Welcome

Elementary Literacy Program – Family Welcome Letter

Lectoescritura en Español – Carta de bienvenida para las familias

Grade K

Grade 1

Grade 2

Grade 3

Grade 4

Grade 5

Welcome

Elementary Literacy Program – Family Welcome Letter

Lectoescritura en Español – Carta de bienvenida para las familias

Grade K

Grade 1

Grade 2

Grade 3

Grade 4

Grade 5

Oregon Enhanced ELA State Review for K–5

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CKLA – Knowledge Research Units for K–5

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Introducing new units for Amplify CKLA and Amplify Caminos K–5

As part of our commitment to creating even richer and more wide-ranging curricula, we are excited to release six new units for both Amplify CKLA and Amplify Caminos!

Click here to learn more about Amplify CKLA.

Click here to learn more about Amplify Caminos.

About these units

Our brand-new Knowledge Research units carry forward the powerful and proven instructional approach of both Amplify CKLA and Amplify Caminos while also:

  • Adding more variety to engage students from many walks of life. The rich topics and highly visual components featured in these units provide students with even more “windows and mirrors” and perspectives as they work to build knowledge.
  • Adding more authentic literature. Each new research unit revolves around a collection of high-interest authentic trade books that will spark more curiosity and inspire more inquiry.
  • Adding more flexibility. Units can be implemented for extended core instruction during flex periods, district-designated Pausing Points, or enrichment periods.

Units cover a variety of rich and relevant topics:

Three illustrations: one shows people at a gaming session, the middle depicts a diverse group standing together, and the third portrays a group gardening outdoors.

With these new units, students will soar to new heights with Dr. Ellen Ochoa, Amelia Earhart, and the Tuskegee Airmen. They’ll feel the rhythm as they learn about Jazz legends Miles Davis, Tito Puente, and Duke Ellington. And they’ll explore the far reaches of the world with Jacques Cousteau, Matthew Henson, and Eugenie Clark.

  • Grade K: Art and the World Around Us/El arte y el mundo que nos rodea
  • Grade 1: Adventure Stories: Tales from the Edge of the World/Cuentos de aventuras: relatos desde los confines de la Tierra
  • Grade 2: Up, Up, and Away: The Age of Aviation/¡A volar! La era de la aviación
  • Grade 3: All That Jazz/Jazz y más
  • Grade 4: Energy: Past, Present, and Future/Energía: pasado, presente y futuro
  • Grade 5: Beyond Juneteenth: 1865 to present/Más allá de Juneteenth: de 1865 al presente

Units are available in English and Spanish, and will include the following components:

  • Teacher Guide
  • Student Activity Books
  • Image Cards
  • Trade Book Collection
  • Digital Components (grades K–3 and 5)

Grade K: Art and the World Around Us/El arte y el mundo que nos rodea

“Every child is an artist,” said Picasso, meaning that every child uses art to explore and understand the world around them. Art and the World Around Us honors that truth by introducing Kindergarten students to some of the ways in which artists have explored and understood the worlds around them, too.

This domain introduces students to artists from different time periods, countries, and cultures. Throughout the unit, students learn about different kinds of art and how artists use the world around them as they make art. They also connect this to what they have already learned about the earth, plants, and animals in other Amplify CKLA and Amplify Caminos domains: Farms/Granjas, Plants/Plantas, and Taking Care of the Earth/Cuidar el planeta Tierra. In addition, students connect this to what they have learned about sculptors in the Presidents and American Symbols/Presidentes y símbolos de los Estados Unidos domain. As they explore different artists and artistic traditions, they develop their ideas about how humans are connected to each other and to the world around them.

As you read the texts in this unit, students may observe ways in which the characters or subjects are both similar to and different from students. This is a good opportunity to teach students awareness and sensitivity, building on the idea that all people share some things in common, and have other things that make them unique. This unit also offers an excellent opportunity to collaborate with your school’s art teacher, as many lessons have suggested activities to help students understand the kind of art they are studying.

Within this unit, students have opportunities to:

  • Use details to describe art.
  • Identify three ways to create art.
  • Identify characteristics of cave art.
  • Sequence the steps of making pottery.
  • Describe how artists can create work connected to the world around them.
  • Describe what makes Kehinde Wiley’s portraits unique.
  • Explain how the texture of a surface can affect artwork created on it.
  • Explain what a sculpture is.
  • Describe what makes James Turrell’s artwork about the sky unique.
  • Explain what a museum is and what kinds of things you can see or do there.

Instruction in this unit revolves around the following collection of high-interest authentic trade books. One copy of each trade book is included with the unit materials.

  • The First Drawing by Mordicai Gerstein
  • Van Gogh and the Sunflowers by Laurence Anholt
  • My Name is Georgia by Jeanette Winter
  • A Life Made by Hand by Andrea D’Aquino
  • Rainbow Weaver by Linda Elovitz Marshall
  • Luna Loves Art by Joseph Coelho

Grade 1: Adventure Stories: Tales from the Edge of the World/Cuentos de aventuras: relatos desde los confines de la Tierra

This domain introduces students to adventure stories set around the world and challenges students to dig into the adventures through research. By listening to the Read-Alouds and trade books, students increase their vocabulary and reading comprehension skills, learn valuable lessons about perseverance and teamwork, and become familiar with gathering information for research.

In this unit, students study the careers of real-world explorers Dr. Eugenie Clark and Sophia Danenberg, marvel at the inventions of Jacques Cousteau, think critically about how teamwork and collaboration can make greater adventures possible, learn about the science and technology that enable adventures, and research some of the ways humans have confronted challenges at the edges of the world, from the oceans below to space above.

Each lesson in the domain builds students’ research skills as they ask questions, gather information, and write a paragraph about their findings. Students share what they have learned about adventures in an Adventure Gallery Walkthrough. By taking on the persona of one of the adventurers they meet in the Read-Alouds and trade books, students deliver their final paragraphs as if they are a “speaking portrait” of that person. Students are invited to dress up as that adventurer if they desire.

In addition, teachers can set aside time outside of the instructional block to create the picture frames students will hold as they present to the Adventure Gallery Walk guests. Frames can be made from shirt boxes, cardboard, construction paper, or any art supplies that are on hand. This might be an opportunity to collaborate with the school’s art department if resources are available. Another option is to ask students to make their frames at home with their caregivers. On the day of the Adventure Gallery Walk, students will be the hosts and take on specific jobs, such as welcoming the guests, describing their work throughout the unit, and pointing out the areas of study on the domain bulletin board. You can find a complete list of student jobs in Lesson 13.

This unit builds upon the following Amplify CKLA and Amplify Caminos units that students will have encountered in the previous grade.

  • Nursery Rhymes and Fables/Rimas y fábulas infantiles (Kindergarten)
  • Stories/Cuentos (Kindergarten)

The specific core content targeted in these domains is particularly relevant to the Read-Alouds students will hear in Adventure Stories: Tales from the Edge of the World. The background knowledge students bring to this unit will greatly enhance their understanding of the trade books used in this unit.

Instruction in this unit revolves around the following collection of high-interest authentic trade books. One copy of each trade book is included with the unit materials.

  • My Name is Gabito/Me llamo Gabito by Monica Brown
  • Tomas and the Galápagos Adventure by Carolyn Lunn
  • The Astronaut with a Song for the Stars: The Story of Dr. Ellen Ochoa by Julia Finley Mosca
  • Mae Among the Stars by Roda Ahmed
  • Shark Lady: The True Story of How Eugenie Clark Became the Ocean’s Most Fearless Scientist by Jess Keating
  • Manfish by Jennifer Berne
  • Keep On! The Story of Matthew Henson, Co-Discoverer of the North Pole by Deborah Hopkinson
  • The Top of the World: Climbing Mount Everest by Steve Jenkins

Grade 2: Up, Up, and Away: The Age of Aviation/¡A volar! La era de la aviación

With this domain, students head up, up, and away with an introduction to the soaring history of aviation. Students learn the stories of early aviators, such as the Montgolfier brothers, the Wright brothers, Aída de Acosta, and Amelia Earhart.

During the unit, students study the science of flight, including the physics concept of lift, and research the social impacts of the world of flight. Finally, students let their research skills take flight as they explore key figures from the world of aviation.

The lessons in this domain build on earlier Grade 2 CKLA and Amplify Caminos domains about the westward expansion, early Greek civilizations, and Greek myths, and lay the foundation for learning about other periods of world history in future grades.

This unit builds upon the following Amplify CKLA and Amplify Caminos units that students will have encountered earlier in the year.

  • The Ancient Greek Civilization/La civilización griega antigua (Grade 2)
  • Greek Myths/Mitos griegos (Grade 2)
  • Westward Expansion/La expansión hacia el oeste (Grade 2)

The specific core content targeted in these domains is particularly relevant to the Read-Alouds students will hear in Up, Up, and Away: The Age of Aviation. The background knowledge students bring to this unit will greatly enhance their understanding of the trade books used in this unit.

Instruction in this unit revolves around the following collection of high-interest authentic trade books. One copy of each trade book is included with the unit materials.

  • Up and Away!: How Two Brothers Invented the Hot-Air Balloon by Jason Henry
  • The Glorious Flight: Across the Channel with Louis Blériot by Alice and Martin Provensen
  • The Flying Girl: How Aída de Acosta Learned to Soar by Margarita Engle
  • Wood, Wire, Wings: Emma Lilian Todd Invents an Airplane by Kirsten Larson
  • Helicopter Man: Igor Sikorsky and His Amazing Invention by Edwin Brit Wyckoff
  • The Tuskegee Airmen Story by Lynn Homan and Thomas Reilly
  • Skyward: The Story of Female Pilots in WWII by Sally Deng
  • Aim for the Skies: Jerrie Mock and Joan Merriam Smith’s Race to Complete Amelia Earhart’s Quest by Aimee Bissonette

Grade 3: All That Jazz/Jazz y más

This domain teaches students about the vibrant music, poetry, and culture of the Jazz Age in the United States. Students learn about famous writers and musicians like Langston Hughes, Louis Armstrong, Billie Holiday, Melba Liston, Tito Puente, and Miles Davis. They study how the jazz art form took root in the South, then spread to the North to become the sound of the Harlem Renaissance, eventually connecting people around the world in musical expression.

During this unit, students perform guided research to further explore both the history of jazz and what jazz is today. They develop research skills and then use those skills to find deeper connections between the stories and music of the Jazz Age and music today. As students learn about the world of jazz, they collaborate and share ideas with their classmates. They also practice sharing feedback focused on their written work, and, at the end of the unit, students present their research to the group.

The lessons give students opportunities to dive into the rhythms and stories of jazz, utilizing the knowledge sequence in this unit to:

  • Collaboratively generate research questions about jazz, jazz musicians, contemporary musicians from the state where they live or have lived, and the evolution of jazz music.
  • Utilize Read-Alouds, independent reading, and partner reading to learn about the Jazz Age, the Harlem Renaissance, jazz music, and biographies of celebrated jazz musicians and writers.
  • Research the answers to their generated questions, gather information, write a short research essay about a famous jazz musician, write a short essay about a contemporary musician from the state where they live or have lived, and give a presentation about their research.

Within this unit, students have opportunities to:

  • Ask relevant questions and make pertinent comments
  • Identify details in texts
  • Determine key ideas of texts by evaluating details
  • Make text-based inferences
  • Generate questions based on prior knowledge and gathered information
  • Synthesize details across texts to demonstrate comprehension
  • Discuss and explain an author’s purpose
  • Identify and cite reliable primary and secondary sources of information
  • Compose a well-organized and focused informative essay
  • Make connections between topics
  • Present information using appropriate media

Instruction in this unit revolves around the following collection of high-interest authentic trade books. One copy of each trade book is included with the unit materials.

  • Birth of the Cool: How Jazz Great Miles Davis Found His Sound by Kathleen Cornell Berman
  • Little Melba and Her Big Trombone by Kathryn Russell-Brown
  • Benny Goodman and Teddy Wilson: Taking the Stage as the First Black and White Jazz Band in History by Lesa Cline-Ransome
  • Tito Puente, Mambo King by Monica Brown
  • Drum Dream Girl: How One Girl’s Courage Changed Music by Margarita Engle
  • Duke Ellington: The Piano Prince and His Orchestra by Andrea Pinkney

In this unit, students also read the poem “Harlem” by Langston Hughes. (Available for free through the Academy of American Poets website and the Poetry Foundation website, with recorded audio available through the website for John Hancock College Preparatory High School.)

Grade 4: Energy: Past, Present, and Future/Energía: pasado, presente y futuro

With this domain, students become tomorrow’s problem solvers in this study of energy in the United States. Analytical reading skills are developed by examining the challenges of early energy innovators. Students then read about current energy practices and young energy change-makers across the world.

Throughout the unit, students conduct research into different sources of energy and present a proposal, putting them in the shoes of future energy innovators. They also use the knowledge sequence in this unit to:

  • Collaboratively analyze texts to identify cause-effect and problem-solution relationships.
  • Generate questions and conduct research about energy.
  • Write an opinion essay making their case for a fuel of the future.
  • Create energy proposals using primary and secondary resources.

This unit builds upon the following Amplify CKLA units that students will have encountered in previous grades as well as earlier in the year.

  • Plants/Plantas (Grade K)
  • The History of the Earth/La historia de la Tierra (Grade 1)
  • Eureka! Student Inventor/¡Eureka! El arte de la invención (Grade 4)

The specific core content targeted in these domains is particularly relevant to the Read-Alouds students will hear in Energy: Past, Present, and Future. The background knowledge students bring to this unit will greatly enhance their understanding of the trade books used in this unit.

Instruction in this unit revolves around the following collection of high-interest authentic trade books. One copy of each trade book is included with the unit materials.

  • Buried Sunlight: How Fossil Fuels Have Changed the Earth by Molly Bang and Penny Chisholm
  • Energy Island: How One Community Harnessed the Wind and Changed their World by Allan Drummond
  • The Boy Who Harnessed the Wind: Picture Book Edition by William Kamkwamba and Bryan Mealer

Grade 5: Beyond Juneteenth: 1865 to present/Más allá de Juneteenth: de 1865 al presente

Within this domain, Students learn about General Granger’s announcement in Galveston, Texas on June 19, 1865, a day marked in history as Juneteenth. Texts and multimedia sources will support foundational knowledge-building about the end of slavery in the United States. A review of the first freedom announcement, President Lincoln’s Emancipation Proclamation, provides students with background knowledge to further emphasize the significance of Juneteenth in American history.

This unit also takes students on a journey beyond Juneteenth, as they study specific contributions of African Americans from 1865 to the present day. Students participate in a virtual field trip to Emancipation Park in Houston, Texas and use the knowledge sequence in this unit to:

  • Collaboratively generate research questions about Juneteenth, The Great Migration, innovators and inventors, education, the humanities, activists, and allies.
  • Use Read-Alouds, independent, and partner reading to learn about African American contributions from 1865 to the present.
  • Research to find answers to their generated questions, gather information, and write a four-chapter Beyond Juneteenth book.

This unit builds upon the following Amplify CKLA units that students will have encountered in previous grades.

  • Native Americans/Los nativos americanos (Grade K)
  • A New Nation: American Independence/Una nueva nación: la independencia de los Estados Unidos
    (Grade 1)
  • The U.S. Civil War/La Guerra Civil de los Estados Unidos (Grade 2)
  • Immigration/La inmigración (Grade 2)
  • Native Americans/Los nativos americanos (Grade 5)

The specific core content targeted in these domains is particularly relevant to the Read-Alouds students will hear in Beyond Juneteenth: 1865 to present. The background knowledge students bring to this unit will greatly enhance their understanding of the trade books used in this unit.

Instruction in this unit revolves around the following collection of high-interest authentic trade books. One copy of each trade book is included with the unit materials.

  • All Different Now: Juneteenth, the First Day of Freedom by Angela Johnson
  • The Great Migration: An American Story by Jacob Lawrence
  • Sing a Song: How “Lift Every Voice and Sing” Inspired Generations by Kelly Starling Lyons
  • Side by Side/ Lado a lado: The Story of Dolores Huerta and Cesar Chavez/ La Historia de Dolores Huerta y Cesar Chavez by Monica Brown
  • Of Thee I Sing: A Letter to My Daughters by Barack Obama

Amplify CKLA Review for Alabama

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Welcome Texas Home Learning Users!

Note: This site is no longer being actively updated. To access the latest 2021-22 Elementary Literacy Program instructional materials, please visit my.amplify.com

If you have any questions, please reach out to texashomelearning@tea.texas.gov

Grade K

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Coming Soon!

What’s included in our Spanish language arts curriculum

Amplify Core Knowledge Language Arts® (CKLA) is available in both English and Spanish. Amplify Caminos al Conocimiento Esencial, our robust Spanish language arts companion for grades K–5, supports multiple teaching models, including dual language immersion and transitional classrooms.

A laptop screen displays a kindergarten instructional webpage in Spanish, showing lesson categories with illustrated thumbnails and navigation options.

Year at a glance

The program’s intentional Knowledge Sequence from K–5 connects knowledge and vocabulary within a grade level and across grade levels, for deeper reading comprehension and preparation for college, career, and life. Instead of “activating prior knowledge,” Amplify Caminos helps you build it in the classroom from day one, for every child, expanding each student’s knowledge base long before they transition to reading to learn.

Curriculum flowchart showing reading themes and activities from Kindergarten to Grade 5, organized by grade level and literary theme, with interconnected boxes for each topic.

Units & domains at a glance

Each Knowledge Domain in grades K–2 and Unit in grades 3–5 varies in the number of days based on instructional purpose. Just as with our top-rated Amplify CKLA program, the Amplify Caminos materials engage and delight young learners with resources that are both appealing and original.

Una mujer rubia con un vestido azul cuida ovejas blancas y negras, sosteniendo un bastón de pastor. Un cerdo vestido de azul corre y un hombre de negro toca el violín en una valla. Al fondo hay una casa.

Domain

Nursery Rhymes and Fables/Rimas y fábulas infantiles

Start learning about literature with these classic Mother Goose rhymes.

Ilustración de tres personas en un paisaje cubierto de hierba, una tratando de atrapar mariposas con una red, otra escondiéndose detrás de una escultura alta y frondosa de una mano y otra con binoculares.

Domain

The Five Senses/Los cinco sentidos

Learning about the body starts with learning about how we experience the world.

Una ilustración que representa a un gran lobo con sombrero de copa liderando un desfile de animales y personas con instrumentos musicales a través de un paisaje montañoso.

Domain

Stories/Cuentos

Learn about the parts of a book and some of the stories that go in one.

Una ilustración vibrante de una escena rural con colinas, una granja, una mariposa, un sol brillante, varias verduras como tomates y lechugas, y un gusano en el suelo.

Domain

Plants/Plantas

Discover the lifecycle of plants and the history of George Washington Carver.

Ilustración de una escena de granja que muestra un camión rojo que transporta verduras, campos de cultivo, vacas pastando en una colina, un granero y un molino de viento contra un cielo azul.

Domain

Farms/Granjas

Now we know how plants make their food… but what about animals?

Ilustración de un nativo remando en una canoa en un río con búfalos pastando en un campo, tipis al fondo y pájaros volando en el cielo bajo un sol brillante.

Domain

Native Americans/Los nativos americanos

Who were the first people in America? A look at the Lenape, Wampanoag, and Lakota Sioux.

Una ilustración muestra un rey y una reina en tronos, un castillo en un acantilado y una mujer con enanos cerca de un árbol. Cortinas rojas enmarcan la escena.

Domain

Kings and Queens/Reyes y reinas

To understand fairy tales, it’s best to first understand royalty.

Ilustración que muestra las cuatro estaciones: primavera con flores, verano con árboles verdes, otoño con hojas que caen e invierno con nieve y gente en trineo. Un niño lee debajo de un árbol.

Domain

Seasons and Weather/Las estaciones y el tiempo

The study of natural cycles continues with the weather and why it happens.

Un velero de madera con símbolos de cruz roja en sus velas navega cerca de una isla tropical con exuberante vegetación y palmeras. A lo lejos se ven otros dos barcos en el agua.

Domain

Columbus and the Pilgrims/Colón y los peregrinos

A look at the first contact between Europe and the Americas, and some of its results.

Una escena histórica muestra gente afuera de una gran mansión de estilo colonial con dos chimeneas. En primer plano se ve un carruaje tirado por caballos y a la izquierda se ve una casa más pequeña.

Domain

Colonial Towns and Townspeople/Las colonias y sus habitantes

Before the War for Independence, how did the town and country depend on one another?

Ilustración de personas clasificando materiales reciclables en un parque cerca de un río contaminado. Las fábricas emiten humo al fondo, mientras que las mariposas, las flores y los árboles están presentes en el primer plano.

Domain

Taking Care of the Earth/Cuidar el planeta Tierra

We only have one Earth—here are some ways to help care for it.

Ilustración del Monte Rushmore con los rostros tallados de cuatro presidentes de Estados Unidos. Un águila vuela en primer plano.

Domain

Presidents and American Symbols/Presidentes y símbolos de los Estados Unidos

Start learning about government through the lives of five presidents.

Una ilustración caprichosa que muestra animales de granja alrededor de una casa en un árbol junto a un río. Un zorro, un conejo y una oveja interactúan mientras la gente acampa junto a una fogata al fondo. Una araña cuelga del árbol.

Domain

Fables and Stories/Fábulas y cuentos

Learn some of the key elements of a story through classic fables.

Ilustración que presenta anatomía humana, actividades de estilo de vida saludable, profesionales médicos, símbolos dietéticos, una ambulancia y microorganismos, destacando la conexión entre salud, nutrición y ejercicio.

Domain

The Human Body/El cuerpo humano

What are germs? What are the organs? And what does it all have to do with health?

Una ilustración que presenta varias escenas de cuentos de hadas y folclore, incluida una calabaza grande, un tigre, Caperucita Roja, personas con atuendos tradicionales y una pagoda roja con una montaña de fondo.

Domain

Different Lands, Similar Stories/Tierras diferentes, cuentos similares

A world tour of storytelling, and the stories that stay the same across the world.

Ilustración que muestra el antiguo Egipto con pirámides, la Esfinge, agricultores arando un campo con bueyes y ganado pastando bajo un cielo soleado.

Domain

Early World Civilizations/Antiguas civilizaciones del mundo

Rivers, farming, writing, and laws: just what does it take to build a civilization?

Escena ilustrada de la antigua Mesoamérica con maíz, un río, agricultores y pirámides al fondo. En primer plano se ve a una persona con traje tradicional.

Domain

Early American Civilizations/Antiguas civilizaciones de América

What will we find in the great temples of the Aztec, Maya, and Inca civilizations?

Ilustración de la exploración espacial: se lanza un cohete, un astronauta se para cerca de un módulo de aterrizaje, una persona usa un telescopio y aparece un planeta distante con anillos sobre un fondo estrellado.

Domain

Astronomy/Astronomía

How the Earth relates to the moon, the sun, and the rest of the planets.

Dos paleontólogos en un paisaje volcánico examinan fósiles en primer plano, mientras un volcán emite humo y lava al fondo.

Domain

The History of the Earth/La historia de la Tierra

Just what lies beneath the Earth’s surface, and what can it teach us about the past?

Una escena de vida silvestre diversa que presenta un cactus del desierto con un pájaro, un conejo, elefantes, un león, un oso polar sobre el hielo y montañas distantes bajo un cielo nublado.

Domain

Animals and Habitats/Los animales y sus hábitats

A look at the connection between how animals live and where they make their homes.

Una princesa con un vestido rosa sostiene una rana junto a un arroyo con un castillo, árboles y gente al fondo. En primer plano camina un zorro con un sombrero con una pluma roja.

Domain

Fairy Tales/Cuentos de hadas

What do fairy tales have to teach us about how stories are told?

Ilustración que muestra una escena histórica con soldados, veleros y hombres con atuendo colonial discutiendo en el interior.

Domain

A New Nation: American Independence/Una nueva nación: la independencia de los Estados Unidos

The story of the birth of the United States out of the 13 Colonies.

Los pioneros con carros cubiertos y caballos señalan hacia un valle con tipis nativos, fogatas y humo elevándose. Un oso se encuentra sobre una roca y se ven montañas al fondo.

Domain

Frontier Explorers/Exploradores de la Frontera

The story of the journey west from the newborn U.S.A. to find the Pacific Ocean.

Un hombre con un hacha se encuentra entre paisajes exagerados con un castillo, un tren con humo, un buey azul y una persona con un mono observando la escena.

Domain

Fairy Tales and Tall Tales/Cuentos de hadas y cuentos exagerados

Learn about exaggeration and characterization on the frontier.

Ilustración de un paisaje vibrante que presenta diversos monumentos culturales, incluidos templos, palacios, pirámides, una escena de elefantes, montañas distantes y fuegos artificiales en el cielo.

Domain

Early Asian Civilizations/Antiguas civilizaciones de Asia

Tour the world of classical civilization, starting with India and China.

Ilustración que muestra la antigua Grecia con un anfiteatro, estatuas, soldados con armadura, un barco y un templo en una colina rodeada de vegetación.

Domain

Ancient Greek Civilization/La civilización griega antigua

The tour continues with the philosophy and politics of Greece.

Illustration of various mythological scenes including greek gods, a flying horse, and roman architecture under a sunny sky.

Domain

Greek Myths/Mitos griegos

Dive deep into the characters and storytelling of classic myths.

Ilustración de una batalla entre barcos británicos y estadounidenses cerca de un fuerte. El barco británico está a la izquierda con soldados, mientras que el barco estadounidense está a la derecha. La gente porta una gran bandera estadounidense en primer plano.

Domain

The War of 1812/La guerra de 1812

Learn about America’s “Second War for Independence.”

Un paisaje nevado con un zorro durmiendo en una madriguera, gente corriendo y andando en bicicleta por un sendero y árboles que muestran los cambios estacionales.

Domain

Cycles in Nature/Los ciclos de la naturaleza

Introducing the natural cycles that make our lives possible.

Ilustración de carros cubiertos tirados por caballos a lo largo de un sendero en el desierto, con un coyote aullando sobre una alta formación rocosa y un tren de vapor al fondo.

Domain

Westward Expansion/La expansión hacia el oeste

Why did pioneers go west? What happened to the people who were there?

Ilustración de un jardín vibrante con flores, abejas, mariposas, una oruga en una hoja, una crisálida y un apicultor que maneja una colmena junto a un estanque.

Domain

Insects/Los insectos

Lay the grounds for animal classification by looking at solitary and social insects.

Ilustración de una escena histórica con gente escuchando el discurso de un hombre en una plataforma. Al fondo se ve un río y una procesión de personas. En primer plano hay un documento de proclamación.

Domain

The U.S. Civil War/La Guerra Civil de los Estados Unidos

Begin to grapple with U.S. history’s central crisis over slavery.

Una escena en la que aparece una persona explicando un diagrama anatómico humano, otra persona haciendo ejercicio, una cadena de ADN, campos y un microscopio de fondo.

Domain

Human Body: Building Blocks and Nutrition/El cuerpo humano: componentes básicos y nutrición

A deeper dive into the digestive system and the nutrition process.

Un grupo diverso de personas se encuentra en un muelle con vistas a un bullicioso puerto con barcos y un gran barco, un avión volando por encima y la Estatua de la Libertad al fondo.

Domain

Immigration/La inmigración

Why did people immigrate to the United States, and what did they find here?

Women in early 20th-century clothing march with signs for voting rights and justice in front of a yellow bus labeled "Cleveland Ave.," making history that can inspire lessons in a K–2 language arts curriculum.

Domain

Fighting for a Cause/Luchar por una causa

How people can do extraordinary things to make the world better for everyone.

Dos ratones antropomórficos en un bote de remos, uno de ellos remando, navegan por un río tranquilo rodeado de exuberante vegetación y árboles. El ratón que rema lleva una chaqueta azul y el otro ratón parece conversar.

Unit 1

Classic Tales: The Wind in the Willows/Cuentos Clásicos: El viento en los sauces

A deep dive into character, theme, and POV in classic stories from around the world.

Ilustración de un jaguar, una garza, una rana roja, una tortuga y un pez en un paisaje vibrante con montañas y vegetación bajo un cielo soleado.

Unit 2

Animal Classification/La clasificación de los animales

How do we classify different animals by their appearance and behavior?

Ilustración de una figura humana que muestra la anatomía interna, incluidos el cerebro, los pulmones, el corazón, el sistema digestivo y una articulación de la cadera resaltada sobre un fondo degradado.

Unit 3

The Human Body: Systems and Senses/El cuerpo humano: sistemas y sentidos

Let’s take a closer look at how the skeleton, muscles, and nervous system all work.

Un ángel se arrodilla ante una mujer sentada en un sofá dorado encima de un templo en una noche estrellada. Unas escaleras conducen al templo en un paisaje montañoso.

Unit 4

The Ancient Roman Civilization/La civilización romana antigua

What is Rome’s greatest cultural contribution? In this unit, your students decide.

Ilustración de un perro saltando bajo un árbol, persiguiendo una abeja, con una mesa en primer plano sosteniendo una jarra y vasos de limonada. El sol brilla intensamente en el cielo.

Unit 5

Light and Sound/La luz y el sonido

The science behind all the ways we see and hear the world.

Un barco vikingo con una proa en forma de dragón navega en el océano bajo un cielo azul con nubes. El barco tiene una sola vela grande y varios escudos recubren sus costados.

Unit 6

The Viking Age/La era vikinga

An immersive narrative experience about what life was like in Viking communities.

Ilustración de una escena espacial con varios planetas y anillos sobre un fondo de estrellas. Dos planetas grandes dominan el primer plano y se ven planetas más pequeños al fondo.

Unit 7

Astronomy: Our Solar System and Beyond/Astronomía: nuestro sistema solar y más allá

More about our universe, including a writing project about daily life on a space station.

Una persona sentada en el borde de un acantilado con vistas a un vasto paisaje desértico con nubes arremolinadas en el cielo.

Unit 8

Native Americans: Regions and Cultures/Los nativos americanos: regiones y culturas

How did Native American nations change their way of life in different parts of the world?

Ilustración de un velero en el océano con la costa este de América del Norte visible a la izquierda.

Unit 9

Early Explorations of North America/La exploración europea de América del Norte

What was it like to sail to North America with the early European explorers?

Una pintura representa una escena del siglo XVII con colonos, un velero al fondo y un hombre conduciendo un carro tirado por caballos cargado de mercancías. Se ve a otras personas descargando y trabajando cerca.

Unit 10

Colonial America/La época colonial en los Estados Unidos

A study of the very different ways of life in the different pre-U.S. colonies.

Ilustración que muestra el ciclo de la vida: un esqueleto en el suelo, un pájaro posado en una cerca, otro pájaro en una planta y un ave rapaz más grande arriba, todos conectados por flechas circulares.

Unit 11

Ecology/Ecología

Students keep ecologist’s journals to learn about our world and how best to protect it.

Una mano alcanza una manzana verde en una rama. Cerca hay una brújula, un termómetro, un lápiz, notas musicales y un granero rojo sobre un paisaje cubierto de hierba.

Unit 1

Personal Narratives/Narrativas personales

Read stories of personal experience… and learn to reflect on your own.

Ilustración medieval que representa un grupo de figuras con armadura a la entrada de un alto castillo gris con puente levadizo, adornado con banderas y rodeado por un paisaje decorado y fondos ornamentados.

Unit 2

Empires in the Middle Ages/Los imperios en la Edad Media, parte 1 & Los imperios en la Edad Media, parte 2

Explore the medieval history of Europe and the Middle East.

Ilustración dorada de un dragón con alas sobre fondo beige, rodeado de diversos elementos decorativos como estrellas, hojas y estampados abstractos.

Unit 3

Poetry/Poesía

Study the poetry of many nations using licensed text anthologies, and begin to write your own.

Vintage styled illustrations of a microscope, an old telephone, and a clock on textured background with geometric patterns.

Unit 4

Eureka! Student Inventor/¡Eureka! Estudiante inventor

Transform the class into a lab for students to build and present inventions.

Formaciones rocosas en un paisaje desértico con capas vibrantes y arremolinadas de arenisca roja, naranja y amarilla bajo un cielo parcialmente nublado.

Unit 5

Geology/Geología

Plate tectonics, volcanoes, erosion: all the forces that shape the Earth.

Una imagen abstracta y colorida que representa varias formas geométricas de edificios sobre un fondo azul estampado.

Unit 6

Contemporary Fiction with excerpts from The House on Mango Street/Ficción Contemporánea con Fragmentos de La Casa en Mango Street

Explore The House on Mango Street… and write a book while doing it.

Cuadro que representa a un hombre y un niño tocando una gran campana en una torre, con espectadores al fondo y un cartel de "LIBERTAD" visible.

Unit 7

American Revolution/La Revolución estadounidense

Why did America seek independence? Let’s investigate the causes and effects.

Un pequeño bote de remos con tres personas navega por mares agitados mientras dos grandes barcos luchan al fondo, con humo y fuego visibles.

Unit 8

Treasure Island/La Isla del Tesoro

How dSeek the treasure of plot in this detailed study of a classic fiction adventure.

Unit 1

Personal Narratives/Narrativas personales

Through writing and sharing their writing, students begin to identify themselves as writers.

Unit 2

Early American Civilizations/Las primeras civilizaciones americanas

Students craft a codex to explain the rise and fall of the Maya, Aztec, and Inca people.

Dos jinetes medievales a caballo, uno de ellos con la espada en alto, avanzan por un terreno rocoso. El fondo presenta un paisaje brumoso bajo un tono violeta.

Unit 3

Poetry/Poesía

Students close read many forms of poetry… and learn to write them.

Collage ilustrado con un paraguas, un cuervo, un sextante náutico, estrellas, una luna creciente y una brújula sobre un fondo beige texturizado.

Unit 4

Adventures of Don Quixote/Las Aventuras de Don Quijote

Was Don Quixote right to fight the windmill? In this full-length novel study, students decide.

Unit 5

The Renaissance/El Renacimiento

Exploring the art and literature of the Renaissance through the works of its masters.

Tres hombres vestidos con ropa de época examinan una gran hoja de papel dentro de una imprenta. Un hombre parece llevar un delantal, mientras que otro señala el papel y el tercero observa de cerca.

Unit 6

The Reformation/La Reforma

How did the printing press transform the religion and society of Europe?

Patrón botánico morado y lila con hojas, plantas y formas abstractas, incluida una luna creciente y estrellas, sobre un fondo violeta oscuro.

Unit 7

William Shakespeare’s A Midsummer Night’s Dream/Sueño de Una Noche de Verano de William Shakespeare

Students enter the world of Shakespeare by reading, designing, and acting out his work.

Retrato en tonos sepia de una joven de pelo largo, con un collar de pedrería y un chal drapeado.

Unit 8

Native Americans/Los nativos americanos

How did the policies of the U.S. government impact Native American culture and lives?

Una lupa sobre documentos que contienen una pintura de paisaje de montañas, un dibujo con la etiqueta "Raptor Claw" y una nota adhesiva con la "Pista n.° 2". También se ven un sobre y una insignia exterior.

Unit 9

Chemical Matter/Química

Students use knowledge of chemistry to solve a mystery.

Print & digital components

The program includes instructional guidance and student materials for a year of instruction, with lessons and activities that keep students engaged every day.

Component

FORMAT

Knowledge (Conocimientos) Teacher Guides (K–2)

Knowledge Strand Teacher Guides contain Amplify CKLA’s cross-curricular read-alouds and application activities, all of which are standards-based to build mastery of content knowledge and literacy skills. There is one Teacher Guide per Knowledge Domain.

Print and digital

Knowledge Image Cards (K–2)

Amplify Caminos includes Image Cards for each Knowledge Domain to bring each topic to life through vivid visuals.

Print and digital

Knowledge Flip Books (K–2)

Projectable Flip Books are provided to accompany the read-alouds in each Knowledge Domain.

Digital

Teacher Guides (3–5)

Teacher Guides for grades 3–5 units are based on content-rich topics and incorporate reading, writing, speaking, and listening skills in the context of background knowledge. There is one Teacher Guide per unit.

Print or digital

Teacher Resource Site (K–5)

The program includes a one-stop-shop website for lesson projections, digital versions of all Amplify Caminos materials, lesson planning resources, multimedia (such as eBooks), and more.

Digital

Professional Learning Site (K–5)

The Professional Learning site includes training materials, best practices, and other resources to develop program expertise. Access professional development anywhere, anytime.

Digital

Component

FORMAT

Knowledge (Conocimiento) Activity Books (K–2)

Activity Books provide students with the opportunity to deepen world and word knowledge by responding to text in a diversity of ways.

Print

Student Readers (3–5)

Student Readers serve as content-rich anchor texts for each unit. Units such as Poetry and Contemporary Fiction feature authentic texts originally written in Spanish.

Activity Books (3–5)

Activity Books in grades 3–5 provide daily opportunities for students to hone reading and writing skills within the context of each unit.

Print and digital

Explore more programs

Our programs are designed to support and complement one another. Learn more about our related programs.

Amplify Virtual Patent Marking

The following Amplify products are protected by patents in the U.S. and elsewhere. This webpage is provided to satisfy the virtual patent marking provisions of various jurisdictions including the virtual patent marking provisions of the America Invents Act.

The following list of Amplify products may not be all inclusive, and other Amplify products not listed here may be protected by one or more patents.

mCLASS: Protected by U.S. Patents 7,114,126; 8,231,389; 7,568,160; 8,667,400; 8,699,940; 8,699,941, 8,997,004, 8,958,741, 9,111,454.

Amplify Fractions: Protected by U.S. Patent 9,836,983.

Amplify Curriculum: Protected by U.S. Patent 9,972,213.

Additional patents may be pending in the U.S. and elsewhere.

What is the Science of Reading?

Diagram illustrating the pathways of language comprehension and word recognition merging into skilled reading, with processes becoming increasingly strategic or automatic.

The Science of Reading is a large body of research that helps answer a key question about the human experience: How do people learn to read?

It also helps answer a fundamental question for educators: How should we teach reading?

The Science of Reading draws on decades of research from fields like cognitive science, neuroscience, linguistics, psychology, and education. This vast (and still growing) body of research describes our up-to-date understanding of what reading requires, and therefore shapes our approach to effective literacy instruction.

Two frameworks are widely used to capture and communicate those core takeaways:

  • The Simple View of Reading
  • The Reading Rope

In this overview, we’ll walk you through both.

Why reading needs science

Spoken language develops naturally. Children typically learn to understand and use language simply by being around other people who talk.

Reading, on the other hand, works differently. Written language is a human invention; our brains did not evolve to read. When we are born, the parts of our brain that see letters are completely separate from the parts that hear sounds. So to become readers, students require explicit instruction. They have to be taught specifically to build new connections between what they see on the page and the language they already know.

For a brain to read words, it needs to create new pathways that connect letters with sounds. For example, when a child sees the letter “f” and connects it to the /f/ sound in “funny,” their brain builds a new bridge between the areas that handle sight and sound. Reading actually rewires the brain, bringing together the regions for vision, speech, sound, and meaning into one coordinated reading system.

The Science of Reading explains what those new connections involve—and why some students need more support than others to build them.

The Simple View of Reading

At the heart of the Science of Reading is one of the most widely accepted frameworks in reading research: the Simple View of Reading, first proposed by experts Philip Gough and Bill Tunmer in the 1980s.

The Simple View answers a basic question: What has to be in place for a reader to understand a text?

According to the Simple View, reading comprehension depends on two essential components:

  • Decoding: the ability to turn written words into spoken language
  • Language comprehension: the ability to understand the meaning of that language

Both are necessary, and neither works on its own. One reader may decode words accurately but struggle to understand what they read, while another may understand spoken language well but be unable to read the words on the page. In either case, comprehension breaks down.

The Simple View captures this core finding of reading research: Skilled reading depends on both word reading and language understanding working together.

Decoding: Reading the words on the page

Decoding involves learning how letters and letter patterns represent sounds. This task is complex in alphabetic writing systems like English, where many letters represent more than one sound, and many sounds can be spelled in different ways.

When children begin learning to read, they already understand a great deal of spoken language. What they don’t yet understand is written language. Letters and printed words are unfamiliar in a way that speech is not.

As students practice decoding, they become more accurate and more fluent. Over time, decoding becomes increasingly automatic.

And this automaticity matters—when students no longer have to focus most of their attention on reading the words, they can devote more mental energy to understanding what the text means.

Language comprehension: Understanding what you read

Language comprehension includes vocabulary, knowledge about the world, and an understanding of how language works across sentences and texts.

Research shows that what readers already know plays a major role in comprehension. As shown in the baseball experiment, students understood and remembered more when the text described a familiar activity—even when their reading skills were relatively weak.

When students read about unfamiliar topics, comprehension becomes more difficult. This is true even for students who can read the words on the page accurately.

So what’s the best way to teach reading comprehension? Combine both elements of the Simple View. In other words, reading comprehension grows alongside vocabulary and knowledge, and exposure to a wide range of topics supports reading development.

The Reading Rope

The Simple View of Reading identifies what reading requires, while the Reading Rope reflects how those requirements develop and become integrated over time.

The Reading Rope organizes reading into two broad strands:

  • Word recognition, which includes phonological awareness, decoding, and fluent word reading
  • Language comprehension, which includes vocabulary, background knowledge, and the ability to make meaning from text

Each strand of the Rope is made up of multiple interconnected skills. With effective instruction and practice, these skills become more coordinated and more automatic. As that happens, reading becomes smoother and less effortful, allowing readers to focus more fully on meaning.

The Reading Rope builds on the Simple View by showing how skilled reading emerges as these components strengthen and work together.

Instructional practices: Putting it all to work

The Science of Reading is the broad body of research on how reading develops, and the Simple View of Reading and Reading Rope capture the core takeaways of that research.

Together, they show that skilled reading depends on both accurate word reading and strong language comprehension, and that these abilities develop through explicit and systematic instruction, practice, and growing knowledge over time.

For educators, this understanding provides the strongest possible foundation for reading instruction. When students become skilled readers, new possibilities open up—in their classrooms today, and for the rest of their lives.

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What’s included in our Spanish language arts curriculum

Amplify Core Knowledge Language Arts® (CKLA) is available in both English and Spanish. Amplify Caminos al Conocimiento Esencial, our robust Spanish language arts companion for grades K–5, supports multiple teaching models, including dual language immersion and transitional classrooms.

A laptop screen displays a kindergarten instructional webpage in Spanish, showing lesson categories with illustrated thumbnails and navigation options.

Year at a glance

The program’s intentional Knowledge Sequence from K–5 connects knowledge and vocabulary within a grade level and across grade levels, for deeper reading comprehension and preparation for college, career, and life. Instead of “activating prior knowledge,” Amplify Caminos helps you build it in the classroom from day one, for every child, expanding each student’s knowledge base long before they transition to reading to learn.

Curriculum flowchart showing reading themes and activities from Kindergarten to Grade 5, organized by grade level and literary theme, with interconnected boxes for each topic.

Units & domains at a glance

Each Knowledge Domain in grades K–2 and Unit in grades 3–5 varies in the number of days based on instructional purpose. Just as with our top-rated Amplify CKLA program, the Amplify Caminos materials engage and delight young learners with resources that are both appealing and original.

Una mujer rubia con un vestido azul cuida ovejas blancas y negras, sosteniendo un bastón de pastor. Un cerdo vestido de azul corre y un hombre de negro toca el violín en una valla. Al fondo hay una casa.

Domain

Nursery Rhymes and Fables/Rimas y fábulas infantiles

Start learning about literature with these classic Mother Goose rhymes.

Ilustración de tres personas en un paisaje cubierto de hierba, una tratando de atrapar mariposas con una red, otra escondiéndose detrás de una escultura alta y frondosa de una mano y otra con binoculares.

Domain

The Five Senses/Los cinco sentidos

Learning about the body starts with learning about how we experience the world.

Una ilustración que representa a un gran lobo con sombrero de copa liderando un desfile de animales y personas con instrumentos musicales a través de un paisaje montañoso.

Domain

Stories/Cuentos

Learn about the parts of a book and some of the stories that go in one.

Una ilustración vibrante de una escena rural con colinas, una granja, una mariposa, un sol brillante, varias verduras como tomates y lechugas, y un gusano en el suelo.

Domain

Plants/Plantas

Discover the lifecycle of plants and the history of George Washington Carver.

Ilustración de una escena de granja que muestra un camión rojo que transporta verduras, campos de cultivo, vacas pastando en una colina, un granero y un molino de viento contra un cielo azul.

Domain

Farms/Granjas

Now we know how plants make their food… but what about animals?

Ilustración de un nativo remando en una canoa en un río con búfalos pastando en un campo, tipis al fondo y pájaros volando en el cielo bajo un sol brillante.

Domain

Native Americans/Los nativos americanos

Who were the first people in America? A look at the Lenape, Wampanoag, and Lakota Sioux.

Una ilustración muestra un rey y una reina en tronos, un castillo en un acantilado y una mujer con enanos cerca de un árbol. Cortinas rojas enmarcan la escena.

Domain

Kings and Queens/Reyes y reinas

To understand fairy tales, it’s best to first understand royalty.

Ilustración que muestra las cuatro estaciones: primavera con flores, verano con árboles verdes, otoño con hojas que caen e invierno con nieve y gente en trineo. Un niño lee debajo de un árbol.

Domain

Seasons and Weather/Las estaciones y el tiempo

The study of natural cycles continues with the weather and why it happens.

Un velero de madera con símbolos de cruz roja en sus velas navega cerca de una isla tropical con exuberante vegetación y palmeras. A lo lejos se ven otros dos barcos en el agua.

Domain

Columbus and the Pilgrims/Colón y los peregrinos

A look at the first contact between Europe and the Americas, and some of its results.

Una escena histórica muestra gente afuera de una gran mansión de estilo colonial con dos chimeneas. En primer plano se ve un carruaje tirado por caballos y a la izquierda se ve una casa más pequeña.

Domain

Colonial Towns and Townspeople/Las colonias y sus habitantes

Before the War for Independence, how did the town and country depend on one another?

Ilustración de personas clasificando materiales reciclables en un parque cerca de un río contaminado. Las fábricas emiten humo al fondo, mientras que las mariposas, las flores y los árboles están presentes en el primer plano.

Domain

Taking Care of the Earth/Cuidar el planeta Tierra

We only have one Earth—here are some ways to help care for it.

Ilustración del Monte Rushmore con los rostros tallados de cuatro presidentes de Estados Unidos. Un águila vuela en primer plano.

Domain

Presidents and American Symbols/Presidentes y símbolos de los Estados Unidos

Start learning about government through the lives of five presidents.

Una ilustración caprichosa que muestra animales de granja alrededor de una casa en un árbol junto a un río. Un zorro, un conejo y una oveja interactúan mientras la gente acampa junto a una fogata al fondo. Una araña cuelga del árbol.

Domain

Fables and Stories/Fábulas y cuentos

Learn some of the key elements of a story through classic fables.

Ilustración que presenta anatomía humana, actividades de estilo de vida saludable, profesionales médicos, símbolos dietéticos, una ambulancia y microorganismos, destacando la conexión entre salud, nutrición y ejercicio.

Domain

The Human Body/El cuerpo humano

What are germs? What are the organs? And what does it all have to do with health?

Una ilustración que presenta varias escenas de cuentos de hadas y folclore, incluida una calabaza grande, un tigre, Caperucita Roja, personas con atuendos tradicionales y una pagoda roja con una montaña de fondo.

Domain

Different Lands, Similar Stories/Tierras diferentes, cuentos similares

A world tour of storytelling, and the stories that stay the same across the world.

Ilustración que muestra el antiguo Egipto con pirámides, la Esfinge, agricultores arando un campo con bueyes y ganado pastando bajo un cielo soleado.

Domain

Early World Civilizations/Antiguas civilizaciones del mundo

Rivers, farming, writing, and laws: just what does it take to build a civilization?

Escena ilustrada de la antigua Mesoamérica con maíz, un río, agricultores y pirámides al fondo. En primer plano se ve a una persona con traje tradicional.

Domain

Early American Civilizations/Antiguas civilizaciones de América

What will we find in the great temples of the Aztec, Maya, and Inca civilizations?

Ilustración de la exploración espacial: se lanza un cohete, un astronauta se para cerca de un módulo de aterrizaje, una persona usa un telescopio y aparece un planeta distante con anillos sobre un fondo estrellado.

Domain

Astronomy/Astronomía

How the Earth relates to the moon, the sun, and the rest of the planets.

Dos paleontólogos en un paisaje volcánico examinan fósiles en primer plano, mientras un volcán emite humo y lava al fondo.

Domain

The History of the Earth/La historia de la Tierra

Just what lies beneath the Earth’s surface, and what can it teach us about the past?

Una escena de vida silvestre diversa que presenta un cactus del desierto con un pájaro, un conejo, elefantes, un león, un oso polar sobre el hielo y montañas distantes bajo un cielo nublado.

Domain

Animals and Habitats/Los animales y sus hábitats

A look at the connection between how animals live and where they make their homes.

Una princesa con un vestido rosa sostiene una rana junto a un arroyo con un castillo, árboles y gente al fondo. En primer plano camina un zorro con un sombrero con una pluma roja.

Domain

Fairy Tales/Cuentos de hadas

What do fairy tales have to teach us about how stories are told?

Ilustración que muestra una escena histórica con soldados, veleros y hombres con atuendo colonial discutiendo en el interior.

Domain

A New Nation: American Independence/Una nueva nación: la independencia de los Estados Unidos

The story of the birth of the United States out of the 13 Colonies.

Los pioneros con carros cubiertos y caballos señalan hacia un valle con tipis nativos, fogatas y humo elevándose. Un oso se encuentra sobre una roca y se ven montañas al fondo.

Domain

Frontier Explorers/Exploradores de la Frontera

The story of the journey west from the newborn U.S.A. to find the Pacific Ocean.

Un hombre con un hacha se encuentra entre paisajes exagerados con un castillo, un tren con humo, un buey azul y una persona con un mono observando la escena.

Domain

Fairy Tales and Tall Tales/Cuentos de hadas y cuentos exagerados

Learn about exaggeration and characterization on the frontier.

Ilustración de un paisaje vibrante que presenta diversos monumentos culturales, incluidos templos, palacios, pirámides, una escena de elefantes, montañas distantes y fuegos artificiales en el cielo.

Domain

Early Asian Civilizations/Antiguas civilizaciones de Asia

Tour the world of classical civilization, starting with India and China.

Ilustración que muestra la antigua Grecia con un anfiteatro, estatuas, soldados con armadura, un barco y un templo en una colina rodeada de vegetación.

Domain

Ancient Greek Civilization/La civilización griega antigua

The tour continues with the philosophy and politics of Greece.

Illustration of various mythological scenes including greek gods, a flying horse, and roman architecture under a sunny sky.

Domain

Greek Myths/Mitos griegos

Dive deep into the characters and storytelling of classic myths.

Ilustración de una batalla entre barcos británicos y estadounidenses cerca de un fuerte. El barco británico está a la izquierda con soldados, mientras que el barco estadounidense está a la derecha. La gente porta una gran bandera estadounidense en primer plano.

Domain

The War of 1812/La guerra de 1812

Learn about America’s “Second War for Independence.”

Un paisaje nevado con un zorro durmiendo en una madriguera, gente corriendo y andando en bicicleta por un sendero y árboles que muestran los cambios estacionales.

Domain

Cycles in Nature/Los ciclos de la naturaleza

Introducing the natural cycles that make our lives possible.

Ilustración de carros cubiertos tirados por caballos a lo largo de un sendero en el desierto, con un coyote aullando sobre una alta formación rocosa y un tren de vapor al fondo.

Domain

Westward Expansion/La expansión hacia el oeste

Why did pioneers go west? What happened to the people who were there?

Ilustración de un jardín vibrante con flores, abejas, mariposas, una oruga en una hoja, una crisálida y un apicultor que maneja una colmena junto a un estanque.

Domain

Insects/Los insectos

Lay the grounds for animal classification by looking at solitary and social insects.

Ilustración de una escena histórica con gente escuchando el discurso de un hombre en una plataforma. Al fondo se ve un río y una procesión de personas. En primer plano hay un documento de proclamación.

Domain

The U.S. Civil War/La Guerra Civil de los Estados Unidos

Begin to grapple with U.S. history’s central crisis over slavery.

Una escena en la que aparece una persona explicando un diagrama anatómico humano, otra persona haciendo ejercicio, una cadena de ADN, campos y un microscopio de fondo.

Domain

Human Body: Building Blocks and Nutrition/El cuerpo humano: componentes básicos y nutrición

A deeper dive into the digestive system and the nutrition process.

Un grupo diverso de personas se encuentra en un muelle con vistas a un bullicioso puerto con barcos y un gran barco, un avión volando por encima y la Estatua de la Libertad al fondo.

Domain

Immigration/La inmigración

Why did people immigrate to the United States, and what did they find here?

Women in early 20th-century clothing march with signs for voting rights and justice in front of a yellow bus labeled "Cleveland Ave.," making history that can inspire lessons in a K–2 language arts curriculum.

Domain

Fighting for a Cause/Luchar por una causa

How people can do extraordinary things to make the world better for everyone.

Dos ratones antropomórficos en un bote de remos, uno de ellos remando, navegan por un río tranquilo rodeado de exuberante vegetación y árboles. El ratón que rema lleva una chaqueta azul y el otro ratón parece conversar.

Unit 1

Classic Tales: The Wind in the Willows/Cuentos Clásicos: El viento en los sauces

A deep dive into character, theme, and POV in classic stories from around the world.

Ilustración de un jaguar, una garza, una rana roja, una tortuga y un pez en un paisaje vibrante con montañas y vegetación bajo un cielo soleado.

Unit 2

Animal Classification/La clasificación de los animales

How do we classify different animals by their appearance and behavior?

Ilustración de una figura humana que muestra la anatomía interna, incluidos el cerebro, los pulmones, el corazón, el sistema digestivo y una articulación de la cadera resaltada sobre un fondo degradado.

Unit 3

The Human Body: Systems and Senses/El cuerpo humano: sistemas y sentidos

Let’s take a closer look at how the skeleton, muscles, and nervous system all work.

Un ángel se arrodilla ante una mujer sentada en un sofá dorado encima de un templo en una noche estrellada. Unas escaleras conducen al templo en un paisaje montañoso.

Unit 4

The Ancient Roman Civilization/La civilización romana antigua

What is Rome’s greatest cultural contribution? In this unit, your students decide.

Ilustración de un perro saltando bajo un árbol, persiguiendo una abeja, con una mesa en primer plano sosteniendo una jarra y vasos de limonada. El sol brilla intensamente en el cielo.

Unit 5

Light and Sound/La luz y el sonido

The science behind all the ways we see and hear the world.

Un barco vikingo con una proa en forma de dragón navega en el océano bajo un cielo azul con nubes. El barco tiene una sola vela grande y varios escudos recubren sus costados.

Unit 6

The Viking Age/La era vikinga

An immersive narrative experience about what life was like in Viking communities.

Ilustración de una escena espacial con varios planetas y anillos sobre un fondo de estrellas. Dos planetas grandes dominan el primer plano y se ven planetas más pequeños al fondo.

Unit 7

Astronomy: Our Solar System and Beyond/Astronomía: nuestro sistema solar y más allá

More about our universe, including a writing project about daily life on a space station.

Una persona sentada en el borde de un acantilado con vistas a un vasto paisaje desértico con nubes arremolinadas en el cielo.

Unit 8

Native Americans: Regions and Cultures/Los nativos americanos: regiones y culturas

How did Native American nations change their way of life in different parts of the world?

Ilustración de un velero en el océano con la costa este de América del Norte visible a la izquierda.

Unit 9

Early Explorations of North America/La exploración europea de América del Norte

What was it like to sail to North America with the early European explorers?

Una pintura representa una escena del siglo XVII con colonos, un velero al fondo y un hombre conduciendo un carro tirado por caballos cargado de mercancías. Se ve a otras personas descargando y trabajando cerca.

Unit 10

Colonial America/La época colonial en los Estados Unidos

A study of the very different ways of life in the different pre-U.S. colonies.

Ilustración que muestra el ciclo de la vida: un esqueleto en el suelo, un pájaro posado en una cerca, otro pájaro en una planta y un ave rapaz más grande arriba, todos conectados por flechas circulares.

Unit 11

Ecology/Ecología

Students keep ecologist’s journals to learn about our world and how best to protect it.

Una mano alcanza una manzana verde en una rama. Cerca hay una brújula, un termómetro, un lápiz, notas musicales y un granero rojo sobre un paisaje cubierto de hierba.

Unit 1

Personal Narratives/Narrativas personales

Read stories of personal experience… and learn to reflect on your own.

Ilustración medieval que representa un grupo de figuras con armadura a la entrada de un alto castillo gris con puente levadizo, adornado con banderas y rodeado por un paisaje decorado y fondos ornamentados.

Unit 2

Empires in the Middle Ages/Los imperios en la Edad Media, parte 1 & Los imperios en la Edad Media, parte 2

Explore the medieval history of Europe and the Middle East.

Ilustración dorada de un dragón con alas sobre fondo beige, rodeado de diversos elementos decorativos como estrellas, hojas y estampados abstractos.

Unit 3

Poetry/Poesía

Study the poetry of many nations using licensed text anthologies, and begin to write your own.

Vintage styled illustrations of a microscope, an old telephone, and a clock on textured background with geometric patterns.

Unit 4

Eureka! Student Inventor/¡Eureka! Estudiante inventor

Transform the class into a lab for students to build and present inventions.

Formaciones rocosas en un paisaje desértico con capas vibrantes y arremolinadas de arenisca roja, naranja y amarilla bajo un cielo parcialmente nublado.

Unit 5

Geology/Geología

Plate tectonics, volcanoes, erosion: all the forces that shape the Earth.

Una imagen abstracta y colorida que representa varias formas geométricas de edificios sobre un fondo azul estampado.

Unit 6

Contemporary Fiction with excerpts from The House on Mango Street/Ficción Contemporánea con Fragmentos de La Casa en Mango Street

Explore The House on Mango Street… and write a book while doing it.

Cuadro que representa a un hombre y un niño tocando una gran campana en una torre, con espectadores al fondo y un cartel de "LIBERTAD" visible.

Unit 7

American Revolution/La Revolución estadounidense

Why did America seek independence? Let’s investigate the causes and effects.

Un pequeño bote de remos con tres personas navega por mares agitados mientras dos grandes barcos luchan al fondo, con humo y fuego visibles.

Unit 8

Treasure Island/La Isla del Tesoro

How dSeek the treasure of plot in this detailed study of a classic fiction adventure.

Unit 1

Personal Narratives/Narrativas personales

Through writing and sharing their writing, students begin to identify themselves as writers.

Unit 2

Early American Civilizations/Las primeras civilizaciones americanas

Students craft a codex to explain the rise and fall of the Maya, Aztec, and Inca people.

Dos jinetes medievales a caballo, uno de ellos con la espada en alto, avanzan por un terreno rocoso. El fondo presenta un paisaje brumoso bajo un tono violeta.

Unit 3

Poetry/Poesía

Students close read many forms of poetry… and learn to write them.

Collage ilustrado con un paraguas, un cuervo, un sextante náutico, estrellas, una luna creciente y una brújula sobre un fondo beige texturizado.

Unit 4

Adventures of Don Quixote/Las Aventuras de Don Quijote

Was Don Quixote right to fight the windmill? In this full-length novel study, students decide.

Unit 5

The Renaissance/El Renacimiento

Exploring the art and literature of the Renaissance through the works of its masters.

Tres hombres vestidos con ropa de época examinan una gran hoja de papel dentro de una imprenta. Un hombre parece llevar un delantal, mientras que otro señala el papel y el tercero observa de cerca.

Unit 6

The Reformation/La Reforma

How did the printing press transform the religion and society of Europe?

Patrón botánico morado y lila con hojas, plantas y formas abstractas, incluida una luna creciente y estrellas, sobre un fondo violeta oscuro.

Unit 7

William Shakespeare’s A Midsummer Night’s Dream/Sueño de Una Noche de Verano de William Shakespeare

Students enter the world of Shakespeare by reading, designing, and acting out his work.

Retrato en tonos sepia de una joven de pelo largo, con un collar de pedrería y un chal drapeado.

Unit 8

Native Americans/Los nativos americanos

How did the policies of the U.S. government impact Native American culture and lives?

Una lupa sobre documentos que contienen una pintura de paisaje de montañas, un dibujo con la etiqueta "Raptor Claw" y una nota adhesiva con la "Pista n.° 2". También se ven un sobre y una insignia exterior.

Unit 9

Chemical Matter/Química

Students use knowledge of chemistry to solve a mystery.

Print & digital components

The program includes instructional guidance and student materials for a year of instruction, with lessons and activities that keep students engaged every day.

Component

FORMAT

Knowledge (Conocimientos) Teacher Guides (K–2)

Knowledge Strand Teacher Guides contain Amplify CKLA’s cross-curricular read-alouds and application activities, all of which are standards-based to build mastery of content knowledge and literacy skills. There is one Teacher Guide per Knowledge Domain.

Print and digital

Knowledge Image Cards (K–2)

Amplify Caminos includes Image Cards for each Knowledge Domain to bring each topic to life through vivid visuals.

Print and digital

Knowledge Flip Books (K–2)

Projectable Flip Books are provided to accompany the read-alouds in each Knowledge Domain.

Digital

Teacher Guides (3–5)

Teacher Guides for grades 3–5 units are based on content-rich topics and incorporate reading, writing, speaking, and listening skills in the context of background knowledge. There is one Teacher Guide per unit.

Print or digital

Teacher Resource Site (K–5)

The program includes a one-stop-shop website for lesson projections, digital versions of all Amplify Caminos materials, lesson planning resources, multimedia (such as eBooks), and more.

Digital

Professional Learning Site (K–5)

The Professional Learning site includes training materials, best practices, and other resources to develop program expertise. Access professional development anywhere, anytime.

Digital

Component

FORMAT

Knowledge (Conocimiento) Activity Books (K–2)

Activity Books provide students with the opportunity to deepen world and word knowledge by responding to text in a diversity of ways.

Print

Student Readers (3–5)

Student Readers serve as content-rich anchor texts for each unit. Units such as Poetry and Contemporary Fiction feature authentic texts originally written in Spanish.

Activity Books (3–5)

Activity Books in grades 3–5 provide daily opportunities for students to hone reading and writing skills within the context of each unit.

Print and digital

Explore more programs

Our programs are designed to support and complement one another. Learn more about our related programs.

S4 – 02. Bethany and Dan share their math biographies

Promotional graphic for "math teacher lounge," season 4 episode 2, featuring photos and names of math teaching guests Bethany Lockhart and Dan Meyer.

In this episode, co-hosts Bethany Lockhart Johnson and Dan Meyer get personal and share their “math bios”—their early experiences with math and how those experiences turned them into the educators they are today.

Explore more from Math Teacher Lounge by visiting our main page

Download Transcript

Dan Meyer (00:00):

We’re recording. What’s up, everybody. This is Dan Meyer with Math Teacher Lounge.

Bethany Lockhart Johnson (00:08):

And I’m Bethany Lockhart Johnson. We are so excited to be back. Season Four, Episode Two. Hi, Dan.

Dan Meyer (00:16):

Hey, Bethany, how are you doing today?

Bethany Lockhart Johnson (00:18):

I’m so excited to be talking with you! You know, as we record this, our reunion at NCTM is getting closer and closer.

Dan Meyer (00:28):

The NCTM live show is gonna be bonkers. I don’t think people are ready for it. You think you know what we’re about on MTL from listening to us, but the live show is gonna be outta control. You cannot imagine how many clowns and elephants Bethany wants to have at the live show. We’re still—we’re trying to talk her down from like three to one, but we’ll see.

Bethany Lockhart Johnson (00:44):

All I want is the t-shirt cannon. Because I used to go to these baseball games and they would have a t-shirt cannon. And I thought, I wanna operate a t-shirt cannon! So like, if I could be standing on stage aiming t-shirts at people who are jumping up and down requesting a t-shirt? I don’t know. Doesn’t that sound fun?

Dan Meyer (01:01):

Sounds awesome. High point of my college education was catching a t-shirt. No, it was—it was a burrito. It was a burrito cannon. But I think it was just a t-shirt cannon, but it was a burrito cannon. And I caught a burrito at a game and it was probably the most memorable moment of all of college education for me.

Bethany Lockhart Johnson (01:16):

Was the burrito still warm?

Dan Meyer (01:18):

Oh yeah. I think it got—like, I think it might’ve been warm at one point and then it got warmed back up through the muzzle velocity of the cannon. So it was a pretty great system they had going on there. <Laugh> Yeah. <Laugh> Anyway, I’m off topic, but, we’re thrilled to—I’m thrilled to chat with you and we’re thrilled to be listened to by you folks out there in MTL land. In the lounge itself. We got a fun show today.

Bethany Lockhart Johnson (01:40):

So if you listen to Episode One—which if you haven’t, hope you go back and listen to it—if you listen to Season Four, Episode One, you’re gonna hear—we asked Huon, KT, who is this delight of a joyful teacher. We asked her to talk to us about what’s her math bio. And we want to ask all of our guests—like, I wanna go back and ask every single guest we’ve ever had to tell us their math bio.

Dan Meyer (02:06):

Yep.

Bethany Lockhart Johnson (02:06):

Because, while seemingly simple in nature, our students enter our math classroom already having had this relationship with math and these notions about their role in math or what they think about math. And it impacts our school year with them if we’re a teacher. And it impacts our relationship with math as we move through our education and beyond. Right? And I I’m so excited about this question, ’cause I think it also ties into this theme for Season Four, which is joyful math, and diving into “When has math felt joyful? When has it not? Does it feel like—how do we think about how our math bio, our relationship with math, has evolved into a joyful or less joyful place?”

Dan Meyer (02:54):

I get it. And what’s really key here, I think, is that teaching more than other professions is a generational profession. You know what I’m saying? Like, no one is like, “Well, you know, I sold insurance to you and now you’re selling insurance to, you know, my grandkids; that’s amazing!” But people are always posting photos when, like, you teach someone who then becomes a teacher later. Teaching is a generational sort of thing. So the kinds of joyful experiences that we offer or don’t offer students now affect the experiences that students who haven’t even been born yet will have, you know, some 20, 30 years later. That, to me, is a trip. And well-worth exploring, you know, how we got here, mathematically speaking.

Bethany Lockhart Johnson (03:39):

I remember a friend had sent me this image of an assignment that her son got that was asking for their Mathography. They wanted to know about their history of mathematics. And this was their first assignment. And this teacher, I would like to imagine, read them all and used it to inform conversations about students’ relationship with math. And, you know, some of the questions they asked were thinking about whether you consider yourself, quote, unquote, “good at math.” Like “what kind of experiences have you had? What do you like or dislike about math? What is, you know—what do you expect to learn in math this year?” Just asking students to actually pause and examine and reflect on their relationship and then also looking forward to, like, what kind of a classroom community do we wanna create? And I loved that assignment. And yeah, so today’s episode Dan, guess what?

Dan Meyer (04:32):

What’s going on? What’s happening?

Bethany Lockhart Johnson (04:33):

I figured we should ask each other about our math bio.

Dan Meyer (04:39):

I think the people out there would love to know this about us. ‘Cause you know, we’re both awesome. But also what’s really cool here is that like, I don’t know this about you. Like not, not a lot. You know, the folks at Amplify, they kind of assembled me and Bethany together in the same way that record labels assembled pop boy bands, girl bands, that kind of thing, back in the day. You know, grabbing some stars from screen or film and just like throwing ’em together and saying, “All right, now you’re here to perform together.” And so it’s just a really good moment for us to, like, settle back and just know who we’ve been working with for the last three seasons and change here. I love it.

Bethany Lockhart Johnson (05:15):

Well, I don’t know. I don’t actually agree with that, Dan. Because don’t you remember? We knew each other beforehand. And while I would like to think of us as…oh, I’ll say One Direction—well, no, One Direction is now defunct. Who’s another band that got formed by one of those shows and is still together and still—

Dan Meyer (05:33):

BTS! K-Pop, you know! Let’s go!

Bethany Lockhart Johnson (05:35):

K-pop. BTS.

Dan Meyer (05:38):

Let’s go, Bethany <laugh>.

Bethany Lockhart Johnson (05:39):

So can we incorporate some K-pop into the NCTM Math Teacher Lounge live episode? Don’t answer now. Don’t answer now. OK. So not only are we gonna share our math bios, but we want to encourage you listeners to share your math bio with somebody in your life. It could be a child in your life, maybe talking to your kiddo about what was it like. What was math like for you? It could be a student that you have. It could be a partner, a friend, a parent. I mean, the sky’s the limit. Share your math bio. And most of all, share with us. We wanna hear about your math bio and you can share it with us at Twitter, at MTLShow, or in our Facebook group, Math Teacher Lounge.

Dan Meyer (06:26):

Stop on by, please. All right. I’m gonna just share like, just a couple of quick, signposts. Not the full bio. Gotta leave them wondering about something here. But here’s a few quick highlights and lowlights of my math bio and how, maybe, it made me the teacher that I was and the educator I am. Is that cool?

Bethany Lockhart Johnson (06:44):

Wait, I didn’t even, I didn’t ask you yet.

Dan Meyer (06:46):

Ask me what?

Bethany Lockhart Johnson (06:47):

Hey, Dan!

Dan Meyer (06:49):

Is there like a magical word? Like, what’s your math bio? <Laugh> Oh, go for it. No, no, that’s right. They won’t know what I’m talking about. Why is he talking about his math bio? Bethany—

Bethany Lockhart Johnson (06:57):

That whole lead-in that we just gave? They might not know.

Dan Meyer (07:00):

Yeah. We just talked about math bios for the last 20 minutes. But yeah, they might not know what we’re—

Bethany Lockhart Johnson (07:04):

<laugh> So Dan, why don’t you go first? ‘Cause I know you were gonna ask me to go first, but why don’t you go first? Dan? What’s your math bio?

Dan Meyer (07:12):

Oh, wow. Well, thank you for the formal invitation to share my math bio, Bethany Lockhart Johnson. So, I’ll just share—I just wanna share a couple items here, not the full history. Gotta leave ’em—leave a little mystery in there, you know what I’m saying? But here’s a few highlights and lowlights, and I think what it means for me as an educator. So, I was homeschooled for eight years. That was big—did a lot of math learning on my own. Couple of lowlights from that, a lot of highlights, in terms of just like being able to, like, learn at my own rate and just jump on ahead and pursue different wacky things. But I tried to switch into public school in fourth grade and I lasted, um, four hours. I didn’t even go to class. I enrolled and then it was like, boom, I was out of there. Because we went to the school; we met the teacher, saw the room, very nice person and place. But I got the homework assignment and the homework assignment was gibberish. I had no idea what to do and such was this feeling of just, like, despair and hopelessness, I was like, I cannot be a part of this. I remember the assignment. It was about identifying scalene, isosceles, and equilateral triangles. I’ll tell you this: I am quite good at that now. But at the time, like, I didn’t know what those words meant. And you know, at that moment we had Encyclopedia Britannica, could not Google this or even Ask Jeeves or AltaVista this so well back then. It just—it was an entry moment of failure and realizing that so much of math is like a, kind of a social kind of construct. And if you’re not part of that social circle, what can you do? So that was a bummer. Another bummer was eighth-grade math, learned it all by way of videotape. You know, put in the tape and watch—not gonna say the person’s name and not this person’s fault—but it was just like watching someone work on a whiteboard. Kind of a precursor to Khan Academy, kind of a drag. Went to high school—

Bethany Lockhart Johnson (09:02):

Wait, wait, wait, wait. We were—I’m not ready to jump to high school. Wait. Can you pause for just a second?

Dan Meyer (09:06):

Yeah. Rock on.

Bethany Lockhart Johnson (09:07):

I just need you to go back to the triangle thing. So in that moment, what did that mean for you that you had had all these experiences with math and then you encounter math in a completely different sphere, a public school, and it did not have a connection or meaning to you because prior to that, it sounds like it was pretty positive. Right? Explore these things you’re curious about; there’s not, like, a level you need to stick with…

Dan Meyer (09:33):

Yep, yep. Yeah. I think that’s right. Maybe it was a little bit of a classic, like, “Oh, I didn’t have a growth mindset; my mindset was like, ‘Oh, I’m good at math because I am, you know, born that way,’” and all of a sudden, that identity was, you know, thrown into question. And, you know, my foundation was all of a sudden quite shaky. And yeah, that’s—you know, I think I taught a lesson recently where I was like, “Hey, this whole thing with a less-than or equal-to sign and a greater-than or equal-to sign, like what those signs are: it’s just, it’s language. And if it’s confusing to you, it’s not because you’re bad at math; it’s ’cause language is oftentimes confusing ’cause people have to agree on it.” So I dunno, that sort of thing is kind of filtered in, filtered back in periodically, some sympathy for like how a lot of math is like just socially agreed upon ways of working with, you know, numbers, shapes, patterns, that kind of thing.

Bethany Lockhart Johnson (10:20):

OK.

Dan Meyer (10:21):

Anyway.

Bethany Lockhart Johnson (10:21):

  1. And in this home school—I have a lot of questions about that, but I’ll stick to one—were you in a community of people that you talked about these math ideas with? Were you homeschooled solo? You have a sibling, so I think you were together, right?

Dan Meyer (10:39):

Yeah. Yeah. I’ve got a twin sister. So we were, you know, like, right on with each other the whole way through there. And yeah, so we had—but it wasn’t, it wasn’t like a—it was a lot of individual work, with my flavor of homeschooling.

Bethany Lockhart Johnson (10:54):

  1. Got it. And the tapes—wait, before you go to high school, the tapes, the VHS tapes, which I’m just loving this image—

Dan Meyer (11:02):

Yeah.

Bethany Lockhart Johnson (11:02):

Was that a positive experience? Was that because that was an area of math that whoever was homeschooling you wasn’t that comfortable with? Why was it that route for the tapes, and what was that? Was that joyful for you?

Dan Meyer (11:15):

Yeah, definitely not joyful. Yeah, it was like, if you had questions, you couldn’t really ask them of the VHS tape. It didn’t work out so well in that way. And it was a lot of operational-type math. It was, you know—there was no give and take; it was all kind of take. From the video teacher. And yeah, I was doing that because my homeschool teacher, my mom, who is very smart in lots of areas, did not have the math knowledge or confidence, especially to help with math at eighth grade. And that was a big reason why, flash-forward to the next year, went to high school.

Bethany Lockhart Johnson (11:48):

Nice segue. OK.

Dan Meyer (11:50):

<laugh> You caught up to high school…I encountered just like four years of just crazy-good, just bonkers-good math teachers who just really changed a lot for me. Especially, Mr. Bishop and Mr. Cavender, very cool folks who did a lot. And especially, I think Mr. Bishop and Cavender both modeled for me what curiosity from a knowledgeable adult looks like. Like someone who, you know, now I can say to myself, “Oh, they were kind of like putting on an act of being very curious about answers they were hearing for the 2000th time from a student,” let’s say, but what a powerful experience that was for me to feel like, “Oh, wow, my thoughts are interesting to someone besides myself.” I got like, maybe it’s two real highlights that I’ll just point to, from my math bio that made me the math teacher and person that I am. Let’s see here. Maybe three, if you you’ll indulge me. One is just like the idea that you could do math wherever you have your brain, a pencil and a paper. And so I remember like in high school, I was in church with my family and kind of a little bit bored of whatever’s going on. And I just had the Bolton and I like drew a pentagon, a regular one, then a hexagon, a regular one, and kept on drawing, like adding sides to the shape. And it was like, it was becoming a circle. And, you know, I was able to take the area of each of those shapes and say, you know, “What happens as you send the number of sides to infinity?” And watch as the formula for area of a circle, Pi R squared, popped out. And it was kind of a literal religious experience, in that moment, just like, “Wow, like my brain’s so cool and math is so cool and paper and pencil’s so cool.” And so there’s that. Just that kind of experience was pretty awesome. And then I would just say like, I’ve had some really fantastic experiences with math in the world itself. Stuff like—let’s see, this is gonna invite more questions from Bethany, probably, maybe I should avoid—I got, I have a Guinness—I have a Guinness world record that’s almost 20 years old. This Guinness world record is—it’s old enough to drive basically at this point. And almost old enough to drink. But like it was—it was a record for chaining the longest paper clip chain together in 24 hours. And the only way I was able to break that record was through mathematics. Where, like, I would be finishing a box of clips. And I would say to my buddy who was there, “I just finished a box of clips.” And that person would type in the number of clips that I had just done. And then a mathematical formula that I had created would tell me how many—how long the chain was at that point. It was being rolled around a spool. And like, it’s just like, wow. So math just made this possible. You know, math revealed that the record I was trying to beat was beatable, because I did the math on it. It was, like, thousands of feet long in 24 hours. And other folks might be like, “Oh, like, that’s that’s huge!” But me, I was like, “All right, let’s divide this out. You know, divide by 24 hours in a day, divide by 60 minutes an hour, 60 seconds in a minute. Oh, that’s like one clip every four seconds. That’s really slow.” You know, think about that <counts aloud>, “Clip, two, three, four. Clip two, three…” It was just slow. So math helped me, you know, wreck that record. Which to my knowledge still still stands. Don’t get any ideas, Math Teacher Lounge Folks! Is this news to you, Bethany? You haven’t blinked in the last, like, five minutes. I’m curious if this is new.

Bethany Lockhart Johnson (15:20):

It is news to me. And I have so many questions. Because OK, if four seconds was slow, so then what was your like—so then I’m assuming a hundred clips per box? Like, what was the rate, you know, per box? How long did it take you to complete a box? What did this friend like? Did this friend stick with you for the whole 24 hours? Did you really do it for 24 hours? Or once you beat the record, did you rest? How did you account for biological function? Like, needs? Like a restroom?

Dan Meyer (15:51):

<Interrupting> Like what?

Bethany Lockhart Johnson (15:51):

Eating.

Dan Meyer (15:51):

Like what, Bethany? OK.

Bethany Lockhart Johnson (15:52):

Um, Sleep.

Dan Meyer (15:55):

So yeah, maybe we dive into some of the specifics in a different time.

Bethany Lockhart Johnson (15:59):

Just tell me one of ’em. Tell me one.

Dan Meyer (15:59):

I’ll just say. So as to discourage other Math Teacher Lounge listeners from taking this on—back off of the record, folks!—this was back in college, so I was a little more limber back then. But I did one—I think it was 1.8 seconds per clip. For an entire 24 hours. Just like, so just like think about it, would you? If you’re gonna step to me on this one, just think about that, OK? And then, and then, you know, make an informed decision.

Bethany Lockhart Johnson (16:28):

Wait. Wait, wait, I just wanna tell you one thing. I’m picturing somebody with a straw, and like, giving you water as you keep clipping. I’m picturing, like, music, I…

Dan Meyer (16:37):

That’s not far. That’s not far. That’s not far from—yeah.

Bethany Lockhart Johnson (16:40):

So many questions! OK. Go on. Sorry, sorry, sorry. Go on. This is your bio.

Dan Meyer (16:44):

We gotta, I gotta wrap this up. I wanna hear your bio. But, like, I would just say like this move to this sense that math is actually a thing that’s useful for more than just a grade; it’s useful for more than just, you know, the societal, you know, adulation that comes from being a math nerd. That kind of thing. And so that, I think that affected a lot of math teaching for me. And, if I gotta, like, summarize math teaching itself in a journey, it went from like, “Hey kids, aren’t I awesome?” to, “Hey kids, isn’t math awesome?” to “Hey kids, aren’t you awesome?” And like that journey was facilitated by lots and lots of people, you know, a lot of personal growth, but at this point, at one point I was like, “Hey, math can help you get records and whatnot. It’s really useful.” And now I’m like, “Wow, your brain’s just doing just really interesting things. I can help you understand how interesting those things are, and maybe make them more interesting, or interesting in a different way, with some help here.” Let’s put a pin in that. That’s the math bio.

Bethany Lockhart Johnson (17:50):

  1. So I have no doubt that if you ask someone in your life, listeners, for their math bio, that you will discover things about them that you never knew. Literally the questions that I have…I have so many question. And Dan is very good at, you know, bringing me back. Bring me back, like, come on, come on. But I just wanna say, overall, your journey seems pretty joyful. It seems pretty joyful. It seems pretty full of confidence. I don’t wanna say “ego” in a negative way, but I wanna say you were buoyed by these experiences that allowed you to feel like math was a place for you to thrive.

Dan Meyer (18:36):

Right.

Bethany Lockhart Johnson (18:36):

Where you could try out things. You could try it out and just, “I could do that!” Right? Like…your relationship just felt very, like…you felt like you had autonomy, agency, perhaps much like you, you operate in this world. Dan, is that, is that right <laugh>?

Dan Meyer (18:54):

Yeah, I think it’s fair to say. And without telling too much of her story, my twin sister with whom I share most things, including genetics, you know—she had a very different experience in math early on. She’s brilliant. She’s a doctor. And not, you know, the book kind of doctor that I am, but like a real, you know, medical doctor. She’s brilliant. But we were—we encountered different messages about who math was made for, early on in, you know, in our entire math learning. And she—we both digested the messages that we were sent, and took, you know, different, different paths because of them, for sure.

Bethany Lockhart Johnson (19:31):

Funny how that works. I thank you, Dan. I do. For in all sincerity, I appreciate you sharing that. And I think that it’s exciting to hear how it influenced your teaching. It feels like you want to cultivate those experiences for your students. And I’ve been in the room when you’ve presented; I was in a room where you taught a class live. It felt like you were making space for the students to have these aha moments. And it feels like in your work at Desmos, and now Amplify, you’re trying to create these products that allow folks to recreate these amazing math moments. Right? And that it’s for everyone and that it’s accessible and it can be very positive. I feel like I have this new perspective on kind of the energy you bring to your teaching. So thank you for sharing that.

Dan Meyer (20:24):

Yeah. Been a pleasure. Thanks for your questions here, Bethany. And it’s been—it’s been fun to reflect on it. And I do—I do feel very lucky in lots of ways. Privileged. Lucky. I know, like—I think the world has been set up for my success in lots of ways, as who I am. But I do just…yeah, I feel—I want more people to experience what it’s like when you walk into a math classroom and it’s like, “Hey, this place is for you. You have interesting thoughts about this. Let’s get ’em out.” So that’s awesome. I would love to hear about you and how you…I mean, we have taught different kinds of kids. You know, I taught kids who I think were somewhat set in, they’re a little bit more solid at secondary in who they are as a math learner. Like “I know who math is and who I am with math.” And I’m really excited to hear what your math bio allowed you to do with students who were perhaps open to the idea that they are very mathematical or at least not yet closed off to those possibilities. So, yeah. What are some of the high, the, you know, the high and low water marks of the making of Bethany Lockhart Johnson, math teacher? <Laugh>

Bethany Lockhart Johnson (21:24):

Thanks for asking, Dan. <Laugh> I’ve shared aspects of my math bio because I think it really informs the way that I talk to people about math and think about math. And I like to share it because I want folks to consider their own journey with math, as we like engage with problem-solving and sense-making and thinking about the students in our classroom. My dad is a math and computer science major. So he had a computer very early on. I wish he had invested in Apple early on when he had like one of the first Apple computers ever. And, sorry, dad, but it’s true. I do wish you had done that.

Dan Meyer (22:10):

I’m sure he does too.

Bethany Lockhart Johnson (22:11):

Oh, he does. So math and computers and conversations about counting, you know, it felt like it was kind of just normal. Like it was around me. And I went to Montessori, which is a private school that—oh, they have some public Montessori—but it’s very self-directed. And so we would have these kind of charts, these goals for the day that you explored. And so we would explore math in very, I don’t know, very organic ways, with these natural materials. And I feel like I excelled at math, but it wasn’t something that I was conscious of. It was just like, “Oh, well, yeah. Math, it’s, you know, something we do.” And then when I went to—when I left Montessori in fourth grade, I remember that year being a lot of like repetition. I was like, well, we did this. We covered this. And except for the mission project that we hadn’t done, that was all new. And that’s it. For another time I’ll share about that. But <laugh> then, they actually, I was moved with a group of students to the fifth grade math class, ’cause we had already done the work that we were doing. And so, it wasn’t that it felt like it came easily, but it did make sense. What we were doing made sense. And then it all kind of changed. There was a lot of change in my family. There was, like, missed school time. And we moved and I went to a new middle school and I was in this environment with students who—it was like an accelerated program. And so I was in this environment with students who were pretty competitive with each other. And I remember going—and I was not from of a competitive environment; like Montessori is not competitive. It’s not about that.

Dan Meyer (24:02):

Right. Right.

Bethany Lockhart Johnson (24:02):

It’s—it was very strange to me that I would be competing against anyone, even competing against myself. And I, you know, knew how to set goals. But it was a different level of energy. And I felt like, because I wasn’t competitive in that nature, I felt like that kind—I felt on the outside of a lot of the energy. Besides the regular, like, middle-school feeling outside of things. And I remember the first friend that I made. Hi, Susan! She had said to me, this was like maybe our second week of school, she’s like, “Oh, at lunchtime, come with me to math club.” And I was like, “OK.” And I remember walking into that room and I had no idea what was going on. And so that was one of the first times where I was just like, “Whoa, I have absolutely no concept of what they’re talking about or what.” These are my peers. I felt very—it was very—it was strange. It was strange. I was like, “This doesn’t feel like a space for me at all.” When I think ordinarily I was kind of excited about the idea of going to math club at lunch, you know? And over middle school, I kind of just got progressively more and more behind. It started with missing some work and then missing more and then checking out. And, you know, the problem was that I really made it about myself. That, like, it wasn’t something that I was then good at or could do. When really it was that well, pre-algebra, I was having a really hard time in like the rest of my life. And so I wasn’t real present in that class. And so when I got to algebra, it didn’t make a whole lot of sense. And then if I missed Monday, Tuesday, and Wednesday, well, Thursday is gonna be hard, you know? And, it just got progressively harder and harder. So I had this great idea that between eighth grade and ninth grade, I was going to take this accelerated geometry class. ‘Cause that was the ninth grade class, it was geometry. And I would take it. It was like geometry in three weeks or something. So then when I entered high school, I would’ve gotten this like jumpstart. But I wish I had said, “Oh, I’ll take this, and then in ninth grade I’ll take geometry.” So like I’ve already kind of gotten a preview of the material. But instead I went to the 10th grade math, which was like intermediate algebra, trigonometry. I had absolutely no clue what was going on. And I had a very, very difficult time and I wasn’t ready for that class. But it was exacerbated by the fact that this teacher felt very free to let the freshmen in that class know that they shouldn’t be in that class. That this class was for 10th graders.

Dan Meyer (26:49):

Oh wow. Oh, wow.

Bethany Lockhart Johnson (26:51):

And we had a rather contentious relationship. And I will never forget that we were in the hallway, and he says to me, “You don’t belong here.” And I’ve talked to—I’ve talked to a girlfriend of mine about her experiences with this teacher and she has the fondest memories.

Dan Meyer (27:13):

Wow.

Bethany Lockhart Johnson (27:14):

She—in fact, almost everyone I’ve spoken with, you know, if we are talking about past teachers or, “Oh, what was that class like?” I mean, they just have these wonderful memories! And for me, my sense of like belonging was already so on a tight rope anyway, that to have this adult, this teacher, tell me, “You do not belong here,” just crushed me. And in hindsight, I think he was saying like, “This class is too hard for you.” I mean, maybe. <Laugh> But all I heard was “You don’t belong here.” And I extrapolated it to connect to math and to anything having to do with math in general. And it just got worse and worse through high school in the world of math. My next math class was even—I had to repeat that class, and still didn’t understand what was going on, and felt more out of place, and, you know, it’s one of those things that I just kind of had started to accept that, I guess, math isn’t for me. I guess I’m just not a math person. Or whatever these stories are that I started to create and build and find evidence for around me that was informing that this wasn’t for me. And I had always done well in school. I was in, you know, accelerated classes. I felt like I was capable of problem solving. And yet in math, I just felt like I had all of this evidence saying that I didn’t belong there. And so when I went to college, I took whatever two math classes were—you know, I was in performing arts and then I did ethnic studies as well. And I remember you had to take two math classes that were GEs. There were these classes that if you don’t wanna deal with math, you go take those classes. And I was like, “Oh yeah, I’ll take that. I’ll take that.” The gulf widened, you know? <Laugh> And I didn’t feel like anxiety when I had to do things like balance my checkbook or navigate math in everyday spaces. It was just, it would never occur to me that I would like seek out opportunities to engage with math or think about it or talk about it.

Dan Meyer (29:35):

That is—yeah, that’s just so wild, how, I don’t know, like it’s often, from the student’s perspective, it is them in a vacuum with math, and the two of them interact and decide if, you know, if they’re right for each other. But from the grown-up perspective, it’s just, you know, it’s a little bit clearer that your story with math was not just you in math, but you with, you know, various external things happening. With family, various teachers playing their different roles—sometimes, you know, really tragic and horrible roles—and then like the compounding mathematical debt that it feels like you were kind of building up, as challenges in one year didn’t get resolved and moved into the next year and so on. And all that makes me wonder—it makes me, like really, really scared, first of all, because I would bet that your teacher might not even remember that moment, that for you is part of just a pivotal moment in your math story, and how many kids have I played—have I been a part of their story in that way and wouldn’t even recall? You know what I’m saying? So that’s a scary part. And then also I’m just wondering, like, how can we, how can we help kids who are in those moments recognize that, “Oh, this kid is like absent a bunch,” and give them more resources to be successful rather than say, “Well, you just gotta try harder now.” Those are things I’m wondering, hearing your story. Thank you for sharing that. I’d love to know more about how you then became a teacher and what all that did for you as you helped students.

Bethany Lockhart Johnson (31:06):

Well, but to answer what you were saying, it wasn’t that I wasn’t—I was always absent physically, but at least like mentally at that point, because it had become so difficult. It didn’t make sense to me. So I was just really checked out in math class, you know? So in hindsight, you know, as a teacher, for sure I can look back, and especially hearing these stories and these experiences my friend had with this teacher and just like chalks up as one of like her most favorite teachers ever! And you know, he clearly did a great job for so many students. But for me, and I think for some people, they would’ve taken those challenges and, you know, it would have fortified them in a different way or something. But for me, I took it upon myself to mean certain things about myself and about my ability and what I was capable of. And so I think, I think in some ways, you know, yeah, it’s all, it’s all interconnected. You know, when your students walk in the door, they’re not this—the things that are impacting them in their life are coming into the room with them. And I don’t think we can take that for granted and think, “Well, if they just focus hard enough…”

Dan Meyer (32:21):

Yeah.

Bethany Lockhart Johnson (32:23):

So let’s go back to my love of Oprah. You know, Oprah talks about living your best life. And something I really appreciate about Oprah is that she encourages you to examine, like, sticking points, right? Like she doesn’t just say, “Well, this…just pretend nothing ever happened, and everything’s fine!” You know, she really talks about making time for reflection. And I kind of got mad that anytime I thought about math, or math schooling came up. Or, you know, whatever, any time that came up that I just felt UGH about it. And I felt like a failure. And I’m like, “You know what, what if I took a math class? And I’m an adult at this point. I’ve graduated. I have—I’ve left college. I have my degrees. But I said, “What if I took a math class?” So I went down to, the city college and I found out that you have to take this exam, like a placement exam. And I went and took the placement exam. And I remember it’s one of the responsive tests where if you get it right, the next question’s a little harder. And so I’m taking it, panicking, because it’s getting more like…I just, you know. And I remember it placed me in like, whatever, Algebra Something, this class that was far more advanced than I thought I should be in. And I was like, there’s been a mistake! You know, and I went to the counselor and said, you know, “I got these results, but I couldn’t answer a lot of the questions on the test.” She’s like, “No, no, no, that’s how it works.” So I go take this class and the class was hard. And I decided that I was just gonna keep showing up. And every day before class, I kid you not, they had a little math…it was like a math center where you could go in and they had a bunch of tables and you’d sit at the table and you could sit and do your work or whatever. If you had a question, you walked up and put your name on a clipboard and then somebody would come and help you. So I did that, every single—like before every single class I would go in. I’d sit there. I’d do the work. I’d go. And I’d get help. Like somebody would walk over and you know, some kid for whom they’re like this…you know, they’re math—it might be you, Dan! It could be you! It could have been you! You know, would walk over and be like—

Dan Meyer (34:38):

Yeah, I was in Help like that. Naw, it’s awesome. Love, love those people. Yeah.

Bethany Lockhart Johnson (34:42):

And you know, I did it. And I did so well in the class. I did exceedingly well in the class. And I said—

Dan Meyer (34:50):

Take that! Take that, everything! Every other math experience!

Bethany Lockhart Johnson (34:53):

I said, what?

Dan Meyer (34:55):

Yeah!

Bethany Lockhart Johnson (34:55):

Wait a second.

Dan Meyer (34:56):

Yeah.

Bethany Lockhart Johnson (34:57):

And it was that I was present. I was not afraid to look at what didn’t make sense. And if something didn’t make sense, it didn’t mean there was something wrong with me. Whaaaaat?

Dan Meyer (35:10):

Yeah. Yeah.

Bethany Lockhart Johnson (35:10):

So I was just in such a different space. And then I took another math class and that class was even harder. And I did the same thing where I went to the little lab and, you know, and it just buoyed me. And it made me realize that, like, this story, that my experience with it was very powerful and that was a real lived experience, but that it didn’t have to define my relationship with math. But then! I decided I wanted to go back to school to become a classroom teacher. And I totally—this was a couple years after that math class experience. So now, you know, I’m healing my relationship with math through basic positive experiences, da, da, da, you know, doing other work. But fast-forward, for a whole number of reasons, decided to become a classroom teacher. And I freaked out. All of my—like, I’m studying for the GRE and the CSET and all the things you have to the hoops you have to jump through to apply to the masters program and the credential program. And I freaked out. I was so close to quitting, Dan. Because I was convinced that the reason I couldn’t be a classroom teacher is because I wasn’t capable in math. Like I was—it was all that resurfaced. And even though I now had evidence to say something different, to the contrary, it was still so visceral. And I was so scared. But I passed that Math CSET.

Dan Meyer (36:47):

Get it.

Bethany Lockhart Johnson (36:47):

I did well enough on the GRE—

Bethany Lockhart Johnson (36:50):

Yes!

Bethany Lockhart Johnson (36:50):

You know, I finished my credential. I worked really, really hard. I had to work so hard in my student placement, when I was student teaching for a fifth-grade class, ’cause I felt like, “Oh my God!” I mean, now I could do the mathematics, but I couldn’t TEACH it to someone, you know? But I had amazing professors at UCI, and my math professors really like just—and my mentor teacher! shout out to Jennifer! shout out to Phil!—these amazing mentor teachers who just loved teaching and who loved—like you said, you have these teachers in your life who you got to see the way that they listened to students. They taught me about that love of listening to students. And then I fell in love with, you know, CGI, cognitively guided instruction, and started learning all about all of these educators who just wanna learn from students’ thinking. And it was just so powerful. And I realize as a kindergarten teacher that I have this really special role in helping to create space for a positive school experience. Like we get to talk about—I talk about my students as mathematicians; they’re writers; they’re thinkers; they’re problem-solvers. And I also want to make space for parents. Some of them, this is their first kid in kindergarten, and they brought all of their experiences, a lot of it negative, that they had had with mathematics. So I felt like it was such an exciting opportunity to help show parents how they could have conversations about math with their students. That also, I hope helped heal their own anxiety with mathematics.

Dan Meyer (38:41):

Right, right.

Bethany Lockhart Johnson (38:42):

Like, I’ve not even scratched the surface of math learning. But I just have such a changed perspective and relationship with math. And I just fell in love with the sense-making. And I fell in love with the journey of it. I still experience math anxiety about a wide variety of things, but I do love it. And I feel like there’s a space for me in relationship with math. And that really excites me.

Dan Meyer (39:09):

Yeah. Wow. Listen to that folks. We, we don’t deserve her! Bethany Lockhart Johnson! She got some math game and could have gone off there and, you know, become an accountant or something. And she chose to hang with kids and their parents. That’s so wild that you’re like rehabbing parents and their self-conception about mathematics at the same time. I think that is so cool.

Bethany Lockhart Johnson (39:32):

Well, thanks Dan Meyer. I gotta tell you, I don’t know when or if I’ve ever shared that much of my math story. So there is a certain amount of vulnerability there. But thanks for listening. And I’m glad that, you know—I think there’s space for us to talk about these things that we care deeply about, but that can be really complicated.

Dan Meyer (39:56):

Yes. Yes. And I love how you you’ve really sharpened the point on what I feel like I know in my brain, but not my body all the time: That individual teachers are huge. Like, individual teachers, and individual moments of teaching, are just not something to play with. You know, like that kid that’s in fifth grade having a tough time, like there could be a month or a day-long period where all of a sudden, like, you’re just like, “Oh yeah, I’m back in the mix; like, me and math are still buddies.” And there’s also like moments that you had, where like one casual word from a teacher can just really put a huge wedge between you and a discipline that needs and wants you and your intellect in it.That’s a really powerful testimonial. Not just for math, but for teaching, your teaching bio.

Bethany Lockhart Johnson (40:43):

I agree with you. And I also, I also…you know, I think we can’t put this—we are human. Teachers are human. And so I’m sure there’s things I’ve said to students. Twenty-second story: a student stapled his finger in my class. <Laugh> And I remember holding his hand and saying, “Why did you do that?” And I wasn’t yelling at him, but it was like, I am sure the panic in my face…like, that’s what he’s gonna remember about kindergarten. Right? <Laugh>.

Dan Meyer (41:19):

Yeah.

Bethany Lockhart Johnson (41:20):

That. He will remember that. He won’t remember the really cool city project we did. He’s gonna remember his teacher holding his hand, in his face: “Why did you do that?”

Dan Meyer (41:30):

Yeah. Yeah.

Bethany Lockhart Johnson (41:30):

You know, so we’re human. And yes, it was awful that that teacher said that to me. There were a thousand other ways that he could have said whatever it was he was thinking. And that did deeply wound me. But despite his influence—because teachers do have a lot of power and I think they need to examine that power, ongoing—it still doesn’t have to define us. So I don’t wanna put this pressure, like—

Bethany Lockhart Johnson (41:55):

Sure.

Bethany Lockhart Johnson (41:56):

“So never ever say anything negative!” You know, we’re human.

Dan Meyer (42:00):

I feel like that kid is currently on some office-supply podcast talking about “your office-supply bio” and saying, “Let me tell you how I first got really freaked out by staples. Here’s the deal: I only use paper clips. And here’s why.”

Bethany Lockhart Johnson (42:15):

“Here’s why.” But then—callback!—he’s going to stumble upon THIS podcast and think, “And because I’m so adept with paper clips, I can beat that record!”

Dan Meyer (42:30):

Though—aaay! whoa! Settle down!

Bethany Lockhart Johnson (42:31):

BOOM.

Dan Meyer (42:31):

Don’t get any ideas, kid. No way. Uh-uh. I don’t like that at all. That’s not what—that’s not what I want to have happen here. No, thank you.

Bethany Lockhart Johnson (42:41):

Well, I’m spent, Dan. I need a nap.

Dan Meyer (42:45):

Yeah. I need a box of Kleenex. I need a nap. I need a—yeah, for sure, a baba. Uh-huh. Definitely. Hey, so look, I’m not expecting you folks out there in the lounge to kind of give us the same depth or breadth. You know, we are here, of course, for your entertainment. Feast on our stories and dramas. But I would love to know at some point, like, what are a few, a few moments that really came to define you mathematically? Came to influence you as a teacher? I think we would do really well for each other to understand that about all of our processes. So yeah, I would just toss in a plug in for Twitter, @MTLShow, or Facebook, Math Teacher Lounge; it would be fantastic to hear from you.

Bethany Lockhart Johnson (43:24):

Thanks so much for listening.

Dan Meyer (43:25):

Thanks, folks. Bye now.

Stay connected!

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What Dan Meyer says about math teaching

“Teaching, more than other professions, is a generational profession. The kinds of joyful experiences we offer, or don’t offer, now affect the experiences students that haven’t even been born yet will have years later.”

– Dan Meyer

Meet the guests

Dan Meyer

Dan Meyer taught high school math to students who didn’t like high school math. He has advocated for better math instruction on CNN, Good Morning America, Everyday With Rachel Ray, and TED.com. He earned his doctorate from Stanford University in math education and is currently the Dean of Research at Desmos, where he explores the future of math, technology, and learning. Dan has worked with teachers internationally and in all 50 United States and was named one of Tech & Learning’s 30 Leaders of the Future.

Bethany Lockhart Johnson

Bethany Lockhart Johnson is an elementary school educator and author. Prior to serving as a multiple-subject teacher, she taught theater and dance and now loves incorporating movement and creative play into her classroom. Bethany is committed to helping students find joy in discovering their identities as mathematicians. In addition to her role as a full-time classroom teacher, Bethany is a Student Achievement Partners California Core Advocate and is active in national and local mathematics organizations. Bethany is a member of the Illustrative Mathematics Elementary Curriculum Steering Committee and serves as a consultant, creating materials to support families during distance learning.

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About Math Teacher Lounge: The podcast

Math Teacher Lounge is a biweekly podcast created specifically for K–12 math educators. In each episode co-hosts Bethany Lockhart Johnson (@lockhartedu) and Dan Meyer (@ddmeyer) chat with guests, taking a deep dive into the math and educational topics you care about.

Join the Math Teacher Lounge Facebook group to continue the conversation, view exclusive content, interact with fellow educators, participate in giveaways, and more!

RF.1.3.G: Recognize and Read Grade-Appropriate (First Grade) Irregularly Spelled Words

Skill

RF.1.3.G: Recognize and Read Grade-Appropriate (First Grade) Irregularly Spelled Words

Standard

CCSS.ELA-LITERACY.RF.1.3.G: Recognize and read grade-appropriate irregularly spelled words.

Description

Mastery: Student is able to read irregularly spelled words with automaticity.

Acquiring: Student is able to recognize some irregularly spelled words. Student may attempt to decode some irregularly spelled words.

Probes

T: Read the following words – show a list of High Frequency Words, such as Fry’s or Dolch word lists, presented in random order (e.g., the, of, to, you, she, my, is, are, do, does).

Activities and Resources

Small Group Instruction – Direct Instruction

During Transitions

Reinforce Skills/Independent Work Time – Independent/Small Group Center Activity

Display (e.g. Anchor Chart):

Considerations & Reminders

  • High Frequency Word Lists should be posted and visible for students to reference. While these words are to be memorized, the act of looking up at a chart/poster for quick reference allows the student to eventually be able to quickly find and recognize the words.
  • When introducing an irregular word (but not when building fluency), we ask students to sound out and say the word correctly. There are multiple reasons to ask students to sound out irregular words:
    • When students encounter an irregular word in connected text, they may initially attempt to sound it out. These exercises prepare them to read the word correctly.
    • We want to show students that, though some word parts may be irregular, other parts are often regular, so that students can decode those parts, giving them a clue to the full word.
    • If we sound out some words and not others, students may learn that sounding out should only be used intermittently. They may decide not to use it even when they should.
    • Even for irregular words, the process of connecting symbols to sounds helps students learn the word: “The knowledge of letter-sound relations provides the powerful mnemonic system that bonds the written forms of specific words to their pronunciation in memory.” (Ehri, 1995)
  • Teaching tips:
    • One way to accelerate learning of irregular words is to print out flashcards for each newly introduced word and make a set for your students to practice with at home.
    • If words are being introduced too slowly for your students, you can introduce a new irregular word every day. You should feel free to vary the pace, being careful to ensure that everyone is keeping up.
    • When you point to a word, wait before touching it and train students to respond only when you touch the word. That gives all students time to think of the answer, so that slower students don’t just copy faster students.
    • For each activity, keep a record of items a student had problems with. Review this activity log before the next activity so you pay special attention to those students.

What’s included in our Grades 3–5 language arts curriculum

Grounded in the science of reading, Amplify CKLA for grades 3–5 integrates foundational skills students have learned in grades K–2 while continuing to build rich content knowledge. With Amplify CKLA, you’ll have the instruction and guidance of proven, evidence-based practices to help all of your students become strong readers, writers, and thinkers.

Year at a glance

The Amplify CKLA curriculum is modeled after proven research in early literacy that supports a two-strand approach to literacy instruction in the early years. With this approach, students in Grades K–2 complete one full lesson per day that builds foundational reading skills in the Skills Strand, as well as one full lesson that builds background knowledge in the Knowledge Strand. The deep content knowledge is sequenced together with research-based foundational skills in Grades K–2 so that students develop the early literacy skills necessary to help them become confident readers, as well as build the context to understand what they’re reading. 

In Grades 3–5, lessons combine skills and knowledge with increasingly complex texts, close reading, and a greater emphasis on writing. Students start to use their skills to go on their own independent reading adventures, further opening up their worlds.

Diagram illustrating how language comprehension and word recognition components integrate to lead to skilled reading, as described in the Simple View of Reading model, aligned with the 3-5 CKLA curriculum and Amplify CKLA digital experience.

Units at a glance

Students move fluidly between reading, writing, speaking and listening, and language activities, with increasingly complex texts, close reading, and a greater writing emphasis.

Classic Tales: The Wind in the Willows

Students explore international classic tales, including The Wind in the WillowsAlice in Wonderland, and “Aladdin and the Wonderful Lamp.”

Number of Lessons: 15

Animal Classification

Students learn how scientists use animals’ characteristics to classify and study them; students apply knowledge through text-based discussions and writing exercises.

Number of Lessons: 15

The Human Body: Systems and Senses

This unit involves the study of the human body, building students’ understanding of its senses and skeletal, muscular, and nervous systems.

Number of Lessons: 14

The Ancient Roman Civilization

Students dive into ancient Rome, studying its history, culture, and myths about Roman gods and goddesses.

Number of Lessons: 15

Light and Sound

Students learn the science behind light and sound, read biographies of Alexander Graham Bell and Thomas Edison, and write newspaper articles.

Number of Lessons: 17

The Viking Age (with Core Quest)

This unit’s informational and literary texts convey information about the Vikings, their culture, and their exploration.

Number of Lessons: 11

Astronomy: Our Solar System and Beyond

Students learn about astronomy, the universe, and important figures in the history of space exploration, including Nicolaus Copernicus and Mae Jemison.

Number of Lessons: 20

Native Americans: Regions and Cultures

Students compare, contrast, assemble information, and reflect on what they have learned about Native Americans and their ways of life.

Number of Lessons: 13

Early Explorations of North America

Students explore reasons for European exploration, what exploration was like, and who went exploring; then students write opinion pieces using this information.

Number of Lessons: 14

Colonial America

Students learn about colonies in early America, including how colonies were started and the progress colonists made after settling.

Number of Lessons: 16

Ecology

Students learn about different aspects of ecology, including food chains, the balance of nature, changes to the environment, and protecting the environment.

Number of Lessons: 12

Personal Narratives

This unit examines the genre of personal narratives, including nonfiction works written by a first-person narrator involved in the events being described.

Number of Lessons: 15

Empires in the Middle Ages

This unit covers the history of various empires and geographical regions throughout the Middle Ages.

Number of Lessons: 25

Poetry

Students explore poetry, training in methods and devices poets use and learning to read, write, and interpret formal and free verse poems.

Number of Lessons: 15

Eureka! Student Inventor

This Core Quest, a narrative-driven unit, immerses students in close-reading adventures and scientific and historical content about inventions. Students write and read opinion, informational, and narrative texts.

Number of Lessons: 10

Geology

This unit focuses on the composition of Earth and the forces that change its surface.

Number of Lessons: 15

Contemporary Fiction with excerpts from The House on Mango Street

This unit explores narrative literature and writing, using excerpts from The House on Mango Street as its anchor text.

Number of Lessons: 13

American Revolution

Students learn that disagreements about principles of government led colonists in North America to seek independence from Great Britain.

Number of Lessons: 17

Treasure Island

Students focus on character development, setting, plot, and literary devices while reading an abridged version of a classic novel, Treasure Island.

Number of Lessons: 19

Writing Quest (supplemental): The Contraption

In this supplemental Quest, students interact with a mysterious machine fueled by their writing and solve the machine’s puzzles. This Quest features a digital environment controlled by the teacher.

Personal Narratives

This unit examines the genre of personal narratives, including nonfiction works written by a first-person narrator involved in the events being described.

Number of Lessons: 15

Early American Civilizations

Students study the geography, climate, flora, and fauna of the Americas and the rise and fall of the Maya, Aztec, and Inca civilizations.

Number of Lessons: 15

Poetry

Students explore poetry, training in methods and devices poets use and learning to read, write, and interpret formal and free verse poems.

Number of Lessons: 13

Adventures of Don Quixote

In this unit students trace the development of plot, characters, and literary elements while reading a full-length, adapted version of Don Quixote.

Number of Lessons: 15

The Renaissance

This unit provides students with a broad exposure to the art and literature of the Renaissance through the works of renowned masters.

Number of Lessons: 19

The Reformation

This unit teaches students about the Reformation, a movement involving religious and political upheaval that shifted the political power in Europe.

Number of Lessons: 10

A Midsummer Night’s Dream (Core Quest)

This unit is an immersive Quest that treats Shakespeare’s comedy as both literature and a living text for interpretation and performance.

Number of Lessons: 15

Native Americans

Students learn how settlers, explorers, and the American government in the 1800s affected Native American cultures and their relationship with the land.

Number of Lessons: 15

Chemical Matter

Students learn about chemistry and close-reading through a literary and informational work, The Badlands Sleuth, in which the protagonist uses chemistry to solve mysteries.

Number of Lessons: 15

Writing Quest (supplemental): The Robot

Students interact with a classroom pet that learns and grows with their writing. This Quest features a digital environment controlled by the teacher.

Program components

The program includes instructional guidance and student materials for a year of instruction, with lessons and activities that keep students engaged every day.

Component

FORMAT

Teacher Guides

Teacher Guides for each unit provide engaging lessons with standards-based objectives and formative assessments that empower teachers with proven strategies and research-based tools.

Print or digital

Differentiation resources

The online Assessment and Remediation Guide (Grade 3) and the Decoding and Encoding Supplement (Grades 4–5) provide thousands of pages of targeted activities in decoding, spelling, and other core literacy skills. Supplemental Guides provide opportunities for enrichment.

Digital

Writing Studio

A riveting connected writing program for more time, practice, and challenge in writing, with a focus on informative, narrative, and opinion modes of writing.

Print or digital

Digital experience

The Amplify CKLA digital experience delivers ready-made, customizable, slides-based lesson presentations to enhance instruction and save time. Everything needed to plan and present high-quality, engaging early literacy instruction is in one convenient place.

Digital

Component

FORMAT

Student Readers

Amplify CKLA’s Student Readers anchor each of the content-based units, providing a close-reading experience fueled by rich background knowledge that inspires students to dig deeper.

Print

Activity Books

In addition to providing daily opportunities for students to respond to text and apply skills and knowledge, Activity Books feature formative assessments for each day’s objectives.

Print

Digital experience

The Amplify CKLA digital experience delivers ready-made, customizable, slides-based lesson presentations to enhance instruction and save time. Everything needed to plan and present high-quality, engaging early literacy instruction is in one convenient place.

Digital

Explore more programs

Our programs are designed to support and complement one another. Learn more about our related programs.

What’s included in our literacy curriculum for 6–8

Amplify ELA is a blended literacy curriculum designed specifically for grades 6–8. The heart of every lesson is the text. Our core English Language Arts curriculum enables teachers to teach skills through texts and develop their students’ muscles for building meaning through reading. With Amplify ELA, students learn to attack any complex text and make observations, grapple with interesting ideas, and find relevance for themselves.

Year at a glance

Each grade includes six core units centered on literary or informational texts, delivered in several forms of media. In addition to these main units, students will engage with targeted Grammar lessons and a dedicated Story Writing unit, plus two to three immersive learning experiences called Quests.

Dahl & Narrative

1 assessment lesson
4 sub-units | 28 lessons | 4-6 weeks

A man with a mustache looks through a microscope at a slide, with abstract yellow lines in the background.

Mysteries & Investigations

1 assessment lesson
5 sub-units | 32 lessons | 4-6 weeks

A man with a mustache looks through a microscope at a slide, with abstract yellow lines in the background.

The Chocolate Collection

1 assessment lesson
5 sub-units | 25 lessons | 4-6 weeks

The Greeks

Myth World Quest

1 assessment lesson
4 sub-units | 25 lessons | 4-6 weeks

A man with a mustache looks through a microscope at a slide, with abstract yellow lines in the background.

Summer of the Mariposas

1 assessment lesson
2 sub-units | 27 lessons | 4-6 weeks

A man with a mustache looks through a microscope at a slide, with abstract yellow lines in the background.

The Titanic Collection

1 assessment lesson
5 sub-units | 25 lessons | 4-6 weeks

A man with a mustache looks through a microscope at a slide, with abstract yellow lines in the background.

Red Scarf Girl

1 assessment lesson
4 sub-units | 31 lessons | 4-6 weeks

A man with a mustache looks through a microscope at a slide, with abstract yellow lines in the background.

Character & Conflict

1 assessment lesson
4 sub-units | 29 lessons | 4-6 weeks

A man with a mustache looks through a microscope at a slide, with abstract yellow lines in the background.

Brain Science

Perception Academy Quest

1 assessment lesson
4 sub-units | 25 lessons | 4-6 weeks

A man with a mustache looks through a microscope at a slide, with abstract yellow lines in the background.

Poetry & Poe

The “Who Killed Edgar Allen Poe” Quest

1 assessment lesson
5 sub-units | 29 lessons | 4-6 weeks

A man with a mustache looks through a microscope at a slide, with abstract yellow lines in the background.

The Frida & Diego Collection

1 assessment lesson
5 sub-units | 25 lessons | 4-6 weeks

A man with a mustache looks through a microscope at a slide, with abstract yellow lines in the background.

The Gold Rush Collection

1 assessment lesson
5 sub-units | 25 lessons | 4-6 weeks

A man with a mustache looks through a microscope at a slide, with abstract yellow lines in the background.

Perspectives & Narrative

1 assessment lesson
4 sub-units | 27 lessons | 4-6 weeks

A man with a mustache looks through a microscope at a slide, with abstract yellow lines in the background.

Liberty & Equality

1 assessment lesson
6 sub-units | 38 lessons | 4-6 weeks

A man with a mustache looks through a microscope at a slide, with abstract yellow lines in the background.

Science & Science Fiction

1 assessment lesson
3 sub-units | 29 lessons | 4-6 weeks

A man with a mustache looks through a microscope at a slide, with abstract yellow lines in the background.

Shakespeare’s Romeo & Juliet

1 assessment lesson
2 sub-units | 22 lessons | 4-6 weeks

A man with a mustache looks through a microscope at a slide, with abstract yellow lines in the background.

The Holocaust: Memory & Meeting

1 assessment lesson
6 sub-units | 21 lessons | 4-6 weeks

A man with a mustache looks through a microscope at a slide, with abstract yellow lines in the background.

The Space Race Collection

1 assessment lesson
5 sub-units | 25 lessons | 4-6 weeks

Units at a glance

Amplify ELA lessons follow a structure both grounded in regular routines and flexible enough to allow for a variety of learning experiences. Lesson structures vary from day to day, ensuring that students are always engaged.

Learn more in the Amplify ELA Grade Overview.

Unit 6A

Dahl & Narrative

Students begin with narrative writing to develop foundational Focus skills and establish key classroom routines. Teachers use this work to create targeted feedback cycles and build a vibrant community centered on diverse experiences. Students then apply observational skills to Roald Dahl’s Boy: Tales of Childhood, learning to work closely with textual evidence.

Unit 6B

Mysteries & Investigations

Students read like an investigator to embark on a multi-genre study into the mesmerizing world of scientific and investigative sleuthing. The Secret of the Yellow Death: A True Story of Medical Sleuthing by Suzanne Jurmain, and Sir Arthur Conan Doyle’s Sherlock Holmes stories take place in the late 19th century, when medical diagnostics and criminal investigations were still evolving into scientific fields.

Unit 6C

The Chocolate Collection

Students explore primary documents and research the diverse cultural roles chocolate has played over 3,700 years, from its various uses in ancient Mexico to issues with modern production. Along the way, they build information literacy skills, craft research questions, and collaborate in Socratic seminars. Students also learn how to construct an evidence-based argument and use those skills to write pieces aimed at convincing readers about chocolate preferences, school lunch policies, and recommendations for local candy stores.

Unit 6D

The Greeks

Students closely explore and analyze three stories from Greek mythology: “Prometheus,” “Odysseus,” and “Arachne.” Drawing on the routines and skills established in previous units, these lessons ask students to move from considering the state of a single person to contemplating broader questions concerning the role people play in the world and the various communities they inhabit.

Unit 6E

Summer of the Mariposas

Students read Summer of the Mariposas by Guadalupe García McCall, a contemporary Latino retelling of The Odyssey. Following five sisters on their journey into Mexico and back, students explore this reimagining of the hero’s journey as they encounter Mexican folklore and Aztec legends along the way. Students analyze character development, compare the novel to Homer’s original, research Aztec mythology, explore symbolism, and engage in collaborative discussions before writing an essay about what makes the heroes successful.

Unit 6F

The Titanic Collection

Students explore primary documents and conduct research to understand the 1912 Titanic disaster, building information literacy skills by examining artifacts such as dining menus, ship photos, telegraph transcripts, and newspaper accounts. Each student is assigned a passenger from the manifest and writes a narrative account from that person’s perspective, considering different views. Students also participate in Socratic seminars to examine the complicated issues within the Titanic story.

Unit 7A

Red Scarf Girl & Narrative

Students begin with narrative writing to develop foundational Focus skills while teachers establish targeted feedback cycles and build a classroom community centered on diverse experiences. After exploring how they describe their own experiences and emotions, students apply the same close attention to analyzing details in Ji-li Jiang’s Red Scarf Girl: A Memoir of the Cultural Revolution.

Unit 7B

Character & Conflict

Students analyze characters’ responses to conflict and examine how authors use character interactions to develop theme and perspective. They read Carson McCullers’ “Sucker” and Lorraine Hansberry’s A Raisin in the Sun, both texts that explore how families facing hardships can support and harm one another. Students observe complex character growth and discuss issues of identity, family obligations, and differing notions of success.

Unit 7C

Brain Science

Students explore narrative nonfiction and informational texts about brain science to understand what it means to be human and how their developing brains impact daily experiences. They also build awareness of their cognitive strengths and analyze the structures of informational texts and scientific arguments. Key texts include Phineas Gage, Inventing Ourselves: The Secret Life of the Teenage Brain, and Oliver Sacks’ The Man Who Mistook His Wife for a Hat.

Unit 7D

Poetry & Poe

Students learn visualization techniques to read like a movie director, beginning with poems by D.H. Lawrence, Federico García Lorca, and Emily Dickinson to form mental images. They then read three Edgar Allan Poe texts, creating storyboards and analyzing narrative elements to learn about unreliable narrators. Students also participate in the murder-mystery Quest “Who Killed Edgar Allan Poe?” and write an essay arguing whether they can trust a narrator in the unit’s texts.

Unit 7E

The Frida & Diego Collection

Students explore primary source documents and research on Mexican artists Diego Rivera and Frida Kahlo, learning how they drew inspiration from Latin American folklore, politics, and customs. Along the way, students build information literacy by generating research questions and visual analysis skills through close reading of key paintings. They also compare the artists’ descriptive writing to Shakespeare’s and analyze figurative language. The unit culminates in a research project showcasing their interpretation of Frida and Diego’s work and legacy.

Unit 7F

The Gold Rush Collection

Students explore primary documents and conduct research on the California Gold Rush, building information literacy skills and constructing research questions. They also learn about the diverse people who participated, compare fictional and historical accounts, and participate in Socratic seminars. Students write narrative accounts from specific perspectives and complete a culminating research assignment combining essay and media project elements.

Unit 8A

Perspectives & Narrative

Students learn to read like writers, paying attention to craft and writing moves that shape reader experience and developing Focus and Showing skills as they build collaborative classroom routines. Students study three narrative texts, exploring themes of belonging and identity through close reading. They also practice alternating between analytic and narrative writing, and conclude with an essay arguing whether the mothers in Amy Tan’s “Fish Cheeks” are role models. 

Unit 8B

Liberty & Equality

Students study Civil War-era writings that debate the meaning of “all men are created equal,” exploring various perspectives on American ideals. Key texts include Walt Whitman’s Leaves of Grass, Frederick Douglass’ Narrative, and Harriet Ann Jacobs’s Incidents in the Life of a Slave Girl. The unit culminates with an essay examining Douglass’s arguments and Lincoln’s Gettysburg Address to consider what America means by “all men are created equal.”

Unit 8C

Science & Science Fiction

Students read Gris Grimly’s Frankenstein, a graphic novel adaptation of Mary Shelley’s novel, exploring themes of creator responsibility, societal influence, and the risks of scientific inquiry. They trace Victor’s sympathy for his creation, rewrite scenes from the creature’s perspective, and debate whether Victor owes the creature a companion. The unit concludes with an essay determining whether the creature should be considered human.

Unit 8D

Shakespeare’s Romeo & Juliet

Students read five excerpts from Shakespeare’s Romeo and Juliet to learn key elements of Shakespearean English through close reading. They practice memorizing and reciting the famous “Prologue,” put on stage performances, translate Shakespeare’s language into contemporary terms, and study the Shakespearean sonnet form. The unit concludes with an essay arguing whether love or hate is responsible for Romeo’s death.

Unit 8E

Holocaust: Memory & Meaning

Students use close reading to explore memoirs and primary sources that address two key Holocaust questions: How do societies become participants in atrocity, and what are our responsibilities as witnesses? Students analyze multiple perspectives through texts, including Alexander Kimel’s “I Cannot Forget,” Irene Butter’s Shores Beyond Shores, 1936 Olympics propaganda, and excerpts from Maus and Night.

Unit 8F

The Space Race Collection

Students explore primary documents and conduct research on the Space Race. They build information literacy skills, construct research questions, and learn about diverse participants from Soviet cosmonauts to American heroes like Buzz Aldrin and Katherine Johnson. Each student researches an assigned cosmonaut or astronaut and writes space blog entries from their perspective. Students also complete a capstone research essay and media project.

Print & digital components

The program includes instructional guidance and student materials for a year of instruction, with lessons and activities that keep students engaged every day.

A diagram shows the Amplify ELA curriculum with examples of the digital teacher edition on a tablet, print teacher edition pages, and a teacher projection of an artwork on a screen.

Teacher materials

Teacher Edition

Available digitally and in print, the Teacher’s Edition contains all the information teachers need to facilitate classroom instruction, including detailed lesson plans, video teacher tips, presentation slides, standards alignment, Exit Tickets, real-time differentiation strategies, and robust reporting.

Student materials

Student Edition

Available digitally and in print, student materials guide middle schoolers through complex texts and writing by engaging them with high-quality narrative and informational texts—providing videos, audio supports, and a digital experience that captures their attention. They also keep all of their writing in one place with a personal Writing Journal.

A collection of Amplify ELA materials including a print student edition, a digital student edition on a laptop, a writing journal, and an Arachne literature module.

Explore more programs

Our programs are designed to support and complement one another. Learn more about our related programs.

Grade 6

Unit 1: Area and Surface Area

Amplify MathDesmos Math 6–A1
Unit 1: Area and Surface AreaUnit 1: Area and Surface Area
Unit 7: Positive and Negative Numbers
Lesson 1: The TangramUnit 1
Lesson 1: Shapes on a Plane
Lesson 2: Exploring the TangramUnit 1
Lesson 2: Letters
Sub-Unit 1 : Area of Special Polygons
Lesson 3: Tilting the PlaneUnit 1
Lesson 1: Shapes on a Plane
Lesson 4: Compositing and Rearranging to Determine AreaUnit 1
Lesson 2: Letters
Lesson 5: Reasoning to Determine AreaUnit 1
Lesson 2: Letters
Lesson 6: ParallelogramsUnit 1
Lesson 3: Exploring Parallelograms (Print available)
Lesson 4: Off the Grid
Lesson 7: Bases and Heights of ParallelogramsUnit 1
Lesson 3: Exploring Parallelograms (Print available)
Lesson 4: Off the Grid
Lesson 8: Bases and Heights of ParallelogramsUnit 1
Lesson 3: Exploring Parallelograms (Print available)
Lesson 4: Off the Grid
Lesson 9: From Parallelograms to TrianglesUnit 1
Lesson 3: Exploring Parallelograms (Print available)
Lesson 4: Off the Grid
Lesson 6: Triangles and Parallelograms
Lesson 10: Bases and Heights of TrianglesUnit 1
Lesson 4: Off the Grid
Lesson 6: Triangles and Parallelograms
Lesson 11: Formula for the Area of a TriangleUnit 1
Lesson 5: Exploring Triangles (Print available)
Lesson 12: From Triangles to TrapezoidsUnit 1
Lesson 4: Off the Grid
Lesson 6: Triangles and Parallelograms
Lesson 13: PolygonsUnit 1
Lesson 2: Letters
Lesson 8: Pile of Polygons Practice Day 1 (Print available)

Unit 7
Lesson 11: Polygon Maker
Sub-Unit 2: Nets and Surface Area
Lesson 14: What is Surface Area?Unit 1
Lesson 9: Renata’s Stickers
Lesson 15: Nets and Surface Area of Rectangular PrismsUnit 1
Lesson 10: Plenty of Polyhedra
Lesson 11:Nothing but Nets(Print available)
Lesson 12: Face Value
Lesson 13: Take It To Go (Print available)
Lesson 16: Nets and Surface Area of PrismsUnit 1
Lesson 12: Face Value
Lesson 13: Take It To Go (Print available)
Lesson 17: Constructing a RhombicuboctahedronUnit 1
Lesson 13: Take It To Go (Print available)
Lesson 18: Simplifying Expressions for Squares and CubesUnit 1
Lesson 11: Exponent Expressions (Print available)
Lesson 12: Squares and Cubes
Lesson 19: Simplifying Expressions Even More Using ExponentsUnit 1
Lesson 11: Exponent Expressions (Print available)
Lesson 20: Designing a Suspended Tent 

Unit 2: Introducing Ratios

Amplify MathDesmos Math 6–A1
Unit 2: Introducing RatiosUnit 2: Introducing Ratios
Lesson 1: Fermi Problems 
Sub-Unit 1: What are Ratios?
Lesson 2: Introducing Ratios and Ratio LanguageUnit 2
Lesson 1: Pizza Maker
Lesson 2: Ratio Rounds (Print available)
Lesson 3: Representing Ratios with DiagramsUnit 2
Lesson 1: Pizza Maker
Lesson 2: Ratio Rounds (Print available)
Lesson 3:Rice Ratios (Print available)
Lesson 4: A Recipe for Purple Oobleck 
Lesson 5: Kapa Dyes 
Sub-Unit 2:Equivalent Ratios
Lesson 6: Defining Equivalent RatiosUnit 2
Lesson 3: Rice Ratios (Print available)
Lesson 4: Fruit Lab (Print available)
Lesson 11: Community Life (Print available)
Practice Day 1 (Print available)
Lesson 7: Representing Equivalent Ratios with Tables 
Lesson 8: Reasoning with Multiplication and Division (optional) 
Lesson 9: Common Factors 
Lesson 10: Common Multiples 
Lesson 11: Navigating a Table of Equivalent RatiosUnit 2
Lesson 6: Product Prices (Print available)
Lesson 7: Mixing Paint, Part 1
Lesson 12: Tables and Double Number Line DiagramsUnit 2
Lesson 6: Product Prices (Print available)
Lesson 7: Mixing Paint, Part 1
Lesson 13: Tempo and Double Number LinesUnit 2
Lesson 5: Balancing Act
Lesson 6: Product Prices (Print available)
Sub-Unit 3: Solving Ratio Problems 
Lesson 14: Solving Equivalent RatiosUnit 2
Lesson 6: Product Prices (Print available)
Lesson 7: Mixing Paint, Part 1
Lesson 10: Balloons
Lesson 11: Community Life (Print available)
Lesson 15: Part-Part-Whole RatiosUnit 2
Lesson 12 Mixing Paint, Part 2
Lesson 13: City Planning
Lesson 16: Comparing Ratios 
Lesson 17: More Comparing and Solving 
Lesson 18: Measuring with Different-Sized Units 
Lesson 20: More Fermi Problems 

Unit 3: Rates and Percentages

Amplify MathDesmos Math 6–A1
Unit 3: Rates and PercentagesUnit 2: Introducing Ratios
Unit 3: Unit Rates and percentages
Lesson 1: Choosing Representation for Student CouncilLaunch Lesson
Sub-Unit 1: Rates
Lesson 2: How Much for One?Unit 3
Lesson 4: Model Trains
Lesson 3: Constant Speed  
Lesson 4: Comparing SpeedsUnit 2
Lesson 8: World Records (Print available) 

Unit 3
Lesson 4: Model Trains
Lesson 5: Soft Serve
Lesson 6: Welcome to the Robot Factory
Lesson 5: Interpreting RatesUnit 3
Lesson 8: World Records (Print available) 

Unit 3
Lesson 4: Model Trains
Lesson 5: Soft Serve
Lesson 6: Welcome to the Robot Factory
Lesson 6: Comparing Rates 
Lesson 7: Solving Rate ProblemsUnit 3
Lesson 7: More Soft Serve
Sub-Unit 2: Percentages
Lesson 8: What Are percentages?Unit 3
Lesson 8: Lucky Duckies
Lesson 9: Bicycle Goals
Lesson 9: Determining Percentages 
Lesson 10: Benchmark PercentagesUnit 3
Lesson 7: Lucky Duckies
Lesson 11: Finding This Percent of ThatUnit 3
Lesson 10: What’s Missing? (Print available)
Lesson 11: Cost Breakdown
Lesson 12: More Bicycle Goals
Lesson 13: A Country as a Village
Lesson 12: This Percent of What 
Lesson 13: Solving Percentage ProblemsUnit 3
Lesson: 10: What’s Missing (Print available)
Lesson: 11: Cost Breakdown
Lesson: 12: More Bicycle Goals
Lesson: 13: A Country as a Village
Lesson 14: If Our Class Were the World 
Lesson 15: Voting for a School Mascot 

Unit 4: Dividing Fractions

Amplify MathDesmos Math 6–A1
Lesson 1: Seeing Fractions
Sub-Unit 1: Interpreting Division Scenarios
Lesson 3: Relating Multiplication and Division 
Lesson 4: Size of Divisor and Size of QuotientUnit 4
Lesson 1: Cookie Cutter
Sub-Unit 2: Division with Fractions
Lesson 5: How Many GroupsUnit 4
Lesson 3: Flour Planner
Lesson 4: Flower Planters
Lesson 4: Garden Bricks (Print available) 
Lesson 6: Using Diagrams to Find the Number of GroupsUnit 4
Lesson 5: Garden Bricks (Print available)
Lesson 6: Fill the Gap
Lesson 7: Dividing with Common DenominatorsUnit 4
Lesson 6: Fill the Gap
Lesson 8: How Much in Each Group? (Part 1)Unit 4
Lesson 8: Potting Soil
Lesson 9: How Much in Each Group? (Part 2)Unit 4
Lesson 8: Potting Soil
Lesson 10: Dividing by Unit and Non-Unit FractionsUnit 4
Lesson 7: Break It Down
Lesson 8: Potting Soil
Lesson 9: Division Challenges
Lesson 11: Using an Algorithm to Divide FractionsUnit 4
Lesson 9: Division Challenges Practice Day
Lesson 13: Fractional LengthsUnit 4
Lesson 12: Puzzling 
Lesson 14: Area with Fractional LengthsUnit 4
Lesson 9: Puzzling Area (Print available)
Lesson 15: Volume of PrismsUnit 4
Lesson 13: Volume Challenges (Print available)
Lesson 16: Fish Tanks Inside of Fish TanksUnit 4
Lesson 10: Swap Meet
Lesson 17: Now, Where Was That Bus?Unit 4
Lesson 10: Capstone

Unit 5: Arithmetic in Base Ten

Amplify MathDesmos Math 6–A1
Lesson 1: Precision and World Records 
Sub-Unit 1: Adding and Subtracting Decimals 
Lesson 2: Speaking of Decimals…Unit 5
Lesson 1: Dishing Out Decimals (Print available)
Lesson 3: Adding and Subtracting DecimalsUnit 5
Lesson 3: Fruit by the Pound
Lesson 4: Missing Digits
Lesson 4: X Games Medal ResultsUnit 5
Lesson 2: Decimal Diagrams
Sub-Unit 2: Multiplying Decimals
Lesson 5: Decimal Points in ProductsUnit 5
Lesson 5: Decimal Multiplication
Lesson 6: Methods for Multiplying DecimalsUnit 5
Lesson 5: Decimal Multiplication
Lesson 6: Multiplying with Areas
Lesson 7: Multiplication Methods (Print available)
Lesson 7: Using Diagrams to Represent MultiplicationUnit 5
Lesson 5: Decimal Multiplication
Lesson 6: Multiplying with Areas
Lesson 8: Calculating Products of DecimalsUnit 5
Lesson 6: Multiplying with Areas
Sub-Unit 3: Dividing Decimals
Lesson 9: Exploring Division 
Lesson 10: Using Long DivisionUnit 5
Lesson 8: Division Diagrams
Lesson 9: Long Division Launch (Print available)
Lesson 10: Return of the Long Division (Print available)
Lesson 11: Dividing Numbers That Result in DecimalsUnit 5
Lesson 9: Long Division Launch (Print available)
Lesson 10: Return of the Long Division (Print available)
Lesson 12: Using Related Expressions to Divide with Decimals 
Lesson 13: Dividing Multi-Digit DecimalsUnit 5
Lesson 9: Long Division Launch (Print available)
Lesson 10: Return of the Long Division (Print available)
Lesson 14: The So-called World’s Littlest Skyscraper

Unit 6: Expressions and Equations

Amplify MathDesmos Math 6–A1
Unit 6: Expressions and EquationsUnit 6: Expressions and Equations
Lesson 1: Detecting Counterfeit Coins
Sub-Unit 1: Expressions and Equations in One Variable
Lesson 2: Write Expressions Where Letters Stand for Numbers 
Lesson 3: Tape Diagrams and Equations 
Lesson 4: Truth and EquationsUnit 6
Lesson 1: Weight for It
Lesson 2: Five Equations (Print available)
Lesson 5: Staying in BalanceUnit 6
Lesson 1: Weight for It
Lesson 2: Five Equations (Print available)
Lesson 3: Hanging Around
Lesson 6: Staying in Balance with Variables 
Lesson 7: Practice Solving EquationsUnit 6
Lesson 3: Hanging Around
Lesson 4: Hanging It Up
Lesson 5: Swap and Solve (Print available)
Lesson 8: A New Way to Interpret a over bUnit 6
Lesson 4: Hanging It Up
Lesson 5: Swap and Solve (Print available)
Lesson 9: Revisiting Percentages
Sub-Unit 2: Equivalent Expressions
Lesson 10: Equal and Equivalent (Part 1)Unit 6
Lesson 1: Weight for It
Lesson 2: Five Equations (Print available)
Lesson 3: Hanging Around
Lesson 6: Vari-apples
Lesson 11: Equal and Equivalent (Part 2)Unit 6
Lesson 1: Weight for It
Lesson 2: Five Equations (Print available)
Lesson 3: Hanging Around
Lesson 6: Vari-apples
Lesson 12: The Distributive Property, Part 1Unit 6
Lesson 8: Products and Sums
Lesson 9: Products, Sums, and Differences (Print available)
Lesson 13: The Distributive Property, Part 2Unit 6
Lesson 8: Products and Sums
Lesson 9: Products, Sums, and Differences (Print available)
Lesson 14: Meaning of ExponentsUnit 6
Lesson 10: Powers
Lesson 11: Exponent Expressions (Print available)
Lesson 15: Evaluating Expressions with ExponentsUnit 6
Lesson 11: Exponent Expressions (Print available)
Lesson 12: Squares and Cubes
Lesson 16: Analyzing Exponential Expressions and EquationsUnit 6
Lesson 11: Exponent Expressions (Print available)
Lesson 12: Squares and Cubes
Sub-Unit 3: Relationships Between Quantities
Lesson 17: Two Related Quantities, Part 1Unit 6
Lesson 13: Turtles All the Way
Lesson 14: Representing Relationships
Lesson 15: Connecting Representations (Print available)
Lesson 18: Two Related Quantitites, Part 2Unit 6
Lesson 13: Turtles All the Way
Lesson 14: Representing Relationships
Lesson 15: Connecting Representations (Print available)
Lesson 19: Creating a Class Mobile 

Unit 7: Rational Numbers

Amplify MathDesmos Math 6–A1
Unit 7: Rational Numbers
Unit 1: Area and Surface Area
Unit 7: Positive and Negative Numbers
Lesson 1: How Far? Which Way?
Sub-unit 1: Negative Numbers and Absolute Value
Lesson 2: Positive and Negative NumbersUnit 7
Lesson 1: Can You Dig In
Lesson 2: Digging Deeper
Lesson 3: Points on the Number LineUnit 7
Lesson 2: Digging Deeper
Lesson 4: Comparing IntegersUnit 7
Lesson 3: Order in the Class (Print available)
Lesson 5: Comparing and Ordering Rational NumbersUnit 7 
Lesson 3: Order in the Class (Print available)
Lesson 6: Using Negative Numbers to Make Sense of Contexts>Unit 7
Lesson 4: Sub-Zero
Lesson 7: Absolute Value of NumbersUnit 7
Lesson 5: Distance on the Number Line
Lesson 8: Comparing Numbers and Distance from ZeroUnit 7
Lesson 5: Distance on the Number Line
Sub-Unit 2: Inequalities
Lesson 9: Writing Inequalities 
Lesson 10: Graphing Inequalities 
Lesson 11: Solutions to One or More InequalitiesUnit 7
Lesson 6: Tunnel Travel
Lesson 7: Comparing Weights
Lesson 8: Shira´s Solutions
Lesson 12: Interpreting InequalitiesUnit 7
Lesson 6: Tunnel Travel
Lesson 7: Comparing Weights
Lesson 8: Shira´s Solutions
Sub-Unit 3: The Coordinate Plane
Lesson 13: Extending the Coordinate Plane 
Lesson 14: Points on the Coordinate PlaneUnit 7
Lesson 9: Sand Dollar Search
Lesson 10: The A-maze-ing Coordinate Plane
Lesson 15: Interpreting Points on a Coordinate PlaneUnit 7
Lesson 9: Sand Dollar Search
Lesson 10: The A-maze-ing Coordinate Plane
Lesson 11: Polygon Maker
Lesson 16: Distances on a Coordinate PlaneUnit 7
Lesson 11: Polygon Maker
Lesson 12: Graph Telephone (Print available)
Lesson 17: Shapes on the Coordinate PlaneUnit 1
Lesson 1: Shapes on a Plane
Lesson 2: Letters
Lesson 5: Exploring Triangles (Print available)
Lesson 6: Triangles and Parallelograms

Unit 7
Lesson 3: Exploring Parallelograms (Print available)
Lesson 11: Polygon Maker
Lesson 12: Graph Telephone (Print available)
Lesson 18: Lost and Found Puzzles 
Lesson 19: Drawing on the Coordinate PlaneUnit 7
Lesson 11: Polygon Maker
Lesson 12: Graph Telephone (Print available)

Unit 8: Data Sets and Distributions

Amplify MathDesmos Math 6–A1
Unit 8: Data Sets and DistributionsUnit 8: Describing Data
Lesson 1: Plausible Variation or New Species?
Sub-Unit 1: Statistical Questions and Representing Data
Lesson 2: Statistical QuestionsUnit 8
Lesson 1: Screen Time
Lesson 2: Dot Plots
Lesson 3: Interpreting Dot PlotsUnit 8
Lesson 2: Dot Plots
Lesson 3: Minimum Wage (Print available)
Lesson 4: Lots More Dots
Lesson 4: USing Dot Plots to Answer Statistical QuestionsUnit 8
Lesson 2: Dot Plots
Lesson 3: Minimum Wage (Print available)
Lesson 4: Lots More Dots
Lesson 5: Interpreting HistogramsUnit 8
Lesson 5: The Plot Thickens
Lesson 6: DIY Histograms (Print available)
Lesson 6: Using Histograms to Answer Statistical QuestionsUnit 8
Lesson 5: The Plot Thickens
Lesson 6: DIY Histograms (Print available)
Lesson 7: Describing Distributions on HistogramsUnit 8
Lesson 5: The Plot Thickens
Lesson 6: DIY Histograms (Print available)
Sub-Unit 2: Measures of Center
Lesson 8: Mean as a Fair ShareUnit 8
Lesson 7: Snack Time
Lesson 9: Mean as a Balance PointUnit 8
Lesson 7: Snack Time
Lesson 10: MedianUnit 8
Lesson 11: Toy Cars
Lesson 12: In the News
Lesson 11: Comparing Mean and MedianUnit 8
Lesson 12: In the News
Sub-Unit 3: Measures of Variability
Lesson 12: Describing Variability 
Lesson 13: Variability and MAD 
Lesson 14: Variability and IQRUnit 8
Lesson 13: Pumpkin Patch
Lesson 15: Box PlotsUnit 8
Lesson 14: Car, Plane, Bus, or Train? (Print available)
Lesson 16: Comparing MAD and IQR 
Lesson 17: Asian Elephant Populations 

Grade 7

Unit 1: Scale Drawings

Amplify MathDesmos Math 6–A1
Unit 1: Scale DrawingsUnit 1: Scale Drawings
Unit 3: Measuring Circles
Unit 4: Proportional Relationships and Percentages
Lesson 1: Scale-y Shapes 
Sub-Unit 1: Scaled Copies 
Lesson 2: What are Scaled Copies?Unit 1
Lesson 1: Scaling Machines
Lesson 3: Corresponding Parts and Scale FactorsUnit 1
Lesson 2: Scaling Robots 
Unit 3
Lesson 1: Toothpicks
Lesson 4: Making Scaled CopiesUnit 1
Lesson 3: Make It Scale 
Unit 4
Lesson 3: Sticker Sizes
Lesson 5: The Size of the Scale FactorUnit 1
Lesson 4: Tiles
Lesson 6: Scaling and AreaUnit 1
Lesson 5: Tiles Practice Day 1 (Print available)
Sub-Unit 2: Scale Drawings 
Lesson 7: Scale DrawingsUnit 1
Lesson 6: Introducing Scale
Lesson 7: Will It Fit? (Print available)
Lesson 8: Creating Scale DrawingsUnit 1
Lesson 8: Scaling States
Lesson 9: Scaling Buildings
Lesson 10: Room Redesign (Print available)
Lesson 9: Scale Drawings and Maps 
Lesson 10: Changing Scale in Scale DrawingsUnit 1
Lesson 8: Scaling States
Lesson 9: Scaling Buildings
Lesson 10: Room Redesign (Print available)
Lesson 11: Scales without Units 
Lesson 12: Units in Scale DrawingsUnit 1
Lesson 8: Scaling States
Lesson 9: Scaling Buildings
Lesson 10: Room Redesign (Print available)Practice Day (Print available)
Lesson 13: Build Your Brand 

Unit 2: Introducing Proportional Relationships

Amplify MathDesmos Math 6–A1
Unit 2: Introducing Proportional RelationshipsUnit 2: Introducing Proportional Relationships
Unit 4: Proportional Relationships and Percentages
Lesson 1: Making Music 
Sub-Unit 1: Representing Proportional Relationships with Tables and Equations
Lesson 2: Introducing Proportional Relationships with TablesUnit 2
Lesson 2: Balloon Float
Lesson 3: Sugary Drinks (Print available)
Lesson 4: Robot Factory
Lesson 3: More About Constant of ProportionalityUnit 2
Lesson 3: Sugary Drinks (Print available)

Unit 4
Lesson 3: Sticker Sizes
Lesson 4: Comparing Relationships with TablesUnit 2
Lesson 4: Robot Factory
Lesson 5: Snapshots
Lesson 6: Two and Two (Print available)
Lesson 7: All Kinds of Equations
Lesson 5: Proportional Relationships and EquationsUnit 2
Lesson 4: Robot Factory
Lesson 5: Snapshots
Lesson 6: Two and Two (Print available)
Lesson 7: All Kinds of Equations
Lesson 6: Speed and Equations 
Lesson 7: Two Equations for Each RelationshipUnit 2
Lesson 4: Two and Two (Print available)
Lesson 5: Lesson 7: All Kinds of Equations
Lesson 8: Using Equations to Solve ProblemsUnit 2
Lesson 6: Two and Two (Print available)
Lesson 7: All Kinds of Equations
Lesson 9: Comparing Relationships with EquationsUnit 2
Lesson 4: Robot Factory
Lesson 5: Snapshots
Lesson 6: Two and Two (Print available)
Lesson 7: All Kinds of Equations
Lesson 11: Four Representations (Print available)
Lesson 12: Water Efficiency
Lesson 10: Solving Problems About Proportional RelationshipsUnit 2
Lesson 12: Water Efficiency
Sub-Unit 2: Representing Proportional Relationships with Graphs 
Lesson 11: Introducing Graphs of Proportional RelationshipsUnit 2
Lesson 8: Dino Pops
Lesson 9: Gallon Challenge
Lesson 10: Three Turtles
Lesson 11: Four Representations
Lesson 12: Water Efficiency
Lesson 12: Interpreting Graphs of Proportional RelationshipsUnit 2
Lesson 8: Dino Pops
Lesson 9: Gallon Challenge
Lesson 10: Three Turtles
Lesson 11: Four Representations
Lesson 12: Water Efficiency
Lesson 13: Using Graphs to Compare RelationshipsUnit 2
Lesson 8: Dino Pops
Lesson 9: Gallon Challenge
Lesson 10: Three Turtles
Lesson 11: Four Representations
Lesson 12: Water Efficiency
Lesson 14: Two Graphs for Each RelationshipUnit 2
Lesson 8: Dino Pops
Lesson 9: Gallon Challenge
Lesson 10: Three Turtles
Lesson 11: Four Representations
Lesson 12: Water Efficiency
Lesson 15: Four Ways to Tell One Story (Part 1) 
Lesson 16: Four Ways to Tell One Story (Part 2) 
Lesson 17: Welcoming Committee 

Unit 3: Measuring Circles

Amplify MathDesmos Math 6–A1
Unit 3: Measuring CirclesUnit 3: Measuring Circles
Lesson 1: The Wandering Goat 
Sub-unit 1: Circumference of a Circle 
Lesson 2: Exploring CirclesUnit 3
Lesson 2: Is it a Circle?
Lesson 3: Measuring Around
Lesson 3: How Well Can You Measure? 
Lesson 4: Exploring CircumferenceUnit 3
Lesson 2: Is It a Circle?
Lesson 3: Measuring Around
Lesson 5: Understanding π 
Lesson 6: Applying CircumferenceUnit 3
Lesson 2: Is It a Circle?
Lesson 3: Measuring Around
Lesson 7: Circumference and Wheels 
Sub-Unit 2: Area of a Circle
Lesson 8: Exploring the Area of a CircleUnit 3
Lesson 5: Area Strategies
Lesson 6: Radius Squares (Print available)
Lesson 7: Why Pi?
Lesson 8: Area Challenges
Lesson 9: Circle vs. Square
Practice Day 2 (Print available)
Lesson 9: Relating Area to CircumferenceUnit 3
Lesson 5: Area Strategies
Lesson 6: Radius Squares (Print available)
Lesson 7: Why Pi?
Lesson 8: Area Challenges
Lesson 9: Circle vs. Square
Practice Day 2 (Print available)
Lesson 10: Applying Area to CirclesUnit 3
Lesson 6:Radius Squares (Print available)
Lesson 11: Distinguishing Circumference and AreaUnit 3
Lesson 7: Why Pi?
Lesson 12: Capturing Space 

Unit 4: Proportional Relationships and Percentages

Amplify MathDesmos Math 6–A1
Unit 4: PercentagesUnit 4: Proportional Relationships and Percentages
Lesson 1: (Re)Presenting the United States 
Lesson 2: Understanding Percentages and Decimals 
Lesson 3: Percent Increase and DecreaseUnit 4Lesson 4: More or Less
Lesson 4: Determining 100%Unit 4Lesson 6: 100% (Print available)
Lesson 5: Determining Percent ChangeUnit 4Lesson 7: Percent Machines
Lesson 6: Percent Increase and Decrease With EquationsUnit 4Lesson 5: All the Equations
Lesson 7: Using Equations to Solve Percent ProblemsUnit 4Lesson 5: All the Equations
Sub-Unit 2: Applying Percentages 
Lesson 8: Tax and TipUnit 4
Lesson 8: Tax and Tip
Lesson 9: Minimum Wage (Print available)
Lesson 10: Cost of College (Print available)
Lesson 11: Bookcase Builder
Lesson 12: Posing Percent Problems
Lesson 9: Percent ContextsUnit 4
Lesson 8: Tax and Tip
Lesson 9: Minimum Wage (Print available)
Lesson 10: Cost of College (Print available)
Lesson 11: Bookcase Builder
Lesson 12: Posing Percent Problems
Lesson 10: Determining the PercentageUnit 4
Lesson 4: More and Less
Lesson 11: Measurement ErrorUnit 4
Lesson 11: Bookcase Builder
Lesson 12: Error IntervalsUnit 4
Lesson 11: Bookcase Builder
Lesson 13: Writing Better Headlines 

Unit 5: Rational Number Arithmetic

Amplify MathDesmos Math 6–A1
Unit 5: Rational Number ArithmeticUnit 5: Rational Number Artithmetics
Lesson 1: Target: Zero 
Sub-Unit 1: Adding and Subtracting Rational Numbers 
Lesson 2: Interpreting Negative Numbers
Lesson 3: Changing TemperaturesUnit 5
Lesson 2: More Floats and Anchors
Lesson 3: Bumpers
Lesson 4: Draw Your Own (Print available)
Lesson 4: Adding Rational Numbers 
Lesson 5: Money and Debts 
Lesson 6: Representing SubtractionUnit 5
Lesson 5: Number Puzzles
Lesson 7: Subtracting Rational Numbers (Part 1)Unit 5
Lesson 3: Bumpers
Lesson 4: Draw Your Own (Print available)
Lesson 5: Number Puzzles
Lesson 10: Integer Puzzles
Lesson 11: Changing Temperatures
Lesson 13: Solar Panels and More (Print available)
Lesson 8: Subtracting Rational Numbers (Part 2)Unit 5
Lesson 3: Bumpers
Lesson 4: Draw Your Own (Print available)
Lesson 5: Number Puzzles
Lesson 10: Integer Puzzles
Lesson 11: Changing Temperatures
Lesson 13: Solar Panels and More (Print available)
Lesson 9: Adding and Subtracting Rational NumbersUnit 5
Lesson 3: Bumpers
Lesson 4: Draw Your Own (Print available)
Lesson 5: Number Puzzles
Lesson 10: Integer Puzzles
Lesson 11: Changing Temperatures
Lesson 13: Solar Panels and More (Print available)Practice Day 1 (Print available)
Sub-Unit 2: Multiplying and Dividing Rational Numbers 
Lesson 10: Position, Speed, and TimeUnit 5
Lesson 7: Back in Time
Lesson 11: Multiplying Rational NumbersUnit 5
Lesson 7: Back in Time
Lesson 12: Multiply!Unit 5
Lesson 7: Back in Time
Lesson 13: Dividing Rational NumbersUnit 5
Lesson 7: Speeding Turtles
Lesson 14: Negative Rates 
Sub-Unit 3: Four Operations with Rational Numbers 
Lesson 15: Expressions with Rational NumbersUnit 5
Lesson 9: Expressions (Print available)
Lesson 16: Say It With Decimals 
Lesson 17: Solving Problems with Rational NumbersLesson 11: Changing Temperatures
Lesson 12: Arctic Ice Sea (Print available)
Lesson 13: Solar Panels and More (Print available)
Lesson 18: Solving Equations With Rational Numbers 
Lesson 19: Representing Contexts With Equations 
Lesson 20: Summiting Everest 

Unit 6: Expressions, Equations, and Inequalities

Amplify MathDesmos Math 6–A1
Unit 6: Expressions, Equations, and InequalitiesUnit 2: Introducing Proportional Relationships
Unit 4: Proportional Relationships and Percentages
Unit 6: Expressions, Equations, and Inequalities
Lesson 1: Keeping the Balance 
Lesson 2: Balanced and UnbalancedUnit 6
Lesson 1: Toothpicks and Tiles
Lesson 2: Balanced and UnbalancedUnit 6
Lesson 1: Toothpicks and Tiles
Lesson 3: Reasoning About Solving Equations (Part 1)Unit 6
Lesson 2: Smudged Receipts
Lesson 4: Reasoning About Solving Equations (Part 2)Unit 6
Lesson 2: Smudged Receipts
Lesson 3: Equations
Lesson 4: Seeing Structure (Print available)
Lesson 5: Dealing with Negative NumbersUnit 6
Lesson 2: Smudged Receipts
Lesson 3: Equations
Lesson 4: Seeing Structure (Print available)
Lesson 5: Dealing with Negative NumbersUnit 6
Lesson 8: Factoring and Expanding (Print available)
Lesson 16: Shira the Sheep
Lesson 6: Two Ways to Solve One EquationUnit 6
Lesson 4: Seeing Struction (Print available)
Lesson 7: Practice Solving EquationsUnit 6
Lesson 2: Smudged Receipts
Lesson 3: Equations
Lesson 4: Seeing Structure (Print available)
Sub-Unit 2: Solving Real-World Problems Using Two-Step Equations 
Lesson 8: Reasoning With Tape DiagramsUnit 6
Lesson 2: Smudged Receipts
Lesson 9: Reasoning About Equations and Tape Diagrams (Part 1)Unit 6
Lesson 2: Smudged Receipts
Lesson 10: Reasoning About Equations and Tape Diagrams (Part 2)Unit 6
Lesson 2: Smudged Receipts
Lesson 11: Using Equations to Solve ProblemsUnit 6
Lesson 2: Smudged Receipts
Lesson 3: Equations
Lesson 4: Seeing Structure (Print available) 
Lesson 12: Solving Percent Problems in New WaysUnit 6
Lesson 4: Seeing Structure (Print available)

Unit 4
Lesson 7: Percent MachinesPractice Day 1 (Print available)
Practice Day 2 (Print available)
Sub-Unit 3: Inequalities 
Lesson 13: Reintroducing InequalitiesUnit 6
Lesson 1: Toothpicks and Tiles
Lesson 14: Solving InequalitiesUnit 6
Lesson 5: Balancing Moves
Lesson 6: Balancing Equations
Lesson 13: I Saw the Signs
Lesson 15: Finding Solutions to Inequalities in ContextUnit 6
Lesson 13: I Saw the Signs
Practice Day 1 (Print available)
Lesson 16: Efficiently Solving InequalitiesUnit 6
Lesson 10: Collect the Squares
Lesson 17: Interpreting InequalitiesUnit 6
Lesson 13: I Saw the Signs
Lesson 14: Unbalanced Hangers
Lesson 15: Budgeting (Print available)
Lesson 18: Modeling With Inequalities 
Sub-Unit 4: Equivalent Expressions 
Lesson 19: Subtraction in Equivalent Expressions 

Unit 7: Angles, Triangles, and Prisms

Amplify MathDesmos Math 6–A1
Unit 7: Angles, Triangles, and PrismsUnit 7: Angles, Triangles, and Prisms
Lesson 1: Shaping Up 
Sub-Unit 1: Angle Relationships 
Lesson 2: Relationships of AnglesUnit 7
Lesson 1: Pinwheels
Lesson 2: Friendly Angles
Lesson 3: Angle Diagrams
Lesson 3: Supplementary and Complementary Angles (Part 1) 
Lesson 4: Supplementary and Complementary Angles (Part 2) 
Lesson 5: Vertical AnglesUnit 7
Lesson 2: Friendly Angles
Lesson 3: Angle Diagrams
Lesson 4: Missing Measures (Print available) [Free lesson]
Lesson 6: Using Equations to Solve for Unknown AnglesUnit 7
Lesson 3: Angle Diagrams
Lesson 4: Missing Measures (Print available) [Free lesson]
Lesson 7: Like Clockwork 
Sub-Unit 2: Drawing Polygons with Given Conditions 
Lesson 8: Building Polygons (Part 1)Unit 7
Lesson 6: Is It Enough?
Lesson 9: Building Polygons (Part 2)Unit 7
Lesson 6: Is It Enough?
Lesson 10: Triangles with Three Common MeasuresUnit 7
Lesson 13: Popcorn Possibilities
Lesson 11: Drawing Triangles (Part 1)Unit 7
Lesson 5: Can You Build It? [Free lesson]
Lesson 6: Is It Enough?
Lesson 7: More Than One
Lesson 8: Can You Draw It? (Print available)
Practice Day 1 (Print available)
Lesson 12: Drawing Triangles (Part 2)Unit 7
Lesson 5: Can You Build It? [Free lesson]
Lesson 6: Is It Enough?
Lesson 7: More Than One
Lesson 8: Can You Draw It? (Print available)
Practice Day 1 (Print available)
Sub-Unit 3: Solid Geometry
Lesson 13: Slicing SolidsUnit 7
Lesson 9: Slicing Solids
Lesson 14: Volume of Right PrismsUnit 7
Lesson 10: Simple Prisms
Lesson 15: Decomposing Bases for AreasUnit 7
Lesson 11: More Complicated Prisms
Lesson 16: Surface Area of Right PrismsUnit 7
Lesson 10: Simple Prisms
Lesson 11: More Complicated Prisms
Lesson 12: Surface Area Strategies (Print available)
Lesson 17: Distinguishing Volume and Surface Area
Lesson 18: Applying Volume and Surface AreaUnit 7
Lesson 13: Popcorn Possibilities

Unit 8: Probability and Sampling

Amplify MathDesmos Math 6–A1
Unit 8: Probability and SamplingUnit 8: Probability and Sampling
Lesson 1: The Invention of Fairness 
Lesson 2: Chance Experiments 
Lesson 3: What are Probabilities?Unit 8
Lesson 1: How Likely? (Print available)
Lesson 2: Prob-bear-bilities [Free lesson
Lesson 3: Mystery Bag
Lesson 4: Estimating Probabilities Through Repeated ExperimentsUnit 8
Lesson 4: Spin Class
Lesson 5: Is It Fair?
Lesson 6: Fair Games
Lesson 5: Code Breaking (Part 1)
Lesson 6: Code Breaking (Part 2)
Sub-Unit 2: Probabilities of Multi-Step Events
Lesson 7: Keeping Track of All Possible OutcomesUnit 8
Lesson 4: Spin Class
Lesson 5: Is it Fair?
Lesson 6: Fair Games
Lesson 8: Experiments With Multi-Step Events  
Lesson 9: Simulating Multi-Step Events 
Lesson 10: Designing Simulations 
Sub-Unit 3:Sampling
Lesson 11: Comparing Two PopulationsUnit 8
Lesson 10: Crab Island
Lesson 11: Headlines
Lesson 12: Larger PopulationsUnit 8
Lesson 10: Crab Island
Lesson 11: Headlines
Lesson 13: What Makes a Good Sample?Unit 8
Lesson 10: Crab Island
Lesson 11: Headlines
Lesson 14: Sampling in a Fair WayUnit 8
Lesson 10: Crab Island
Lesson 11: Headlines
Lesson 15: Estimating Population Measures of CenterUnit 8
Lesson 9: Car, Bike, or Train?
Lesson 10: Crab Island
Lesson 11: Headlines
Lesson 12: Flower Power
Lesson 16: Estimating Population ProportionsUnit 8
Lesson 9: Car, Bike, or Train?
Lesson 10: Crab Island
Lesson 11: Headlines
Lesson 12: Flower Power
Lesson 17: Presentation of Findings 

Grade 8

Unit 1: Rigid Transformations and Congruence

Amplify MathDesmos Math 6–A1
Unit 1: Rigid Transformations and CongruenceUnit 1: Rigid Transformations and Congruence
Unit 3: Proportional and Linear Relationships
Lesson 1: Tessellations 
Sub-Unit 1: Rigid Transformations 
Lesson 2: Moving in the PlaneUnit 1
Lesson 1: Transformers
Lesson 3: Symmetry and Reflection 
Lesson 4: Grid MovesUnit 1
Lesson 3: Transformation Golf
Lesson 4: Moving Day (Print available)
Lesson 5: Getting Coordinated

Unit 3
Lesson 6: Translations
Lesson 5: Making the MovesUnit 1
Lesson 1: Transformers
Lesson 2: Spinning, Flipping, Sliding
Lesson 4: Moving Day (Print available)
Lesson 5: Getting Coordinated
Lesson 6: Coordinate Moves (Part 1)Unit 1
Lesson 4: Moving Day (Print available)
Lesson 5: Getting Coordinated
Lesson 7: Coordinate Moves (Part 2)Unit 1
Lesson 4: Moving Day (Print available)
Lesson 5: Getting Coordinated
Lesson 6: Describing TransformationsUnit 1
Lesson 5: Getting Coordinated
Lesson 6: Connecting the Dots
Sub-Unit 2: Rigid Transformations and Congruence 
Lesson 9: No Bending or StretchingUnit 1
Lesson 7: No Bending, No Stretching
Lesson 10: What is the Same?Unit 1
Lesson 7: Are They the Same?
Lesson 9: Are They Congruent?
Lesson 11: Congruent PolygonsUnit 1
Lesson 7: Are They the Same?
Lesson 9: Are They Congruent?
Sub-Unit 4: Angles in a Triangle 
Lesson 13: Line Moves 
Lesson 14: Rotation Patterns 
Lesson 15: Alternate Interior AnglesUnit 1 
Lesson 11: Tearing It Up (Print available)
Lesson 16: Adding the Angles in a TriangleUnit 1
Lesson 11: Tearing It Up (Print available)
Lesson 17: Parallel Lines and the Angles in a TriangleUnit 1 
Lesson 10: Transforming Angles
Lesson 18: Creating a Border Pattern Using Transformations 

Unit 2: Dilations, Similarity, and Introducing Slope

Amplify MathDesmos Math 6–A1
Unit 2: Dilations and SimilarityUnit 2: Dilations and Similarity
Lesson 1: Projecting and Scaling 
Sub-Unit 1: Dilations
Lesson 2: Circular GridUnit 2
Lesson 1: Sketchy Dilations
Lesson 2: Dilation Mini Golf
Lesson 3: Match My Dilation
Lesson 4: Dilations on a Plane
Lesson 3: Dilations on a Plane 
Lesson 4: Dilations on a Square GridUnit 2
Lesson 1: Sketchy Dilations
Lesson 2: Dilation Mini Golf
Lesson 3: Match My Dilation
Lesson 4: Dilations on a Plane
Lesson 5: Dilations with CoordinatesUnit 2
Lesson 4: Dilations on a Plane
Sub-Unit 2: Similiarity
Lesson 6: SimilarityUnit 2
Lesson 5: Transformations Golf with Dilations
Lesson 6: Social Scavenger Hunt (Print available)
Lesson 7: Similar PolygonsUnit 2
Lesson 6: Social Scavenger Hunt (Print available)
Lesson 8: Similar TrianglesUnit 2
Lesson 7: Are Angles Enough?
Lesson 8: Shadows
Lesson 9: Ratios of Side Lengths in Similar Triangles
Lesson 12: Optical Illusions 

Unit 3: Linear Relationships

Amplify MathDesmos Math 6–A1
Unit 3: Proportional and Linear RelationshipsUnit 3: Proportional and Linear Relationships
Unit 4: Linear Equations and Linear Systems
Unit 5: Functions and Volume
Lesson 1: Visual Patterns 
Sub-Unit 1: Proportional Relationships 
Lesson 2: Proportional Relationships 
Lesson 3: Understanding Proportional RelationshipsUnit 3
Lesson 1: Turtle Time Trials
Lesson 4: Graphs of Proportional RelationshipsUnit 3
Lesson 1: Turtle Time Trials
Lesson 2: Water Tank 

Unit 5
Lesson 4: Window Frames
Lesson 5: Representing Proportional RelationshipsUnit 3
Lesson 1: Turtle Time Trials 
Unit 5
Lesson 4: Window Frames
Lesson 6: Graphing Stories
Lesson 7: Feel the Burn (Print available)
Lesson 8: Charge! (Print available)
Lesson 6: Comparing Proportional RelationshipsUnit 3
Lesson 3: Posters
Sub-Unit 2: Linear Relationships
Lesson 7: Introduction to Linear RelationshipsUnit 3
Lesson 1: Turtle Time Trials
Lesson 4: Stacking Cups

Unit 5
Lesson 6: Graphing Stories
Lesson 7: Feel the Burn (Print available)
Lesson 8: Charge! (Print available)
Lesson 8: Comparing Linear Relationships 
Lesson 9: More Linear RelationshipsUnit 5
Lesson 6: Graphing Stories
Lesson 7: Feel the Burn (Print available)
Lesson 8: Charge! (Print available)
Lesson 10: Representations of Linear RelationshipsUnit 3
Lesson 5: Flags
Lesson 6: Graphing Stories
Lesson 7: Feel the Burn (Print available)
Lesson 8: Charge! (Print available)
Lesson 11: Writing Equations for Lines Using Two Points 
Lesson 12: Translating mx + bUnit 3
Lesson 3: Posters
Lesson 6: Translations
Lesson 13: Slopes Don’t Have to be PositiveUnit 3
Lesson 5: Flags
Lesson 6: Translations
Lesson 7: Water Cooler
Lesson 8: Landing Planes
Lesson 10: Calculating SlopeUnit 3
Lesson 7: Water Cooler
Lesson 8: Landing Planes
Lesson 14: Writing Equations for Lines Using Two Points, Revisited 
Lesson 11: Equations of All Kinds of LinesUnit 3
Lesson 3: Posters
Lesson 4: Stacking Cups
Lesson 5: Flags
Lesson 6: Translations
Sub-Unit 3: Linear Equations 
Lesson 16: Solutions to Linear EquationsUnit 3
Lesson 3: Posters
Lesson 6: Translations
Lesson 10: Solutions

 Unit 4
Lesson 3: Balanced Moves
Lesson 4: More Balanced Moves (Print available)
Lesson 17: More Solutions to Linear EquationsUnit 3 
Lesson 4: Stacking Cups
Lesson 5: Flags
Lesson 6: Translations
Lesson 7: Water Cooler
Lesson 10: Solutions
Lesson 18: Coordinating Linear Relationships 
Lesson 19: Rogue Planes 

Unit 4: Linear Equations and Linear Systems

Amplify MathDesmos Math 6–A1
Unit 4: Linear Equations and Systems of Linear EquationsUnit 4: Linear Equations and Systems of Linear Equations
Lesson 1: Number PuzzlesUnit 4
Lesson 1: Number machines
Sub-Unit 1: Linear Equations in One Variable 
Lesson 2: Writing Expressions and Equations
Lesson 3: Keeping the BalanceUnit 4
Lesson 2: Keep It Balanced
Lesson 4: Balanced Moves (Part 1)Unit 4
Lesson 3: Balanced Moves
Lesson 5: Balanced Moves (Part 2)Unit 4
Lesson 4: More Balanced Moves (Print available)
Lesson 6: Solving Any Linear EquationsUnit 4
Lesson 4: More Balanced Moves (Print available)
Lesson 5: Equation Roundtable (Print available)
Lesson 6: Strategic Solving (Print available)
Lesson 7: How Many Solutions? (Part 1)Unit 4
Lesson 5: Equation Roundtable (Print available)
Lesson 8: How Many Solutions? (Part 2)Unit 4
Lesson 5: Equation Roundtable (Print available)
Lesson 9: Strategic Solving 
Lesson 10: When Are They the SameUnit 4
Lesson 8: When Are They the Same?
Sub-Unit 2: Systems of Linear Equations
Lesson 11: On or Off the Line?Unit 4
Lesson 9: On or Off the Line?
Lesson 12: On Both of the LinesUnit 4
Lesson 10: On Both Lines
Lesson 13: Systems of Linear EquationsUnit 4
Lesson 11: Make Them Balance
Lesson 14: Solving Systems of Equations (Part 1)Unit 4
Lesson 14: All, Some, or None? Part 2
Lesson 15: Solving Systems of Equations (Part 2)Unit 4
Lesson 12: All, Some, or None? Part 2
Lesson 16: Writing Systems of Linear EquationsUnit 4
Lesson 14: Strategic Solving, Part 2 (Print available)
Lesson 17: Pay Gaps 

Unit 5: Functions and Volume

Amplify MathDesmos Math 6–A1
Unit 5: Functions and VolumeUnit 2: Dilations, Similarity, and Introducing Slope
Unit 3:
Proportional and Linear Relationships
Unit 5:
Functions and Volume
Lesson 1: Pick a Pitch 
Sub-Unit 1: Representing and Interpreting Functions 
Lesson 2: Introduction to FunctionsUnit 5
Lesson 2: Guess My Rule
Lesson 3: Equations of FunctionsUnit 3
Lesson 4: Window Frames
Lesson 4: Graphs of Functions (Part 1)Unit 5
Lesson 3: Function or Not?
Lesson 5: Graphs of Functions (Part 2)Unit 5
Lesson 5: The Tortoise and the Hare
Lesson 6: Graphs of Functions (Part 3)Unit 5
Lesson 6: Graphing Stories
Lesson 7: Connecting Representations of FunctionsUnit 5
Lesson 7: Feel the Burn (Print available)Lesson 8: Charge! (Print available)
Lesson 8: Comparing Linear Functions 
Lesson 9: Modeling with Linear Functions 
Lesson 10: Piecewise Linear FunctionsUnit 5
Lesson 9: Piecing It Together
Sub-Unit 2: Cylinder, Cones, and Spheres 
Lesson 11: Filling Containers 
Lesson 12: The Volume of a CylinderUnit 5
Lesson 10: Volume LabLesson 11: Cylinders
Lesson 12: Scaling Cylinders
Lesson 13: Determining Dimensions of CylindersUnit 5
Lesson 14: Missing Dimensions (Print available)
Lesson 14: The Volume of a ConeUnit 5
Lesson 10: Volume LabLesson 13: Cones
Lesson 15: Determining Dimensions of ConesUnit 5
Lesson 12: Scaling Cylinders
Lesson 13: Cones
Lesson 14: Missing Dimensions (Print available)
Lesson 16: Estimating a Hemisphere 
Lesson 17: The Volume of a SphereUnit 5
Lesson 15: Spheres
Lesson 18: Cylinders, Cones and SpheresUnit 5
Lesson 15: Practice Day 2 (Print available)
Lesson 19: Scaling One Dimension 
Lesson 20: Scaling Two Dimensions 
Lesson 21: Packing Spheres 

Unit 6: Exponents and Scientific Notation

Amplify MathDesmos Math 6–A1
Unit 6: Exponents and Scientific NotationUnit 7: Exponents and Scienctific Notation
Lesson 1: Create a Sierpinski Triangle 
Sub-Unit 1: Exponent Rules 
Lesson 2: Reviewing ExponentsUnit 7
 Lesson 1: Circles
Lesson 2: Combining Exponents
Lesson 3: Multiplying PowersUnit 7 
Lesson 3: Power Pairs (Print available)
Lesson 4: Rewriting Powers
Lesson 4: Dividing PowersUnit 7 
Lesson 3: Power Pairs (Print available)
Lesson 4: Rewriting Powers
Lesson 5: Negative ExponentsUnit 7 
Lesson 5: Zero and Negative Exponents
Lesson 6: Powers of PowersUnit 7 
Lesson 3: Power Pairs (Print available)
Lesson 7: Different Bases, Same Exponent 
Lesson 8: Practice with Rational BasesUnit 7
Practice Day 1 (Print available)
Sub-Unit 2: Scientific Notation 
Lesson 9: Representing Large Numbers on the Number LineUnit 7
Lesson 8: Point Zapper
Lesson 10: Representing Small Numbers on the Number LineUnit 7
Lesson 8: Point Zapper
Lesson 11: Applications of Arthithmetic with Powers of 10Unit 7
Lesson 8: Point Zapper
Lesson 9: Use Your Powers
Lesson 12: Definition of Scientific NotationUnit 7
Lesson 10: Solar System
Lesson 11: Balance the Scale
Lesson 13: Star Power
Lesson 13: Multiplying, Dividing, and Estimating with Scientific NotationUnit 7
Lesson 11: Balance the Scale
Lesson 13: Star Power
Lesson 14: Adding and Subtracting with Scientific NotationUnit 7
Lesson 11: Balance the Scale
Lesson 12: City Lights
Lesson 13: Star Power
Lesson 15: Is a Smartphone Smart Enough to Go to the Moon? 

Unit 7: Irrationals and the Pythagorean Theorem

Practice Day 2 (Print available)

Amplify MathDesmos Math 6–A1
Unit 7: Irrationals and the Pythagorean TheoremUnit 8: The Pythagorean Theorem and Irrational Numbers
Lesson 1: Sliced Bread
Sub-Unit 1: Rational and Irrational Numbers
Lesson 2: The Square RootUnit 8
Lesson 2: From Squares to Roots
Lesson 3: The Ares of Squares and Their Side LengthsUnit 8
Lesson 1: Tilted Squares
Lesson 3: Between Squares
Lesson 4: Estimating Square RootsUnit 8
Lesson 3: Between Squares
Lesson 4: Root Down
Lesson 5: The Cube RootUnit 8
Lesson 5: Filling Cubes
Lesson 6: Rational and Irrational NumbersUnit 8
Lesson 14: Hit the Target
Lesson 7: Decimal Representations of Rational NumbersUnit 8
Lesson 12: Fractions to Decimals
Lesson 8: Converting Repeating Decimals Into FractionsUnit 8
Lesson 13: Decimals to Fractions
Sub-Unit 2: The Pythagorean Theorem
Lesson 9: Observing the Pythagorean TheoremUnit 8
Lesson 6: The Pythagorean Theorem
Lesson 10: Proving the Pythagorean TheoremUnit 8
Lesson 7: Pictures to Prove It
Lesson 11: Determining Unknown Side LengthsUnit 8
Lesson 8: Triangle-Tracing Turtle
Lesson 12: Converse of the Pythagorean TheoremUnit 8
Lesson 9: Make it Right
Lesson 13: Distances on the Coordinate Plane (Part 1)Unit 8
Lesson 11: Pond Hopper
Lesson 13: Distances on the Coordinate Plane (Part 1)Unit 8
Lesson 11: Pond Hopper
Lesson 14: Distances on the Coordinate Plane (Part 2)Unit 8
Lesson 11: Pond Hopper
Lesson 15: Applications of the Pythagorean TheoremUnit 8
Lesson 8: Triangle-Tracing Turtle
Lesson 10: Taco Truck
Lesson 16: Pythagorean Triples

Unit 8: Pythagorean Theorem and Irrational Numbers

Amplify MathDesmos Math 6–A1
Unit 8: Associations in DataUnit 6: Associations in Data
Lesson 1: Creating a Scatter PlotUnit 6
Lesson 1: Click Battle
Sub-Unit 1: Associations in Data
Lesson 2: Interpreting Points on a Scatter PlotUnit 6
Lesson 3: Robots
Lesson 3: Observing Patterns in a Scatter PlotUnit 6
Lesson 7: Scatter Plot City
Lesson 4: Fitting a Line to DataUnit 6
Lesson 4: Dapper Cats
Lesson 5: Fit Fights
Lesson 5: Using a Linear ModelUnit 6
Lesson 6: Interpreting Slopes
Lesson 6: Interpreting Slope and y-interceptUnit 6
Lesson 6: Interpreting Slopes
Lesson 7: Analyzing Bivariate DataUnit 6
Lesson 8: Animal Brains
Lesson 8: Looking for AssociationsUnit 6
Lesson 9: Tasty Fruit
Lesson 9: Using Data Displays to Find AssociationsUnit 6
Lesson 10: Finding Associations
Lesson 11: Federal Budgets

Amplify and SFUSD Partnership

We recognize and respect the unique differences of each of our partnering districts—and that includes San Francisco USD.

Out of the box, Amplify Caminos offers districts a rich, comprehensive, research-based SELA experience. That said, no two districts are exactly alike. To that end, we are committed to working with San Francisco USD to ensure that Amplify Caminos addresses the needs of your community. This includes providing implementation guidance and support, as well as collaborating with your staff to determine which domains need to be modified or exchanged.

What is Amplify Caminos?

Amplify Caminos is a core Spanish language arts program for grades TK–5 that delivers:

  • Authentic instruction built from the ground up for the Spanish language.
  • A unique research-based approach truly built on the Science of Reading.
  • A combination of explicit foundational skills with meaningful knowledge-building.
  • Embedded support and differentiation that gets all students reading grade-level texts together.
  • Opportunities for students to see the strengths and experiences that all people share while also celebrating each others’ unique identities and experiences.



Watch the video below to learn more about Amplify Caminos for Grades K–2.



Watch the video below to learn more about Amplify Caminos for Grades 3–5.

How does Amplify Caminos work?

Amplify Caminos is built on the science of how kids learn to read—in Spanish.

Amplify Caminos is all about helping you teach students how to read, all while giving them authentic and engaging reasons to read. That’s why Amplify Caminos develops foundational skills and builds knowledge in tandem.

  • Knowledge: Through complex and authentic Spanish read-alouds with an emphasis on classroom interactivity, oral comprehension, and contextual vocabulary, students start to build their awareness of the world around them—and the way the reading skills they’re building give them access to it.
  • Skills: Starting with the sounds at the core of the Spanish
    language, students practice their phonemic awareness, handwriting skills, vocabulary, spelling, and grammar. Through daily practice, students become aware of the connection between reading and writing, building confidence as they go.
Illustration depicting the flow of genetic information, represented by ribbons transitioning from dna to rna, connected to various educational images and diagrams.

Respecting the development differences between grade ranges, Amplify Caminos teaches foundational skills and background knowledge as two distinct strands in grades K–2, and combines them into one integrated strand in grades 3–5.

Grades K–2:
Every day, students in grades K–2 complete one full lesson that explicitly and systematically builds foundational reading skills in the Amplify Caminos Lectoescritura strand, as well as one full lesson that builds robust background knowledge to access complex text in the Amplify Caminos Conocimiento strand. Through learning in each of these strands, students develop the early literacy skills necessary to help them become confident readers and build the context to understand what they’re reading.

Grades 3–5:
In grades 3–5, the Amplify Caminos Lectoescritura and Conocimiento strands are integrated in one set of instructional materials. Lessons begin to combine skills and knowledge with increasingly complex texts, close reading, and a greater writing emphasis. Students can then use their skills to go on their own independent reading adventures.

What do Amplify Caminos students explore?

Amplify Caminos builds students’ knowledge about the world.

In addition to teaching all students to crack the written code (which is vital for equity), the Amplify Caminos program helps students see the strengths and experiences we all share while celebrating their own unique identities and experiences.

This is accomplished through the exploration of topics and text that feature people who resemble students and familiar situations or experiences while also exposing them to people whose appearances, lives, beliefs, and backgrounds differ from their own.
 

Engaging domains

Amplify Caminos builds knowledge coherently across subjects and grades.

Throughout the program, students use their skills to explore domains that relate to storytelling, science, and the history of our world as seen through the eyes of many different groups.

Carefully selected to build from year-to-year, our grade-appropriate topics help students make and deepen connections while also reading, writing, and thinking creatively and for themselves.

Curriculum flowchart for Kindergarten to Grade 5, showing subject progression in language, science, and social studies, with highlighted and connected units.

New Knowledge Research Units for Grades K–5

Our brand-new Knowledge Research units carry forward Amplify Caminos’ powerful and proven instructional approach while also:

  • Adding more diversity. The rich topics and highly visual components featured in these units provide students with even more “windows and mirrors” and perspectives as they work to build knowledge.
  • Adding more authentic literature. Each new research unit revolves around a collection of high-interest authentic trade books that will spark more curiosity and inspire more inquiry.
  • Adding more flexibility. Units can be implemented for extended core instruction during flex periods, district-designated Pausing Points, or enrichment periods.

Units cover a variety of rich and relevant topics:

With these new units, students will soar to new heights with Dr. Ellen Ochoa, Amelia Earhart, and the Tuskegee Airmen. They’ll feel the rhythm as they learn about Jazz legends Miles Davis, Tito Puente, and Duke Ellington. And they’ll explore the far reaches of the world with Jacques Cousteau, Matthew Henson, and Eugenie Clark.

  • Grade K: El arte y el mundo que nos rodea
  • Grade 1: Cuentos de aventuras: relatos desde los confines de la Tierra
  • Grade 2: ¡A volar! La era de la aviación
  • Grade 3: Jazz y más
  • Grade 4: Energía: pasado, presente y futuro
  • Grade 5: Más allá de Juneteenth: de 1865 al presente

Units will be made available in English and Spanish, and will include the following components:

Why we added this unit:
“Every child is an artist,” said Picasso, meaning that every child uses art to explore and understand the world around them. El arte y el mundo que nos rodea honors that truth by introducing Kindergarten students to some of the ways in which artists have explored and understood the world around them.

This domain introduces students to artists from different time periods, countries, and cultures. Throughout the unit, students learn about different kinds of art and how artists use the world around them as they make art. They also connect this to what they have already learned about the earth, plants, and animals in other Caminos domains: GranjasPlantas, and Cuidar el planeta Tierra. In addition, students connect this to what they have learned about sculptors in the Presidentes y símbolos de los Estados Unidos domain. As they explore different artists and artistic traditions, they develop their ideas about how humans are connected to each other and to the world around them.

As you read the texts in this unit, students may observe ways in which the characters or subjects are both similar to and different from students. This is a good opportunity to teach students awareness and sensitivity, building on the idea that all people share some things in common, even as they have other things that make them unique. This unit also offers an excellent opportunity to collaborate with your school’s art teacher, as many lessons have suggested activities to help students understand the kind of art they are studying.

Within this unit, students have opportunities to:

  • Use details to describe art.
  • Identify three ways to create art.
  • Identify characteristics of cave art.
  • Sequence the steps of making pottery.
  • Describe how artists can create work connected to the world around them.
  • Describe what makes Kehinde Wiley’s portraits unique.
  • Explain how the texture of a surface can affect artwork created on it.
  • Explain what a sculpture is.
  • Describe what makes James Turrell’s artwork about the sky unique.
  • Explain what a museum is and what kinds of things you can see or do there.

Trade books in this unit:
Instruction in this unit revolves around the following collection of high-interest authentic trade books. One copy of each trade book is included with the unit materials.

  • Georgia O’Keeffe por Erica Salcedo
  • Yayoi Kusama: De aquí al infinito por Sarah Suzuki
  • Tejedora del arcoíris por Linda Elovitz Marshall
  • Las tijeras de Matisse por Jeanette Winter
  • El museo por Susan Verde
  • Quizás algo hermoso: Cómo el arte transformó un barrio por F. Isabel Campoy

Sample materials:
Take a sneak peek at the rich instruction and engaging activities for this unit by viewing the PDFs below.

Why we added this unit:
This domain introduces students to adventure stories set around the world and challenges students to dig into the adventures through research. By listening to the Read-Alouds and trade books, students increase their vocabulary and reading comprehension skills, learn valuable lessons about perseverance and teamwork, and become familiar with gathering information for research.

In this unit, students study the careers of real-world explorers Dr. Eugenie Clark and Sophia Danenberg, marvel at the inventions of Jacques Cousteau, think critically about how teamwork and collaboration can make greater adventures possible, learn about the science and technology that enable adventures, and research some of the ways humans have confronted challenges at the edges of the world, from the oceans below to space above.

Each lesson in the domain builds students’ research skills as they ask questions, gather information, and write a paragraph about their findings. Students share what they have learned about adventures in an Adventure Gallery Walkthrough. By taking on the persona of one of the adventurers they meet in the Read-Alouds and trade books, students deliver their final paragraphs as if they are a “speaking portrait” of that person. Students are invited to dress up as that adventurer if they desire.

In addition, teachers can set aside time outside the instructional block to create the picture frames students will hold as they present to the Adventure Gallery Walk guests. Frames can be made from shirt boxes, cardboard, construction paper, or any art supplies that are on hand. This might be an opportunity to collaborate with the school’s art department if resources are available. Another option is to ask students to make their frames at home with their caregivers. On the day of the Adventure Gallery Walk, students will be the hosts and take on specific jobs, such as welcoming the guests, describing their work throughout the unit, and pointing out the areas of study on the domain bulletin board. You can find a complete list of student jobs in Lesson 13.

How this unit builds knowledge:
This unit builds upon the following Caminos units that students will have encountered in the previous grade.

  • Rimas y fábulas infantiles (Kindergarten)
  • Cuentos (Kindergarten)

The specific core content targeted in these domains is particularly relevant to the Read-Alouds students will hear in Cuentos de aventuras: relatos desde los confines de la Tierra. The background knowledge students bring to this unit will greatly enhance their understanding of the trade books used in this unit.

Trade books in this unit:
Instruction in this unit revolves around the following collection of high-interest authentic trade books. One copy of each trade book is included with the unit materials.

  • My Name Is Gabito/Me llamo Gabito por Monica Brown
  • Galápagos Girl/Galapagueña por Marsha Diane Arnold
  • My Name Is Gabriela/Me llamo Gabriela por Monica Brown
  • El viaje de Kalak por María Quintana Silva y Marie-Noëlle Hébert
  • Señorita Mariposa por Ben Gundersheimer
  • Sharuko, el arqueólogo peruano/Peruvian Archaeologist Julio C. Tello por Monica Brown
  • Abuelita fue al mercado por Stella Blackstone

Sample materials:
Take a sneak peek at the rich instruction and engaging activities for this unit by viewing the PDFs below.

Why we added this unit:
With this domain, students head up, up, and away with an introduction to the soaring history of aviation. Students learn the stories of early aviators, such as the Montgolfier brothers, the Wright brothers, Aida de Acosta, and Amelia Earhart.

During the unit, students study the science of flight, including the physics concept of lift, and research the social impacts of the world of flight. Finally, students let their research skills take flight as they explore key figures from the world of aviation.

The lessons in this domain build on earlier Grade 2 Caminos domains about the westward expansion, early Greek civilizations, and Greek myths, and lay the foundation for learning about other periods of world history in future grades.

How this unit builds knowledge:
This unit builds upon the following Caminos units that students will have encountered earlier in the year.

  • La civilización griega antigua (Grade 2)
  • Mitos griegos (Grade 2)
  • La expansión hacia el oeste (Grade 2)

The specific core content targeted in these domains is particularly relevant to the Read-Alouds students will hear in ¡A volar! La era de la aviación. The background knowledge students bring to this unit will greatly enhance their understanding of the trade books used in this unit.

Trade books in this unit:
Instruction in this unit revolves around the following collection of high-interest authentic trade books. One copy of each trade book is included with the unit materials.

  • ¡A volar! Todo sobre aviones por Jennifer Prior
  • Amelia sabe volar por Mara dal Corso
  • Héroes de la aviación que cambiaron el mundo por Dan Green
  • El niño que alcanzó las estrellas por José M. Hernández
  • La niña que aprendió a volar por Sylvia Acevedo
  • Buenas Noches Capitán Mamá por Graciela Tiscareño-Sato

Sample materials:
Take a sneak peek at the rich instruction and engaging activities for this unit by viewing the PDFs below.

Why we added this unit:
This domain teaches students about the vibrant music, poetry, and culture of the Jazz Age in the United States. Students learn about famous writers and musicians like Langston Hughes, Louis Armstrong, Billie Holiday, Melba Liston, Tito Puente, and Miles Davis. They study how the jazz art form took root in the South, then spread to the North to become the sound of the Harlem Renaissance, eventually connecting people around the world in musical expression.

During this unit, students perform guided research to further explore both the history of jazz and what jazz is today. They develop research skills and then use those skills to find deeper connections between the stories and music of the Jazz Age and music today. As students learn about the world of jazz, they collaborate and share ideas with their classmates. They also practice sharing feedback focused on their written work, and, at the end of the unit, students present their research to the group.

The lessons give students opportunities to dive into the rhythms and stories of jazz, utilizing the knowledge sequence in this unit to:

  • Collaboratively generate research questions about jazz, jazz musicians, contemporary musicians from the state where they live or have lived, and the evolution of jazz music.
  • Utilize Read-Alouds, independent reading, and partner reading to learn about the Jazz Age, the Harlem Renaissance, jazz music, and biographies of celebrated jazz musicians and writers.
  • Research the answers to their generated questions, gather information, write a short research essay about a famous jazz musician, write a short essay about a contemporary musician from the state where they live or have lived, and give a presentation about their research.

How this unit builds knowledge:
Within this unit, students have opportunities to:

  • Ask relevant questions and make pertinent comments
  • Identify details in texts
  • Determine key ideas of texts by evaluating details
  • Make text-based inferences
  • Generate questions based on prior knowledge and gathered information
  • Synthesize details across texts to demonstrate comprehension
  • Discuss and explain an author’s purpose
  • Identify and cite reliable primary and secondary sources of information
  • Compose a well-organized and focused informative essay
  • Make connections between topics
  • Present information using appropriate media

Trade books in this unit:
Instruction in this unit revolves around the following collection of high-interest authentic trade books. One copy of each trade book is included with the unit materials.

  • ¡Esquivel! Un artista del sonido de la era espacial por Susan Wood
  • Ray Charles por Sharon Bell Mathis
  • Tito Puente, el Rey del Mambo por Monica Brown
  • Me llamo Celia, la vida de Celia Cruz por Monica Brown
  • ¡Azúcar! por Ivar Da Coll

In this unit, students also read the poem “Harlem” by Langston Hughes. (Available for free through the Academy of American Poets website and the Poetry Foundation website, with recorded audio available through the website for John Hancock College Preparatory High School.)

Sample materials:
Take a sneak peek at the rich instruction and engaging activities for this unit by viewing the PDFs below.

Why we added this unit:
With this domain, students become tomorrow’s problem solvers in this study of energy in the United States. Analytical reading skills are developed by examining the challenges of early energy innovators. Students then read about current energy practices and young energy change-makers across the world.

Throughout the unit, students conduct research into different sources of energy and present a proposal, putting them in the shoes of future energy innovators. They also use the knowledge sequence in this unit to:

  • Collaboratively analyze texts to identify cause-effect and problem-solution relationships.
  • Generate questions and conduct research about energy.
  • Write an opinion essay making their case for a fuel of the future.
  • Create energy proposals using primary and secondary resources.

How this unit builds knowledge:
This unit builds upon the following Caminos units that students will have encountered in previous grades as well as earlier in the year.

  • Plantas (Grade K)
  • La historia de la Tierra (Grade 1)
  • ¡Eureka! Estudiante inventor (Grade 4)

The specific core content targeted in these domains is particularly relevant to the Read-Alouds students will hear in Energía: pasado, presente y futuro. The background knowledge students bring to this unit will greatly enhance their understanding of the trade books used in this unit.

Trade books in this unit:
Instruction in this unit revolves around the following collection of high-interest authentic trade books. One copy of each trade book is included with the unit materials.

  • La historia de los combustibles fósiles por William B. Rice
  • El niño que domó el viento por William Kamkwamba y Bryan Mealer

Sample materials:
Take a sneak peek at the rich instruction and engaging activities for this unit by viewing the PDFs below.

Why we added this unit:
Within this domain, Students learn about General Granger’s announcement in Galveston, Texas on June 19, 1865, a day marked in history as Juneteenth. Texts and multimedia sources will support foundational knowledge-building about the end of slavery in the United States. A review of the first freedom announcement, President Lincoln’s Emancipation Proclamation, provides students with background knowledge to further emphasize the significance of Juneteenth in American history.

This unit also takes students on a journey beyond Juneteenth, as they study specific contributions of African Americans from 1865 to the present day. Students participate in a virtual field trip to Emancipation Park in Houston, Texas and use the knowledge sequence in this unit to:

  • Collaboratively generate research questions about Juneteenth, The Great Migration, innovators and inventors, education, the humanities, activists, and allies.
  • Use Read-Alouds, independent, and partner reading to learn about African American contributions from 1865 to the present.
  • Research to find answers to their generated questions, gather information, and write a four-chapter Beyond Juneteenth book.

How this unit builds knowledge:
This unit builds upon the following Caminos units that students will have encountered in previous grades.

  • Los nativos americanos (Grade K)
  • Una nueva nación: la independencia de los Estados Unidos (Grade 1)
  • La Guerra Civil de los Estaods Unidos (Grade 2)
  • La inmigración (Grade 2)
  • Los nativos americanos (Grade 5)

The specific core content targeted in these domains is particularly relevant to the Read-Alouds students will hear in Más allá de Juneteenth: de 1865 al presente
. The background knowledge students bring to this unit will greatly enhance their understanding of the trade books used in this unit.

Trade books in this unit:
Instruction in this unit revolves around the following collection of high-interest authentic trade books. One copy of each trade book is included with the unit materials.

  • Martí’s Song for Freedom/Martí y sus versos por la libertad escrito por Emma Otheguy
  • ¡Celebremos Juneteenth! escrito por Carole Boston Weatherford
  • Side by Side/Lado a Lado: The Story of Dolores Huerta and Cesar Chavez/La Historia de Dolores Huerta y César Chávez escrito por Monica Brown
  • Canto de alabanza para el día: Poema para la ceremonia inaugural del mandato de Barack Obama escrito por Elizabeth Alexander, traducido por Rodrigo Rojas

Sample materials:
Take a sneak peek at the rich instruction and engaging activities for this unit by viewing the PDFs below.

Diverse texts

Amplify Caminos puts a variety of texts in the hands of students every day.

Amplify Caminos includes both transadaptations and authentic texts written by Latin American and Spanish authors. In addition to featuring a diverse range of authors and topics, our texts represent individuals and characters with a broad range of identity factors, including socioeconomic status, age, ability, race, ethnicity, country of origin, religion, and more.

Amplify Caminos texts include:

  • Authentic literature: Authentic literature exposes students to a variety of text types and perspectives to deepen their knowledge of fascinating topics in social studies, science, literature, and the arts. Authentic texts support text-to-self, text-to-world, and text-to-text connections for readers.
  • Decodable Student Readers: Amplify Caminos is built on the conviction that equitable instruction is vital to an effective program. Decodable Student Readers at grades K–2 are newly re-designed to celebrate students’ diverse experiences and feature individuals with a broad range of identity factors, including socioeconomic status, age, ability, race, ethnicity, country of origin, religion, and more.
  • ReadWorks® texts: Amplify and ReadWorks have partnered to deliver high-quality texts curated to support the Amplify Caminos Knowledge Sequence and to extend student learning. Texts include high-interest nonfiction articles in topics in social studies, science, literature, and the arts. These texts are accompanied by vocabulary supports and standards-aligned formative assessment opportunities. Teachers can monitor their students’ progress using the ReadWorks reporting features.
Three book covers displaying children's books in spanish, each featuring colorful and stylized illustrations related to cultural stories.

Amplify Caminos Trade Book Collection Guide

Each book in our authentic literature collection was selected specifically to support and enhance the content of the K-2 Conocimiento Strand. These anchor texts are intended for use as an introduction to each domain—engaging students, piquing their curiosity, and building initial background knowledge—before diving into the deeper content of the domain Read-Alouds.

Every trade book has an instructional guide that includes the following:

  • Author and illustrator
  • Book summary
  • The Essential Question of the Knowledge domain, connecting the book to the domain
  • Key Tier 2 and Tier 3 vocabulary words found in the book
  • A group activity to reinforce and extend students’ knowledge and understanding
  • A performance task to help gauge students’ comprehension of concepts in the text
  • Writing prompts to expand understanding and critical thinking
  • Text complexity ratings and descriptors for quantitative, qualitative, and reader/task categories

Download the Amplify Caminos Trade Book Collection Guide for Grades K–2.

Detailed information about text complexity ratings and descriptors; additional uses for the books before, during, and after domain instruction; and the complete list of domains and books for each grade level can be found in the More About the Books section of this guide.

What makes Amplify Caminos different?

Built on the Science of Reading

Built out of the latest research in the Science of Reading, Amplify Caminos delivers explicit instruction in both foundational literacy skills (systematic phonics, decoding, and fluency) and background knowledge in grades K–2 with an integrated approach to explicit instruction in grades 3–5.

Three connected orange blocks labeled

Explicit systematic skills instruction

The skills instruction in Amplify Caminos was distinctly developed with the Spanish language in mind. Its foundational lessons are specific to the language, rather than a direct translation from Amplify CKLA’s English skills instruction.

Reading instruction begins with the vowels first, then the most common consonants, and finally the least common consonants. Students will blend and segment sounds to form syllables, and syllables to form words.

Although Spanish has a highly predictable orthography, there are a few silent letters (h is always silent, u is silent after g or q), as well as letters that can make different sounds, depending on the letters that follow them. For that reason, syllables with these letters are taught somewhat later in the progression. The same is true for syllables with infrequently occurring consonants, such as z, k, x, and w.

Coherent knowledge instruction

While students are learning how to read, the Conocimiento strand gives them authentic and engaging reasons to read.

Amplify Caminos uses spiral learning to reinforce every student’s ability to develop skills like reading, writing, speaking, and listening in Spanish that can be transferred to English. As students engage with their lessons, they explore the similarities and differences in grammar, vocabulary, writing, and language use between Spanish and English. This bridge helps students learning two languages to strengthen their knowledge in both.

Through cross-curricular content, students explore units that relate to storytelling, science, and the history of our world in a holistic and thoughtful way. With these units, you’ll bring the world to your students, showing them how reading can become an exciting, rewarding, and useful part of their lives.

A collage of illustrated book covers, including themes of Don Quixote, space exploration, and anthropomorphic animals in various scenarios, all enriched with Spanish language elements.

Embedded differentiation for all learners

Amplify Caminos provides built-in differentiation strategies and supports in every lesson.

  • Apoyo a la enseñanza y desafío: Support and Challenge suggestions in every lesson provide assistance or opportunities for more advanced work toward the goal of the lesson.
  • Notas culturales: These point-of-use notes provide additional information about the traditions, foods, holidays, word variations, and more from across the Spanish-speaking world.
  • Apoyo adicional: Every lesson in the Lectoescritura (Skills) Strand provides additional support activities suggested to reinforce foundational skills instruction. These activities can be given to any student who requires extra help, including students with special needs.

Systematic and cohesive writing instruction

Writing instruction in Amplify Caminos builds systematically and cohesively within and across grades.

In Grades K-2, writing mechanics—including handwriting and spelling—are taught in the Amplify Caminos Lectoescritura strand. Starting in Grade 1, instruction includes four steps in the writing process: planning, drafting, editing, and publishing and features lessons that have modeling, collaboration, and sharing. As students gain skills and confidence, they are able to take on more of these steps independently. Students learn to use planning techniques, including brainstorming and graphic organizers.

Beginning in Grade 4, the Amplify Caminos writing process expands to also include sharing and evaluating. In Grades 4 and 5, the writing process is no longer conceptualized as a series of scaffolded, linear steps (an important change from the Grade 3 writing process). Rather, students move between components of the writing process in a flexible manner, similar to the process mature and experienced writers follow naturally.

young male students writing with a pencil

Amplify Caminos’ writing instruction provides a clear progression through the text types in each grade.

Because Amplify Caminos has two strands of lessons in Grades K-2, Lectoescritura and Conocimiento, students are exposed to both narrative and informational texts throughout the year. In Grades 3-5, the integrated units feature study in literary, informational, or a mix of both types of texts, depending on the content of the unit.

  • Grades K–2 introduce and establish the key elements of each text type, allowing students to gain comfort and confidence writing narratives, opinions, and informative texts. This enables students to practice thinking about content in different ways, offering more depth and breadth to their understanding of core content and of the writing text types.
  • By Grade 3, students will have gained significant practice in narrative, opinion/argumentative, and informational/explanatory forms of writing and will continue to apply those skills through Grade 5.

How does Amplify Caminos integrate with the other parts of the literacy system?

Amplify Caminos + mCLASS® Lectura

Achieve complete parity between English and Spanish assessments with mCLASS Lectura for K–6. mCLASS Lectura allows teachers to connect with their Spanish-speaking students face-to-face, one-on-one, and in the language most comfortable to them. The result? Valid and reliable student data reports
available in both English and Spanish, enabling teachers to pinpoint where their Spanish-speaking or emergent bilingual students really are in their skill development and what instruction to prioritize.

Reading assessment validated for benchmark, progress monitoring, and dyslexia screening

Amplify Caminos + Amplify Reading

Amplify Reading is an engaging, adaptive digital program that extends the learning in Amplify Caminos. Amplify Reading offers support to a large sub-group of English learners (ELs) through Spanish voice-over. Spanish voiceover instructions are available in vocabulary and sentence-level comprehension games so ELs can build their vocabulary, language, and critical comprehension skills before moving into analyzing complex texts

Spanish Support

Demo access and sample materials

Ready to explore on your own? First, watch the videos below to learn about the program’s components and how to navigate the digital platform.

Physical materials walkthrough video



Digital navigation video

Demo access

Next, follow the instructions below to access your demo account.

Laptop screen displaying a login page for
  • Click the CKLA and Caminos Demo button below.
  • Select Log in with Amplify.
  • To explore as a teacher, enter this username: t1.sfusdreviewer@demo.tryamplify.net
  • To explore as a student, enter this username: s1.sfusdreviewer@demo.tryamplify.net
  • Enter the password: Amplify1-sfusdreviewer
  • Click the Programs and apps menu
  • Select CKLA Teacher Resource Site
  • Select the desire grade level
  • Use the toggle to switch between English (CKLA) and Spanish (Caminos) resources.

Sample materials

Finally, click on the grade levels below to explore your requested sample units.

Each book in our authentic literature collection was selected specifically to support and enhance the content of the K-2 Conocimiento Strand. These anchor texts are intended for use as an introduction to each domain—engaging students, piquing their curiosity, and building initial background knowledge—before diving into the deeper content of the domain Read-Alouds.

Every trade book has an instructional guide that includes the following:

  • Author and illustrator
  • Book summary
  • The Essential Question of the Knowledge domain, connecting the book to the domain
  • Key Tier 2 and Tier 3 vocabulary words found in the book
  • A group activity to reinforce and extend students’ knowledge and understanding
  • A performance task to help gauge students’ comprehension of concepts in the text
  • Writing prompts to expand understanding and critical thinking
  • Text complexity ratings and descriptors for quantitative, qualitative, and reader/task categories

Download the Amplify Caminos Trade Book Collection Guide for Grades K–2.
Detailed information about text complexity ratings and descriptors; additional uses for the books before, during, and after domain instruction; and the complete list of domains and books for each grade level can be found in the More About the Books section of this guide.

Additional resources

How can teachers find new energy in the science classroom?

Hear from our Science Connections: The Podcast guest and science PD expert Jessica Kesler

In the final episode of the latest season of Science Connections: The Podcast, host Eric Cross sits down with Jessica Kesler, professional development facilitator for science teachers. 

During the episode, Kesler describes her passion for sharing high-impact teaching strategies for science teachers and her experiences teaching in Philadelphia, and discusses how teachers’ roles often involve more than just delivering content.

Read on for a peek at the episode, and to learn more about science professional development for teachers. 

Meet Jessica Kesler

“I wanted to be a surgeon,” says Kesler. But learning about science ultimately inspired her to help others learn it, too. Her passion is to empower educators to create engaging and effective classrooms that will foster future leaders, work she is able to do in her role as a professional development facilitator at TGR Foundation, a Tiger Woods charity. This position enables her to develop and implement professional learning experiences focused on STEM-based, student-centered learning practices.

Before joining the TGR Foundation, she taught in Philadelphia schools as a chemistry and science teacher for grades 4–12, which was a bit of a culture shock. Kesler had gone from teaching near-adults who could drive themselves to school to teaching young children who often related to teachers as parent figures. The experience taught her a lot about “patience and breaking information down even smaller,” she says.

I had to figure out new and inventive ways to teach science and bring it down so far that students would be able to grab onto it and achieve it. It was a challenge,” she continues.  “But in the end it paid off. We hit our goals out of the park.

Teachers are the multipliers we need

Kesler and her team at the TGR Foundation designed their goals around a challenge issued by Tiger Woods himself: Reach millions of kids. 

They knew that reaching one student at a time would make it hard to reach their goals. 

The key? Focus on teachers, who can reach hundreds of students at a time. “They can have this multiplicative effect that can help us reach those millions of kids and help prepare them for careers,” she says.

Here are just a few of the teaching strategies and pieces of advice they offer science educators: 

  • Develop your inquiry environment. This means thinking not just about your physical space, but also your intellectual space. Kesler asks: “What are the things that you can embed into your physical space and develop in a student’s intellectual space that will help you create a holistic and growing environment?”
  • Be the entrepreneur of your classroom. Kesler and her team like to ask how a teacher can use entrepreneurial techniques to tackle issues in their schools, districts, and spheres of influence.

“Teachers are eager, but tired,” says Kesler. She notes that while school may be back in session, educators are still managing the effects of the pandemic and trying to get kids excited (and keep them excited) about science.

While teachers want to learn and do more, they are more concerned than ever about having enough time, funding, and energy to do so. 

Says Kesler: “I know you don’t have enough time to try to do 29 extra things. My advice is always: Do one thing at a time. Start with something small. Asking your students a few questions rather than lecturing to them doesn’t take a whole lot of extra time, but it gives you so much extra insight. So let’s not work harder. Let’s work smarter.” 

She continues: “It’s not Thanksgiving, where you just keep piling on a plate. It’s a time where you organize your inquiry to restructure your plates so that everything has a place and a time.”

Listen to the whole episode and to the rest of the podcast.

About Amplify’s Science Connections: The Podcast

Science is changing before our eyes, now more than ever. So how do we help kids figure that out? How are we preparing students to be the next generation of 21st-century scientists?

Join host Eric Cross as he sits down with educators, scientists, and knowledge experts to discuss how we can best support students in science classrooms. Listen to hear how you can inspire kids across the country to love learning science, and bring that magic into your classroom for your students.

The #1 foundational skill for the Science of Reading

The first of five: Phonemic and phonological awareness

Phonemic awareness and phonological awareness—together, they’re the first of the five foundational reading skills articulated by the Science of Reading

The two are intertwined, but not interchangeable. Even though they combine to form one skill, they have distinct meanings and play different roles in helping children become proficient readers.

 In the first of this five-part series on foundational skills, we’ll look at where the path to literacy begins—and why it all starts with sounds. 

What the Science of Reading tells us about the brain

First, an essential reminder: Our brains are not hard-wired for reading. They do not intrinsically know that marks on a page are designed to represent sounds, or meaning. That’s why reading must be taught, explicitly and systematically. 

But when we teach reading using what science tells us, the brain wires itself to start recognizing those letters, syllables, and words.  

“Reading comes through building new neural pathways,” says Alice Wiggins, vice president of instructional design and products at UnboundEd and our guest on Season 3, Episode 2 of Science of Reading: The Podcast. “That’s what happens,” she says, “when we’re taught to read.”  

Why it starts with sound

The Simple View of Reading establishes that if you can’t decode the symbols (letters and combinations of letters) that make up a sentence, you can’t read it—even if you know the language in which it’s written.

And when it comes to spoken language, those symbols were created to capture sounds. 

“Teaching kids that letters represent the sounds in speech has the most potent logic, because written language was invented to represent speech,” says Dr. Louisa Moats, an expert on how children learn to read and our guest on Season 3, Episode 3 of Science of Reading: The Podcast. “We don’t learn to talk from reading. We already know how to talk. We have to learn this system that is mapped onto speech.”

Phonemic awareness and phonological awareness form the building blocks for understanding the relationship between sounds and letters, paving the way for successful reading acquisition.

To understand how important they are, look no further than the Reading Rope, a visual representation of the key skills involved in reading. The strands of the rope represent various interconnected components, including phonological awareness, phonicsvocabularyfluency, and comprehension.

Phonological awareness and phonemic awareness are positioned as the foundational strands.

To understand why, we’ll need to get more specific.

What is phonemic awareness?

Phonemes are the smallest units of sound that make up words. Phonemic awareness refers to the ability to identify and manipulate individual sounds (phonemes) in spoken words.

Phonemic awareness plays a vital role in the early stages of reading. By recognizing and manipulating individual sounds within spoken words, kids come to understand how sounds combine to form words.

This ability to segment and blend sounds lays the foundation for phonics, and the ability to decode and read unfamiliar words.

What is phonological awareness?

Phonological awareness encompasses a range of skills that go beyond manipulating individual phonemes. It includes abilities such as recognizing and manipulating larger units of sound, such as syllables, rhymes, onset and rime, and even entire words. It involves tasks like clapping out the syllables in a word, identifying words that rhyme, recognizing words with the same initial sound, and blending or segmenting words into syllables.

This awareness of larger sound units enhances readers’ ability to identify and manipulate individual phonemes. That, in turn, sets the stage for word recognition and decoding.

Phonology and equality

Alice Wiggins notes that just as reading skills start with sound, so does equality. It’s important to acknowledge that students speak and are exposed to a wide variety of pronunciations of English letters and words.

“Being explicit and systematic attends to those differences for all students,” she says. 

More ways to learn

Amplify Caminos for SFUSD

Amplify Caminos is an authentic elementary Spanish language arts program. Like its English language counterpart, Amplify CKLA, Amplify Caminos provides explicit, systematic foundational skills instruction sequenced with deep knowledge-building content to foster comprehension. When used with Amplify CKLA, Amplify Caminos provides full parity across English and Spanish that’s suitable for any dual language implementation model.

Colorful illustration featuring a child in traditional Andean clothing, tropical plants, a volcano, a toucan, a horse rider, and the word "Gracias!" written in Spanish.

Amplify and SFUSD Partnership

We recognize and respect the unique differences of each of our partnering districts—and that includes San Francisco USD.

Out of the box, Amplify Caminos offers districts a rich, comprehensive, research-based SELA experience. That said, no two districts are exactly alike. To that end, we are committed to working with San Francisco USD to ensure that Amplify Caminos addresses the needs of your community. This includes providing implementation guidance and support, as well as collaborating with your staff to determine which domains need to be modified or exchanged.

What is Amplify Caminos?

Amplify Caminos is a core Spanish language arts program for grades TK–5 that delivers:

  • Authentic instruction built from the ground up for the Spanish language.
  • A unique research-based approach truly built on the Science of Reading.
  • A combination of explicit foundational skills with meaningful knowledge-building.
  • Embedded support and differentiation that gets all students reading grade-level texts together.
  • Opportunities for students to see the strengths and experiences that all people share while also celebrating each others’ unique identities and experiences.

Watch the video below to learn more about Amplify Caminos for Grades K–2.

Watch the video below to learn more about Amplify Caminos for Grades 3–5.

How does Amplify Caminos work?

Amplify Caminos is built on the science of how kids learn to read—in Spanish.

Amplify Caminos is all about helping you teach students how to read, all while giving them authentic and engaging reasons to read. That’s why Amplify Caminos develops foundational skills and builds knowledge in tandem.

  • Knowledge: Through complex and authentic Spanish read-alouds with an emphasis on classroom interactivity, oral comprehension, and contextual vocabulary, students start to build their awareness of the world around them—and the way the reading skills they’re building give them access to it.
  • Skills: Starting with the sounds at the core of the Spanish
    language, students practice their phonemic awareness, handwriting skills, vocabulary, spelling, and grammar. Through daily practice, students become aware of the connection between reading and writing, building confidence as they go.
A diagram illustrating reading development as intertwined strands: language comprehension and word recognition, progressing from basic skills to increasingly strategic and automatic reading.

Respecting the development differences between grade ranges, Amplify Caminos teaches foundational skills and background knowledge as two distinct strands in grades K–2, and combines them into one integrated strand in grades 3–5.

Grades K–2:
Every day, students in grades K–2 complete one full lesson that explicitly and systematically builds foundational reading skills in the Amplify Caminos Lectoescritura strand, as well as one full lesson that builds robust background knowledge to access complex text in the Amplify Caminos Conocimiento strand. Through learning in each of these strands, students develop the early literacy skills necessary to help them become confident readers and build the context to understand what they’re reading.

Grades 3–5:
In grades 3–5, the Amplify Caminos Lectoescritura and Conocimiento strands are integrated in one set of instructional materials. Lessons begin to combine skills and knowledge with increasingly complex texts, close reading, and a greater writing emphasis. Students can then use their skills to go on their own independent reading adventures.

What do Amplify Caminos students explore?

Amplify Caminos builds students’ knowledge about the world.

In addition to teaching all students to crack the written code (which is vital for fairness), the Amplify Caminos program helps students see the strengths and experiences we all share while celebrating their own unique identities and experiences.

This is accomplished through the exploration of topics and text that feature people who resemble students and familiar situations or experiences while also exposing them to people whose appearances, lives, beliefs, and backgrounds differ from their own.

Engaging domains

Amplify Caminos builds knowledge coherently across subjects and grades.

Throughout the program, students use their skills to explore domains that relate to storytelling, science, and the history of our world as seen through the eyes of many different groups.

Carefully selected to build from year-to-year, our grade-appropriate topics help students make and deepen connections while also reading, writing, and thinking creatively and for themselves.

Curriculum flowchart showing reading themes and activities from Kindergarten to Grade 5, organized by grade level and literary theme, with interconnected boxes for each topic.

New Knowledge Research Units for Grades K–5

Our brand-new Knowledge Research units carry forward Amplify Caminos’ powerful and proven instructional approach while also:

  • Adding more content for students from all walks of life. The rich topics and highly visual components featured in these units provide students with even more “windows and mirrors” and perspectives as they work to build knowledge.
  • Adding more authentic literature. Each new research unit revolves around a collection of high-interest authentic trade books that will spark more curiosity and inspire more inquiry.
  • Adding more flexibility. Units can be implemented for extended core instruction during flex periods, district-designated Pausing Points, or enrichment periods.

Units cover a variety of rich and relevant topics:

With these new units, students will soar to new heights with Dr. Ellen Ochoa, Amelia Earhart, and the Tuskegee Airmen. They’ll feel the rhythm as they learn about Jazz legends Miles Davis, Tito Puente, and Duke Ellington. And they’ll explore the far reaches of the world with Jacques Cousteau, Matthew Henson, and Eugenie Clark.

  • Grade K: El arte y el mundo que nos rodea
  • Grade 1: Cuentos de aventuras: relatos desde los confines de la Tierra
  • Grade 2: ¡A volar! La era de la aviación
  • Grade 3: Jazz y más
  • Grade 4: Energía: pasado, presente y futuro
  • Grade 5: Más allá de Juneteenth: de 1865 al presente

Units will be made available in English and Spanish, and will include the following components:

  • Teacher Guide
  • Student Activity Books
  • Image Cards
  • Trade Book Collection
  • Digital Components (for Grades K–3 and Grade 5 only)

Why we added this unit:
“Every child is an artist,” said Picasso, meaning that every child uses art to explore and understand the world around them. El arte y el mundo que nos rodea honors that truth by introducing Kindergarten students to some of the ways in which artists have explored and understood the world around them.

This domain introduces students to artists from different time periods, countries, and cultures. Throughout the unit, students learn about different kinds of art and how artists use the world around them as they make art. They also connect this to what they have already learned about the earth, plants, and animals in other Caminos domains: GranjasPlantas, and Cuidar el planeta Tierra. In addition, students connect this to what they have learned about sculptors in the Presidentes y símbolos de los Estados Unidos domain. As they explore different artists and artistic traditions, they develop their ideas about how humans are connected to each other and to the world around them.

As you read the texts in this unit, students may observe ways in which the characters or subjects are both similar to and different from students. This is a good opportunity to teach students awareness and sensitivity, building on the idea that all people share some things in common, even as they have other things that make them unique. This unit also offers an excellent opportunity to collaborate with your school’s art teacher, as many lessons have suggested activities to help students understand the kind of art they are studying.

Within this unit, students have opportunities to:

  • Use details to describe art.
  • Identify three ways to create art.
  • Identify characteristics of cave art.
  • Sequence the steps of making pottery.
  • Describe how artists can create work connected to the world around them.
  • Describe what makes Kehinde Wiley’s portraits unique.
  • Explain how the texture of a surface can affect artwork created on it.
  • Explain what a sculpture is.
  • Describe what makes James Turrell’s artwork about the sky unique.
  • Explain what a museum is and what kinds of things you can see or do there.

Trade books in this unit:
Instruction in this unit revolves around the following collection of high-interest authentic trade books. One copy of each trade book is included with the unit materials.

  • Georgia O’Keeffe por Erica Salcedo
  • Yayoi Kusama: De aquí al infinito por Sarah Suzuki
  • Tejedora del arcoíris por Linda Elovitz Marshall
  • Las tijeras de Matisse por Jeanette Winter
  • El museo por Susan Verde
  • Quizás algo hermoso: Cómo el arte transformó un barrio por F. Isabel Campoy

Sample materials:
Take a sneak peek at the rich instruction and engaging activities for this unit by viewing the PDFs below.

Why we added this unit:
This domain introduces students to adventure stories set around the world and challenges students to dig into the adventures through research. By listening to the Read-Alouds and trade books, students increase their vocabulary and reading comprehension skills, learn valuable lessons about perseverance and teamwork, and become familiar with gathering information for research.

In this unit, students study the careers of real-world explorers Dr. Eugenie Clark and Sophia Danenberg, marvel at the inventions of Jacques Cousteau, think critically about how teamwork and collaboration can make greater adventures possible, learn about the science and technology that enable adventures, and research some of the ways humans have confronted challenges at the edges of the world, from the oceans below to space above.

Each lesson in the domain builds students’ research skills as they ask questions, gather information, and write a paragraph about their findings. Students share what they have learned about adventures in an Adventure Gallery Walkthrough. By taking on the persona of one of the adventurers they meet in the Read-Alouds and trade books, students deliver their final paragraphs as if they are a “speaking portrait” of that person. Students are invited to dress up as that adventurer if they desire.

In addition, teachers can set aside time outside the instructional block to create the picture frames students will hold as they present to the Adventure Gallery Walk guests. Frames can be made from shirt boxes, cardboard, construction paper, or any art supplies that are on hand. This might be an opportunity to collaborate with the school’s art department if resources are available. Another option is to ask students to make their frames at home with their caregivers. On the day of the Adventure Gallery Walk, students will be the hosts and take on specific jobs, such as welcoming the guests, describing their work throughout the unit, and pointing out the areas of study on the domain bulletin board. You can find a complete list of student jobs in Lesson 13.

How this unit builds knowledge:
This unit builds upon the following Caminos units that students will have encountered in the previous grade.

  • Rimas y fábulas infantiles (Kindergarten)
  • Cuentos (Kindergarten)

The specific core content targeted in these domains is particularly relevant to the Read-Alouds students will hear in Cuentos de aventuras: relatos desde los confines de la Tierra. The background knowledge students bring to this unit will greatly enhance their understanding of the trade books used in this unit.

Trade books in this unit:
Instruction in this unit revolves around the following collection of high-interest authentic trade books. One copy of each trade book is included with the unit materials.

  • My Name Is Gabito/Me llamo Gabito por Monica Brown
  • Galápagos Girl/Galapagueña por Marsha Diane Arnold
  • My Name Is Gabriela/Me llamo Gabriela por Monica Brown
  • El viaje de Kalak por María Quintana Silva y Marie-Noëlle Hébert
  • Señorita Mariposa por Ben Gundersheimer
  • Sharuko, el arqueólogo peruano/Peruvian Archaeologist Julio C. Tello por Monica Brown
  • Abuelita fue al mercado por Stella Blackstone

Sample materials:
Take a sneak peek at the rich instruction and engaging activities for this unit by viewing the PDFs below.

Why we added this unit:
With this domain, students head up, up, and away with an introduction to the soaring history of aviation. Students learn the stories of early aviators, such as the Montgolfier brothers, the Wright brothers, Aida de Acosta, and Amelia Earhart.

During the unit, students study the science of flight, including the physics concept of lift, and research the social impacts of the world of flight. Finally, students let their research skills take flight as they explore key figures from the world of aviation.

The lessons in this domain build on earlier Grade 2 Caminos domains about the westward expansion, early Greek civilizations, and Greek myths, and lay the foundation for learning about other periods of world history in future grades.

How this unit builds knowledge:
This unit builds upon the following Caminos units that students will have encountered earlier in the year.

  • La civilización griega antigua (Grade 2)
  • Mitos griegos (Grade 2)
  • La expansión hacia el oeste (Grade 2)

The specific core content targeted in these domains is particularly relevant to the Read-Alouds students will hear in ¡A volar! La era de la aviación. The background knowledge students bring to this unit will greatly enhance their understanding of the trade books used in this unit.

Trade books in this unit:
Instruction in this unit revolves around the following collection of high-interest authentic trade books. One copy of each trade book is included with the unit materials.

  • ¡A volar! Todo sobre aviones por Jennifer Prior
  • Amelia sabe volar por Mara dal Corso
  • Héroes de la aviación que cambiaron el mundo por Dan Green
  • El niño que alcanzó las estrellas por José M. Hernández
  • La niña que aprendió a volar por Sylvia Acevedo
  • Buenas Noches Capitán Mamá por Graciela Tiscareño-Sato

Sample materials:
Take a sneak peek at the rich instruction and engaging activities for this unit by viewing the PDFs below.

Why we added this unit:
This domain teaches students about the vibrant music, poetry, and culture of the Jazz Age in the United States. Students learn about famous writers and musicians like Langston Hughes, Louis Armstrong, Billie Holiday, Melba Liston, Tito Puente, and Miles Davis. They study how the jazz art form took root in the South, then spread to the North to become the sound of the Harlem Renaissance, eventually connecting people around the world in musical expression.

During this unit, students perform guided research to further explore both the history of jazz and what jazz is today. They develop research skills and then use those skills to find deeper connections between the stories and music of the Jazz Age and music today. As students learn about the world of jazz, they collaborate and share ideas with their classmates. They also practice sharing feedback focused on their written work, and, at the end of the unit, students present their research to the group.

The lessons give students opportunities to dive into the rhythms and stories of jazz, utilizing the knowledge sequence in this unit to:

  • Collaboratively generate research questions about jazz, jazz musicians, contemporary musicians from the state where they live or have lived, and the evolution of jazz music.
  • Utilize Read-Alouds, independent reading, and partner reading to learn about the Jazz Age, the Harlem Renaissance, jazz music, and biographies of celebrated jazz musicians and writers.
  • Research the answers to their generated questions, gather information, write a short research essay about a famous jazz musician, write a short essay about a contemporary musician from the state where they live or have lived, and give a presentation about their research.

How this unit builds knowledge:
Within this unit, students have opportunities to:

  • Ask relevant questions and make pertinent comments
  • Identify details in texts
  • Determine key ideas of texts by evaluating details
  • Make text-based inferences
  • Generate questions based on prior knowledge and gathered information
  • Synthesize details across texts to demonstrate comprehension
  • Discuss and explain an author’s purpose
  • Identify and cite reliable primary and secondary sources of information
  • Compose a well-organized and focused informative essay
  • Make connections between topics
  • Present information using appropriate media

Trade books in this unit:
Instruction in this unit revolves around the following collection of high-interest authentic trade books. One copy of each trade book is included with the unit materials.

  • ¡Esquivel! Un artista del sonido de la era espacial por Susan Wood
  • Ray Charles por Sharon Bell Mathis
  • Tito Puente, el Rey del Mambo por Monica Brown
  • Me llamo Celia, la vida de Celia Cruz por Monica Brown
  • ¡Azúcar! por Ivar Da Coll

In this unit, students also read the poem “Harlem” by Langston Hughes. (Available for free through the Academy of American Poets website and the Poetry Foundation website, with recorded audio available through the website for John Hancock College Preparatory High School.)

Sample materials:
Take a sneak peek at the rich instruction and engaging activities for this unit by viewing the PDFs below.

Why we added this unit:
With this domain, students become tomorrow’s problem solvers in this study of energy in the United States. Analytical reading skills are developed by examining the challenges of early energy innovators. Students then read about current energy practices and young energy change-makers across the world.

Throughout the unit, students conduct research into different sources of energy and present a proposal, putting them in the shoes of future energy innovators. They also use the knowledge sequence in this unit to:

  • Collaboratively analyze texts to identify cause-effect and problem-solution relationships.
  • Generate questions and conduct research about energy.
  • Write an opinion essay making their case for a fuel of the future.
  • Create energy proposals using primary and secondary resources.

How this unit builds knowledge:
This unit builds upon the following Caminos units that students will have encountered in previous grades as well as earlier in the year.

  • Plantas (Grade K)
  • La historia de la Tierra (Grade 1)
  • ¡Eureka! Estudiante inventor (Grade 4)

The specific core content targeted in these domains is particularly relevant to the Read-Alouds students will hear in Energía: pasado, presente y futuro. The background knowledge students bring to this unit will greatly enhance their understanding of the trade books used in this unit.

Trade books in this unit:
Instruction in this unit revolves around the following collection of high-interest authentic trade books. One copy of each trade book is included with the unit materials.

  • La historia de los combustibles fósiles por William B. Rice
  • El niño que domó el viento por William Kamkwamba y Bryan Mealer

Sample materials:
Take a sneak peek at the rich instruction and engaging activities for this unit by viewing the PDFs below.

Why we added this unit:
Within this domain, Students learn about General Granger’s announcement in Galveston, Texas on June 19, 1865, a day marked in history as Juneteenth. Texts and multimedia sources will support foundational knowledge-building about the end of slavery in the United States. A review of the first freedom announcement, President Lincoln’s Emancipation Proclamation, provides students with background knowledge to further emphasize the significance of Juneteenth in American history.

This unit also takes students on a journey beyond Juneteenth, as they study specific contributions of African Americans from 1865 to the present day. Students participate in a virtual field trip to Emancipation Park in Houston, Texas and use the knowledge sequence in this unit to:

  • Collaboratively generate research questions about Juneteenth, The Great Migration, innovators and inventors, education, the humanities, activists, and allies.
  • Use Read-Alouds, independent, and partner reading to learn about African American contributions from 1865 to the present.
  • Research to find answers to their generated questions, gather information, and write a four-chapter Beyond Juneteenth book.

How this unit builds knowledge:
This unit builds upon the following Caminos units that students will have encountered in previous grades.

  • Los nativos americanos (Grade K)
  • Una nueva nación: la independencia de los Estados Unidos (Grade 1)
  • La Guerra Civil de los Estaods Unidos (Grade 2)
  • La inmigración (Grade 2)
  • Los nativos americanos (Grade 5)

The specific core content targeted in these domains is particularly relevant to the Read-Alouds students will hear in Más allá de Juneteenth: de 1865 al presente
. The background knowledge students bring to this unit will greatly enhance their understanding of the trade books used in this unit.

Trade books in this unit:
Instruction in this unit revolves around the following collection of high-interest authentic trade books. One copy of each trade book is included with the unit materials.

  • Martí’s Song for Freedom/Martí y sus versos por la libertad escrito por Emma Otheguy
  • ¡Celebremos Juneteenth! escrito por Carole Boston Weatherford
  • Side by Side/Lado a Lado: The Story of Dolores Huerta and Cesar Chavez/La Historia de Dolores Huerta y César Chávez escrito por Monica Brown
  • Canto de alabanza para el día: Poema para la ceremonia inaugural del mandato de Barack Obama escrito por Elizabeth Alexander, traducido por Rodrigo Rojas

Sample materials:
Take a sneak peek at the rich instruction and engaging activities for this unit by viewing the PDFs below.

Wide-ranging texts

Amplify Caminos puts a variety of texts in the hands of students every day.

Amplify Caminos includes both transadaptations and authentic texts written by Latin American and Spanish authors. Our texts feature a wide variety of authors, topics, individuals and characters representing many different socioeconomic statuses, ages, abilities, races, ethnicities, countries of origin, religions, and more.

Amplify Caminos texts include:

  • Authentic literature: Authentic literature exposes students to a variety of text types and perspectives to deepen their knowledge of fascinating topics in social studies, science, literature, and the arts. Authentic texts support text-to-self, text-to-world, and text-to-text connections for readers.
  • Decodable Student Readers: Decodable Student Readers at grades K–2 are newly redesigned to include students from all walks of life and educational backgrounds. They feature characters with a broad range of backgrounds, experiences, ages, races, religions, and more.
  • ReadWorks® texts: Amplify and ReadWorks have partnered to deliver high-quality texts curated to support the Amplify Caminos Knowledge Sequence and to extend student learning. Texts include high-interest nonfiction articles in topics in social studies, science, literature, and the arts. These texts are accompanied by vocabulary supports and standards-aligned formative assessment opportunities. Teachers can monitor their students’ progress using the ReadWorks reporting features.
Three children's book covers in Spanish are shown: "La Flor de Oro," "El conejo en la Luna," and "El secreto de las hormigas," each featuring illustrated artwork.

Amplify Caminos Trade Book Collection Guide

Each book in our authentic literature collection was selected specifically to support and enhance the content of the K-2 Conocimiento Strand. These anchor texts are intended for use as an introduction to each domain—engaging students, piquing their curiosity, and building initial background knowledge—before diving into the deeper content of the domain Read-Alouds.

Every trade book has an instructional guide that includes the following:

  • Author and illustrator
  • Book summary
  • The Essential Question of the Knowledge domain, connecting the book to the domain
  • Key Tier 2 and Tier 3 vocabulary words found in the book
  • A group activity to reinforce and extend students’ knowledge and understanding
  • A performance task to help gauge students’ comprehension of concepts in the text
  • Writing prompts to expand understanding and critical thinking
  • Text complexity ratings and descriptors for quantitative, qualitative, and reader/task categories

Download the Amplify Caminos Trade Book Collection Guide for Grades K–2.

Detailed information about text complexity ratings and descriptors; additional uses for the books before, during, and after domain instruction; and the complete list of domains and books for each grade level can be found in the More About the Books section of this guide.

What makes Amplify Caminos different?

Built on the Science of Reading

Built out of the latest research in the Science of Reading, Amplify Caminos delivers explicit instruction in both foundational literacy skills (systematic phonics, decoding, and fluency) and background knowledge in grades K–2 with an integrated approach to explicit instruction in grades 3–5.

Flowchart showing "Language comprehension" times "Word recognition" equals "Skilled reading," with text in both Spanish and English inside orange boxes.

Explicit systematic skills instruction

The skills instruction in Amplify Caminos was distinctly developed with the Spanish language in mind. Its foundational lessons are specific to the language, rather than a direct translation from Amplify CKLA’s English skills instruction.

Reading instruction begins with the vowels first, then the most common consonants, and finally the least common consonants. Students will blend and segment sounds to form syllables, and syllables to form words.

Although Spanish has a highly predictable orthography, there are a few silent letters (h is always silent, u is silent after g or q), as well as letters that can make different sounds, depending on the letters that follow them. For that reason, syllables with these letters are taught somewhat later in the progression. The same is true for syllables with infrequently occurring consonants, such as z, k, x, and w.

Coherent knowledge instruction

While students are learning how to read, the Conocimiento strand gives them authentic and engaging reasons to read.

Amplify Caminos uses spiral learning to reinforce every student’s ability to develop skills like reading, writing, speaking, and listening in Spanish that can be transferred to English. As students engage with their lessons, they explore the similarities and differences in grammar, vocabulary, writing, and language use between Spanish and English. This bridge helps students learning two languages to strengthen their knowledge in both.

Through cross-curricular content, students explore units that relate to storytelling, science, and the history of our world in a holistic and thoughtful way. With these units, you’ll bring the world to your students, showing them how reading can become an exciting, rewarding, and useful part of their lives.

Embedded differentiation for all learners

Amplify Caminos provides built-in differentiation strategies and supports in every lesson.

  • Apoyo a la enseñanza y desafío: Support and Challenge suggestions in every lesson provide assistance or opportunities for more advanced work toward the goal of the lesson.
  • Notas culturales: These point-of-use notes provide additional information about the traditions, foods, holidays, word variations, and more from across the Spanish-speaking world.
  • Apoyo adicional: Every lesson in the Lectoescritura (Skills) Strand provides additional support activities suggested to reinforce foundational skills instruction. These activities can be given to any student who requires extra help, including students with special needs.

Systematic and cohesive writing instruction

Writing instruction in Amplify Caminos builds systematically and cohesively within and across grades.

In Grades K-2, writing mechanics—including handwriting and spelling—are taught in the Amplify Caminos Lectoescritura strand. Starting in Grade 1, instruction includes four steps in the writing process: planning, drafting, editing, and publishing and features lessons that have modeling, collaboration, and sharing. As students gain skills and confidence, they are able to take on more of these steps independently. Students learn to use planning techniques, including brainstorming and graphic organizers.

Beginning in Grade 4, the Amplify Caminos writing process expands to also include sharing and evaluating. In Grades 4 and 5, the writing process is no longer conceptualized as a series of scaffolded, linear steps (an important change from the Grade 3 writing process). Rather, students move between components of the writing process in a flexible manner, similar to the process mature and experienced writers follow naturally.

young male students writing with a pencil

Amplify Caminos’ writing instruction provides a clear progression through the text types in each grade.

Because Amplify Caminos has two strands of lessons in Grades K-2, Lectoescritura and Conocimiento, students are exposed to both narrative and informational texts throughout the year. In Grades 3-5, the integrated units feature study in literary, informational, or a mix of both types of texts, depending on the content of the unit.

  • Grades K–2 introduce and establish the key elements of each text type, allowing students to gain comfort and confidence writing narratives, opinions, and informative texts. This enables students to practice thinking about content in different ways, offering more depth and breadth to their understanding of core content and of the writing text types.
  • By Grade 3, students will have gained significant practice in narrative, opinion/argumentative, and informational/explanatory forms of writing and will continue to apply those skills through Grade 5.

How does Amplify Caminos integrate with the other parts of the literacy system?

Amplify Caminos + mCLASS® Lectura

Achieve complete parity between English and Spanish assessments with mCLASS Lectura for K–6. mCLASS Lectura allows teachers to connect with their Spanish-speaking students face-to-face, one-on-one, and in the language most comfortable to them. The result? Valid and reliable student data reports
available in both English and Spanish, enabling teachers to pinpoint where their Spanish-speaking or emergent bilingual students really are in their skill development and what instruction to prioritize.

A laptop screen displays a slide describing the Lectura data-driven instructional cycle with sections for Assessment, Reporting, and Instruction, each illustrated with sample interface screenshots.

Amplify Caminos + Amplify Reading

Amplify Reading is an engaging, adaptive digital program that extends the learning in Amplify Caminos. Amplify Reading offers support to a large sub-group of English learners (ELs) through Spanish voice-over. Spanish voiceover instructions are available in vocabulary and sentence-level comprehension games so ELs can build their vocabulary, language, and critical comprehension skills before moving into analyzing complex texts

Language selection screen with options for English and Spanish, and an illustrated girl saying “¡Hola!” in a speech bubble. The heading reads “Idiomas.”.

Demo access and sample materials

Ready to explore on your own? First, watch the videos below to learn about the program’s components and how to navigate the digital platform.

Physical materials walkthrough video

Digital navigation video

Demo access

Next, follow the instructions below to access your demo account.

  • Click the CKLA and Caminos Demo button below.
  • Select Log in with Amplify.
  • To explore as a teacher, enter this username: t1.sfusdreviewer@demo.tryamplify.net
  • To explore as a student, enter this username: s1.sfusdreviewer@demo.tryamplify.net
  • Enter the password: Amplify1-sfusdreviewer
  • Click the Programs and apps menu
  • Select CKLA Teacher Resource Site
  • Select the desire grade level
  • Use the toggle to switch between English (CKLA) and Spanish (Caminos) resources.

Sample materials

Finally, click on the grade levels below to explore your requested sample units.

Additional resources

S3-04: Using AI and ChatGPT in the science classroom

A graphic with the text "Science Connections" and "Amplify" features colorful circles and curved lines on a dark gray background.

In the latest episode of the Science Connections podcast, we explore AI in education and its impact on students. Listen as I sit down with teachers Donnie Piercey and Jennifer Roberts to discuss ChatGPT and how we can use it to build science and literacy skills in K–12 classrooms while preparing students for the real world.

And don’t forget to grab your Science Connections study guide to track your learning and find additional resources!

We hope you enjoy this episode and explore more from Science Connections by visiting our main page!

DOWNLOAD TRANSCRIPT

Jennifer Roberts (00:00:00):

If a kid graduates from school without knowing that AI exists, they’re not gonna be prepared for what they face out in the world.

Eric Cross (00:00:07):

Welcome to Science Connections. I’m your host, Eric Cross.

Eric Cross (00:00:12):

This season of the podcast, we’re making the case for everyone’s favorite underdog, science. Recently we’ve been highlighting the magic that can come from integrating science and literacy. So if you haven’t checked out those recent episodes, definitely go back in your feed after you’re done with this one. This time around, we’re going to deep dive into what artificial intelligence means for literacy instruction, and how science can be a force for good, in responsibly exposing students to AI. To help me out, I’m joined by two extremely accomplished educators. Jen Roberts, a veteran high-school English teacher from San Diego, who among many things runs the website LitAndTech.com. And I’m also joined by fifth-grade teacher Donnie Piercey. In addition to being Kentucky’s 2021 Teacher of the Year, Donnie also has an upcoming book about bringing AI into the classroom. Whether you’ve never heard of ChatGPT or whether you’re already using it every day, I think you’ll find this a valuable discussion about the intersection of science, English, and technology. Here’s Jen and Donnie.

Eric Cross (00:01:17):

So first off, welcome to the show. It’s good to see you all. What I wanna do is kind of start off by introducing both of you. And so we’ll just go K–12. So <laugh>, Donnie.

Jennifer Roberts (00:01:30):

Donnie goes first.

Eric Cross (00:01:31):

Donnie’s gonna go first. Donnie out in Kentucky. Just a little background. What do you teach; how long you’ve been in the classroom; and what are you having fun with right now?

Donnie Piercey (00:01:38):

Yeah, so my name is Donnie Piercey. I’m a fifth-grade teacher from Kentucky. Live and teach right here in Lexington, Kentucky, right in the center of the state. I’m the 2021 Kentucky Teacher of the Year. But I’ve been teaching elementary school for the past … I think this is year 16 or 17. It’s long enough where I’ve lost count, and I can’t even count on fingers anymore. My friends like to joke that I’ve taught long enough where now I can count down. You know, it’s like, “All right, only so many more years left.” But yeah, teach all subjects. Science definitely is one of the subjects that I don’t just try to squeeze into my day, but make sure that … it’s not even a devoted subject, but one that I definitely try to — don’t just have that set time, but also try to do some cross-curricular stuff with it. So definitely the rise of AI in these past few months, which feels like years by this point, has definitely played quite the role, in not just changing the way that I’ve been teaching science, but really all my subjects. So, excited to chat with y’all about it.

Eric Cross (00:02:47):

Nice. I’m excited that you’re here. And Jen?

Jennifer Roberts (00:02:51):

Hi, I’m Jen Roberts. I teach ninth-grade English at Point Loma High School, and that’s where I usually stop when I introduce myself. But for your sake—

Eric Cross (00:03:00):

I will keep introducing you if you stop there. <laugh>

Jennifer Roberts (00:03:04):

I am nationally board-certified in English Language Arts for early adolescence. I am the co-author of a book called Power Up: Making the Shift to 1:1 Teaching and Learning, from Stenhouse, with my fabulous co-author Diana Neebe. Shout out to Diana. I blog at LitAndTech.com about teaching and technology and literacy and the intersection of those things. And I’m looking forward to talking about how AI is showing up in my classroom and the fun things I’m doing with it.

Donnie Piercey (00:03:31):

And one of us is actually secretly a robot, and you have to guess which one.

Jennifer Roberts (00:03:35):

Have to guess which one. Yes. <laugh>

Eric Cross (00:03:37):

That would be super-meta. And you were the CUE — Computer-Using Educator — outstanding teacher or educator? Whatever. Either one. Of the year.

Jennifer Roberts (00:03:45):

I was the CUE ’22 Outstanding Educator. Yes. And I’ve won a few other things as well.

Eric Cross (00:03:53):

The gaming backpack.

Jennifer Roberts (00:03:54):

I’ve won a gaming backpack recently! Yes. I once won an iPad in a Twitter chat.

Eric Cross (00:03:58):

What?

Donnie Piercey (00:03:58):

What’s a gaming backpack? Hold on. We need to talk about that.

Jennifer Roberts (00:04:01):

We will talk about that. <laugh> And then, I was once a finalist for county Teacher of the Year. That’s as close as I got to Donnie. Donnie was the Kentucky Teacher of the Year. He got to go to the White House and stuff. That was exciting.

Donnie Piercey (00:04:13):

<laugh> I mean, to be fair, there’s only three million people in Kentucky, and about what, 50 million people that live in California? <Laugh> So odds are definitely stacked in my favor, I think.

Jennifer Roberts (00:04:23):

So you’re saying we’re even there? Is that, is that what you’re going for?

Donnie Piercey (00:04:25):

Yeah, evens out. Evens out.

Eric Cross (00:04:27):

So I’ve been looking forward to talking to you both for a while now, and talking about artificial intelligence. It’s like the big thing. And both of you, at different ends of the spectrum and in my life, have contributed to this. Donnie, you’ve been sharing so much great information online about how you’re using AI in elementary. Jen, you are the reason I got into education technology years ago, right when I was becoming a teacher. And so being able to talk with you both about it excites me a lot. So first off, for the listeners who may not have any experience with it — and there’s still a lot of people out there who have not been exposed to it, haven’t got their feet wet with it yet — I’m hoping we could start off maybe with an explanation of … we could do AI, ChatGPT, I know that’s the big one. But simply explaining what it is, just for the new person. And whoever wants to start off can tell us about it. Or maybe we’ll start … we’ll, let’s actually, let’s do this: Let’s continue going like K–12? So Donnie, maybe you could … what’s your pitch to the new person of, “Hey, this is what it is”?

Donnie Piercey (00:05:31):

All right. So, AI, artificial intelligence, probably the way that most people are exposed to it, at least since November when it launched, is through ChatGPT. Where if you Google it, you know it’s made by a company called OpenAI. The best way to describe what it is … when you go there for the first time, make an account, it’s free. You have like a little search window, looks like a Google search bar. And instead of searching for information, you can ask it to create stuff for you. So for example, like on Google search, you might type in a question like, “Who was the 19th president of the United States?” Where on ChatGPT, instead of just searching for information, it creates stuff for you. So you could say, you could ask it to, “Hey, write a poem about the 19th president of the United States.” Or, “Write a short little essay comparing, I don’t know, Frederick Douglass to Martin Luther King Jr.” And it would do that for you. You know, that’s most people’s first exposure to AI, at least in these past few months. Instead of … you know, it’s artificial intelligence, but it’s not just chatbots. There’s lots of other AI that exist out there.

Jennifer Roberts (00:06:47):

And I think that’s the thing: that people don’t realize how much AI is already in their lives.

Donnie Piercey (00:06:51):

For sure. Yeah.

Jennifer Roberts (00:06:52):

You know, they just haven’t seen … the term that I see being used a lot now is “generative AI.” AI that can produce something. It can produce writing, it can produce art, it can produce a script, it can produce a character. But the AI that has been helping you pick what to watch next on Netflix and the AI that’s helping Google help you get where you wanna go on Google Maps faster, those are forms of artificial intelligence as well.

Donnie Piercey (00:07:21):

Yeah. I mean, even those, when you get that that message in Gmail, and instead of having to type out that response that says, “Yeah, that sounds great,” you can just click the little button that says, “Yeah, that sounds great.” I mean, that’s been in Gmail for years, but that’s artificial intelligence too.

Eric Cross (00:07:39):

Absolutely. So why is it important, do you think, for educators to, to be familiar with it? Like, why are we all so excited about it?

Jennifer Roberts (00:07:47):

So, educators need to know what kids are into, and kids are obviously into ChatGPT. And anyone who’s an educator right now has probably already had something cross their desk — or more likely their computer screen — that was written by AI and passed off as a student’s own work. And that is, of course, the great fear among teachers everywhere, that this is what kids are just gonna do these days and they won’t be able to catch it and children won’t be doing their own work and this and this. But I think the big reason teachers need to know what’s going on is because teachers need to be futurists. Our clientele will live in the future. We teach kids, kids will become adults, adults will live in the world. And so if we’re not thinking about and trying to predict on some level what’s gonna happen 5, 10, 15 years from now … we might be wrong, but what if we’re right?

Jennifer Roberts (00:08:38):

And if we’re not at least trying to think about what is their future world gonna look like, then we’re not serving our students well. I did a whole night talk on that. So I think ChatGPT is part of that. I teach seniors. I had this moment of realization I felt a few months ago. I’m like, “This is gonna be the world they graduate into. They need to know what this is before they leave me.” If I don’t teach them how to use this well, and not the way they’re using it — which is to copy and paste the teacher’s assignment and drop it into ChatGPT and take whatever it spits out and turning that in without even looking at it — if I don’t teach ’em how to use it critically, if I don’t teach them how to write effective prompts, if I don’t teach them how to use the AI as a tool, as a collaborator, then they’re gonna graduate into a world where they lose out to people who do know how to do that. And I think the advantage goes to kids who have access and knowledge of what’s in front of them and what’s available, and can use all of the tools at their disposal. Because when you’re writing in school and you write with a collaborator, that could be considered cheating. But when you do that out in the adult world, that’s considered doing a good job. <Laugh> Being a team player. <Laugh> You know, adults don’t work alone for the most part. And adults are expected to churn out beautiful, perfect content no matter how they got there. So if I’m not teaching my kids how to use this, they’re not being ready. They’re not gonna be ready to be the adults that I want them to be.

Donnie Piercey (00:10:07):

A hundred percent agree. And I also believe … as you know, I teach elementary school. I also don’t think anybody is saying that on the first day of kindergarten, you hand a kid a Chromebook and load up an AI chatbot or ChatGPT and say, Hey, this thing’s gonna do all your work for you for the next 12 years; just coast through life. You don’t have to think creatively. You don’t have to learn how to develop a paragraph or learn how to write a speech or develop an idea. Like, I don’t think anybody’s saying that, because as an elementary school teacher, there’s many days when I’m like, “Y’all, we’re just putting the Chromebooks away today and we’re just gonna go old-school. We’re just gonna maybe just jot down five quick ideas and stand up and present those ideas to the class.”

Donnie Piercey (00:10:54):

Because while AI definitely will, like you were saying, Jen, play a significant role in the lives of our students who are, not just graduating, but the 10- and 11-year-olds in my classroom this year. A significant role in their lives. It’s also really important to recognize that we’re not saying that this means that “Hey, kids don’t have to work anymore.” They still have to put forth that effort. There’s still — one of the ways that you become a good writer is by trial and error. And sometimes that trial and error comes through talking to a teacher or talking like you were saying to a peer or collaborating with a peer and saying to them, “Well, this sentence here, this paragraph here, really doesn’t make sense.” And I do believe one of the ways — especially as AI starts to become more fine-tuned and starts to be embedded more and more in tools like Google Docs and Microsoft Word — is it’s almost going to be a tutor to students.

Donnie Piercey (00:11:56):

Mm-hmm. <affirmative> Where I could very easily see in a few years, or maybe a few months, who knows what Google or any of these other big companies has rolling out, where a student could highlight a paragraph that they wrote simply, and then say, “Hey, proofread this for me,” or “Check for coherence.” Or even just ask a simple question: “Does this paragraph make sense?” Because you can already do that. You can copy a paragraph over into a chatbot and say, “Hey, does this make sense?” You know, “Rate my idea from one to 10,” and it’ll do that for ’em.

Jennifer Roberts (00:12:26):

We did that last week <laugh>.

Donnie Piercey (00:12:28):

Yeah. Right. I mean, that’s the thing. That technology exists now. It’s just not totally embedded yet. But based on what I’ve read and what I’ve seen, that’s gonna happen sooner rather than later. And it’s really, really important that we teach our students that, “No, you’re not just gonna use this, this tool to cheat, but you can use this tool to help you become a more creative student.”

Jennifer Roberts (00:12:50):

This is the use case in my classroom. Can I talk about that? You ready for that?

Eric Cross (00:12:53):

Please.

Jennifer Roberts (00:12:54):

OK.

Eric Cross (00:12:54):

Please.

Jennifer Roberts (00:12:55):

So my ninth graders are writing a comparative analysis essay, where I took them to the student art gallery and I made them pick two pieces of completely unknown student art and take notes on it, so they could go back and write this essay. And as soon as we got back to class, I said, can ChatGPT write this for you? And they all kind of froze ’cause I didn’t tell them what ChatGPT was. And they weren’t sure if they were allowed to know or not. And finally one of them kind of bravely raised his hand and said, “No.” And I said, “Why not?” And he said, “Well, the AI hasn’t seen the art. How can it write an essay about art when the art is completely original that we just went and looked at?” I said, “It’s almost like I planned it that way, isn’t it?” And they laughed nervously. And then I said, “Does that mean it can’t help us with this assignment?” And they said, “Well, no — of course it can’t help us, because it has not seen the art.” And I said, “Well. …” And I open ChatGPT, and I typed in what they were trying to do: “I need to write a comparative analysis essay comparing two pieces of student art on these reasons. And I need to choose which one did it better, basically. Can you help me with an outline?” and ChatGPT produced a lovely outline. And I looked at that with my students and we looked at it together and I said, “This is what it gave us. Would this be helpful to you?” And they’re like, “Yeah, that would be helpful to us.” So we — to be clear here, I was the only one using ChatGPT in the room. They were not actually using it. We were using it together. I copied and pasted the outline that it gave us and put it in their learning management system where they could access it so they could use the outline that the robot provided, and then they could use that to make their own writing better. So then I let them write for a little while, and, after they’d written for a little while, I said, “Does anybody wanna let me share your first paragraph with ChatGPT and see what it thinks of how you’re doing?” And a brave student raised his hand and we took his paragraph and we put it in ChatGPT, and it spit back advice. We said, “This is what I have so far for my first paragraph. Do you have any advice for me?” And we gave it the writing, and the first piece of advice it gave back was very generic, you know, “Add a hook,” you know, like kind of thing. But after that, it started to get more specific about things he was actually doing in his writing. And it started to give him some feedback. And we looked at that together as a class. And I said, “Does any of that feedback help you?” And he said, “Oh yeah, absolutely. I’m gonna go add some revisions to my paragraph.” And other students did too. They looked at the feedback he got and used that to improve their writing. And so everybody went and revised. And I said, “Look, if you take what the robot gives you and you copy and paste it, and you turn it in as your own work, it’s gonna get flagged for plagiarism. And that’s not gonna go well. But if it gives you writing advice the same way I would give you writing advice, and you decide that advice is good, and you take that advice and you incorporate it into your own writing yourself, then the robot’s making you better, but you’re still the one doing your own writing.” And the writing they turned in from that assignment was, was better. It wasn’t written by ChatGPT; it was still about the student art that they found in the gallery. But I showed them a path. Like, it can help you with an outline, it can help you with feedback. Right? These are fair ways to use it that’s gonna make you better. And they really liked that. They really liked — no one had shown them that before. The idea that you don’t just take the teacher’s prompt and give it to it … like, these are new uses to students and worked well.

Eric Cross (00:16:17):

So right now, you both just laid out these ways that you’re using it. And I do this with people that I’m trying to introduce to ChatGPT or AI. ‘Cause I get excited. Anyone could write a 500-word persuasive essay on the use of color in The Great Gatsby or The Outsiders, and they can get something back within seconds. But for a lot of educators, it might feel like the sky is falling.

Donnie Piercey (00:16:43):

Oh, understandably! Understandably. I mean, that totally makes sense.

Eric Cross (00:16:49):

What would you say to them? Donnie, go ahead.

Donnie Piercey (00:16:51):

Yeah. Well, I feel like every teacher kind of goes through the same experience when they see like a generative chatbot. I mean, all these major companies are gonna start incorporating AI, the generative AI piece. And a lot of times, when they see it for the first time, two things. First they’ll say “Oh, but I’ll know that that’s not my students’ writing.” Which, frankly, I think is a good thing, because that tells me that the teachers know their students’ writing. They’ve seen them write in person. They’ve conferenced with them one-on-one. And if a student were to turn something in to me, who I know might be a struggling writer, maybe it’s not their strength, and all of a sudden they’re turning in this10-page dissertation-worthy thesis written at a PhD level, I’m like, “All right, man, you’re nine. Can we talk about where this came from?” <laugh> But I also don’t think that at like the heart, I don’t feel like kids want to cheat. I really don’t. I feel like sometimes like kids are in a situation where they’re like, “OK, I’ve got nothing left. I gotta get this assignment done.” And when those kind of things happen, that’s when we as teachers, we have those one-on-one conversations. Even when I showed my students ChatGPT and even some of the AI image-generating stuff for the first time, and I talked to them about, “What do y’all think about this?” Because, you know, they’re under 13. In my district, ChatGPT is blocked for students. Staff, we have access to it. And that’s just because one, it’s so new, and at the same time, we need to figure out, “What’s the best way they can go about using this tool?” But when we were talking about it as a class, you know, I didn’t want to ignore the elephant in the room. So I asked them, I said, “Hey, do you feel like this is something that you all would use to. …” I mean, I used the word. I said “cheat.” And to be honest, the majority of the students in my class, they were taken aback. They’re like, “What? You think we just would cheat all the time?” Right? <Laugh> And I’m like, “Oh, well good. I’m glad to know that integrity is still alive and well.” But yeah, that’s definitely my thoughts on it, as far as not only the student integrity piece — I think that that’s the big thing that you need to just bring up with your students. Because again, I like to think that I’ve seen my students write enough that if they were going to turn something in that wasn’t their voice, or it didn’t sound like them, like I could have that conversation. And don’t be surprised, too, if in the next … I don’t know, one month to a year, there’s lots of AI detectors that exist. A lot of them are these like third-party things. You can go ahead, but I would not be surprised if in the next year or so, like you start to see those AI detectors be built into Google Docs, into Microsoft Word, into even Canva. And honestly, it’s almost like a fail-safe button for teachers, that we could say “All right, this is telling me that this is 99% probably written by AI.” So you can have that conversation with a student that way.

Jennifer Roberts (00:20:03):

I mean, if you’re worried about it, Formative, right now, will even tell you if something is copy-and-pasted into the boxes that they give you for students to write in. I find that kids who cheat are desperate, you know. Especially at the high school level. They’re panic mode. And, and usually their panic comes from, “I have no idea how to even start this assignment.” And so part of what I wanna use ChatGPT for is to lower that barrier for them. Like, you’ve got an assignment, you don’t know where to start. Tell the robot, tell ChatGPT, about the assignment and ask it for a list of steps. You know, ask it for an outline. Ask it for a time management plan. I see so much tremendous potential for this to help many of my students with IEPs who have executive functioning issues.

Donnie Piercey (00:20:49):

Oh, a hundred percent, right?

Jennifer Roberts (00:20:51):

Yes, a hundred percent. This can be their personal assistant who, you know, instead of me sitting with them one-on-one and saying, you know, “This is the task you need to do, let’s break it down into these six discrete chunks,” the artificial intelligence can do that for them. And it can do that for teachers too. <laugh>

Donnie Piercey (00:21:09):

Jen, I was just thinking about, how long until we see like the phrase artificial intelligence written onto a student’s IEP? I could see that happening very, very soon.

Jennifer Roberts (00:21:20):

Right? They should be able to use that. And then, also, of course, all of its amazing beneficials for teachers. I had to completely rewrite a unit of my curriculum. I knew what I wanted to do. I had some ideas of things I wanted to put in there. And I resorted to, I went to EducationCopilot.com and typed in my stuff that I had: You know, what standards I wanted to cover, what outcomes I was hoping for mm-hmm. <affirmative>. And it generated an eight-week unit for me. And I actually told it then to go back and do it as a 12-week unit so that I’d have more stuff in there to go and cherry-pick to decide what I really wanted to do. But it gave me ideas. It gave me places to start. It saved me an hour of just brainstorming. And I don’t think that was cheating. I still got to go in and decide which ideas were valid. And I still got to … you know, I mean, I’m a teacher. Can I get accused of cheating? I don’t think that’s a thing. It’s—

Eric Cross (00:22:18):

That’s collaborating! It’s collaborating!

Donnie Piercey (00:22:20):

Collaborating! It’s a feature! It’s a feature.

Jennifer Roberts (00:22:22):

It’s Tony Stark talking to Jarvis. You know, they’re figuring it out together.

Donnie Piercey (00:22:26):

Oh, when you use the AI, Jennifer, do you call yours Jarvis? In my class we call him Jeeves. ‘Cause remember Ask Jeeves?

Jennifer Roberts (00:22:33):

I think Eric calls it Jarvis.

Eric Cross (00:22:35):

Yeah. Jarvis is gonna be the AI’s name when, when I can get that fully functioning. There are some things that you had said, I just wanna circle back on. Donnie, Jen — so what I heard was like, best intentions. The part you said about integrity and students wanting to cheat … even the mindset that we go in assuming our students, what they would want to do and assuming best intentions, really kind of frames how you look at this kind of technology. And then Jen, you kind of brought up why students cheat, and realizing that either they don’t feel equipped, or maybe it’s time management, or something else. But most people — and I believe this as an educator — most students want to learn, and they want to be able to perform and achieve. And when they cheat, it’s because they didn’t feel like they could, for whatever reason. Whether it’s it’s outside factors, whether it’s something internal, motivation, whatever it is.

Jennifer Roberts (00:23:24):

Or they were very disconnected and just didn’t care.

Eric Cross (00:23:27):

Sure.

Jennifer Roberts (00:23:27):

This is just busy work the teacher’s giving me, so I’m gonna give it very little of my time and energy. But I think, yeah, it can be that. But if the kid cares about it, if they wanna learn, they wanna learn, you know?

Eric Cross (00:23:40):

Right.

Jennifer Roberts (00:23:40):

This is the day of the internet. Any kid can learn anything they really want to learn. And we see that all the time in our classes. The kid who has zero interest in what I’m teaching in English, but he is an expert coder, and that’s what he wants to spend his time learning. He’s like, “Can I read this C++ book as my independent reading book?” And I’m like, “You know, actually, you can. Go ahead.” <Laugh>

Eric Cross (00:24:01):

Yeah. And for both of you, saying that this makes content more accessible … and I think Donnie, or Jen, you said something about IEPs. I actually put in having it write an IEP to see what would happen. I gave it a prompt for a student’s ability level and I asked it to create a plan. And then I asked it to create a rationale. And it did! And it was good! I went through and vetted it. And right now … you know, a lot of it is funny, ’cause the conversation I’m having with different teachers is kind of like the Wikipedia one. Remember when Wikipedia first got out and everyone was like trying to discourage everybody from using it, because, well, it could be changed by anybody? And now everyone’s like, “Oh, check Wikipedia, and then steal the sources, ’cause they’re already done for you.” Like, the mindset has shifted since then. And I was talking to someone and they said, “Well. …” And I said, “We can use AI, it could be a tutor, these other things. …” And they said, “Yeah, but what happens?” And then insert apocalyptic scenario. Like, what happens if you don’t have access to wifi? And it reminded me of, for some reason, cooking classes. So in the 1700s you probably had to be able to farm to be able to generate your food. Right? Like, you had to get it from somewhere. But if you take a culinary class now, you just go to the grocery store. And someone might say, “Well, but you should know how to farm, ’cause what if there was this worldwide apocalypse and nobody could go to the grocery stores?” <Laugh> And you’re like, “Well, balance of probability though.” You know, it’s like we’ve been really been living in these iterations of life, and I think this next step for some folks … like, we don’t even realize, even like something like bank statements, right? So many folks are paperless. And there’s always a what-if scenario. What if you need it and the internet goes down. But we get so used to to to technology advancing and making our lives different. This kind of seems like that next iteration. And I wanna ask you this question: Are we looking at like the next calculator? The next internet, with this tech? Or do you think it’s too early to say?

Donnie Piercey (00:26:01):

Well, I’ve seen a lot of people compare ChatGPT to a calculator. I’ve seen that pop up on social media. There’s, “Oh well, no, this is like when the calculator was invented. Everyone was up in arms about how ‘that’s not what math students should do.’ Math should be pencil and paper, math should be this.’” However, you can give a kid a calculator and you can give ’em a word problem and they can punch in all the numbers, but they could do the wrong operation or they could put the decimal point in the wrong place, ’cause the student is still the one who’s controlling what’s on the calculator. Where with AI, all you gotta do is just copy it and then paste it into the bot and it’ll spit out whatever the question asked it for. Whether it was, you know, a 500-word rationale or proof for something in geometry, or if it’s analyzing data on a chart, it’ll do all that.

Jennifer Roberts (00:27:00):

Yes. But it’s not that magical. It’s back to what Eric did with the IEP. He put in a prompt and then he knew enough to ask for a rationale and then he knew enough about IEPs to critically read the results he got and make sure they actually worked for what he needed. He had to know all that. He was an expert using it to do an expert thing. My husband’s a computer scientist; he got ChatGPT to help him write an app, and it was a new programming language to him, and he could put in the data and he could ask for things that I would’ve never thought to ask for. But because he knows the language of computer science, he knew what to ask for. And when it gave him results that were bad, he could see that, and he could say, “Yes, but do it again, but without this,” or “make this part more efficient.” He, again, knew what to ask for. So I think the generative AI is, as a partner with humans, a powerful thing. But if the human doesn’t know what they’re doing, yeah. You’re still not gonna get great results.

Donnie Piercey (00:28:03):

<laugh> And I think that’s why I’m coming at this from the elementary school perspective, right? Because in K–5 students are still learning, like, “Hey, where does the decimal point go?” They’re still learning, you know, if you’re dividing by a two-digit number, where does the first digit go, if you go in the old long-division algorithm? And so they’re still acquiring that base-level knowledge that … I don’t know, maybe this is similar to in Jurassic Park when Jeff Goldblum says, “It didn’t take any knowledge to attain,” you know, “they stood on the shoulders of geniuses,” that whole thing. Like they had to acquire the knowledge for themselves, was his whole point. And so that’s why I don’t think it’s exactly the same as the calculator. It is definitely going to change things, in a similar way that the calculator did. But to me it’s just a whole new animal. And I don’t know if it’s going to be like the next internet, Eric — if you’re gonna get little devices that have AI built into it, like a Star Wars kind of thing, like a droid or something that follows you around — all that would be kind of cool, not gonna lie. But whether it’s something that you’ll access through the internet, something that’s built into your TV, that part I don’t know. But I do know that there’s a reason why all of these apps and all these companies are investing so much — not just energy, but time and money into it. Because they’re recognizing. “OK, this really has the potential to change things.” But if used well, and used safely, to change people’s lives for the better.

Eric Cross (00:29:41):

So I definitely hear that you both agree with the statement that if AI ChatGPT was used in the classroom, it could be a force for good. And literacy development. And I wanna shift gears a bit and then come back to the AI. So with that said — and we’re gonna get into some best practices in a minute — in Science Connections right now in this season, we’re making the case for how science can do more in classrooms and in schools. And so I’m I’m curious about what both of you think about the role in science fostering a better future when it comes to AI and education. And this season we’re really talking a lot about literacy. You know, in schools, so often it’s taught in a siloed way. And Donnie, you’re doing multi-subject. Jen, you’re single-subject: English. And we’ve really been trying to make this case for how science can actually support literacy, and these skills that students are trying to develop. So we’re going a little old-school, kind of diving into your content specialty, but maybe even pre-AI, or maybe AI has a component in this. But Don, maybe we’ll start with you. How has science been a way that has been helpful for your own literacy instruction? I know you do a lot of science, because I see your Google Earth stuff and the thing you did with the solar systems back in the day. And I think —.

Donnie Piercey (00:30:54):

Oh my gosh! You remember my <laugh> … wow.

Eric Cross (00:30:58):

That was amazing!

Donnie Piercey (00:31:00):

We haven’t done that since the pandemic. But I had my students go out, and using Google Earth, we built a scale model. Each of the students partnered up and they planned out on Google Earth a scale model of the solar system. They picked an object from around their house and we talked about like, “Don’t pick something bigger than a beach ball, or else, you know, your Neptune’s gonna end up like 10 miles away.” But you know, they just picked like a small ball, like a basketball, soccer ball, something like that. Or football, for international friends. And then we calculated the size of every other planet. And then on Google Earth, using their front lawn as where the sun was, then we went and we calculated where other planets would be, and then we actually drove to those locations and like held up the objects that would represent Neptune, Jupiter, Saturn, and all that. But it was a lot of fun.

Eric Cross (00:31:59):

And is that still accessible? ‘Cause I know you have some websites that you put resources out there.

Donnie Piercey (00:32:03):

Yeah. Yeah, I can … I wanna say on my Resources page — Resources.MrPiercey.com — I’ve got a link on there to a couple of student examples that I can share. And if not, when we get off this call, I’m gonna go on and put them on there <laugh> so people can find it. I’ll even throw on there just the assignment itself. So if you wanted to copy that and do that with your students, you could.

Eric Cross (00:32:27):

Donnie, the reason why I brought that up is because I saw that you had posted that or shared it a long time ago, and I just thought it was the coolest thing that you could totally do with middle-school students or high-school students. Jen, when I became a teacher, you said, “We’re all teachers of literacy.”

Jennifer Roberts (00:32:43):

<laugh> Yeah. I think we forgot to tell them that I was one of your professors.

Eric Cross (00:32:47):

Yes. <Jennifer laughs> One of the people who’ve definitely influenced and shaped my teaching. And that statement has never left my mind: that we’re all teachers of literacy. And I want to ask you, at the high-school level, how can science educators, or how can science — how have you seen it, or how does it, support literacy, when it’s done right?

Jennifer Roberts (00:33:09):

Like I said, I think we’re all teachers of literacy, but I think literacy is bigger than just reading and writing. I don’t think someone is literate if they can’t talk somewhat knowledgeably about what’s happening with climate change. I don’t think someone’s literate if they don’t know what’s going on in the world. And I think so much of what’s going on in the world has to do with science. We’re doing that all the time. If I could teach English just by giving kids articles about science, things to read, that would make my day. Right? We would never read another piece of fiction again. It would all be, you know, what’s happening to the ice sheet in Greenland. My students thrive on reading non-fiction. And then whenever that non-fiction touches on science is even more interesting. And whenever I can get them writing about data, particularly their own data that they collected, I think that’s building those science literacy skills as well. So I think science and English blend together very, very well. I think the literacy aspects of that are fantastic. There are more subject-specific vocabulary words, advanced vocabulary words, in science than any other discipline. And I don’t see why those shouldn’t come up in English as well. You know, my seniors will do a unit at the end of the year on the new space race. Unless I replace it with a unit about generative AI, which I’m seriously considering doing, ’cause I think they really need to learn about bias in AI algorithms and things like that. And I would like to have them read a whole bunch about that stuff. And I wanna give them the open letter that all those CEOs signed that said that AI research should slow down, and make them part of that live conversation about what’s happening in that field. So science comes into that. You know, when we read Into the Wild, we start talking about a whole bunch of scientific concepts. And when it rains in Southern California, we pull up weather maps and look at radar and talk about that and how that works.

Donnie Piercey (00:34:59):

That’s like once every 10 years, Jen? <Laugh>

Jennifer Roberts (00:35:02):

Well, actually, this year it rained a lot. It rained a lot in San Diego. Which is actually very high-interest for them. ‘Cause they wanna know, is it gonna be raining at lunchtime?

Eric Cross (00:35:12):

Jen, you said something … you have your students writing about data?

Jennifer Roberts (00:35:16):

Oh yeah.

Eric Cross (00:35:17):

Can you tell me more about that?

Jennifer Roberts (00:35:19):

So, this is something we’ve done with the ninth grade team for a long time now, is writing about their own data. So it started with a unit about stereotypes and stereotype threat. And they would collect data individually and then they would enter that data into a Google form and then we would give them the spreadsheet of the aggregate data from the whole ninth grade. And then we morphed that unit into one about academic honesty, and they filled out a survey at the beginning of the unit about their feelings about academic honesty and about experiences with academic honesty and cheating and homework and things like that. And then we would do the unit. We’d do all the readings in the unit. And they’d have these “aha” moments about things that were happening at other schools. And then at the end of the unit, we would give them back their own aggregate data and ask them to write about whether or not academic honesty was an issue at our school. And then to support that answer with evidence from their own dataset. So they had that spreadsheet to comb through and figure out, you know, where am I gonna stand on this? We give them the multiple-choice questions we gave them as the graphs, in Google Slides, so that they could write about them and talk about them, too. So yeah, getting kids to write about data. And the the sentence frames we gave them were sentence frames out of, They Say, I Say, from the chapter on writing about science. And <laugh> as they write this stuff, they’re like, “I feel so smart writing this way.” And I’m like, “I know, ’cause you’re writing about big important topics!” Right? And writing about their own data come to think of it is another great way to make an assignment both very personal to them, but also make it ChatGPT-proof, you know, if you’re looking for something that kids can’t just hand to the robot, the robot doesn’t have that data set.

Eric Cross (00:37:08):

Absolutely. And Donnie, at the elementary level, do you, do you make connections between science and literacy? In your class? You talked about with math, definitely with the solar system, but now, I’m curious, what are your newer projects? What have you been working on lately?

Jennifer Roberts (00:37:23):

What’s up now, Donnie?

Eric Cross (00:37:24):

Yeah, what are you doing?

Donnie Piercey (00:37:25):

Oh, man. Well, let me think. I’m just trying to think of some fun projects that we’ve done this year. Science that we can tie in Literacy and also some student creation. Just recently we had a … so I’ve wanted to expose my students to famous scientists that weren’t just white dudes from Europe. So for this year, what I did — and I actually used AI for this — I went into ChatGPT and I asked for 64 famous scientists and it listed them all off. And then I asked it, like, how many of these were white? And I think it said like 61 of them. You know, it had like Neil DeGrasse Tyson, and a couple of other … I didn’t know who they were. So I’m like, “All right, so we need to make this more diverse and make this more equitable.” ‘Cause you know, with the student population in my classroom, try to find equal representation to make sure they can see themselves in some of these scientists. So, eventually got it narrowed down to where I had about 64 scientists. Half are women, half are men from all continents except Antarctica. I assigned these scientists to my students. Some got two; some got three. And their assignment was to go and one, do some individual research on this person, find out what they were famous for, what they were most well-known for, turn it actually into a persuasive piece, where I said, “Hey, you’re gonna have one slide.” And I’ll tell you why I gave him one slide in a minute. On that one slide, you’ve gotta convince the person who sees it that this scientist is the most important scientist since the dawn of creation. I said, “You could use images, text — I don’t care if they were famous for something that you didn’t even understand what it was. It’s a persuasive piece. You’re 10. Go all out. Add gifs, do that whole thing.

Eric Cross (00:39:21):

This is awesome.

Jennifer Roberts (00:39:21):

I wanna do this project.

Donnie Piercey (00:39:23):

And if you picked up on the number 64, and I did this in March, so what we did was throughout the weeks of March Madness of the women’s and men’s NCAA tournament, whenever a game was going on, we had another round of voting. I just paired ’em up. I was gonna like seed them, like 1 to 64 — that’s just way too much work for me <laugh>. So I just kind of did random kind of thing. But all the students had to do — they just saw the slides side-by-side, and the only question they had was, “Based on what you see here, who is the most important scientist? This person or this person?” And it eventually came down to Carl Sagan going up against Marie Curie.

Eric Cross (00:40:04):

OK, that’s a good matchup.

Donnie Piercey (00:40:06):

Yeah, well, the Marie Curie slide, they just liked the radium piece. So they added like some green glowing gifs. And I said, “Guys, it doesn’t always grow glow green.” But whatever. Anyway, eventually Carl Sagan, in case you wanted to know, according to the 10-year-olds in my classroom, is the most important scientist in the history of the world. So I don’t know if I agree with that per se — I think maybe Newton or somebody else might have had something else to say about it — but fun assignment. It was a unique way to expose my students to a bunch of ideas. I remember the student that I assigned Newton, the only thing that that she knew about Isaac Newton was “Didn’t he get hit in the head with an apple?” And I said, “Well, not exactly, I think you might have read or maybe seen too many like old-school cartoons or whatever.” But she ended up doing some research. She’s like, “Oh, I’ve heard of that before! That equal and opposite reaction thing.” Didn’t know what it meant. I had another student that just got really … you know, if you’ve ever been on one of those YouTube kicks where it’s just, you go like nine levels deep onto like, “What does this theorem mean?” Student sits in back of my classroom, I walked by one day and he’s just watching something on like the fifth dimension and what it might be. And I said, “Oh, your scientist got you started on that.” So definitely was a lot of fun. Unique way to combine reading, writing, but also expose my students to some ideas. And we’re definitely gonna do it again. I’ve actually done this assignment before. I picked 64 random elements on the periodic table. But their only slide that they have to make is “What’s your element? What is it used for? And then, why is this the most important element since the dawn of creation?” <Laugh> And, you know, there’s always that student that gets hydrogen. They’re just like “Sweet!” Right? They get excited about that one. <laugh>

Eric Cross (00:41:59):

Explosions.

Donnie Piercey (00:42:00):

Yeah. But then, for that kid who likes a challenge, or that student with the “gifted” label, you give them, like, einsteinium or palladium. Some of the more challenging ones. And they go all out with this. I didn’t use AI for that one, but it was kind of fun, and I figured it’d be neat to share an idea that another teacher could try.

Eric Cross (00:42:20):

Well you probably have at least two teachers right now that are gonna go and try that. And we’re both looking at you. So.

Donnie Piercey (00:42:24):

Go for it.

Eric Cross (00:42:25):

Thanks for that idea. I’m imagining my students coming in with jerseys with “neon.”

Donnie Piercey (00:42:29):

Oh yeah. <laugh>

Eric Cross (00:42:30):

“Neon” on it. Just all ’80s out.

Donnie Piercey (00:42:33):

The game behind it, too, is you tell kids — again, this is just so the 10-year-olds in my class don’t get their feelings hurt — but I say, “Hey, and if your element gets knocked out, you just have to start cheering for whoever beats you in the tournament.” So by the end, you kind of got half the class cheering for one and half the class cheering for whatever.

Jennifer Roberts (00:42:53):

So the only thing I got outta that whole story that I’ve got for you is, as a child I met Carl Sagan. That’s all I got.

Donnie Piercey (00:43:02):

For real?

Jennifer Roberts (00:43:02):

For real.

Donnie Piercey (00:43:03):

So did he talk with that cadence and tone?

Jennifer Roberts (00:43:06):

Yes.

Donnie Piercey (00:43:06):

Like in real life? Wow.

Jennifer Roberts (00:43:07):

Yes. My father was one of the cinematographers on the original Cosmos. And I got to go to the set a few times.

Donnie Piercey (00:43:14):

That’s incredible!

Jennifer Roberts (00:43:15):

I did not appreciate what I was seeing as a child. But as an adult, I’m like, “That was cool. I was there.”

Donnie Piercey (00:43:20):

“You can see my shadow off in the distance.”

Jennifer Roberts (00:43:23):

I mean, maybe that’s part of why I’ve always had an interest in science. I’ve always had fantastic science teachers. Every science teacher I ever had was amazing.

Donnie Piercey (00:43:31):

I credit mine to Mr. Wizard. I don’t know if you ever watched Mr. Wizard and Beakman’s World?

Eric Cross (00:43:35):

I remember Mr. Wizard. Yep. Yep. I definitely remember Mr. Wizard, Beakman’s World, all those. That was on Nickelodeon back in the day. I had to get up early to watch that one. But there’s a YouTube video—

Donnie Piercey (00:43:44):

Six am!

Eric Cross (00:43:44):

<laugh> It was! It was super-early! But there was one, Don, I don’t know if you’ve seen this on YouTube, but it said “Mr. Wizard Is Mean,” and it’s just clips of when he’s—

Donnie Piercey (00:43:56):

Yelling at kids!

Eric Cross (00:43:56):

Chastising. Or being really direct. It’s just one after another.

Donnie Piercey (00:44:02):

He always asked ’em a question and if the kid, you know, didn’t answer it right, he’d be like, “Well, you’re not right, but you’re wrong.” You know, whatever. <Laugh>

Eric Cross (00:44:14):

I have to make sure I’m not subconsciously saying Mr. Wizard quotes when I’m talking in the classroom, when things are happening. But yeah, that video’s hilarious. So I just want to bring us back to AI, and ask this question: Do you think science has a special role to play when it comes to teaching kids about AI responsibly? Does science have a special role in that?

Jennifer Roberts (00:44:36):

I think the responsible piece of AI I wanna teach my students about is the part about the bias in the algorithms and the bias in the training. And I want them to understand how it works, well enough to make informed decisions about how it impacts their lives.

Donnie Piercey (00:44:56):

Hmm.

Jennifer Roberts (00:44:57):

Because I do have concerns about a tool that was trained on the internet. And the answers it gives you is the average of the internet. And do we trust the internet? And the answer from kids is always, “Well sorta, no.” <Laugh> So I want them to understand the social science behind that.

Donnie Piercey (00:45:18):

Yeah. And just along that same point, having the students recognize that just because, you know, you copy-and-paste a question in, the answer it spits out might not always be correct. So, teaching them that just like you would with a source that you find about a topic that you’re researching, you’ve gotta fact-check.

Jennifer Roberts (00:45:44):

It’s just like being a good scientist. A good scientist wouldn’t always accept a single result or the first result. You know, you would look at multiple angles. You would try things different ways. Last week I took the article my seniors were reading about victim compensation after 9-11, and in front of them, I gave ChatGPT, I said, “Are you familiar with this article by Amanda Ripley? And ChatGPT came back and said, “Oh yes, this was written in the Atlantic in 2020 and it’s about these things, blah, blah blah.” And my students looked at that and went, “That’s not the article we read.” And I said, “I know. It got it wrong. That’s amazing!” Yeah. And I was so happy that it got it wrong! ‘Cause I wanted them to see that happen.

Donnie Piercey (00:46:21):

And I guess one of the big science questions there, or one of the big science components there, is that idea of inquiry. Right? It’s almost like you have to teach students how to ask those deep questions about what AI spits out.

Eric Cross (00:46:35):

All of those tips are great. And it leads me to this last question I want to ask. New teachers that are out there — it actually doesn’t even matter; new teachers, experienced teachers, all of us are kind of new at different levels of this race. We’re all kind of starting it together. I mean, it hit mainstream. We’re all getting exposed to it. You all really dive into it. When tech comes out, I know you two really like, “OK, how can we use this to transform education and do awesome things for kids?”

Donnie Piercey (00:47:04):

Usually, when new tech comes out, “How can this make my life easier?” is usually the question. Yeah.

Jennifer Roberts (00:47:09):

“How can I save myself time with this?” Yes.

Donnie Piercey (00:47:11):

“How can this result in me watching more TV and you know, less grading,” sometimes.

Eric Cross (00:47:16):

And I start there like you, but then I end up more time that I fill with another project. And I need to learn how to stop doing that. I’m like, “Oh! I got more free time! … to go take on this other task.”

Jennifer Roberts (00:47:28):

Oh, all of my tech adoption is driven by “how can I work less?”

Eric Cross (00:47:32):

So you’re you’re talking to a new teacher, teacher’s getting exposed to this, they’re starting the school year or they’re just getting their feet wet with it. What advice would you give them about AI, incorporated into content or even just best practices? Where you’re at right now in your own journey, and someone’s asking you about it —what would you share with ’em? And Jen, I want to start with you.

Jennifer Roberts (00:47:53):

So, the first thing I did is I was in the middle of grading, you know, 62 essays from my seniors about Into the Wild, when ChatGPT became a thing last November. And I wanted to see what would happen. So the first thing I did was take the prompt that I had given my students and gave it to ChatGPT, ’cause I had just graded a whole bunch of those essays and my brain was very attuned to what my rubric was doing and what I was expecting as the outcome. So I could take what ChatGPT gave me as that quote unquote “essay” and evaluate it critically. And I was ready to do that. So my first advice is take something you’re already asking students to do and ask ChatGPT to do the same thing. So that as you look at the student results, you can compare that to what ChatGPTgives you. If what you’re finding is that ChatGPT can generate something that would earn a decent grade from you, you might need to change that assignment. And it doesn’t need to be a big change, but it might need a tweak or something, so that it, it does rely on the student voice, the students to do something more personal. I’m finding very helpful in my classroom is having my kids do projects where they are recording themselves on — I like Flip. So they’re writing a scene together and they’re having to record the scene together. And I’m emphasizing more of the speaking roles than the writing roles necessarily. So yes, first, take something you’re already doing, paste in to ChatGPT, see what the results are, see how that fits with what your students are doing, and then do that for every assignment you give and just sort of see what comes out of that, and see which assignments are failing and which assignments are working. ‘Cause that’s gonna give you a sense, when you do see one of those results from your students, you’ll be able to recognize it. But it’ll also help you tweak your assignments and decide, “How can I make this a little more original or a little bit more authentic for my students?” And if the robot, if the AI, can’t generate a response, what could the AI do that would be helpful to your students? Would be my next question. So can you use the AI to help them generate an outline? Can you use the AI to help them generate a list of steps to help them get started? And when you’re comfortable enough doing that by yourself, then don’t be afraid to open it in front of your class. If it’s not blocked at your school site, which I hope it’s not. Because I think the advantage goes to kids who have access to this in the long run, or at least see what it is and know what it is. Right? Because if a kid graduates from school without knowing that AI exists, they’re not gonna be prepared for what they face out in the world. So give them a chance to see you using it. Model effectively using it. I have a blog post about that. I just wrote it. LitAndTech.com. You can check that out. “Introducing 9th graders to ChatGPT.” How it went, right? There’s a chart there you can have. It’s my very first draft of this, but it seems to be very popular. So, you know, show students how it can be used as their mentor. If I can’t come read your paragraph because I have 36 kids in my classroom and I cannot stop and read everybody’s first paragraph, can you, if you want to, give your first paragraph to ChatGPT and ask for advice? And will that advice be helpful to you? So showing students how it can be used responsibly is, I think, something every teacher should be doing right now. And don’t hold back just because you’re afraid you’re gonna be teaching them what this is. They know what this is. Right?

Donnie Piercey (00:51:13):

They know what it is.

Jennifer Roberts (00:51:13):

Especially if you teach high school. They know what it is. I’ve had parents thank me for showing them how to use it responsibly. You know, this can actually be a really useful tool, but if you’re trying to make it do your work for you, it will probably fail you. If you’re trying to use it to help you do your work, it will probably be helpful. Sort of the way I’m breaking it down for them at this point. You want the great metaphor? The great metaphor is if you build a robot and send it to the top of a mountain, did you climb that mountain? No. If you build a robot and ask it to help you get to the top of the mountain, and you and the robot go together, did you climb that mountain? Yes.

Eric Cross (00:51:53):

I like that. I’m thinking through this. I’m processing that now.

Donnie Piercey (00:51:57):

Me too.

Eric Cross (00:51:59):

Yeah. I just imagine a robot holding my hand climbing Mount Everest and I’m like, “Yeah, I did it.”

Donnie Piercey (00:52:04):

If I got a robot though, like I would have to dress it like Arnold Schwarzenegger in Terminator 2. Like I would just have to.

Eric Cross (00:52:10):

Of course.

Donnie Piercey (00:52:10):

Of course.

Eric Cross (00:52:13):

Donnie, same question. Advice. Teachers getting immersed into it. Tips. What would you say?

Donnie Piercey (00:52:20):

So, I would definitely agree with everything that Jen said. Just, if anything else, to familiarize yourself with it. Almost like pretend like it’s a student in your classroom and it’s answering questions, just so that way you can see what it can do. And you’re kind of training yourself, like, “Oh, well, if I ever need examples, exemplars.” If you’re in a writing piece and you don’t wanna sit there and write out four different types of student responses — you know, advanced writer, beginning writer, whatever — great way to to do that is you just—

Jennifer Roberts (00:52:48):

Oh yeah. We did that.

Donnie Piercey (00:52:48):

—copy the prompt in and give a beautifully written piece that a fifth grader would be impressed with. Boom. It’ll do it for you. In my classroom, the way that I approach it is I kinda look at AI as almost like this butler that I don’t have to pay. That if I need it to do something for me, it’s just bookmarked. I can click it. And I mean, sometimes I just talk to it like it’s a person. And it’s almost like, in the chat window, I’m just rambling at it, what I’m trying to do. And it’s almost like I’m talking to a coworker, and I’m trying to hedge out some ideas for a lesson. Simple example: For a science lesson, if you’re trying to come up with … let’s say you’re a fifth-grade — or, sorry, I teach fifth grade. Say you’re a seventh-grade science teacher. And you’re trying to teach the students in your class about Newton’s third law of motion. You know, every action [has an ] equal and opposite reaction. Look around your room. See what you have. Maybe look around and you’re like, “All right, I got a whiteboard, microscope, I’ve got magnets, a cylinder. …” And you just copy all this stuff into ChatGPT. Say, like, “Hey, I have all of these items. Cotton balls, peanut butter, whatever.” And say, “I’m trying to teach students Newton’s third law of motion. Give me some ideas of some ways I could teach it using some of these materials.” And it’ll do it! It’ll give you like five to 10 ideas!

Jennifer Roberts (00:54:15):

And then tell it what your students are into. Like, my students are really into basketball. Can you work that into this lesson?

Donnie Piercey (00:54:21):

Yeah! They’re into the Avengers! Hey, find some way to tie Spider-Man into this. You know, that was a pun that didn’t go so well. But, you know <laugh> figure out some way that you could incorporate this and it’ll do it. And Eric, like you said, it won’t be perfect. Right? But if anything else, if you’re a starting teacher and you’re trying to brainstorm ideas — try it.

Eric Cross (00:54:44):

And Donnie, as you were saying that, I was thinking — first, I imagined Spider-Man shooting cotton balls with peanut butter all over them — and then my mind went to having students have these items, like you were saying. And then they create labs, working alongside AI. To do inquiry. To create a lab about something, and then going and performing and collecting data. OK, that’s — now I wanna go do that tomorrow!

Donnie Piercey (00:55:10):

Listen, it is so easy to do. If you have an extra computer in your classroom. … We were talking about Jarvis and Iron Man and Tony Stark earlier. Make a new chat in ChatGPT. Tell it, “I want you to pretend that you are Tony Stark. Only answer questions as if you are Tony Stark.” Or “Pretend you’re Jarvis.” Whatever. “Stay in character the whole time. I’m going to have sixth grade students come up to you and ask you questions about science or forces of nature, and only answer questions like you’re Iron Man.” And guess what? You keep that station in your classroom. Students are working on a project — you know, in elementary school, a lot of times we’ll have that, “ask three before me” — you’re supposed to ask three friends before you go and bug the teacher. Well, maybe one of those “three before me” can be that little computer station, where they go up and ask Tony Stark a question, and then it answers them as Jarvis or Iron Man. I mean, we’re really just scratching the surface with all this AI stuff. And as more and more companies and more and more creatives are gonna start to realize everything that it can do, we’re gonna start to see it more and more. And hopefully we as teachers can really figure out how to use this tool to, of course, help students, but also help them be creative and explore and learn on their own.

Eric Cross (00:56:35):

That’s amazing. And just both of you are just dropping gems right now. And I wanna wrap up by saying — and I’ve said this before on earlier podcasts I’ve done — but at this phase in my life, the people that I’m the biggest fans of are teachers. And it’s true. I don’t mean that in a cliche way. When I watch celebrities and things like that, when I watch professional sports, that doesn’t fill me the way it used to when I was a kid. At this point, as a professional, I get inspired by other educators who are just doing awesome things. And when I think about educators who are doing that, you two are on that list of people that make me better. And when I get better, I can do better things for my kids. And so, one, I want to thank you for staying in the classroom and continue to support students. They’re so lucky to have you both. The second thing I wanted to say is, Jen, I wanna start with you. Where can people — and I know we said at the beginning — but where can people find the stuff that you put out? You got blogs, your social, your book.

Jennifer Roberts (00:57:28):

I got lots of social. Twitter, I’m JenRoberts1 on Twitter. And then my blog is LitAndTech.com. And then I’m on lots of the new social too, the Mastodons, the Spoutables, the Posts — those kinds of things — as just Jen Roberts, because I got in early and I got my real name without a 1. And there was some other one I’m on recently that I’ve forgotten about. But there’s lots of ’em. They’re fun. And I’m Jen Roberts. You can find me there.

Donnie Piercey (00:57:56):

And I’m SergeantPepperD on AOL, if anyone’s interested.

Eric Cross (00:58:00):

If you wanna hit Donnie up on AIM. <Laugh>

Donnie Piercey (00:58:03):

SergeantPepperD.

Jennifer Roberts (00:58:04):

You know, speaking of rock stars and people who do amazing things, I did write a blog post about using ChatGPT in the classroom, but I hear Donnie wrote a whole book.

Eric Cross (00:58:13):

Oh yeah. So, Donnie! Donnie, that’s a great segue. Thanks Jen. Donnie, how do people find out more? And can you tell us about this book you wrote, that’s coming out in the summer?

Donnie Piercey (00:58:22):

Yeah, so the book I wrote is called 50 Strategies for Integrating AI Into the Classroom. It’s published by Teacher Created Materials. They reached out to me. They had seen some of the stuff that I was doing, not just with ChatGPT, but also some image-generating AI stuff. You know, I got featured on Good Morning America, which was kind of cool. And they saw that and they said, ‘Hey, that looks really neat.” Reached out to me and asked me to write a book. And the idea behind the book, that launches this summer, it’s just 50 ideas, 50 prompts, different things that, as a classroom teacher, that you can do. So, you know, I think there’s so many AI books that are out there now. A lot of them are big ideas, which I think are important. Definitely important discussions that need to be, have around, the ethics of AI. What’s the role that AI should play in the classroom. But I just wanted to write a book, kind of like the discussion that, that Jen and I were just having, which is like, “Can we just share a whole bunch of ideas, different things that we could try with our students?” So definitely check it out. And I appreciate you giving me a shout-out too. That was cool, Eric. Thank you.

Eric Cross (00:59:35):

Of course. Definitely. And Donnie, your Twitter is again. …

Donnie Piercey (00:59:39):

Oh, @MrPiercey, M R P I E R C E Y.

Eric Cross (00:59:44):

Follow Donnie. Follow Jen. Tons of stuff on there. Both of you, thank you so much. For your time, for talking about students and how we can take care of them, science, literacy, AI. I hope we can talk about this again. I feel like even if in just six months, we might be saying different things. In a year, the landscape might completely change. And that makes it really fun. But thank you both for being on the show.

Jennifer Roberts (01:00:04):

Thank you for having us, Eric.

Donnie Piercey (01:00:05):

Thank you so much, Eric. We appreciate it, bud.

Eric Cross (01:00:10):

Thanks so much for listening to my conversation with Jen Roberts and Donnie Piercey. Jen Roberts is a veteran English teacher at San Diego’s Point Loma High School and author of the book Power Up: Making the Shift to 1:1 Teaching and Learning. You can keep up with her at LitAndTech.com. And Donnie Piercey is a fifth-grade teacher from Lexington, Kentucky. He hosts the podcast Teachers Passing Notes. Stay up-to-date with him at Resources.MrPiercey.com. And let us know what you think of this episode in our Facebook discussion group, Science Connections: The Community. Make sure you don’t miss any new episodes of Science Connections by subscribing to the show, wherever you get podcasts. And as always, we’d really appreciate it if you can leave us a review. It’ll help more people and AI robots find the show. You can find more information on all of Amplify’s shows on our podcast hub, Amplify.com/hub. Thanks again for listening.

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What Jennifer Roberts says about science

“If I’m not teaching my students how to use this, then they’re not going to turn into the adults we need them to be… If we’re not at least trying to think about what our future world is going to look like, then we’re not serving our students well.”

– Jennifer Roberts

High School English Teacher

Meet the guests

Jen Roberts is a Nationally Board Certified high school English teacher with 25+ years of experience teaching Social Science and English Language Arts in grades 7-12. She has had 1:1 laptops for her students since 2008 and is the co-author of Power Up: Making the Shift to 1:1 Teaching and Learning. A Google for Education Certified Innovator since 2011, Jen was named the CUE Outstanding Educator in 2022. Her interests include literacy instruction, standards based grading, and leveraging Google tools to make her teaching more efficient and effective.

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Donnie Piercey, the 2021 Kentucky Teacher of the Year, is a fifth-grade teacher in Lexington, Kentucky.  With a passion for utilizing technology to promote student inquiry, learning, and engagement, he has been teaching since 2007. In addition to being in the classroom, he runs a podcast, Teachers Passing Notes that is produced by the Peabody Award winning GZMShows, and holds several recognitions, including a National Geographic Fellowship to Antarctica in 2018. His most recent work in Artificial Intelligence has not gone unnoticed, earning him multiple appearances on Good Morning America, the Associated Press, and PBS. His upcoming book, “50 Strategies for Integrating AI in the Classroom” published by Teacher Created Materials, is written for educators looking for practical classroom approaches to using AI. All told, Donnie has been invited to keynote and present at schools in thirty-three states and on five continents.

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About Science Connections

Welcome to Science Connections! Science is changing before our eyes, now more than ever. So…how do we help kids figure that out? We will bring on educators, scientists, and more to discuss the importance of high-quality science instruction. In this episode, hear from our host Eric Cross about his work engaging students as a K-8 science teacher. 

S1-02: Community and joy within K–8 science instruction: Desiré Whitmore

Promotional graphic for "Science Connections" Season 1, Episode 2 featuring Desiré Whitmore, focusing on community and joy in K–8 science instruction.

In this episode, we join Eric Cross as he sits down with physicist and science education specialist, Desiré Whitmore. Listen in as Desiré explains her work at the Exploratorium, a public learning laboratory. Eric and Desiré discuss finding passion in science, the importance of meeting students we’re they’re at, and K–8 science instruction with real-life connections. Desiré chats with Eric about her work on supporting the science of teaching science content at the Exploratorium museum.

Explore more from Science Connections by visiting our main page.

Download Transcript

Desiré Whitmore (00:00):

I think it’s really amazing when we can realize as teachers, like, no, our job is not to just enforce rules on our students, right? Our job is to help students to achieve more learning.

Eric Cross (00:37):

Welcome to Science Connections. I’m your host, Eric Cross. My guest today is Desiré Whitmore. Desiré has held positions as a science curriculum specialist with Amplify Science, a professor of laser and photonics technology at Irvine Valley College, and is now the senior physics educator in the Teacher Institute at the Exploratorium in San Francisco. Her current work is focused on providing support and professional development to middle and high school science teachers to help them teach through inquiry. In this episode, we discussed Desiré’s pathway into physics, the impact of educators in her life, and the importance of representation for students in the classroom. I’m so excited for you to meet my physicist friend, Dr. Desiré Whitmore. All right. So just like a superhero, STEM superhero, you have an origin story and so—

Desiré Whitmore (01:36):

How long is this podcast gonna be? ‘Cause, you know, I can talk for days, so you—

Eric Cross (01:40):

I know, I know! But it’s, it’s…so, OK. We can give us a highlight. So, you know, 30 minutes. But what would be the origin story? You can start from any point in time, but what’s that journey like?

Desiré Whitmore (01:51):

I’m gonna start at the beginning, when I was really young, just because I think it’s important. Neither of my parents were college-educated. My mother didn’t finish high school. My father went back and got a GED later. But my father’s grandmother, her name was Claudia Pairs, and she was a teacher, right? So when I was a kid, she actually kind of raised me from, I don’t know, until I was around seven or eight. And so she was very important in who I became, I think because she taught me that college is important and she taught me to think. She taught me to ask questions. She taught me how to ask questions. Just the Exploratorium likes to do. Which is why I fit so well here. She taught me to always wonder and always think about things. And I remember as a kid, she taught me to count and read and write when I was, like, three. And she would always have bubbles at her house. And I was obsessed with bubbles. I thought bubbles were the coolest thing in the world. And just how you can take your breath and create this thing that now you can see, and it’s your breath, right? It’s your breath inside of a bubble and it’s flying around and it has all these cool colors, and then it would fly up and then eventually just pop. And you’re like, where did it go? Now my breath is just up there. Not understanding, as a kid, but my breath is always everywhere. I didn’t understand any of that, but I understood that my breath was inside of a bubble. That’s my earliest memory of thinking about science, was from that. And she was not a science teacher. She was—I don’t even know what she taught. I think she was an elementary school teacher, maybe. She died when I was 12. So I don’t have super-strong memories or of understanding who she was, only that she raised me and what she taught me as a kid. But that in itself really helped me because then when I was in the environment that I was in at home with my parents, which was not at all the environment she provided for me, I always had the things she taught me in my head, right? So I was always asking questions. My mother hated it. I was always taking things apart and putting them back together. So I used to take apart TVs and VCRs and vacuum cleaners and telephones, and my mother’s like, “Oh my God, I’m gonna murder you.” And she tried a couple times, too.

Eric Cross (04:25):

Did you ever put ’em back together and realize you had extra parts? You’re like, oh, hi.

Desiré Whitmore (04:29):

Oh yeah. All the time. Yeah. Yeah. VCRs have a lot of extra pieces. You’re like, “What do you even…it still works. It’s fine.” <laugh> You know? And vacuum cleaners too. They had a lot of extra parts, <laugh> all the time. And TVs. I should not have been playing with TVs. But like I said, I didn’t have a lot of parental, guidance as a child. So, like, whatever—I’m opening up TVs.

Eric Cross (04:54):

There’s a lot of open inquiry going on in your household. Yeah. Unsupervised.

Desiré Whitmore (04:59):

Unsupervised. But I didn’t know what it was or what it meant as a kid. I mean, I used to put things in the microwave. I did so many microwave experiments as a child, trying to cook different foods or melt different things. And so I think those kinds of experiences, where I was allowed to just be curious, kind of shaped who I am today. And then I kind of got into…you know, when I was in school, I loved math. In 10th grade, I had my first Black teacher, he was my chemistry teacher. His name was Mr. Strickland. And I was like, chemistry is cool, dude. And he was not the best teacher, but he was fun. Like you were saying, he was me, and he was talking to us the way I speak. And he was so like, just kind of chill and happy-go-lucky, I guess. But he wasn’t…he hadn’t taught chemistry in a long time. So he wasn’t a very good teacher. And me and one other kid in the class were in love with chemistry. And so we would read the book and do all the homework and he’d be in class lecturing and we’re like, “That’s not right, Mr. Strickland, like, what are you talking about?” And then he’d be like, “Oh, really, Desiré? Do you wanna teach the class, then?” And I’d be like, “Yeah.” And so I would go up and I would teach my chemistry class in high school, because the teacher was trying to make an example out of me. But he was also, I think, willing to be like, “I really don’t know.” And I really appreciated that. That he wasn’t just like, “I know all of the answers and you’re wrong.” Like, he wasn’t being a jerk, right? Like, the fact that I said, “Yes, I do wanna teach it,” and he actually let me do it? That’s pretty dope. And then I liked physics in my senior year in high school, but I didn’t think it was where I was gonna go or anything. I loved music and I loved math. Those were my two subjects.

Eric Cross (06:51):

What was it about math that resonated with you?

Desiré Whitmore (06:55):

I think it helped me understand the world a lot better. I didn’t have strong science teachers, I guess, growing up. It was a lot of reading out of books or watching laser discs in class. That’s how old I am.

Eric Cross (07:12):

Laser discs.

Desiré Whitmore (07:13):

Laser discs. And you know, so there wasn’t a lot of…I moved around a lot as a kid. I didn’t have this straight curriculum. You know, in one year, in the third grade, I went to three different schools.

Eric Cross (07:25):

Mm. Oh wow.

Desiré Whitmore (07:26):

It was kinda hard for me to latch onto school. But with math, because I could look at math and actually understand the world in it, I could see how math can be used to describe how things work.

Eric Cross (07:40):

I almost imagine, especially with so much transition in your life, it helped make sense of things. You had a lot of transition going on, but you were able to understand the world through the process of math. And then this early exposure, it kind of reminds me my own story too. Because there were these books that would do these cross sections of a cruise ship or a machine; that’s what got me really into engineering. Kind of How Stuff Works. I would watch that on Nova, How Stuff Works. I’d always be fascinated. Even Sesame Street had a segment where they would show you crayons and how the dye was added. You remember that?

Desiré Whitmore (08:19):

Yep. Yeah.

Eric Cross (08:20):

Young Desiré, doing photronics…photronics?

Desiré Whitmore (08:24):

Photonics.

Eric Cross (08:24):

Photonics. Photonics at home with the microwave and all these other things.

Desiré Whitmore (08:29):

Sure. How ’bout that.

Eric Cross (08:30):

<laugh> Right. And then loving math. So, early, I could see this combination, sort of this alchemy, happening inside you. And then, how did that lead to you becoming a physicist?

Desiré Whitmore (08:46):

It’s not as straightforward as it seems it should be. It’s obvious to everyone. <laugh>. But it wasn’t obvious to me. ‘Cause I wanted to be a lawyer. You know, because my parents weren’t educated, they didn’t really know…both of my parents and their subsequent spouses when they broke up—so my parents and my stepparents—are all bus drivers. And so they don’t know what options are. Right? So for them it’s like, “You have to be—you can be a doctor. You can be a lawyer. ‘Cause you’re smart. I know you’re smart, so you’re gonna be one of those things.” And I was like, “I don’t wanna be a doctor. That’s not actually interesting to me.” I did wanna be a teacher when I was younger, because I knew that my grandmother was one. But yeah, I went in and I was like, “I’m gonna be a lawyer. I’m gonna be a lawyer.” And then I go to college and I was like, ‘Eh, I don’t. I hate writing.” <Laugh> Like, I love reading, but I don’t writing. So I don’t think I wanna be a lawyer. I love music and I love math. I was originally going to major in music and math, but then I went to community college because I missed my opportunity to go to university for…long story. And so I’m at community college and I was like, “You know what? I’m gonna just do something new. I’m gonna be a marine biologist.” So my major was marine biology, and then they’re helping me pick out my classes. And they had zero math there. And I was like, “Pardon me. I think there’s a mistake, but I’m not taking any math.” And they were like, “No, you’re done with all your math. For marine biology, you only need calculus. And you took all of that in high school, so you’re done.” And I was like, “No, this is not gonna work for me, dude.” So I continued taking calculus anyway and moving on in math. And then I realized that biology wasn’t what I needed, but I did love my chemistry and I loved my physics classes. So I asked those teachers—chemistry, physics, and math teachers in community college, my professors—”I don’t wanna be a marine biologist and I don’t wanna be a lawyer. What do I do? What do you think I could study? I really like chemistry and math and physics.” And so all of them, all three of these professors told me, “Oh, it sounds chemical engineering would be good for you, so you should be a chemical engineer.” And I was like, “OK, cool. No problem.” That’s what I did. So I got my degree in chemical engineering. Right. And I finished community college, studying chemical engineering. I was like, “This is really cool. This is a lot of fun. I love engineering.” And then I transferred to UCLA as a chemical engineering major. And I was like, “I hate this.” <Laugh>. “I hate it a lot.” It was just…

Eric Cross (11:07):

What was it about chemical engineering that you were just not feeling anymore? What was it that just made you go, “nope”?

Desiré Whitmore (11:12):

It didn’t—at least the way it was taught to me—it wasn’t as as…exploratory, I guess. There wasn’t a lot of theory in it. There was just a lot of “OK, pull out a ruler and you’re gonna draw a thing and then this is how you’re gonna build a reactor.” And it didn’t seem very scientific to me. The science was missing. And don’t get me wrong, I understand, now that I have a degree in chemical engineering, that it’s not that chemical engineering is not scientific. But it’s that you build up the science and then you don’t focus on it. You focus on the engineering aspect of it. Which is, you have the science and the scientists will work on that aspect. But then how can WE do kind of larger batch chemistry. And for me, that was just less interesting. It was a lot of pushing buttons and just plug-and-play equations stuff. Instead of diving into first principles of why things happen in chemical engineering. There was no “why things happen”; it was “this is what happens, so this is the next step.”

Eric Cross (12:25):

You had to go so far into your academic career to realize that this is what chemical engineering is. And we were talking about representation, and not having examples or parents; your families were bus drivers. My mom was a receptionist and executive assistant, things like that. And I was the first of many, like you…we kind of had to go through and invest all this time and money to finally get to this place to realize, “This ain’t it.”

Desiré Whitmore (12:58):

This is not for me, yeah.

Eric Cross (12:59):

This is not for me. That was a long journey to get to that point.

Desiré Whitmore (13:03):

It was. Especially because I went through community college and I took a long time in community college, ’cause I was working full-time. So I was working full-time, going to community college. Took me a while. And then I finally get to UCLA. I’m like, “Yeah, I’m finally gonna get my degree and go make money!” And then I was like, “Ooh, no.” I mean, I could go and make money, don’t get me wrong. I could have graduated and made a ton of money. But I was not happy at all and I did not enjoy what I was doing. So, while I was in undergrad, I realized I don’t wanna do chemical engineering anymore. But what do I wanna do? But then I was taking…I took a quantum mechanics class. And that class blew my whole mind. And I was like, “This is the coolest thing that I’ve ever learned in my life, and this is what I wanna do.” And so I went and talked to my professor and I was like, “Can I work for you? Can I do research? Because this is amazing and I wanna do this.” I felt it was too late for me. I had been in school for so long and I was already kind of burnt out. So I was, “I’m not going to change my major. That’s just outta the question for me right now. It costs so much money for this degree and I don’t have—I’m not just gonna waste my time and keep working all these jobs.” So I had three jobs in college. And it was like, I worked at Radio Shack, I did research for this professor, and I worked in the library, the chemistry and physics library.

Eric Cross (14:28):

I love the fact that we’ve talked about laser discs; you said Radio Shack; and we talked about the analog internet of the encyclopedia salespeople. And I know all of those things. And I’ve been through all of those things together.

Desiré Whitmore (14:43):

Just in case people don’t know how old I am. <Laugh>

Eric Cross (14:47):

For our listeners who are way younger, yeah, this is how we grew up. This is how we—these things are extinct now. There’s this element of this kind of cultural connection. I think that we experience that. It kind of it flies under the radar. People don’t really realize it until you’re in an environment that’s different from what you’re used to. And you realize that, “Oh wow. this is not what I’m used to.” And the things that I’m finding funnier, the things that I connect with, it’s not what everybody else connects with. And as a teacher, it’s the same thing, right? Like, we go in the classroom and you know, you and I are rapping about laser discs and Radio Shack and I’m trying to talk to my kids about it. And they’re like, “Yo, Cross, what is that? Are you gonna give us a history lesson? What are these things?”

Desiré Whitmore (15:35):

Yeah.

Eric Cross (15:36):

And I found myself having to stay connected to pop culture, because I teach 12- and 13-year-olds all day. And it’s great for keeping things relevant for my students. But when I talk to my friends that are my peers, they’re like, unless they’re a teacher, they’re like, “I got no idea what you’re talking about.”

Desiré Whitmore (15:55):

Yeah. I have a friend who’s also a middle-school teacher and she’s always coming to me with all this. I’m like, “What are you talking about?” She did the Glow-up Challenge, but she did the Glow-down Challenge. So she invented a new thing. She’s like, “No, I couldn’t do Glow Up ’cause that’s too much. So I did the Glow-Down Challenge.” And it’s the cutest thing ever. And the students think it’s amazing. And I’m like, “That’s awesome. But I have no idea what the point of that is.” <Laugh>

Eric Cross (16:21):

And there’s this theme, too, that when we talk about teaching kids STEM, there’s this soft part of it, this relational piece of it that you mentioned, of this connective aspect that in a certain way kind of even superseded the content knowledge that your teacher even had at that point, where you’re going up and teaching the class. But just the fact that someone looked like you or spoke like you or connected with you in a certain way made a big difference to who you are as…well, the trajectory of where you went.

Desiré Whitmore (16:57):

Yeah.

Eric Cross (16:57):

“I like chemistry. It resonates with me.” And it’s something I think can get lost. And I think just to kind of a good segue, I use Amplify my classroom, and one of the reasons why is because of the representation that is in these videos. And you were part of crafting this for…was it the fifth grade?

Desiré Whitmore (17:21):

I mean, it was K–8. So I was—

Eric Cross (17:23):

OK, so you were doing the whole thing.

Desiré Whitmore (17:24):

Yeah, I was a part of the K–8 science team. My title was science curriculum specialist. But in reality I was hired to do the engineering internships, mostly. Which are middle school. And to be a sim developer. So sims K–8. I worked on several of them in both middle school and elementary. Yeah.

Eric Cross (17:47):

What was that like for you? When you were designing curriculum? ‘Cause as a teacher, it’s, you know, I think with teachers it’s kind of…I would consider myself, if I was gonna use hip hop as a metaphor, I’m more of a DJ than an MC. Where I wanna remix things that exist, versus, I don’t wanna write the lyrics in freestyle. So I don’t want to go and write the curriculum completely; I wanna take something that’s solid and then I want to go ahead and remix it. You are great at both. What was the process for you, being on that team, designing? How did you go about making, “OK, we’re gonna create this experience for kids”?

Desiré Whitmore (18:25):

It was, it was amazing. I learned so much, so much. It was the best job I had before I came to the Exploratorium. The process was amazing, because it wasn’t just me, right? It wasn’t just me. It was a whole team. And each unit had its own team. So we had a scientist, which I was the scientist we had. So we had a scientist; we had a literacy specialist, because it was really important to increase science literacy so that students understand not just that science exists, but “What are the terms that are used in science and how can I speak and act a scientist? What are the things that scientists actually do in their real life?” Then we had an assessment specialist and then we had a simulation specialist. And so, on the units that I was on, sometimes I was both the sim developer and the scientist, or sometimes I was just the sim developer and I got to work alongside another scientist, which was always fun. And so it was really nice, because I was working alongside master teachers. People who had been teaching for years, and they were able to help me better understand. ‘Cause I’ll come in and I’ll be like, “Yeah, there’s a unit on light waves, let’s come in and teach this unit on light waves!” <laugh> I was the sim developer and scientist on that unit, and there was another scientist working on the unit, but they were like, “Well, Desiré literally builds lasers, so I think she should be the science developer.” So we kinda had two science developers on that one, which was fun. But I come in and she’ll come in and she’ll be like, “Yeah, I think this is where we wanna go and this is what we wanna teach.” I’m like, “No way! Like, that’s not accurate, right?” And so I can come in, but then I’m coming in with all this crazy lingo, right? I’m up here. But then also I have taught kids about lasers and optics and photonics my whole career. So I’m also very capable of bringing it down to where kids need it to be. What I don’t know is how effective that is, right? When to do it and when not to do it. When to bring the level up; when to bring the level down. And so working alongside these other teachers and assessors really helped me to do that. And so for me it was just two years of deep learning experience. I learned—every single day at work, I learned something new. Which is something that I value and I’ve wanted in my career, my whole life. We made active decisions in that room. Like, “We want to interview scientists who are scientists of color or who have different abilities or who have different representations in all kinds of ways.” Right? And then we also have these fake internships, or not even the internships, but just in the general units. And we actively wrote scripts for those. And we actively wrote in those scripts, like, “This is a Black woman. This is an Indian woman. This is a Jewish man in a wheelchair.” Like, we specifically dictated exactly who we wanted in these videos, because we knew that representation was super-important and we knew that we wanted students to be able to connect.

Eric Cross (21:35):

Right. One of the things, I appreciate what I’m hearing a lot in that is the amount of intentionality that went into this. But even now as you’re reliving it, you’re still almost iterating on how could we improve it or how can we make it different or reach more people. And I think that goes towards when we’re talking about including more people and inclusion. Like, it’s not a binary thing. You’re always modifying; you’re always iterating; you’re always redesigning and improving to be more inclusive, to reach more students. Because you know, to your point, part of it is, “Yes, we wanna do this really awesome science curriculum,” but the other part of it is there’s more to it than just your content. And I think now more than ever…I use—we just finished the food bar unit. Metabolism. And in there there’s a simulator. They always ask me when I show the videos, “Are these, are these real people? Are these real situations?” And I tell ’em, “Well, the story is real, but these are all fictional actors. But what’s actually happening happens. It’s real.” And they get really into it. And I think one of the other things is with your simulations—especially the engineering units—there’s no one right answer. And so my students who want to go, “Mr. Cross, I wanna make the best bar! Perfect 10, best taste, cheapest!” And I’m like, “All right, good luck!”

Desiré Whitmore (23:06):

Yeah. Go do that.

Eric Cross (23:09):

Casue there’s something called trade-offs! It could happen! And they’re like, they’re trying. They get into the code. They try to open up the Inspect Element, when they feel like hackers.

Desiré Whitmore (23:17):

Yeah, they do. But these kids like, they’re so smart and they’re so resourceful. And I’m just thinking like, maybe that’s how we challenge them more, right? Sometimes we can give them these kinds of things where it’s like, “Go and create a program, ’cause that’s the level you’re at <laugh>. Go and create this program to do something similar that’s related to the work that we’re doing.”

Eric Cross (23:38):

I’ve had some of my own students redesign—I have one student who redesigns every assessment I give him. I give the project; I give the options for the final goal; and he always chooses—if I give three options, he always chooses option four. If I choose two options, he’s choosing option three. And so he’ll go into Google Sheets, he’ll pull all the data and then he’ll construct his own kind of spreadsheet with all the probabilities of different things.

Desiré Whitmore (24:06):

You tell this kid to make a GitHub right now <laugh> so that he can get a job as soon as he’s done with high school. <laugh>.

Eric Cross (24:12):

He’s amazing. And we did this one project where students had to design a Netflix show to show their understanding of metabolism. And they had to do four episodes. So I gave him a template. It’s not from me; it’s from, I think, EdTechPicks.org or something. And it looks like the whole Netflix splash page. They took photos, did the whole deal. He created NOTflix. Everyone else did Google Slides. His Google Slides was interactive. So when you clicked on different boxes, it actually took you to the next splash page of that show. I mean, it was….

Desiré Whitmore (24:48):

That’s fantastic.

Eric Cross (24:49):

It was, it was. I recorded his presentation. It was brilliant.

Desiré Whitmore (24:53):

But that’s amazing. And that speaks to your strengths as a teacher and why you’re an amazing teacher. Because you see the students and what they’re trying to do and you work with them; you meet them where they are. Right? There are so many teachers who would just be frustrated with that student. And it’d be like, “No, these are not your options. Your option was to do what I told you to do.” And there are many teachers who would do that. And I think it’s really amazing when we can realize as teachers, “No, our job is not to just enforce rules on our students. I mean, that is part of the job, because that’s what school was when it was created. But our job is to help students to achieve more learning in what we’re trying to do. And so the fact that you are so good with this student and that you encourage him to go above and beyond when he can, I think it’s so amazing.

Eric Cross (25:49):

Well, that brings me to my favorite group, organization, and the phase of your career of where you are now: The Exploratorium. And I wanted to kind of rap, talking about what you do now. Because the Exploratorium—I tell people, they go, what is that place? And maybe you can tell us what it is and then what you do. But for me, I’ll just tell everybody: It’s Disneyland for science teachers. And I love going there. I not only love going there because of what I receive from it professionally. Many of the PDs, I don’t even call ’em PDs—just communal learning experiences, that I’ve had that have been led by you and Lori and, and Tammy and the rest, and everybody that’s there have been incredible. And I have so much fun. Emotionally, I get excited when I go. When I’m on the plane, I’m like, “Here we go!” And then we go and we’re making fudge or we’re blowing darts with marshmallows across the room in the theme of Boba Fett. There’s just these rad things that are going on there. And it’s not like anything I’ve ever experienced before. So maybe we can close with talking about what the Exploratorium is, what you do there, for people who’ve never been and have been a part of it.

Desiré Whitmore (27:19):

I’m gonna give you what my definition of the Exploratorium is.

Eric Cross (27:21):

That’s what we want.

Desiré Whitmore (27:22):

So, the actual definition is, we are a public learning laboratory. We are known as the Museum of Art, Science and Human Perception. Cool. But, like, what does that all mean? Right? And I think your description of the Disneyland for science teachers, I think that’s a perfect description. ‘Cause for me, I tell people like, “Oh, I wanna go to the happiest place on earth.” And for me, that is the Exploratorium. And yes, I work there, and yes, it’s still true for me. So the Exploratorium is this huge museum. It’s an interactive science museum. And art—we have a lot of art. And it’s all about learning through doing. It’s not about learning science by going up to an exhibit and reading the little paper next to it. It’s like, no, you go up to an exhibit and you interact with it and you teach yourself science. The goal of the Exploratorium is really to help people understand that learning science, doing science, isn’t reserved for only scientists. Doing science is something that everyone in the world should and does do. And so helping people understand that everything we do is science is kind of the point of the Exploratorium to me.

Eric Cross (28:35):

Even the building itself…one of the other cool things too is, for people that don’t know, it’s the size of Costco or two.

Desiré Whitmore (28:43):

Yeah. Yeah.

Eric Cross (28:44):

It’s immense! And even the building itself teaches. Like, you have that whole workshop, dead-center in the middle of the floor where they’re designing things. It’s like inside-out. And then I remember going to the one experience where I think it was Eric who showed us that it’s one of the few facilities that is actually cooled by the Bay water. And there’s only a couple of those in the state that can do that. And it has a platinum rating, something wild that. So even just the building itself…everything that if they can extract every ounce of science teaching in that, it’s in there. And you are in a very important program for me. And can you talk a little bit about maybe what you’re doing in T.I.?

Desiré Whitmore (29:33):

So I am in the Teacher Institute. I’m a physicist in the Teacher Institute. And the Teacher Institute is a group of teachers and scientists. And our job is to basically support middle school and high school science teachers and teacher leaders in the state of California, but science teachers around the world, in their pursuit of science teaching. And by support, I mean we provide professional development. We provide other things, communities of practice, and we go and do workshops in certain places. We go to India to teach Tibetan monks and nuns science. And we go to Costa Rica to teach teachers all over the country of Costa Rica about science. And so our job is really, to help science teachers feel more secure in their science teaching and help to retain them in the field, because a good science teacher is so important in helping our students thrive. And so our job—and we take this very seriously—is to help science teachers thrive. And we are made up of PhD scientists and veteran classroom teachers. So we have on the one side teachers who have been teaching middle school or high school for years. One of my coworkers, Zeke, who I work with the most, he was a high school physics and environmental science teacher for 21 years before coming to the Exploratorium. And then me, I was never a classroom teacher. I was a professor; I was a physics professor at a community college, and I was a researcher. So my deep knowledge of physics and current knowledge of physics—or knowledge of current physics—combined with Zeke’s extremely experienced pedagogy is really how we work together as a team. And it’s not just Zeke, right? We’ve got a geologist on the team, Eric Muller. We’ve got Tammy, who’s a middle-school bio teacher. We’ve got, Julie Yu, who is a chemical engineer, PhD, and also a prior middle school teacher, former middle school teacher. We’ve got Hilleary Osheroff, who was a PhD biologist who used to work at the American Museum of Natural History. We’ve got Lori Lambertson, who was a middle-school math teacher. And so, you know, we all come together to bring our experiences both in and out of the classroom and in and out of the research lab to provide teachers with the best inquiry-driven stuff we can. And we’re very—we’re so equity-focused, because we believe that that’s important, right? We know that the impact of our work is, I think, why most of us are here. It’s why I’m here. In undergrad, my grad school, and my postdoc, I would go into classrooms. I would go into science museums and teach science to people. And I probably reached out to maybe…over that whole time, I would say a couple thousand people, right? Maybe a couple thousand people total. That’s great. But over 15 years of reaching out and only reaching a couple thousand people, that’s rough, right? And now I’m at the Exploratorium, and I know that if I reach one teacher, right? If I can teach one teacher…let’s say you. How many students do you have in your classes a year?

Eric Cross (33:11):

Two hundred a year.

Desiré Whitmore (33:12):

You have 200 students a year that you teach. So if you teach for 10 years, that’s 2000. That’s 2000 students. So I have, by teaching you today, assuming that I’m actually teaching you something that’s gonna be useful for you—

Eric Cross (33:29):

You do! And you are!

Desiré Whitmore (33:30):

You are going to be impacting these 2000 students over the next 10 years. And of course you’re gonna be in teaching for much longer than that. But let’s just say in 10 years, that payoff is so much higher, right? And you’re one teacher. But I have 30 of you in my workshop! And so if all of these 30 teachers each teach 2000 kids over the next 10 years, then I’m actually doing something. I’m actually changing the way that students see science, through changing the way that you see science. Right? And so I take my job very seriously, as we all do. Like, we’re so invested in our teachers. And it’s not that we don’t care about students, ’cause we absolutely do. But we understand that without good teachers, students aren’t going to be able to thrive, as often as they would otherwise. I was able to do it somehow. But I’m one. There are so many other kids who could have gone into science who didn’t because they felt they never connected to it. So our job is to try to help teachers connect to it. And an important part of that is allowing you all to experience science as a learner. We want you to play and have joyful experiences. We want you to enjoy science and to try to think about it from the perspective of your students. Walk in their shoes. So that when you then go back to your classroom, you are able to think about like, “Oh yeah, you know, my students totally asked the same question that I asked, or that another teacher asked in the workshop because they had the foresight to think about that’s what my students would ask.” Right?

Eric Cross (35:02):

Well, I think it’s really effective to create empathy for the learner. Because I find myself in that position. I don’t know if some kind of memory displacement field happens to me when I sit in those workshops, but Hillary will ask a question that I know the answer to and I’m like, “I don’t want to answer the question. I don’t—I might be wrong.” And I teach the subject! And I embody what it’s like to be a student. And when I leave, I might have to go back and reference exactly what the lesson was, but I remember how I felt when I didn’t know. And very rarely as teachers do we get put in positions like that. And so it helps me be in the position of my students emotionally, of what it’s like. Even even the intentionality of how do you ask questions and not showing an affect on your face when somebody says the right answer or the wrong answer.

Desiré Whitmore (35:55):

Well, I’m still learning that. I’m not great at it. Julie is the mast.

Eric Cross (35:59):

Julie’s got it nailed.

Desiré Whitmore (36:00):

I’m still trying to learn from her. She’s amazing. And I really would like to get there one day. But I’m still not there. I’ll be like, “Oh! Oh! Well, that’s…”. I have a terrible poker face. So I’ll be like, “Oh yeah, but you think that? Maybe…”. That’s a piece of it that’s really important, right? It’s this not giving away the answer, even when you have the right answer. Allowing people to ask the questions and explore and become invested in the problem, before giving away the answer. That’s something that I learn here at the Exploratorium. And like I said, I learn every day. And it’s something that I think is so important for us as teachers to learn and try to implement. Because oftentimes you’ll come and you’ll have students who are like, “I’m too stupid. I don’t know the answer.” And then somebody else will say the answer, and then the student is like, “Yeah, I was right. I’m too stupid.’” But it’s like no! But if you have that student actually think about it, then the student—once they do hear the right answer—they might be like, “Oh yeah, that would make sense.” Instead of “I’m stupid.” It’s like, no, this is, “I explored this and I figured it out on my own.”

Eric Cross (37:08):

Things keep coming back to how this experience and the process of them learning science even outweighs the content of it. ‘Cause the content is almost easier to share, it’s easier to get, you can look it up really quickly. But in your story and in many other people’s stories, the exposure, the experience, how they’re going through that process—I know that’s something that I’ve learned a lot in just watching. Not teaching science, but actually the science of teaching. Sitting in the workshops and watching how we’re treated as students, how you interact with us, and then being able to take that back to the classroom. And just to add onto the value that it’s created, I think one thing that it’s also done is given us community. And in addition to being able to impact students, it’s also been able to build resilience in teachers. Because we as teachers can feel very isolated. And especially now when things are incredibly difficult, and every teacher’s experiencing Covid and shutdowns and low staffing across the country in different ways, when you don’t feel you have community or people that you can connect with, it just makes everything feel exponentially harder. And you’ve done a great job at being able to build community with us in our community of practice. The Exploratorium has been able to do that. And it’s something that I’m super-grateful for probably more than anything else is that through these last two years, being able to connect really made me feel like, “OK, we’re gonna be able to do this.” And it’s not just about Cross or my other teacher in eighth grade or my sixth grade teacher who’s doing this. That message, I think, is really, really important. I wanna ask this: Was there a teacher or an experience that impacted you or inspired you throughout your educational career? You know, kindergarten all the way to college? Was there a moment or a person or anything that that really stuck with you, that you felt maybe influenced who you became? Met you where you were at? I know you mentioned your chemistry teacher at that point, but is there anyone else, or was it that person that was really the person who sticks out for you?

Desiré Whitmore (39:21):

There actually have been a few. Of course, the first is my great-grandmother, Claudia Pairs. But I think in the fourth and fifth grade I had the same teacher. She stayed with us going from fourth to fifth grade. And fourth grade was a new school for me. New town. I was the only Black child in the school, me and my sister. And my teacher recognized that I had no real help at home, I guess? And she really kind of…she saw that I was really smart. She would give me extra assignments when she could tell I was bored. It meant that someone outside of my house cared about me in a way that I didn’t feel cared about at home. Her name is Ms. Comet. Mrs. Comet.

Eric Cross (40:11):

Like…comet?

Desiré Whitmore (40:13):

Yeah. Mrs. Fran Comet. And I’ve tried looking her up as an adult and I can’t find her. But I work with so many teachers, and I know how hard teaching is and how degrading it can be…or demoralizing, I guess, to not be appreciated. And so I know what it feels to me when a student has reached out and shown me like, “Hey, I’m now in dental school,” or “I’m now getting a PhD in science,” and I’m just like….

Eric Cross (40:40):

I got a message this morning on Instagram from a student. And none of my students use their real names in their Instagram handles. So I got a message from Moonshine. <Laugh> And I was a seventh grade teacher. And through deduction, deductive reasoning, I figured out who it was. This person’s now in college and they responded in that…you know, you get one of those every once in a while. And I feel it just fills your tank. It’s just so important that we—it’s funny because, kind of to your point, we don’t realize who or how we’re making impacts on people. And in what ways. We just know that we are. And I tell other teachers, I said, “You have one of the few professions where you fall asleep worrying about other people’s kids.” And it’s the words that we speak, the things that we do, people are always watching. I know, no pressure, right!? Hopefully, someone listening can find Ms. Comet.

Desiré Whitmore (41:37):

Ms. Comet. Teacher at Buena Vista Elementary School back in the ’80s. But your talk about this impact, it reminds me of the thing I wanted to say, but I didn’t. But I’m gonna tell you right now. I mentioned how science was not a priority when I went to school, in my hometown. That’s Lancaster, California. But recently I got a phone call from a family friend and she was so excited. And she called me to tell me that her daughter was super-excited when she picked her up from school. Because I was in her classroom. She said, “Auntie Desiré was in my class today! And she works on lasers! And she does spectroscopy! And I wanna learn about spectroscopy now. So can we call Auntie Desiré?” And I was like, “Wait, what?” My friend was kind of confused. She’s like, “Desiré didn’t tell me she was in town.” She had no idea why her daughter was saying I was in her classroom, ’cause I was not physically there. And then I had to put the pieces together and I was like, “Oh my God, your daughter’s in eighth grade already.” It made me feel really old, ’cause I know this girl from a little baby. But I was like, “Oh my God, that’s the eighth grade unit on light waves for Amplify that I wrote, and I’m featured as the scientist.” Because we have real scientists in the units. And they featured me in that one, in my laser lab. And so this little girl who knows me really well, who lives in my hometown, is seeing representation in science. She doesn’t necessarily know I’m a scientist. She knows that—I don’t know what she knows about me. She just knows I’m Auntie Desiré and, you know, I like gumbo at Christmas. That’s what she knows about me. <Laugh>. And so she comes back and she’s so excited ’cause now she knows so much more about me. And she knows that if I can do it and I came from where she’s at, she can do it too. And she was super-excited. And I was just…it brought me to tears. I was just crying in the car. I was driving <laugh> at the time and I was like, “This is amazing. Work that I did is teaching you and all of your friends in this tiny little town that you live in. And that to me is so important because now this little girl knows that, like, she knows me as just a normal human right. Who likes Star Trek and Star Wars and The Owl House. And now she’s over here like, “Oh my gosh, this normal human wrote the science curriculum that I’m learning from.” Which I think is just so fantastic. And it really brought home for me kind of the importance of my work and why I’m doing what I’m doing. And that’s pretty awesome. And I get messages from Instagram, you know, from teachers who are like, “Hey, did you work on this? ‘Cause you were featured in the video, but did you write this light waves unit?” And I’m like, “Yeah.” And they’ll tell me, “I have students, this is their favorite unit. I’ve gotten notes from students saying, ‘This was my favorite unit in all of middle school.’” And I’m like, “Ohhhhhh!”<Laugh>

Eric Cross (44:33):

That story just gives me chills. Because I just can imagine how surreal that must feel. And you’re directly making that impact on those kids. And I’m glad that you shared that story so that everyone can hear it, because it’s a powerful story and I lived—I feel I was living it through you, just now, as you were discussing it.

Desiré Whitmore (44:54):

Yeah.

Eric Cross (44:54):

And I feel that way in the classroom to a small degree, because I get to have—when my students create posters of scientists that we don’t typically see, I’ve got you on my list of scientists, and I’m they’re like…And I’m like, “I can call her!” Like, “Mr. Cross, you KNOW her?!” I’m like, “Yeah, she’s a friend of mine! I was talking to her the other day!” And they’re like, “Whoa. She works with lasers?!”

Desiré Whitmore (45:17):

<Whispers> I do.

Eric Cross (45:18):

Desiré. I’ve held you for so long and—

Desiré Whitmore (45:23):

Yes, I’m sorry! I told you, I talk so much! I’m a teacher!

Eric Cross (45:26):

No! No, no, no, no. It was great! I wanna honor your time. Can you tell everybody where they can find out more about you again?

Desiré Whitmore (45:33):

So first off, you can find me on Twitter at Darth Science, D A R T H S C I E N C E, and you can also find me at Instagram at Dr. Laser Chick: D R dot laser chick. Even though I don’t post on Instagram that much. I also have a website, which is laser chick dot net. I’m still working on it. It’s not the best website yet. But, you know, it’ll, it’ll be better in the future.

Eric Cross (46:02):

Would you be willing to come back later on in the year and do a part two?

Desiré Whitmore (46:07):

Oh, for sure. Yeah. So I can actually finish telling you the story of how I got into physics! ‘Cause I totally didn’t. ‘Cause I’m all over the place.

Eric Cross (46:15):

So, everybody, cliffhanger! Next time she comes back, she’ll continue to tell us the story. Desiré, thank you so much.

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What Desiré Whitmore says about science

“I think it’s really amazing when we can realize as teachers… our job is not just to enforce rules on our students… our job is is to help students achieve more learning.”

– Desiré Whitmore

Senior Physics Educator, aka “LaserChick”, Exploratorium

Meet the guest

A Southern California native, Desiré earned an associate of science from Antelope Valley College, a bachelor of science in chemical engineering from UCLA, and a master of science and Ph.D. in chemical and material physics from UC Irvine. Her research focused on developing very fast laser and microscope systems that could capture molecules vibrating and rotating in real time. She was a postdoctoral fellow at UC Berkeley, where she designed and built attosecond lasers (the fastest laser pulses, which emit x-ray light, ever measured). At the Lawrence Hall of Science she wrote an all-digital K–8 science curriculum (Amplify Science), which aligned to the NGSS, with the Learning Design Group (LDG). Desiré left LDG to teach hands-on laser technology and physics courses at Irvine Valley College before joining the TI staff. She is the proud mom of Stella, a four-year-old boxer-pit mix. In her spare time, Desiré is restoring her 1967 VW bug.

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About Science Connections

Welcome to Science Connections! Science is changing before our eyes, now more than ever. So…how do we help kids figure that out? We will bring on educators, scientists, and more to discuss the importance of high-quality science instruction. In this episode, hear from our host Eric Cross about his work engaging students as a K-8 science teacher. Listen here!

S5.E6. Why skepticism is essential to the Science of Reading, with Dr. Claude Goldenberg

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S1-10: Empowering the science educator: Jessica Kesler

Promotional graphic for "science connections podcast" season 1, episode 10, featuring a smiling black woman named Jessica Kesler, with educational icons like a globe and magnifying glass around her.

In the final episode of the season, Eric sits down with his friend and professional development facilitator, Jessica Kesler. Jessica describes her passion for sharing free, high-quality, empathy-centered professional development for K12 educators. Jessica also shares her experience jumping into leadership positions while teaching in Philadelphia. Eric also chats with Jessica about how students often lean on teachers for more than delivering content. Explore more from Science Connections by visiting our main page.

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Jessica Kesler (00:01):

One student at a time, isn’t gonna bring a million students through the door. But if we focus on their teachers, then they can implement it in their classroom and have this multiplicative effect that can continue on and help us to reach those millions of kids and helping them be prepared for future careers.

Eric Cross (00:19):

Welcome to science connections. I’m your host. Eric Cross. My guest today is Jessica Kessler. Jessica’s director of professional learning at TGR foundation, which is a tiger woods charity. There she creates and leads free stem, professional learning opportunities for educators across the country. Prior to working at TGR, Jessica worked as an elementary, middle and high school science teacher while fulfilling several leadership roles, including science department, chair and principal intern. In this episode, Jessica shares some of her classroom experiences while working in Philadelphia, where she was in classrooms, where her students needed her to be more than just her content. She also addresses how designing professional learning with empathy for teachers in mind creates better experiences for teachers. And now please enjoy my discussion with Jessica Kessler. So let’s, let’s start off with St. Joseph’s chemistry college to the classroom, like your origin story. What led you to ultimately get into the classroom and being successful, even just looking at, at your kinda like your resume or your CV of all of the things that you’ve done. You definitely weren’t idle, but start off with chem. Yeah. Like where did that passion come from?

Jessica Kesler (01:27):

Yeah. So when I was younger, I just had this burning passion to help people. Right. And when you’re young and you think about helping people, you think about doctors, doctors help people. Right. So I had this idea that I wanna be a surgeon. I wanna be a black surgeon. I wanna be a young girl, female Charles drew, and I just wanna go out there and do it. And so my mom is actually an alum of St Joe’s. So I spent a lot of time on campus cuz as she was getting her mini master’s degrees I will visit campus with her often. And so when I applied, I had the scholarships, had everything and I went in ready to be bio ready to be a surgeon. I took my first bio class and I was like, yes, let’s talk about the human body. And let’s get into dissections and sections. And they were like, okay, so a plant so has this. And I was like, Ooh <laugh> I was like, this is not what I was expecting at all. It just felt so detached from the trajectory that I wanted to take. And it just did not feed that passion of helping people in the immediate moment.

Eric Cross (02:31):

Did it, did it feel too abstract?

Jessica Kesler (02:33):

It felt abstract. It felt boring. Okay. And one thing I didn’t want was to be like stuck, bored. Like if I’m not being stimulated in a good way, mm-hmm <affirmative> then it’s not gonna last, but I love science. So I switched over to chemistry cuz I’m like this chemistry is exciting. I’m mixing things together. I’m producing new things. I’m doing extractions. I’m being introduced to machinery that I haven’t seen before. I’m loving it. I’m doing a math. The math is awesome. And so I switched over to chem and I started doing research in the summers and things like that. My research was around water quality in Philadelphia and looking at different natural water sources and comparing them and all those great things. But I was in a lab and the lab had no windows and I was stuck talking to this atomic absorption specter every day.

Jessica Kesler (03:24):

And I hit that, that wall again, where it was like, is this the rest of my life? Like talking to these machines and not having windows and not being able to interact with people. What is this? This can’t be life. And so I was seeking out some new opportunities that said, Hey, I need more money. First of all. So I’m like, I call the financial aid office like every week, like, Hey, what’s out today. What new scholarships do you have? I’m applying for everything. Like it was my goal to not have to pay for much of my education. And so I was talking to them and they’re like, Hey, you’re in science. There’s this awesome opportunity called a noise scholarship where they’ll pay for your last year and your master’s degree. If you go into education mm-hmm <affirmative> and I sat on it and I was like, this makes so much sense to me.

Jessica Kesler (04:12):

I was like, I’ve been literally tutoring my peers and teaching in churches and all this other kind of stuff. My whole life. It makes so much sense. How come nobody ever said this before? <Laugh> and so I applied for the noise scholarship, got in and started, you know, mm-hmm, <affirmative> doing practicums in the classroom as I went through my last year as a chemistry major and my first year for my masters and it just felt so right. And I was like, I can do this. And of course there were a lot of people who told me, no, Josh, you can’t do that. Like these kids will eat you alive. And I’m like I don’t think so. <Laugh> but, but that’s give it a go. And I stepped into the classroom and it, it just felt like, felt like it was always meant to be there.

Eric Cross (04:57):

So you were able to, you were able to make that connection between, I mean, if you’re, if you’re studying chemistry and bio and going into stem, I mean, there’s, there’s an aptitude there, but then you realize that this there’s a road that you could take that leads you into a room with no windows. And you’re just hanging out with machines all day

Jessica Kesler (05:14):

And I’m not helping people. Right. Right. And that was, my passion was like, I’m not helping people sitting in this room. I need to be a person that’s outside telling people about what happens in the room. Right. And how they can get involved and like what’s going on in here. Like that’s, that’s where I can be useful.

Eric Cross (05:28):

When you were, you were in Philly when you were teaching, what were you teaching when you were there?

Jessica Kesler (05:33):

So I started off teaching eighth grade science first job in north Philadelphia, teaching eighth grade science and just a, a funding tangent that first day a student called me a B

Eric Cross (05:44):

Trial by fire

Jessica Kesler (05:45):

Trial by fire called me out in front of like the whole floor. We were outside doing line drills and just was like, I hate you miss Kusa your B. And I was like, oh, this is it. This is it. This is where you stand your ground and you take it or you, you bail out <laugh> and you go back into the lab mm-hmm <affirmative>. And of course at the end of that, that traumatic experience between all the kids, like two months later, she wanted me to adopt her. So like everything comes full circles. Right.

Eric Cross (06:10):

That’s how it is. Right.

Jessica Kesler (06:11):

But I started teaching eighth grade science. There’s not a lot of science teachers at that level who actually have a science background. Most of them have elementary school background. So I’m the only scientist walking into the science classroom and saying, this is how science actually works. And so I ended up taking a lot of onus of science while I was there. Ended up building out the K through eight curriculum for science. I ended up doing like a science strategic plan to submit to the district. I ended up leading out our first couple stem nights and like really leading the stem department and kind of our science department. And this was as like a second, third year teacher <laugh> know, but nobody else had the science mm-hmm, <affirmative> the way that I had the science and the education. So it really opened up a door for me to be able to, to run full steam with all those things.

Eric Cross (07:04):

So MI was it primarily middle school during those, those years that you were there?

Jessica Kesler (07:07):

So there, I started with middle school and I did that purposefully because I was still young and I wanted there to be a good age gap between me and the students. And then I moved up to high school and taught high school chemistry, also taught a couple other different subjects while I was at that school. But primarily high school chemistry. Then I actually took a big leap down and I said, okay. I was going for my second master’s degree in educational leadership. And I was going for my principal cert. And I said, if I’m gonna be a principal of a school, then I need to understand all the levels of education and how they operate, cuz they operate really differently. So I said, I started in middle school, went to high school. I don’t have elementary school experience. In fact, I’d spent a day in a kindergarten classroom and I was like this never again, but I was like, I need to go back down there and I need to figure out how this system works because you know, I never know where I’m gonna land as far as principalship.

Jessica Kesler (08:01):

So I went and taught fourth grade.

Eric Cross (08:03):

How was that experience?

Jessica Kesler (08:05):

So imagine me going from teaching high school, seniors and juniors Uhhuh and like they’re self-sufficient and you know, they’re independent, they’re driving to school and all these things. And then I immediately drop down and go into fourth grade where these kids are crying every five seconds. They still have like a lot of bodily fluids, like there’s noses running and things. And like <laugh>, I was like a fish outta water. I was like, what is this? What’s going on down here. But those kids pour out so much love. And they, you, you become another parent to them. Mm-Hmm <affirmative> your high schoolers know who their parents are. They kind of are finding their place in society, but the little ones, they only know big people as parents, small people as equal. So they see you as another parent. So it taught me a lot about, you know, patience and breaking information down, even smaller. I had to figure out new and inventive ways to teach science and bring it down so far that they would be able to grab onto it and achieve it. And it was a challenge, but at the end it paid off, we were running, we were hitting like great markers for all of our PSSA goals that year. I mean, we were really knocking it out the park

Eric Cross (09:17):

And this backstory leads into how we met and adds to the picture as to why I really want to have you on, because your involvement with TGR, which is where I want to go next for the folks listening. I bet a lot of them have no idea what it’s about, just like I did. And now me learning about TGR foundation and meeting you I would love to make sure that everyone knows about it and what they offer.

Jessica Kesler (09:39):

Absolutely. So TGR foundation, a tiger woods charity was founded by tiger woods and his father with a mission to really introduced them education to students in low income minority populations and prepare them for success in their world and their future careers moving forward. And so was founded in 1996 and went through several changes in iterations since 1996. But eventually opened up its first learning lab, which is in Anaheim, California. And through the learning lab, they opened up these satellite sites. So they basically partner with schools to provide after school education and robotics and wearable electronics and things like that. And they would partner with schools to teach these courses after school, they would pay the teacher, pay for the materials and stuff like that to provide more opportunity for students in different areas. And so that’s how I was introduced to the foundation because while I was teaching high school my good friend and previous manager, Jason Porter shout out to JP Jason Porter used to lead the tiger woods foundation when it was the tiger woods foundation.

Jessica Kesler (10:52):

He used to lead the afterschool program. And when I joined that high school, he said, Jess, you got all this great content, knowledge, all this great enthusiasm, and we wanna get more women into this robotics. We wanna get them engaged in this process of, of stuff. And you will be a great role model to start bringing in more of our female students. And I was like, great, sign me up. And that’s where I started working with the TGR foundation, right after school programs, getting my students into robotics, competitions and clubs, doing different challenges and design challenges. And then after some time, a few years, they actually needed someone to come to the DC area and support the development of professional learning and partnerships here in DC, as they were continuing to expand. And really it came out of the idea that tiger gave this big mission to the organization that he wanted to reach millions of kids.

Jessica Kesler (11:48):

He said millions and everybody said, what millions, what M <laugh>. So the foundation was like, okay, well we can’t reach millions by just tackling one student at a time, right? Not one student at a time, isn’t gonna bring a million people or students through the door. But if we focus on their teachers, mm-hmm <affirmative>, then those teachers not only spend most of their day with these students and learn the basics of their skills with these students. But each one of those teachers has 30 to 150 200 students that they see every day. And that’s how we multiply this effect. So we train the teachers on all the stem competencies and the pedagogical tools and strategies to implement the stem that we’re doing in our learning labs. And then they can implement it in our classroom and have this multiplicative effect that can continue on and help us to reach those millions of kids and helping them be prepared for future careers.

Eric Cross (12:44):

And so D divide the effort, multiply the effects. Exactly. And then when I was exposed to it, this was over zoom. Now, how long has it been going on? Has it always been virtualized or did you do the, were you all doing this before? We all went online

Jessica Kesler (12:57):

Before the pandemic man, the glory days, right before pandemic, it feels like I’m talking about prehistoric times, right? Like back in the dinosaur, like era, like, I don’t know, pre we actually did these workshops in a person. So we would invite people to come to DC, invite teachers in Philadelphia to do a Philly one. We were in New Mexico. We were in Florida. We were, I mean, we were everywhere and this would be a extremely hands on engaging workshops. So not only do we focus on this is the theory and the philosophy behind the pedagogy, but we would also focus on like creating a student experience for the teacher, having the teacher flip into student mode and put on that student hat and actually go through sample lessons, model lessons and activities as the student so that they can feel it. So you can feel if, if you feel confused, your students are gonna feel confused.

Jessica Kesler (13:52):

If you feel like this is challenging, you, your students are gonna feel the challenge. If you are, don’t understand the instructions, your students will understand the instructions. So it gives us a different perspective and it puts us in their shoes. So we can better empathize with them and create more responsive lesson planning. So we flipped them into that student role for that purpose. When COVID hit, we went virtual, but virtual allowed us to reach teachers that we probably would’ve never hit. So it was kind of that blessing and disguise, right? It was like we didn’t keep people as long cuz obviously virtually you’re not, you don’t wanna stare at a screen for eight hours. So we cut it down. We revised it a little bit, but we kept the hands on philosophy and feel of it going by, you know, using materials that they could find at home really modeling what education could look like.

Jessica Kesler (14:41):

Mm-Hmm <affirmative> if you used your Z zoom room to capacity, or if you had these materials and resources or rethought your lesson plans and structures. So we went virtual and not only were we able to hit so many more thirst that first year thirsty educators ready to get, dive into it, ready for some comradery with fellow educators. But we were also able to expand our international network. We were able to get so many international educators through our global work that it was, it was beyond what we had when we were in person. So it really had this skyrocketing effect.

Eric Cross (15:20):

There’s professional learning pathways and then virtual stem studio. Is that right for professional development for like teachers who are listening, are those the two kind of main prongs?

Jessica Kesler (15:30):

Yeah. So a stem studio is basically just one, right? And a pathway is a collection. So we now offer four stem studios, four separate stem studios. The first one is on inquiry mindset. You attended that one area. And it’s really about for teachers who are changing their perspective on what the classroom should look and feel like, especially administrators too. It’s about developing that inquiry mindset. So you understand and you feel, and you practice and you learn the tools that are necessary for inquiry to happen in your classroom. We never promote overhauling your classroom. We’re just saying, add a little bit here and there and see how it impacts your students. The second one is on making inquiry, visible, making inquiry visible is all about making students thinking visible in the moment. What are tools and strategies that you use so that students can illuminate their thinking for themselves, but for you and their peers as well and how we benefit from that.

Jessica Kesler (16:28):

So not only do the students get to see their own thinking as they progress and you get to tell the story of how their minds have evolved, but you, as the teacher get to see, oh, this is where everyone is making the mistake, or this is how this misconception came about. Or this is where I need to target for my next lesson. So it makes you more responsive in the moment. And then the third and fourth one where we’re actually launching for a small group this summer, it won’t be available to the masses until maybe a year or two down the line. We have one small group that we’re just going to test it out with. The third one is about developing your inquiry environment. So thinking not just about your physical space, but thinking about your intellectual space too. So what are the things that you can embed into your physical space and develop in a student’s intellectual space that will help you create a holistic inquiry environment?

Eric Cross (17:22):

So this is this inquiry space, not just physical, but then also the intellectual environment

Jessica Kesler (17:26):

Intellectual. Exactly. And it focuses in on the design process and how we design spaces. Because as a teacher, we take a lot of background in the background onus of de creating these spaces. If you take someone out of an old habit or space and tell them, oh, we are gonna change in your minds and teach inquiry, but put them back in the same environment, they’re gonna be conflicted, right? Their bodies wanna do one thing, their minds wanna do another thing. And they don’t know how to bridge the gap between the two. So this is a really illuminating, like how do you change all the spaces? How do you design a flow in space in your classroom and in your students thinking that allows them to be productive in that inquiry environment. It’s really good stuff

Eric Cross (18:11):

Who creates these experiences for teachers.

Jessica Kesler (18:14):

We do. So me and my teammate, Holly, Dard shout out HD. Holly Dard, we really put our brains together and developed these. So it’s a really a team effort because like Jason Porter, Eric even David Tong when he was with us, really collectively thought about what it is that we wanted educators to experience. And then Holly and I do a lot of the grunt work, but then we really collectively put it all together and make it what it is. So I have a heavy hand and a lot of that. And in fact, inquiry four is all about the entrepreneurial mindset. So oftentimes educators don’t consider themselves entrepreneurs, but if you take a look at what an entrepreneur is and what they do on a regular basis, educators are entrepreneurs, but we are missing an opportunity to use our entrepreneurialship in the classroom to drive for stem competencies in inquiry based practices. And so in, in stem studio, four, we really focus in on how the educator is the entrepreneur of their classroom, but also uses entrepreneurial techniques to tackle issues in their schools, districts, and spheres of influence. So it’s really taking the educator to the next level of their teaching practice through entrepreneurship. This is some deep stuff.

Eric Cross (19:37):

It is, well, this entrepreneurial mindset is, is something that I’ve heard before. And I definitely see the link between even the term teacherpreneur beyond just selling lessons on teachers, pay teachers. <Laugh> it’s way bigger than that,

Jessica Kesler (19:52):

Where entrepreneurs actually in the classroom, not just because we do things on the side to make money. Exactly.

Eric Cross (19:57):

A lot of teachers hear that. They’re like, yeah, I got, you know, I got, got a few jobs going on. Exactly. Yeah. And, and I think one thing we, I should have said this earlier, and I’ll, I’ll say the intro, but these are all free.

Jessica Kesler (20:07):

This is largely sponsored by do OD stem as well. So we have a partnership with D O D stem and they have been driving forth the department of defenses, strategic stem plan for years. And as a part of that, they give us funding in order to provide these opportunities for educators for free. So literally educators don’t have to come with anything. And we are giving you not only the content of our, our lessons and our instruction, but we’re also going give you a chance to earn a free micro credential. So people are spending 12 plus hours with us in a workshop which sounds like a lot of time, but it’s over a series of time and days. But we wanna give you something that means something after that, we wanna give you a micro credential to add to your resume, to show your administrator, to show that you have achieved the next level in your professional learning career.

Jessica Kesler (20:59):

Right? And if you finish the pathway, which is all for, then we give you our TGR foundation certificate that says that you’ve completed so much professional learning in these areas that you are basically a warrior of inquiry that you are ready to go out and really lay inquiry out in new creative ways, not in your CLA just in your classroom, but everywhere you go in your district, in your school. And on top of that, we just offer so many other great free partnership incentives like discovery, education, experience licenses. We’re doing raffles this summer. We’re giving out free a free meal voucher so that you can get some lunch. One of these days we’re offering $50 gift cards so that people can get school supplies. So anything you do with us, and you’re like, man, I really wish I could have this so that I can do that in my classroom. We wanna break down all the barriers that prevent teachers from doing this stuff in their classroom, actively engaging in this stuff. And we give you a free copy of the books that we reference. Again, trying to break down the barriers,

Eric Cross (22:00):

What are some of the things that you’ve noticed kind of being on both sides of science teaching in the classroom, and then in training trends with teachers, things like moments that have been great or, or challenges that you’re noticing teachers experiencing, especially maybe changes in differences from a, from, you know, an outsider’s perspective. Seeing what teachers are experiencing are like, since you’ve been doing PDs for folks.

Jessica Kesler (22:22):

Yeah. So it’s actually really interesting being on both sides of the fence. You know, what I always noticed is that teachers are eager, but they’re tired. They’re wanting to learn, but they can’t take advantage of every opportunity to learn. And especially during COVID time, if you take a look at even all the professional learning that’s happening across the world right now, attendance is going down because teachers are so burnt out this hybrid space, this either we’re in person, but we’re still wearing masks and still social distancing and all this other stuff, or I’m still virtual or I’m virtual some days and I’m in person other days, it’s just wearing our teachers out. And I think we notice that as we see a large numbers of friends and family just start to retire, right? Like people are just like, I don’t know if I can adapt to another change in education.

Jessica Kesler (23:14):

Like education goes through these waves of big changes and it’s hard for everybody to adapt to, but for those who are willing to stick it out and those who are able to stick it out and, and still have that energy and enthusiasm to learn, they come in so hungry for more resources, so hungry to learn more and they still have their why at the top of their minds, as they think about why they do this it’s for the kids it’s to drive this mission is to get more kids excited about this. And they just come in so passionate. So once they come in, once we can get them to come in they stick with us for a really long time. They’re like, what else do you have? What else do you have? What else do you have? But we hear, still hear the common threads of like, do I have time for this?

Jessica Kesler (23:58):

Do I have the funding for this? Do I have the energy for this? Do, will my students understand this? And we are constantly facing that challenge of trying to address those things by, but keeping the excitement going, like we know you don’t have enough time. We’re gonna call it out from the start. I know you don’t have enough time to try to do 29 extra things. Mm-Hmm <affirmative>. But my advice is always, but do one thing at a time, start with something small, asking your students a few questions rather than lecturing to them. Doesn’t take a whole lot of extra time, but it gives you so much extra insight. So let’s not work, you know, harder, let’s work smarter. Let’s embed this into our, our work together. And I always say that we’re not asking you to add to your plate. You know, it’s not Thanksgiving where you just pile, keep piling on a plate.

Jessica Kesler (24:47):

It’s it’s a time where you organize the plate. It’s allowing inquiry to restructure your plate so that everything has its place and its time mm-hmm <affirmative> do you wanna leave room so that the educator feels comfortable trying some new initiative? That’s why we encourage admin. We have librarians attend elementary school teachers, administrators, we, and we encourage it because everyone can support the classroom. And if administrators are more in touch with these new practices and tools and strategies, then they can help facilitate the learning. As the teachers are trying new things and coaching them in specific areas. So we really opened the door for some studios, for any and all who are gonna participate in that child’s education, because us all rallying around them as that three-legged stool helps to create that environment and helps support the teacher. The teachers need support, and we’re trying to do our part by providing the resources and the tools, but they need everyone else to.

Eric Cross (25:42):

We don’t always think about it as a way to support, to get support in our classrooms for ourselves. But I agree with you by, by educating vertically up the chain, you know, vice principal, principal, whoever it is, mm-hmm <affirmative> superintendent getting them on boarding and, and educating them to see what’s ex expected. We’ll open up doors and more freedoms for you because now you just have this vertical alignment of folks kind of on the same wave length. Exactly.

Jessica Kesler (26:07):

Yep. And that’s why we love districts. Anaheim union school district is actually one of our partners this year, where they have invited their teachers to participate in the whole pathway because they know how important it is that we practice these tools and strategies. And they want as many educators in the same space going through this at the same time as possible so that we can support each other through it. And so that we don’t feel like islands, oftentimes as educators, we feel like islands we’re in our classroom day in and day out. And we don’t feel like there’s anybody else who’s doing the same things we’re doing and supporting the work that we’re doing. So when we get administrators who support it, it’s magical. It can be magical.

Eric Cross (26:47):

What are some opportunities that are coming up if somebody’s listening and they, they wanna sign up for something, are there things coming up this month or next month or in the summer that they can participate in?

Jessica Kesler (26:55):

Yeah, for sure. So we’ve been doing our monthly workshops. And if you go to our website, so if you actually go to TGR foundation.org and slash stem studio you’ll actually see our summer events already posted, already live for everybody to start engaging in. And again, everything is free. So registration is open and available for everybody to participate. We are offering that first inquiry stem studio inquiry mindset twice the week of June 21st and the week of June 28th, two opportunities for educators to join us for inquiry mindset for the first one. And then also in July, we’re offering the second one making inquiry visible, and that’s the week of July 12th. So again, all free stuff, raffle prizes are available for those who register early and get in there and reserve their seat. It is limited seating. And so, yeah, a bunch of opportunities coming up this summer and guess what all you have to do is sign up and then you get all these free things coming your way. You get to look forward to all this exciting stuff. So TGR foundation.org/studio.

Eric Cross (28:01):

And if folks wanna follow you in your career, your journey.

Jessica Kesler (28:05):

Yeah. I’m on Twitter and LinkedIn, for sure. And it’s Jessica Kessler, K E S L E R one S

Eric Cross (28:12):

I wanna honor your time. And as we close, you’ve been an educator of impact in, in your own classroom. And I know you’re still teaching actively now, and you’ve also made an impact on me and other educators through your professional development. And, and the last question I’d like to end with is who’s the most memorable teacher or learning experience that you had during K eight. When you think about you, your time in school, who was a memorable teacher or a moment that kind of stands out to you and what was it that they did that made them memorable?

Jessica Kesler (28:44):

It was that one teacher who brought me my first T I, 84. You remember when a new calculators came out, I had a teacher give me one amazing, but I think in high school, there was really a turn about where I had miss Caroline and Mr. Canello math and Spanish teacher. So two opposite wings of the, the education spectrum there. But most of all, they listened. They listened to me. I felt seen with those teachers, they supported me. They listened to me, they saw my potential. And they just rallied around me and continued to support me thereafter. Even afterwards, I continued to reach out to those educators. And I think that’s what drives me to be that force for, for my students. And I remember my most memorable heart touching education experience was probably, I had a high school student get interviewed by the newspaper.

Jessica Kesler (29:38):

And they were like, oh, what’s your favorite classes? And what’s your favorite this, and what’s your favorite of that? And he was like, well, I love chemistry, which is what I was teaching. It was like, and I love my after school robotics team. I was leading and I love this and this and this. And he basically listed all the stuff that I was doing that I was teaching and that I was leading in the school. And I was like this one student, literally out of all the classes and experiences he’s experiencing is really just calling out everything that I’m doing. And I feel like it’s because he felt seen, he felt heard. He was like, this person is listening to me. And no matter what space we’re in this teacher is, is there for me. And so I try to be that wherever I go, <laugh>,

Eric Cross (30:16):

It’s amazing how making someone feel seen and, and making them feel important and heard, and, and being present for them. All of a sudden opens up their interests into the subjects that you’re teaching. Thank you for, for making time for serving our kids for serving teachers during a hard time, and for making PD one, being part of an organization that made it free and serve teachers, but also making PD fun and enthusiastic. I think that was one of the things in addition to the empathy that you led with, but also your enthusiasm and passion was something that really resonated with me. And it made our time together. Feel like something that was, was making me a better teacher for my kids. And so, thanks for making time for us tonight. Oh,

Jessica Kesler (30:53):

Bless face.

Eric Cross (30:57):

Thanks so much for joining me and Jessica today. If you have any great lessons or ways that you connect with students, please email us@stemamplifycom.wpengine.com. That’s S TM amplifycom.wpengine.com. And please remember to support the podcast by clicking subscribe, wherever you listen to podcasts, you can also hear more about the podcast in our Facebook group, science connections, the community until next time.

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We’ll also share new and exciting free resources for your classroom every month.

What Jessica Kesler says about science

“One student at a time isn’t gonna bring a million students through the door. But if we focus on their teachers, then they can reach those millions of kids and help them be prepared for future careers. ”

– Jessica Kesler

Director of Professional Learning, TGR Foundation

Meet the guest

In the final episode of the season, Eric sits down with his friend and professional development facilitator, Jessica Kesler. Jessica describes her passion for sharing free, high-quality, empathy-centered professional development for K12 educators. Jessica also shares her experience jumping into leadership positions while teaching in Philadelphia. Eric also chats with Jessica about how students often lean on teachers for more than delivering content.

Person with glasses smiling, wearing a black headwrap and earrings, outdoors with trees and sunlight in the background.

About Science Connections

Welcome to Science Connections! Science is changing before our eyes, now more than ever. So…how do we help kids figure that out? We will bring on educators, scientists, and more to discuss the importance of high-quality science instruction. In this episode, hear from our host Eric Cross about his work engaging students as a K-8 science teacher. Listen here!

S3 – 06. Bethany and Dan take on Twitter!

Promotional graphic for Math Teacher Lounge Season 3, Episode 6, featuring Bethany Lockhart Johnson, Educator, and Dan Meyer, Director of Research at Desmos.

In this episode, Bethany and Dan take a look at several tweets that caught the most fire on Twitter during the 2021-2022 school year. The pair answer questions about viral teaching methods, the best teaching advice you can give in three words, and if students should use pencils or pens in class. Join them as they take on those questions and several others in a fast-paced episode.

Explore more from Math Teacher Lounge by visiting our main page

Download Transcript

Dan Meyer (00:02):

Hey folks. Welcome back to the Math Teacher Lounge. I’m your co-host, Dan Meyer.

Bethany Lockhart Johnson (00:07):

And I am Bethany Lockhart Johnson. And I’m your co-host, Dan! Hi!

Dan Meyer (00:12):

We’re co-hosts! Hey! Great to see you.

Bethany Lockhart Johnson (00:13):

Dan, this is the last episode of Season 3. Three seasons!

Dan Meyer (00:19):

It’s gotta have a cliffhanger. What will the cliffhanger be? You know?

Bethany Lockhart Johnson (00:22):

The cliffhanger is that we love having guests! It’s one of our most favorite things, because selfishly, we love to talk to all of these amazing folks who are doing this interesting research and thinking about amazing things. But for this last episode, it’s just you and I, Dan. Cliffhanger!

Dan Meyer (00:40):

Yeah. I like this. I like this. So the cliffhanger was last episode, and people are all like, “So who’s the last guest gonna be of the season before we roll out into summer?” And yes, as Bethany said, we love all the fascinating guests we’ve had on throughout these last few seasons. And we realized…who is more fascinating to each other than both of us? You know, let’s talk to each other about things, right? <Laughs> You get that! You get that! Or am I alone here in this? We had this idea about what we should talk about here, and that’s this: I am on Twitter a lot. I’m @DDMeyer on Twitter; throw me a follow; might follow back; who knows? I don’t tweet much. Bethany, what’s your handle on Twitter? Let ’em know.

Bethany Lockhart Johnson (01:22):

I’m @LockhartEdu, and I was much more active pre-mamahood. But I’m still up in there. Go ahead.

Dan Meyer (01:30):

Yep. In there. Yeah, great. So I’ve been keeping track of the hottest conversations in math education Twitter, the conversations that the most people who kind of describe themselves as math teachers in their bios and whatnot have been replying to. We’ve got some little things working in the background, keeping track of this sort of thing. And so we are gonna bring you folks some of those extremely hot conversations, and even better than the questions—which we hope you’ll reply to and tag us in your replies—even more than those questions, we’ll bring you our answers—our answers!—to those questions. Can you believe that? We’ll fully settle these questions! Won’t we, Bethany? My gosh, won’t we?

Bethany Lockhart Johnson (02:15):

Jeez Louise! No! Dan Meyer, the point is not our final word on it! The point is this episode, we’re furthering the conversation. We wanna hear from listeners about what do you think?

Dan Meyer (02:25):

Right. You’re right. You all need someone in your life like Bethany who will help you become the best version of yourself. So here’s the deal. We have several questions in a few different categories. We’re gonna bust through some quick ones, pretty quick. And, uh, there’s some meaty ones as well. Let’s get into it! The first questions come to you all, and us, courtesy of MTL guest Howie Hua, who has a renowned knack for just creating math memes, but also conversation starters that really capture the curiosity and answers of of a grateful nation. So Howie’s first question, which I’ll pose to Bethany, is, “What’s your favorite number?” Bethany? And why is it your favorite number?

Bethany Lockhart Johnson (03:14):

Oh, I love it. OK. Well, the first thing that came to my mind is 12. ‘Cause It’s a highly divisible number. I mean, 2, 6, 3, 4—I love it. And it coincides with the day and month of my birth. Which, like, the double-digit…come on, 12, 12, 12, 12. I dunno, am I giving away, like, my bank security code <laugh> or anything by saying that?

Dan Meyer (03:41):

Yeah. What’s your favorite PIN?

Bethany Lockhart Johnson (03:43):

Let me change my PIN. Yeah, it’s just such a happy, happy number. Well, 12 is, you know, 10 and 2. Two more. Anyway. Love it. What about you, Dan? What’s your favorite number and why?

Dan Meyer (03:55):

I’m into it. I’m into it. I think I would choose 16. Because it’s the first number for me when it was like, “Oh, you can keep on making numbers forever!” Where I’m like, OK, 2times 2 is 4. Great. That’s kind of an elemental expression in mathematics. Four times 2 is 8. OK. But then, 8 times 2 is 16, and it’s like, “Oh, you can just keep doubling that thing over and over and over again!” And I can recall feeling pretty excited that numbers are just like, out there for the finding. For the taking. Cool stuff.

Bethany Lockhart Johnson (04:33):

I’m sorry. Wait, I have to interrupt. You went 2 times 4 is 8 and you didn’t go 4 times 4 is 16? You went 8 times 2 is 16? You wanted to keep the 2 the same?

Dan Meyer (04:49):

Yup. Yup. You can keep on doubling. You can keep on doubling numbers and it just keeps on going.

Bethany Lockhart Johnson (04:53):

More evidence that our brain works very differently.

Dan Meyer (04:56):

We learn more about each other…let me keep this rolling with Howie questions. OK? Howie says, “If you could co-teach with one teacher from Twitter, who would you choose?”

Bethany Lockhart Johnson (05:06):

Oh, oh, it has to be a teacher?

Dan Meyer (05:11):

Or anybody, I guess. I mean, like, I know you love Oprah.

Bethany Lockhart Johnson (05:15):

Can I co-teach with Oprah?

Dan Meyer (05:16):

Yup, yeah, so there we are. <Laugh> Yup. OK. Fair enough. We have to work Oprah into every single episode.

Bethany Lockhart Johnson (05:23):

I’d just love to sit and like, we’d read together, we’d read to the students, and then we’d talk…I mean, obviously it’d be Oprah. But if we’re thinking more of like MTBoS, like math Twitter blogosphere-land, I suppose the person I would wanna co-teach with honestly would probably be Allison Hintz. One of our former guests as well. Her book, Mathematizing Children’s Literature, with Antony Smith, that book—I just love the idea of sitting and doing a read-aloud and then diving into some juicy math that’s inspired by what comes out of that read-aloud. So yes, that’s who I pick. Allison! Let’s co-teach!

Dan Meyer (06:00):

<Laugh> Shout-out to Allison.

Bethany Lockhart Johnson (06:01):

What about you?

Dan Meyer (06:03):

I would choose MTL guest Idil Abdulkadir—because, and this relates to Allison and also Elham Kazemi—they talked about, in our episode about teacher time-outs. And I’m choosing someone who I think is—like I’ve never seen Idil teach, but I work with Idil at Desmos and think she’s fantastic. But what I really want in a co-teacher is someone that I can say, “Whoa, time out, do you see what’s going on here? This is really interesting. What should we do next about this?” And have a little strategy sesh in front of the kids and no one gets freaked out by that. And I think that that’d be a pile of fun. Idil seems like she’d be receptive to that kind of interaction, teacher to teacher. So that’s my vote right there.

Bethany Lockhart Johnson (06:48):

Opportunity for you to grow your own practice, Dan.

Dan Meyer (06:52):

Yeah, yeah, exactly. 100%.

Bethany Lockhart Johnson (06:56):

So Dan, I actually have a question for you from Howie. If we’re on the Howie tweet train, I have one from Howie too.

Dan Meyer (07:04):

Howie had some fire tweets, some fire tweets this current year. Yep.

Bethany Lockhart Johnson (07:08):

Dan, I wanna know: Do you prefer doing math in pen or pencil?

Dan Meyer (07:16):

Ooh, yeah. Oh, I see that Howie says, “I don’t mean to start any drama, BUT,” and then asks the question–

Bethany Lockhart Johnson (07:23):

But!

Dan Meyer (07:24):

I think that Howie lives for drama. I think he knows he’s messy. He lives for drama. He knows what he’s doing this with this question here. He knows.

Bethany Lockhart Johnson (07:32):

DRAAAAMAAAA!

Dan Meyer (07:32):

He knows what he’s doing. Yup. So I would just say it depends. Is that cheating? Like if I’m doing math to learn, or if we are learning in that process, then I want to use pen, actually. I wanna see the tracks of the thinking. And if we’re doing it for presentation, like if I’m presenting something, I wanna…I guess that’s an area where I’d be fine to not erase things. I don’t wanna prep it so it’s, you know…I guess you could use pen for presentation also. Just pen. Period. But I wanna see the tracks of the thinking if we’re doing some learning versus presentation. What about you?

Bethany Lockhart Johnson (08:09):

Well, I heard the voice in my head telling one of my kindergartners, “No, you cannot do that in sparkly pen. You need to do it in pencil.” And I was like, “Wait, whose voice is that?” It was one of my math teachers telling me I couldn’t do it in pen! Why couldn’t this kid do it in pen? Sure! Do it in a sparkly pen! So I wanna say do it in pen. And since usually pen is what I have around…I mean, I do crosswords in pen, Dan.

Dan Meyer (08:36):

Wow, wow. With a piece of paper and math, you have lots of room to re-revise and cross off…but those little, little boxes on the crossword, that says a lot about your commitment to pen.

Bethany Lockhart Johnson (08:46):

I got really good at making an A into an H or a P or whatever we need. So I would say, “Hey, if you’re in the room with your kiddos and you’re doing math, if somebody wants to do pen, let them do pen.” But I do know that I’ve seen teachers say you need to do pen so that I can see all of your thinking. So I think I hear what you’re saying. But do you think it should be like a classroom rule or something?

Dan Meyer (09:13):

Oh, no, no, no. I mean, I’m gonna ask you like, “How’d you get to this destination?” And I wanna know process somehow, and I think you’ll get tired of having to explain it verbally rather than just, like, showing. Just don’t erase stuff. Don’t scratch stuff off. Let’s let’s see how you’re getting there. That is what I’m into.

Bethany Lockhart Johnson (09:30):

Thanks, Howie, for that trio of thought-provoking tweets, because I genuinely wanted to know what Dan thought and what our listeners think. I mean, Dan, I gotta say: Howie, you say you don’t wanna cause drama, but I gotta say I’m with Dan on that—

Dan Meyer (09:50):

Got the gift. Got the gift for drama. We’re still friends though. So I’m happy about that. Our next section, I got a few more questions queued up here and these ones relate to advice for educators, advice for yourself. Good advice, bad advice, that kind of thing. So let’s jump in. I would love to know—this one’s from Pernille Ripp—I’m very curious, Bethany, what is the worst teaching advice you have gotten in your life, ever?

Bethany Lockhart Johnson (10:19):

<Laugh> Ooh. OK. Um, worst teaching advice was: “That’s OK, just move on anyway.” And that was in terms of pacing. It was like, students needed to do a deeper dive and the teacher who I was chatting with said, “No, no, it’s fine; it’s fine; just move on. Just move on to the next chapter.” That was probably the worst advice, because no, I don’t think that’s what I should have done at all! <Laugh>

Dan Meyer (10:48):

Right.

Bethany Lockhart Johnson (10:48):

But I was a first-year teacher and I was trying to figure it out. And I learned that that was not good advice. And I understand the pressure of pacing. But it was totally antithetical to the type of listening to my students that I want to do in my craft. And this teacher meant well, but that was not good advice, teacher! <Laugh> What about you, Dan? What is the worst teaching advice?

Dan Meyer (11:13):

I dig that. That feels similar to one of the replies to Pernille here. Frances Klein says, “Never let them know you’ve made a mistake” being particularly bad advice. You know, just this like idea of like moving along, covering your tracks, not backtracking or admitting mistakes, those all feel kind of a piece. The worst advice I think I’ve ever received, and I wasn’t given this often, but it’s echoed by a lot of the commenters here on this tweet, which is “Don’t smile until X, Y, or Z,” where X, Y, and Z are like Christmas, October, December, January. Just the idea that you’ve gotta develop—

Bethany Lockhart Johnson (11:54):

Wait, what?

Dan Meyer (11:55):

<Laugh> Did you never hear this from anybody? Don’t smile until Christmas? Perhaps this is more—

Bethany Lockhart Johnson (11:59):

I’m a kindergarten teacher! Can you imagine? If I don’t smile the second they walk in? The tears?! The parents’ tears?! The kids’ tears?! If I’m just like, stoic?

Dan Meyer (12:07):

Yeah. Well.

Bethany Lockhart Johnson (12:08):

So explain it to me.

Dan Meyer (12:10):

Well, the idea is, is that, you know, for older kids, they’re scoping you, they’re clocking you for weakness, they’re looking at you, they’re looking to take advantage. And so “don’t smile until Christmas” is like, hey, you can always relax. You can always relax your discipline, but you can’t UN-relax it if you start out, you know, Mr. Happy Pants Meyer. Which—

Bethany Lockhart Johnson (12:33):

Smile perceived as weakness.

Dan Meyer (12:36):

Yeah. Very obviously poor advice. Eventually you come to realize that like having a rapport and a relationship that is trusting and warm and demanding, that has high expectations, that’s the best kind of classroom management. Not some kind of persona built around intimidation or stoicism, that kinda thing. So, terrible, terrible advice!

Bethany Lockhart Johnson (13:01):

I feel like I did have a few of those math classes. Yeah.

Dan Meyer (13:04):

Yeah, exactly. <Laugh> You loved them, right? They were like your favorite math classes. It was a blast, right?

Bethany Lockhart Johnson (13:11):

<Laugh> So we have to ask the opposite. Thank you, Daniel Willingham, who said, “What’s the best advice you got?” But hold on, Dan, he didn’t just want the best advice. He wanted the best advice in three words.

Dan Meyer (13:26):

Oh yeah. He doesn’t, he doesn’t want a book or dissertation or even a blog post or even a tweet. He wants just three words.

Bethany Lockhart Johnson (13:32):

I think maybe that might have been to me. <Laugh>

Dan Meyer (13:34):

This is someone who’s doesn’t have much time for this advice, wants it distilled down. I’m just obviously stalling here as I try to think about this. I don’t know, there’s just like so much nuance lost here. I would say, listen to students, listen to students. I can’t say more that, I guess. I guess I’m done. I can’t say more than that there. But you’re in a bad place if you’re not listening carefully to students. How about you?

Bethany Lockhart Johnson (14:04):

  1. Mine is “Ask…lots…questions.”

Dan Meyer (14:11):

Nice. ‘Cause I filled in the word! I filled in the word! I was able to kinda infer that. I did that. I got that.

Bethany Lockhart Johnson (14:17):

Wait, wait, wait, wait! I could have said many! Wait, I could have said “Ask many questions.”

Dan Meyer (14:22):

Strong, strong.

Bethany Lockhart Johnson (14:25):

So yeah. You know, no isolation, like don’t put yourself in a bubble. Ask, not just, not just your students, but the teachers! Ask a lot of questions. You don’t have to have it all figured out.

Dan Meyer (14:34):

Into it. Very much into it.

Bethany Lockhart Johnson (14:37):

Thanks. Daniel. Thanks, Pernille.

Dan Meyer (14:40):

Yeah. Daniel and Pernille, Both great questions there about advice, best and worst. Another fire tweet popped up earlier this year from Dr. Khristopher Childs, which was “Name one thing every educator should stop doing.”

Bethany Lockhart Johnson (14:57):

Oh, I don’t know. This kind of ties into my best advice about asking questions.

Dan Meyer (15:03):

Stop not asking questions?

Bethany Lockhart Johnson (15:06):

<Laugh> Avoid the isolation. I really love this idea of when we can, popping into each others’ classrooms, co-teaching, building this collaborative nature. Elham Kazemi, in our interview, talked about this idea of, like you said, the teacher time-outs, learning from each other. So I feel like if we could stop isolating ourself…and I don’t mean at lunch—sometimes you need to not be in the teacher lounge at lunch. Like if you need a minute, take the minute! But in general, as a practice, how can we not be isolated and instead be learning with, and from, each other? How can we stop the isolation? That’s what I would hope every educator would stop doing. What about you, Dan?

Dan Meyer (15:54):

I think that educators should…this is gonna require a little bit of elaboration. I think educators should stop taking responsibility for things that are not in their zone of influence. I think that as a society we are asking teachers to do more and more, to become more and more of a central fixture holding together with chewing gum and twine all the various parts of a student’s life. From their health, their fitness, emotional health, that we feed students at school. It becomes very tempting, I think, there’s a lot of pressures to blame outcomes, disparate and unjust outcomes later on in life, on teachers. And teachers should just flatly refuse. And to yeah, understand what the job has been set up to do. What it’s good for. And do that with excellence and intent and a lot of effort. And then not take responsibility for the rest of it.

Bethany Lockhart Johnson (16:53):

If I asked five different people about the definition of what a teacher should be doing, I would get five different answers. So I think it’s really interesting that you say that because yeah, many, many hats, which I think, yes, can lead to burnout. Can lead to all sorts of things. We’re asking schools to be all things to all, all people. Interesting. I’m gonna think about that more. I need to hear folks’ response on that, Dan.

Dan Meyer (17:18):

Mm-Hmm. I’m curious too. I mean, yeah, there are definitely things that are in teachers’ responsibility and some that are not. That’s a tough one.

Bethany Lockhart Johnson (17:26):

OK, for help, name an example of each. And what’s something that you think every teacher should not and should be doing. ‘Cause I feel like my brain goes to some things like, you know, I had teachers who were saying, “Well, I don’t wanna have my kids have to have breakfast in my classroom in the morning. That shouldn’t be my responsibility to serve breakfast in the morning.” But I’m like, “But then your kids are eating and they’re gonna be able to learn and be more focused.” Should that be the teacher’s responsibility? I’m not saying it necessarily should, but I’m saying…I don’t know. It gets murky for me.

Dan Meyer (18:06):

Yeah, for sure. I mean, I think that we should, as a country, have a really generous social welfare net so that everyone has food at home. Where a school is not the place where some students have to go to in order to receive nutrition and nourishment. That seems sad to me. And uncommon in developed nations. I think that teachers should watch out for, should be responsible for, the mathematical development of the students they teach, up to a point, they should be responsible for learning math and creating relationships in their classes. I don’t think that teachers should accept responsibility for larger kinds of outcomes, like the health of a democracy or international competition, who goes to the moon first. That kind of thing has historically been placed at the feet of teachers. And it’s tempting when you’re a teacher, I think, to take on that responsibility because it kind of develops your social importance. And I just say, we should say no to that. And get compensation, not in terms of social importance, but rather like in spendable dollars and monies.

Bethany Lockhart Johnson (19:10):

I’m learning more about you, Dan. And you know, this is what I’ve gotten from that answer: If you’re gonna dream, dream big. Right?

Dan Meyer (19:17):

Is that what you got from that? I don’t know. I think I’m trying to dream realistically.

Bethany Lockhart Johnson (19:23):

No, like if we’re gonna say, “Maybe teachers shouldn’t be responsible for serving breakfast in the morning,” well, because we want every child to have access to nutritious and filling food at home and time to eat it in the morning, right? It’s bigger than just, “I don’t want the teacher to have to do this.” So we’re dreaming big. We’re saying this should be the LEAST that students have access to, right?

Dan Meyer (19:53):

Yeah. Yeah. I’m here now. I’m with you. I like that dream. Where we take care of folks in their lives outside of schools. So schools don’t have to be the one linchpin for every kind of social outcome. Like currently a lot of them run through a school ’cause we don’t do a good job of setting up other ways to meet those needs. And we should.

Bethany Lockhart Johnson (20:16):

And we’re also recording this in, what, two weeks, a week, after a tragedy where students and teachers were killed in the classroom. And I think both of us are taking some deep breaths and recognizing that there’s a lot of debate that is happening about what teacher’s role should be in preventing this in the future. And I don’t know if you’ve done drills in your classroom that are supposed to help mitigate disaster, but you know—collective deep breaths— <laugh> is where we’re at right now.

Dan Meyer (20:52):

Yep. The idea of “we should arm teachers” is another example of no, we should not do that. We should solve the tendency towards violence outside of the classroom so that teachers and students can teach and learn. That sounds awesome to me.

Bethany Lockhart Johnson (21:06):

Collective deep breath. Whew. OK. So what else you got for me, Dan?

Bethany Lockhart Johnson (21:33):

Ooh. So I feel like I’ve heard that in many teaching PDs. “I Do, you do, we do.” Actually I feel like I’ve seen like more “I do, we do, you do.” Like graduated release. I do it, then we’ll do it a little bit together, and then now you have permission to do it. And I feel like in directed draw, that’s a hundred percent true. Like I’m gonna show you this and then you draw it. And then you cut here and then you do it. If we’re trying to create this, like I’m teaching this new art technique. But in mathematics, I feel like that’s really not what I want my classroom to look like. I want to support my students and set them up for sense-making, and then I want them to try it out and I don’t want them to solve it the way it first comes to mind for me. I wanna see how they make sense of it and how they solve it. And then I want us to share it with each other so we can grow together. So I think time and place for “I do, you do, we do,” or “I do, we do, you do.” Or shoo-be-doo-be-doo-be. Yeah. You?

Dan Meyer (22:44):

I’ve got nothing. I have nothing to add. I thought that was just an excellent summary of a classroom I would love to be a part in, love to teach. I think it’s a certain tool in the toolbox that I think is overused. But it’s also a tool that can be useful in the case of certain kinds of operations. There are some operations that do benefit from “let me just show you how, like one way you might do this.” I don’t know. I’m like helping my kid whack a nail into a board and there’s a moment where it’s like, “Hey, actually, lemme just show you one way you can do this,” and do it, and then that’s helpful in some moments. But for so much of math, a lot of math does not relate to the operational kinds of fluency. And in those instances, it’s a little bit…it’s not a useful tool, I don’t think, for those kinds of skills and ideas.

Bethany Lockhart Johnson (23:34):

I’m thinking of tool talks in my classroom. So in kindergarten, many of the tools that we use in math and just in class in general, are new to the students. And if I tell them, this is exactly how you should use this tool, then I feel like I’m taking a lot of the sense-making away from them. But if I introduce the tool, show them how to use the tool safely, show them this is not a safe way to use the tool, chewing on this is not safe. That’s not how we use this tool. This is how we take care of it, et cetera. But then support different modes of using the tool that are gonna help them use it to solve problems and make sense, I think…but I guess—Dan, have you heard “I do, you do, we do,” or is it “I do, we do, you do”?

Dan Meyer (24:22):

I’m with you. And I think that it got clarified post-tweet. But yeah, it typically is “I do, we do, you do,” the gradual release of responsibility it’s often called. And I, I have heard people do what you described, which is…what is it? It’s “You do, we do, I do”? Like an inversion of that? Like have people do a thing that I can do that’s not too, too abstract for them, and then like “We all do something together, and then I’ll offer a summary of what we learned,” is one way that goes. I like that tool as well.

Bethany Lockhart Johnson (24:53):

I think particularly, at least I’ve seen in elementary classrooms, there’s sometimes this fear of letting students just try it out before I’ve really showed them, “but this is how it has to be.” And what I am most excited about is supporting students and creating a classroom environment where students don’t need my permission or need my direct “this is the only way to do it.” Instead, it’s like, yes, there’s lots of things we model. But there’s also like, “Hey, what do you think? How do you think this should be used?” And the joy of that exploration.

Dan Meyer (25:30):

Yeah. There’s a feeling of efficiency that comes from “I do, we do, you do,” for some kinds of math, but it’s undercut in my experience by what it cultivates in the students, which is “I’ve gotta wait until the teacher does before I can do anything.” So it pays off real diminishing returns over time. And it’s, just for me, an exhausting way to teach. Always being the bottleneck for new learning is a total drag.

Bethany Lockhart Johnson (25:55):

Ooh, what a great way to describe it. You do not wanna be the bottleneck. You want to be…what’s the other thing? The facilitator? What’s the opposite of a bottleneck? The flowing river? The…The…Help me!

Dan Meyer (26:10):

Hit us up in the replies. I dunno. The opposite of a bottleneck. That’s what you wanna…you wanna not be the opposite? No, you want, yeah. We got this here. We’ll figure it out. We’ll get back to you. <Laugh> OK. Well, folks, those were a few of this year’s fire tweets. It’s been fantastic chatting with you—

Bethany Lockhart Johnson (26:29):

Dan.

Dan Meyer (26:29):

—Bethany, About all those—

Bethany Lockhart Johnson (26:32):

Dan. You know, my favorite thing to do is interrupting you, Dan. I have to interrupt you because we can’t end fire tweets, Dan, without including a tweet from you.

Dan Meyer (26:43):

Oh, that’s true. I do have my moments. Yeah, we should. We really should. <Laugh> Do you have one in mind?

Bethany Lockhart Johnson (26:50):

No. Dan. Yes. I loved…you tweeted recently, “How many years have you been teaching?” Which, OK. “What Has been like the most influential? Like, what, OK, blah, blah, blah.” <blathering noises> You tweeted, “How many years have you been teaching? And at this point, what has most influenced how you teach?” And you gave some ideas: A methods course, PD sessions, curriculum, TV and movies, et cetera, et cetera. And I love that you put that out there because this episode is coming out as we’re wrapping up another school year. And it also got me thinking about summer and what teachers sometimes do during the summer, but what we might need to do this summer for self-care. But I’m really curious. I love that tweet. And I’m curious, Dan, what did folks say was the thing that had most influenced their teaching and what’s most influenced your teaching?

Dan Meyer (27:49):

Ooh, yeah. People’s responses to this one were really fantastic. I came into this, I was flying to the Association of Mathematics Teacher Educators conference. And I just found myself wondering, so, the pre-service year, the one year of, like, you’re learning how to teach, is how we did it in California. Like how much of that has still infused my practice? And in what ways? I don’t think I think about that stuff consciously, but I think that did like set me up with a lot of images that I would be unpacking for going on two decades now working in education. I think conversations with people, I think observing classes, I don’t think that like the one-day PDs, the one-day development days throughout the year, four times per year, I don’t think those stuck to me much. I think that this summer, I have learned so much, just an embarrassment of riches, from non-educational sources. From other disciplines. From storytelling, for instance. From how people have constructed movies I like. I am proud of the way…one of the aspects of my character that I’m proud of—it takes a lot to admit this, as I’m sure you understand, Bethany—but to integrate lots of wacky stuff and pick from it and use that to affect my practice and teaching has been really positive. So for this summer, I hope that people read a good beach book and just kinda let your teaching mind rest a little bit. And in doing so, create some openings for new ideas about education from other parts of the world. Kids! Having kids has been helpful. I don’t know! Just everything! It’s such a big job, education. Everything has so helpful. What about you? What’s an influence on your practice that might surprise me or other folks out there in MTL land?

Bethany Lockhart Johnson (29:52):

Well, I don’t know about surprise. I mean, I definitely feel similarly, like methods courses absolutely impacted my teaching. But I feel like opportunities where I was able to observe other teachers and where I was able to have conversations with folks about their practice, that has deeply impacted me. And books I’ve read. I mean, honestly, I’ve learned so much from sharing with other teachers. Like, for example, maybe I’ll bring student work and we’ll talk about it. And we kind of create this conversation together about how we wanna come back to the students based on the work we see. Those type of moments where we’re collaborating and we’re bringing multiple perspectives to the table, that I think, has really often shifted me out of my first initial reaction or what I thought I was going to do in the classroom the next day. So that continues to surprise and delight me. And thinking about this summer, I think there’s a lot of creativity and joy that can come out of the marination process, when you’re just kind of sitting back and healing yourself, whether through sleep or sunshine or time with friends and family or whatever that looks like for you. I think there’s a lot of creativity that can come from that place of fertile, you know, wellness. I never think of that as wasted time. I think of that as getting the soil ready for all that’s gonna come in the fall. And that being said, I also think it could be a fun time to dip your toes into something that you are excited to read, that you might not have a chance to read during the school year that could be teaching-related. So it’s like very low pressure, like, “Oh, I’ve really wanted to read more by this author. I’ve wanted to read this article. I’ve wanted to dip into this topic.” And not with a pressure, but just with a curiosity. And, yeah, I think so often we as teachers love learning, and to give yourself space to learn in whatever that looks like can be a real gift.

Dan Meyer (32:09):

Yes. And if you need book recommendations, hit the MTL back catalog of episodes. Loads of folks that we interviewed have real good books out.

Bethany Lockhart Johnson (32:16):

Yes!

Dan Meyer (32:16):

Think about it. Think about it.

Bethany Lockhart Johnson (32:22):

One quick recommendation: Again, gotta plug Antony Smith and Allison Hintz’s book. I read Mathematizing Children’s Literature before we did the interview, but this summer I wanna read all the children’s books that they mention. I just wanna go to the library and read all those children’s books. I wanna read them to my son. I wanna read ’em to myself. So, you know, diving into some good YA, children’s books, just, like, TLC. Dan, thank you for such a rich season and a chance to have so many interesting conversations. It is genuinely a joy to learn with and from you.

Dan Meyer (33:00):

Likewise. And always hope to see you folks on Twitter now and then. Let us know what you’re up to this summer at MTLShow on Twitter or in our Facebook group, Math Teacher Lounge. We’ll be there tuning in now and then. It’s been a treat interacting with you folks over this last season. Take care and until the new season, so long.

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What Bethany Lockhart Johnson says about math

“I’ve learned so much from sharing with other teachers… Those type of moments where we’re collaborating and bringing multiple perspectives to the table, I think, has really often shifted me out of my first initial reaction or what I thought I was going to do in the classroom the next day.”

– Bethany Lockhart Johnson

Meet the guests

Dan Meyer

Dan Meyer taught high school math to students who didn’t like high school math. He has advocated for better math instruction on CNN, Good Morning America, Everyday With Rachel Ray, and TED.com. He earned his doctorate from Stanford University in math education and is currently the Dean of Research at Desmos, where he explores the future of math, technology, and learning. Dan has worked with teachers internationally and in all 50 United States and was named one of Tech & Learning’s 30 Leaders of the Future.

Bethany Lockhart Johnson

Bethany Lockhart Johnson is an elementary school educator and author. Prior to serving as a multiple-subject teacher, she taught theater and dance and now loves incorporating movement and creative play into her classroom. Bethany is committed to helping students find joy in discovering their identities as mathematicians. In addition to her role as a full-time classroom teacher, Bethany is a Student Achievement Partners California Core Advocate and is active in national and local mathematics organizations. Bethany is a member of the Illustrative Mathematics Elementary Curriculum Steering Committee and serves as a consultant, creating materials to support families during distance learning.

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About Math Teacher Lounge: The podcast

Math Teacher Lounge is a biweekly podcast created specifically for K–12 math educators. In each episode co-hosts Bethany Lockhart Johnson (@lockhartedu) and Dan Meyer (@ddmeyer) chat with guests, taking a deep dive into the math and educational topics you care about.

Join the Math Teacher Lounge Facebook group to continue the conversation, view exclusive content, interact with fellow educators, participate in giveaways, and more!

Literacy Essentials, Episode 1

Science of Reading Essentials: Writing

In this special Essentials episode of Science of Reading: The Podcast, Susan Lambert pulls from past episodes of the podcast to give you everything you need to know about science-based writing instruction. Experts include Steve Graham, Ed.D.; Young-Suk Grace Kim, Ed.D.; Natalie Wexler; and Judith Hochman, Ed.D. Listeners will walk away from this episode with a solid foundation for creating a classroom of confident and capable writers, and gain a better understanding of the connection between reading and writing, the role of handwriting and spelling, the power of sentences, and the importance of applying cognitive load theory to writing. Download our discussion guide to fuel a professional learning session!

Meet Our Guest(s):

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Judith Hochman, Ed.D.

Judith C. Hochman is the former head of The Windward School and the founder of the Windward Teacher Training Institute in White Plains, New York, as well as the former superintendent of the Greenburgh Graham Free School District in Hastings-on-Hudson, New York. She is the founder of The Writing Revolution, a not-for-profit organization which disseminates evidence-based strategies for writing instruction. Hochman is the author of Basic Writing Skills: A Manual for Teachers and co-author of The Writing Revolution: A Guide to Advancing Thinking Through Writing in All Subjects and Grades (2017, 2024).

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Natalie Wexler

Natalie Wexler is the author of Beyond the Science of Reading: Connecting Literacy Instruction to the Science of Learning. She is also the author of The Knowledge Gap: The Hidden Cause of America’s Broken Education System—and How to Fix It and the co-author, with Judith C. Hochman, of The Writing Revolution: A Guide to Advancing Thinking Through Writing in All Subjects and Grades. She has a free Substack newsletter called Minding the Gap, and she was the host of Season One of the Reading Comprehension Revisited podcast from the Knowledge Matters Campaign. More information is available at her website, www.nataliewexler.com.

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Young-Suk Grace Kim, Ed.D.

Young-Suk Grace Kim, Ed.D., (Harvard University) is a professor at the School of Education, University of California at Irvine. She was a former classroom teacher in San Francisco. Her scholarship focuses on understanding language and literacy development and effective instruction for children from diverse backgrounds. Her areas of research include reading comprehension, reading fluency, listening comprehension and oral language, dyslexia, higher-order cognitive skills, written composition, and reading-writing relations. She has worked extensively with monolingual children and multilingual children from various linguistic backgrounds including English, Korean, Chinese, Spanish, and Kiswahili. Her research has been supported by over $60 million in grants from the Institute of Education Sciences, the U.S. Department of Education, the National Institute of Child Health and Human Development, and the National Science Foundation. Her work was recognized by several awards, including the 2012 Presidential Early Career Award for Scientists and Engineers (PECASE) by former President Barack Obama, the Developing Scholar Award, and the Robert M. Gagne Outstanding Student Research Award. She is an American Educational Research Association (AERA) Fellow, and serves as the editor-in-chief for Scientific Studies of Reading and the chair of the California Reading Difficulties Risk Screener Selection Panel (RDRSSP), appointed by the California State Board of Education.

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Steve Graham, Ed.D.

Steve Graham is a Regents’ and Warner Professor at Arizona State University’s Mary Lou Fulton College for Teaching and Learning Innovation. For 47 years, he has studied how writing develops, how to teach it effectively, and how it can be used to support reading and learning. In recent years, he has been involved in the development and testing of digital tools for supporting writing and reading through a series of grants from the Institute of Educational Sciences and the Office of Special Education Programs in the U.S. Department of Education. His research involves the development of writers with special needs in both elementary and secondary schools, much of which occurs in urban schools. Graham has received many awards for his contributions to literacy and was selected to the Reading Hall of Fame in 2018. He is a fellow of the American Educational Research Association, Division 15 of the American Psychological Association, and of the International Academy for Research in Learning Disabilities.

Meet our host, Susan Lambert

Susan Lambert is chief academic officer of literacy at Amplify and host of Science of Reading: The Podcast. Throughout her career, she has focused on creating high-quality learning environments using evidence-based practices. Lambert is a mom of four, a grandma of four, a world traveler, and a collector of stories.

As the host of Science of Reading: The Podcast, Lambert explores the increasing body of scientific research around how reading is best taught. As a former classroom teacher, administrator, and curriculum developer, Lambert is dedicated to turning theory into best practices that educators can put right to use in the classroom, and to showcasing national models of reading instruction excellence.

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Quotes

“The Science of Reading encapsulates decades of research about both reading and writing—because if writing was never invented, we would not have to teach kids how to read.”

—Susan Lambert

"What we see with exceptional teachers is they have their kids write."

—Steve Graham, Ed.D.

“This is not learned by osmosis. And it's not learned by vague feedback like, 'Make it better,' or 'Add more details.' You've got to be very granular.”

—Judith Hochman, Ed.D.