjetas de imágenes: Cuentos de aventuras: relatos desde los confines de la Tierra
- Componentes digitales: Cuentos de aventuras: relatos desde los confines de la Tierra
Why we added this unit:
With this domain, students head up, up, and away with an introduction to the soaring history of aviation. Students learn the stories of early aviators, such as the Montgolfier brothers, the Wright brothers, Aida de Acosta, and Amelia Earhart.
During the unit, students study the science of flight, including the physics concept of lift, and research the social impacts of the world of flight. Finally, students let their research skills take flight as they explore key figures from the world of aviation.
The lessons in this domain build on earlier Grade 2 Caminos domains about the westward expansion, early Greek civilizations, and Greek myths, and lay the foundation for learning about other periods of world history in future grades.
How this unit builds knowledge:
This unit builds upon the following Caminos units that students will have encountered earlier in the year.
- La civilización griega antigua (Grade 2)
- Mitos griegos (Grade 2)
- La expansión hacia el oeste (Grade 2)
The specific core content targeted in these domains is particularly relevant to the Read-Alouds students will hear in ¡A volar! La era de la aviación. The background knowledge students bring to this unit will greatly enhance their understanding of the trade books used in this unit.
Trade books in this unit:
Instruction in this unit revolves around the following collection of high-interest authentic trade books. One copy of each trade book is included with the unit materials.
- ¡A volar! Todo sobre aviones por Jennifer Prior
- Amelia sabe volar por Mara dal Corso
- Héroes de la aviación que cambiaron el mundo por Dan Green
- El niño que alcanzó las estrellas por José M. Hernández
- La niña que aprendió a volar por Sylvia Acevedo
- Buenas Noches Capitán Mamá por Graciela Tiscareño-Sato
Sample materials:
Take a sneak peek at the rich instruction and engaging activities for this unit by viewing the PDFs below.
Why we added this unit:
This domain teaches students about the vibrant music, poetry, and culture of the Jazz Age in the United States. Students learn about famous writers and musicians like Langston Hughes, Louis Armstrong, Billie Holiday, Melba Liston, Tito Puente, and Miles Davis. They study how the jazz art form took root in the South, then spread to the North to become the sound of the Harlem Renaissance, eventually connecting people around the world in musical expression.
During this unit, students perform guided research to further explore both the history of jazz and what jazz is today. They develop research skills and then use those skills to find deeper connections between the stories and music of the Jazz Age and music today. As students learn about the world of jazz, they collaborate and share ideas with their classmates. They also practice sharing feedback focused on their written work, and, at the end of the unit, students present their research to the group.
The lessons give students opportunities to dive into the rhythms and stories of jazz, utilizing the knowledge sequence in this unit to:
- Collaboratively generate research questions about jazz, jazz musicians, contemporary musicians from the state where they live or have lived, and the evolution of jazz music.
- Utilize Read-Alouds, independent reading, and partner reading to learn about the Jazz Age, the Harlem Renaissance, jazz music, and biographies of celebrated jazz musicians and writers.
- Research the answers to their generated questions, gather information, write a short research essay about a famous jazz musician, write a short essay about a contemporary musician from the state where they live or have lived, and give a presentation about their research.
How this unit builds knowledge:
Within this unit, students have opportunities to:
- Ask relevant questions and make pertinent comments
- Identify details in texts
- Determine key ideas of texts by evaluating details
- Make text-based inferences
- Generate questions based on prior knowledge and gathered information
- Synthesize details across texts to demonstrate comprehension
- Discuss and explain an author’s purpose
- Identify and cite reliable primary and secondary sources of information
- Compose a well-organized and focused informative essay
- Make connections between topics
- Present information using appropriate media
Trade books in this unit:
Instruction in this unit revolves around the following collection of high-interest authentic trade books. One copy of each trade book is included with the unit materials.
- ¡Esquivel! Un artista del sonido de la era espacial por Susan Wood
- Ray Charles por Sharon Bell Mathis
- Tito Puente, el Rey del Mambo por Monica Brown
- Me llamo Celia, la vida de Celia Cruz por Monica Brown
- ¡Azúcar! por Ivar Da Coll
In this unit, students also read the poem “Harlem” by Langston Hughes. (Available for free through the Academy of American Poets website and the Poetry Foundation website, with recorded audio available through the website for John Hancock College Preparatory High School.)
Sample materials:
Take a sneak peek at the rich instruction and engaging activities for this unit by viewing the PDFs below.
Why we added this unit:
With this domain, students become tomorrow’s problem solvers in this study of energy in the United States. Analytical reading skills are developed by examining the challenges of early energy innovators. Students then read about current energy practices and young energy change-makers across the world.
Throughout the unit, students conduct research into different sources of energy and present a proposal, putting them in the shoes of future energy innovators. They also use the knowledge sequence in this unit to:
- Collaboratively analyze texts to identify cause-effect and problem-solution relationships.
- Generate questions and conduct research about energy.
- Write an opinion essay making their case for a fuel of the future.
- Create energy proposals using primary and secondary resources.
How this unit builds knowledge:
This unit builds upon the following Caminos units that students will have encountered in previous grades as well as earlier in the year.
- Plantas (Grade K)
- La historia de la Tierra (Grade 1)
- ¡Eureka! Estudiante inventor (Grade 4)
The specific core content targeted in these domains is particularly relevant to the Read-Alouds students will hear in Energía: pasado, presente y futuro. The background knowledge students bring to this unit will greatly enhance their understanding of the trade books used in this unit.
Trade books in this unit:
Instruction in this unit revolves around the following collection of high-interest authentic trade books. One copy of each trade book is included with the unit materials.
- La historia de los combustibles fósiles por William B. Rice
- El niño que domó el viento por William Kamkwamba y Bryan Mealer
Sample materials:
Take a sneak peek at the rich instruction and engaging activities for this unit by viewing the PDFs below.
Why we added this unit:
Within this domain, Students learn about General Granger’s announcement in Galveston, Texas on June 19, 1865, a day marked in history as Juneteenth. Texts and multimedia sources will support foundational knowledge-building about the end of slavery in the United States. A review of the first freedom announcement, President Lincoln’s Emancipation Proclamation, provides students with background knowledge to further emphasize the significance of Juneteenth in American history.
This unit also takes students on a journey beyond Juneteenth, as they study specific contributions of African Americans from 1865 to the present day. Students participate in a virtual field trip to Emancipation Park in Houston, Texas and use the knowledge sequence in this unit to:
- Collaboratively generate research questions about Juneteenth, The Great Migration, innovators and inventors, education, the humanities, activists, and allies.
- Use Read-Alouds, independent, and partner reading to learn about African American contributions from 1865 to the present.
- Research to find answers to their generated questions, gather information, and write a four-chapter Beyond Juneteenth book.
How this unit builds knowledge:
This unit builds upon the following Caminos units that students will have encountered in previous grades.
- Los nativos americanos (Grade K)
- Una nueva nación: la independencia de los Estados Unidos (Grade 1)
- La Guerra Civil de los Estaods Unidos (Grade 2)
- La inmigración (Grade 2)
- Los nativos americanos (Grade 5)
The specific core content targeted in these domains is particularly relevant to the Read-Alouds students will hear in Más allá de Juneteenth: de 1865 al presente
. The background knowledge students bring to this unit will greatly enhance their understanding of the trade books used in this unit.
Trade books in this unit:
Instruction in this unit revolves around the following collection of high-interest authentic trade books. One copy of each trade book is included with the unit materials.
- Martí’s Song for Freedom/Martí y sus versos por la libertad escrito por Emma Otheguy
- ¡Celebremos Juneteenth! escrito por Carole Boston Weatherford
- Side by Side/Lado a Lado: The Story of Dolores Huerta and Cesar Chavez/La Historia de Dolores Huerta y César Chávez escrito por Monica Brown
- Canto de alabanza para el día: Poema para la ceremonia inaugural del mandato de Barack Obama escrito por Elizabeth Alexander, traducido por Rodrigo Rojas
Sample materials:
Take a sneak peek at the rich instruction and engaging activities for this unit by viewing the PDFs below.
Diverse texts
Amplify Caminos puts a variety of texts in the hands of students every day.
Amplify Caminos includes both transadaptations and authentic texts written by Latin American and Spanish authors. In addition to featuring a diverse range of authors and topics, our texts represent individuals and characters with a broad range of identity factors, including socioeconomic status, age, ability, race, ethnicity, country of origin, religion, and more.
Amplify Caminos texts include:
- Authentic literature: Authentic literature exposes students to a variety of text types and perspectives to deepen their knowledge of fascinating topics in social studies, science, literature, and the arts. Authentic texts support text-to-self, text-to-world, and text-to-text connections for readers.
- Decodable Student Readers: Amplify Caminos is built on the conviction that equitable instruction is vital to an effective program. Decodable Student Readers at grades K–2 are newly re-designed to celebrate students’ diverse experiences and feature individuals with a broad range of identity factors, including socioeconomic status, age, ability, race, ethnicity, country of origin, religion, and more.
- ReadWorks® texts: Amplify and ReadWorks have partnered to deliver high-quality texts curated to support the Amplify Caminos Knowledge Sequence and to extend student learning. Texts include high-interest nonfiction articles in topics in social studies, science, literature, and the arts. These texts are accompanied by vocabulary supports and standards-aligned formative assessment opportunities. Teachers can monitor their students’ progress using the ReadWorks reporting features.

Amplify Caminos Trade Book Collection Guide
Each book in our authentic literature collection was selected specifically to support and enhance the content of the K-2 Conocimiento Strand. These anchor texts are intended for use as an introduction to each domain—engaging students, piquing their curiosity, and building initial background knowledge—before diving into the deeper content of the domain Read-Alouds.
Every trade book has an instructional guide that includes the following:
- Author and illustrator
- Book summary
- The Essential Question of the Knowledge domain, connecting the book to the domain
- Key Tier 2 and Tier 3 vocabulary words found in the book
- A group activity to reinforce and extend students’ knowledge and understanding
- A performance task to help gauge students’ comprehension of concepts in the text
- Writing prompts to expand understanding and critical thinking
- Text complexity ratings and descriptors for quantitative, qualitative, and reader/task categories
Download the Amplify Caminos Trade Book Collection Guide for Grades K–2.
Detailed information about text complexity ratings and descriptors; additional uses for the books before, during, and after domain instruction; and the complete list of domains and books for each grade level can be found in the More About the Books section of this guide.
What makes Amplify Caminos different?
Built on the Science of Reading
Built out of the latest research in the Science of Reading, Amplify Caminos delivers explicit instruction in both foundational literacy skills (systematic phonics, decoding, and fluency) and background knowledge in grades K–2 with an integrated approach to explicit instruction in grades 3–5.

Explicit systematic skills instruction
The skills instruction in Amplify Caminos was distinctly developed with the Spanish language in mind. Its foundational lessons are specific to the language, rather than a direct translation from Amplify CKLA’s English skills instruction.
Reading instruction begins with the vowels first, then the most common consonants, and finally the least common consonants. Students will blend and segment sounds to form syllables, and syllables to form words.
Although Spanish has a highly predictable orthography, there are a few silent letters (h is always silent, u is silent after g or q), as well as letters that can make different sounds, depending on the letters that follow them. For that reason, syllables with these letters are taught somewhat later in the progression. The same is true for syllables with infrequently occurring consonants, such as z, k, x, and w.
Coherent knowledge instruction
While students are learning how to read, the Conocimiento strand gives them authentic and engaging reasons to read.
Amplify Caminos uses spiral learning to reinforce every student’s ability to develop skills like reading, writing, speaking, and listening in Spanish that can be transferred to English. As students engage with their lessons, they explore the similarities and differences in grammar, vocabulary, writing, and language use between Spanish and English. This bridge helps students learning two languages to strengthen their knowledge in both.
Through cross-curricular content, students explore units that relate to storytelling, science, and the history of our world in a holistic and thoughtful way. With these units, you’ll bring the world to your students, showing them how reading can become an exciting, rewarding, and useful part of their lives.

Embedded differentiation for all learners
Amplify Caminos provides built-in differentiation strategies and supports in every lesson.
- Apoyo a la enseñanza y desafío: Support and Challenge suggestions in every lesson provide assistance or opportunities for more advanced work toward the goal of the lesson.
- Notas culturales: These point-of-use notes provide additional information about the traditions, foods, holidays, word variations, and more from across the Spanish-speaking world.
- Apoyo adicional: Every lesson in the Lectoescritura (Skills) Strand provides additional support activities suggested to reinforce foundational skills instruction. These activities can be given to any student who requires extra help, including students with special needs.
Systematic and cohesive writing instruction
Writing instruction in Amplify Caminos builds systematically and cohesively within and across grades.
In Grades K-2, writing mechanics—including handwriting and spelling—are taught in the Amplify Caminos Lectoescritura strand. Starting in Grade 1, instruction includes four steps in the writing process: planning, drafting, editing, and publishing and features lessons that have modeling, collaboration, and sharing. As students gain skills and confidence, they are able to take on more of these steps independently. Students learn to use planning techniques, including brainstorming and graphic organizers.
Beginning in Grade 4, the Amplify Caminos writing process expands to also include sharing and evaluating. In Grades 4 and 5, the writing process is no longer conceptualized as a series of scaffolded, linear steps (an important change from the Grade 3 writing process). Rather, students move between components of the writing process in a flexible manner, similar to the process mature and experienced writers follow naturally.

Amplify Caminos’ writing instruction provides a clear progression through the text types in each grade.
Because Amplify Caminos has two strands of lessons in Grades K-2, Lectoescritura and Conocimiento, students are exposed to both narrative and informational texts throughout the year. In Grades 3-5, the integrated units feature study in literary, informational, or a mix of both types of texts, depending on the content of the unit.
- Grades K–2 introduce and establish the key elements of each text type, allowing students to gain comfort and confidence writing narratives, opinions, and informative texts. This enables students to practice thinking about content in different ways, offering more depth and breadth to their understanding of core content and of the writing text types.
- By Grade 3, students will have gained significant practice in narrative, opinion/argumentative, and informational/explanatory forms of writing and will continue to apply those skills through Grade 5.
How does Amplify Caminos integrate with the other parts of the literacy system?
Amplify Caminos + mCLASS® Lectura
Achieve complete parity between English and Spanish assessments with mCLASS Lectura for K–6. mCLASS Lectura allows teachers to connect with their Spanish-speaking students face-to-face, one-on-one, and in the language most comfortable to them. The result? Valid and reliable student data reports
available in both English and Spanish, enabling teachers to pinpoint where their Spanish-speaking or emergent bilingual students really are in their skill development and what instruction to prioritize.

Amplify Caminos + Amplify Reading
Amplify Reading is an engaging, adaptive digital program that extends the learning in Amplify Caminos. Amplify Reading offers support to a large sub-group of English learners (ELs) through Spanish voice-over. Spanish voiceover instructions are available in vocabulary and sentence-level comprehension games so ELs can build their vocabulary, language, and critical comprehension skills before moving into analyzing complex texts

Demo access and sample materials
Ready to explore on your own? First, watch the videos below to learn about the program’s components and how to navigate the digital platform.
Physical materials walkthrough video
Digital navigation video
Demo access
Next, follow the instructions below to access your demo account.

- Click the CKLA and Caminos Demo button below.
- Select Log in with Amplify.
- To explore as a teacher, enter this username: t1.sfusdreviewer@demo.tryamplify.net
- To explore as a student, enter this username: s1.sfusdreviewer@demo.tryamplify.net
- Enter the password: Amplify1-sfusdreviewer
- Click the Programs and apps menu
- Select CKLA Teacher Resource Site
- Select the desire grade level
- Use the toggle to switch between English (CKLA) and Spanish (Caminos) resources.
Sample materials
Finally, click on the grade levels below to explore your requested sample units.
Each book in our authentic literature collection was selected specifically to support and enhance the content of the K-2 Conocimiento Strand. These anchor texts are intended for use as an introduction to each domain—engaging students, piquing their curiosity, and building initial background knowledge—before diving into the deeper content of the domain Read-Alouds.
Every trade book has an instructional guide that includes the following:
- Author and illustrator
- Book summary
- The Essential Question of the Knowledge domain, connecting the book to the domain
- Key Tier 2 and Tier 3 vocabulary words found in the book
- A group activity to reinforce and extend students’ knowledge and understanding
- A performance task to help gauge students’ comprehension of concepts in the text
- Writing prompts to expand understanding and critical thinking
- Text complexity ratings and descriptors for quantitative, qualitative, and reader/task categories
Download the Amplify Caminos Trade Book Collection Guide for Grades K–2.
Detailed information about text complexity ratings and descriptors; additional uses for the books before, during, and after domain instruction; and the complete list of domains and books for each grade level can be found in the More About the Books section of this guide.
Conocimiento Strand:
- Guía del maestro, Conocimiento 12: Luchar por una causa
- Cuaderno de actividades, Conocimientos 7–12
- Rotafolio de imágenes, Conocimiento 12
- Tarjetas de imágenes, Conocimiento 12
Lectoescritura Strand:
Additional resources
- Caminos Program Guide
- Biliteracy and Science of Reading Principles
- Amplify Caminos Conocimiento Scopes and Sequences
- Grade K Knowledge Strand
- Grade 1 Knowledge Strand
- Grade 2 Knowledge Strand
- Grade 3 Integrated Strand
- Grade 4 Integrated Strand
- Grade 5 Intgrated Strand
Amplify Caminos for SFUSD
Amplify Caminos is an authentic elementary Spanish language arts program. Like its English language counterpart, Amplify CKLA, Amplify Caminos provides explicit, systematic foundational skills instruction sequenced with deep knowledge-building content to foster comprehension. When used with Amplify CKLA, Amplify Caminos provides full parity across English and Spanish that’s suitable for any dual language implementation model.

Amplify and SFUSD Partnership
We recognize and respect the unique differences of each of our partnering districts—and that includes San Francisco USD.
Out of the box, Amplify Caminos offers districts a rich, comprehensive, research-based SELA experience. That said, no two districts are exactly alike. To that end, we are committed to working with San Francisco USD to ensure that Amplify Caminos addresses the needs of your community. This includes providing implementation guidance and support, as well as collaborating with your staff to determine which domains need to be modified or exchanged.
What is Amplify Caminos?
Amplify Caminos is a core Spanish language arts program for grades TK–5 that delivers:
- Authentic instruction built from the ground up for the Spanish language.
- A unique research-based approach truly built on the Science of Reading.
- A combination of explicit foundational skills with meaningful knowledge-building.
- Embedded support and differentiation that gets all students reading grade-level texts together.
- Opportunities for students to see the strengths and experiences that all people share while also celebrating each others’ unique identities and experiences.
Watch the video below to learn more about Amplify Caminos for Grades K–2.
Watch the video below to learn more about Amplify Caminos for Grades 3–5.
How does Amplify Caminos work?
Amplify Caminos is built on the science of how kids learn to read—in Spanish.
Amplify Caminos is all about helping you teach students how to read, all while giving them authentic and engaging reasons to read. That’s why Amplify Caminos develops foundational skills and builds knowledge in tandem.
- Knowledge: Through complex and authentic Spanish read-alouds with an emphasis on classroom interactivity, oral comprehension, and contextual vocabulary, students start to build their awareness of the world around them—and the way the reading skills they’re building give them access to it.
- Skills: Starting with the sounds at the core of the Spanish
language, students practice their phonemic awareness, handwriting skills, vocabulary, spelling, and grammar. Through daily practice, students become aware of the connection between reading and writing, building confidence as they go.

Respecting the development differences between grade ranges, Amplify Caminos teaches foundational skills and background knowledge as two distinct strands in grades K–2, and combines them into one integrated strand in grades 3–5.
Grades K–2:
Every day, students in grades K–2 complete one full lesson that explicitly and systematically builds foundational reading skills in the Amplify Caminos Lectoescritura strand, as well as one full lesson that builds robust background knowledge to access complex text in the Amplify Caminos Conocimiento strand. Through learning in each of these strands, students develop the early literacy skills necessary to help them become confident readers and build the context to understand what they’re reading.
Grades 3–5:
In grades 3–5, the Amplify Caminos Lectoescritura and Conocimiento strands are integrated in one set of instructional materials. Lessons begin to combine skills and knowledge with increasingly complex texts, close reading, and a greater writing emphasis. Students can then use their skills to go on their own independent reading adventures.
What do Amplify Caminos students explore?
Amplify Caminos builds students’ knowledge about the world.
In addition to teaching all students to crack the written code (which is vital for fairness), the Amplify Caminos program helps students see the strengths and experiences we all share while celebrating their own unique identities and experiences.
This is accomplished through the exploration of topics and text that feature people who resemble students and familiar situations or experiences while also exposing them to people whose appearances, lives, beliefs, and backgrounds differ from their own.
Engaging domains
Amplify Caminos builds knowledge coherently across subjects and grades.
Throughout the program, students use their skills to explore domains that relate to storytelling, science, and the history of our world as seen through the eyes of many different groups.
Carefully selected to build from year-to-year, our grade-appropriate topics help students make and deepen connections while also reading, writing, and thinking creatively and for themselves.

New Knowledge Research Units for Grades K–5
Our brand-new Knowledge Research units carry forward Amplify Caminos’ powerful and proven instructional approach while also:
- Adding more content for students from all walks of life. The rich topics and highly visual components featured in these units provide students with even more “windows and mirrors” and perspectives as they work to build knowledge.
- Adding more authentic literature. Each new research unit revolves around a collection of high-interest authentic trade books that will spark more curiosity and inspire more inquiry.
- Adding more flexibility. Units can be implemented for extended core instruction during flex periods, district-designated Pausing Points, or enrichment periods.
Units cover a variety of rich and relevant topics:
With these new units, students will soar to new heights with Dr. Ellen Ochoa, Amelia Earhart, and the Tuskegee Airmen. They’ll feel the rhythm as they learn about Jazz legends Miles Davis, Tito Puente, and Duke Ellington. And they’ll explore the far reaches of the world with Jacques Cousteau, Matthew Henson, and Eugenie Clark.
- Grade K: El arte y el mundo que nos rodea
- Grade 1: Cuentos de aventuras: relatos desde los confines de la Tierra
- Grade 2: ¡A volar! La era de la aviación
- Grade 3: Jazz y más
- Grade 4: Energía: pasado, presente y futuro
- Grade 5: Más allá de Juneteenth: de 1865 al presente
Units will be made available in English and Spanish, and will include the following components:
- Teacher Guide
- Student Activity Books
- Image Cards
- Trade Book Collection
- Digital Components (for Grades K–3 and Grade 5 only)
Why we added this unit:
“Every child is an artist,” said Picasso, meaning that every child uses art to explore and understand the world around them. El arte y el mundo que nos rodea honors that truth by introducing Kindergarten students to some of the ways in which artists have explored and understood the world around them.
This domain introduces students to artists from different time periods, countries, and cultures. Throughout the unit, students learn about different kinds of art and how artists use the world around them as they make art. They also connect this to what they have already learned about the earth, plants, and animals in other Caminos domains: Granjas, Plantas, and Cuidar el planeta Tierra. In addition, students connect this to what they have learned about sculptors in the Presidentes y símbolos de los Estados Unidos domain. As they explore different artists and artistic traditions, they develop their ideas about how humans are connected to each other and to the world around them.
As you read the texts in this unit, students may observe ways in which the characters or subjects are both similar to and different from students. This is a good opportunity to teach students awareness and sensitivity, building on the idea that all people share some things in common, even as they have other things that make them unique. This unit also offers an excellent opportunity to collaborate with your school’s art teacher, as many lessons have suggested activities to help students understand the kind of art they are studying.
Within this unit, students have opportunities to:
- Use details to describe art.
- Identify three ways to create art.
- Identify characteristics of cave art.
- Sequence the steps of making pottery.
- Describe how artists can create work connected to the world around them.
- Describe what makes Kehinde Wiley’s portraits unique.
- Explain how the texture of a surface can affect artwork created on it.
- Explain what a sculpture is.
- Describe what makes James Turrell’s artwork about the sky unique.
- Explain what a museum is and what kinds of things you can see or do there.
Trade books in this unit:
Instruction in this unit revolves around the following collection of high-interest authentic trade books. One copy of each trade book is included with the unit materials.
- Georgia O’Keeffe por Erica Salcedo
- Yayoi Kusama: De aquí al infinito por Sarah Suzuki
- Tejedora del arcoíris por Linda Elovitz Marshall
- Las tijeras de Matisse por Jeanette Winter
- El museo por Susan Verde
- Quizás algo hermoso: Cómo el arte transformó un barrio por F. Isabel Campoy
Sample materials:
Take a sneak peek at the rich instruction and engaging activities for this unit by viewing the PDFs below.
- Guía del maestro: Cuentos de aventuras: relatos desde los confines de la Tierra
- Cuaderno de actividades: Cuentos de aventuras: relatos desde los confines de la Tierra
- Tarjetas de imágenes: Cuentos de aventuras: relatos desde los confines de la Tierra
- Componentes digitales: Cuentos de aventuras: relatos desde los confines de la Tierra
Why we added this unit:
This domain introduces students to adventure stories set around the world and challenges students to dig into the adventures through research. By listening to the Read-Alouds and trade books, students increase their vocabulary and reading comprehension skills, learn valuable lessons about perseverance and teamwork, and become familiar with gathering information for research.
In this unit, students study the careers of real-world explorers Dr. Eugenie Clark and Sophia Danenberg, marvel at the inventions of Jacques Cousteau, think critically about how teamwork and collaboration can make greater adventures possible, learn about the science and technology that enable adventures, and research some of the ways humans have confronted challenges at the edges of the world, from the oceans below to space above.
Each lesson in the domain builds students’ research skills as they ask questions, gather information, and write a paragraph about their findings. Students share what they have learned about adventures in an Adventure Gallery Walkthrough. By taking on the persona of one of the adventurers they meet in the Read-Alouds and trade books, students deliver their final paragraphs as if they are a “speaking portrait” of that person. Students are invited to dress up as that adventurer if they desire.
In addition, teachers can set aside time outside the instructional block to create the picture frames students will hold as they present to the Adventure Gallery Walk guests. Frames can be made from shirt boxes, cardboard, construction paper, or any art supplies that are on hand. This might be an opportunity to collaborate with the school’s art department if resources are available. Another option is to ask students to make their frames at home with their caregivers. On the day of the Adventure Gallery Walk, students will be the hosts and take on specific jobs, such as welcoming the guests, describing their work throughout the unit, and pointing out the areas of study on the domain bulletin board. You can find a complete list of student jobs in Lesson 13.
How this unit builds knowledge:
This unit builds upon the following Caminos units that students will have encountered in the previous grade.
- Rimas y fábulas infantiles (Kindergarten)
- Cuentos (Kindergarten)
The specific core content targeted in these domains is particularly relevant to the Read-Alouds students will hear in Cuentos de aventuras: relatos desde los confines de la Tierra. The background knowledge students bring to this unit will greatly enhance their understanding of the trade books used in this unit.
Trade books in this unit:
Instruction in this unit revolves around the following collection of high-interest authentic trade books. One copy of each trade book is included with the unit materials.
- My Name Is Gabito/Me llamo Gabito por Monica Brown
- Galápagos Girl/Galapagueña por Marsha Diane Arnold
- My Name Is Gabriela/Me llamo Gabriela por Monica Brown
- El viaje de Kalak por María Quintana Silva y Marie-Noëlle Hébert
- Señorita Mariposa por Ben Gundersheimer
- Sharuko, el arqueólogo peruano/Peruvian Archaeologist Julio C. Tello por Monica Brown
- Abuelita fue al mercado por Stella Blackstone
Sample materials:
Take a sneak peek at the rich instruction and engaging activities for this unit by viewing the PDFs below.
Why we added this unit:
With this domain, students head up, up, and away with an introduction to the soaring history of aviation. Students learn the stories of early aviators, such as the Montgolfier brothers, the Wright brothers, Aida de Acosta, and Amelia Earhart.
During the unit, students study the science of flight, including the physics concept of lift, and research the social impacts of the world of flight. Finally, students let their research skills take flight as they explore key figures from the world of aviation.
The lessons in this domain build on earlier Grade 2 Caminos domains about the westward expansion, early Greek civilizations, and Greek myths, and lay the foundation for learning about other periods of world history in future grades.
How this unit builds knowledge:
This unit builds upon the following Caminos units that students will have encountered earlier in the year.
- La civilización griega antigua (Grade 2)
- Mitos griegos (Grade 2)
- La expansión hacia el oeste (Grade 2)
The specific core content targeted in these domains is particularly relevant to the Read-Alouds students will hear in ¡A volar! La era de la aviación. The background knowledge students bring to this unit will greatly enhance their understanding of the trade books used in this unit.
Trade books in this unit:
Instruction in this unit revolves around the following collection of high-interest authentic trade books. One copy of each trade book is included with the unit materials.
- ¡A volar! Todo sobre aviones por Jennifer Prior
- Amelia sabe volar por Mara dal Corso
- Héroes de la aviación que cambiaron el mundo por Dan Green
- El niño que alcanzó las estrellas por José M. Hernández
- La niña que aprendió a volar por Sylvia Acevedo
- Buenas Noches Capitán Mamá por Graciela Tiscareño-Sato
Sample materials:
Take a sneak peek at the rich instruction and engaging activities for this unit by viewing the PDFs below.
Why we added this unit:
This domain teaches students about the vibrant music, poetry, and culture of the Jazz Age in the United States. Students learn about famous writers and musicians like Langston Hughes, Louis Armstrong, Billie Holiday, Melba Liston, Tito Puente, and Miles Davis. They study how the jazz art form took root in the South, then spread to the North to become the sound of the Harlem Renaissance, eventually connecting people around the world in musical expression.
During this unit, students perform guided research to further explore both the history of jazz and what jazz is today. They develop research skills and then use those skills to find deeper connections between the stories and music of the Jazz Age and music today. As students learn about the world of jazz, they collaborate and share ideas with their classmates. They also practice sharing feedback focused on their written work, and, at the end of the unit, students present their research to the group.
The lessons give students opportunities to dive into the rhythms and stories of jazz, utilizing the knowledge sequence in this unit to:
- Collaboratively generate research questions about jazz, jazz musicians, contemporary musicians from the state where they live or have lived, and the evolution of jazz music.
- Utilize Read-Alouds, independent reading, and partner reading to learn about the Jazz Age, the Harlem Renaissance, jazz music, and biographies of celebrated jazz musicians and writers.
- Research the answers to their generated questions, gather information, write a short research essay about a famous jazz musician, write a short essay about a contemporary musician from the state where they live or have lived, and give a presentation about their research.
How this unit builds knowledge:
Within this unit, students have opportunities to:
- Ask relevant questions and make pertinent comments
- Identify details in texts
- Determine key ideas of texts by evaluating details
- Make text-based inferences
- Generate questions based on prior knowledge and gathered information
- Synthesize details across texts to demonstrate comprehension
- Discuss and explain an author’s purpose
- Identify and cite reliable primary and secondary sources of information
- Compose a well-organized and focused informative essay
- Make connections between topics
- Present information using appropriate media
Trade books in this unit:
Instruction in this unit revolves around the following collection of high-interest authentic trade books. One copy of each trade book is included with the unit materials.
- ¡Esquivel! Un artista del sonido de la era espacial por Susan Wood
- Ray Charles por Sharon Bell Mathis
- Tito Puente, el Rey del Mambo por Monica Brown
- Me llamo Celia, la vida de Celia Cruz por Monica Brown
- ¡Azúcar! por Ivar Da Coll
In this unit, students also read the poem “Harlem” by Langston Hughes. (Available for free through the Academy of American Poets website and the Poetry Foundation website, with recorded audio available through the website for John Hancock College Preparatory High School.)
Sample materials:
Take a sneak peek at the rich instruction and engaging activities for this unit by viewing the PDFs below.
Why we added this unit:
With this domain, students become tomorrow’s problem solvers in this study of energy in the United States. Analytical reading skills are developed by examining the challenges of early energy innovators. Students then read about current energy practices and young energy change-makers across the world.
Throughout the unit, students conduct research into different sources of energy and present a proposal, putting them in the shoes of future energy innovators. They also use the knowledge sequence in this unit to:
- Collaboratively analyze texts to identify cause-effect and problem-solution relationships.
- Generate questions and conduct research about energy.
- Write an opinion essay making their case for a fuel of the future.
- Create energy proposals using primary and secondary resources.
How this unit builds knowledge:
This unit builds upon the following Caminos units that students will have encountered in previous grades as well as earlier in the year.
- Plantas (Grade K)
- La historia de la Tierra (Grade 1)
- ¡Eureka! Estudiante inventor (Grade 4)
The specific core content targeted in these domains is particularly relevant to the Read-Alouds students will hear in Energía: pasado, presente y futuro. The background knowledge students bring to this unit will greatly enhance their understanding of the trade books used in this unit.
Trade books in this unit:
Instruction in this unit revolves around the following collection of high-interest authentic trade books. One copy of each trade book is included with the unit materials.
- La historia de los combustibles fósiles por William B. Rice
- El niño que domó el viento por William Kamkwamba y Bryan Mealer
Sample materials:
Take a sneak peek at the rich instruction and engaging activities for this unit by viewing the PDFs below.
Why we added this unit:
Within this domain, Students learn about General Granger’s announcement in Galveston, Texas on June 19, 1865, a day marked in history as Juneteenth. Texts and multimedia sources will support foundational knowledge-building about the end of slavery in the United States. A review of the first freedom announcement, President Lincoln’s Emancipation Proclamation, provides students with background knowledge to further emphasize the significance of Juneteenth in American history.
This unit also takes students on a journey beyond Juneteenth, as they study specific contributions of African Americans from 1865 to the present day. Students participate in a virtual field trip to Emancipation Park in Houston, Texas and use the knowledge sequence in this unit to:
- Collaboratively generate research questions about Juneteenth, The Great Migration, innovators and inventors, education, the humanities, activists, and allies.
- Use Read-Alouds, independent, and partner reading to learn about African American contributions from 1865 to the present.
- Research to find answers to their generated questions, gather information, and write a four-chapter Beyond Juneteenth book.
How this unit builds knowledge:
This unit builds upon the following Caminos units that students will have encountered in previous grades.
- Los nativos americanos (Grade K)
- Una nueva nación: la independencia de los Estados Unidos (Grade 1)
- La Guerra Civil de los Estaods Unidos (Grade 2)
- La inmigración (Grade 2)
- Los nativos americanos (Grade 5)
The specific core content targeted in these domains is particularly relevant to the Read-Alouds students will hear in Más allá de Juneteenth: de 1865 al presente
. The background knowledge students bring to this unit will greatly enhance their understanding of the trade books used in this unit.
Trade books in this unit:
Instruction in this unit revolves around the following collection of high-interest authentic trade books. One copy of each trade book is included with the unit materials.
- Martí’s Song for Freedom/Martí y sus versos por la libertad escrito por Emma Otheguy
- ¡Celebremos Juneteenth! escrito por Carole Boston Weatherford
- Side by Side/Lado a Lado: The Story of Dolores Huerta and Cesar Chavez/La Historia de Dolores Huerta y César Chávez escrito por Monica Brown
- Canto de alabanza para el día: Poema para la ceremonia inaugural del mandato de Barack Obama escrito por Elizabeth Alexander, traducido por Rodrigo Rojas
Sample materials:
Take a sneak peek at the rich instruction and engaging activities for this unit by viewing the PDFs below.
Wide-ranging texts
Amplify Caminos puts a variety of texts in the hands of students every day.
Amplify Caminos includes both transadaptations and authentic texts written by Latin American and Spanish authors. Our texts feature a wide variety of authors, topics, individuals and characters representing many different socioeconomic statuses, ages, abilities, races, ethnicities, countries of origin, religions, and more.
Amplify Caminos texts include:
- Authentic literature: Authentic literature exposes students to a variety of text types and perspectives to deepen their knowledge of fascinating topics in social studies, science, literature, and the arts. Authentic texts support text-to-self, text-to-world, and text-to-text connections for readers.
- Decodable Student Readers: Decodable Student Readers at grades K–2 are newly redesigned to include students from all walks of life and educational backgrounds. They feature characters with a broad range of backgrounds, experiences, ages, races, religions, and more.
- ReadWorks® texts: Amplify and ReadWorks have partnered to deliver high-quality texts curated to support the Amplify Caminos Knowledge Sequence and to extend student learning. Texts include high-interest nonfiction articles in topics in social studies, science, literature, and the arts. These texts are accompanied by vocabulary supports and standards-aligned formative assessment opportunities. Teachers can monitor their students’ progress using the ReadWorks reporting features.

Amplify Caminos Trade Book Collection Guide
Each book in our authentic literature collection was selected specifically to support and enhance the content of the K-2 Conocimiento Strand. These anchor texts are intended for use as an introduction to each domain—engaging students, piquing their curiosity, and building initial background knowledge—before diving into the deeper content of the domain Read-Alouds.
Every trade book has an instructional guide that includes the following:
- Author and illustrator
- Book summary
- The Essential Question of the Knowledge domain, connecting the book to the domain
- Key Tier 2 and Tier 3 vocabulary words found in the book
- A group activity to reinforce and extend students’ knowledge and understanding
- A performance task to help gauge students’ comprehension of concepts in the text
- Writing prompts to expand understanding and critical thinking
- Text complexity ratings and descriptors for quantitative, qualitative, and reader/task categories
Download the Amplify Caminos Trade Book Collection Guide for Grades K–2.
Detailed information about text complexity ratings and descriptors; additional uses for the books before, during, and after domain instruction; and the complete list of domains and books for each grade level can be found in the More About the Books section of this guide.
What makes Amplify Caminos different?
Built on the Science of Reading
Built out of the latest research in the Science of Reading, Amplify Caminos delivers explicit instruction in both foundational literacy skills (systematic phonics, decoding, and fluency) and background knowledge in grades K–2 with an integrated approach to explicit instruction in grades 3–5.

Explicit systematic skills instruction
The skills instruction in Amplify Caminos was distinctly developed with the Spanish language in mind. Its foundational lessons are specific to the language, rather than a direct translation from Amplify CKLA’s English skills instruction.
Reading instruction begins with the vowels first, then the most common consonants, and finally the least common consonants. Students will blend and segment sounds to form syllables, and syllables to form words.
Although Spanish has a highly predictable orthography, there are a few silent letters (h is always silent, u is silent after g or q), as well as letters that can make different sounds, depending on the letters that follow them. For that reason, syllables with these letters are taught somewhat later in the progression. The same is true for syllables with infrequently occurring consonants, such as z, k, x, and w.
Coherent knowledge instruction
While students are learning how to read, the Conocimiento strand gives them authentic and engaging reasons to read.
Amplify Caminos uses spiral learning to reinforce every student’s ability to develop skills like reading, writing, speaking, and listening in Spanish that can be transferred to English. As students engage with their lessons, they explore the similarities and differences in grammar, vocabulary, writing, and language use between Spanish and English. This bridge helps students learning two languages to strengthen their knowledge in both.
Through cross-curricular content, students explore units that relate to storytelling, science, and the history of our world in a holistic and thoughtful way. With these units, you’ll bring the world to your students, showing them how reading can become an exciting, rewarding, and useful part of their lives.

Embedded differentiation for all learners
Amplify Caminos provides built-in differentiation strategies and supports in every lesson.
- Apoyo a la enseñanza y desafío: Support and Challenge suggestions in every lesson provide assistance or opportunities for more advanced work toward the goal of the lesson.
- Notas culturales: These point-of-use notes provide additional information about the traditions, foods, holidays, word variations, and more from across the Spanish-speaking world.
- Apoyo adicional: Every lesson in the Lectoescritura (Skills) Strand provides additional support activities suggested to reinforce foundational skills instruction. These activities can be given to any student who requires extra help, including students with special needs.
Systematic and cohesive writing instruction
Writing instruction in Amplify Caminos builds systematically and cohesively within and across grades.
In Grades K-2, writing mechanics—including handwriting and spelling—are taught in the Amplify Caminos Lectoescritura strand. Starting in Grade 1, instruction includes four steps in the writing process: planning, drafting, editing, and publishing and features lessons that have modeling, collaboration, and sharing. As students gain skills and confidence, they are able to take on more of these steps independently. Students learn to use planning techniques, including brainstorming and graphic organizers.
Beginning in Grade 4, the Amplify Caminos writing process expands to also include sharing and evaluating. In Grades 4 and 5, the writing process is no longer conceptualized as a series of scaffolded, linear steps (an important change from the Grade 3 writing process). Rather, students move between components of the writing process in a flexible manner, similar to the process mature and experienced writers follow naturally.

Amplify Caminos’ writing instruction provides a clear progression through the text types in each grade.
Because Amplify Caminos has two strands of lessons in Grades K-2, Lectoescritura and Conocimiento, students are exposed to both narrative and informational texts throughout the year. In Grades 3-5, the integrated units feature study in literary, informational, or a mix of both types of texts, depending on the content of the unit.
- Grades K–2 introduce and establish the key elements of each text type, allowing students to gain comfort and confidence writing narratives, opinions, and informative texts. This enables students to practice thinking about content in different ways, offering more depth and breadth to their understanding of core content and of the writing text types.
- By Grade 3, students will have gained significant practice in narrative, opinion/argumentative, and informational/explanatory forms of writing and will continue to apply those skills through Grade 5.
How does Amplify Caminos integrate with the other parts of the literacy system?
Amplify Caminos + mCLASS® Lectura
Achieve complete parity between English and Spanish assessments with mCLASS Lectura for K–6. mCLASS Lectura allows teachers to connect with their Spanish-speaking students face-to-face, one-on-one, and in the language most comfortable to them. The result? Valid and reliable student data reports
available in both English and Spanish, enabling teachers to pinpoint where their Spanish-speaking or emergent bilingual students really are in their skill development and what instruction to prioritize.

Amplify Caminos + Amplify Reading
Amplify Reading is an engaging, adaptive digital program that extends the learning in Amplify Caminos. Amplify Reading offers support to a large sub-group of English learners (ELs) through Spanish voice-over. Spanish voiceover instructions are available in vocabulary and sentence-level comprehension games so ELs can build their vocabulary, language, and critical comprehension skills before moving into analyzing complex texts

Demo access and sample materials
Ready to explore on your own? First, watch the videos below to learn about the program’s components and how to navigate the digital platform.
Physical materials walkthrough video
Digital navigation video
Demo access
Next, follow the instructions below to access your demo account.

- Click the CKLA and Caminos Demo button below.
- Select Log in with Amplify.
- To explore as a teacher, enter this username: t1.sfusdreviewer@demo.tryamplify.net
- To explore as a student, enter this username: s1.sfusdreviewer@demo.tryamplify.net
- Enter the password: Amplify1-sfusdreviewer
- Click the Programs and apps menu
- Select CKLA Teacher Resource Site
- Select the desire grade level
- Use the toggle to switch between English (CKLA) and Spanish (Caminos) resources.
Sample materials
Finally, click on the grade levels below to explore your requested sample units.
Conocimiento Strand:
- Guía del maestro, Conocimiento 12: Luchar por una causa
- Cuaderno de actividades, Conocimientos 7–12
- Rotafolio de imágenes, Conocimiento 12
- Tarjetas de imágenes, Conocimiento 12
Lectoescritura Strand:
Additional resources
- Caminos Program Guide
- Biliteracy and Science of Reading Principles
- Amplify Caminos Conocimiento Scopes and Sequences
- Grade K Knowledge Strand
- Grade 1 Knowledge Strand
- Grade 2 Knowledge Strand
- Grade 3 Integrated Strand
- Grade 4 Integrated Strand
- Grade 5 Intgrated Strand
Welcome to the Amplify CKLA 3rd Edition program review site!
We’re excited to share everything you need to review Amplify CKLA 3rd Edition, our K–5 core literacy program. On this site, you’ll find a range of materials, including Teacher Guides, Activity Books, and Student Readers, organized by grade and unit.
Please note that the files on this site are static representations of the high-quality materials you’ll receive with your purchase.
We hope you find the site helpful! If you have any questions, please reach out to your Amplify representative.
Reviewer resources
Access key materials designed to support your review of Amplify CKLA 3rd Edition.
- Program Guide
- Components Guide
- Choice Units Overview
- Text Types and Text Complexity Guide
- Writing Brochure
- Assessment Overview
- K–5 Knowledge Map
- Curriculum Maps by Grade and Strand:
- Scope and sequence by Grade and Strand:
- Text Types and Range of Writing by Grade:
Kindergarten
Explore all available resources for Kindergarten, organized by strand and unit.
Knowledge Strand
|
Unit 1: Star Light, Star Bright: Nursery Rhymes and Fables |
Unit 2: See, Hear, Smell, Taste, Touch: The Five Senses |
Unit 3: Underdogs and Heroes: Stories |
|
Unit 4: See How They Grow: Plants |
Unit 5: Moo, Cluck, Oink: Farms |
Unit 6: Deep Roots: Introduction to Native American Cultures |
|
Unit 7: All Around the World: Geography |
Unit 8 (Choice): Royal Tales: Monarchs |
Unit 8 (Choice): National Icons: Presidents and American Symbols |
|
Unit 9 (Choice): Our Planet: Taking Care of the Earth |
Unit 9 (Choice): Rain and Rainbows: Seasons and Weather |
Unit 10: Shaped by Nature: Art and the World Around Us
|
Skills Strand
|
Unit 1 |
Unit 2 |
Unit 3 |
|
Unit 4 |
Unit 5 |
Unit 6 |
|
Unit 7 |
Unit 8 |
Unit 9 |
|
Unit 10 |
Ancillary Components |
Grade 1
Explore all available resources for Grade 1, organized by strand and unit.
Knowledge Strand
|
Unit 1: The Moral of the Story: Fables and Tales |
Unit 2: From Nose to Toes: How Your Body Works |
Unit 3: Common Threads: Different Lands, Similar Stories |
|
Unit 4: Reach for the Stars: Astronomy |
Unit 5: Charting the World: Geography |
Unit 6: A World of Homes: Animals and Habitats |
|
Unit 7: A New Nation: American Independence |
Unit 8 (Choice): Once Upon a Time: Fairy Tales |
Unit 8 (Choice): Our Planet: The History of the Earth |
|
Unit 9 (Choice): From Babylon to the Nile: Early World Civilizations |
Unit 9 (Choice): Early Americas: Maya, Aztec, and Inca |
Unit 10: Adventure Stories: Tales from the Edge
|
Skills Strand
|
Unit 1 |
Unit 2 |
Unit 3 |
|
Unit 4 |
Unit 5 |
Unit 6 |
|
Unit 7 |
Ancillary Components |
Grade 2
Explore all available resources for Grade 2, organized by strand and unit.
Knowledge Strand
|
Unit 1: Fortunes and Feats: Fairy Tales and Tall Tales |
Unit 2: The Birthplace of Democracy: Ancient Greece |
Unit 3: Legends and Heroes: Greek Myths |
|
Unit 4: Our Planet: Cycles in Nature |
Unit 5: Butterflies, Bees, and Beetles: Insects |
Unit 6: A House Divided: The American Civil War |
|
Unit 7: Sounds and Stanzas: Poetry |
Unit 8 (Choice): Journeys to America: Immigration |
Unit 8 (Choice): Making a Difference: Creating Change |
|
Unit 9 (Choice): Building Blocks: All About Nutrition |
Unit 9 (Choice): Early Asian Civilizations: India and China |
Unit 10: Taking Flight: The Age of Aviation
|
Skills Strand
|
Unit 1 |
Unit 2 |
Unit 3 |
|
Unit 4 |
Unit 5 |
Unit 6 |
|
Ancillary Components |
Grade 3
Explore all available resources for Grade 3, organized by unit.
Core Units
|
Unit 1: Timeless Tales: Classic Stories |
Unit 2: Fur, Fins, and Feathers: Animal Classification |
Unit 3: Rhythm and Rhyme: Poetry |
|
Unit 4: Rise and Fall: Ancient Rome |
Unit 5: Our Solar System and Beyond: Astronomy |
Unit 6: Regions and Cultures: Native Americans |
|
Unit 7 (Choice): Novel Study: Charlotte’s Web
|
Unit 7 (Choice): Novel Study: Stella Díaz Has Something to Say
|
Unit 8 (Choice): Systems and Senses: The Human Body |
|
Unit 8 (Choice): From Glow to Echo: Light and Sound |
Unit 9: From Blues to Bebop: All That Jazz
|
Supplemental Skills
Grade 3 Skills resources are included in core classroom kits, although the instruction isn’t required for Grade 3 standards coverage.
|
Unit 1 |
Unit 2 |
Unit 3 |
|
Unit 4 |
Grade 4
Explore all available resources for Grade 4, organized by unit.
|
Unit 1: My Story, My Voice: Personal Narratives |
Unit 2: Knights and Castles: Europe’s Middle Ages |
Unit 3: Meaning and Metaphor: Poetry |
|
Unit 4: Eureka! Student Inventor |
Unit 5: Our Planet: Geology |
Unit 6: Road to Independence: The American Revolution |
|
Unit 7 (Choice): Novel Study: From the Mixed-Up Files of Mrs. Basil E. Frankweiler
|
Unit 7 (Choice): Novel Study: The Season of Styx Malone
|
Unit 8 (Choice): Crafting Stories: A World of Tales |
|
Unit 8 (Choice): Adventure on the High Seas: Treasure Island |
Unit 9: Inspiration and Ingenuity: American Innovation
|
Grade 5
Explore all available resources for Grade 5, organized by unit.
|
Unit 1: In My Own Words: Personal Narratives |
Unit 2: Early Americas: Maya, Aztec, and Inca |
Unit 3: Visions in Verse: Poetry |
|
Unit 4: A Knight’s Tale: Don Quixote
|
Unit 5: The Deep Blue World: Oceans |
Unit 6: Cultures and Histories: Native Americans |
|
Unit 7 (Choice): Novel Study: The Phantom Tollbooth
|
Unit 7 (Choice): Novel Study: The Science of Breakable Things
|
Unit 8 (Choice): Arts and Culture: The Renaissance |
|
Unit 8 (Choice): Through the Forest: A Midsummer Night’s Dream |
Unit 9: Building Up the World: Global Architecture
|
Digital platform
Amplify CKLA’s all-in-one platform offers essential tools that streamline instruction for teachers and engage students with meaningful content. Teachers can plan and deliver lessons efficiently, while students can access assignments, assessments, and fun practice games.

Presentation Screens
Deliver interactive lessons with ready-made, customizable slides for every lesson.
Auto-scored digital assessments
Assess vocabulary, comprehension, and knowledge development at the end of each K–2 Knowledge and 3–5 Integrated Unit.
Standards-based reports
Identify strengths and growth areas for individuals, small groups, or your entire class. Interactive dashboards offer detailed results from assessments and activities.
Skill-building practice games
Engage students with interactive games that reinforce concepts and make learning fun. Powered by Boost Reading™, these games align with lessons and provide real-time feedback.
eReader
Students access texts, take notes, and use audio-enabled eReaders to enhance their reading experience.
Sound Library
Students watch articulation videos and listen to songs for each sound to support phonological awareness.
Vocab App
Helps students in Grades 3–5 practice Amplify CKLA Tier 2 vocabulary words with fun, interactive games.
Intervention Toolkit
Offers user-friendly resources designed to aid educators in identifying and addressing deficiencies in students’ foundation skills.
Welcome, Indiana Department of Education!
Amplify CKLA 3rd Edition builds on the principles and instruction of previous editions to provide better-than-ever support for teaching and learning. The focus continues on delivering evidence-based instruction across a system of multi-tiered supports aligned with the Science of Reading and Writing.
We’re excited to share this site, where you’ll find a range of materials and literacy tools including Reviewer Resources and Teaching Materials (Teacher Guides, Activity Books, and Student Readers) organized by grade and unit.
We welcome your thoughts and questions!

Reviewer resources
Overview and program resources:
- Program Guide
- What’s New: CKLA 3rd Edition
- Choice Units Overview
- Text Types and Text Complexity Guide
- Writing Overview
- Assessments Overview
- K-5 Knowledge Map
Alignment and scope and sequence:
- Common Core State Standards (CCSS) Alignment
- K-2 Skills Scope and Sequence
- K-2 Knowledge Scope and Sequence
- 3-5 Integrated Scope and Sequence
Curriculum maps by grade:
- Kindergarten Knowledge | Kindergarten Skills
- Grade 1 Knowledge | Grade 1 Skills
- Grade 2 Knowledge | Grade 2 Skills
- Grade 3
- Grade 4
- Grade 5
Kindergarten
Explore all available resources for Kindergarten, organized by strand and unit.
Knowledge Strand
Skills Strand
Grade 1
Explore all available resources for Grade 1, organized by strand and unit.
Knowledge Strand
Skills Strand
Grade 2
Explore all available resources for Grade 2, organized by strand and unit.
Knowledge Strand
Skills Strand
Grade 3
Explore all available resources for Grade 3, organized by unit.
Core Units
Explore all available resources for Grade 3, organized by unit.
Supplemental Skills Units
Grade 3 Skills resources are included in core classroom kits, although the instruction isn’t required for Grade 3 standards coverage.
Grade 4
Explore all available resources for Grade 4, organized by unit.
Grade 5
Explore all available resources for Grade 5, organized by unit.
Digital platform
In the 2025-26 school year, Amplify CKLA’s all-in-one platform will offer essential tools that streamline instruction for teachers and engage students with meaningful content. Teachers can plan and deliver lessons efficiently, while students can access assignments, assessments, and fun practice games.

Presentation Screens
Deliver interactive lessons with ready-made, customizable slides for every lesson.
Auto-scored digital assessments
Assess vocabulary, comprehension, and knowledge development at the end of each K–2 Knowledge and 3–5 Integrated Unit.
Standards-based reports
Identify strengths and growth areas for individuals, small groups, or your entire class. Interactive dashboards offer detailed results from assessments and activities.
Skill-building practice games
Engage students with interactive games that reinforce concepts and make learning fun. Powered by Boost Reading™, these games align with lessons and provide real-time feedback.
eReader
Students access texts, take notes, and use audio-enabled eReaders to enhance their reading experience.
Sound Library
Students watch articulation videos and listen to songs for each sound to support phonological awareness.
Vocab App
Helps students in Grades 3-5 practice Amplify CKLA Tier 2 vocabulary words with fun, interactive games.
Intervention Toolkit
Offers user-friendly resources designed to aid educators in identifying and addressing deficiencies in students’ foundation skills.
Program support resources
Additional program resource documents:
Welcome to the Amplify CKLA 3rd Edition program review site!
S1-05: How does coding fit in the science classroom? A conversation with Aryanna Trejo of Code.org

In this episode, Eric sits down with Aryanna Trejo, a professional learning specialist of Code.org. Aryanna shares her journey from working as an elementary teacher in New York City and Los Angeles to teaching other educators at Code.org. Eric and Aryanna chat about computer literacy within the science classroom, problem-solving skills, and ways to model productive struggle for students. Aryanna also shares ways to teach coding and computer literacy in schools, no matter the classroom’s technology level. Explore more from Science Connections by visiting our main page.
Aryanna Trejo (00:00):
I would hear teachers saying things like, “Well, I just can’t do coding; this is too hard for me; the time has passed.” And I would ask them, “Would you say that to your student about math or English?” And they would always sheepishly go, “No.” And I’d say, “Well, be as kind to yourself as you would be to your student.”
Eric Cross (00:19):
Welcome to Science Connections. I’m your host, Eric Cross. My guest today is Aryanna Trejo. Aryanna is a member of the professional learning team at Code.org. Before joining Code.org, Aryanna led computer science professional development for elementary school teachers, and served as an instructional coach for new educators. She also taught fourth and fifth grade in both New York City and in Los Angeles. In this episode, we discuss Aryanna’s journey to Code.org, where she helps educators connect coding to real life, how to use a rubber duck to solve problems, and how coding and computer science principles can be taught to students in areas without access to the internet…or even a computer. I hope you enjoy my conversation with Aryanna Trejo. So I was born and raised here, and I saw that you went to UC San Diego.
Aryanna Trejo (01:11):
I did, I did. I actually just put a deposit down on an apartment in University Heights, ’cause I’m moving back.
Eric Cross (01:16):
You’re coming back?
Aryanna Trejo (01:17):
I’m coming back. Yeah.
Eric Cross (01:19):
So if you need a classroom to visit….
Aryanna Trejo (01:21):
I would love to do more classroom observations!
Eric Cross (01:24):
Are we doing this? Let’s do—we’re making this happen.
Aryanna Trejo (01:26):
We are. Yeah. So I’ll be there. I’m moving there in April. I actually grew up in Orange County too, so I’m like a very diehard SoCal person.
Eric Cross (01:35):
So I feel like I know the answer to, hopefully—Tupac or Biggie? ‘Cause you’re on the East Coast, and you’re on the West Coast.
Aryanna Trejo (01:40):
Yeah. I like Tupac, but I have more Biggie songs committed to memory. Which is not a lot. I have “Juicy” and “Hypnotized” memorized.
Eric Cross (01:53):
All right. So you’re just memorizing, and you have the Biggie songs memorized, but not the Tupac ones.
Aryanna Trejo (01:58):
No, but I do love Tupac songs. You know, it’s like, Biggie has the flow, but Tupac has the lyrics. Nobody’s—they both have something really amazing about them.
Eric Cross (02:06):
You know, I can respect that you broke it down into both of their strengths.
Aryanna Trejo (02:11):
Thanks for buttering me up before this interview. And not….
Eric Cross (02:15):
<laugh> Oh, we already started.
Aryanna Trejo (02:16):
Huh? We already started?
Eric Cross (02:17):
We’re already started. Yeah. We’re already into this.
Aryanna Trejo (02:19):
We’re into it.
Eric Cross (02:21):
You were in the classroom, fourth and fifth grade, and you were doing TFA.
Aryanna Trejo (02:26):
I did. I did Teach For America. I was 2012, New York City Corps. Right after graduation. ‘Cause I graduated UC San Diego in 2012. So graduation was on June 17th, and I touched down at JFK on June 19th.
Eric Cross (02:40):
Even though I wasn’t in TFA, I know a lot of the fellows that are in it. And there’s just some phenomenal teachers in there. How long were you doing elementary school when you were teaching?
Aryanna Trejo (02:49):
Yeah, I taught for—well, I did, three years of teaching fourth grade. Then there happened to be an instructional coach opening in my fourth year. I took that, did some instructional coaching within the same network, and then I moved back to LA and I taught fifth grade for a year.
Eric Cross (03:11):
- And what was it like now? Did you go to Code.org right after the classroom?
Aryanna Trejo (03:17):
No, I didn’t. No. I transitioned after teaching fifth grade for a year in downtown Los Angeles, in the Pico-Union neighborhood. I ended up getting this email out of the blue from someone who had actually found me through the Teach for America job site. ‘Cause I was hitting the pavement; I was really looking to transition out of the classroom. And she invited me to interview with this company called 9 Dots. And they taught computer science to kids K–6 throughout Los Angeles and Compton. And I was like, “Sure, no problem. Let’s do it.” So I interviewed, I got the job, and yeah, that’s how I transitioned to 9 Dots. And then after almost four years there, I transitioned to Code.org, with the same person. Actually, she moved over to Code.org first, and then she helped me get this job.
Eric Cross (04:07):
Oh, that’s happened a lot—like, that relationship kinda carries over.
Aryanna Trejo (04:11):
Yeah. We’re meant to be coworkers.
Eric Cross (04:13):
Yeah. Are you still? Is she still there? Are you both still together?
Aryanna Trejo (04:17):
Yeah, we’re on the same team and it’s nice. I saw her last night for Happy Hour, with another coworker who’s in LA. So we’re tight. And she’s a wonderful, wonderful mentor to me.
Eric Cross (04:28):
That’s great. Did you have computer-science background, when you were doing elementary school teaching? Did you have—
Aryanna Trejo (04:34):
No. <laugh> Not at all. When I was teaching in New York City, I had like four desktop computers in my classroom, and we rarely used them. Which was such a shame. And then when I moved to Los Angeles and taught fifth grade there, we were a one-to-one school, and the joys of that are just amazing. It was just really wonderful to, you know, get the students used to typing on the computer, using different software to submit their assignments. Getting creative—as creative as you can get—with Google Slides. You know, to show off what they know. And stuff like that. That’s all I had, though. And you know, when I transitioned to 9 Dots I was like, “Sure, why not? Let’s give a shot.” And I learned a lot. It was really interesting, yeah.
Eric Cross (05:26):
And so now at Code.org you are…well, so my journey with Code.org, I’ve been in the classroom for eight years. Still in the classroom as of…an hour ago, I was there. <Laugh> And I use Code.org, and I feel like I’ve checked it periodically, and I feel like it’s evolved over the gaps. And I’ve seen it. It’s become more robust in the things that they offer, over the years I’ve been an educator. Just to kind of…could you give a thumbnail sketch? Like, what is Code.org? Who’s it for? Who’s the target audience? What resources are there?
Aryanna Trejo (06:00):
Yeah. So it’s for everyone. It is a nonprofit that provides curriculum and training and a platform for teachers and students. We provide curriculum for K through 12. It’s completely free. And it comes with lesson plans, slideshows, all that. We focus specifically on underrepresented groups. So we have targeted measures for Black students, for Native American students, for students who identify as female. That’s a huge part of our mission. But we’re really working to expand access to computer science to as many students as we can.
Eric Cross (06:41):
One of the things I’m hearing in your story is you were teaching in Compton; you were in Bronx, New York. One of the reasons why I got into the classroom is because of educators, and the impact they made on me in exposing me to science and technologies I’d never had access to. And that intentionality, that you’re going about it…are there…not just the code, but how you bring that across to different groups…are there strategies, or are there ways to connect this idea of coding to diverse groups and diverse audiences? Or is it kind of, the curriculum applies for everyone? ‘Cause in science, when I’m teaching, I’m always trying to make what I’m doing relevant to the backgrounds of my students.
Aryanna Trejo (07:28):
Sure.
Eric Cross (07:28):
So I’m teaching biology, and I’m trying to make this kind of connection. Sometimes it’s more organic; sometimes it feels kind of forced. Because it’s just not always a nice fit. But it sounds like Code.org is really about inclusion. And in the numbers that I’ve seen for representation, in especially computer science software engineers, the groups that you’re focusing on are not necessarily represented in the professional workforce. At least disproportionately.
Aryanna Trejo (07:54):
Yeah, absolutely. Yeah, that’s correct.
Eric Cross (07:57):
And so how do you go about being intentional about reaching groups that we don’t see in, you know, the Silicon Valley software engineers? How do you start that? Like, at a young age, do you look for specific schools in specific areas to say, “We are going to bring this to the school. We’re going out to these populations of the cities”? Because we’re just not seeing…you know, on the map, we’re not seeing anybody really doing anything with coding here. Or we’re not seeing the numbers come out of these areas, out of these cities, of students who are going into STEM or going into computer science fields.
Aryanna Trejo (08:41):
Yeah. I don’t necessarily work on the recruitment side of it, is the issue, in my position. But I do work on the professional learning, that is brought out to teachers. And we have a huge focus on equity throughout the workshops that we create from K–12. It’s something we’re really passionate about. We definitely aim to prepare teachers to teach computer science. That’s a huge part of it. Knowing the content, but also thinking through, “What does recruitment look like at your school to make sure that the demographics of your classroom match the demographics of your entire school?” Also, thinking through, “How can we make sure that female students feel included in your classroom? How can we make sure that we are, giving students creativity to think about, or we are setting students up to be creative and think about the problems that are in their community, and how they can use computer science to solve them, or at least work towards them?”
Eric Cross (09:39):
So solving real-world problems and that inclusion aspect…are there things like…you were saying “female or students who identify as female”…are there things that teachers can do to ensure that they’re being more inclusive? Or to recruit, or encourage more female students to take part? One of the things I was thinking of, that I’ve seen, is I’ve seen coding kind of camps.
Aryanna Trejo (10:06):
Sure.
Eric Cross (10:08):
That were specifically for a female audience. And that seemed to help with recruitment. Is that something that you see on your side?
Aryanna Trejo (10:16):
That’s not something that we set up, no. But the curriculum that I work with is CS Principles. And it’s offered as an Advanced Placement course, as well as an AP class. So that’s a curriculum that’s designed for students who are in grades 10 through 12. And so at that point, we can really talk to teachers and ask them what the recruitment strategy is. But in terms of strategies that teachers can use to recruit those students…I mean, I’ve heard over and over from lots of different teachers who identify as female that they didn’t think that computer science was for them, until they saw a role model in that position. And so just being a role model for those students is really wonderful.
Eric Cross (11:00):
And I see it too, with—like, we do “Draw a Scientist” activity, which is like a popular science thing—
Aryanna Trejo (11:05):
Sure, yeah, I’m familiar.
Eric Cross (11:05):
But it’s the same thing, right? Like, it fleshes out. My students don’t draw themselves as scientists. They draw what they perceive, based on what television says. I imagine with computer science, it’s probably really similar, when you think about “What’s a software engineer look like?” Do students tend to draw themselves? Or is it even a mystery? Because I don’t even know what a software engineer looks like.
Aryanna Trejo (11:28):
Yeah, absolutely. Well, one of the things we love to do with our professional learning workshops is talk about understanding yourself, your identities, how they show up in the classroom as biases. And, you know, things like stereotype threat. We see that as really important to understand, and think through, and consider, before you step into the classroom. So that you’re not, you know, coddling certain groups of students because you don’t believe that they are able to be successful in computer science. Holding all the students to the same expectations and believing that they can succeed. And computer science, I think a lot of the times people have this conception of it being this utopian, bias-less, technocratic field. When in reality, everything has bias. And people talk about algorithmic bias and facial recognition, but also the people who created computers and computer languages have their own bias that comes through. And I think it’s really important to show students that. So that they can, one, know what they’re working with, and two, make sure that they can create products that reduce that bias.
Eric Cross (12:50):
It’s like…it’s not objective, just because we’re creating software. Like, once it gets to a point of being so sophisticated…I think, like, AI software, right? With facial recognition? And we’re seeing more and more articles come out about, you know, predicting trends based on historical data.
Aryanna Trejo (13:12):
Sure.
Eric Cross (13:13):
But then, the trends and things that they’re seeing tend to target things that have happened in the past. But it also doesn’t take into consideration a lot of other factors that can lead to certain groups or populations being identified. And I’ve seen some articles lately about how your code is really just representation of what you put into it. And like you just said, your bias—if you have that, conscious or unconscious—you’re gonna put that into your code. And the input is gonna be an impact, is gonna impact the output.
Aryanna Trejo (13:44):
Yeah, absolutely. Or even just—and I’m ashamed to say this, ’cause this is an idea that came to me just recently, through an article that I read—but computers themselves have bias. The hardware assumes that you have vision, that you can see the screen, that you are able-bodied, that you can use your hands to work the keyboard, the mouse, et cetera, and that you don’t have to use assistive technology. You know, there are small things like that, where we think that technology, like I said, is this utopian, futuristic science…but there are biases throughout.
Eric Cross (14:19):
You’re absolutely right. I’ve never even—I’ve never even considered that. Even though I do use assistive tech, and figure it out, I’ve never thought from the ground up, the process is built for an able-bodied, sighted, hearing person.
Aryanna Trejo (14:31):
Exactly.
Eric Cross (14:32):
To be able to engage with the hardware. And then these other things, these tertiary things that we kind of add on, so that you can do this, but it’s not designed from the ground up for people who are, you know, different audiences, physically. So I’m glad you brought that up, though. Now I’ve seen—and I haven’t done this—but I know Hour of Code is a big thing. And this is something that’s ongoing. Can you talk a little bit about what Hour of Code is? I know it’s, it’s a big thing for the classroom teachers.
Aryanna Trejo (15:08):
Yeah. So Hour of Code is really exciting, and it’s just blossomed from something small to something tremendous. This year is gonna be the 10th Hour of Code. So what it is, is it happens during CS Education Week in December, during Grace Hopper’s—or to honor Grace Hopper’s birthday. She was a computer scientist and Navy Admiral. And basically the aim of it is to get as many students on the computer doing an hour of code, and demystify what coding is. You know, to do seed-planting. To show teachers that this is something that you can facilitate for your students. And also to show students like, “Hey, computer science is something you can absolutely do. Not just for an hour, but more if you want.” So, yeah. Now it’s worldwide, and it’s really exciting.
Eric Cross (15:58):
That’s awesome. And I think about teachers and I still hear the apologetic—when I’m helping teachers in the classroom with education technology—the self-deprecating “I’m a dinosaur; I’m not good with tech,” which is never true. Like, they’re better than they even realize. And I feel like sometimes there’s still a stigma, too. It’s like <laugh> The Simpsons’ Comic Book Store Guy. The condescending tech support person—
Aryanna Trejo (16:27):
Sure.
Eric Cross (16:28):
—who has that tone. And so I feel like some people have been so negatively impacted by that person. So I know when I’m helping people, I actually try to go full-spectrum the other side. But I’m thinking about teachers’ barrier to entry. Sometimes code is like, “Whoa.” And I don’t teach computer science. Do you see those barriers to entry, or at least the perception of them? And then, what’s the reality for like someone listening, and going, “I’m a fourth grade teacher,” or “I’m a humanities teacher in ninth grade.” What’s the perception that you see, versus reality, with the teachers that you train? Is it much more accessible than we think? Or is there a level of sophistication that you have to have coming into it?
Aryanna Trejo (17:10):
No, not at all. I know computer science, and that says a lot! <Laugh> You know, I know my own corner of computer science. And you know, that’s me being self-deprecating, too. But I think learning computer science has helped me in so many different ways that I wasn’t expecting. I recently took the GRE in hopes of, you know, getting back into grad school. And I think just the way that computer science teaches you to search for bugs in your code, or errors, and kind of tirelessly look at a problem from multiple different angles, I was able to carry that into the math that I was doing. And I noticed just a huge difference in the way that I approached it, and the way that I was open to it. But you asked a great question, in regards to the barriers to technology. In my position at 9 Dots, I was working directly with teachers to lead professional development with them. Sometimes it would be a full day; sometimes it would be an hour after school. And the one thing that I always had in my back pocket that was really useful is that I would hear teachers saying things like, “Well, I just can’t do coding; this is too hard for me; the time has passed.” And I would ask them, “Would you say that to your student about math or English?” And they would always sheepishly go, “No.” And I’d say, “Well, be as kind to yourself as you would be to your student.” You know, it takes some patience and nobody’s gonna get it perfect 100 percent of the time. Have I banged my head against the wall trying to solve one tiny little syntax error in my code? Absolutely! But it feels absolutely phenomenal to fix that. And I was an English major in undergrad, and I had never done computer science before. So it’s something that becomes really satisfying.
Eric Cross (19:07):
Yeah, I imagine. I had someone—a trainer or a presenter—one time bring up the fact that our students rarely get to see us learn in real time.
Aryanna Trejo (19:19):
Yeah.
Eric Cross (19:19):
So we don’t get to ever really model failure. I mean, unless we’re in a classroom situation <laughs> in our failures, with classroom management. Then they see it, they see it! But they don’t get to see us model learning failure. And I don’t mean like failure—and yes, I know, “first attempt is learning,” and “no such thing as failure”—that’s not what I’m talking about. But just when we’re not successful with our code, and then we experience real-time frustration.
Aryanna Trejo (19:42):
Yep.
Eric Cross (19:42):
And they said that is actually a great learning experience for your students to watch you go through productive struggle. And that was really liberating for me. Because now I’m in the classroom, and I’m trying to go through it with my students, and the beautiful thing was, they started helping me. We were all trying to solve the problem. And then we had this authentic problem-solving experience. I think it was like a Scratch program, where we were trying to solve, trying to embed it somewhere, or something. And then, in the background of the class: “Mr. Cross! I got it! I figured it out!” And it was this really neat bonding experience. And I felt that—your ears get red, and you get hot, ’cause you’re not—
Aryanna Trejo (20:19):
Oh yeah.
Eric Cross (20:20):
You don’t know it! And you’re in front of 36 kids! And I said, “OK, I need to tell them how I feel.”
Aryanna Trejo (20:25):
Yeah.
Eric Cross (20:26):
So I said, “Now I feel really frustrated.” Like, “I want to go through this, and here’s my thoughts.” ‘Cause I knew that it would be helpful if they saw and would hear my thoughts. So I just did a quick think-aloud and I said, “In my head, <laugh> I want to just quit,” I said, “But I realize that this is the part where my learning’s happening. So I just want you all to hear what’s going on in my brain.” And now I feel like when I’m doing coding with my students, and it’s just basic coding, I feel much more comfortable, like, not knowing. But I needed someone to release me from that “I have to be the expert in everything” to do it.
Aryanna Trejo (21:06):
And teachers are used to being the experts. Right? And they should be. And coding is just such a different landscape. But I think once you kind of give over to the power of tinkering, I think it’s really gratifying. I love being able to…you can revise a sentence, and then read your paragraph back to yourself in English, and say, “OK, I get it.” But there’s something so gratifying about changing a line of code or a block and then being able to hit play and watch your program come to life, and say, “Hmm, that’s not quite what I wanted. Let’s try something different.”
Eric Cross (21:39):
I love your connection to tinkering. ‘Cause—I had never thought about it—’cause I love tinkering with my hands. But I always think about physical things. But coding is exactly that. It’s tinkering.
Aryanna Trejo (21:47):
It’s exactly that.
Eric Cross (21:47):
That’s exactly what it is.
Aryanna Trejo (21:49):
And a lot of it is, for me, especially when I’m trying something new, it’s guess-and-check. It’s like, “OK, that didn’t work. What if I add a semicolon here? Will it finally work? Or what if I add a ‘for’ loop? Will this get me what I want?” And it’s wonderful because you have that with students as well. Like, you have that record of their thinking, and you can ask them to go step-by-step and tell you, you know, “First, I added this, because I wanted the program to do this,” and so on and so forth. And so you have that record, but you can always get rid of it. Students often wanna get completely get rid of it. That’s something that I’ve noticed a lot as I’ve taught computer science. But, once you can get them to target the specific parts of the program, tinker with that, and continue, that’s a really wonderful learning space. There was also something you said about modeling failure. I love the fact that in computer science you can model failure for your students. You said to your students, “I’m getting frustrated.” I love that, because I never got that in math. Nobody ever showed me what it was like to be frustrated with graphing a parabola. Right? Like, my math teachers were always like, “Doot, doot, doot, here you go, you’re done!” <Laugh> And I would get so frustrated, because it didn’t come that easily to me. And I think there’s two parts to that. So there’s modeling the learning and the thinking and the productive struggle, but also there’s the identity of being a computer scientist and modeling what that looks like. So for me, when I get really frustrated with a program, I walk away. I take five minutes. I take a deep breath. I say, “I’m not gonna think about it in these five minutes.” And I come back to it. And I think once you start teaching computer science, you can facilitate that for students. And there’s so many different strategies that they can pick up. They can pick up rubber ducking, which is where they pick up a rubber duck or a similar object, and they talk to it as if they were a partner and talk through their code. And oftentimes, as you’re rubber ducking, you’re gonna find that error, because you’re explaining it to someone who’s a stand-in for a novice. And rubber ducking is a well-known strategy for computer scientists who make it their career. You know, there’s pair programming. Some students love pair programming; some students hate it. But the students start to build this identity about how they problem-solve. And how they approach failure. And I just love that.
Eric Cross (24:31):
I’m writing this down. Because the rubber-ducking strategy, I love. I just imagine my seventh graders, a bunch of 13-year-olds with, like, rubber on the desk. And not necessarily in coding, but I was thinking in my science class. And they’re working through a challenge, and they’re all looking at this duck, and they’re talking to it. But I just love the the idea of externalizing your thought process and talking through it yourself so that you can hopefully arrive at a conclusion. But it’s such a great practice, and this is something that’s been around for a long time, apparently. So.
Aryanna Trejo (24:59):
Yeah. Yeah. It’s a real thing. And you know, you can go low-fi. It doesn’t have to be a rubber duck. You can have students talk to their pencils or their imaginary friends. That’s not the issue; the issue is, you know, talking to somebody.
Eric Cross (25:10):
I know you support teachers. But I just wanted to…I was just curious about your typical day, what that’s like. And then what you do, how you support ’em.
Aryanna Trejo (25:15):
So, at my previous job at 9 Dots, I was in there with the teachers in the classrooms. I was coaching our internal staff who went out to co-teach with teachers. And I loved that. And I had such a great impact on a local scale. But now at Code.org, I have a much broader impact. But I don’t get to interface with—that’s such a tech-y word!—I don’t get to interact with—
Eric Cross (25:42):
You work at Code.org! You get to—
Aryanna Trejo (25:42):
I know! But I’m a teacher at heart, forever, right? That’s my identity that I forged when I was 22 years old. And a typical day looks like opening up my computer, taking a look at my calendar. I often have meetings to talk about, different things that we’re doing to support our facilitators who go out to our teachers and lead their workshops for them. I recently worked on a product that was designed for CS principles, teachers, to onboard to the course if they weren’t able to get into an in-person workshop. And it’s completely self-paced, so it gives teachers an on-ramp into the course. And now I’m working on some in-person workshop agendas. So I feel really wonderful that my work is going out to thousands of teachers. But at the same time, I really, really miss talking to teachers. Because that’s something that energizes me so much.
Eric Cross (26:46):
When should students start learning computer science? I feel like we see it in this kind of narrow lane. Like, this is computer science if you make an app. Can it be more than that? As far as like the benefit of computer science? And—I guess two-part question—when should students, one, start being exposed to it? And then two, what are some of the benefits beyond just, “I wanna just make an app”?
Aryanna Trejo (27:08):
I taught coding to kindergartners. It can start as early as you as you want it to. And it doesn’t necessarily need to be on the computer. A lot of students that I worked with didn’t have computers at home, were interacting with computers for the first time. And that’s a huge barrier, of course, to a lot of teachers. But there are so many unplugged lessons that you can do to start to start to have students think about algorithms, which is just a series of steps to complete to solve a problem. As long as a student can use a computer, I think they can do computer science. There are products out there like codeSpark, where students—and Code.org has these products too—where students are moving an avatar around a board, kind of like a quadrant to…you know, they feed the directions to a computer and then the computer enacts it for them. And with that, they can learn algorithms. You know, that is computer science. And a lot of people don’t see it that way, but it really is. And it starts to set students up for more complex thinking as they move on.
Eric Cross (28:13):
One of the biggest underserved communities, geographically, are students in rural areas.
Aryanna Trejo (28:20):
Yep.
Eric Cross (28:21):
They can be reservations; they can be places just not an urban area. Is there a way to serve our communities of students and bring these skills in an unplugged way?
Aryanna Trejo (28:32):
Yeah. Yeah. If you typed in “unplugged computer science lessons” to Google, you’ll have a ton of hits. And there are so many students out there—not just in rural areas. But there’s incarcerated students. It hurts my heart to even say those words, but in urban areas too. Like in my classroom, where I only had four desktop computers. Access is a real struggle. And there’s things, like I said, instead of moving an avatar around a grid on the computer, I used to have an actual mat that I would take out to my kindergarten classrooms, lay it out, and it would have a grid on it. And we’d have one of the students act as the avatar and the rest of the students would give them directions to get to a different point on the grid. And there, you’re building an algorithm or just a series of steps. Like I said, it’s not some fancy term to solve a problem. And there’s multiple ways to solve that problem, too. And I think investigating that can be a really good way to stretch those lessons.
Eric Cross (29:32):
It almost sounds like an oxymoron, but this low-tech computer science strategy. Develop these skills and then transfer that once you have access to the tools.
Aryanna Trejo (29:39):
Yeah. Yeah. Absolutely. And I think it’s a good way for students who need kinesthetic means to start to understand something, or just different learning styles, to start transferring that over.
Eric Cross (29:53):
I probably have students in the classroom where those kinesthetic moving things would help be a great way—or WILL be a great way—for them to learn the principles and the fundamentals of coding. Instead of only giving the option to just do the computer, actually giving them some choice. Or giving them a way to be able to manipulate things. We’re still in the system of education that’s still very siloed. It’s been the same way for a hundred years. We got math and then we got science and we got English. I’m wondering, how can a teacher fit this into their daily lessons? And then, do you have any experiences or stories or things that you’ve seen, just really creative ways that you’ve seen teachers incorporate this? Outside the norm of, “This is a computer science class; we’re just gonna code.” But have you seen it branch out? In the trainings that you’ve done?
Aryanna Trejo (30:40):
I’ve seen examples of that. I’ve seen a teacher use Scratch to demonstrate different climates of California, and show the different climates. This past year for Hour of Code, my friend Amy—the one who helped me move to 9 Dots and at Code.org—she created this incredible tutorial called Poetry Bot. And it was a way to get students to match the mood of the poem to some of the elements that were happening in the stage. So they would have different backgrounds show up at different parts of the poem. When the words would show up, they would have different sprites show up. They would have, sometimes, sounds. Or the text would show up with different animations. So there are cross-curricular opportunities everywhere, if you can be creative enough to find them, or if you beg, borrow, steal from other educators who are doing this incredible work out there.
Eric Cross (31:36):
Yeah. I say this all the time, but I’m an educational DJ, not an MC.
Aryanna Trejo (31:44):
Oh yeah.
Eric Cross (31:45):
So MCs write their lyrics and DJs remix with things that other people have done.
Aryanna Trejo (31:48):
Absolutely.
Eric Cross (31:48):
I was like, I’m a DJ. I was like, all day. Sometimes I’ll write a lyric, once or twice, but most of the time I’m remixing things. So teachers, if you’ve been out there and you got an awesome interdisciplinary thing, or you’ve incorporated coding and it’s something that’s traditionally not seen, please send it to us. Share it with us.
Aryanna Trejo (32:03):
Yeah. And there are so many different places where you can find that. We have a forum for Code.org, but there’s also CSTA, the Computer Science Teachers Association. You can join your local chapter and get to know other computer science teachers out there.
Eric Cross (32:19):
I guess…to wrap up, I’ve been using Scratch programming, the MIT website. My students do the basic animated name, CS First, stuff. But over the years, I’ve noticed that my students are coming in with a higher level of sophistication in Scratch to where now the differentiation…some of my students are just doing very basic…and then I have other students who’ve created full-on video games with complex…like, you look at their Scratch page and it’s just an amazing amount of blocks and integrations and things that they have. Is there anything on Code.org that could be a next step? That takes them beyond, maybe like the visuals? And if so, what would be a good next step, to take students to advance them to another platform? There’s so many coding languages out there, I feel like. Or I might not even be thinking about that the right way.
Aryanna Trejo (33:20):
No, I think you are. You know, we have three different curricula out on our website right now. We have CS Fundamentals, which is probably more in line with what you’re talking about. We have a free CS Discoveries curriculum, and that is designed for, grades, I believe, 6 through 10. And that would be a really good entry point, for both teachers and for students.
Eric Cross (33:44):
There’s a lot of new stuff that I hadn’t seen yet, a few years ago.
Aryanna Trejo (33:49):
Yeah.
Eric Cross (33:49):
So I was really excited.
Aryanna Trejo (33:50):
One thing that I do know is that CS Discovery has just added an artificial intelligence slash machine-learning unit, that you can just pick up and give to your students. You don’t have to go in order with CS Discoveries, like you do with CS Principles. And I’ve gone through some of those lessons. They are really rad. And I would’ve loved to have learned that when I was in middle school or high school. So yeah, we’re constantly thinking of how we can make things one, relevant to our students, and two relevant to what’s going on in the world.
Eric Cross (34:20):
So would I be overselling it if I said, “If you go through this, you’ll be able to create an AI or a neural net to do all your homework”?
Aryanna Trejo (34:26):
You would be overselling it.
Eric Cross (34:27):
I would be? OK. So what I’ll do is, I’ll wait until the end of the school year, and then introduce it, and then by the time they’ve realized it’s not true, they’ll be eighth graders.
Aryanna Trejo (34:35):
There you go. Good old bait-and-switch.
Eric Cross (34:37):
You’re amazing. Thank you for serving teachers, and for being part of such a great organization that puts out great stuff. So much free curricula for teachers to be able to use. Especially nowadays we hunt and scour the internet for those types of things. And to be able to bring computer literacy into the classroom, and with your focus of serving communities of underrepresented groups, it feels good to know that not only is it high-quality material, but it’s also trying to raise everyone up. Because ultimately when we have more people trying to solve a common problem, we come up with better solutions. And I was talking to somebody who was a materials engineer somewhere in Europe, and he said one of the things about the U.S., As he was critiquing me on this flight, critiquing the U.S., He said, “One of the things about your country is that you have a heterogeneous group of people who, in a group, when you have multiple perspectives attacking a problem, you come up with more novel solutions.” He says, “That’s one of the great things, is that there’s not necessarily just a hive mind.” And I think that that’s one of the great things. We uplift different communities, and we uplift women, people of color, people who, have backgrounds that parents didn’t go to college but have these amazing qualities and strengths. And we put everybody focusing on the same issue. We come up with novel solutions that we wouldn’t have come up with if only select groups were trying to look at it and solve it. And so—.
Aryanna Trejo (36:22):
Yeah.
Eric Cross (36:23):
And we couldn’t do that without organizations like yours, that help empower teachers. So.
Aryanna Trejo (36:27):
Yeah! You really said it.
You’re coming to my classroom when you’re back in San Diego?
Aryanna Trejo (36:31):
Yeah! I totally will. Yeah. Let’s make it happen.
Eric Cross (36:34):
Last question. If you think back in your schooling, your own schooling, K through college, is there a person or a teacher that had a big impact on you? Or a learning experience that had an impact on you? And it could be, you know, positive or negative. But something that impacted you, even to this day, that stands out to you, that you remember?
Aryanna Trejo (36:56):
This is a big diversion from the topics that we’re talking about. But in grades 10 through 12, my drama teacher, Mr. Byler, who I still talk with, was such a huge impression on me. Really wonderful. And I couldn’t tell you the teaching moves that he did that were wonderful. I don’t know much about his management. But I can tell you that he gave me space to be confident, and grow into myself, through drama productions. They were high school productions, so they weren’t amazing. But I just really came into myself in high school, because I had the confidence to get on stage. And he was just such a wonderful mentor to all of us. So, props to Mr. Byler.
Eric Cross (37:39):
Shout out to Mr. Byler for creating space for Aryanna to fly! Thanks for making time, after your workday, to talk with us and to share Code.org with teachers.
Aryanna Trejo (37:54):
Of course. Happy to.
Eric Cross (37:59):
Thanks so much for joining me and Aryanna today. We want to hear more about you. If you have any great lessons or ways to keep student engagement high, please email us at stem@amplify.com. Make sure to click subscribe wherever you listen to podcasts. And join our brand new Facebook group, Science Connections: The Community for some extra content.
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Meet the guest
Aryanna is a member of the Code.org Professional Learning Team. Before joining Code.org, Aryanna led computer science professional development for K-6 teachers and served as an instructional coach for new educators. She also taught fourth and fifth grade in New York City and Los Angeles. In her spare time, Aryanna loves taking advantage of the California sunshine, creating wheel-thrown pottery, and hanging out with her dog Lola.

About Science Connections
Welcome to Science Connections! Science is changing before our eyes, now more than ever. So…how do we help kids figure that out? We will bring on educators, scientists, and more to discuss the importance of high-quality science instruction. In this episode, hear from our host Eric Cross about his work engaging students as a K-8 science teacher. Listen here!
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We’re excited to share everything you need to review Amplify CKLA 3rd Edition, our K–5 core literacy program. On this site, you’ll find a comprehensive collection of resources and overviews to get you started, as well as a range of materials to explore the program, including Teacher Guides, Activity Books, Student Readers, and more, organized by grade and unit.
Please note that the files on this site are static representations of the high-quality materials you’ll review on the digital platform.
Reviewer resources
Access key materials designed to support your review of Amplify CKLA 3rd Edition.
- Utah Instructional Strategies and Routines
- Utah Science of Reading Evidence-Informed Core Criteria Checklist
- Utah State Standards for English Language Arts and 3rd Edition Core Knowledge Language Arts Alignment
- Program Guide
- Components Guide
- Amplify Technology Requirements
- Choice Units Overview
- Text Types and Text Complexity Guide
- Writing Brochure
- Assessment Overview
- K–5 Knowledge Map
- Scope and Sequence by Grade and Strand:
- Text Types and Range of Writing by Grade:
Digital platform access
Amplify CKLA’s all-in-one platform offers essential tools that streamline instruction for teachers and engage students with meaningful content.
In order to access your digital materials, you’ll need to log into our platform using your unique login credentials found on the Start Here flyer inside of your Reviewer Binder. Once you have located the flyer:
- Click the orange button below to access the platform.
- Click “Log in with Amplify.”
- Enter the username and password provided on your Start Here flyer.
The video below will provide you with instructions on how to access and navigate the digital platform.
Teachers can plan and deliver lessons efficiently, while students can access assignments, assessments, and fun practice games within the CKLA digital platform. The digital experience includes:
Presentation Screens
Deliver interactive lessons with ready-made, customizable slides for every lesson.
Auto-scored digital assessments
Assess vocabulary, comprehension, and knowledge development at the end of each K–2 Knowledge and 3–5 Integrated Unit.
Standards-based reports
Identify strengths and growth areas for individuals, small groups, or your entire class. Interactive dashboards offer detailed results from assessments and activities.
Skill-building practice games
Engage students with interactive games that reinforce concepts and make learning fun. Powered by Boost Reading™, these games align with lessons and provide real-time feedback.
eReader
Students access texts, take notes, and use audio-enabled eReaders to enhance their reading experience.
Sound Library
Students watch articulation videos and listen to songs for each sound to support phonological awareness.
Vocab App
Helps students in Grades 3–5 practice Amplify CKLA Tier 2 vocabulary words with fun, interactive games.
Intervention Toolkit
Offers user-friendly resources designed to aid educators in identifying and addressing deficiencies in students’ foundation skills.
Kindergarten
Explore all available resources for Kindergarten, organized by strand and unit.
Knowledge Strand
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Unit 1: Star Light, Star Bright: Nursery Rhymes and Fables |
Unit 2: See, Hear, Smell, Taste, Touch: The Five Senses |
Unit 3: Underdogs and Heroes: Stories |
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Unit 4: See How They Grow: Plants |
Unit 5: Moo, Cluck, Oink: Farms |
Unit 6: Deep Roots: Introduction to Native American Cultures |
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Unit 7: All Around the World: Geography |
Unit 8 (Choice): Royal Tales: Monarchs |
Unit 8 (Choice): National Icons: Presidents and American Symbols |
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Unit 9 (Choice): Our Planet: Taking Care of the Earth |
Unit 9 (Choice): Rain and Rainbows: Seasons and Weather |
Unit 10: Shaped by Nature: Art and the World Around Us
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Skills Strand
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Unit 1 |
Unit 2 |
Unit 3 |
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Unit 4 |
Unit 5 |
Unit 6 |
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Unit 7 |
Unit 8 |
Unit 9 |
Grade 1
Explore all available resources for Grade 1, organized by strand and unit.
Knowledge Strand
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Unit 1: The Moral of the Story: Fables and Tales |
Unit 2: From Nose to Toes: How Your Body Works |
Unit 3: Common Threads: Different Lands, Similar Stories |
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Unit 4: Reach for the Stars: Astronomy |
Unit 5: Charting the World: Geography |
Unit 6: A World of Homes: Animals and Habitats |
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Unit 7: A New Nation: American Independence |
Unit 8 (Choice): Once Upon a Time: Fairy Tales |
Unit 8 (Choice): Our Planet: The History of the Earth |
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Unit 9 (Choice): From Babylon to the Nile: Early World Civilizations |
Unit 9 (Choice): Early Americas: Maya, Aztec, and Inca |
Unit 10: Adventure Stories: Tales from the Edge
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Skills Strand
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Unit 1 |
Unit 2 |
Unit 3 |
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Unit 4 |
Unit 5 |
Unit 6 |
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Unit 7 |
Ancillary Components |
Grade 2
Explore all available resources for Grade 2, organized by strand and unit.
Knowledge Strand
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Unit 1: Fortunes and Feats: Fairy Tales and Tall Tales |
Unit 2: The Birthplace of Democracy: Ancient Greece |
Unit 3: Legends and Heroes: Greek Myths |
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Unit 4: Our Planet: Cycles in Nature |
Unit 5: Butterflies, Bees, and Beetles: Insects |
Unit 6: A House Divided: The American Civil War |
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Unit 7: Sounds and Stanzas: Poetry |
Unit 8 (Choice): Journeys to America: Immigration |
Unit 8 (Choice): Making a Difference: Creating Change |
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Unit 9 (Choice): Building Blocks: All About Nutrition |
Unit 9 (Choice): Early Asian Civilizations: India and China |
Unit 10: Taking Flight: The Age of Aviation
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Skills Strand
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Unit 1 |
Unit 2 |
Unit 3 |
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Unit 4 |
Unit 5 |
Unit 6 |
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Ancillary Components |
Grade 3
Explore all available resources for Grade 3, organized by unit.
Core Units
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Unit 1: Timeless Tales: Classic Stories |
Unit 2: Fur, Fins, and Feathers: Animal Classification |
Unit 3: Rhythm and Rhyme: Poetry |
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Unit 4: Rise and Fall: Ancient Rome |
Unit 5: Our Solar System and Beyond: Astronomy |
Unit 6: Regions and Cultures: Native Americans |
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Unit 7 (Choice): Novel Study: Charlotte’s Web
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Unit 7 (Choice): Novel Study: Stella Díaz Has Something to Say
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Unit 8 (Choice): Systems and Senses: The Human Body |
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Unit 8 (Choice): From Glow to Echo: Light and Sound |
Unit 9: From Blues to Bebop: All That Jazz
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Supplemental Skills
Grade 3 Skills resources are included in core classroom kits, although the instruction isn’t required for Grade 3 standards coverage.
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Unit 1 |
Unit 2 |
Unit 3 |
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Unit 4 |
Grade 4
Explore all available resources for Grade 4, organized by unit.
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Unit 1: My Story, My Voice: Personal Narratives |
Unit 2: Knights and Castles: Europe’s Middle Ages |
Unit 3: Meaning and Metaphor: Poetry |
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Unit 4: Eureka! Student Inventor |
Unit 5: Our Planet: Geology |
Unit 6: Road to Independence: The American Revolution |
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Unit 7 (Choice): Novel Study: From the Mixed-Up Files of Mrs. Basil E. Frankweiler
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Unit 7 (Choice): Novel Study: The Season of Styx Malone
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Unit 8 (Choice): Crafting Stories: A World of Tales |
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Unit 8 (Choice): Adventure on the High Seas: Treasure Island |
Unit 9: Inspiration and Ingenuity: American Innovation
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Grade 5
Explore all available resources for Grade 5, organized by unit.
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Unit 1: In My Own Words: Personal Narratives |
Unit 2: Early Americas: Maya, Aztec, and Inca |
Unit 3: Visions in Verse: Poetry |
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Unit 4: A Knight’s Tale: Don Quixote
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Unit 5: The Deep Blue World: Oceans |
Unit 6: Cultures and Histories: Native Americans |
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Unit 7 (Choice): Novel Study: The Phantom Tollbooth
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Unit 7 (Choice): Novel Study: The Science of Breakable Things
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Unit 8 (Choice): Arts and Culture: The Renaissance |
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Unit 8 (Choice): Through the Forest: A Midsummer Night’s Dream |
Unit 9: Building Up the World: Global Architecture
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Welcome to the Amplify CKLA 3rd Edition program review site!
Winter Wrap-Up 02: Mathematizing Children’s Literature

While we’re hard at work producing the exciting fifth season of Math Teacher Lounge: The Podcast, we’re continuing to share some of our favorite conversations from our first four seasons. This time around, we’re revisiting our popular episode that connected literacy and math!
In this episode, we sit down with Allison Hintz and Antony Smith, authors of Mathematizing Children’s Literature, to talk about what would happen if we were to approach children’s literature, and life, through a math lens–and how we can apply those same techniques to classroom teaching!
Explore more from Math Teacher Lounge by visiting our main page.
Bethany Lockhart Johnson (00:02):
Hi, I’m Bethany Lockhart Johnson.
Dan Meyer (00:04):
Hi, I’m Dan Meyer.
Bethany Lockhart Johnson (00:05):
And we are so excited for another episode of Math Teacher Lounge. And as you know, podcast format; you’re listening now. I think one beautiful thing about the podcast format is that it gives us a little bit more time to have these rich conversations. And I promise I won’t do it, but I could talk to our guests for hours, hours! Authors Allison Hintz and Tony Smith have just released Mathematizing Children’s Literature: Sparking Connections, Joy, and Wonder Through Read-Alouds and Discussion. And today we get to talk to the authors. Allison, Tony, welcome. Welcome to the lounge.
Allison Hintz (00:53):
Thank you. We’re so grateful to be here.
Bethany Lockhart Johnson (00:55):
We’re so excited to have you here. And I wanna say that my very first—was it my first math conference? Maybe it was my first math conference—up in Seattle, the CGI conference, and I’m all like, you know, wide-eyed and just like, “Can this be a place for me, this math community?” Re-envisioning my relationship with math and thinking about myself as a math teacher, what? And I went to your session on mathematizing children’s literature, and I was just so fired up. I was so wowed by your ideas, your energy, and your passion for students’ thinking. And I feel like as I read this book, I felt like I was hanging out with you. Like you were just so encouraging all the way through. Of educators, of other folks working with young people, and really guiding us how to listen with joy and with an open curious mind.
Dan Meyer (02:03):
Yeah. I would love to hear a bit about the genesis of this book for you folks. Like, I’m coming at this from a secondary educator lens. I’ve got small kids, so that’s also part of my interest here. But I love any book, any idea that seeks to merge what seems like two disparate worlds. Like it’s often the case that we feel like, well, there’s approaches for ELA and approaches for math, and they’re kind of separate disciplines. And these poor elementary teachers have to learn all of them and be experts at all of them. And here you both come along and say, “Hey, what if they are the same kind of technique?” Can you just speak to how this came about?
Allison Hintz (02:38):
Definitely. Tony, do you wanna take a try? Do you want me to start us off?
Antony Smith (02:42):
I can start. We oftentimes present and talk together and so we kinda switch back and forth. So that’s just how we are. So probably about eight or nine years ago, Allison and I, our offices were next to each other on our small campus. We’re both professors and we just happened to have a few children’s books that we looked at together and we were just thumbing through the pages. We really liked children’s literature. And we noticed that I would stop at certain points wondering about character motive or plot or sequence of events or language use. And Allison would stop at very different points in the book and notice number and concepts or something about mathematics. And that’s when we started to wonder, what would it be like if we were sharing a children’s book with a group of children and we put our ideas together? Where would we stop? What would we talk about? What would we ask children about in terms of their thinking and what they notice?
Allison Hintz (03:42):
And so we started playing with these questions that we had and started approaching stories with multiple lenses to see what kinds of things would children notice and what kinds of things might they say. And we were also on our own journey in trying to understand how to plan for and facilitate lively discussions and classrooms that surface really complex mathematics. And it felt like stories were a place where that might be a fruitful context for hearing children’s thinking. We’ve worked with a lot of teachers and students in our region. We live in the Seattle area and we’ve applied for some funding over time that’s really helped us be in a lot of community-based organizations and educational contexts and libraries and pediatricians’ offices and classrooms, various classrooms, and see what’s interesting about this and what might teachers and children do with stories that would surface complex mathematics to think about together.
Antony Smith (04:41):
Over time, we came to the realization that if we wanted to hear children’s ideas, we had to stop bombarding them with questions. <laugh> Yeah. And at first it made it worse that we were asking them math and literacy questions at the same time. And so we realized that what we needed to do was to back off and to ask children what they noticed and wondered.
Bethany Lockhart Johnson (05:01):
Can you say more about that and how that kind of evolved into mathematizing children’s literature?
Antony Smith (05:07):
We did work with a number of very thoughtful, talented classroom teachers and children’s librarians in public library systems who were just so masterful at asking open-ended prompts and questions, rather than kind of like the de facto reading quiz, that a read-aloud can become, which I’ve always disliked as a literacy educator. And we realized in our observing these read-alouds or interactive read-alouds or shared reading experiences that given the opportunity in the space and an adult who was actually listening, that children came up with all of the ideas we would have asked them about and more. So we didn’t have to be bombarding them with questions. They were already much more thoughtful than what would’ve been sufficient to answer our questions.
Allison Hintz (05:58):
And much like mathematics, it was really an iterative process. You know, we had some clunky read-aloud discussions where we were trying to accomplish so much and toggling multiple chart papers and different colored pens and all sorts of “how do we capture these ideas” and “do we separate ’em? do we keep ’em together?” And so it’s really been over time that with partners, we’ve learned these ways of having multiple reads of the same story that allow us to hear what children notice and wonder, and then to delve more deeply into their questions and their ideas through multiple reads where we might spotlight literary ideas that they notice; we might spotlight mathematical ideas that they notice. We might make purposeful integrations between those. But we found it to be most productive—and Kristin Gray really help us think about this—to have an open Notice and Wonder, get everything out much like an open-strategy share. We welcome here, record all the ideas, and it goes all over everywhere. You know, it can be a really not math-y noticing! And those are amazing! So there’s a lot of, um, yes, there is a ladybug on this page! The grandma is wearing green triangle earrings! Oh, your grandma wears green earrings! I mean, it all comes out.
Bethany Lockhart Johnson (07:27):
Wait, have you been in my classroom? ‘Cause that’s exactly— <laugh>
Allison Hintz (07:29):
<laugh> And then, you know, we think of it a lot like if math teachers might use the 5 Practices for selecting and sequencing, or if you might move from an open-strategy share to a targeted share, how can we get out all the questions that children are asking and then step back from them, take some time to really think about what they’re telling us they’re curious about, and plan some purposeful, intentional subsequent discussions that can delve more deeply into their ideas.
Dan Meyer (08:02):
I’d love to go into that a little bit more if that’s all right. Um, I’m gonna speak from someone who doesn’t have an elementary background and I’m gonna voice some worries that I had, some anxiety. One anxiety I have like in a classroom or a curriculum is when there’s no room for student ideas. Right? When it’s like, oh, there’s just room for the curriculum author or the teacher here. That is a sadness. But I when I see an instructional environment like you’re describing here, where there is openness to all kinds of different student ideas, of different levels of formality, from different kinds of cultural fonts of knowledge or wherever, I also get a little bit nervous because that, like, increases the risk that a student might come to understand that “my ideas are not good enough,” whereas in the class with no room for their ideas from their home or their language or their hobbies, like, they’re not gonna internalize the message that, “that wasn’t good enough.” And so I’m really curious as you move from the open Notice and Wonder where kids share all of themselves with you, and then you move to a targeted focus on some sort of disciplinary objective, how do you navigate that tension and help students feel like their contributions are valuable, even though we aren’t taking them up per se?
Allison Hintz (09:18):
That’s such an important question. I mean, I think we’ve grappled with this broadly in math education. I think any time we’re thinking about which ideas we choose to take up to pursue to consider, we have a responsibility to think carefully about whose ideas are being taken up and heard and considered. And so one of the tensions I hear you naming, I think, Dan, is when we engage in lively discussion where children’s thinking’s at the center, how do we make sure to upend and interrupt kinda status norms that run the risk of being deepened? Um, and I think by paying attention to whose ideas are taken up as much as which ideas are taken up, and what’s the mathematics we wanna explore is one tension. Um, another tension I might hear you naming is, you know, the complications that teachers face with time and pressure and coverage, and which mathematics ends up getting worked on. And, um, you know, it’s something we’ve really had to struggle with in mathematics education, where we move to more discussion-oriented classrooms that are really centered in sense-making to know that it takes a lot of time to do this thoughtful, thoughtful work. Um, does that begin to get at some of the tensions you’re raising? Is there, is there more you’re thinking about?
Dan Meyer (10:53):
I think it’s really helpful that you kind of broadened the scope of the question beyond your book to “this is an issue that we are, you know, really challenged by and focused on broadly in math education.” And, um, I appreciate you bringing the element in of whose idea—not just which idea is taken up, but whose idea is taken up—is an opportunity where, let’s say, multiple people raise an idea that is towards an objective the teacher has, they have the opportunity to disrupt certain kinds of status, like ideas about status, in that moment. From your perspective, like, are there techniques to say, I don’t know, parking-lot certain kinds of questions and say like, “Hey, like these are awesome”? I don’t know. I just know that I see kids at like ninth grade. They are very reticent, often. They’ve internalized totally this sense of like, “I’m not gonna just, like, share about the pants the grandma’s wearing, you know; that will not be received well.” And so I’m just kinda wondering how that happens and like, what are the ways we can disrupt that? That process?
Antony Smith (11:54):
So thinking about that, Dan, from the teacher’s perspective, in those kinds of scenarios where you wanna honor each child’s contribution, a couple of things that come to mind: One is that by, you know, initially by modeling what I as a teacher, something that I notice or wonder about, helps kind of set the expectation for what kind of response would be encouraged. And it’s broad, but it gives an example. And then also we really try to record or to chart all of the ideas that are shared so that we can revisit and honor those together. And then either later or on another day, if we choose one or two of those to explore in some way within a more focused read, then another thing that we do is have the idea investigation afterward that continues that thought, but goes back to being as open-ended as possible, so that those students or children who maybe didn’t have their idea as the one that was focused on by the group could go back to that or explore some other idea of their own, so that the idea investigation isn’t a lockstep extension activity, which is why we don’t call it that. So they could again bring in their own perspective. But I have to say from the teacher’s point of view, there is that moment of potential panic <laugh> because there is that power transfer when you’re asking children to help steer where this is going. And if you really mean it, you have to let them steer a little bit. And that can be terrifying. And, um, I always think of one teacher, Ashley, we worked with who read an adorable book, Stack the Cats, by Susie Ghahremani. And in that book, there’s a point where there are eight cats and they’re kind of trying to be a tower of cats and they fall and they’re sort of in the air on that page. And she asked her first graders—she stopped, and she asked, “How, do you think, how will the cats land?” And for about a minute and a half, the entire <laugh> class, was silent. They had their little papers; they had chart paper; they had clipboards; they had everything they needed. But that unusual phenomenon of a group of six- and seven-year-olds actually just sitting and thinking and not being peppered with activities was really stressful, but amazing. And then, after about the 90 seconds, they started out into their exploration of how the eight cats might land. They just needed a minute to think. And it’s so rare that we’re able to let children have that.
Allison Hintz (14:40):
In that same moment, Ashley, who’s a learning partner to us, she turned to us kind of quietly, like, “Should I pose a different question?” And <laugh>, we’re like, “No, let’s stick with it. Let’s see what happens.” So I think it creates this space too, this thinking culture, right? And this culture of “what does that mean to really pose a rich task?That’s open-ended, where there’s multiple access points?” Those eight cats could land in so many different ways. And there was broad access, there was a wide range of all the cats landing, and one’s on their feet, ’cause cats always land on their feet <laugh>, and there was every combination. And so, um, I think what’s really interesting—and to me, this brings back to your wonder, Dan—is, you know, “What’s the risk in openness?” And there’s always risk in openness. Um, it’s scary as a teacher, right? If I’m not the authority of knowledge and I don’t have control over where we’re gonna go, it might get into places that I didn’t anticipate. Or I don’t really feel as solid in the math as I want to. Or I don’t know what it sounds like to stick with silence and wait time, to know if my students are really in productive struggle or if that question was a flop. And so, um, I think this is some practice space for young mathematicians and teachers of mathematics, and just teachers, to explore with that openness and kind of the risk of the openness required for complex thinking to emerge.
Bethany Lockhart Johnson (16:12):
You know, it feels like the way you’re both describing this, it really is a culture shift, right? I kept feeling like I was given permission to be a beginner as I read this book. Like I was really…I loved how you said, I believe it was you, Allison, when you were in the class, you had a couple index card that you kept on your clipboard and that as you walked around, you were like, “Hey, if I don’t know what to ask, I ask one of these questions.” You know? And just this idea that, that, like Dan was saying, there is that loss of control, but that’s also a way to create this culture where students ideas are valued and we are allowing students to really generate the questions, which I thought was such an important idea to explore.
Allison Hintz (17:00):
We started this work long ago, super-excited about math-y books. And we saw a lot of potential in them and we still do. But the limitation we saw is that math-y books, they, they put forth a certain mathematics to be curious about. In some ways they tell you what mathematics to think about. So we started asking ourselves what would happen if we considered any story a chance to engage as mathematical sense-makers. And we started playing with non-math-y books and we got to a place where we could consider every story an opportunity to engage in mathematical thinking. And so we started noticing things over times, oh, these books tend to be really math-y. We call those text-dependent. We’d have to pay attention to the mathematics to understand the story. Whereas this pile of stories, these, they’re not overtly math-y. You could really enjoy the story and not pay attention to mathematics and have an amazing conversation. But what would happen if we thought of about this story as mathematical sense-makers and how might it deepen our understanding of the story? And then this other teetering pile of books, these are books where, you know, children didn’t tend to engage as overtly as mathematicians in it, but there’s opportunities in this story to go back to something—to a moment, to an illustration, to a comment—and think as mathematicians. And those were more about illustration exploring. And so, as we notice these different kinds of books, we really broaden what we thought about. And I think one of the things we really wanna think about in community through this book is what happens if we approach any story, every story, as mathematical sense-makers, because stories are alive in children’s lives, in homes and communities and in schools. And it’s a broad opportunity that we wanna take up. I was thinking, as I stay in this strait for just a moment about book selection, before we move into that process, um, Bethany in a previous MTL, you talked about representation.
Bethany Lockhart Johnson (19:12):
Mm, yeah.
Allison Hintz (19:14):
And do you remember when you shared the image of hair braiding?
Bethany Lockhart Johnson (19:19):
Yes. Vividly, yes. <laugh>.
Allison Hintz (19:22):
Yeah. And can you say just what that meant to you? What that….
Bethany Lockhart Johnson (19:27):
Yeah. Well, it was from a conference; Sunil Singh had used it and was talking about the artistry in mathematics and beauty in hair braiding. And, um, particularly, he was showing this particular image of this Black woman with her hair braided in profile and looking at the angles and the symmetry. And I shared that, you know, I spent so many hours in the beauty shop with my aunties and my mom and my grandma and continue to, to this day, that it just, it struck me immediately as familiar. And it struck me immediately as seeing an image that was reflective of my lived reality, projected as valuable and worthwhile for consideration in the world of mathematics. Which is not what I felt as a student of mathematics as a young adult or child. So it was this beautiful moment of, for me, the power of when we see images and we allow opportunities for re-envisioning what may be a common practice for that student, or may be something that they see every day.
Allison Hintz (20:44):
And in that same way, that image that was put up, we wanna think really carefully about representation in the stories that we select. And when we think of stories as mirrors or windows, we really wanna be mindful in story selection of whose stories are told and whose stories are heard. And when you said that you would sit down to listen to a story and you felt at ease or that you saw an image and you saw yourself that can be and should be something we really think carefully about when we select the stories that we select.
Dan Meyer (21:21):
It’s a wider path for representation of different kinds of people in literature, because people’s stories seem so much more present and towards the surface of their lives, versus, say, the abstractions and numbers and shapes in mathematics. It feels like more of a struggle to find ways to show people, hey, like you’re here, this, this place belongs to you. So in all these reasons, I think it’s really great you folks are using literature, which has this history of humanities, literally humanities, as a vehicle for mathematics. That seems pretty special here.
Antony Smith (21:56):
We both go to libraries and bookstores and look through books as often as we can, but also our partner, a children’s librarian, Mie-Mie Wu, helped us go through—when we would meet, she would bring three or four hundred books at a time.
Bethany Lockhart Johnson (22:13):
When you described her wheeling in the cart, oh, I wish I been in that room! <Laugh>
Antony Smith (22:18):
And the cart was, you know, probably three or four times bigger than she was sometimes. And we would go through hundreds of books and look at them and listen to her thoughts as a skilled librarian sharing with families, diverse families, and what catches the attention of a three-year-old sitting with her grandfather. And that was really a valuable, helpful experience. And it’s a partnership that continues. So in Last Stop on Market Street—and this is in the book; we talk about this, this children’s book quite a bit—in this story, CJ with his Nana, his grandmother, are riding the bus to the last stop on Market Street in San Francisco, to go, as we will find out, to help serve in a soup kitchen to help the community. And the teacher, Susan Hadreas, had the children record their ideas. She charted them in an open Notice and Wonder read. And one of the ideas that a young boy noticed was that CJ on the bus…a man with a guitar starts playing the guitar on the bus and CJ closes his eyes and it says CJ’s chest grew full. And he was lost in the sound and the sound gave him the feeling of magic. So this boy said, “I wonder, what does that feel like if you’re feeling the magic? What’s that?” And that was one of many ideas in the open Notice and Wonder, and Allison will talk about the math lens read, but first Susan went back and read with them. She had that idea, she circled it on the chart paper, and another day that week, she said, let’s go back and visit this story we really liked. And remember, we wondered what feeling the magic was like. Let’s go back through and let’s keep track of all the feelings and emotions that CJ had across the journey to the soup kitchen in this book. And so they did another read of the story; they were very familiar with it, of course, but they noticed new things and they also, every few pages, stopped and she helped chart all of the emotions that CJ experienced from envy to excitement to sadness. There’s a huge range in this book. And it was fascinating.
Allison Hintz (24:36):
I think one of the things that the children noticed was that CJ’s feelings were shaped by community. And that he shaped and shaped…he was shaped by and helped shape his community. And so the ways that he felt across the story were impacted by the other characters that he comes across. The guitar man on the bus. The bus driver who can pull a coin out from behind someone’s ear. The lady with the butterflies in the jar. Nana helping him to see the rainbow. And the students started, you know, being curious about that. How do we shape and how are we shaped by community? What communities are we a part of? This class is one community. I’m in many communities across my life. And they started to quantify the number of people in the story. So Mrs. Hedreas went back for a math lens read, and she said, let’s just keep track of and pay attention to how many people are in CJ’s life in this day. Because I can hear you starting to think about quantity. This class at the same time in other areas of the day had been working on counting collections, how to keep track, so they got out their tools. Some people pulled out ten frames, some people pulled out clipboards. They had a wide range of things they could use to help them keep track. They developed their own strategy, keep track however you want. She did a quicker read through it, flipping the pages, and then they get into these debates: <laugh> “We already counted that person!” “But they took their hat off and put it down to collect money!
Antony Smith (26:10):
“What about the dog?”
Allison Hintz (26:11):
“That’s the same person!” “Yeah, there’s a dog pound in his community!” <laugh> “Do animals count in our community?”
Bethany Lockhart Johnson (26:17):
I love it!
Allison Hintz (26:17):
“Yes, they count!” Uh, and so we went through and quantified and there was really this understanding as you saw these people throughout the story that communities can be of different sizes, but community has impact. And you have responsibility in your community to show up and to lean in and to know that bringing your full, authentic, vulnerable self, you shape people and they shape you. And what communities are people a part of. And it turned into this really interesting discussion about quantity and helped us think more about quantity and community. I think a really important moment for us and for that class was the transition from being people who almost did mathematics to a story, like counted things on a page, um, count acorns on a page in an autumn book, to being mathematicians who thought within the story.
Antony Smith (27:17):
And then two idea investigations that came from that —not at the same time, of course, but with the same group of children—one was they identified an emotion of their own and wrote and drew about that. And also, who helped them address or get out of or acknowledge that emotion. And then the other idea investigation was that all of the children drew or kind of mapped out a community that they were part of. Whether it was their neighborhood or their classroom or their soccer team or whatever it was. And so then those investigations strengthened the connections of those concepts to the lives of those children.
Bethany Lockhart Johnson (28:05):
Well, I, actually wanted to ask you about idea investigations. Because I feel like that was such an important invitation in your book. And the way I understood the idea investigation is you’re really paying attention to what’s coming up in your other reads. Right? And then these are opportunities to extend the thinking, or like you said, to extend a particular aspect: What’s your community? Can we map your community? Or what’s a particular emotion? And it was in such contrast to what I think I have probably done in my classroom more than once, which was like, “Oh, we read this story about seals. So now my story problem is gonna be about seals, right? <laugh> Like in the story, you know, Jojo, the seal had five balls. <laugh> So if Jojo still had five balls and two of them bounced away…” You know, or whatever. Right? But that’s not what an idea investigation is. Right?
Allison Hintz (29:03):
Yeah. I think this is where we also had some stumbles and can totally relate to what you’re saying as previous classroom teachers as well. We have come to a place where we are pretty in favor of a super open-ended idea investigation that takes up the things that have surfaced in the multiple reads and making sure it’s a rich task with many, many ways children can engage with that. There’s many, many, many right answers or ways to engage. Less is more there. So we moved way away from, like, even a worksheet that might have an idea from it to blank paper and math tools and places to get into some productive struggle around some of the complex things that were raised.
Antony Smith (29:59):
A challenge with worksheets is that they put a frame around children’s ideas. So either there are only three lines to write on, or there’s only a small box to draw in. Whereas a blank page really opens up the possibility. Um, and so—is it Ann Jonas who wrote Splash!? sorry, I don’t have it in front of me—the book Splash!, about animals that end up in and out of the pond, including a cat that is not happy about ending up in the pond, an idea investigation after that for very young children was, with the list of the different creatures displayed at the front of the room: On blank paper, hey, draw your own pond and decide how many of which and each type of animal you want in your pond and then write about it. Just on blank paper. And so that allowed some children to draw, like, three giant goldfish. But other children drew 17 frogs and three cats. And, and just, it lets children follow—
Bethany Lockhart Johnson (31:02):
It was theirs, right? It was theirs.
Antony Smith (31:04):
Their idea. <laugh> And that comes partly from, I think, as Allison mentioned, we both were classroom teachers before moving into academia. And I remember giving children worksheets, particularly math worksheets, where they weren’t necessarily bad, but right at the bottom, it says like, explain your strategy. And it gives two lines.
Bethany Lockhart Johnson (31:23):
Right! <laugh>
Antony Smith (31:25):
The only thing a seven-year-old can write there is “I thought.” Or “I solved it.” <laugh> And that’s not where we need to go.
Dan Meyer (31:34):
Yeah. If I could just ask the indulgence of the primary crowd here, like, I’m trying to make sense of all this. And I just wanna like, offer my perspective. My summary statement of what’s going on here. I’m trying to—I love how you both came here—
Bethany Lockhart Johnson (31:45):
<laughs> How ya doin’, Dan? How ya doin’?
Dan Meyer (31:47):
<laughs> I’m, ah, A, I’m loving this a lot. Um, B, I came in here loving how you folks are broadening the work of primary education to kind of find commonalities between these sometimes seemingly disparate kinds of teaching in ELA and math. Love that, I wanna say. But I think you folks are describing, with all these teachers you observed and your own work, is the work of attaching meaning to what students might not realize yet has meaning. Or they might think it only has one kind of meaning. But you, the teacher, with their knowledge, realizes that there are many more dimensions of meaning that can be attached to those thoughts. And I’m hearing that from you folks, when you describe A, what math is and the power of a teacher to name a thing as mathematical. Like, “Oh, you didn’t think math was that, but math is noticing; math is wondering; math is asking questions,” for one. But also this work you’re describing of how, like, first the task has to invite lots of student thoughts and then to say like, “Oh, I see that there’s a similarity to these two.” And to raise those up for a conversation or to ask a question like to extend one person’s, one student’s question a little bit more. But it’s always…I’m just hearing you folks attaching more meaning than the student might have originally thought. I appreciate the conversation. That’s really interesting.
Bethany Lockhart Johnson (33:03):
Well, and now that the book is out, I think it’s gonna keep evolving, right? Now that it’s gonna be in the hands of teachers and librarians and educators and caregivers, it’s exciting to see kind of where it goes next. Which actually brings us to our MTL challenge. Dan Meyer, do you wanna share?
Dan Meyer (33:22):
Math Teacher Lounge, we have a challenge for the folks who listen and we’d love for them to hop into the Facebook group Math Teacher Lounge, or hit us up on Twitter at @MTLShow and just, like, kind of exercise beyond listening, exercise the ideas you folks are talking about, some kind of a challenge that can help us dive deeper into your ideas. So what would you folks suggest for our crowd, for our listeners?
Allison Hintz (33:42):
I would love to invite people to playfully experiment with a favorite story, with a story that’s new to you. I would love to invite listeners to sit with a story maybe on your own, and just ask yourself as a mathematician: What do you notice and wonder in this story? Don’t feel any pressure. Maybe sit with a child or some children and listen to what they notice and wonder. Like, really listen! Don’t ask questions! But hear their questions and place children at the center and consider multiple reads. Consider continuing to pursue their questions. And we have a planning template that might support people in kind of sketching out some ideas if you’re open to playing with that too.
Bethany Lockhart Johnson (34:34):
And we will post—
Dan Meyer (34:36):
That’s awesome.
Bethany Lockhart Johnson (34:36):
—a link for that planning template in our Facebook group and on Twitter as well. So thank you so much for that resource, because I think it’ll definitely help. It could help you, like you said, it could help you kind of organize your thoughts or help you think about this work in a new way. So thank you for that resource and thank you for the amazing resource that is Mathematizing Children’s Literature. I am so excited to continue to engage with you both and with listeners as they dive into this book. If folks want to engage with you more, where can they find you? How can they reach you?
Allison Hintz (35:12):
Well, we’re on Twitter.
Bethany Lockhart Johnson (35:14):
Great.
Dan Meyer (35:15):
What’s your home address? <laugh>
Bethany Lockhart Johnson (35:24):
Wait, let me try that again. <laugh> ‘Cause it does sound like I’m like, <fake ominous voice> “Where can they find you?”
Allison Hintz (35:29):
4-2-5…. <laughs>
Antony Smith (35:32):
At the bookstore!
Bethany Lockhart Johnson (35:34):
Y’all, if folks want to continue this conversation or share these ideas or the math challenge, how can they tag you? How can they, they reach you on the World Wide Web, besides the Math Teacher Lounge Facebook group?
Antony Smith (35:50):
Yeah. Well, we are both on Twitter, and we’ve been trying to promote the hashtag #MathematizingChildrensLiterature. It’s very long, but once you type it once, your phone or computer…
Bethany Lockhart Johnson (36:01):
Easy. Yeah, those click, right? Is that what it is now?
Antony Smith (36:03):
<laugh> The other is that we do for our project, we have an Instagram account that is @MathematizeChildren’sLiterature.
Allison Hintz (36:11):
We care really deeply about hearing from people. You know, we think our ideas are constantly evolving and that there’s such exciting room to grow. And we just felt compelled to share what we were learning now so that together we could learn and build vibrant experiences for young children and teachers and families through stories. So we want to hear from people! We wanna learn about stories that are important in your lives and what children say, and grow these ideas together.
Bethany Lockhart Johnson (36:42):
And credit to Dan, you told me you went and ordered a bunch of the books they have on the suggested read list.
Dan Meyer (36:48):
Oh my gosh.
Bethany Lockhart Johnson (36:49):
You read ’em to your son.
Dan Meyer (36:50):
I got such a side-eye from my significant others around here for what I dropped on Amazon in one night! <laugh> Uh, all these books I didn’t have. Some of them I did. We are not fully illiterate around here! We do love the written word at the Meyer household! But there were a bunch that that I grabbed. I’m morseling them out day by day.
Bethany Lockhart Johnson (37:09):
Wait, at bedtime I read my one-year-old One Is a Snail, Ten Is a Crab. <laugh> And let me tell you, he had vigorous pointing and “Da? Da da da da?”
Allison Hintz (37:22):
<laugh> Aww, da da!
Bethany Lockhart Johnson (37:22):
So hey, we’re on the road. <laugh> <music> Deeply grateful, not only for your work and your beautiful book and your work, but also for the invitation to dive into the world of children’s literature in a way that many of us have not before. And it’s fun! Thank you, Tony. And thank you, Allison. And thanks for hanging out in the lounge.
Allison Hintz (37:48):
Thanks for having the lounge!
Antony Smith (37:49):
It’s been fun!
Allison Hintz (37:52):
Thank you both.
Stay connected!
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Meet the guest
Allison B. Hintz: Dr. Hintz’s research and teaching are in the area of mathematics education. Her focus on mathematics came about during her years as a fifth grade teacher – it was alongside her students that she developed her own positive identity as a mathematician! Today she studies teaching and learning, specifically facilitating engaging discussion. Her research and teaching happen in partnership with educators and children in formal and informal settings and focuses on beliefs and practices that support all children in lively mathematics learning. She is a co-author, with Elham Kazemi, of Intentional Talk: How to Structure and Lead Productive Mathematical Discussions.
Twitter: @allisonhintz124
Antony T. Smith: Antony T. Smith is an associate professor of literacy education at the University of Washington, Bothell. He works alongside teachers to create engaging literacy-mathematics learning experiences through exploring and discussing children’s literature. He is committed to the concepts of motivation, engagement, challenge, and creativity in literacy teaching and learning.
Twitter: @smithant Instagram: mathematizechildrensliterature


About Math Teacher Lounge: The podcast
Math Teacher Lounge is a biweekly podcast created specifically for K–12 math educators. In each episode co-hosts Bethany Lockhart Johnson (@lockhartedu) and Dan Meyer (@ddmeyer) chat with guests, taking a deep dive into the math and educational topics you care about.
Join the Math Teacher Lounge Facebook group to continue the conversation, view exclusive content, interact with fellow educators, participate in giveaways, and more!
You might also like:
Winter Wrap-Up 03: Ideas to build math fluency

Join us for the third episode in our Winter Wrap-Up! In this episode from season 3 of Math Teacher Lounge: The Podcast, we sit down with Dr. Valerie Henry to talk about math fluency and what that means for students. Listen as we dig into the research, hear Val’s three-part definition of fluency, and explore her five principles for developing it.
Explore more from Math Teacher Lounge by visiting our main page.
Dan Meyer (00:03)
Hey folks. Welcome back. This is Math Teacher Lounge, and I am one of your hosts, Dan Meyer.
Bethany Lockhart Johnson (00:07):
And I’m your other host, Bethany Lockhart Johnson. Hi, Dan.
Dan Meyer (00:11):
Hey, great to see you. We have a big one this week to chat about and some fantastic guests. We are chatting about fluency, which is the sort of word and concept that I feel like people have very, very non-neutral associations with it. A lot of them are very negative, for a lot of people.
Bethany Lockhart Johnson (00:26):
I saw you frown a little. What’s up with that, Dan? You kind of, like, shrank.
Dan Meyer (00:30):
I have strong feelings about it. You know, there’s lots of ways that people go about helping people become fluent in mathematics. And a lot of them are harmful for students, and ineffective. And it got me thinking about fluency as it exists outside of the world of mathematics, where we have a lot of very clear images of it. We’re getting fluent in things all the time. Like, as humans. Human development is the story of fluency. And I just was wondering….Bethany, would you describe yourself as fluent at something outside of the world of mathematics? What is that? How’d you get fluent at it? What was the process?
Bethany Lockhart Johnson (01:05):
Hmm, I think I’m a pretty fluent reader. I read all the time. I’m a happier person if I’ve read that day. I once saw this poster in a classroom; it said “10 Ways to Become a Better Reader: Read, Read, Read, Read, Read…you know, 10 times. Get it? Reading? You get better at reading by reading! So I would say reading. And it’s been kind of cool—I have a one-year-old who, it’s been really exciting slash overwhelmingly anxiety-producing to see him get very fluent with walking slash running, ’cause he’s getting faster every day. And it’s kind of fun. When I think of what’s something somebody’s trying to get fluent with…walking! He’s trying to be more fluid. He’s practicing transitions. He doesn’t wanna hold my hand while he traverses rocky terrain. He’s getting better at it. He’s practicing. What about you? What’s something…?
Dan Meyer (02:08):
I think about driving a lot. I’m a very fluent driver and I think a lot about when I was first a driver, you know? And how l have my hands on 10 and 2, vice grip, and do not talk to me; do not ask me anything; don’t ask me my NAME. I need to focus so hard. And then a year later, you know, I’m driving with one hand, smash the turn signal, take a sip off of whatever, change the CD. And then it’s no big deal.
Bethany Lockhart Johnson (02:38):
Wait, did you pass the first time? Your test?
Dan Meyer (02:40):
Yeah, I don’t like to brag about it. <laugh> But I do all the time. <laugh> But I got a hundred on my driving test. I don’t care who knows it. And I hope it’s everybody. But I guess all of this is just to say there are areas of life where fluency feels natural, with the case of walking. There’s areas of life where fluency feels motivating, with like driving—I wanna be able to switch the CD out or whatever. And there’s areas where fluency feels terrifying and hard to come by, like mathematics, sometimes. So we have a set of guests here. Our first guest will help us figure out what do we mean by fluency? And what’s the research say about what fluency is and how students develop it in mathematics? And then our other guests will help us think about what it looks like in practice in the classroom. What are some novel, new ways to work on fluency? So first up we have Val Henry, Dr. Val Henry.
Bethany Lockhart Johnson (03:32):
So we knew we needed help with the fluency definition, because when we think about it, it’s kind of big, right? And we wanted to look at what research about fluency really says. So we called on Valerie Henry. Val is a nationally board-certified teacher, taught middle school for 17 years, and since 2002 has worked with undergraduates graduates, credential candidates as a lecturer at the University of California, Irvine, one of my alma maters. So after doing her dissertation on addition and subtraction fluency in first grade, Val created a project to study ways to build addition and subtraction and multiplication and division fluency while also developing number sense in algebraic thinking. And the pilot grew and grew over the last 18 years into a powerful daily mini-lesson approach to facts fluency called FactsWise. And when we thought of fluency, the first person I thought of was Val. Welcome, Val Henry, to the Lounge! I’m so excited to have you here. Welcome.
Valerie Henry (04:36):
Thanks, Bethany. And thanks to you, Dan. It’s great to be here today.
Dan Meyer (04:41):
Great to have you; help yourself to whatever you find in the fridge. The names that people write down on those things in the bags are just recommendations. It’s potluck-style here. I’m curious, Val, if you’re, like, on an airplane, someone asks you what you do, and you say you study fluency…what is the layperson’s definition of what does it mean to be fluent in mathematics? And if you can give a brief tour through what the research says about what works and what doesn’t that would really help us orient our conversation here.
Valerie Henry (05:12):
The first thing I have to do when I talk to somebody on a plane is define the idea of fluency. And I often use an example of tying your shoelaces. Because that works with first graders as well as adults. This idea that when we first start trying to put our shoes on and get those shoelaces tied, somebody tries to, first of all, just do it for us. But then of course maybe tries to teach us the bunny-ears approach. And we struggle and struggle as little kids and eventually either the bunny-ears approach or something else starts to work for us. But we still have to pay attention to it. We have to think hard and it’s not easy. And then over time we get to the point where we basically don’t even think about it. When I tie my shoes in the morning. I’m not thinking about right-over-left and left-over-right and all of those things. I just do it. And so that’s a good, easy example of becoming fluent with something. I think what we’re talking about today though, is the basics, the adding and subtracting that we hope kids are going to have mastered maybe by second grade, and the multiplication and division facts that we wanna maybe have mastered by third, maybe fourth grade. So now what does that mean to become fluent with those basics? I have a three-part definition that seems to match up really nicely with the common core approach to fluency. Which is, first of all, we want the answers to be correct. And then second, we want the answers to be easy to know. And so what does that mean? Well, to me, it means without needing to count,
Bethany Lockhart Johnson (07:12):
You mean without having to kind of muscle through it? Or say more about you mean.
Valerie Henry (07:16):
Well, I guess what I mean is that when you watch a young child try and solve something even as simple as two plus three, they might put up two fingers and then go 3, 4, 5 with three more fingers winding up on their hand, one or the other of their hands. While they’re doing that, they don’t really have a sense of whether even their answer is right or not, quite often. Especially when you get to the larger adding and subtracting problems, you can see a lot of errors happening as they’re trying to count. And it’s taking up cognitive energy to do that counting process, especially as you get to the larger quantities. So my definition of fluency now is “getting it right without needing to do that hard work like counting.” Now, some people might say, well, we just want them to have ’em memorized. But in my research, I’ve learned that a lot of very fluid adults don’t always have every fact memorized. In fact, if you ask a room full of adults, what’s seven plus nine, you might learn that they can all get it correct quickly, quickly…but they don’t all have it memorized. And so when you ask them, “How did you get that?” Many of them will say, “Well, I just gave one from the 7 to the 9 and I know that 10 plus 6 is 16.”
Bethany Lockhart Johnson (08:53):
That’s such an important distinction. My brain literally just did that actually!
Valerie Henry (08:58):
<laugh> Right? <laugh> But you’re fluid with it, because it doesn’t take you much cognitive energy at all.
Bethany Lockhart Johnson (09:05):
Right.
Valerie Henry (09:07):
So now we have “correct without needing to put that cognitive energy,” which usually means that you’re counting. And then the third thing is “relatively quickly,” so that you’re not spending 15 seconds trying to figure it out. Even that part-whole strategy approach can be done really quickly, almost instantaneously. Or it can take a long time. So if a student can get the answer correct within, you know, three or four seconds— is I’m pretty generous—I figure that they’re pretty darn fluent with that fact. So that’s my three-part definition of these basics, fluency.
Dan Meyer (09:55):
I love the distinction between getting it correct and getting it quick. It’s possible to be quick with wrong answers. It’s possible to be like, “Those are separate components there.” And I echo Bethany’s appreciation for this third option in between knowing it instantaneously through memorization and muscling through it. But there’s like a continuum there of how much energy it took you to come up with it that all feels extremely helpful.
Valerie Henry (10:21):
And you know, one of the things that I’ve noticed is that when kids are pressured to come up with those instantaneous answers, they often default to guessing and get it wrong.
Bethany Lockhart Johnson (10:30):
Mm, yeah.
Valerie Henry (10:30):
So that’s one of the things that I’ve learned is that as we’re trying to help students develop fluency, it’s important to start with building their conceptual understanding of what it means to do, you know, 3 times 9 and what the correct answer is, maybe using manipulatives or representations of some sort. Not skip-counting! I really have found that skip-counting just perpetuates itself in many students’ minds and that they never stop skip-counting, which means they’re putting in not very much mental energy if it’s 2 times 3 but a ton of mental energy if it’s 7 times 8. Because frankly, it’s really hard to skip count by sevens. And by eights.
Bethany Lockhart Johnson (11:18):
I can get to 14 and then I’m like, wait, wait, what was next? Right? No, no, no…21! What do you feel are some misconceptions that maybe teachers, maybe parents have about fluency in math?
Valerie Henry (11:30):
I think maybe one of the first ones is that if students count or skip-count, their answers repetitively over and over and over and over, that they’re bound to memorize them. And the study that I did back in 2004, I actually had a school that had decided that they were going to do time tests with their students every day, all year. And that undoubtedly by the end of the year, those students would be fluent.
Bethany Lockhart Johnson (12:06):
And to clarify by time test, you mean like, sit down, pencil, paper, ready, go, worksheet kind of thing.
Valerie Henry (12:15):
Yes.
Bethany Lockhart Johnson (12:16):
Some of us might remember quite vividly.
Valerie Henry (12:18):
<laugh> Very vividly. And you know, you have to get it done within a certain amount of time. So they made it fun for the students. Apparently the students enjoyed it. I was a little leery about that, but in the end, when I went and checked on the students and I did one-on-one assessments with half of the students in every class that were randomly selected so that I could get a sense of where they were with their fluency—and these were first graders—they basically had nothing memorized. They were simply counting as fast as they possibly could. And, you know, mostly getting the right answers. But they had not memorized. So that’s one of the myths, I think, is that repetitive practice of counting gets you to memorization.
Bethany Lockhart Johnson (13:10):
If I put it in front of you enough times, you’ll become fluent.
Valerie Henry (13:14):
Right, right. Now these students didn’t really get any instruction, any help learning these. They just simply tested over and over and over. So that’s another thing that I think is a misconception. It’s that if we test students, but don’t really teach them fluency, then they’re going to become fluent. If we just test them every Friday or that kind of thing. And that they’ll learn them at home. But really what that means is a few lucky kids who have parents who have the time and the energy and the background to know how to help will take that job on at home. Not that many students are really that fortunate.
Dan Meyer (14:01):
It’s almost like the traditional approach, or the approach you’re describing, confuses process and product. It says, “Well, the product is that eventually fluent students will be able to do something like this, see these problems and answer them, answer them quickly,” and says, “Well, that must be the process then as well; let’s give them that products a whole lot.” But as I hear you describe fluency with bunny ears on shoelaces, there’s these images and approaches and techniques that require a very active teacher presence to support the development of it. That’s just kind of interesting to me.
Valerie Henry (14:35):
My initial project, the pilot project that I tried, was to simply ask teachers to follow five key principles. And the first one was to do something in the classroom every day for—I told them, even if you’ve only got five or 10 minutes, work on fluency for five or 10 minutes a day, and let’s see what happens. So that was one key element was just to teach it and to give students opportunities to get what the research calls for when you’re trying to memorize, which is actually immediate feedback. When I talk about immediate feedback with my student teachers, I say, “I’m talking about within one or two seconds of trying a problem, and then sort of immediately knowing, getting feedback of whether you got the answer right or not so that your brain can kind of gain that confidence. ‘Oh, not only did I come up with an answer, but somebody’s telling me it’s the correct answer.’”
Dan Meyer (15:38):
There’s a lot of apps now in the digital world that offer students questions about arithmetic or other kinds of mathematical concepts and give immediate feedback of a sort: the feedback of “You’re right; you’re wrong” sort. Is that effective fluency development, in your view?
Valerie Henry (15:57):
I haven’t heard and I haven’t seen them being super-effective. The ways I think about this are “Immediate feedback isn’t the only thing we need.” Probably one of the biggest things that we need is for students to develop strategies. And this is one of the other things I’ve learned from international research, from countries that do have students who become very fluent very early, is that they don’t shoot straight for memorization, but they go through this process of taking students from doing some counting and then quickly moving them to trying to use logic. So, “Hey, you really are confident that 2 + 2 is 4; so now let’s use that to think about 2 + 3.” Actually, as an algebra teacher, I would much rather have students that have a combination of memorization and these strategies, than students who’ve only memorized. Isn’t that interesting that my most successful algebra students were good strategy thinkers. Not just good memorizers.
Bethany Lockhart Johnson (17:09):
So you mentioned there were five that kind of helped root this idea in like, “What can teachers do? What is the best thing that teachers can do to support with fact fluency?” So, everyday was key.
Valerie Henry (17:22):
Then the next principle that I really focus on is switching immediately to the connected subtractions so that students—
Bethany Lockhart Johnson (17:33):
Not waiting until you’ve gotten all the way through addition. But making “Ooh!”
Valerie Henry (17:38):
Totally. And I didn’t do that the first year. And when we looked at the results of the assessments at the end of the year, we realized that our students were so much weaker in subtraction than addition. So the following pilot year, we tried this other approach of doing subtraction right after the students had developed some fluency with that small chunk of addition. And we got such better subtraction results.
Bethany Lockhart Johnson (18:11):
What are the other principles?
Valerie Henry (18:13):
The biggest one is to use these strategies. So the strategies makes the third. And then the fourth I would say is to go from concrete to representational to abstract.
Bethany Lockhart Johnson (18:27):
Don’t put away those manipulatives. Don’t put away those tools.
Valerie Henry (18:31):
Oh, so important to come back to them for multiplication and division. And my fifth principle is to wait on assessment. To use it as true assessment, but not race to start testing before students have had a chance to go through this three-phase process. Which is conceptual understanding with manipulatives; building strategies, usually with representations; and then working on building some speed until it’s just that natural fluency.
Bethany Lockhart Johnson (19:07):
I wanna say thank you so much for offering your really learned perspective, because you have not only done the research, but seen it in action and seen how shifting our notions of fluency and what fluency can be and what a powerful foundation it can be for all mathematicians. Really, that shift is so powerful. And I appreciate you sharing it with our listeners and with us. So we’re so excited that we got to talk with you today, Val—
Dan Meyer (19:35):
Thank you, Dr. Henry.
Valerie Henry (19:37):
You’re welcome!
Dan Meyer (19:41):
With us now we have Graham Fletcher and Tracy Zager, a couple of people who understand fluency at a very deep and classroom level. I wanna introduce them and get their perspective on what we’re trying to solve here with fluency. So Graham Fletcher has served in education in a lot of different roles: as a classroom teacher, math coach, math specialist, and he’s continually seeking new and innovative ways to support students and teachers in their development of conceptual understanding in elementary math. He’s the author, along with Tracy, of Building Fact Fluency, a fluency kit we’ll talk about, and openly shares so much of his wisdom and resources at gfletchy.com. Tracy Johnson Zager is a district math coach who loves to get teachers hooked on listening to kids’ mathematical ideas. She is a co-author of this toolkit, Building Fact Fluency, and the author of Becoming the Math Teacher You Wish You’d Had: Ideas and Strategies from Vibrant Classrooms. Tracy also edits professional books for teachers at Stenhouse Publishers, including, yours truly. Thank you for all that insight, Tracy, and support on the book.
Bethany Lockhart Johnson (20:49):
Dan and I were talking at the beginning of the episode about things we feel like, “Hey, I’m fluent in that. I’m fluent in that.”
Dan Meyer (20:55):
Just very curious: What’s something you would like to get fluent in outside of the world of mathematics, let’s say?
Tracy Zager (21:00):
I’ll say understanding the teenage brain, as the parent of a 13-year-old and 15-year-old. That’s the main thing I’m working on becoming fluent in!
Bethany Lockhart Johnson (21:10):
Ooh!
Dan Meyer (21:13):
A language fluency, perhaps. All right, Graham. How about you?
Graham Fletcher (21:16):
For me typing, it’s always been an Achilles heel of mine. So voice-to-text has been my friend. But it’s also been my nemesis in much of my texting here and working virtually over the last couple years. So yeah, typing.
Dan Meyer (21:33):
Do you folks have some way of helping us understand the difference in how fluency is handled by instructors and by learners?
Tracy Zager (21:40):
I would say that the lay meaning of fluency is definitely a little different than what we mean in the math education realm. When we’re talking about math fact fluency, which is just one type of fluency. So you gotta think about procedural fluency and computational fluency; there are lots of types of fluency in math. And Graham and I had the luxury of really focusing in specifically on math fact fluency. We’re looking at kind of a subset of the procedural fluency. So the words you hear in all the citations are accurate, efficient, and flexible. There’s this combination of kids get the right answer in a reasonable amount of time and with a reasonable amount of work and they can match their strategy or their approach to the situation. That’s where that flexibility comes in. And there’s like lots more I wanna say about that about sort of…I think one issue that comes up around fluency is that people are in a little bit of a rush. So they tend to think of the fluency as this automaticity or recall of known facts without having to think about it. And that is part of the end goal, but that’s not the journey to fluency. So this is one of the things that Graham and I thought about a lot was the path to fluency. The goal here it’s that student in middle school who’s learning something new doesn’t have to expend any effort to gather that fact. And they might do it because they’ve done it so many different ways that they’ve got it, and now they just know it, or they might be like my friend who’s a mathematician who still, if you say, “Six times 8,” she thinks in her head, “Twelve, 24, 48…” and she does this double-double-double associative property strategy. And it’s so efficient, you would never know. And that’s totally great. That’s fine. That’s not slowing her down. That’s not providing a drag in the middle of a more complex problem or new learning. So we’re really focused on having elementary school students be able to enter the middle and high school standards without having that pull out of the new thinking.
Graham Fletcher (23:53):
And as I think about that, I think about how so many students will memorize their facts, but then they haven’t memorized them with understanding. So that when they move into middle school and they move into high school, it’s almost like new knowledge and new understanding that’s applied from a stand-alone skill.
Bethany Lockhart Johnson (24:10):
So something that felt really unique to me, Graham, as I was diving into the toolkit, is your use of images, Tracy, Graham, is the way that you use images to help students notice and wonder to start making sense of these quantities and the decomposition of numbers using images. Can you talk a little bit about how images played a part in the way that you think about this building a fact fluency?
Graham Fletcher (24:41):
What I realized is so many times when we approach math with just naked numbers with so many of our elementary students, the numbers aren’t visible. The quantities. They can’t see them; they can’t move them. They’re just those squiggly figures that we were talking about earlier on. So how is it that we make the quantities visible, to where students feel as if they can grab an apple and move it around? Because a lot of times we start with the naked numbers and then if kids don’t get the naked numbers, then we kind of backfill it. But what would happen if we start with the images? And then from there, these rich, flourishing mathematical conversations develop from the images. And I think that was the premise and the goal of the toolkit.
Tracy Zager (25:22):
When you look at how fact fluency has traditionally been taught, it’s all naked numbers. And sometimes we wrote ’em sideways. Like, that’s it. That was our variety of task type. Right? Sometimes it’s vertical; sometimes it’s horizontal. And that was it. And I’ve just known way too many kids who couldn’t find a hook to hang their hat on with that. It didn’t connect to anything. And so part of why I knew Graham was the perfect person for this project was his strength in multimedia photography, art, video. And so we started from this idea of contexts that for each lesson string in the toolkit, there’s some kind of context. An everyday object, arranged in some kind of a way that reveals mathematical structure and invites students to notice the properties. So we start with images of everyday objects: tennis balls, paint pots…um, help me out; here are a million of them. Crayons—
Bethany Lockhart Johnson (26:18):
Crayons, markers.
Tracy Zager (26:18):
Shoes, right? Sushi, origami paper, all kinds of things in the different toolkits. So there’s a series of images or a three-act task or both around those everyday objects, and then story problems grounded in that context. And then there are images with mathematical tools that bring out different ideas, but relate in some way to the image talks. And we do all of that before we get to the naked number talk. Which we do, and by the time you get to the number talk, it’s pretty quick, ’cause they’ve been reasoning about cups of lemonade. And now when you give them the actual numerals, they’re all over it.
Bethany Lockhart Johnson (27:03):
I have to say too, as somebody who—particularly in middle school—navigated math anxiety, we recently talked with Allison Hintz and Anthony Smith about their amazing book Mathematizing Children’s Literature.
Tracy Zager (27:14):
Yay!
Bethany Lockhart Johnson (27:14):
And I was explaining, like, if I sat down at the beginning of a math class and my teacher opened a picture book and said, “We’re gonna start here,” I felt my whole body relax. And if we start with this image, if we start with just looking at an image and making sense of an image, I feel like that could be such a powerful touchstone for all the work you do from there.
Tracy Zager (27:41):
That’s core. That’s a core design principle, is that invitational access. There are no barriers to entry. There’s nothing to decode. There’s nothing formal. We’ve been learning from Dan for years about this, right? Of starting with the informal and then eventually layering in the formal. I was in a class in Maine where they were doing an image talk and it’s these boxes of pencils. It’s a stack of boxes of pencils and they’re open and you can see there are 10 pencils in each box. And so there are five boxes of pencils each with 10 pencils in it. And then the next image is 10 boxes of pencils and each box is half full. So now it’s 10 boxes each with five. And the kids are talking and talking and then the third image, I think there are seven boxes each with 10 pencils in it. And she said, “What do you think the next picture’s gonna be?” And this girl said, “You just never know with these people!” <laugh> I dunno!”
Bethany Lockhart Johnson (28:37):
That’s kinda true. Knowing you both, it’s kinda true.
Tracy Zager (28:42):
Like if it’s seven boxes with 10 in it, one kid said, I think it’s gonna be 14 boxes of five. And other kids are like, I think it’s gonna be 10 boxes with seven. And they start talking about which of those there are and the relationships between—
Bethany Lockhart Johnson (28:58):
But they’re making sense of numbers!
Tracy Zager (28:59):
Totally. So all the kids felt invited. They can offer something up. They’re noticing and wondering about that image. They’re talking about it in whatever informal language or home language that they speak. And that was core to us. That was a huge priority, because honestly, one of the motivations to talk about fluency is that it’s always been this gatekeeper. It has served to keep kids out of meaningful math. Particularly kids from marginalized or historically excluded communities. So they’re back at the round table, doing Mad Minutes, while the more advantaged kids are getting to do rich problem solving. And so, we thought, what if we could teach fact fluency through rich problem solving that everybody could access? That was like square one for us.
Bethany Lockhart Johnson (29:45):
That’s huge.
Dan Meyer (29:46):
That’s great to hear. What’s been helpful for me is to understand that students who are automatic, that’s just kind of what’s on the surface of things. And that below that might be some really robust kind of foundation or scaffolding that bleeds to a larger building being built, or it might be just really rickety and not offer a sturdy place to build farther up. It’s been really exciting to hear that. I wonder if you’d comment for a moment about, in the digital age and—I’m at Desmos and our sponsors are Amplify and we all work in the digital world quite a bit. There are a lot of what report to be solutions to the fluency issue, to developing fluency in the digital world. Just lots and lots of them. Some that are quite well used, others that are just like X, Y, or Z app on the market. You can find something. Do you have perspectives on these kinds of digital fluency building apps? Like, what about them works or doesn’t work? Let us know. Graham, how about you? And then Tracy, I’d love to hear your thoughts too.
Graham Fletcher (30:47):
Yeah, I think that’s a great question, ’cause there’s a lot of shiny bells and whistles out there right now that can really excite a lot of teachers. But I always come back to what works for me as a classroom teacher is probably gonna work in a digital world as well. So what are the things that I love and honor most about being in front of students, and how can I capture that in that virtual world? I think one of the things that really helps students make connections is coherence. I think coherence, especially when you leave students for—you don’t get to talk with them after the lesson is done—so I think about how we can purposefully sequence things through a day-to-day basis. I think coherence is something that gets really lost when we talk about fluency, especially with whether it be digital or whether it be print, because what ends up happening is we say, “OK, we have all these strategies we need to teach,” and it becomes a checklist. So how is it that we can just provide students the opportunity to play around in a space, whether it be digital or in person, but in a meaningful way that allows them the time and the space and that area to breathe and think, but be coherent. And connecting those lessons along the way. And I think coherence is one thing that a lot of the times it’s harder to—when we’re in the weeds, it’s so hard and difficult to zoom back out and say, “Do all these lessons connect? How do they intentionally connect? And how do they purposefully connect?” And without coherence, everything’s kind of broken down into that granular level. So when looking at—I think about Desmos and I think about the Toolkit and I think about how Tracy and I talked a lot about, “Well, this, does it connect with the context problem, does it connect with the image talk, or the lessons? Like, how does it all connect and how are we providing students an opportunity to make connections between the day-to-day instruction and lessons that we tackle?”
Tracy Zager (32:44):
I’m reminded of a conversation that Dan, you and I had a long time ago, in Portland, Maine, in a bar. I’ll just be honest. <laugh> And we were talking about how, in the earlier days of Desmos, you were stressed out by what you saw, which was kids one-on-one, on a device, in a silent room. And you were like, no, this is not it. This is not what technology is here to serve. We can do so many things better using technology appropriately, but we can’t lose talk and we can’t lose relationships and we can’t lose formative assessment and teachers listening to kids and kids listening to each other and helping each other understand their thinking. Right? So when I think about the tech that’s out there for fact fluency, most of it is gonna violate all rules I have around time testing. So that a whole bunch of it, I would just toss on that premise. They’re really no different than flashcards. It’s just flashcards set in junkyard heaps. Or, you know, underground caverns. Or with a volcano or whatever. It’s the same thing. There are some lovely visuals—I’m thinking of Berkeley Everett’s Math Flips. Those are really pretty. Mathigon has some really nice stuff that’s digital. And I think that those resources invite you to kind of ponder and notice things and talk about them. All the tools that we design in the toolkit are designed to get people talking to each other, and give teachers opportunities to pull alongside kids and listen in and understand where they are. For example, our games, we didn’t design the games to be played digitally, even though you could, and people did during COVID, because we want kids on the rug, next to each other, on their knees; I’ve seen kids like across tables. I was in a school recently where a kid was like, “I hope you believe in God, ’cause you’re going…!” You know what I mean? <laugh>. Like they’re all pumped up.
Bethany Lockhart Johnson (34:41):
They’re invested!
Tracy Zager (34:45):
They’re psyching each other up and down and they’re interacting and it’s social and the teacher’s walking around and she’s listening to the games. And they don’t actually need any bells and whistles. They need dice and they need counters and they need this game that is actually a game. In all of our conversations, games have to actually be games. Games cannot be “roll and record.” Games have to involve strategy. They have to be fun. So in designing those games, we didn’t feel like it brought any advantage to make that a digital platform. But things that did bring advantages digitally, like the ability to project these beautiful images or to use short video in the classroom, that really was a value-add that enabled us to do something different in math class than we had done before, and to get kids talking in a different way than they ever had before. When I think about fluency, historically, if you say like, “OK, it’s time to practice our math facts,” you hear a lot of groans. And when I see a Building Fact Fluency classroom and I say, “OK, it’s BFF time!” There’s like a “YEAAAAHHH!” You know? And so that’s what we’re after.
Graham Fletcher (35:47):
It’s all about kids, really, for us. And I think at the heart of it, we made all the decisions with teachers and kids at the forefront of it.
Tracy Zager (35:55):
I know of high schoolers who are newcomers, who have experienced very little formal education, and speak in other languages, are using it as high schoolers, because it involves language and math and all the deep work in the properties and it’s accessible, but it’s also not at all condescending or patronizing. Like we designed it to be appropriate for older kids. So that’s just something that I think we’re both really proud of. One thing we thought a lot about, especially in the multiplication-division kit is how a classroom teacher could use it and a coordinating educator in EL, Title, special education, intervention could also use it because there’s so much in it, that students could get to be experts, if they got extra time in it, using something that’s related and would give them additional practice. So they could play a game a little bit earlier than the rest of the classes. And they could come in already knowing about that game, or they could do a related task. We have all these optional tasks that no classroom teacher would ever have time to teach it all. So the special educator could use it and have kids doing a Same and Different or a True/False, or some of the optional games. And then the work in both special education and general education could connect.
Dan Meyer (37:20):
I just wanna say that this is an area that for so many students, as you’ve said, Tracy, it presents a barrier. It’s a very emotionally fraught area of mathematics. And we really appreciate the wisdom you brought here. And just the care you’ve brought to the product itself. Your knowledge of teaching, knowledge of math, and yeah, especially a love for students feels like it’s really infused throughout Building Fact Fluency. If our listeners want to know more outside of this podcast, outside of the product itself, where can they find your words, your voice? Where you folks at these days? Tell ’em, Graham would you?
Graham Fletcher (37:57):
You can find us at Stenhouse, Building Fact Fluency. And then Tracy and I, currently playing around, sharing ideas a lot on Twitter, under the hashtag #BuildingFactFluency. That’s kind of where we can all come together and share ideas. And then also on the Facebook community, where there’s lots of teachers sharing ideas.
Bethany Lockhart Johnson (38:19):
If you were to ask our listeners like, “Hey, if you wanna keep thinking about this, here’s something you could try or here’s something you could go do,” what could be a challenge that we could share that could help us continue this conversation?
Graham Fletcher (38:35):
Online you can actually download a full lesson string. And a lesson string is a series of activities and resources that are purposefully connected. You can pick one or two of those from the Stenhouse web site, Building Fact Fluency. You can try the game. You can try one of those strategy-based games. You can try an image talk and just see how it goes. And just share and reflect back, whether on Twitter or on Facebook. But it’s kind of there, if you wanna give it a whirl. And as Tracy was sharing, even if you’re a middle-school teacher or a high-school teacher, we really tried to think about those middle-school and high-school students keeping it grade level-agnostic. Just so every student has those opportunities for those mathematical conversations. So download a lesson string and give it a whirl, and we’d love to hear how it goes.
Dan Meyer (39:25):
Bethany and I will be working the same challenge with people in our life.
Bethany Lockhart Johnson (39:29):
Yes.
Dan Meyer (39:29):
Enjoying some fact fluency with people in our homes, perhaps. We’ll see. And we’ll be sharing the results in the Math Teacher Lounge Facebook group. Graham and Tracy, thanks so much for being here. It was such a treat to chat with you both.
Bethany Lockhart Johnson (39:42):
I love learning with you and just helping to shift this idea of fluency into something that can be accessible and powerful and positive.
Stay connected!
Join our community and get new episodes every other Tuesday!
We’ll also share new and exciting free resources for your classroom every month.
Meet the guest
Valerie Henry has been a math educator since 1986. She taught middle school math for 17 years and has worked as a lecturer at University of California Irvine since 2002. After doing her 2004 dissertation research on addition/subtraction fluency in first grade, Valerie created FactsWise, a daily mini-lesson approach that simultaneously develops fluency, number sense, and algebraic thinking. Additionally, she has provided curriculum and math professional development for K-12 teachers throughout her career, working with individual schools, districts, county offices of education, Illustrative Mathematics, the SBAC Digital Library, and the UCI Math Project.


About Math Teacher Lounge: The podcast
Math Teacher Lounge is a biweekly podcast created specifically for K–12 math educators. In each episode co-hosts Bethany Lockhart Johnson (@lockhartedu) and Dan Meyer (@ddmeyer) chat with guests, taking a deep dive into the math and educational topics you care about.
Join the Math Teacher Lounge Facebook group to continue the conversation, view exclusive content, interact with fellow educators, participate in giveaways, and more!
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Tulsa, exciting updates in CKLA 2nd Edition!
Exciting updates in CKLA 2nd Edition!
As part of our commitment to creating even richer and more wide-ranging curricula, we have built on the foundation of the 1st Edition to release a new edition of Amplify CKLA with a collection of program enhancements that save you time and help you reach every student.

Amplify Caminos for equitable Spanish literacy
Amplify Core Knowledge Language Arts® (CKLA) is proud to introduce Amplify Caminos al Conocimiento Esencial, a Spanish language arts program for Grades K–5 that will inspire and engage your students to become confident readers, writers, and thinkers.

Like Amplify CKLA, Amplify Caminos is designed to spark curiosity through content-rich instruction. Amplify Caminos features complex interactive Read-Alouds and authentic Spanish literature to develop reading and writing skills and build bridges across Spanish and English.
Explore the Amplify Caminos Program Guide.
Research units to inspire inquiry and curiosity
Our brand-new Knowledge Research units carry forward Amplify CKLA’s powerful and proven instructional approach while also:
- Adding more diversity. The rich topics and highly visual components featured in these units provide students with even more “windows and mirrors” and perspectives as they work to build knowledge.
- Adding more authentic literature. Each new research unit revolves around a collection of high-interest authentic trade books that will spark more curiosity and inspire more inquiry.
- Adding more flexibility. Units can be implemented for extended core instruction during flex periods, district-designated Pausing Points, or enrichment periods.
Units cover a variety of rich and relevant topics:

With these new units, students will soar to new heights with Dr. Ellen Ochoa, Amelia Earhart, and the Tuskegee Airmen. They’ll feel the rhythm as they learn about Jazz legends Miles Davis, Tito Puente, and Duke Ellington. And they’ll explore the far reaches of the world with Jacques Cousteau, Matthew Henson, and Eugenie Clark.
- Grade K: Art and the World Around Us
- Grade 1: Adventure Stories: Tales from the Edge of the World
- Grade 2: Up, Up, and Away: The Age of Aviation
- Grade 3: All That Jazz
- Grade 4: Energy: Past, Present, and Future
- Grade 5: Beyond Juneteenth: 1865 to present
Watch the overview webinar to learn more.
Units will be made available in English and Spanish, and will include the following components:

- Teacher Guide
- Student Activity Books
- Image Cards
- Trade Book Collection
- Digital Components (grades K–3 and 5)
Richly illustrated Skills Readers
Student Readers in grades K–2 are newly redesigned with gorgeous illustrations that celebrate students’ diverse experiences. The new readers feature individuals with a broad range of identities and culture, providing students with more windows and mirrors. Each reimagined reader has a unique illustration style to draw students into the engaging stories, characters, and plots.

New digital platform with presentation slides
Amplify CKLA 2nd Edition is on the digital experience, a new digital platform, that makes it easier and more engaging than ever to plan lessons, present digital content, and review and assign student work online.

The digital experience provides ready-to-use, customizable lesson slides, complete with all the prompts from the Teacher Guide embedded in the teacher view. As teachers deliver each lesson, students engage with the content through slides that include digital activities, digital components, multimedia, Student Readers, and more. Students can complete work in the platform through digital Activity Pages that allow them to type, draw, record audio, and more.
Explore the digital experience overview brochure.
Improved layout, more focused lessons, new content and more
From 1st Edition to 2nd Edition, we made updates to make it easier to plan and deliver Amplify CKLA lessons, including a variety of ways to differentiate instruction to meet the needs of all students.
Key enhancements include:
- Scaffolds for English Language Learners added to all lessons
- In-the-moment differentiation opportunities added to support and challenge all students
- Integrated grade 3 into one instructional strand to better match students’ learning trajectories
- New layout to make Teacher Guides easier to scan and use.
New content at the beginning of each lesson:
- Primary Focus Objectives identify the goals of each lesson. Each objective is standards-aligned and corresponds to a formative assessment.
- Formative Assessment opportunities are explicitly called out in a chart at the beginning of each lesson. Formative assessments are aligned to the Primary Focus Objectives.
- Universal Access suggests modifications to the lesson to support a diversity of learning styles.
New content within each lesson:
- Support and Challenge sidebars added throughout for extensions, support, and enrichment.
- Access Supports provide scaffolds to support English Language Learners across five proficiency levels.
New content in each Skills Strand lesson:
- Additional Support section at the end of every Skills lesson provides opportunities for re-teaching and reinforcing skills taught in the lesson. Specific activities and extensions are provided to meet the needs of all learners.
New content in all grades, including:
- Grade K: Picture Reader with supporting instruction.
- Grade 3: Content integrated into one instructional strand to improve pacing and closely match students’ learning trajectories; excerpts of read-aloud text now appear in select student readers; added new Vikings Quest (problem-based interactive learning).
- Grade 4: Updated the Personal Narratives unit, added The Contraption Quest (writing across the year).
- Grade 5: Updated Personal Narratives unit, added Chemical Matter unit, added The Robot Quest (writing across the year).
- Moved Contemporary Fiction unit from grade 5 to grade 4.
- Supplemental cursive instruction and activity book added for grades 3 and 4.
Take a deeper look at the enhancements.
Language Studio for English Language Learners
Language Studio is a companion English Language Development program to 2nd Edition designed to support students learning English at all proficiency levels. Aligned to WIDA, the program helps students strengthen vocabulary and academic language skills while deepening the background knowledge developed in the core program. This unique approach provides an effective structure for moving English Language Learners students towards English proficiency.
View sample lessons to see how it works.
Multimedia Hub for teachers and students
Students will be able to access multimedia resources and engage in a new way on the Amplify CKLA Hub. Students can access digital resources independently from anywhere, taking full advantage of the instructional multimedia experiences that Amplify CKLA has to offer. Students can access the Hub at home, in the classroom, and on the go, making it ideal for remote learning. It’s compatible with laptops, Chromebooks, tablets, and desktops.
Grades K–2
Grades K–2 students will have access to Knowledge Builder videos to introduce each domain; Sound Library videos and songs for each sound in the English language; and audio-enabled eBooks of grade-level Student Readers.
Grades 3–5
Grades 3–5 students will have access to the Vocab App for independent practice with domain vocabulary and audio-enabled eBooks of grade-level Student Readers in English and Spanish.
Tulsa, exciting updates in CKLA 2nd Edition!
As part of our commitment to creating even richer and more wide-ranging curricula, we have built on the foundation of 1st Edition to release a new edition of Amplify CKLA with a collection of program enhancements that save you time and help you reach every student.

Amplify Caminos for Spanish literacy
Amplify Core Knowledge Language Arts® (CKLA) is proud to introduce Amplify Caminos al Conocimiento Esencial, a Spanish language arts program that will inspire and engage your students to become confident readers, writers, and thinkers.

Like Amplify CKLA, Amplify Caminos is designed to spark curiosity through content-rich instruction. Amplify Caminos features complex interactive Read-Alouds and authentic Spanish literature to develop reading and writing skills and build bridges across Spanish and English.
Explore the Amplify Caminos Program Guide.
Research units to inspire inquiry and curiosity
Our brand-new Knowledge Research units carry forward Amplify CKLA’s powerful and proven instructional approach while also:
- Adding more content for students from all walks of life. The rich topics and highly visual components featured in these units provide students with even more “windows and mirrors” and perspectives as they work to build knowledge.
- Adding more authentic literature. Each new research unit revolves around a collection of high-interest authentic trade books that will spark more curiosity and inspire more inquiry.
- Adding more flexibility. Units can be implemented for extended core instruction during flex periods, district-designated Pausing Points, or enrichment periods.
Units cover a variety of rich and relevant topics:

With these new units, students will soar to new heights with Dr. Ellen Ochoa, Amelia Earhart, and the Tuskegee Airmen. They’ll feel the rhythm as they learn about Jazz legends Miles Davis, Tito Puente, and Duke Ellington. And they’ll explore the far reaches of the world with Jacques Cousteau, Matthew Henson, and Eugenie Clark.
- Grade K: Art and the World Around Us
- Grade 1: Adventure Stories: Tales from the Edge of the World
- Grade 2: Up, Up, and Away: The Age of Aviation
- Grade 3: All That Jazz
- Grade 4: Energy: Past, Present, and Future
- Grade 5: Beyond Juneteenth: 1865 to present
Watch the overview webinar to learn more.
Units will be made available in English and Spanish, and will include the following components:

- Teacher Guide
- Student Activity Books
- Image Cards
- Trade Book Collection
- Digital Components (grades K–3 and 5)
Richly illustrated Skills Readers
Student Readers in grades K–2 are newly redesigned with gorgeous illustrations that celebrate students’ diverse experiences. The new readers feature individuals with a broad range of identities and culture, providing students with more windows and mirrors. Each reimagined reader has a unique illustration style to draw students into the engaging stories, characters, and plots.
Review the new readers.
New digital platform with presentation slides
Amplify CKLA 2nd Edition is on Interactive Classroom, a new digital platform, that makes it easier and more engaging than ever to plan lessons, present digital content, and review and assign student work online.

Interactive Classroom provides ready-to-use, customizable lesson slides, complete with all the prompts from the Teacher Guide embedded in the teacher view. As teachers deliver each lesson, students engage with the content through slides that include digital activities, digital components, multimedia, Student Readers, and more. Students can complete work in the platform through digital Activity Pages that allow them to type, draw, record audio, and more.
Explore the Interactive Classroom overview brochure.
Improved layout, more focused lessons, new content & more
From 1st Edition to 2nd Edition, we made updates to make it easier to plan and deliver Amplify CKLA lessons, including a variety of ways to differentiate instruction to meet the needs of all students.
Key enhancements include:
- Scaffolds for English Language Learners added to all lessons
- In-the-moment differentiation opportunities added to support and challenge all students
- Integrated Grade 3 into one instructional strand to better match students’ learning trajectories
- New layout to make Teacher Guides easier to scan and use.
New content at the beginning of each lesson:
- Primary Focus Objectives identify the goals of each lesson. Each objective is standards-aligned and corresponds to a formative assessment.
- Formative Assessment opportunities are explicitly called out in a chart at the beginning of each lesson. Formative assessments are aligned to the Primary Focus Objectives.
- Universal Access suggests modifications to the lesson to support a diversity of learning styles.
New content within each lesson:
- Support and Challenge sidebars added throughout for extensions, support, and enrichment.
- Access Supports provide scaffolds to support English Language Learners across five proficiency levels.
New content in each Skills Strand lesson:
- Additional Support section at the end of every Skills lesson provides opportunities for re-teaching and reinforcing skills taught in the lesson. Specific activities and extensions are provided to meet the needs of all learners.
New content in all grades, including:
- Grade K: Picture Reader with supporting instruction
- Grade 3: Content integrated into one instructional strand to improve pacing and closely match students’ learning trajectories; excerpts of read-aloud text now appear in select student readers; added new Vikings Quest (problem-based interactive learning).
- Grade 4: Updated the Personal Narratives unit, added The Contraption Quest (writing across the year).
- Grade 5: Updated Personal Narratives unit, added Chemical Matter unit, added The Robot Quest (writing across the year).
- Moved Contemporary Fiction unit from Grade 5 to Grade 4.
- Supplemental cursive instruction and activity book added for Grades 3 and 4.
Take a deeper look at the enhancements.
Language Studio for English Language Learners
Language Studio is a companion English Language Development program to 2nd Edition designed to support students learning English at all proficiency levels. Aligned to WIDA, the program helps students strengthen vocabulary and academic language skills while deepening the background knowledge developed in the core program. This unique approach provides an effective structure for moving English Language Learners students towards English proficiency.
View sample lessons to see how it works.
Multimedia Hub for teachers and students
Students will be able to access multimedia resources and engage in a new way on the Amplify CKLA Hub. Students can access digital resources independently from anywhere, taking full advantage of the instructional multimedia experiences that Amplify CKLA has to offer. Students can access the Hub at home, in the classroom, and on the go, making it ideal for remote learning. It’s compatible with laptops, Chromebooks, tablets, and desktops.
Grades K–2
Grades K–2 students will have access to Knowledge Builder videos to introduce each domain; Sound Library videos and songs for each sound in the English language; and audio-enabled eBooks of grade-level Student Readers.
Grades 3–5
Grades 3–5 students will have access to the Vocab App for independent practice with domain vocabulary and audio-enabled eBooks of grade-level Student Readers in English and Spanish.
Welcome to the Amplify CKLA 3rd Edition program review site!
Desmos Math 6–A1 correlations with Carnegie Math Texas
Building resilience through routine, relationships, and regulation

Welcome back to Science of Reading: The Podcast!
In the classroom, we’re continually looking out for our students and looking for ways to support their well-being and academic growth. But how often do we look at what we’re doing to take care of ourselves? And what does that look like for students and educators, having lived the past year and a half in a global period of stress during the pandemic?
Books have been some of my most meaningful companions … there’s a form of attachment that can occur between a reader and a story or a book that can actually be a safe space of refuge.
— Ricky Robertson
In this episode, we join Susan Lambert as she talks to Ricky Robertson about building systems of support for students impacted by Adverse Childhood Experiences (ACEs) and the educators who work with them. Ricky is an educator, author, and consultant who has worked with alternative and traditional schools. The episode focuses first on how teachers can prioritize their own self-care and why it is essential in order to care for students. Ricky then goes into explaining what ACEs are and the ways that fight, flight, freeze, and fawn responses can manifest in the classroom. Lastly, they go into explaining resilience and how routine and relationships help build a foundation for resilience — ending on a note of encouragement to educators that their investment is never wasted.
Listen Below!
For more research and wisdom on the best ways to teach reading, subscribe to Science of Reading: The Podcast.
Save your spot at our webinar series to discover how the Science of Reading is for everyone!
Welcome, Michigan Committee for Literacy Achievement!
We’re excited to share everything you need to critically evaluate Amplify CKLA 3rd Edition, our K–5 core literacy program. On this site, you’ll find a range of materials and literacy tools, including Reviewer Resources and Teaching Materials (Teacher Guides, Activity Books, and Student Readers) organized by grade and unit.
We hope you find the site helpful. We welcome your thoughts and questions!
Reviewer resources
Key bid documents:
- ESSA Level Evidence Worksheet
- K-5 Reading League Curriculum Evaluation Tool
- K-2 EdReports Self-Evaluation
- 3-5 EdReports Self-Evaluation
Overview and program resources:
- Program Guide
- Choice Units Overview
- Text Types and Text Complexity Guide
- Writing Overview
- Assessment Overview
- K–5 Knowledge Map
Alignment and scope and sequence:
- Common Core State Standards (CCSS) Alignment
- K-2 Skills Scope and Sequence
- K-2 Knowledge Scope and Sequence
- 3-5 Instruction Scope and Sequence
Curriculum maps by grade:
- Kindergarten Knowledge | Kindergarten Skills
- Grade 1 Knowledge | Grade 1 Skills
- Grade 2 Knowledge | Grade 2 Skills
- Grade 3
- Grade 4
- Grade 5
Kindergarten
Explore all available resources for Kindergarten, organized by strand and unit.
Knowledge Strand
Skills Strand
Grade 1
Explore all available resources for Grade 1, organized by strand and unit.
Knowledge Strand
Skills Strand
Grade 2
Explore all available resources for Grade 2, organized by strand and unit.
Knowledge Strand
Skills Strand
Grade 3
Explore all available resources for Grade 3, organized by unit.
Grade 4
Explore all available resources for Grade 4, organized by unit.
Grade 5
Explore all available resources for Grade 5, organized by unit.
Skills Supplement (Grades 3-5)
These supplementary units for Grades 3-5 reinforce and build on K-2 foundational skills instruction.
Digital platform
In the 2025-26 school year, Amplify CKLA’s all-in-one platform will offer essential tools that streamline instruction for teachers and engage students with meaningful content. Teachers can plan and deliver lessons efficiently, while students can access assignments, assessments, and fun practice games.

Presentation Screens
Deliver interactive lessons with ready-made, customizable slides for every lesson.
Auto-scored digital assessments
Assess vocabulary, comprehension, and knowledge development at the end of each K–2 Knowledge and 3–5 Integrated Unit.
Standards-based reports
Identify strengths and growth areas for individuals, small groups, or your entire class. Interactive dashboards offer detailed results from assessments and activities.
Skill-building practice games
Engage students with interactive games that reinforce concepts and make learning fun. Powered by Boost Reading™, these games align with lessons and provide real-time feedback.
eReader
Students access texts, take notes, and use audio-enabled eReaders to enhance their reading experience.
Sound Library
Students watch articulation videos and listen to songs for each sound to support phonological awareness.
Vocab App
Helps students in Grades 3–5 practice Amplify CKLA Tier 2 vocabulary words with fun, interactive games.
Intervention Toolkit
Offers user-friendly resources designed to aid educators in identifying and addressing deficiencies in students’ foundation skills.
Program support resources
Additional program resource documents:
Welcome, Ohio Department of Education and Workforce!
Amplify CKLA 3rd Edition builds on the principles and instruction of previous editions to provide better-than-ever support for teaching and learning. The focus continues on delivering evidence-based instruction across a system of multi-tiered supports aligned with the Science of Reading and Writing.
We’re excited to share this site, where you’ll find a range of materials and literacy tools including Reviewer Resources and Teaching Materials (Teacher Guides, Activity Books, and Student Readers) organized by grade and unit.
We welcome your thoughts and questions!

Reviewer resources
- Program Guide
- What’s New: CKLA 3rd Edition
- Choice Units Overview
- Text Types and Text Complexity Guide
- Writing Overview
- Assessments Overview
- K-5 Knowledge Map
Alignment and scope and sequence
Core Comprehensive English Language Arts:
- Correlations to the Ohio Learning Standards for English Language Arts
- K-2 Knowledge Scope and Sequence
- 3-5 Integrated Scope and Sequence
Core Foundational Skills:
Curriculum maps
Core Comprehensive English Language Arts:
- Kindergarten Core Comprehensive English Language Arts
- Grade 1 Core Comprehensive English Language Arts
- Grade 2 Core Comprehensive English Language Arts
- Grade 3 Core Comprehensive English Language Arts
- Grade 4 Core Comprehensive English Language Arts
- Grade 5 Core Comprehensive English Language Arts
Core Foundational Skills:
- Kindergarten Core Foundational Skills
- Grade 1 Core Foundational Skills
- Grade 2 Core Foundational Skills
Kindergarten
Explore all available resources for Kindergarten, organized by strand and unit.
Core Comprehensive English Language Arts
|
Unit 1: Star Light, Star Bright: Nursery Rhymes and Fables |
Unit 2: See, Hear, Smell, Taste, Touch: The Five Senses |
Unit 3: Underdogs and Heroes: Stories |
|
Unit 4: See How They Grow: Plants |
Unit 5: Moo, Cluck, Oink: Farms |
Unit 6: Deep Roots: Introduction to Native American Cultures |
|
Unit 7: All Around the World: Geography |
Unit 8 (Choice): Royal Tales: Monarchs |
Unit 8 (Choice): National Icons: Presidents and American Symbols |
|
Unit 9 (Choice): Our Planet: Taking Care of the Earth |
Unit 9 (Choice): Rain and Rainbows: Seasons and Weather |
Unit 10: Shaped by Nature: Art and the World Around Us |
Core Foundational Skills
|
Unit 1 |
Unit 2 |
Unit 3 |
|
Unit 4 |
Unit 5 |
Unit 6 |
|
Unit 7 |
Unit 8 |
Unit 9 |
|
Unit 10 |
Ancillary Components |
Grade 1
Explore all available resources for Grade 1, organized by strand and unit.
Core Comprehensive English Language Arts
|
Unit 1: The Moral of the Story: Fables and Tales |
Unit 2: From Nose to Toes: How Your Body Works |
Unit 3: Common Threads: Different Lands, Similar Stories |
|
Unit 4: Reach for the Stars: Astronomy |
Unit 5: Charting the World: Geography |
Unit 6: A World of Homes: Animals and Habitats |
|
Unit 7: A New Nation: American Independence |
Unit 8 (Choice): Once Upon a Time: Fairy Tales |
Unit 8 (Choice): Our Planet: The History of the Earth |
|
Unit 9 (Choice): From Babylon to the Nile: Early World Civilizations |
Unit 9 (Choice): Early Americas: Maya, Aztec, and Inca |
Unit 10: Adventure Stories: Tales from the Edge |
Core Foundational Skills
|
Unit 1 |
Unit 2 |
Unit 3 |
|
Unit 4 |
Unit 5 |
Unit 6 |
|
Unit 7 |
Ancillary Components |
Grade 2
Explore all available resources for Grade 2, organized by strand and unit.
Core Comprehensive English Language Arts
|
Unit 1: Fortunes and Feats: Fairy Tales and Tall Tales |
Unit 2: The Birthplace of Democracy: Ancient Greece |
Unit 3: Legends and Heroes: Greek Myths |
|
Unit 4: Our Planet: Cycles in Nature |
Unit 5: Butterflies, Bees, and Beetles: Insects |
Unit 6: A House Divided: The American Civil War |
|
Unit 7: Sounds and Stanzas: Poetry |
Unit 8 (Choice): Journeys to America: Immigration |
Unit 8 (Choice): Making a Difference: Creating Change |
|
Unit 9 (Choice): Building Blocks: All About Nutrition |
Unit 9 (Choice): Early Asian Civilizations: India and China |
Unit 10: Taking Flight: The Age of Aviation |
Core Foundational Skills
|
Unit 1 |
Unit 2 |
Unit 3 |
|
Unit 4 |
Unit 5 |
Unit 6 |
|
Ancillary Components |
Grade 3
Explore all available resources for Grade 3, organized by unit.
Core Comprehensive English Language Arts
|
Unit 1: Timeless Tales: Classic Stories |
Unit 2: Fur, Fins, and Feathers: Animal Classification |
Unit 3: Rhythm and Rhyme: Poetry |
|
Unit 4: Rise and Fall: Ancient Rome |
Unit 5: Our Solar System and Beyond: Astronomy |
Unit 6: Regions and Cultures: Native Americans |
|
Unit 7 (Choice): Novel Study: Charlotte’s Web |
Unit 7 (Choice): Novel Study: Stella Díaz Has Something to Say |
Unit 8 (Choice): Systems and Senses: The Human Body |
|
Unit 8 (Choice): From Glow to Echo: Light and Sound |
Unit 9: From Blues to Bebop: All That Jazz |
Ancillary Components |
Supplemental Skills Units
Grade 3 Supplemental Skills units are included in core classroom kits, although the instruction isn’t required for Grade 3 standards coverage.
|
Unit 1 |
Unit 2 |
Unit 3 |
Unit 4
Grade 4 Core Comprehensive ELA
Explore all available resources for Grade 4, organized by unit.
|
Unit 1: My Story, My Voice: Personal Narratives |
Unit 2: Knights and Castles: Europe’s Middle Ages |
Unit 3: Meaning and Metaphor: Poetry |
|
Unit 4: Eureka! Student Inventor |
Unit 5: Our Planet: Geology |
Unit 6: Road to Independence: The American Revolution |
|
Unit 7 (Choice): Novel Study: From the Mixed-Up Files of Mrs. Basil E. Frankweiler |
Unit 7 (Choice): Novel Study: The Season of Styx Malone |
Unit 8 (Choice): Crafting Stories: A World of Tales |
|
Unit 8 (Choice): Adventure on the High Seas: Treasure Island |
Unit 9: Inspiration and Ingenuity: American Innovation |
Ancillary Components |
Grade 5 Core Comprehensive ELA
Explore all available resources for Grade 5, organized by unit.
|
Unit 1: In My Own Words: Personal Narratives |
Unit 2: Early Americas: Maya, Aztec, and Inca |
Unit 3: Visions in Verse: Poetry |
|
Unit 4: A Knight’s Tale: Don Quixote
|
Unit 5: The Deep Blue World: Oceans |
Unit 6: Cultures and Histories: Native Americans |
|
Unit 7 (Choice): Novel Study: The Phantom Tollbooth |
Unit 7 (Choice): Novel Study: The Science of Breakable Things |
Unit 8 (Choice): Arts and Culture: The Renaissance |
|
Unit 8 (Choice): Through the Forest: A Midsummer Night’s Dream |
Unit 9: Building Up the World: Global Architecture |
Ancillary Components |
Digital platform
In the 2025-26 school year, Amplify CKLA’s all-in-one platform will offer essential tools that streamline instruction for teachers and engage students with meaningful content. Teachers can plan and deliver lessons efficiently, while students can access assignments, assessments, and fun practice games.

Presentation Screens
Deliver interactive lessons with ready-made, customizable slides for every lesson.
Auto-scored digital assessments
Assess vocabulary, comprehension, and knowledge development at the end of each K–2 Knowledge and 3–5 Integrated Unit.
Standards-based reports
Identify strengths and growth areas for individuals, small groups, or your entire class. Interactive dashboards offer detailed results from assessments and activities.
Skill-building practice games
Engage students with interactive games that reinforce concepts and make learning fun. Powered by Boost Reading™, these games align with lessons and provide real-time feedback.
eReader
Students access texts, take notes, and use audio-enabled eReaders to enhance their reading experience.
Sound Library
Students watch articulation videos and listen to songs for each sound to support phonological awareness.
Vocab App
Helps students in Grades 3-5 practice Amplify CKLA Tier 2 vocabulary words with fun, interactive games.
Intervention Toolkit
Offers user-friendly resources designed to aid educators in identifying and addressing deficiencies in students’ foundation skills.
Program support resources
Additional program resource documents:

Amplify CKLA 3rd Edition Pilot Packs
Middle-of-year pilot
We know it can be overwhelming to start a new curriculum, but we’re here to help every step of the way! Within this site, you’ll find resources to help you get started before your implementation training, including a materials checklist, unit and domain summaries, support videos, and more. These tools will support your core literacy instruction with Amplify CKLA during your pilot period. We hope this site is helpful in getting you started.
Middle-of-year pilot
Get started
To get started with your new pilot of Amplify CKLA 3rd Edition, you’ll first want to review the following:
You may also find the resources below helpful as you begin your pilot:
Access key materials designed to support your review of Amplify CKLA 3rd Edition.
- Program Guide
- Components checklist
- Knowledge Sequence
- Unit Summaries
- Full Program Review site
- Login information is detailed in your Pilot Toolkit
Amplify CKLA’s all-in-one digital platform offers essential tools that streamline instruction for teachers and engage students with meaningful content. Teachers can plan and deliver lessons efficiently, while students can access assignments, assessments, and fun practice games.
Presentation Screens
Deliver interactive lessons with ready-made, customizable slides for every lesson.
Auto-scored digital assessments
Assess vocabulary, comprehension, and knowledge development at the end of each K–2 Knowledge and 3–5 Integrated Unit.
Standards-based reports
Identify strengths and growth areas for individuals or your entire class. Interactive dashboards offer detailed results from assessments and activities.
Skill-building practice games
Engage students with interactive games that reinforce concepts and make learning fun. Powered by Boost Reading™, these games align with lessons and provide real-time feedback.
eReader
Students access texts, take notes, and use audio-enabled eReaders to enhance their reading experience.
Sound Library
Students watch articulation videos and listen to songs for each sound to support phonological awareness.


Middle-of-year Pilot Pack materials
Below are the components of your Amplify CKLA Pilot Pack, organized by grade level and teacher/student materials. Please click on your grade level to review the teacher and student materials listed and verify that all items have been received.

Teacher materials
Skills Unit 5 Teacher Guide

Teacher materials
Skills Unit 6 Teacher Guide

Teacher materials
Skills Unit 7 Teacher Guide

Teacher materials
Skills Unit 5 Big Book

Teacher materials
Skills Unit 6 Big Book

Teacher materials
Skills Unit 7 Big Book

Teacher materials
Small Letter Card Set

Teacher materials
Large Letter Card Set

Teacher materials
Sound Posters Sample

Teacher materials
Sound Cards Sample

Teacher materials
Knowledge 2 Teacher Guide

Teacher materials
Knowledge 3 Teacher Guide

Teacher materials
Knowledge 7 Teacher Guide

Teacher materials
Knowledge 10 Teacher Guide

Teacher materials
Knowledge 2 Image Cards

Teacher materials
Knowledge 3 Image Cards

Teacher materials
Knowledge 7 Image Cards

Teacher materials
The First Drawing

Teacher materials
Van Gogh and the Sunflowers

Teacher materials
My Name is Georgia

Teacher materials
A Life Made by Hand

Teacher materials
Rainbow Weaver/Tejedora del Arcoiris

Teacher materials
Luna Loves Art

Student materials
Skills Unit 5, 6 and 7 Activity Book Sample

Student materials
Skills Unit 6 Reader

Student materials
Skills Unit 7 Reader

Student materials
Chaining Folder

Student materials
Picture Reader Sample

Student materials
Knowledge 2, 3, 7 and 10 Activity Book Sample

Teacher materials
Skills Unit 2 Teacher Guide

Teacher materials
Skills Unit 3 Teacher Guide

Teacher materials
Skills Unit 4 Teacher Guide

Teacher materials
Skills Unit 2 Big Book

Teacher materials
Skills Unit 3 Big Book

Teacher materials
Knowledge 2 Teacher Guide

Teacher materials
Knowledge 3 Teacher Guide

Teacher materials
Knowledge 5 Teacher Guide

Teacher materials
Knowledge 10 Teacher Guide

Teacher materials
Knowledge 2 Image Cards

Teacher materials
Knowledge 3 Image Cards

Teacher materials
Knowledge 5 Image Cards

Teacher materials
Code Poster Set

Teacher materials
Spelling Card Set

Teacher materials
Large Letter Card Set

Teacher materials
My Name is Gabito/Me llamo Gabito

Teacher materials
Tomas and the Galapagos Adventure

Teacher materials
The Astronaut with a Song
for the Stars: The Story of Dr. Ellen Ochoa

Teacher materials
Mae Among the Stars

Teacher materials
Shark Lady: The True Story of How Eugenie Clark Became the Ocean’s Most Fearless Scientist

Teacher materials
Manfish

Teacher materials
Keep On! The Story of Matthew Henson, Co-Discoverer of the North Pole

Teacher materials
The Top of the World: Climbing Mount Everest

Student materials
Unit 2, 3 and 4 Skills Activity Book Sample

Student materials
Skills Unit 2 Reader

Student materials
Skills Unit 3 Reader

Student materials
Skills Unit 4 Reader

Student materials
Knowledge 2, 3, 5 and 10 Activity Book Sample

Teacher materials
Skills Unit 2 Teacher Guide

Teacher materials
Skills Unit 3 Teacher Guide

Teacher materials
Skills Unit 4 Teacher Guide

Teacher materials
Code Posters

Teacher materials
Spelling Card Set

Teacher materials
Knowledge 1 Teacher Guide

Teacher materials
Knowledge 5 Teacher Guide

Teacher materials
Knowledge 7 Teacher Guide

Teacher materials
Knowledge 10 Teacher Guide

Teacher materials
Knowledge 5 Image Cards

Teacher materials
Knowledge 7 Image Cards

Teacher materials
Up and Away! How Two Brothers Invented the Hot Air Balloon

Teacher materials
The Glorious Flight: Across the Channel with Louis

Teacher materials
The Flying Girl: How Aída de Acosta Learned to Soar

Teacher materials
Wood, Wire, Wings: Emma Lilian Todd Invents an Airplane

Teacher materials
Helicopter Man: Igor Sikorsky and His Amazing Invention

Teacher materials
The Tuskegee Airmen Story

Teacher materials
Skyward: The Story of Female Pilots in WWII

Teacher materials
Aim for the Skies: Jerrie Mock and Joan Merriam Smith’s Race to Complete Amelia Earhart’s Quest

Student materials
Skills Unit 2 and 3 Activity Book Sample

Student materials
Skills Unit 4 Activity Book Sample

Student materials
Skills Unit 2 Reader

Student materials
Skills Unit 3 Reader

Student materials
Skills Unit 4 Reader

Student materials
Knowledge 1, 5, 7 and 10 Activity Book Sample

Teacher materials
Unit 2 Teacher Guide

Teacher materials
Unit 3 Teacher Guide

Teacher materials
Unit 6 Teacher Guide

Teacher materials
Unit 7 Teacher Guide

Teacher materials
Unit 6 Image Cards

Teacher materials
Unit 3 Image Cards

Student materials
Unit 2 and 6 Activity Book Sample

Student materials
Poet’s Journal

Student materials
Unit 7 Activity Book Sample

Student materials
Unit 2 Reader

Student materials
Unit 6 Reader

Student materials
Charlotte’s Web

Teacher materials
Unit 3 Teacher Guide

Teacher materials
Unit 5 Teacher Guide

Teacher materials
Unit 6 Teacher Guide

Teacher materials
Unit 7 Teacher Guide

Student materials
Poet’s Journal

Student materials
Unit 5 and 6 Activity Book Sample

Student materials
Unit 7 Activity Book Sample

Student materials
Unit 5 Reader

Student materials
Unit 6 Reader

Student materials
From the Mixed Up Files of Mrs. Basil E. Frankweiler

Teacher materials
Unit 2 Teacher Guide

Teacher materials
Unit 3 Teacher Guide

Teacher materials
Unit 5 Teacher Guide

Teacher materials
Unit 7 Teacher Guide

Student materials
Unit 2 Activity Book Sample

Student materials
Unit 5 Activity Book Sample

Student materials
Poet’s Journal

Student materials
Unit 7 Activity Book Sample

Student materials
Unit 2 Reader

Student materials
Unit 5 Reader

Student materials
The Phantom Tollbooth
Access the Amplify CKLA all-in-one digital platform
Teachers and students piloting CKLA 3rd Edition will receive login information to access the digital platform.
If you have not received your login information please contact your administrative team. If you are in charge of licensing and enrollment for your school/district and have not received login information please reach out to your account representative or help@amplify.com.




